Podcasts about Holland

I'm celebrating 6 years in podcasting today!

Drama on a FridayFirst, a look at the events of the day.Then, Mr. President starring Edward Arnold, originally broadcast January 23, 1949, 77 years ago, He Went to Paris.  The president tries hard to create a "League Of Nations," at the risk of his own health.Followed by Inner Sanctum Mysteries, originally broadcast January 23, 1945, 81 years ago, Death is an Artist starring Lee Bowman.  Four dead cats and a man are found in an apartment...all with their throats slit or their heads cut off! The story of the human victim involves a hated wife and murder.Then, The Adventures of Sherlock Holmes starring Sir John Gielgud and Sir Ralph Richardson,  originally broadcast January 23, 1955, 71 years ago, The Tragedy Of The Gasfitter's Ball. A young lady's husband-to-be disappears on the way to the altar. Sherlock solves the case without ever leaving his room.Followed by The Screen Directors Playhouse,  originally broadcast January 23, 1949, 77 years ago, The Exile starring Douglas Fairbanks Jr.  An adaptation of the 1947 movie that was written and produced by the star Fairbanks.  Guest screen director Max Ophuls introduces the story of Charles II's exile in Holland.Finally, Claudia, originally broadcast January 23, 1948, 78 years ago, Waiting for the Mailman.  No farm for Claudia.   Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

In this episode of the Running Through My Vanes podcast, host Travis Van Es reconnects with musician Taylor Holland. They discuss personal reflections on life, the challenges of parenting, the importance of encouragement, and the journey of pursuing music as a ministry. The conversation also touches on health and fitness, career paths, and the power of music to tell stories and evoke memories. Taylor shares insights on his musical inspirations and the changes in his taste over the years, emphasizing the significance of authenticity in artistry. The episode concludes with a hopeful outlook for the future and a commitment to personal growth.Taylor Holland....Instagramhttps://www.instagram.com/taylorhollandofficial/Taylor Holland....music linkshttps://found.ee/PRAY_TH?utm_source=ig&utm_medium=social&utm_content=link_in_bio

Message us ANONYMOUSLYSo, someone involved with marketing/promoting this new Dutch movie “Reedland” (2025 d. Sven Bresser) reached out to us. They were like “wanna do…whatever it is you do, we don't really know/care, with it,” and we were like “how did you find us? Are you sure YOU think this is a good idea?” They were like “yep. Watch it and do the dance.” And we're like "uuummm, OK.” Then we did the episode, and sent it to them for approval. They were like “wow. Approved. Give these chimps the Nobel Peace Prize.” So, we're just waiting for that now. The Reedcutter will return in Avengers: Floopitty Dooms 1/20!****A member of the “Review Review,” family is in the fight of her life, you can help! - TAP/CLICK Support the show**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

New York Times bestselling author, Jenna Blum, discusses her latest release, MURDER YOUR DARLINGS. When mid-career novelist, Sam Vetiver, is swept off her feet by the A-list author of her dreams, his stalker sets out to steal her new found bliss. The twisted triangle takes a dark turn as one author after another dies, making Sam wonder if she'll be next. “…will have you cracking up while you're checking under your bed.”—Karin Slaughter, New York Times bestselling author Listen in as we chat about how vulnerability sometimes makes us targets for predators, physical and emotional isolation, and why I was hoping for a side braid while mulling over the idea of narcissist camp! https://www.mariesutro.com/twisted-passages-podcast https://www.jennablum.com ABOUT THE AUTHOR: JENNA BLUM is the New York Times and internationally bestselling author of novels THOSE WHO SAVE US, THE STORMCHASERS, and THE LOST FAMILY; novella “The Lucky One” in anthology GRAND CENTRAL; memoir WOODROW ON THE BENCH; audio course “The Author At Work: The Art of Writing Fiction”; and WWII audio drama THE KEY OF LOVE, available on every major podcast streaming platform. Jenna is one of Oprah's Top Thirty Women Writers, with her work published in over 20 countries, and cofounder/CEO of online author interview platform A Mighty Blaze. Jenna's first novel, THOSE WHO SAVE US, won the Ribalow Prize, awarded by Hadassah Magazine and adjudged by Elie Wiesel, and was a Borders pick and the #1 bestselling novel in Holland. In addition to being a career author, Jenna is a professional public speaker, traveling nationally and internationally to talk about her books and work; a veteran teacher, having taught Creative Writing and novel workshops for Boston University, Grub Street Writers, and other institutions for 25+ years; an editor for Reedsy; and on-air host for A Mighty Blaze. Jenna is based in Boston with her black Lab, Henry Higgins. For more information about Jenna and her adventures, please visit her website and follow her on Facebook, Twitter/X, Instagram, TikTok, and Substack.

In this episode, I sit down with Sean Holland to break down the Leadership Academy at FENCETECH, along with the growing impact of Veterans in Fence. We talk leadership development, mental health awareness, networking, and why this group course can make a real difference for fence company owners and managers. Whether you're just getting started or are looking to grow your fence business, this is an episode you don't want to miss!Watch the live recording here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/live/U7VkgGvO57MSubscribe to my YouTube for shorter clips of this episode:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCObWyk_pdREnpfoX3Kba-hg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Keep Solids in Holland, Kitty Litter, Reverse Climax, Grey Poop-in, Shart Tank, See More Hoffman, High EQ Males, Hammockabull, Big Yak BurgerYou can now purchase A Listener hats by emailing twointhethinktank@gmail.comCatch up on the 500th episode hereCheck out the sketch spreadsheet by Will Runt hereAnd visit the Think Tank Institute website:Check out our comics on instagram with Peader Thomas at Pants IllustratedOrder Gustav & Henri from Andy and Pete's very own online shopYou can support the pod by chipping in to our patreon here (thank you!)Join the other TITTT scholars on the TITTT discord server hereHey, why not listen to Al's meditation/comedy podcast ShusherAlasdair Tremblay-Birchall: @alasdairtb and instaAnd you can find us on the Facebook right here(Oh, and we love you) Hosted on Acast. See acast.com/privacy for more information.

In Episode Eight, Jazz Podcast Host Dave Reis speaks with guitarist Russ Campoli, about his talent, passion, and dedication. Russ is a prominent jazz educator and musician. He has been widely recognized for his long-tenured career as the Jazz Band Director at New Bedford High School in New Bedford, Massachusetts, where he served in the music department for 34 years. He retired in 2011. Under his direction, the NBHS Jazz Band became a highly competitive ensemble, frequently participating in prestigious events like the Berklee Jazz Festival and the International Association of Jazz Educators (IAJE) festivals. His retirement was famously compared by students to the film Mr. Holland's Opus, highlighting his profound impact on generations of musicians, some of whom went on to professional music careers. The Artist Index's jazz documentarian and Jazz Podcast Series host, Dave Reis, spent nearly 26 years as a Jazz radio show host, among his many other accomplishments. He was one of the original longtime DJs who worked at the former WUSM, which became radio station WUMD, 89.3 FM, on the University of Massachusetts Dartmouth campus. Dave Reis, AKA David Domingo Reis, began as our guest on In-Focus Podcast 154 and In-Focus Podcast 181. He returns once again as the host of our first-ever ten-part jazz podcast series underwritten by the Fiber Optic Center. There is no better host for this series than Dave Reis, a walking, talking jazz encyclopedia and local legend himself. Dave grew up surrounded by and hanging around with many of the jazz greats he will be presenting his ten-part Jazz Podcast Series underwritten by the Fiber Optic Center. Podcasts are also available on your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer, and APPLE PODCASTS Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

Hello Friends, It's finally time to haul this entire operation to the Netherlands as we begin the HOLLAND SAGA (or is it the California Saga?) Either way, we are all very excited for the possibilities that await.  All aboard the Steamboat!  WAIL ON, SAILORS!   Thanks for listening! Wyatt   Patreon Discord Instagram X www.sailonsounds.com sailonpodcast@gmail.com

On this incredible episode of Necronomicast, it is my pleasure to introduce you to Texas Ranger James B. Holland, who has built a reputation as one of the most remarkable investigators in modern law enforcement. With more than 26 years with the Texas State Police, Holland has cracked hundreds of cases, including some of the country's most haunting unsolved crimes.  But his rare gift lies in drawing confessions from the unthinkable: serial killers.  This gripping new series pulls back the curtain on Holland's most complex and chilling cases when KILLER CONFESSIONS: CASE FILES OF A TEXAS RANGER premieres on Tuesday, January 13 at 10/9c on ID. Episodes will be available to stream the next day on HBO Max.     Through Holland's masterful psychological approach, viewers are immersed in the tension of real-time confessions and given a front-row seat to retired Texas Ranger, James Holland, as he reveals his tactics in cases once considered unsolvable. Through interrogation footage, case files, and with the personal reflections of Holland himself, each episode of KILLER CONFESSIONS traces the path from the crime scene to the confession chair and offers unprecedented access into the minds of killers through one of law enforcement's most enigmatic, and successful, figures.    Killer Confessions official website.   Support the Necronomicast at "Buy Me A Coffee"!

Daniel Hettich, Partner, King & Spalding LLP, Emily Cook, Partner, McDermott Will & Schulte, Elizabeth Lippincott, Managing Member, Strategic Health Law, and Susan Banks, Partner, Holland & Knight LLP, discuss some of the latest trends and developments in the world of Medicare, as well as what to expect in 2026. They cover issues related to Part A, Part C (Medicare Advantage), fraud and abuse, and appeals and arbitration. Daniel was Faculty Chair, and Emily, Elizabeth, and Susan were Faculty members, of AHLA's new Medicare 101 Course.Watch this episode: https://www.youtube.com/watch?v=kQ5q_WxdItgLearn more about AHLA's Medicare 101 Course: https://www.americanhealthlaw.org/education-events/101-online-courses/medicare-101Essential Legal Updates, Now in Audio AHLA's popular Health Law Daily email newsletter is now a daily podcast, exclusively for AHLA Comprehensive members. Get all your health law news from the major media outlets on this podcast! To subscribe and add this private podcast feed to your podcast app, go to americanhealthlaw.org/dailypodcast. Stay At the Forefront of Health Legal Education Learn more about AHLA and the educational resources available to the health law community at https://www.americanhealthlaw.org/.

In this episode, I speak with Michaela, an Emmy and Peabody-nominated director who shares her journey through animation, virtual reality, and generative AI. We discuss the evolution of storytelling in the digital age, the importance of authenticity, and the challenges faced by creatives in a rapidly changing industry. Michaela also shares insights into her last project, Echoes of Legend, and offers valuable advice for aspiring filmmakers navigating the complexities of the creative economy.We dig into where AI truly adds value in the creative process, where it creates tension, and why authenticity, emotional intelligence, and disciplined execution matter more than ever for emerging and established creators alike.Key Themes We ExploreHow generative AI is changing filmmaking and creative workflowsThe three lenses for using AI: enhancement, automation, and replacementWhy authenticity is a competitive advantage in the age of AIThe growing pressure on entry-level roles in the creative industryWhy hard work and emotional intelligence still outperform shortcutsThe role of networking and platforms like LinkedIn in building momentumKey TakeawaysAI should expand creative capacity, not erase creative responsibilityFilmmakers must be intentional about how and why they use AI toolsYou can connect with Michaela at https://michaelaternaskyholland.com/ 

Rod Khleif is the host of the world's #1 commercial real estate podcast, Lifetime Cash Flow Through Real Estate Investing, with over 20 million downloads. A best-selling author, speaker, and multifamily investor for more than 40 years, Rod has owned and managed over 2,000 properties and currently owns thousands of apartment units across multiple states. His training programs have helped thousands of investors build cash-flowing portfolios and achieve financial freedom. An immigrant from Holland who started with very little, Rod discovered real estate's potential early and went on to build a career grounded in resilience, discipline, and proven strategy. His students have acquired more than 260,000 multifamily units and raised hundreds of millions in capital, using the systems and mindset principles Rod is known for teaching. Rod's mission is to help people create generational wealth through safe, scalable, recession-resilient multifamily investing. Through his bootcamps, coaching, and free educational platforms, he provides clear guidance for new and experienced investors. Learn more or connect at RodsLinks.com or RodKhleif.com/Connect. During the show we discuss: What inspired Rod Khleif to launch Lifetime Cash Flow Through Real Estate Investing and grow it into the world's #1 commercial real estate podcast Why multifamily real estate is Rod's top vehicle for building long-term wealth, freedom, and legacy How Rod's journey from immigrant to industry leader shaped his mindset-first approach to investing The critical mindset shifts required to scale from zero to thousands of units Why mentorship, systems, and community dramatically accelerate investor success How Rod teaches ethical capital raising, syndication structure, and deal protection Key lessons learned from owning and managing over 2,000 properties—and guiding students to massive results Resources: https://rodslinks.com  https://rodkhleif.com/  

00:00:40 Intro00:05:50 Movie Talk00:08:15 Holiday Games00:12:30 Things in Rings00:15:30 Blood on the Rails00:16:45 Ichor00:19:00 PSA Time00:23:00 Miniature Market00:25:00 Night Soil00:41:00 Tulip Bubble00:57:30 Portal Games00:58:30 Mini Express01:11:00 Outro Every so often, a set of games lands on the table that feels like a curated journey through time and that is what we got in this episode. First up is Night Soil where we are basically poop pushers through the streets of London in the 15th century. This game cleverly challenges players with a worker placement style of game that can fill both rewarding and frustrating at the same time. Then comes Tulip Bubble, which flips the tone entirely. Gone is the damp, stinky sewers—now you're in the bustling markets of 17th‑century Holland, chasing fortunes in the most famous economic bubble in history. The game thrives on timing, speculation, and reading your opponents as much as the market itself. Prices rise, collapse, and ricochet with emotional volatility, and every round feels like a miniature psychological standoff. It's fast, sharp, and deliciously stressful in the best way. Rounding out the games are Mini Express and Ichor, two games that couldn't be more different yet both deliver rich strategic tension. Mini Express is a lean, elegant rail game built on shared incentives: every track you lay and every share you take strengthens someone else as much as you. It's a puzzle of timing, tempo, and subtle positioning. Ichor, on the other hand, plunges players into a Greek mythology world where asymmetric power challenges players in an Othello style game. Its resource‑driven push‑and‑pull creates a brooding atmosphere, rewarding ambition while constantly reminding you that brillant flashes of strategy can suddenly disappear before your next turn. Together, these four games form a wonderfully varied journey each offering its own flavor of tension and delight. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fatal Shooting at Salt Lake City Meetinghouse The Story: A tragic shooting occurred in the parking lot of a meetinghouse on Redwood Road during a funeral, leaving two men dead and six wounded. Why it's first: It is a violent event on church property involving the death of members. It touches on issues of safety at houses of worship. Key Detail: The victims were part of Utah's Tongan community. The Tongan population in Utah is significant; per the 2020 Census, Utah has the largest Tongan population of any state, with over 18,000 residents identifying as Tongan alone or in combination with other races. Angle: Focus on the tragedy of violence interrupting a “celebration of life” and the community response. Funeral of President Jeffrey R. Holland & Leadership Changes The Story: Following President Holland’s passing in late 2025, his funeral is set, and President Dieter F. Uchtdorf has been named Acting President of the Quorum of the Twelve. Why it's important: This is a major shift in the “ecclesiastical org chart.” With President Oaks now President of the Church and Holland passing, the leadership dynamic changes significantly. Visual Aid: Because the hierarchy has shifted rapidly (Nelson passing, then Holland passing), a visual aid helps the audience visualize the new seniority. “The Next Apostle” Speculation The Story: With the vacancy left by President Holland, there is speculation on who President Oaks will call next. Angle: Discuss the Op-Ed suggesting “history making” picks like a Black apostle or someone from a non-traditional background (like a sports coach, though that is unlikely). This is great engagement fodder for listeners. Dissolving the Temple Square Mission The Story: After 30 years, the all-female Temple Square Mission is ending. Sisters from surrounding missions will now rotate in. Why it matters: This is the end of a specific cultural era. The Temple Square sisters were a unique fixture of Church headquarters. Angle: The shift toward “hybrid” missionary work (tours + traditional proselytizing) and the hiring of paid guides to assist. 2026 Mission Leadership Assignments The Story: 188 new mission presidents and companions called; 55 newly created missions. Angle: The sheer volume of new missions indicates the growth or reorganization efforts previously announced by the late President Nelson. Love is Blind Villain “Disowned” The Story: Kacie McIntosh, a cast member on Season 9, claims her LDS family “shunned” her due to her appearance and discussion of sex on the show. Why it matters: This hits the intersection of pop culture and “faith crisis/family dynamics” that resonates with many listeners. Angle: The tension between reality TV fame and conservative religious family values. The “Mysterious” Youth Vote (Data Heavy) The Story: Young Latter-day Saints are identifying less as Republicans, though they still lean conservative on social issues. The Stats: 40% of LDS voters aged 18-29 identify as Republican. 35% identify as Democrat. 25% identify as Independent. Despite the shift in labels, 56% of older Gen Z/Young Millennial members still supported the Republican presidential candidate in 2024. BYU “Hot Mic” Moment The Story: BYU player Therrian Alexander III was caught swearing on a hot mic during the Pop-Tarts Bowl. Angle: A lighthearted but debated topic—the pressure on BYU athletes to represent the “Honor Code” perfectly on national TV versus the reality of high-stakes sports. Ruby Franke & Jodi Hildebrandt Update The Story: An update on the aftermath of the abuse case. Kevin Franke has remarried; Ruby is still in prison; Shari Franke has written a memoir. Why it matters: This story gripped the Mormon internet (and the world). The update provides closure on the family’s attempt to heal. The post Fatal Shooting – Dark Horse Candidate – AoN 1001 appeared first on The Cultural Hall Podcast.

“A large part of what you bring to work affects everybody else around you, so if you bring joy that becomes infectious, that infection makes the whole place more joyful.”Dipak Golechha is Chief Financial Officer of Palo Alto Networks, the world's leading enterprise cybersecurity company, where Dipak leads global finance and operations. A seasoned finance leader, prior to Palo Alto Networks, Golechha held a variety of global leadership and executive roles around the globe. Prior to joining Palo Alto Networks, Dipak served as CEO of Excelligence Learning Corporation, a childhood education company backed by private equity. Before that, Dipak was CFO at The Nature's Bounty Company, a $3+ billion health and wellness consumer products company with brands including Holland & Barrett. Dipak also spent seven transformative months as CFO of Chobani, helping structure the rapidly growing company through capital raising and private equity partnerships. Dipak spent 18 years at Procter & Gamble in finance and operations leadership roles across multiple geographies. His P&G career began in London before an early expatriate assignment to Caracas, Venezuela. He held finance leadership positions in the Clairol acquisition, corporate treasury, global M&A, and became Global Divisional CFO and COO for Pringles—one of P&G's youngest executives in this role. His final position was leading finance for the global feminine care division. Dipak serves on the board of Spring Health, and holds a B.A. and M.A. in Economics from St. John's College, Cambridge University, This conversation is hosted by P&G Alum Sudha Ranganathan, who's spent over 19 years in diverse Marketing leadership roles at companies like P&G, PayPal, and LinkedIn where she's honed her passion for customer-centric marketing and talent development.This is a sponsored episode with our partners at Palo Alto Networks, a proud global presenting sponsor of the P&G Alumni Network. Interested to feature your company and executives on the P&G Alumni Podcast? Reach out to jswuest@pgalums.com

Bob finally listened to Don't Die! And he liked it! And he can kinda see why you like it! Bob's connecting with Don't Die fans in Sweden, Thelonious Monster live on national TV in Holland, TSOL's final(?) show, Bob wants to talk to school shooters, the DSM is gonna split the Bordeline Personality Disorder, catchphrases and buzzwords to empower the lost soul, Chuk is still not a therapist, the new American Great depression and Trump baiting China for World War 3 Stay safe out there! 

John Anderson hosts a candid discussion with Gerard Holland, Freya Leach and Jossiah Langton about the immense social, economic and political pressures facing Gen Z. This generation is often described as disillusioned, anxious, and disengaged, yet beneath the headlines lies a complex story shaped by economic hardship, cultural uncertainty, and a loss of shared meaning. This is a conversation with three young Australians who are working to restore, not dismantle, the institutions that hold society together. From housing affordability and family formation to energy policy and political radicalisation, the discussion considers why confidence has eroded, and what must change if Australia is to recover a sense of shared purpose, responsibility and national continuity. Gerard Holland is the Chief Executive Officer of the Page Research Centre and has previously served as the Director of Outreach and Strategic Partnerships at the Alliance for Responsible Citizenship (ARC). Freya Leach is Co-Host of The Late Debate on Sky News Australia and is the Director of the Centre for Youth Policy at Menzies Research Centre. Jossiah Langton is the Operations and Engagement Manager for FORM Australia Ltd., a not-for-profit inspired by ARC, dedicated to elevating the quality of public leadership and discourse in Australia.

“It was the greatest skate of her life.” Happy New Year! Welcome back to Backstage at the Vinyl Cafe! Light a fire, get a bowl of soup, and a cozy blanket and settle in, because we're celebrating the season today on the show. We've got a story exchange for you, plus an essay Stuart wrote for the radio show about walking on ice. And we have a Dave and Morley story for you about their trip to Europe to skate on the canals. Hosted on Acast. See acast.com/privacy for more information.

Join acclaimed novelist and poet Victoria Redel with Sarah Jessica Parker and editor Adam Moss for a conversation about Redel's absorbing new novel, I Am You, published by Parker's literary imprint, SJP Lit. In this gorgeously crafted historical fiction set in 17th-century Holland, Redel excavates the long-overlooked story of one of the few female Dutch Masters painters, Maria van Oosterwijck, and the complex relationship she developed with her maidservant-turned-apprentice, Gerta Pieters. Following these two women as they navigate the ranks of an elite, male-dominated art world, Redel weaves a story that Sarah Jessica Parker calls "spellbinding… and impossible to forget" — a queer romance for the ages, an ode to artistic creation, and an unforgettable love story set against the heady, sensuous backdrop of the Dutch Golden Age. Praised by novelist Michael Cunningham as "a stunning accomplishment . . . a story of ferocious insights into the human psyche and the drive to create art," hailed by author Benjamin Moser as "an unforgettable picture of the erotic, entangled, tragic nature of art itself," and lauded by novelist Melissa Febos as "a profound achievement," I Am You proves how art reshapes conversations on sexual politics, class, women's rights, and how we tell and retell our histories. In celebration of its launch, hear Redel, Parker, and Moss discuss the novel — how Redel wrote a new kind of queer love story and tale of art history, what made Parker know that she had to share it with the world, and more.

We begin the episode with a loving tribute to President Holland and move on to a discussion of a fraudulent email that was sent out to many members of the Church representing itself as an email coming from the Church while making a series of false claims. We also discuss a litner's email about Joseph Smith's successor and a tremendous scientific experiment on YooHoo performed by a litter in Fairbanks, Alaska.   Link to the YooHoo Scientific Experiment: https://drive.google.com/drive/folders/1-Tg5QE6bRRpsRC_yg7rG82uXzC__dk2m?usp=sharing   Standard of Truth Tour dates for the summer of 2027: ⁠ https://standardoftruth.com/tours ⁠ Sign up for our free monthly email: ⁠ ⁠https://standardoftruthpodcast.substack.com⁠   If you have any questions or possible topics of discussion for upcoming podcasts, please email us at: ⁠⁠questions@standardoftruthpodcast.com

On this episode of Kickin it with the Cru, Neil is on vacation/traveling to the Upper Deck Conference, so Ryan and Tyson discuss Card show in the card shop. Why Mr. Holland's Opus is more entertaining than Jaws, and the frantic trading that occured in the Rbicru7 Fantasy League.

Kasper Dolberg fortæller i dagens afsnit om sin fodboldkarriere og vejen dertil. Vi snakker om beslutningen om at droppe ud af 1.g i Silkeborg for at tage til Holland og satse fuldt ud på fodbolden, og om hvordan det var at flytte til et nyt land og lære et nyt sprog. Samtalen kommer også omkring tiden i Frankrig og om at leve i forskellige lande, både kulturelt og som far. Vi taler om en opvækst, der begyndte som så mange andres med fodbold i fritiden, og om det tidspunkt hvor det hele pludselig blev alvor. Hvad giver man afkald på for at blive professionel, og hvorfor Kasper ikke føler, at han har manglet noget fra sin ungdom. Gå fornøjelse, Christian. Vil du høre resten? Så find hele episoden eksklusivt på Podimo:http://podimo.dk/christian Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lawmakers from Kentucky react to the capture of Venezuela's president, a look at new state laws on the books for 2026, why one community is concerned about license plate readers, and Congressman Barr campaigns on coal in Harlan.

Better Off Dead (1985) was chosen by supporter Susan, and it's one of the most distinctive teen comedies to come out of the mid-1980s. Written and directed by Savage Steve Holland, the film was conceived as a deliberately off-kilter alternative to the more conventional John Hughes–style comedies dominating the era. Holland drew heavily on surreal humor, cartoon logic, and exaggerated visual gags, aiming to make a live-action movie that felt closer to a Looney Tunes short than a traditional teen film. Produced by Warner Bros. on a modest budget, the movie was shot primarily in California and embraced a heightened, artificial look that matched its absurd tone.The production itself was famously contentious. Studio executives reportedly struggled to understand Holland's surreal approach, and star John Cusack later distanced himself from the film, feeling the final cut leaned too far into absurdity. Despite this, the filmmakers were given enough freedom to fully commit to the bizarre visual style, rapid-fire jokes, and unconventional editing choices. While Better Off Dead underperformed theatrically and received mixed reviews on release, it found a second life on VHS and cable television, where audiences embraced its oddball humor. Over time, the film has become a cult classic, celebrated for its unapologetic weirdness and its refusal to play by the rules of standard 1980s teen comedies.Checkout Susan's podcast Geek Girl Soup here.If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryThis winter… high school gets weird.From the twisted mind of Savage Steve Holland comes a teen comedy where nothing behaves like reality, logic takes a holiday, and every problem is dialed up to cartoon levels of insanity. When heartbreak hits and humiliation follows, one teenager spirals into a snow-covered nightmare filled with bizarre neighbors, aggressive paperboys, and challenges that demand absolute commitment.Better Off Dead — where teenage angst meets surreal chaos… and giving up is not an option.Fun FactsBetter Off Dead features several stop-motion and animated sequences, including the famous dancing hamburgers scene, created to mimic cartoon physics in live action.The aggressive paperboy character was played by Demian Slade, whose brief but intense performance became one of the most quoted elements of the film.Actress Kim Darby, who played the protagonist's mother, was already famous for her role in True Grit (1969), making her casting an unexpected generational crossover.Curtis Armstrong (later known for Revenge of the Nerds and Risky Business) appears in one of his early comedy roles, adding to the film's cult appeal.The movie's synth-heavy soundtrack, composed by Rupert Hine, became a cult favorite and was later released as a standalone album.The fictional foreign exchange student characters were deliberately written with exaggerated stereotypes to heighten the film's absurdist tone.Many of the film's jokes are delivered entirely visually, with minimal dialogue, reinforcing its reputation as a comedy that rewards repeat viewings.Better Off Dead is frequently cited by comedians and filmmakers as a precursor to modern surreal comedies, influencing later offbeat humor in film and TV.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

The most polarizing episode yet. This week, Raven loses her mind and Campbell deeply worries about her taste. Together they discuss animal companions, “comic” relief, and an unbelievable cast in the 1998 animated musical film, Quest for Camelot. The Adventurer Recipe: 1 oz herb-infused whisky 0.25 oz lavender syrup 8 oz brown ale Combine all ingredients in a pint glass and gently stir to mix. Garnish with a sprig of sage.   You can support us by donating to: Education Through Music at https://www.classy.org/give/442371/#!/donation/checkout The D'Addario Foundation: http://www.daddariofoundation.org/about/donate  Mr. Holland's Opus Foundation: https://www.mhopus.org/donate/  Email us at boozicals@gmail.com or comment your musical requests or cocktail recommendations! Also be sure to follow us on our Instagram @boozicals for updates on your now favorite podcast.

There was a time when a movie title sequence was just the moment you grabbed your popcorn and waited for the real show to start. But in the mid-90s and early 2000's, that changed forever with films like Seven and shows like Mad Men and Stranger Things. The title sequence became a prologue—a metaphor for the film itself. This is a preview of a premium episode. To listen to the full interview, head over to our Substack:https://designbetterpodcast.com/p/mikon-van-gastel Our guest today, Mikon Van Gastel, was right there in the trenches of that revolution. After a formative and intense education at the Cranbrook Academy of Art—where the only teachers were artists in residence and your toughest critics were your peers—Mikon cut his teeth at the legendary studio Imaginary Forces. Today, Mikon is the Co-Founder and Chief Creative Officer of Sibling Rivalry, a hybrid brand studio and production company he founded with his best friend, Joe Wright. They've built a reputation for work that blurs the lines between branding, storytelling, and architecture.z In this episode, we explore the sheer scale of modern experience design. Mikon takes us behind the scenes of his work for the Sphere in Las Vegas—a venue he calls the “Champions League of content creation”. We discuss how to design for shared emotion, balancing the “collective gasp” of a 20,000-person audience with moments of intimate connection. We also dig into the business of creativity. Mikon opens up about the “sleepless nights” of running an agency in a project-based economy and how he refuses to transition fully into a management role, preferring to write treatments and stay hands-on with the work on nights and weekends. Whether you are designing software interfaces or directing films, Mikon's philosophy on collaboration and stripping away the noise to serve the core idea is something we can all learn from. Bio Mikon van Gastel is Director, CEO, and Co-Founder of creative agency Sibling Rivalry, based in New York and Miami. Originally from Holland, he earned his MFA from Cranbrook Academy of Art before launching his career at Imaginary Forces, where he designed award-winning title sequences for feature films and theatrical trailers. Van Gastel's work spans multiple disciplines, with notable projects in architecture and experience design including MoMA's interactive signage system, BMW World in Munich, the digital displays at Santiago Calatrava's World Trade Center Oculus, and most recently, immersive films for the world's first keynote inside The Sphere in Las Vegas. He also created a VR series with renowned curator Paola Antonelli. He continues to direct commercial campaigns and product launches for major brands including Apple TV+, Ford, Google, Target, BVLGARI, and Vogue, working with high-profile talent such as Drake, Taylor Swift, Lionel Messi, and Lewis Hamilton. Van Gastel speaks internationally about design integration and emerging industry trends at cultural and educational institutions worldwide. *** This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. Premium subscribers also get access to the documentary Design Disruptors and our growing library of books: You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. And subscribers at the annual level now get access to the Design Better Toolkit, which gets you major discounts and free access to tools and courses that will help you unlock new skills, make your workflow more efficient, and take your creativity further. Upgrade to paid ***

Safety Jevón Holland speaks to the media Monday following the conclusion of the 2025 season.See omnystudio.com/listener for privacy information.

As a new year begins, leaders are often faced with uncertainty, change, and challenges that cannot be solved with a predetermined plan. In this episode of The Leader's Journey Podcast, Trisha Taylor welcomes Megan Mills for a thoughtful and practical conversation about improvisation and its surprising relevance to leadership and everyday life. Together, they explore how the principles of improv such as trust, listening, shared agreements, and adaptability offer a powerful framework for navigating complexity, collaborating well, and showing up fully when the path forward is unclear. Megan Mills is originally from Waukegan, IL (north of Chicago), went to Hope College in Holland, MI and shortly after graduation, moved to New York City. Her early years in NYC were spent in stage management and personal assistant roles as well as performing, creating, teaching and directing improvisational theatre. Now daily life includes driving her son back and forth to numerous games and practices throughout Queens, NY and the tri-state area. Megan has a passion for organization, The Container Store, and Chicago Cubs. She has also been an advocate, public speaker, and volunteer for the American Heart and Stroke Association for the past 20+ years. Conversation Overview Beginning the year without a script Improv as a tool for adaptive leadership The importance of shared agreements and trust "Yes, and" as a mindset for collaboration Listening, presence, and patience in real time Supporting others instead of competing Improv games as practice for real life skills Applying improv principles to teams and leadership Creating safety and inclusion for all voices Meeting uncertainty with openness and curiosity Resources and References Mentioned Megan Mills at The Leader's Journey Truth in Comedy by Del Close and Charna Halpern Harvard Business Review - Three Improv Exercises That Can Change the Way Your Team Works TED Talks on improv, adaptability, and leadership Improv exercises including Three Headed Expert and listening games  

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

President Jeffrey R. Holland passed away earlier this week, and he and his family have been in my thoughts are prayers. Of course, like so many of you, I loved his words – both the content and the way he delivered his sermons. He had a style that was sincere, powerful, thoughtful, insightful, and so much more. We all loved him so much, and we'll all feel this loss. Of course, I'm sure that President Holland's passing has prompted many people including me to revisit many of this talks and words. I share many quotes that I appreciated and loved from President Holland in this episode. I will miss his amazingly positive influence in my life.

Erin Holland first stepped into the spotlight at the age of 24 when she was crowned Miss World Australia. In the 12 years since, Erin has built a career in which she wears many hats: classical singer, model, television presenter, brand ambassador and cricket commentator. It’s a workload that saw her board more than 130 flights last year, travelling not only the world but jetting between Sydney, where she’s based most of the week, and Brisbane, where she spends weekends with her husband of four years, Australian cricketer Ben Cutting. In today’s episode of the Stellar podcast, Erin opens up about her unconventional living arrangement, how she’s navigated the "old boys" club’ of cricket, and why she decided to open up about her fertility journey – even while she’s still in the middle of it. For support or information about pregnancy loss, visit miscarriageaustralia.com.au. You can follow more of Erin’s story on her Instagram. Watch the full episode with Erin here. Something To Talk About is a podcast by Stellar, hosted by Sarrah Le Marquand Find more from Stellar via Instagram @stellar or stellarmag.com.auSee omnystudio.com/listener for privacy information.

We talked more about Michigan Football in our second hour as EJ Holland from theWolverine.com joined us. He and Huge talked about players that have gone into the transfer portal, talked about what type of guys Coach Whittingham wants to recruit, and more. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, we wrap up D&C 24, but not before detouring through the agricultural merits of buckwheat and the theological weight of consecration.   Gerrit reflects on President Holland's haunting admonition “If you knew what I know, you would run.” and connects it to Oliver Cowdery's call to speak as with the voice of a trumpet.    Standard of Truth Tour dates for the summer of 2027: ⁠ https://standardoftruth.com/tours ⁠ Sign up for our free monthly email: ⁠ ⁠https://standardoftruthpodcast.substack.com⁠   If you have any questions or possible topics of discussion for upcoming podcasts, please email us at: ⁠⁠questions@standardoftruthpodcast.com

Elliot Holland joins us to explore the realities of building and sustaining a high-quality, trust-driven professional business in an era dominated by AI hype, declining marketing efficiency, and algorithmic noise. We discuss skepticism around AI's real-world impact especially in high-stakes financial decisions. We also talk marketing and content strategy, why sensationalism and clickbait may win algorithms but will always repel discerning clients. We also unpack our frustrations with modern marketing platforms like Google, Facebook, and HubSpot as they grow increasingly expensive and benefit from opacity while delivering lower-quality data. The most important thing is authentic conversations, patience, and thoughtful content aimed at a small, qualified audience that can outperform viral reach.  We discuss...  Sustaining a professional services business increasingly depends on trust, judgment, and human relationships rather than scale, speed, or technological hype. There's septicism that AI will meaningfully disrupt high-stakes, people-to-people work, arguing it is largely rebranded machine learning with limited real-world adoption so far. Discerning clients value nuance, experience, and improvisational thinking that cannot be captured in static data sets or automated workflows. AI is a productivity aid for summaries and surface-level tasks, but not a substitute for deep expertise, critical thinking, or accountability. YouTube and podcasts are trust-building tools rather than growth hacks, with success measured by client conversion quality instead of view counts. Algorithms reward "nonsense about nonsense," making platforms misaligned with professionals selling high-trust, high-ticket services. Marketing metrics such as views, impressions, and engagement were described as misleading compared to tracking clicks, conversations, and actual revenue outcomes. Google, Facebook, and HubSpot are operating as "confuse-opolies," benefiting from complexity, opacity, and user lock-in rather than clear results. The rising difficulty of marketing has forced business owners to either deeply understand marketing themselves or risk wasting capital on underqualified vendors. Elliott explained restructuring his marketing around specialized vendors, strict performance accountability, and personal ownership of customer persona definition. Long-form, unscripted conversations often deliver more value than polished, optimized content designed for algorithms. Future marketing success will favor authenticity, clarity, and long-term relationship-building over funnels, gimmicks, and viral reach.   Follow on Facebook: https://www.facebook.com/moneytreepodcast Follow LinkedIn: https://www.linkedin.com/showcase/money-tree-investing-podcast Follow on Twitter/X: https://x.com/MTIPodcast For more information, visit the show notes at https://moneytreepodcast.com/ai-hype-and-clickbait-are-failing-elliott-holland 

As a special year-end episode of the Slow Flowers Podcast, you're invited to join me today in conversation with garden tour producer Lois Moss, and my dear friend, Lorene Edwards Forkner, artist, author, and regular contributor to the Seattle Times. Together, we are planning a one-of-a-kind botanical tour in Spring 2026 – a unique Slow […] The post Episode 749: Floral Tourism visits historic gardens and modern-day flower festivals of Holland and Belgium, with Debra Prinzing, Lorene Edwards Forkner and Lois Moss appeared first on Slow Flowers Podcast with Debra Prinzing.

President Holland passed away on Saturday, Dec 27, 2025. My personal interaction with Elder Holland Elder Holland's "Musket" Speech at BYU His "Tethered Empathy" Cwic Media Website: http://www.cwicmedia.com

In this episode of Future Tech, filmmaker Jason Sherman speaks with Al Holland, NASA's longtime senior operational psychologist, about the human systems behind spaceflight. Holland helped shape how astronauts are selected, trained, and supported for long-duration missions, including the International Space Station and future missions to Mars. Drawing from decades of experience at NASA, Holland discusses how astronauts were selected and trained for long-duration missions, why teamwork and self-regulation matter as much as technical skill, and how isolation, sleep disruption, and separation from family quietly shape performance in space. He also reflects on early astronaut training at places like the Johnsville Centrifuge and how lessons from Cold War research continue to influence modern missions to the International Space Station and future journeys to Mars. This conversation is part of the ongoing research and storytelling behind the documentary “Before the Moon”, which explores the hidden places, people, and systems that made human spaceflight possible.

  President of the Quorum of the 12 Apostles Jeffrey R. Holland passed away in the early hours of Saturday morning. Holly and Greg are joined by Deseret News Editor Sarah Jane Weaver to discuss the life and legacy of President Holland. 

AMPHIBIOUS LESSONS AND INTERNAL RIVALRIES Colleague Craig Symonds. The Central Pacific drive began with the bloody assault on Tarawa, revealing the difficulties of amphibious warfare against coral reefs and the temper of Marine General Holland "Howlin' Mad" Smith. Nimitz also managed friction with his deputy, John Towers, an aviator who believed only pilots should command carriers. Applying "calculated risk," Nimitz overruled subordinates to strike directly at Kwajalein in the Marshalls, a decision that proved successful. He also gave Marc Mitscher a second chance, allowing him to eventually become a legendary carrier commander despite Spruance'slingering reservations. NUMBER 5 1945 OKINAWA

President Jeffrey R. Holland, President of the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints died Saturday, December 27 at 3:15 a.m. MST, at age 85, from complications associated with kidney disease. Known for his words and the way he expressed them, President Holland will be remembered for the love he shared in nations around the world, where he taught and testified of the reality of Jesus Christ. An educator by profession, he inspired generations with his general conference talks, devotional addresses, missionary messages and social media posts. In almost every corner of the globe, he declared that the “gospel of Jesus Christ is personally precious, everlastingly hopeful and eternally true.” Along the way, he made friends — best friends — everywhere he went, sharing unmatched empathy and offering hope and encouragement.  This special memorial podcast, hosted by Church News executive editor Sarah Jane Weaver, shares President Holland's testimony in his own words. The Church News Podcast is a weekly podcast that invites listeners to make a journey of connection with members of The Church of Jesus Christ of Latter-day Saints across the globe. Hosts Jon Ryan Jensen, editor of the Church News, and Church News reporter Mary Richards share unique views of the stories, events, and people who form this international faith. With each episode, listeners are asked to embark on a journey to learn from one another and ponder, “What do I know now?” because of the experience. Produced by KellieAnn Halvorsen.

While Santa delivers presents to good children in Belgium and Holland, his demonic helper Black Peter stuffs the naughty ones into a sack full of hungry rats, drags them back to his coal mine on a cart pulled by plague-ridden undead rams, and forces them to dig coal forever — or until he gets hungry enough to eat them.Ho ho ho, kids! If you like the stories Santa is telling, tell your friends and family about the Spooky Santa podcast so they can listen too! STORY AND MUSIC CREDITS/SOURCES…
”Black Peter”: https://tinyurl.com/t6tttza“She's Going To Be Mad” by Vevee: https://tinyurl.com/rbcqqoo“Finders Keepers” by Boyd Reynolds: https://tinyurl.com/wkp7uu6All music used with permission of the artists. Spooky Santa theme by Midnight Syndicate (http://amzn.to/2BYCoXZ). All other music by Nicolas Gasparini (http://bit.ly/2LykK0g).***Spooky Santa™ and Weird Darkness® are creations and trademarks of Marlar House Productions and Weird Darkness, LLC. Copyright © Weird Darkness, 2023"I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46https://weirddarkness.com/blackpeter#WeirdDarkness #BlackPeter #ZwartePiet #ChristmasDemon #HolidayHorror #ScaryChristmas #Krampus #DarkChristmas #NaughtyList #SintaNightmare

Winter Combat at Geilenkirchen: Mud, Mines, and Psychological Toll — James Holland — Following the failed Market Garden airborne operation, Holland describes the Sherwood Rangers' grueling winter battle at Geilenkirchensupporting the inexperienced U.S. 84th Division in harsh operational conditions. Holland emphasizes the brutal physical environment wherein mud and saturated terrain severely limited tank maneuverability and operational effectiveness, while psychological stress accumulated among commanders like John Semken, who survived multiple mine explosions and witnessed repeated traumatic losses. Holland documents the compounding physical and psychological exhaustion characterizing winter combat operations and the systematic attrition afflicting both personnel and equipment.

The Sherwood Rangers Yeomanry: From Weekend Soldiers to Tank Veterans — James Holland — Hollandintroduces the Sherwood Rangers Yeomanry, a British "National Guard"-equivalent cavalry regiment that underwent radical organizational transformation during World War II, transitioning from horse-mounted cavalry operations to mechanized armored tank warfare. Holland highlights officer Stanley Christopherson as exemplifying the regiment's evolution from weekend military enthusiasts into battle-hardened combat veterans through intensive operational experience in North Africa. Holland documents that the regiment systematically acquired vital all-arms combat coordination expertise, integrating tank, infantry, and artillery operations during the North African campaign, establishing tactical proficiency essential for the D-Day invasion and subsequent continental operations.

The Chaotic D-Day Landing on Gold Beach — James Holland — Holland recounts the chaotic D-Day landing operations on Gold Beach, wherein the Sherwood Rangers' amphibious swimming tanks confronted severe sea conditions and rapidly shifting naval operational plans that compromised coordination between maritime and ground forces. Holland details the compassionate humanitarian work of Chaplain Leslie Skinner, who methodically recorded casualty information and provided respectful burial ceremonies for fallen soldiers amidst the chaos of contested beach operations. Holland documents the regiment's immediate tactical push inland from Gold Beach toward Bayeux and elevated terrain objectives, establishing secured positions despite organizational confusion and command coordination failures during the initial beach assault phases.

Adverse Weather and the "Immense Humanity" of Chaplain Skinner — James Holland — Holland recounts the invasion operations wherein deteriorating weather conditions necessitated tactical modifications to landing procedures for DD (Duplex Drive) amphibious swimming tanks, forcing commanders to adapt operational plans under combat conditions. Holland emphasizes Reverend Leslie Skinner's "immense humanity" demonstrated through meticulous casualty documentation and dignified burial protocols for the dead despite overwhelming carnage and logistical chaos. Holland documents that the Sherwood Rangers rapidly captured tactical objectives despite suffering early command setbacks and organizational disruption, establishing forward positions and sustaining offensive momentum despite mounting casualties and command coordination challenges characterizing D-Day operations.

 Normandy's Closing Stages: Brutal Ambush and Tank Warfare — James Holland — Holland details the Normandy campaign's final phases, specifically a devastating ambush near the Noireau River where C Squadronsuffered catastrophic losses resulting from separated infantry support and uncoordinated tank-infantry operations. Holland explains British tank force composition, specifically the lethal Firefly variant equipped with high-velocity anti-tank weaponry, which provided enhanced capabilities against German armor. Holland recounts the miraculous survival of tank commander Stan Perry amid the carnage and destruction, documenting his extraordinary escape from near-certain death during the ambush and the psychological toll of witnessing colleagues' annihilation.

The "Long Tail" Logistical Supply and Heroic Resupply Missions — James Holland — Holland explains the critical "Long Tail" logistical support infrastructure that sustained the regiment's operational capability despite mounting casualties during rapid mechanized advance into Belgium. Holland describes the eccentric personality of Baron Lord Leigh, a regimental officer whose unconventional behavior masked genuine leadership capability. Holland recounts a desperate night combat operation at Gheel wherein soldier George Stanton heroically executed resupply missions to a trapped squadron surrounded by German Jagdpanther tank destroyers, demonstrating exceptional courage and logistical improvisation under extraordinary threat conditions.

Ceasefire and Post-War Legacy — James Holland — Holland describes the final ceasefire order received at a German farmyard, evoking the profound mixture of "immense relief and overwhelming grief" experienced by surviving regiment members who had endured years of combat and witnessed countless comrades' deaths. Hollandtraces the post-war lives of veterans including Arthur Reddish and John Semken, documenting their transition from combat to civilian life and the lasting psychological impact of sustained warfare. Holland concludes by noting that the Sherwood Rangers Yeomanry continues to exist in contemporary Britain as an integral component of the Royal Yeomanry, maintaining institutional continuity and commemorating the regiment's extraordinary combat history and sacrifice during World War II.