Podcasts about Holland

“A large part of what you bring to work affects everybody else around you, so if you bring joy that becomes infectious, that infection makes the whole place more joyful.”Dipak Golechha is Chief Financial Officer of Palo Alto Networks, the world's leading enterprise cybersecurity company, where Dipak leads global finance and operations. A seasoned finance leader, prior to Palo Alto Networks, Golechha held a variety of global leadership and executive roles around the globe. Prior to joining Palo Alto Networks, Dipak served as CEO of Excelligence Learning Corporation, a childhood education company backed by private equity. Before that, Dipak was CFO at The Nature's Bounty Company, a $3+ billion health and wellness consumer products company with brands including Holland & Barrett. Dipak also spent seven transformative months as CFO of Chobani, helping structure the rapidly growing company through capital raising and private equity partnerships. Dipak spent 18 years at Procter & Gamble in finance and operations leadership roles across multiple geographies. His P&G career began in London before an early expatriate assignment to Caracas, Venezuela. He held finance leadership positions in the Clairol acquisition, corporate treasury, global M&A, and became Global Divisional CFO and COO for Pringles—one of P&G's youngest executives in this role. His final position was leading finance for the global feminine care division. Dipak serves on the board of Spring Health, and holds a B.A. and M.A. in Economics from St. John's College, Cambridge University, This conversation is hosted by P&G Alum Sudha Ranganathan, who's spent over 19 years in diverse Marketing leadership roles at companies like P&G, PayPal, and LinkedIn where she's honed her passion for customer-centric marketing and talent development.This is a sponsored episode with our partners at Palo Alto Networks, a proud global presenting sponsor of the P&G Alumni Network. Interested to feature your company and executives on the P&G Alumni Podcast? Reach out to jswuest@pgalums.com

Bob finally listened to Don't Die! And he liked it! And he can kinda see why you like it! Bob's connecting with Don't Die fans in Sweden, Thelonious Monster live on national TV in Holland, TSOL's final(?) show, Bob wants to talk to school shooters, the DSM is gonna split the Bordeline Personality Disorder, catchphrases and buzzwords to empower the lost soul, Chuk is still not a therapist, the new American Great depression and Trump baiting China for World War 3 Stay safe out there! 

John Anderson hosts a candid discussion with Gerard Holland, Freya Leach and Jossiah Langton about the immense social, economic and political pressures facing Gen Z. This generation is often described as disillusioned, anxious, and disengaged, yet beneath the headlines lies a complex story shaped by economic hardship, cultural uncertainty, and a loss of shared meaning. This is a conversation with three young Australians who are working to restore, not dismantle, the institutions that hold society together. From housing affordability and family formation to energy policy and political radicalisation, the discussion considers why confidence has eroded, and what must change if Australia is to recover a sense of shared purpose, responsibility and national continuity. Gerard Holland is the Chief Executive Officer of the Page Research Centre and has previously served as the Director of Outreach and Strategic Partnerships at the Alliance for Responsible Citizenship (ARC). Freya Leach is Co-Host of The Late Debate on Sky News Australia and is the Director of the Centre for Youth Policy at Menzies Research Centre. Jossiah Langton is the Operations and Engagement Manager for FORM Australia Ltd., a not-for-profit inspired by ARC, dedicated to elevating the quality of public leadership and discourse in Australia.

“It was the greatest skate of her life.” Happy New Year! Welcome back to Backstage at the Vinyl Cafe! Light a fire, get a bowl of soup, and a cozy blanket and settle in, because we're celebrating the season today on the show. We've got a story exchange for you, plus an essay Stuart wrote for the radio show about walking on ice. And we have a Dave and Morley story for you about their trip to Europe to skate on the canals. Hosted on Acast. See acast.com/privacy for more information.

Join acclaimed novelist and poet Victoria Redel with Sarah Jessica Parker and editor Adam Moss for a conversation about Redel's absorbing new novel, I Am You, published by Parker's literary imprint, SJP Lit. In this gorgeously crafted historical fiction set in 17th-century Holland, Redel excavates the long-overlooked story of one of the few female Dutch Masters painters, Maria van Oosterwijck, and the complex relationship she developed with her maidservant-turned-apprentice, Gerta Pieters. Following these two women as they navigate the ranks of an elite, male-dominated art world, Redel weaves a story that Sarah Jessica Parker calls "spellbinding… and impossible to forget" — a queer romance for the ages, an ode to artistic creation, and an unforgettable love story set against the heady, sensuous backdrop of the Dutch Golden Age. Praised by novelist Michael Cunningham as "a stunning accomplishment . . . a story of ferocious insights into the human psyche and the drive to create art," hailed by author Benjamin Moser as "an unforgettable picture of the erotic, entangled, tragic nature of art itself," and lauded by novelist Melissa Febos as "a profound achievement," I Am You proves how art reshapes conversations on sexual politics, class, women's rights, and how we tell and retell our histories. In celebration of its launch, hear Redel, Parker, and Moss discuss the novel — how Redel wrote a new kind of queer love story and tale of art history, what made Parker know that she had to share it with the world, and more.

We begin the episode with a loving tribute to President Holland and move on to a discussion of a fraudulent email that was sent out to many members of the Church representing itself as an email coming from the Church while making a series of false claims. We also discuss a litner's email about Joseph Smith's successor and a tremendous scientific experiment on YooHoo performed by a litter in Fairbanks, Alaska.   Link to the YooHoo Scientific Experiment: https://drive.google.com/drive/folders/1-Tg5QE6bRRpsRC_yg7rG82uXzC__dk2m?usp=sharing   Standard of Truth Tour dates for the summer of 2027: ⁠ https://standardoftruth.com/tours ⁠ Sign up for our free monthly email: ⁠ ⁠https://standardoftruthpodcast.substack.com⁠   If you have any questions or possible topics of discussion for upcoming podcasts, please email us at: ⁠⁠questions@standardoftruthpodcast.com

There was a time when a movie title sequence was just the moment you grabbed your popcorn and waited for the real show to start. But in the mid-90s and early 2000's, that changed forever with films like Seven and shows like Mad Men and Stranger Things. The title sequence became a prologue—a metaphor for the film itself. This is a preview of a premium episode. To listen to the full interview, head over to our Substack:https://designbetterpodcast.com/p/mikon-van-gastel Our guest today, Mikon Van Gastel, was right there in the trenches of that revolution. After a formative and intense education at the Cranbrook Academy of Art—where the only teachers were artists in residence and your toughest critics were your peers—Mikon cut his teeth at the legendary studio Imaginary Forces. Today, Mikon is the Co-Founder and Chief Creative Officer of Sibling Rivalry, a hybrid brand studio and production company he founded with his best friend, Joe Wright. They've built a reputation for work that blurs the lines between branding, storytelling, and architecture.z In this episode, we explore the sheer scale of modern experience design. Mikon takes us behind the scenes of his work for the Sphere in Las Vegas—a venue he calls the “Champions League of content creation”. We discuss how to design for shared emotion, balancing the “collective gasp” of a 20,000-person audience with moments of intimate connection. We also dig into the business of creativity. Mikon opens up about the “sleepless nights” of running an agency in a project-based economy and how he refuses to transition fully into a management role, preferring to write treatments and stay hands-on with the work on nights and weekends. Whether you are designing software interfaces or directing films, Mikon's philosophy on collaboration and stripping away the noise to serve the core idea is something we can all learn from. Bio Mikon van Gastel is Director, CEO, and Co-Founder of creative agency Sibling Rivalry, based in New York and Miami. Originally from Holland, he earned his MFA from Cranbrook Academy of Art before launching his career at Imaginary Forces, where he designed award-winning title sequences for feature films and theatrical trailers. Van Gastel's work spans multiple disciplines, with notable projects in architecture and experience design including MoMA's interactive signage system, BMW World in Munich, the digital displays at Santiago Calatrava's World Trade Center Oculus, and most recently, immersive films for the world's first keynote inside The Sphere in Las Vegas. He also created a VR series with renowned curator Paola Antonelli. He continues to direct commercial campaigns and product launches for major brands including Apple TV+, Ford, Google, Target, BVLGARI, and Vogue, working with high-profile talent such as Drake, Taylor Swift, Lionel Messi, and Lewis Hamilton. Van Gastel speaks internationally about design integration and emerging industry trends at cultural and educational institutions worldwide. *** This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. Premium subscribers also get access to the documentary Design Disruptors and our growing library of books: You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. And subscribers at the annual level now get access to the Design Better Toolkit, which gets you major discounts and free access to tools and courses that will help you unlock new skills, make your workflow more efficient, and take your creativity further. Upgrade to paid ***

Safety Jevón Holland speaks to the media Monday following the conclusion of the 2025 season.See omnystudio.com/listener for privacy information.

As a new year begins, leaders are often faced with uncertainty, change, and challenges that cannot be solved with a predetermined plan. In this episode of The Leader's Journey Podcast, Trisha Taylor welcomes Megan Mills for a thoughtful and practical conversation about improvisation and its surprising relevance to leadership and everyday life. Together, they explore how the principles of improv such as trust, listening, shared agreements, and adaptability offer a powerful framework for navigating complexity, collaborating well, and showing up fully when the path forward is unclear. Megan Mills is originally from Waukegan, IL (north of Chicago), went to Hope College in Holland, MI and shortly after graduation, moved to New York City. Her early years in NYC were spent in stage management and personal assistant roles as well as performing, creating, teaching and directing improvisational theatre. Now daily life includes driving her son back and forth to numerous games and practices throughout Queens, NY and the tri-state area. Megan has a passion for organization, The Container Store, and Chicago Cubs. She has also been an advocate, public speaker, and volunteer for the American Heart and Stroke Association for the past 20+ years. Conversation Overview Beginning the year without a script Improv as a tool for adaptive leadership The importance of shared agreements and trust "Yes, and" as a mindset for collaboration Listening, presence, and patience in real time Supporting others instead of competing Improv games as practice for real life skills Applying improv principles to teams and leadership Creating safety and inclusion for all voices Meeting uncertainty with openness and curiosity Resources and References Mentioned Megan Mills at The Leader's Journey Truth in Comedy by Del Close and Charna Halpern Harvard Business Review - Three Improv Exercises That Can Change the Way Your Team Works TED Talks on improv, adaptability, and leadership Improv exercises including Three Headed Expert and listening games  

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

President Jeffrey R. Holland passed away earlier this week, and he and his family have been in my thoughts are prayers. Of course, like so many of you, I loved his words – both the content and the way he delivered his sermons. He had a style that was sincere, powerful, thoughtful, insightful, and so much more. We all loved him so much, and we'll all feel this loss. Of course, I'm sure that President Holland's passing has prompted many people including me to revisit many of this talks and words. I share many quotes that I appreciated and loved from President Holland in this episode. I will miss his amazingly positive influence in my life.

Erin Holland first stepped into the spotlight at the age of 24 when she was crowned Miss World Australia. In the 12 years since, Erin has built a career in which she wears many hats: classical singer, model, television presenter, brand ambassador and cricket commentator. It’s a workload that saw her board more than 130 flights last year, travelling not only the world but jetting between Sydney, where she’s based most of the week, and Brisbane, where she spends weekends with her husband of four years, Australian cricketer Ben Cutting. In today’s episode of the Stellar podcast, Erin opens up about her unconventional living arrangement, how she’s navigated the "old boys" club’ of cricket, and why she decided to open up about her fertility journey – even while she’s still in the middle of it. For support or information about pregnancy loss, visit miscarriageaustralia.com.au. You can follow more of Erin’s story on her Instagram. Watch the full episode with Erin here. Something To Talk About is a podcast by Stellar, hosted by Sarrah Le Marquand Find more from Stellar via Instagram @stellar or stellarmag.com.auSee omnystudio.com/listener for privacy information.

We talked more about Michigan Football in our second hour as EJ Holland from theWolverine.com joined us. He and Huge talked about players that have gone into the transfer portal, talked about what type of guys Coach Whittingham wants to recruit, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, we wrap up D&C 24, but not before detouring through the agricultural merits of buckwheat and the theological weight of consecration.   Gerrit reflects on President Holland's haunting admonition “If you knew what I know, you would run.” and connects it to Oliver Cowdery's call to speak as with the voice of a trumpet.    Standard of Truth Tour dates for the summer of 2027: ⁠ https://standardoftruth.com/tours ⁠ Sign up for our free monthly email: ⁠ ⁠https://standardoftruthpodcast.substack.com⁠   If you have any questions or possible topics of discussion for upcoming podcasts, please email us at: ⁠⁠questions@standardoftruthpodcast.com

Elliot Holland joins us to explore the realities of building and sustaining a high-quality, trust-driven professional business in an era dominated by AI hype, declining marketing efficiency, and algorithmic noise. We discuss skepticism around AI's real-world impact especially in high-stakes financial decisions. We also talk marketing and content strategy, why sensationalism and clickbait may win algorithms but will always repel discerning clients. We also unpack our frustrations with modern marketing platforms like Google, Facebook, and HubSpot as they grow increasingly expensive and benefit from opacity while delivering lower-quality data. The most important thing is authentic conversations, patience, and thoughtful content aimed at a small, qualified audience that can outperform viral reach.  We discuss...  Sustaining a professional services business increasingly depends on trust, judgment, and human relationships rather than scale, speed, or technological hype. There's septicism that AI will meaningfully disrupt high-stakes, people-to-people work, arguing it is largely rebranded machine learning with limited real-world adoption so far. Discerning clients value nuance, experience, and improvisational thinking that cannot be captured in static data sets or automated workflows. AI is a productivity aid for summaries and surface-level tasks, but not a substitute for deep expertise, critical thinking, or accountability. YouTube and podcasts are trust-building tools rather than growth hacks, with success measured by client conversion quality instead of view counts. Algorithms reward "nonsense about nonsense," making platforms misaligned with professionals selling high-trust, high-ticket services. Marketing metrics such as views, impressions, and engagement were described as misleading compared to tracking clicks, conversations, and actual revenue outcomes. Google, Facebook, and HubSpot are operating as "confuse-opolies," benefiting from complexity, opacity, and user lock-in rather than clear results. The rising difficulty of marketing has forced business owners to either deeply understand marketing themselves or risk wasting capital on underqualified vendors. Elliott explained restructuring his marketing around specialized vendors, strict performance accountability, and personal ownership of customer persona definition. Long-form, unscripted conversations often deliver more value than polished, optimized content designed for algorithms. Future marketing success will favor authenticity, clarity, and long-term relationship-building over funnels, gimmicks, and viral reach.   Follow on Facebook: https://www.facebook.com/moneytreepodcast Follow LinkedIn: https://www.linkedin.com/showcase/money-tree-investing-podcast Follow on Twitter/X: https://x.com/MTIPodcast For more information, visit the show notes at https://moneytreepodcast.com/ai-hype-and-clickbait-are-failing-elliott-holland 

As a special year-end episode of the Slow Flowers Podcast, you're invited to join me today in conversation with garden tour producer Lois Moss, and my dear friend, Lorene Edwards Forkner, artist, author, and regular contributor to the Seattle Times. Together, we are planning a one-of-a-kind botanical tour in Spring 2026 – a unique Slow […] The post Episode 749: Floral Tourism visits historic gardens and modern-day flower festivals of Holland and Belgium, with Debra Prinzing, Lorene Edwards Forkner and Lois Moss appeared first on Slow Flowers Podcast with Debra Prinzing.

December 31st, 2025

President Holland passed away on Saturday, Dec 27, 2025. My personal interaction with Elder Holland Elder Holland's "Musket" Speech at BYU His "Tethered Empathy" Cwic Media Website: http://www.cwicmedia.com

In this episode of Future Tech, filmmaker Jason Sherman speaks with Al Holland, NASA's longtime senior operational psychologist, about the human systems behind spaceflight. Holland helped shape how astronauts are selected, trained, and supported for long-duration missions, including the International Space Station and future missions to Mars. Drawing from decades of experience at NASA, Holland discusses how astronauts were selected and trained for long-duration missions, why teamwork and self-regulation matter as much as technical skill, and how isolation, sleep disruption, and separation from family quietly shape performance in space. He also reflects on early astronaut training at places like the Johnsville Centrifuge and how lessons from Cold War research continue to influence modern missions to the International Space Station and future journeys to Mars. This conversation is part of the ongoing research and storytelling behind the documentary “Before the Moon”, which explores the hidden places, people, and systems that made human spaceflight possible.

  President of the Quorum of the 12 Apostles Jeffrey R. Holland passed away in the early hours of Saturday morning. Holly and Greg are joined by Deseret News Editor Sarah Jane Weaver to discuss the life and legacy of President Holland. 

What if your migraine isn't just about pain—but about a nervous system that never got the signal it's safe to rest?In this episode of Migraine Heroes Podcast, host Diane Ducarme explores how the migraine brain can get “stuck” in survival mode—always scanning, bracing, and protecting. Through the lens of neuroscience and Traditional Chinese Medicine, you'll learn what it takes to move from constant vigilance to calm flow.You'll discover:

December 29th, 2025

AMPHIBIOUS LESSONS AND INTERNAL RIVALRIES Colleague Craig Symonds. The Central Pacific drive began with the bloody assault on Tarawa, revealing the difficulties of amphibious warfare against coral reefs and the temper of Marine General Holland "Howlin' Mad" Smith. Nimitz also managed friction with his deputy, John Towers, an aviator who believed only pilots should command carriers. Applying "calculated risk," Nimitz overruled subordinates to strike directly at Kwajalein in the Marshalls, a decision that proved successful. He also gave Marc Mitscher a second chance, allowing him to eventually become a legendary carrier commander despite Spruance'slingering reservations. NUMBER 5 1945 OKINAWA

President Jeffrey R. Holland, President of the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints died Saturday, December 27 at 3:15 a.m. MST, at age 85, from complications associated with kidney disease. Known for his words and the way he expressed them, President Holland will be remembered for the love he shared in nations around the world, where he taught and testified of the reality of Jesus Christ. An educator by profession, he inspired generations with his general conference talks, devotional addresses, missionary messages and social media posts. In almost every corner of the globe, he declared that the “gospel of Jesus Christ is personally precious, everlastingly hopeful and eternally true.” Along the way, he made friends — best friends — everywhere he went, sharing unmatched empathy and offering hope and encouragement.  This special memorial podcast, hosted by Church News executive editor Sarah Jane Weaver, shares President Holland's testimony in his own words. The Church News Podcast is a weekly podcast that invites listeners to make a journey of connection with members of The Church of Jesus Christ of Latter-day Saints across the globe. Hosts Jon Ryan Jensen, editor of the Church News, and Church News reporter Mary Richards share unique views of the stories, events, and people who form this international faith. With each episode, listeners are asked to embark on a journey to learn from one another and ponder, “What do I know now?” because of the experience. Produced by KellieAnn Halvorsen.

There's snow business like snow business (derogatory). For this festive episode, Raven and Campbell share presents and cookie boxes, gush over Rosemary Clooney, and try to make sense of the writing choices in the 1954 Holiday Musical Film, White Christmas. The Snow Cap Recipe: 4 to 5 cups ice 4 ounces ginger simple syrup 4 ounces white rum 1 ounce lime juice Garnish with sugar coated cranberries* and a sprig of rosemary Blend everything minus the cranberries and rosemary in a blender (makes 3-4 drinks). pour into a glass and garnish in a crimus fashion. *Soak fresh cranberries in the ginger simple syrup for about 15 minutes. Coat with granulated sugar and allow time to dry (about an hour). You can support us by donating to: Education Through Music at https://www.classy.org/give/442371/#!/donation/checkout The D'Addario Foundation: http://www.daddariofoundation.org/about/donate  Mr. Holland's Opus Foundation: https://www.mhopus.org/donate/  Email us at boozicals@gmail.com or comment your musical requests or cocktail recommendations! Also be sure to follow us on our Instagram @boozicals for updates on your now favorite podcast.

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The world of prehospital medicine is constantly evolving, driven by new research, technological advancements, and a shared commitment to improving patient care and provider well-being. As EMS professionals, staying informed about these developments goes beyond a professional obligation; it is an opportunity to improve our practice, champion our profession, and ultimately make a greater impact on saving lives. In this article, we will explore some of the latest research findings that are reshaping our field, from workplace culture to cutting-edge technology.   The Culture of Care: Supporting EMS Providers Our work is demanding, both physically and emotionally, and the culture within our agencies plays a critical role in our well-being. A recent systematic review in the International Journal of Environmental Research and Public Health revealed that many EMS providers avoid using organizational mental health services due to stigma and a perception that these programs lack genuine care. The study emphasizes the need for person-centered support and a cultural shift that normalizes seeking help as a sign of strength (Johnston et al., 2025). This cultural component also impacts retention. Another study in the same journal found that agencies with collaborative, team-oriented "clan" cultures had significantly lower turnover rates compared to those with rigid or chaotic structures. For leaders in EMS, fostering a supportive environment is not just about morale. It is a strategic imperative for retaining skilled clinicians (Kamholz et al., 2025).   Professional Recognition: Breaking Barriers Across the globe, paramedics are striving for recognition as integrated healthcare professionals. A qualitative study in BMC Health Services Research identified common barriers, including outdated legislation, inconsistent regulation, and insufficient funding. While the pandemic temporarily highlighted our capabilities, the momentum has waned. The study calls for targeted policy reforms and investments in education and leadership to solidify our role in the broader healthcare system (Feerick et al., 2025). Physical Demands and Injury Prevention The physical toll of our work is undeniable. A scoping review in Applied Ergonomics confirmed that musculoskeletal injuries, particularly to the back, are rampant in EMS. Tasks like handling stretchers and patient extractions are among the most strenuous. The review also highlighted fitness disparities, with male paramedics generally showing more strength but less flexibility than their female counterparts. These findings underscore the need for targeted injury prevention programs and realistic physical standards to keep us safe throughout our careers (Marsh et al., 2025).   Advancements in Cardiac Arrest Care When it comes to cardiac arrest, every second counts. A study in Resuscitation reinforced the value of bystander CPR, showing that dispatcher-assisted CPR significantly improves outcomes for untrained bystanders. For those with prior CPR training, acting independently yielded even better results. This highlights the importance of public CPR education alongside dispatcher support (Tagami et al., 2025). On the scene, our interventions matter immensely. Research in The Journal of Emergency Medicine found that for traumatic cardiac arrest patients, aggressive interventions like prehospital thoracostomy can be lifesaving (McWilliam et al., 2025). Meanwhile, a study in Critical Care Medicine revealed that extracorporeal CPR (ECPR) significantly improves outcomes for patients with refractory ventricular fibrillation, emphasizing the need for early transport to specialized centers.   The Role of Technology in EMS Technology is poised to revolutionize EMS, from dispatch to diagnosis. A study in The American Journal of Emergency Medicine demonstrated that large language models (LLMs) like ChatGPT could prioritize ambulance requests with remarkable accuracy, aligning with expert paramedic decisions over 76 percent of the time. This proof of concept suggests that AI could one day enhance resource allocation in dispatch centers (Shekhar et al., 2025). On the diagnostic front, machine learning is opening new possibilities. For example, a study in Bioengineering showed that analyzing photoplethysmography waveforms could estimate blood loss in trauma patients, offering a non-invasive way to guide resuscitation (Gonzalez et al., 2025). Similarly, research in Medical Engineering & Physics explored using multidimensional data to differentiate ischemic from hemorrhagic strokes in the field, potentially enabling more targeted prehospital care (Alshehri et al., 2025).   Addressing Disparities in Care Equity in EMS is a cornerstone of our profession, yet recent studies highlight troubling disparities. Research in JAMA Network Open found that ambulance offload times were significantly longer in communities with higher proportions of Black residents (Zhou et al., 2025). Another study in JAMA Surgery revealed that Black and Asian trauma patients were less likely to receive helicopter transport compared to White patients. These findings are a call to action for all of us to examine our systems and biases to ensure equitable care for every patient (Mpody et al., 2025).   Looking Ahead The research discussed here represents just a fraction of the advancements shaping EMS today. From improving workplace culture and injury prevention to leveraging AI and addressing systemic inequities, these findings have real-world implications for our protocols, training, and advocacy efforts. As EMS professionals, we have a responsibility to stay informed and apply these insights to our practice. For a deeper dive into these topics and more, I invite you to listen to the podcast, EMS Research with Professor Bram latest episode, https://youtu.be/rt_1AFzSLIk "Research Highlights and Innovations Shaping Our Field.”   References Alshehri, A., Panerai, R. B., Lam, M. Y., Llwyd, O., Robinson, T. G., & Minhas, J. S. (2025). Can we identify stroke sub-type without imaging? A multidimensional analysis. Medical Engineering & Physics. https://doi.org/10.1016/j.medengphy.2025.104364 Feerick, F., Coughlan, E., Knox, S., Murphy, A., Grady, I. O., & Deasy, C. (2025). Barriers to paramedic professionalisation: A qualitative enquiry across the UK, Canada, Australia, USA and the Republic of Ireland. BMC Health Services Research, 25(1), 993. https://doi.org/10.1186/s12913-025-10993-7 Gonzalez, J. M., Holland, L., Hernandez Torres, S. I., Arrington, J. G., Rodgers, T. M., & Snider, E. J. (2025). Enhancing trauma care: Machine learning-based photoplethysmography analysis for estimating blood volume during hemorrhage and resuscitation. Bioengineering, 12(8), 833. https://doi.org/10.3390/bioengineering12080833 Johnston, S., Waite, P., Laing, J., Rashid, L., Wilkins, A., Hooper, C., Hindhaugh, E., & Wild, J. (2025). Why do emergency medical service employees (not) seek organizational help for mental health support?: A systematic review. International Journal of Environmental Research and Public Health, 22(4), 629. https://doi.org/10.3390/ijerph22040629 Kamholz, J. C., Gage, C. B., van den Bergh, S. L., Logan, L. T., Powell, J. R., & Panchal, A. R. (2025). Association between organizational culture and emergency medical service clinician turnover. International Journal of Environmental Research and Public Health, 22(5), 756. https://doi.org/10.3390/ijerph22050756 Marsh, E., Orr, R., Canetti, E. F., & Schram, B. (2025). Profiling paramedic job tasks, injuries, and physical fitness: A scoping review. Applied Ergonomics, 125, 104459. https://doi.org/10.1016/j.apergo.2025.104459 McWilliam, S. E., Bach, J. P., Wilson, K. M., Bradford, J. M., Kempema, J., DuBose, J. J., ... & Brown, C. V. (2025). Should anything else be done besides prehospital CPR? The role of CPR and prehospital interventions after traumatic cardiac arrest. The Journal of Emergency Medicine. https://doi.org/10.1016/j.jemermed.2025.02.010 Mpody, C., Rudolph, M. I., Bastien, A., Karaye, I. M., Straker, T., Borngaesser, F., ... & Nafiu, O. O. (2025). Racial and ethnic disparities in use of helicopter transport after severe trauma in the US. JAMA Surgery, 160(3), 313–321. https://doi.org/10.1001/jamasurg.2024.5678 Shekhar, A. C., Kimbrell, J., Saharan, A., Stebel, J., Ashley, E., & Abbott, E. E. (2025). Use of a large language model (LLM) for ambulance dispatch and triage. The American Journal of Emergency Medicine, 89, 27–29. https://doi.org/10.1016/j.ajem.2025.05.004 Tagami, T., Takahashi, H., Suzuki, K., Kohri, M., Tabata, R., Hagiwara, S., ... & Ogawa, S. (2025). The impact of dispatcher-assisted CPR and prior bystander CPR training on neurologic outcomes in out-of-hospital cardiac arrest: A multicenter study. Resuscitation, 110617. https://doi.org/10.1016/j.resuscitation.2025.110617 Zhou, T., Wang, Y., Zhang, B., & Li, J. (2025). Racial and socioeconomic disparities in California ambulance patient offload times. JAMA Network Open, 8(5), e2510325. https://doi.org/10.1001/jamanetworkopen.2025.10325  

In this episode, the moms welcome back Eli Winfrey! Eli is an author, veteran, autism advocate, podcast host, and founder of Team Winfrey, an organization focused on making a positive impact on others. Eli discusses ways to create self-care practices for busy parents and takes time to discuss the male perspective as they engage in parenting a child on the autism spectrum. Join us for this meaningful discussion with Eli. His life experiences are unique and purposeful, and we are so thankful he took the time to talk with us. We are deeply grateful for your support and look forward to sharing this episode with you! Thank you for listening and connecting with us!Links to Welcome to Holland by Emily Perl Kingsley and the Holland-Schmolland by Laura Krueger Crawford as discussed in the conversation with Eli Winfrey. https://www.emilyperlkingsley.com/welcome-to-hollandhttps://www.txp2p.org/Media/family-stories/Holland_Schmolland.pdfTo learn more about Eli Winfrey and his work go to:www.Teamwinfrey.orgIf you like our podcast, please share, review, and subscribe! You can find us at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Navigating Adult Autism on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Navigatingadultautismpodcast on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Navigatingadultautism.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also find Heather Woodring write about her son Zachary at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Everyday Adventures with Zachary on Facebook⁠

This season, we are considering the Alaska State Motto – “North to the Future” as a model for a positive imagining of Anchorage's future. In this episode, I talk with Kitty Farnham and Ky Holland about Alaska Version 3. AKV3, like this season of the podcast, is imagining the future of Alaska.   We want to hear your positive vision of the future! Record a voice memo on your phone of your positive vision for Anchorage's future and send the audio file to anchorageutc@gmail.com. Please put in the subject line of your email “North to the Future – My Vision.”   www.akv3.com  www.facebook.com/AlaskaV3 www.facebook.com/RepKyHolland https://kyholland.com   #anchoredcity https://anchorageutc.org https://www.facebook.com/AnchorageUTC @AnchorageUTC   Resources Used To Make This Episode: https://en.wikipedia.org/wiki/Angel_of_the_North https://www.adn.com/arts/article/sculpture-personifies-worlds-watchman/2010/04/26/ https://www.adn.com/alaska-beat/article/anchorage-welcomes-massive-new-sculpture/2010/04/26/

Hey everyone, I just wanted to make a public apology to Doug Holland, the owner of Intelligent Exercise and an extraordinary HIT trainer and High-Intensity Training business owner, a man who has contributed so much value to the High-Intensity Training community and certainly to my audience in HIB.   We made a mistake, so a few months ago, back in episode 532, which was called "How to Choose the Best HIT Machines for Your New Garage-Based HIT Studio" with Pete Cerqua, Pete made the comment that Doug's clients load the plate-loaded machines themselves, which was incorrect.   And I think Doug may have reached out to Pete after the episode went live, and if Pete reached out to me to say, "Hey Lawrence, we must apologise in our next episode". And unfortunately, I completely forgot about that. That's my fault, my responsibility. I didn't prepare the next podcast with Pete to ensure that we mention that and that we apologise on that podcast. And we recorded two or three podcasts after that one, so that's completely my fault.    And what we're going to do and what we may have already done by the time this is published is actually remove that excerpt from episode 532, as well as obviously publish this apology, so it's super clear that Doug loads the plate-loaded machines for his clients; he would not ask them to load the machines themselves.    So, apologies to you, Doug.    I hope this had no negative impact on your business. I understand that your clients listen to the show, and they mention it to you. And so hopefully this will clear up any sort of confusion.    Lawrence  

A Sermon for the Fourth Sunday in Advent Philippians 4:4-7 & St. John 1:19-28 by William Klock For the last few months I've been reading Tom Holland's book Dominion.  (That's Tom Holland the historian, not the actor.  Until recently I didn't even know there was an actor because, I guess, I'm a history nerd.)  Anyway, I've been reading a chapter here and a chapter there in between reading other more important things and it's been worthwhile.  Holland isn't a Christian, but this rather large book is nevertheless about the influence that the Gospel, the good news about Jesus, has had in shaping Western Civilisation.  One of the points he stresses is just how brutal and barbaric the ancient world was.  Greeks and Romans knew little of mercy and grace.  Theirs was a dog-eat-dog world.  It was cruel.  The weak were something to be exploited and if they couldn't be exploited, they were a liability and left to fend for themselves.  Nearly a third of the people of the Roman empire were slaves.  Infants were routinely left to die of exposure.  Sexual immorality was everywhere and was a central part of the worship of many gods.  Marital fidelity, especially amongst the wealthy and powerful was uncommon.  Think of the pagan gods of Greece and Rome we learned about in school: petty, capricious, fickle, unloyal, angry, and constantly fighting amongst themselves.  These were the gods the Greeks and the Romans created in their own image.  Whatever problems we see in our world—and it's getting worse the deeper we drift from the Gospel and return to paganism—but however bad you think our world is, theirs was worse.  Brother and Sisters, the gospel has had a profound impact on our world.  And even as gospel virtues go to seed in the secular world and we have distorted and perverted version of love and mercy and justice thrown at us, the very fact that anyone at all in our society cares about things like justice, is because of the powerful impact of the gospel. It's appropriate that Advent comes to us at the darkest time of the year, because it reminds us of the darkness of the world into which Jesus was born.  Surrounded by those pagans, Israel had the light of God's law, but even then, Israel lived in darkness.  They'd returned from their Babylonian exile five hundred years before, but the Lord had never returned to his temple.  The priests kept the lamp lit in the temple—the lamp symbolic of the Lord's presence with his people, but behind the great and heavy curtain, the holy of holies was empty.  And Israel was ruled by a series of pagan empires: the Persians, the Greeks, and then the Romans.  But Israel had her story.  They were the people whom the Lord had delivered from slavery in Egypt.  They knew his character and they knew his faithfulness.  And they knew his promises.  They had faith.  And so they lived in hope and expectant longing.  One day the words of Isaiah—the ones we read in our Old Testament lesson—“Comfort, comfort my people, says your God. Speak tenderly to Jerusalem, and cry to her that her warfare is ended, that her iniquity is pardoned, that she has received from the Lord's hand double for all her sins.”  One day those words would be fulfilled.  And, most people were pretty sure, that day was coming soon.  That's the setting for today's Gospel, which begins at John 1:19. This is the testimony John [the Baptist] gave when the Jews sent priests and Levites from Jerusalem to ask him, “Who are you?”  He confessed, and did not deny, but confessed, “I am not the Messiah.”  “What then?” they asked him, “Are you Elijah?” “I am not,” he replied.  “Are you the Prophet?” And he answered, “No.”  “Well, then who are you?” they said.  “We've got to take an answer back to those who sent us.  Who do you claim to be?”  He said, “I am ‘a voice calling in the wilderness, Make straight the way of the Lord,' just as the prophet Isaiah said.”  (John 1:19-28) So the priests were the spiritual gatekeepers of Israel and when they heard of this prophet, John, preaching and baptising, they sent their people to ask him what he was about—to see if he was legit.  People were talking about John like he was the Messiah—as if he were the one come to fulfil the prophecies of deliverance and salvation.  Was John the one? So they ask, “Who are you?  Who do you claim to be? Elijah?”  Remember that the Prophet Elijah had never died; he was swept up into have by a fiery chariot.  And Malachi had prophesied that “before the great and awesome day of the Lord comes” the Lord would send Elijah back.  Like King Arthur returning to Britain in its hour of greatest need. But John says, “No.  I'm not Elijah.”  He hadn't come to earth in a fiery chariot.  He was the son of Zechariah the priest and his wife, Elizabeth. “Are you the prophet?” they asked.  In Deuteronomy 18 the Lord had promised that he would one day raise up a prophet like Moses, who would declare his words.  Many people thought this prophet would be the Messiah.  But again John answers, “Nope, I'm not the prophet either.”  We get a sense of just how great the longing of these people was.  Like a kid getting up every morning of December and asking his parents if it's Christmas yet, the people of Israel longed for the Messiah to come and set the world to rights, to end the darkness, to once again fill the temple with the glory of the Lord. John was as eager as anyone, but he tells them “No, I'm not the Prophet.”  In fact, John was fulfilling those prophecies—Matthew and Mark tell us as much.   But I think John denied it because he knew people associated the prophecies of Elijah and the Prophet with the Messiah.  John knew he wasn't the Messiah; he was the Messiah's herald.  And so when the priests finally let him speak for himself, he quotes Isaiah 40:3, and says, “I am ‘a voice calling in the wilderness, make straight the way of the Lord.'”  In other words, John was indeed fulfilling prophecy—not as the Messiah, but as the one sent to prepare Israel to receive the Messiah. And that surprised those priests.  People in the past had claimed to be the Messiah.  No one claimed to be his herald.  That was weird.  So they dig deeper.  Look at verses 25-27: They continued to question him, “So why are you baptising, if you aren't the Messiah, or Elijah, or the Prophet?” John answered them, “I'm baptising with water, but there is one standing among you whom you do not know—someone who is to come after me.  I'm not worthy to untie his sandal straps.” For the Jews, baptism was a symbol of cleansing and of ritual purity.  It was a ritual washing.  At this point the other gospel-writers are helpful as they expand on John's answer.  Mark tells us that John's baptism was a baptism of repentance—it was a preparatory act in light of the coming judgement the Messiah would bring.  And Matthew and Luke also report John going on about this one who will come, this one greater than him: “He will baptise you with the Holy Spirit and with fire” (Matthew 3:11, Luke 3:16).  In other words, John is calling Israel to repentance in anticipation of the Messiah, who will fulfil the Lord's promises to set Israel to rights by filling his people with his own Spirit.  The law written on stone tablets would be inscribed on the hearts of God's people so that they could finally fulfil his law of love.  But the Messiah was also coming in judgement.  He would baptise the repentant with God's own Spirit, but he would baptise unrepentant Israel with fire. These are the two sides of the gospel coin.  You can't have one without the other.  Jesus' advent, on the one hand, brought mercy to the repentant, but on the other it also brought judgement on the unrepentant of Israel.  What's important for us here, Brothers and Sisters, is that this exchange between John and the priests reminds us of the Messiah's place in Israel's story and of the faithfulness of God to his promises.  It is this manifestation of the Lord's faithfulness (and of his goodness, mercy, grace, and wisdom) to Israel—something we see brought to its climax in the birth, the death, the resurrection, and the ascension of Jesus, that has drawn us—you and I—to the God of Israel and that, by faith, has incorporated us into the people of God.  Through our union with Jesus, through our incorporation into this people, through our being made adopted sons and daughters of Abraham, you and I have come to know God's mercy and the life of the Spirit, too.  Because of the faithfulness of God, revealed in Jesus and in the power of the gospel, the darkness that Israel knew; that deep, deep darkness full of false gods and wicked kings and evil principalities and powers has been driven away by the light.  The light has come into the darkness, his gospel has thrown those powers down and lit up the world.  And you and I have seen—we live in—the glory of that light.  And knowing that takes us from our Gospel passage today into our Epistle.  Paul writes those wonderful and challenging words in Philippians 4:4: Rejoice in the Lord always; I say again, rejoice. Paul spoke these words to a people surrounded by the dark.  “Rejoice in the Lord always!”  Because being surrounded by the dark, it's awfully easy to forget the light of the gospel.  Just before he wrote this, Paul exhorted two women in the Philippian church, Euodia and Syntyche, to “agree in the Lord”.  These two sisters in the Messiah, once close, once working together in gospel life had some kind of falling out.  We don't know the details, but it was something important enough to prompt Paul to address them publicly.  They'd let the darkness extinguish their light.  Instead of standing as a witness to the victory of Jesus over the principalities and powers of the present wicked age, the local church was letting those powers have their way in their midst.  Brothers and Sisters, don't let that happen.  Paul exhorts them (and us) instead: Let everyone know how gentle and gracious you are.  (Philippians 4:5a) Gentle and gracious.  Paul uses the same description in 2 Corinthians 10 to describe the meekness of Jesus as a model for Christians.  This is gospel light lived out.  What Paul's getting at is that Jesus is the King, but in him we see this amazing display of gracious gentleness.  This is the gentleness we see revealed as Jesus, the one to whom heaven and earth belong, humbled himself to be born one of us, to die on the cross, and to show mercy to his enemies.  And in that, Jesus defeated the powers that held the world in darkness and sin and now, we his people, are called to live that victory out amongst ourselves as witnesses to Jesus' victory and the inauguration of God's kingdom.  This is our Advent stewardship. So consider, Brothers and Sisters, when we demand our rights, when we grasp for power, when we nurse grudges, we undermine our gospel witness—we put on display the very darkness from which we've been delivered by the one who is light.  In contrast Paul calls us to rejoice in the Lord and to manifest Jesus-like gentleness in our relationships.  Jesus' gracious gentleness has forgiven and restored us and that same gracious gentleness ought to shine through us and through the life of the church.  Consider that every time we hold a grudge, allow a relationship to break down, or follow the world's advice to cut those problem or negative people out of our lives, we undermine the Church's witness to the world.  But that's not all. Paul goes on: The Lord is near.  Do not be anxious about anything.  Rather in everything let your requests be made known to God, by prayer, supplication, and with thanksgiving.   There's our Advent theme again: Jesus has given us a job to do.  He's given us a gospel treasure to steward in his absence.  In the meantime, rather than being anxious—and anxiousness is so often the thing that evil uses to manipulate us—instead of being anxious we should take our needs to God.  Jesus made the same point in the Sermon on the Mount.  The pagans worry about what they'll eat, what they'll wear, and where they'll sleep.  God's people should know better than to worry unduly about these things.  The God who fed Israel with manna in the wilderness will provide.  He is faithful to his promises.  The story of his dealings with Israel is the proof and even more so, so is his gift of Jesus, who died and rose again to set us free from sin and death.  So go to the Lord with your needs and ask.  And while you're at it, give thanks, because you know his faithfulness and his love. This is part of the witness of the people of God—it's how we are light in the darkness—and it ties back into rejoicing.  When Paul talks about rejoicing, at least part of what he's got in mind is a public display or a public witness.  The pagan Greeks in Philippi regularly held public celebrations to honour their gods.  And yet the pagans, as Jesus said, were always anxious.  Because their gods never delivered.  Pagan religion was a non-stop game of trial and error, trying to guess what the gods wanted, trying to guess what you may have done wrong to offend them, and then guessing at what you might offer to appease their anger or to ingratiate them to you in order to get what you needed or wanted.  The pagan gods were silent and they were notoriously capricious and unreliable.  And in this context Paul exhorts the Philippian Christians: Rejoice yourselves.  Let the pagans see you celebrating the fact that the Creator of the universe has, through Jesus, made you his own and lives in your midst by his own Holy Spirit.  Let the pagans, who know only mean and capricious gods and who live in a dog-eat-dog world, let them see the gracious gentleness of God in you.  Live in such a way that they see in you the God who humbles himself to die for the sake of his enemies.  And let the pagans see you living in faith, praying in confident thankfulness to the God whose story reveals an unfailing pattern of promise and fulfilment.  Shine the light of Jesus into the darkness of the world.  And if you'll do that, he says in verse 7: The peace of God, which surpasses all understanding, will guard your hearts and your minds in King Jesus.   I think we tend to look at Paul's exhortation here as something we should do in order to experience the peace of God ourselves, but given the context in Philippians, I think Paul's point is actually more about our witness.  If we truly live as stewards of the good news about Jesus, if we truly live as people who know the faithfulness of God revealed in Jesus and particularly in his death and resurrection, if we truly know the life of the Spirit, the peace of God—instead of the strife and anxiety of the world—will guard our hearts and minds in a way that will astound the unbelievers around us. I like to say that Jesus calls us—his church—to be a pocket of new creation in the middle of the old—to be heaven-on-earth people, living Gods' future in the hic et nunc, in the here and now.  Brothers and Sisters, this is how we do that.  And this makes us the John the Baptists of our own place and age as we proclaim the good news about Jesus—how we proclaim and show the world that Jesus has triumphed over the principalities and powers just as he has over sin and death.  And as the world took notice of those tiny and seemingly insignificant Christian communities popping up around the Roman empire, so it will take not of us.  And some will give glory to God as they see his faithfulness, they will come in faith to Jesus and his cross.  But it will also threaten those who are invested in the present age, its pagan gods and sinful systems.  And they will fight back. So we need to ask: Does the world see our joy?  Are we the voice crying in the wilderness?  Are we the royal heralds the Lord has called us to be, summoning the word to let go of its false gods and to come to the Lord Jesus, calling the world away from sin and self and to come to the cross?  And we need to ask how the world is responding to us.  If we're faithfully proclaiming the good news about Jesus, if we're faithfully calling people to repent and to believe, if we're faithfully proclaiming that Jesus is Lord and that his kingdom has come—well—people will respond in one of two ways.  Either they'll believe or they'll get angry—as Herod got angry with John.  There's some of both out there in the world, but overwhelmingly, when I look at how people respond to or think of the church these days in our part of the world, it's often just indifference.  Why? Because we have not been the witnesses God calls us to be.  We are afraid to confront the world with the good news about Jesus and we are half-hearted in our allegiance to his kingdom.  Like old Israel, we pray to God, but we've failed to tear down the old altars to Baal and Asherah—or money, sex, and power.  We name Jesus, but we deal dishonestly in business, we sell our souls to the commercialism that surrounds us, we look to politics or to science as our saviours, and we dabble in the sexual immorality of the age.  We've failed to proclaim the gospel and we justify it, saying that we'll preach it with our lives.  But if we stop to ask what the world sees in our lives, is it really very different?  Does the world see us rejoicing in the Lord?  Does the world see us manifesting the gracious gentleness of Jesus?  Does the world see us living in faithful prayer and trusting in God, or does it see people just as anxious as everyone else?  Does it see enmity and strife and broken relationships or does it see a gospel people living out the healing and reconciling love of Jesus in loving unity?  Does the world see the peace of God ruling our hearts and minds?  Does the world see us, holding high the gospel, as a challenge to its gods and its kings and its sins?  It should.  But sadly, I think that for the Western Church at large, the answer is often “no”. And, all too often, when we do proclaim the gospel, we do so without power or authority.  Think of John boldly declaring the coming judgement and calling Israel to repentance.  It was urgent and powerful.  In contrast we tend to hold the gospel out as good advice, rather than as the good news that it is.  Friends, the gospel is the royal summons to come in faith to Jesus, the world's true Lord—the Lord who has come with mercy so that the repentant will escape when he comes one day in judgement.  This was the power behind John the Baptist' preaching.  But all too often we present the gospel as just another option on the religious smorgasbord—something you might want to try. See if you like it.  See if it works for you.  If not…oh well.  Brothers and Sisters, that's not the gospel.  The gospel is life! The gospel is good news to the people living in the midst of darkness and death: the king who will set the world to rights has come.  And that means the gospel, when preached as it should be, will challenge and upset the Herods and Caesars of our age and all those invested in the false gods of the world. The Advent message is to be prepared.  Jesus has given us a gospel mission to take the good news of his death, his resurrection, and his lordship into the world.  Brothers and Sisters, pray that we will be faithful to our mission—faithful enough to provoke opposition, because that's the kind of faithfulness that also reaps a harvest for the kingdom.  Pray for the holy boldness of John the Baptist and the gracious gentleness of Jesus.  Pray that we will be the salt of the earth and the light of the world.  Pray that the joy of the Lord will overcome us.  Brothers and Sisters, Rejoice!  Rejoice in the Lord always.  Again, I say rejoice. Let's pray: O Lord, come among us, we pray, with your power and strengthen us with your great might; that whereas, through our sins and wickedness we are grievously hindered in running the race that is set before us, your bountiful grace and mercy may speedily help and deliver us; through Jesus Christ your Son our Lord, to whom with you and the Holy Spirit, be honour and glory, now and for ever.  Amen.

While Santa delivers presents to good children in Belgium and Holland, his demonic helper Black Peter stuffs the naughty ones into a sack full of hungry rats, drags them back to his coal mine on a cart pulled by plague-ridden undead rams, and forces them to dig coal forever — or until he gets hungry enough to eat them.Ho ho ho, kids! If you like the stories Santa is telling, tell your friends and family about the Spooky Santa podcast so they can listen too! STORY AND MUSIC CREDITS/SOURCES…
”Black Peter”: https://tinyurl.com/t6tttza“She's Going To Be Mad” by Vevee: https://tinyurl.com/rbcqqoo“Finders Keepers” by Boyd Reynolds: https://tinyurl.com/wkp7uu6All music used with permission of the artists. Spooky Santa theme by Midnight Syndicate (http://amzn.to/2BYCoXZ). All other music by Nicolas Gasparini (http://bit.ly/2LykK0g).***Spooky Santa™ and Weird Darkness® are creations and trademarks of Marlar House Productions and Weird Darkness, LLC. Copyright © Weird Darkness, 2023"I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46https://weirddarkness.com/blackpeter#WeirdDarkness #BlackPeter #ZwartePiet #ChristmasDemon #HolidayHorror #ScaryChristmas #Krampus #DarkChristmas #NaughtyList #SintaNightmare

Zach Dooley joins host Jesse Cohen to react to the trade of Phil Danault. The pair attended the media availability with GM Ken Holland and comment on Danault's time in LA, the impact of the trade and the comments made by Holland to the media.

For The Other Side NDE Videos Visit ️ youtube.com/@TheOtherSideNDEYT Purchase our book on Amazon The Other Side: Stories From the Afterlife https://a.co/d/23Bbbsa  As a child, Holland saw a mysterious figure that left him with a strange sense that something was approaching. When a car struck him soon after, he found himself in a state of pure awareness—weightless, directionless, and unbound by the physical world. A distant light prompted him to move, and that movement returned him to his body as people worked frantically around him. The experience left him certain that consciousness continues beyond the physical and set him on a lifelong path of questioning, observing, and searching for truth.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The descendants of the tribe of Zebulun are notable for their shipbuilding and mining skills.  Many of them settled in Holland and from there spread out to Indonesia, the West Indies and America.  They played a great role in preserving and propagating the Bible in print and fighting for religious freedom. Watch, Listen and Learn 24x7 at PastorMelissaScott.com Pastor Melissa Scott teaches from Faith Center in Glendale. Call 1-800-338-3030 24x7 to leave a message for Pastor Scott. You may make reservations to attend a live service, leave a prayer request or make a commitment. Pastor Scott appreciates messages and reads them often during live broadcasts. Follow @Pastor_Scott on Twitter and visit her official Facebook page @Pastor.M.Scott. Download Pastor Scott's "Understand the Bible" app for iPhone, iPad and iPod at the Apple App Store and for Android devices in the Google Store. Pastor Scott can also be seen 24x7 on Roku and Amazon Fire on the "Understand the Bible?" channel. ©2025 Pastor Melissa Scott, Ph.D. All Rights Reserved

Experience the shores of Lake Michigan with Randy, Caly, and Hillery McAlpine, Marketing and Communications Director, as they explore windmills, breweries, beaches, and other top things to do in a city steeped in Dutch heritage—Holland, Michigan.Get 30% off any RV Destinations Magazine subscription! Visit RVD https://RVDestinationsMagazine.com and use code XMAS30 at checkout to start exploring smarter.Hit the road and save! Book your stay at Love's RV Stop now and get 10% off with code DESTINATIONS10.0CHAPTERS04:44 Love's RV Stop05:34 Windmill Island10:36 Breweries12:53 Food scene15:25 RV Destinations Holiday Deal16:11 Downtown Holland18:40 Tulip Time21:53 Biking23:21 Beaches25:59 Holland Snowmelt System29:10 Recommended Campgrounds 

Katherine's Telling Everybody Everything about her recent trip to York with baby Holland for a mystery surgery that may or may not be the subject of an upcoming docuseries. Either way, you'll know about it soon enough. Fenna Grace officially graduates nursery so now Katherine can say where she went and you MUST go too! It's a paradise. There's trouble in paradise for Bonnie Blue who's been banged up abroad while bringing her sex tour to Indonesia WHICH HAS THE DEATH PENALTY BY FIRING SQUAD just saying. Also, your letters on inappropriate texting, teenaged anxiety, and not being able to cash a cheque in your husband's name. x Hosted on Acast. See acast.com/privacy for more information.

The Sherwood Rangers Yeomanry: From Weekend Soldiers to Tank Veterans — James Holland — Hollandintroduces the Sherwood Rangers Yeomanry, a British "National Guard"-equivalent cavalry regiment that underwent radical organizational transformation during World War II, transitioning from horse-mounted cavalry operations to mechanized armored tank warfare. Holland highlights officer Stanley Christopherson as exemplifying the regiment's evolution from weekend military enthusiasts into battle-hardened combat veterans through intensive operational experience in North Africa. Holland documents that the regiment systematically acquired vital all-arms combat coordination expertise, integrating tank, infantry, and artillery operations during the North African campaign, establishing tactical proficiency essential for the D-Day invasion and subsequent continental operations.

The Chaotic D-Day Landing on Gold Beach — James Holland — Holland recounts the chaotic D-Day landing operations on Gold Beach, wherein the Sherwood Rangers' amphibious swimming tanks confronted severe sea conditions and rapidly shifting naval operational plans that compromised coordination between maritime and ground forces. Holland details the compassionate humanitarian work of Chaplain Leslie Skinner, who methodically recorded casualty information and provided respectful burial ceremonies for fallen soldiers amidst the chaos of contested beach operations. Holland documents the regiment's immediate tactical push inland from Gold Beach toward Bayeux and elevated terrain objectives, establishing secured positions despite organizational confusion and command coordination failures during the initial beach assault phases.

Adverse Weather and the "Immense Humanity" of Chaplain Skinner — James Holland — Holland recounts the invasion operations wherein deteriorating weather conditions necessitated tactical modifications to landing procedures for DD (Duplex Drive) amphibious swimming tanks, forcing commanders to adapt operational plans under combat conditions. Holland emphasizes Reverend Leslie Skinner's "immense humanity" demonstrated through meticulous casualty documentation and dignified burial protocols for the dead despite overwhelming carnage and logistical chaos. Holland documents that the Sherwood Rangers rapidly captured tactical objectives despite suffering early command setbacks and organizational disruption, establishing forward positions and sustaining offensive momentum despite mounting casualties and command coordination challenges characterizing D-Day operations.

 Normandy's Closing Stages: Brutal Ambush and Tank Warfare — James Holland — Holland details the Normandy campaign's final phases, specifically a devastating ambush near the Noireau River where C Squadronsuffered catastrophic losses resulting from separated infantry support and uncoordinated tank-infantry operations. Holland explains British tank force composition, specifically the lethal Firefly variant equipped with high-velocity anti-tank weaponry, which provided enhanced capabilities against German armor. Holland recounts the miraculous survival of tank commander Stan Perry amid the carnage and destruction, documenting his extraordinary escape from near-certain death during the ambush and the psychological toll of witnessing colleagues' annihilation.

The "Long Tail" Logistical Supply and Heroic Resupply Missions — James Holland — Holland explains the critical "Long Tail" logistical support infrastructure that sustained the regiment's operational capability despite mounting casualties during rapid mechanized advance into Belgium. Holland describes the eccentric personality of Baron Lord Leigh, a regimental officer whose unconventional behavior masked genuine leadership capability. Holland recounts a desperate night combat operation at Gheel wherein soldier George Stanton heroically executed resupply missions to a trapped squadron surrounded by German Jagdpanther tank destroyers, demonstrating exceptional courage and logistical improvisation under extraordinary threat conditions.

Winter Combat at Geilenkirchen: Mud, Mines, and Psychological Toll — James Holland — Following the failed Market Garden airborne operation, Holland describes the Sherwood Rangers' grueling winter battle at Geilenkirchensupporting the inexperienced U.S. 84th Division in harsh operational conditions. Holland emphasizes the brutal physical environment wherein mud and saturated terrain severely limited tank maneuverability and operational effectiveness, while psychological stress accumulated among commanders like John Semken, who survived multiple mine explosions and witnessed repeated traumatic losses. Holland documents the compounding physical and psychological exhaustion characterizing winter combat operations and the systematic attrition afflicting both personnel and equipment.

Relentless Drive into Germany: Personal Loss Amid Victory — James Holland — Holland details the regiment's relentless mechanized push into Germany, from the destructive Operation Veritable through the dramatic Rhine Rivercrossing, chronicling the escalating tempo of combat operations. Holland illustrates the war's profound personal costs through the tragedy of Stuart Hills, who experienced overwhelming grief over the death of his closest friend Dennis Elmore merely weeks before German capitulation, embodying the devastating human consequences of protracted warfare. Holland juxtaposes moments of lingering humanity and compassion against the mechanized brutality of tank warfare, documenting how soldiers maintained moral and emotional resilience despite systematic exposure to death and destruction.

Ceasefire and Post-War Legacy — James Holland — Holland describes the final ceasefire order received at a German farmyard, evoking the profound mixture of "immense relief and overwhelming grief" experienced by surviving regiment members who had endured years of combat and witnessed countless comrades' deaths. Hollandtraces the post-war lives of veterans including Arthur Reddish and John Semken, documenting their transition from combat to civilian life and the lasting psychological impact of sustained warfare. Holland concludes by noting that the Sherwood Rangers Yeomanry continues to exist in contemporary Britain as an integral component of the Royal Yeomanry, maintaining institutional continuity and commemorating the regiment's extraordinary combat history and sacrifice during World War II.

In this episode, Ashley welcomes powerhouse entrepreneur Tracy Holland for an expansive conversation about building successful businesses, manifesting abundance, and living in alignment with your true purpose. From founding and exiting Hatch Beauty to launching Plant Apothecary and leading the Inner Fifth women's network, Tracy unpacks her journey, revealing how intuition, authentic problem solving, and serving others are the secret ingredients to millions in revenue, and a fulfilling life.   Ashley and Tracy discuss what makes an entrepreneur truly resilient: navigating setbacks, cultivating energy through purpose, and finding opportunity even when faced with unexpected changes. They talk about embracing challenges as invitations to evolve, listening to intuition, and developing networks built on genuine trust and collaboration. If you're feeling stuck, overwhelmed by setbacks, or unsure of your next move in business or life, this episode offers both motivation and actionable insights.   In This Episode, You'll Learn: Why solving real problems is at the heart of entrepreneurial success, and whether entrepreneurship is right for you How Tracy forged high-impact business relationships (with celebrities, retailers, and more) through integrity and over-delivering How your purpose, and the energy it brings sets you apart and fuels resilience What it means to "productize" your community and audience. Why intuition is a key business tool and how to better listen to it for major pivots and creative ideas The difference between being a "painkiller" and a "vitamin" in the business world, and why solving urgent problems wins Practical advice for anyone ready to shift, monetize their expertise, and step into a next-level version of themselves This episode is for anyone seeking financial sovereignty, deeper self-acceptance, and clarity on living their purpose, whether you're running a business, building a brand, or simply seeking expansion in your life. Visit shopify.com/youturn and only pay $1 for your first month's trial. Connect with Tracy Holland Instagram: https://www.instagram.com/tracy_m_holland/?hl=en Linkedin: https://www.linkedin.com/in/tracyholland/ Join InnerFifth Revenue Roadmap: https://www.innerfifth.com/revenue-roadmap/ Potential to Powerhouse Podcast: https://potentialtopowerhouse.substack.com/about Connect with Ash: https://www.instagram.com/ashleystahl/ Want to become a professional speaker and skyrocket your personal brand?  Ashley's team at Wise Whisper Agency offers a done-with-you method to get your signature talk written and booked and it's helped more than 100 clients onto the TEDx stage! Head over to WiseWhisperAgency.com/speak  

From Apple News In Conversation: At a time when interest in history is surging, millions of listeners are tuning in to hear historians Dominic Sandbrook and Tom Holland dive into the past on their hit podcast The Rest Is History. Known for sharp banter, vivid details, and engaging narratives, the show has become the world’s most popular history podcast and was named Apple Podcasts’s Podcast of the Year. Sandbrook and Holland join Apple News In Conversation host Shumita Basu to reflect on their favorite moments in American history — from Abraham Lincoln’s presidency to the upheavals of 1968.

In episode 1975, Jack and Miles are joined by co-host of Diva Down, Carmen Laurent, to discuss… Joe Rogan Clip - This Is What’s Blowing His Mind, ICE Recruiting Is Actually Even Worse Than You Can Imagine, Does Gwyneth Paltrow Know What Movies Are? And more! Joe Rogan Clip - This Is What’s Blowing His Mind ICE Recruiting Is Actually Even Worse Than You Can Imagine Robert Downey Jr. teases Gwyneth Paltrow for being 'forever confused' by her own Marvel movies and costars Gwyneth Paltrow awkwardly gave Timothée Chalamet skincare tips after mistaking his ‘Marty Supreme’ makeup for acne LISTEN: Tioga Pass (feat. Rocco Palladino) by Yussef DayesSee omnystudio.com/listener for privacy information.

The littles are taking over in this super special, super fun episode! Korie Robertson is joined by her mom (a.k.a. 2Mama) to talk about why real conversations with kids are so important: for their development, for family dynamics, and honestly, for making those core-memory moments we all hold onto. Then Zane, Holland, John Shepard, Ella, Honey, and Haven hop on the couch to chat with their grandmother and great-grandmother, and it's every bit as adorable as it sounds! This Episode of WHOA That's Good is Sponsored By: https://drinkag1.com/whoa — Get a FREE Welcome Kit with an AG1 Flavor Sampler and a bottle of Vitamin D3 plus K2, when you first subscribe! https://gominno.com — Get your first month FREE when you use code WHOA at sign up. Take advantage of this web-only exclusive offer today! Exclusive $45-off Carver Mat at https://on.auraframes.com/WHOA. Promo Code WHOA - Learn more about your ad choices. Visit megaphone.fm/adchoices