Podcast appearances and mentions of Jesse Eisenberg

Jon Bilbao presenta “Esta es tu casa”, nueve relatos atravesados por la memoria, el miedo, la infancia y los muertos, con una vivienda familiar como espacio de refugio, secretos y amenaza. Además, Carlos García Fernández dedica su sección a Beck y a las nuevas revelaciones sobre su vida y la historia que rodeó la creación de “Sea Change”.Desde el Festival de San Sebastián, Conxita Casanovas repasa la última jornada antes de conocerse el palmarés, con títulos como “Wild Horse Nine”, de Martin McDonagh, y “The Debut”, dirigida y protagonizada por Jesse Eisenberg. También nos detenemos en el estreno en salas de “La bola negra”.Analizamos las nuevas consecuencias de la polémica en torno a “Era esto o morir”, de Thelyson Orelien, después de las acusaciones sobre el supuesto uso de inteligencia artificial en su escritura. Nos acercamos además a La verbena de la Paloma, que abre la temporada del Teatro de la Zarzuela, y a “Aida”, con la que comienza la del Gran Teatre del Liceu.La Dra. Elena Rosillo recorre la historia de los cabarets españoles de los años 30 y el ambiente del Paralelo de Barcelona, con espacios como La Criolla y celebramos los 50 años de U2Escuchar audio

Jesse Eisenberg (The Social Network, A Real Pain) drew on his own roots in community theatre to write and direct his latest movie, The Debut. Starring Julianne Moore as a shy housewife-turned-actor and Paul Giamatti as a director pushing her to her limits, the film is inspired by the many unproduced musicals Jesse has penned over the years. He joins Tom Power in the Q studio to discuss The Debut, the relationship between art and anxiety, why some people hate musicals, and the role truth plays in entertainment.

Our September Snubs marathon continues on We Drink & We Watch Things with arguably the most infamous Best Picture loss of the 21st century. For our Best Picture entry in the lineup, we are diving into David Fincher's 2010 masterpiece, The Social Network. In a decision that has aged like milk in the sun, the Academy famously passed over this defining portrait of modern society to award Best Picture to the safe, traditional British period drama The King's Speech.To toast the tragic birth of the modern internet, we are shaking up a custom cocktail by Lemar called "Terms of Service" - a sharp, vibrant concoction. It delivers a strikingly complex, floral-citrus balance with a distinct hue that looks sleek in the glass, but carries a tart, cutting edge that leaves you questioning your privacy settings.This week, we unpack why The Social Network stands as the definitive film of the 21st century. We gush over Aaron Sorkin's razor-sharp, Oscar-winning screenplay, David Fincher's icy, immaculate direction, and Trent Reznor and Atticus Ross's groundbreaking, hypnotic score. We break down the incredible lead performance by Jesse Eisenberg as Mark Zuckerberg, Andrew Garfield's heart-wrenching turn as Eduardo Saverin, and Justin Timberlake's suave, chaotic arrival as Sean Parker. Most importantly, we debate how a movie about the founding of a Harvard dorm-room website managed to capture the greed, alienation, and social dysfunction of the digital age long before the rest of the world even realized what was happening.If you still refresh your feeds out of sheer habit, or if you just want to hear us tear into the Academy for choosing a royal speech therapy lesson over a generational masterpiece, hit play now. We are blending our deep fascination with modern cinema with our usual casual banter, keeping our September Snubs series rolling at full throttle. You don't get to 500 million friends without making a few enemies!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

Oriol Pla recibe el Premio Nacional de Teatro 2026. El actor conoce la noticia en el Festival de San Sebastián, donde presenta Esta soledad, ópera prima de Javier Giner. Premio El Ojo Crítico de Cine 2022, Pla comparte en el programa sus primeras impresiones tras recibir este nuevo galardón.Desde San Sebastián, Conxita Casanovas repasa la sexta jornada del festival, marcada por la presencia de Brad Pitt, que presenta En el corazón de la bestia, y por títulos que aspiran a la Concha de Oro, como The Debut, dirigida y protagonizada por Jesse Eisenberg.Además, Luis Mario presenta Libro azul con mosca, 28 relatos en los que juega con lo cotidiano, lo excepcional y las posibilidades del lenguaje. Abordamos la polémica sobre el supuesto uso de inteligencia artificial en Era esto o morir, de Thelyson Orelien, y nos acercamos a Escribidores, en Cáceres.María Pagés presenta Bilbao Square, su espectáculo más personal, en el que recorre a través del flamenco su crecimiento personal y profesional. Inko Martín repasa la actualidad de la Orquesta y Coro RTVE y Pedro Torrijos recupera la sorprendente historia de los Infantoriums, las exhibiciones de bebés prematuros en incubadoras que contribuyeron a salvar miles de vidas.Escuchar audio

Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by Lee Chang-dong, Werner Herzog, Takashi Miike, Anna Biller, Danny Boyle, Ryusuke Hamaguchi, Zack Snyder, Jesse Eisenberg, Bassam Tariq, SABU, Shinya Tsukamoto, Jordan Firstman, Beth de Araújo, Michael Dowse, and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on PUNISHMENT PARK (1971) + BORN IN FLAMES (1983), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:38 Night before -- HOPE // 13:38-22:12 Day 1 -- COWARD // 22:12-26:03 ALL OF A SUDDEN // 26:03-31:24 A GIRL UNKNOWN // 31:24-34:16 THE UNKNOWN // 34:16-42:07 WILD HORSE NINE // 42:07-50:10 CLUB KID // 50:10-58:41 RIVER // 58:41-1:06:32 Day 2 -- TOY GUN BANDIT // 1:06:32-1:09:54 WILD WILD EAST // 1:09:54-1:15:01 BUCKING FASTARD // 1:15:01-1:22:10 EVERYBODY WANTS TO F**K ME // 1:22:10-1:26:26 GOD BLESS YOU MR. KOPU // 1:26:26-1:28:48 Day 3 -- YOUR MOTHER x3 // 1:28:48-1:38:18 THE FACE OF HORROR // 1:38:18-1:46:35 IN ALASKA // 1:46:35-1:49:16 Day 4 -- I PLAY ROCKY // 1:49:16-1:55:35 THE SURGEON // 1:55:20-1:58:49 BRIAN MULRONEY // 1:58:49-2:05:00 THE LAST PHOTOGRAPH // 2:05:00-2:16:34 Day 5 -- JOSEPHINE // 2:16:34-2:24:03 HALF // 2:24:03-2:26:00 ANCHORS AWEIGH // 2:26:00-2:30:14 VINTAGE VIOLENCE // 2:30:14-2:36:30 THE DEBUT // 2:36:30-2:43:30 Day 6 -- BAD LIEUTENANT: TOKYO // 2:43:30-2:50:42 A TALENT FOR MURDER // 2:50:42-2:56:04 POSSIBLE LOVE // 2:56:04-3:08:50 Day 7 -- LA BOLA NEGRAS // 3:08:50-3:17:00 INK // 3:17:00-3:25:12 THE ASSASSIN(S) // 3:25:12-3:31:25 Day 8 -- TREES ARE WATCHING // 3:31:25-3:38:36 THE STUNT DRIVER // 3:38:36-3:44:56 THE SPIRAL // 3:44:56-3:49:45 CRYSTAL LAKE // 3:49:45-3:55:07 ARRESTED MEMORY // 3:55:07-4:03:14 Day 9 -- LE FAUX SOIR // 4:03:14-4:09:29 MR. NELSON, DID YOU KILL PEOPLE? // 4:09:29-4:21:02 KICK ON // 4:21:02-4:27:07 Outro // 4:27:07-4:31:22 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Ep. 424: Mark Asch on Toronto 2026: Tender Loving Care, The Debut, Misty Green, Idda, The Face of Horror Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2026 Toronto Film Festival kicked off its 51st edition this year, and I saw as many films as I could fit into my visit to the city. Here to talk about a few is Mark Asch, who's writing for a number of publications. Among the titles discussed are the new Mike Leigh movie, Tender Loving Care; The Debut (directed by Jesse Eisenberg, starring Julianne Moore); Misty Green (directed by and featuring Chris Rock, starring Rosalind Eleazar); Idda ( directed by Irene Dionisio); and The Face of Horror (directed by Anna Biller). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

No hay descanso festivalero entre Venecia y San Sebastián y ya estamos por aquí para seguir una edición en la que se despide su director, José Luis Rebordinos, y en la que veremos títulos tan esperados como lo nuevo de Mike Leigh, Jesse Eisenberg, Brad Pitt y mucho cine español. En este episodio os damos las claves de este certamen y repasamos los estrenos con una película de 'Resident Evil', con el lanzamiento de 'Coyote vs. Acme', con un thriller de Guy Ritchie y con el salto al inglés del argentino Pablo Trapero. En televisión, charlamos con Gary Oldman, uno de los artífices del éxito de 'Slow Horses' y la vuelta a las series de espías.

Imogen Poots and Jesse Eisenberg get trapped in fake suburban hell in Vivarium (2019), a quintissential Liminal Horror Film. Who would have guessed that the hot trend in the 2020s would be liminal space horror? Always visually arresting, but often slow, bleak, and depressing, this subgenre has become an out-of-nowhere genre favorite thanks to the wild success of Backrooms. In addition to smashing the box office with over $360 million in earnings, it also attracted young moviegoers, which runs counter to what most marketing experts would expect younger audiences to flock to. The Scariest Things took some time to figure out why this unlikely trend has become so popular in Episode 216: Liminal Horror. Slow burn, or as Mike Campbell will suggest: No burn. Liminal horror takes its time and forces you to stare into the corners of the screen. If you watch long enough, maybe something will happen. Then again, maybe not. That’s the gamble of liminal horror. It also makes jump scares that much more rewarding when they do get sprung. This trope bathes in the uncanny valley. Unsettling. Unnerving. Something just a touch off, creating an atmosphere of unease. This can be with the way people look, or the geometry of the room, or the color of the sky. In this way, liminal horror can be frustrating. And yet, fascinating. Many films that employ this style feel like dreams or nightmares. Characters question the reality of their situation, trapped in a personal hell. Definition: The Horror HQ has a terrific definition. “Liminal horror taps into the eerie feeling evoked by “in-between” spaces, unsettling environments that seem familiar yet uncomfortably off-kilter. Unlike traditional horror, which often relies on monsters, jump scares, or gore, liminal horror creates a more insidious type of fear, drawing on subtle, deeply psychological cues to unnerve and disorient. Rooted in the concept of liminality, this form of horror brings us to places where boundaries blur—between one time, space, or state of being and another—invoking a dread that is both existential and mysterious. “ Liminal Spaces in Design As an architect, I appreciate how the built environment can confuse, shock, or unsettle someone’s experience. The works of MC Escher, Giovanni Piranesi, and Robert Eisenman all confronted viewers with challenging environments. These designers delighted in the visual stress these deliberately agitating fantastical places created. Holocaust Museum, Berlin, by Peter Eisenman Relativity by M.C. Escher The Gothic Arch by Giovanni Piranesi Abandoned Fairytale Castles in Mudurnu Turkey Some of the greatest film auteurs have dabbled in liminal space. Stanley Kubrick. Roman Polanski. Robert Altman. David Lynch. And yet liminal horror has launched the careers of some very young visionary directors: Alex Ullom (It Ends), Kane Parsons (Backrooms), and Kyle Edward Ball (Skinamarink) have arrived out of seemingly nowhere (which is appropriate for the trope). This is an era of A.I. and fake news accusations. Who is to believe what their own eyes are telling them? Don’t expect copious gore or big action sequences in these films. These films also tend to be light on dialogue. The characters often keep their distance from each other. Perhaps liminal horror was born out of the pandemic, when we were all kept apart from each other. Don’t get too close. Dangerous! What these films may lack in adrenaline and bravado is made up for in emotional intelligence. These movies are designed to spark conversations afterward over a cup of coffee. Podcast Episode 216: Exploring Liminal Horror Conceptually, liminal horror is new to the scene. It’s a buzzy topic, but when you do a bit of research, there are a number of films that fit into this trope, though the word liminal hasn’t been applied to these films until recently. Liminal Horror isn’t solely a film style either. Liz Williams brings out two very interesting books to consider when thinking liminally. Check out The House of Leaves, a stunning composition that will force you out of your reading comfort zone. The Complex Forms (2024) House of Leaves (2000) Beyond the Black Rainbow (2010) Images (1972) It Ends (2025) Skinamarink (2022) Begotten (1989) We Used to Live Here (2024) Under the Skin (2013) Vivarium (2019) Backrooms (2026) Exit 8 (2026) Eraserhead (1977) Cube (2010) Undertone (2026) Repulsion (1966) Meander (2020) The Platform (2019) Session 9 (2001) The Cell (2000) The Shining (1980) I Saw the TV Glow (2025) Suspiria (1977) 1408 (2007) The Endless (2017) Smile (2022) Annihilation (2018)

"Dipping sauces are at the core of American culture." "If I have a kid... what if I name her Cinema?" Such insights as these can only be brought to you by the Mixed Bag trio. Did you miss us? Are you on the edge of your seats to find out what we thought of 2005's Cursed, a werewolf movie that was re-shot more times than its central monster was by the LAPD? Well, too bad, because first you'll have to listen to an hour of takes about Whānau Marama New Zealand International Film Festival and the films wherein. We talk about the GOOD (Whistle, Elephants in the Fog, La Bola Negra, Teenage Sex and Death at Camp Miasma, All of a Sudden, La Gradiva, Blue Heron, Everytime, Flesh and Fuel, Big Girls Don't Cry), the BAD (Hope, The Chronology of Water) and the MIXED (Fjord, Coward) of the Fest, before moving on to talk about Wes Craven's hopelessly muddled werewolf flick that at least provided some good "Jesse Eisenberg at a computer" clips for future Social Network fan edits.

On episode 362 of the Awards Watch podcast, it's a full house with Awards Watch Editor-In-Chief joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributors Mark Johnson and Jorge Tenreiro, and AW friend and confidante Christina Birro of Pop Culture Confidential, as we break down last weekend's Telluride Film Festival. It was another whirlwind Telluride for the group, with splashy world premieres including Jesse Eisenberg's The Debut, starring Julianne Moore and Paul Giamatti, Simon Stone's Elsinore, starring Andrew Scott and Olivia Colman, and the big talk of the festival, the surprise TBA of Nathan Fielder and Lance Oppenheim's secret film You Can See Everything, about Theranos fraudster Elizabeth Holmes, which was shot with unprecedented access during the month before she went to prison in 2023. During our zippy and efficient conversation, we talk about our favorite films of the festival (where titles like Club Kid and La Bola Negra pop up), what everyone non-film and film awards-related at the festival was talking about (again, La Bola Negra and Club Kid) and our favorite moments from the many, many parties thrown during this very short window of cinephile celebration. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 46m58s. We'll be back next for the main show talking about director Zach Cregger's new Resident Evil film and with a recap of the Toronto International Film Festival (TIFF), which just kicked off. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

The Oscars Race has exploded after Telluride and Venice. The Acting categories are much more formidable, the Best Picture 10 is all but impossible to predict, surprise documentaries have become headlines, and yet, the Standing Ovation times still don't match. This is one of the wildest years we've ever covered, and the buzz isn't getting any quieter. That's for sure. TELLURIDE PREMIERES: The Debut from Jesse Eisenberg feat. Julianne Moore + Song Category Talk - 1:38 Elsinore starring Andrew Scott + Lead Actor Category Talk - 5:26 Tender Loving Care from Mike Leigh & starring Kate O'Flynn - 10:06 The Liberation starring Carrie Coon + More Lead Actress Talk - 14:18 A Long Winter from Andrew Haigh, starring Fred Hechinger & Caitriona Balfe - 15:53 You Can See Everything from Nathan Fielder + Best Picture Talk - 17:19 Berlin, Sundance & Cannes Film Updates + Turturro & Cruz Talk - 25:59 VENICE PREMIERES: Ink from Danny Boyle + Standing Ovation Talk - 29:05 Wild Horse Nine from Martin McDonagh + Malkovich Shirt Talk - 33:59 Primetime starring Robert Pattinson - 44:24 Possible Love from Lee Chang-dong - 48:05 Bucking Fastard from Werner Herzog, starring Kate & Rooney Mara - 49:54 Oasis: Don't Look Back In Anger - OSCAR NEWS: Inde Navarrette goes Lead - 52:12 All Of A Sudden Actresses pick their categories - 54:58 OUTRO: We discuss our larger presence on social media, the links we never knew we had, and some future plans. Plus, we discuss recent films we've watched and loved or loved to hate. https://linktr.ee/mikemikeandoscar

Send us Fan MailDust off your skinny jeans and grab an Old Fashioned—the Back in Time Brothers are cranking the volume and heading back to the year 2010! Join DJ Paulie and Brother Lou as they team up with DJ Britt to count down the absolute biggest, highest-energy club tracks that defined the start of the decade, alongside a massive look back at the movies, TV moments, headlines, and snacks of 2010. In This Episode:The Top 10 Pop Bangers of 2010 Countdown: DJ Britt runs down the biggest chart-topping monster tracks of the year, featuring Jay-Z & Alicia Keys, Jason Derulo, Enrique Iglesias & Pitbull, Taio Cruz, Lady Gaga, Eminem & Rihanna, B.o.B & Hayley Williams, Usher & will.i.am, Katy Perry & Snoop Dogg, and Kesha. 2010 in the News: From Lady Gaga's raw meat dress at the VMAs and the launch of the very first Apple iPad to LeBron's infamous "Decision," Bieber Fever, Paul the Psychic Octopus, and 2,400-year-old green soup. Box Office Rewind: The rise of the 3D theater craze, emotional goodbyes in Toy Story 3, the dream logic of Christopher Nolan's Inception, Jesse Eisenberg in The Social Network, plus cult gems like Scott Pilgrim vs. The World and Kick-Ass. Peak TV: Netflix rolling out streaming-only plans, the polarizing series finale of Lost, Rick Grimes riding into Atlanta on The Walking Dead, and the late-night showdown between Conan O'Brien and Jay Leno. Rock Talk with Todd Snyder: The dark side of 2010, covering Trent Reznor's extortion case, Bret Michaels' miraculous recovery, remembering Ronnie James Dio, Blink-182's management legal battles, and Slash's solo debut. Retro Snacks: Digging into Pretzel Crisps, Hershey's Drops, the food truck explosion, Smashburger going national, the gourmet cupcake craze, and peak Bacon Mania. The brothers also pause to pay a heartfelt tribute to their friend and colleague Wayne from The Big Hair Show. Tune in & Connect:Catch the show live every Monday at 1:00 PM Central on URL Radio. Visit the archive at backintimebrothers.com.Check out more shows at retrowavemedia.com. Support the showThanks for listening.  Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Gute Laune allerorten, denn Dennis (Lichtspielcast) und Patrick (Bahnhofskino) sprechen über die erste Hälfte von Joachim Triers Filmographie. Aber Spaß (oder Ernst?) beiseite: Was die beiden Herren dann doch überrascht, ist der teils bitterböse Humor in den überwiegend tieftraurigen Geschichten, die der norwegische Regisseur und sein Stammautor Erik Vogt erzählen. Zumindest Triers Spielfilmdebüt AUF ANFANG (Reprise, 2006) kann ganz schön lustig sein, seiner Geschichte rund um gescheiterte Karrieren, Liebschaften und Freundschaften zum Trotz. Wenig bis nichts zu lachen gibt es hingegen im in Drogen, Alkohol und Verzweiflung fast ersaufendem OSLO, 31. AUGUST (2011), dem die beiden Co-Hosts euphorisch Meisterwerk-Qualitäten bescheinigen. Zu solch lobhudeligen Höhenflügen steigt Triers erster und bis Dato einziger englischsprachiger Film LOUDER THAN BOMBS (2015) nicht hinauf, staubt aber Dank seines unter anderem mit Gabriel Byrne und Isabelle Huppert glänzend besetzten Ensemble einige Sympathien ab. Aber was zum Teufel macht eigentlich Jesse Eisenberg in diesem Film?

Gute Laune allerorten, denn Dennis (Lichtspielcast) und Patrick (Bahnhofskino) sprechen über die erste Hälfte von Joachim Triers Filmographie. Aber Spaß (oder Ernst?) beiseite: Was die beiden Herren dann doch überrascht, ist der teils bitterböse Humor in den überwiegend tieftraurigen Geschichten, die der norwegische Regisseur und sein Stammautor Erik Vogt erzählen. Zumindest Triers Spielfilmdebüt AUF ANFANG (Reprise, 2006) kann ganz schön lustig sein, seiner Geschichte rund um gescheiterte Karrieren, Liebschaften und Freundschaften zum Trotz. Wenig bis nichts zu lachen gibt es hingegen im in Drogen, Alkohol und Verzweiflung fast ersaufendem OSLO, 31. AUGUST (2011), dem die beiden Co-Hosts euphorisch Meisterwerk-Qualitäten bescheinigen. Zu solch lobhudeligen Höhenflügen steigt Triers erster und bis Dato einziger englischsprachiger Film LOUDER THAN BOMBS (2015) nicht hinauf, staubt aber Dank seines unter anderem mit Gabriel Byrne und Isabelle Huppert glänzend besetzten Ensemble einige Sympathien ab. Aber was zum Teufel macht eigentlich Jesse Eisenberg in diesem Film?

Robert Lewandowski, Jesse Eisenberg, Anja Rubik, Lech Wałęsa, Maryla Rodowicz, piękne kadry, drony, światła i hasło „POLAND. More than you expected”. Polska Organizacja Turystyczna wydała 7 milionów złotych na nową kampanię promującą Polskę za granicą. Tylko czy za efektownym spotem idzie efekt dla podatnika? W najnowsze „Niszczarce Podatków” rozbieramy na części nie tylko najnowszą kampanię, ale też wieloletnią tradycję państwowego wydawania grubych pieniędzy na promocję, której skuteczność trudno realnie zmierzyć.

THE MINIONS CONQUER HOLLYWOOD—THEN ACCIDENTALLY UNLEASH THEIR OWN MONSTER MOVIE! Limited Time Offer: Make healthy eating simple! Get Huel today with our exclusive offer of 15% OFF online with code REJECTS at https://huel.com/REJECTS — New Customers Only. Thank you to Huel for partnering with and supporting our show! Tara Erickson, John Humphrey & Greg Alba enter 1920s Hollywood for their Minions & Monsters full movie reaction, review, and breakdown of Illumination's latest Despicable Me prequel! New Minions James and Henry crash a silent-film set, become unexpected silver-screen stars, and eventually decide to create their own monster epic using a magical spellbook and some very real creatures. From the Minions' accidental screen debut and outrageous Hollywood mansion parties to the arrival of "talkies," Goomi's summoning, and a chaotic monster production spiraling completely out of control, Tara, John & Greg experience the animation, slapstick, and cinematic mayhem! Minions & Monsters Full Movie Reaction Watch Along:   / thereelrejects   Directed by Pierre Coffin (Despicable Me, Minions) and written by Coffin and Brian Lynch (The Secret Life of Pets), Minions & Monsters features Pierre Coffin as James, Henry, and the Minions, Trey Parker as Goomi (South Park, Despicable Me 3), Allison Janney as Olivia (I, Tonya), Christoph Waltz as Max (Inglourious Basterds), Jeff Bridges as Frank and Elwood (The Big Lebowski), Jesse Eisenberg as Dort (The Social Network), Zoey Deutch as Debbie (Zombieland: Double Tap), Bobby Moynihan as Phillips (Saturday Night Live), and Phil LaMarr as Howard (Futurama). Tara, John & Greg discuss James and Henry's dynamic, the vibrant Old Hollywood setting, silent-film homages, Pierre Coffin's iconic Minion performances, Trey Parker's Lovecraftian Goomi, John Powell's score, the creative monster designs, and how this adventure compares with Minions, The Rise of Gru, and the broader Despicable Me universe! Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the WFHB Local News for Monday, August 17th, 2026. In today's newscast, actor Jesse Eisenberg donated $250,000 to Middle Way House, a local organization supporting survivors of domestic abuse and sexual violence. More from Correspondent Andrew Miller in today's featured interview. You’ll also hear Debbie Fish, a volunteer with Court Appointed Special Advocates. …

Tony Gapastione is a SAG-AFTRA actor, speaker, and the founder and executive director of BraveMaker, a California-based nonprofit that uses film to educate, entertain, and create community through conversations about mental health, justice, diversity, and belonging. Since founding BraveMaker in 2018, he has built a year-round organization that produces a film festival, filmmaker grants, educational programs, networking events, the BraveMaker Academy, and the BraveMaker Podcast, all with the mission of empowering artists and fostering meaningful connection. As a writer, director, and producer, Tony creates character-driven stories about people falling apart who find hope, healing, and belonging through unexpected communities. His recent projects include 33 Days, inspired by the true story of Roger Huang's 33-day hunger strike, and NonProfiting, a heartfelt comedy-drama about rebuilding a life through community. Tony is driven by a simple belief: stories have the power to heal, challenge injustice, build bridges across differences, and inspire people to become brave enough to tell the stories that matter.   / tonygapastione  Khristopher “Squint” Sandifer, our 2026 BraveMaker Culturista, is a Visual Composer, award-winning creative director, photographer, filmmaker, and storyteller whose work bridges culture, technology, and authentic human connection. He has created impactful visual narratives across sports, entertainment, and business, collaborating with some of the world's leading brands and cultural figures. His recent accolades include a 2026 Webby Award People's Voice Winner, a 2026 Clio Award, four Drum Awards including The Drum Awards President's Award, and recognition as part of a New York Times bestselling project. Squint is the primary photographer for Stephen Curry's book Shot Ready. As a director, writer, and producer, he has led documentaries, television projects, commercials, and branded content across multiple platforms. Through every project, he remains committed to creating work that connects, inspires, and leaves a lasting impact.   / iamsquint  Dana Harris-Bridson, our first ever Brave Journalist Honoree, is Senior Vice President and Editor-in-Chief of IndieWire, where she oversees editorial strategy across film, television, and culture and helps guide the publication through a period of rapid industry change. A longtime advocate for independent filmmakers and creative risk-takers, she has played a key role in evolving IndieWire into a forward-looking platform centered on analysis, point of view, and the future of the business. She launched IndieWire's Future of Filmmaking initiative, a cross-platform series of editorial, events, and conversations examining how filmmakers build sustainable careers amid shifting economics, new technologies, and changing audience habits. She also writes and curates In Development, IndieWire's newsletter focused on emerging models, new voices, and the realities shaping today's filmmakers.   / danalharris  Phillip Andre Botello, our 2026 Luminary Actor Honoree, is an award-winning actor known for his memorable performances in The Art of Self-Defense opposite Jesse Eisenberg, as well as Sunset on the River Styx and Pledge. Most recently, he completed filming the upcoming Netflix feature One Attempt Remaining alongside John Cena and a new feature from A24, while also appearing in Season 2 of The Rehearsal with Nathan Fielder. A graduate of the prestigious Juilliard School, Phillip has earned multiple Best Actor awards for his performances in Twenty Nine, Free Pass, and You Still See Dead People. Recognized for his authenticity, emotional depth, and commitment to his craft, Phillip continues to build an impressive body of work across film and television while inspiring fellow artists and audiences alike.   / phillipandrebotello  

You may need your pizza delivered in less than 30 minutes, but we're bringing you laughs and history in under 2 hours! Today, we're talking all about the twisted case of the Pizza Bomber, and the the movie that is totally not based on that case for legal reasons, 30 Minutes or Less! 30 Minutes Or Less stars Jesse Eisenberg, Aziz Ansari, Danny McBride, Nick Swardson, and was directed by Ruben Fleischer. Come listen, it's more fun than having a bomb strapped to ya! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on ApplePodcasts. It helps potential sponsors find the show! Check out The Wholly Roast use promo code RHP26 or Rhist26 Sign up for @Riversidefm: https://www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: https://betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #30minutesorless #ushistory #truecrime #pizzabomber #pennsylvania #apatow #jesseeisenberg #dannymcbride #nickswardson #azizansari #comedymovies #crimemovies #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

Tom and Jenny discuss the surreal fantasy drama about a family of Bigfoots (Bigfeet?) that stars Jesse Eisenberg and Riley Keough. Thanks Gramthars Hammer for renting us the movie! And sorry we cut it a bit short (family emergency; don’t worry, everything worked out okay). Audio version: https://archive.org/download/Movie-Time-Sasquatch-Sunset/Movie%20Time_%20Sasquatch%20Sunset%20%282024%29.mp3 Video version: Please support us on Patreon! Don't … Continue reading Movie Time: Sasquatch Sunset (2024)

Send us Fan MailWelcome back to DRM!We will be mixing it up with traditional, shorter audio only reviews, 4K video reviews for larger films and of course the 4K Hollywood Interviews. Minions & Monsters is a 2026 animated comedy set in 1927 Old Hollywood, where a new trio of Minions—James, Henry, and Ed—accidentally become silent‑era stars after crashing a film set. Their fame collapses once sound movies arrive and expose their inability to follow scripts, pushing them to chase a new dream: making their own monster movie. Armed with a spellbook from a former evil sorcerer boss, they summon creatures to act in their film, befriend a cute Lovecraftian monster, and unintentionally unleash a chaotic, world‑threatening horde.The Minions must then band together to fix the disaster they created, blending slapstick mayhem with colorful Old Hollywood flair. Directed by Pierre Coffin, the film features an all‑star voice cast including Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, and Jeff Bridges. It celebrates creativity, teamwork, and the lovable chaos that defines the Minions' misadventures.Remember to grab your 30 Day Free Audible Trial - Link in the show!Support the showThe audio/video clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

The Digger trailer finally dropped — and we are NOT impressed. Dylan and Craig break down why Tom Cruise's long-awaited political satire from Alejandro González Iñárritu feels more like Scary Movie than Dr. Strangelove, and what it means for the Oscar race. Then: our way-too-early Best Director predictions for the 2027 Academy Awards. Who makes the cut? Christopher Nolan (The Odyssey), Denis Villeneuve (Dune 3), Iñárritu himself, Pavel Pawlikowski (Fatherland), Jesse Eisenberg, Martin McDonagh (Wild Horse Nine), and a bold Olivia Wilde pick that Dylan and Craig disagree on. Plus: Penélope Cruz could run Oscar campaigns for THREE films this year, the Michael biopic's jaw-dropping critic/audience score gulf, and why Luca Guadagnino's Sam Altman biopic Artificial may never get a wide release. Films discussed: Digger, The Odyssey, Dune 3, Fatherland, Wild Horse Nine, The Black Ball, Artificial, Michael, Being Human, Prima Facie, Bunker, The Social Reckoning, Cold War, Roma, Birdman, The Revenant, Eyes Wide Shut, Tropic Thunder.#Oscars #BestDirector #TomCruise #Digger #OscarsOutsider

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. On today's episode, Andy Atherton is reviewing “Minions & Monsters” from 2026 starring Pierre Coffin, Trey Parker, Christoph Waltz, Jeff Bridges & Jesse Eisenberg.

Tonight on Damn You Hollywood we review Minions & Monsters (2026), the latest entry in Illumination's billion-dollar franchise and the seventh film overall in the Despicable Me series. Directed by Pierre Coffin and written by Coffin and Brian Lynch, the film features the familiar Minions alongside a voice cast that includes Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, Bobby Moynihan, and Phil LaMarr. Set in 1927—more than four decades before the events of the first Minions film—the story follows Kevin, Stuart, Bob, and the gang as they head to Old Hollywood with dreams of making their own monster movie. Since the first Minions surprised us with an unexpectedly thoughtful story about purpose, belonging, and finding something larger than oneself to serve, and The Rise of Gru shifted toward a lighter coming-of-age adventure, the question becomes whether this latest prequel recaptures the philosophical weight of the original or settles for slapstick and spectacle. We'll break down the story, animation, performances, themes, and where Minions & Monsters ranks within Illumination's remarkably successful franchise.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Minions & Monsters is an animated comedy film directed by Pierre Coffin and written by Coffin and Brian Lynch. Produced by Illumination, it is the third installment in the Minions prequel series and the seventh installment overall in the Despicable Me franchise. The film stars Coffin as the Minions, alongside Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, Bobby Moynihan, and Phil LaMarr. Taking place in 1927, 41 years before the events of Minions (2015), the film follows the Minions as they aim to make a monster movie of their own in Old Hollywood.Hosted on Ausha. See ausha.co/privacy-policy for more information.

This week, we're unpacking the major shakeups in Hollywood: why Supergirl flopped at the box office and what that means for the DC universe, plus the explosive rumor that DC Studios is already planning a Bane and Deathstroke film. We also follow the drama of Luca Guadagnino's Artificial, dropped by Amazon MGM but picked up by Neon. And for trailer lovers, we've got sneak peeks at Robert Eggers' Werwulf, Jesse Eisenberg's The Debut, and the magical return of the Owens sisters in Practical Magic 2. Don't miss it!

"Minions & Monsters" is a 2026 American animated comedy film directed by Pierre Coffin and written by Coffin and Brian Lynch. Produced by Illumination, it is the third installment in the "Minions" prequel series and the seventh installment overall in the "Despicable Me" franchise. The film stars Coffin as the Minions, alongside Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, Bobby Moynihan, and Phil LaMarr. Taking place in 1927, 41 years before the events of "Minions" (2015), the film follows the Minions as they aim to make a monster movie of their own in Old Hollywood. The film has received positive reviews, with many deeming it the best in the franchise since the first "Despicable Me." Coffin was kind enough to spend some time talking with us about his work and experience making the film, which you can watch or listen to below. Please be sure to check out the film, which is now playing in theaters from Universal Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Supergirl or Super girl? We have a full review of Supergirl, does it deserve all the hate? Xbox just unleashed a culling, and really they need to squash the rumors, and stop raising prices. Physical media is king, and we just multiple reasons for that, as the finger can be pointed purely at Sony.

Wow, it's July! We have a quick little episode to kick off the month and the second half of the year. Here's what we reviewed on the latest Breakfast All Day podcast: MINIONS & MONSTERS. The third Minion movie and the seventh film in the "Despicable Me" franchise is surprisingly hilarious, as those tiny, yellow chaos agents storm Hollywood and invent cinema as we know it. Lots of classic movie references for the adults in the audience and madcap hilarity for everyone, regardless of age. Allison Janney, Trey Parker, Christoph Waltz and Jesse Eisenberg are among the voice cast. In theaters everywhere now. YOUNG WASHINGTON. Before he was the first president of the United States, George Washington was a scrappy upstart with ambitions and mistakes to make. That's the point of this Angel Studios take on the founding father, set in 1755 Virginia. Starring William Franklyn-Miller, Kelsey Grammer, Ben Kingsley and Mary-Louise Parker. Coming soon to a middle school social studies classroom near you, but playing in theaters starting July 3. We'll be back on Friday with a review of "Enola Holmes 3," plus movie news. See you then, and thanks for sharing some of your summer with us. Subscribe to Christy's Saturday matinee newsletter: https://christylemire.beehiiv.com/  

Stewart, Rastislav and Ken are back to decipher the conspiracy of Vivarium, a 2019 release from Fantastic Films and Screen Ireland. Stewart and Ken watched it on Shudder, where at the time of review it was the number one film on the service. The screenplay is by Garret Shanley and Lorcan Finnegan, and Finnegan also directed.The story follows young couple Tom and Gemma, a handyman/landscaper and teacher respectively, looking to purchase their first home together in an unnamed town (possibly in Ireland, where filming took place). They meet an eccentric sales agent named Martin who bids them to follow him to the new development called Yonder, where he promises to show them the first and last home they'll ever own. No sooner has he shown them around, then he vanishes; Tom and Gemma grow frustrated and decide to leave and try again another day. However, what at first seems to be a confusing neighbourhood layout is revealed to be a strange landscape that will not allow them to leave, no matter which way they turn. They eventually run out of gas and decide to stay in the house overnight. Soon, they begin receiving packages of food and other necessities from out of thin air; one package contains an infant boy, who grows at an accelerated pace and gradually takes on the role of their son. Tom literally throws himself into a hole as he tries to dig an escape tunnel in their front yard; he and Gemma grow distant as their new “son” grows into a strange adolescent. More time passes and their son becomes a sinister adult; Tom and Gemma have now realized how trapped they truly are, and receive hints that they aren't the only couple subjected to this experiment.Stewart, Rastislav and Ken all agree that actors Jesse Eisenberg and Imogen Poots as the couple have good chemistry and do their best with the material. They also liked aspects of the production design, visual effects and music. However, they were underwhelmed with the story, and felt that the passive attitudes of the main characters made it difficult to be invested in their fate. There are only vague hints given as to who is pulling the strings in the vivarium, and what these entities hope to learn in order to possibly conquer humanity.Written by Garret Shanley and Lorcan Finnegan, and directed by Lorcan Finnegan. Starring Jesse Eisenberg as Tom, Imogen Poots as Gemma, Jonathan Aris as Martin, Senan Jennings as Young Boy, and Eanna Hardwicke as Older Boy.  Rated R by the MPA for language and some sexuality/nudity. Runtime is one hour and 37 minutes. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unsungcinematics.substack.com

With Toy Story 5 introducing a new villain, Movie Mike explores a surprising Pixar pattern: many of the studio's greatest heroes and villains started with the exact same emotional wounds. From Jessie and Lotso to Buzz Lightyear and Syndrome, he breaks down how Pixar proves that it's not what happens to you that defines you…it's how you choose to respond! In the Movie Review, Mike gives his thoughts on Toy Story 5 starring Tom Hanks and Tim Allen. Woody, Buzz, Jessie and the crew find themselves going up against a new tablet named Lilypad, who thinks she knows what's best for Bonnie, setting up a battle where Toys vs. Tech. Mike shares how they tricked us into watching a remake, if it’s worth paying money to see in theaters and where he thinks it ranks in the franchise. In the Trailer Park, Mike talks about The Social Reckoning, a companion piece to The Social Network which came out in 2010. It focuses on the fallout of the 2021 Facebook leaks, following whistleblower Frances Haugen and Wall Street Journal reporter Jeff Horwitz as they expose the company's internal secrets. Mike wants to know if it’s too late for this movie and why Jesse Eisenberg turned it down. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on Threads: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.

It's been a week of much news and many releases. IndieWire editors Anne Thompson and Ryan Lattanzio unpack the drama around Luca Guadagnino's upcoming Sam Altman biopic "Artificial." They also share their thoughts on the buzzy new trailer for Jesse Eisenberg's second directorial effort: "The Debut" starring Juliane Moore and Paul Giamatti, as well as the news of Google's partnership with A24. Finally they review a slew of new releases, from the Pixar box office smash "Toy Story 5" to the Olivia Wilde directed sex dramedy "The Invite" and the floundering "Supergirl." Check out the trailer for "The Debut" - https://www.indiewire.com/news/trailers/the-debut-movie-trailer-julianne-moore-jesse-eisenberg-1235201503/ Read how Olivia Wilde fought for theatrical for her third feature: https://www.indiewire.com/features/interviews/the-invite-olivia-wilde-rejected-netflix-1235201797/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Stanton has helmed big cinematic successes like FINDING NEMO and WALL-E. He was also a writer on TOY STORY 1, 2, & 4. With TOY STORY 5 he gets his first chance to sit in the directors chair for a TOY STORY film. We've got a review of TOY STORY 5, a discussion of the deal between Google and a24 involving the use of AI in filmmaking, and some discussion of the new films by Taika Waititi and Jesse Eisenberg. Recommendation - The Princess & The Frog Footcandle Film Society 

Christine Romans stops by to highlight the best and most creative ways to find extra cash. Also, Dylan and Al take a road trip down to the Jersey Shore and visit historic Atlantic City. Plus, actor Jesse Eisenberg stops by to talk about his latest role in the new movie “Minions and Monsters”. And, ahead of July 4th, NBC News Entertainment Contributor Chris Witherspoon and VP of Global PR at Virtuoso Misty Belles list out beloved films that capture the American spirit, as well as the iconic destinations that brought them to life.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, John and Darin are watching 2009’s Zombieland, with Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, and Bill Murray! How will Tallahassee, Columbus, [...]

Bunnie Xo dropped more details on her "Dumb Blonde" podcast last night about her pending divorce from Jelly Roll, a big white tent went up at Taylor Swift's RI house, Jesse Eisenberg really hates Mark Zuckerberg, Alix Earle and Benson Boone were spotted on a date right after she appeared in his video. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Don't forget your Daddy! It's Father's Day this weekend.Rumors are swirling that Taylor Swift and Travis Kelce might be actually tying the knot in Rhode Island this weekend.Bunnie Xo and Jelly Roll's divorce keeps getting messier and Bunnie Xo is spilling more details. Amazon has officially dropped the nearly finished film "Artificial" that paints a less than flattering picture of Sam Altman, we dig into why this is a big deal.Brooklyn Beckham is throwing shade at his parents Victoria Beckham and her hot husband David Beckham. We can't believe we JUST found out that Anne Hathaway is pregnant with her third child. Jesse Eisenberg says he will absolutely not play Mark Zuckerberg in a movie and he's got strong feelings about the Facebook billionaire. Comedian Ben Katzner joins us in the studio to talk about haunted houses and Harry Potter. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sam and Lizzie deprogram some serious queer relationship drama in David Fincher's The Social Network starring Jesse Eisenberg, Justin Timberlake, and honorary gay Andrew Garfield. We also debunk the myth that Mark Zuckerberg is an especially good coder, learn how to program, and discover yet another niche ship from the bowels of the gay internet. David Fincher, we heart you please accept our friend request! Follow us on social  @subtextualpod Youtube | Instagram |TikTok | Letterboxd Subtextual is hosted by Lizzie Doria & Sam De La Fuente Edited by Gerald Lee | Engineered by Lee Garcia Produced by Lee Garcia & Gerald Lee & Bruno Doria Music by DJKNEAUX

A propósito del nuevo informe de la Fundación Sol y la Guardia Civil sobre el grooming, comentamos la prohibición de las redes a menores de 16 años en Reino Unido. Además, hemoc conocido que el actor Jesse Eisenberg ha donado de forma altruista un riñón, y nos ponemos en contacto con la Organización Española de Transplantes para conocer las cifras de este tipo de donaciones altruistas en España. Nuño nos explica el alcance de un estudio sobre la relación entre el consumo de Ozempic y los delitos violentos y Jaime García Cantero nos explica los detalles y las derivadas políticas internacionales del apagón de Anthropic. 

Jimmy addresses the latest news, like the U.S. and Iran reaching a new ceasefire agreement, before speaking with Jesse Eisenberg, Matty Matheson and Conor McGregor.

This week on Mostly Film, we're sorting through a fresh batch of trailers in LIST IT or NIX IT, including The Last House, Gatto, Heart of the Beast, Social Reckoning, I Want Your Sex, and Whalefall. Which ones earn a spot on the Letterboxd watchlist, and which ones get left behind?In What We've Been Watching, Jonathan checks out everything from Masters of the Universe and In the Grey to a nostalgic return to Spy Kids and Spy Kids 2, while JP revisits a pair of beloved franchises with Raiders of the Lost Ark and Harry Potter and the Half-Blood Prince.Plus, we break down a packed week of movie news, including Chris Evans' reported return in Avengers: Secret Wars, new details on The Batman: Part II, George Miller's plans for more Mad Max, a Hit Man series coming to Netflix, a surprise Fox-Roku merger, and Steven Spielberg's record-breaking success with Disclosure Day. We also discuss honorary Oscars for Ridley Scott and Glenn Close, a possible Jimmy Olsen and Gorilla Grodd series, and why Jesse Eisenberg turned down The Social Reckoning.All that and more on another episode of Mostly Film—where the takes are hot, the watchlists are growing, and the movie news never stops.

Celebs are like us for having crafty friends with a Cricket, Leah gives us her review of Not Safe For Work the new Mindy Kalling series on Hulu. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Did you know that Jesse Eisenberg donated a kidney? Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

Jackie and Danielle are closing out Joshua Jackson May-hem with a howl-worthy deep dive into Cursed, the 2005 werewolf thriller that somehow combines Hollywood satire, suspicious CGI, and one very confused plot. Directed by Wes Craven and written by Kevin Williamson, this horror-comedy had all the ingredients for a cult classic. Instead, it became one of the most fascinating studio messes of the Y2K era.In this episode of the No More Late Fees podcast, Jackie and Danielle break down everything from the movie's troubled production history to the unintentionally hilarious werewolf transformations. They discuss the stacked cast featuring Christina Ricci, Joshua Jackson, Jesse Eisenberg, Judy Greer, and Mýa while debating whether this movie should have leaned harder into horror or full camp.The episode also dives into:Behind-the-scenes drama involving rewrites, reshoots, and deleted footageThe original practical effects that were replaced with CGIJesse Eisenberg's early movie roles and unexpected “glow-up”Judy Greer's standout performance and wild final revealThe strange world of mid-2000s horror trendsFunny commentary about werewolf logic, terrible decisions, and random celebrity cameosFandom hot takes about Joshua Jackson's villain era and the movie's cult potentialJackie and Danielle also share box office trivia, critic reactions, and their present-day Ratings Rewind scores while revisiting one of the weirdest horror movies of the 2000s. Whether you watched Cursed back in the day or are discovering it for the first time, this episode is packed with nostalgic laughs and sharp pop culture commentary.Be sure to subscribe, leave a review, and follow No More Late Fees for more nostalgic movie reviews, Y2K throwbacks, and millennial movie discussions. Share your favorite werewolf movie in the comments and let Jackie and Danielle know if you think Cursed deserves cult classic status.Keywords: Cursed 2005, Joshua Jackson podcast, Christina Ricci movie review, Wes Craven horror movies, Kevin Williamson films, Y2K horror movies, werewolf movie podcast, 2000s movie nostalgia, Judy Greer, Jesse Eisenberg early roles, No More Late Fees podcast, cult horror movies·Season 6 Episode 6·—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10—NostaBeautyhttps://nostabeauty.com 20% Off Code: NMLF—DescriptCreator Plan 50% off 2 monthshttps://descript.cello.so/zp4OQqeIMdq

 In this episode, Sam and Ian will look ahead to the exciting films projects slated for release in 2026. We've got new films from Steven Spielberg (Disclosure Day), Denis Villeneuve (Dune: Part 3), Christopher Nolan (The Odyssey), Jesse Eisenberg, David Fincher, Martin McDonagh, Alejandro González Iñárritu, Greta Gerwig, David O. Russell, and more on the horizon.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Mike Pesca has built a long career as a news analyst and podcaster, but taking over the How To! franchise presents a very different challenge: learning the ropes of the advice show genre. He knows how to dissect complex political events, but the leap to solving eccentric listener dilemmas while maximizing entertainment value feels new. On this episode: How To!'s Mike Pesca turns the microphone on himself and brings on Ian Chillag and Mike Danforth, the veteran co-hosts of NPR's How to Do Everything and producers for Wait Wait... Don't Tell Me! Ian and Mike offer Mike guidance on bypassing straightforward answers to find weirdly perpendicular solutions, the importance of providing "nutritious" conversational facts—and why you should never, under any circumstances, climb inside a refrigerator with Jesse Eisenberg. Executive Producer Corey Wara Edited by Geoff Craig Booking by Lya Yanne Do you have a burning question or a problem you need help with? Email us at howto@mikepesca.com and we will consider your topic for the show. For full Pesca content and updates, check out our website at https://www.mikepesca.com/⁠⁠⁠⁠⁠⁠⁠⁠ To receive ad-free content, become a Pesca Plus subscriber at ⁠⁠⁠⁠https://subscribe.mikepesca.com/ For Mike's daily takes on Substack, subscribe to The Gist List https://mikepesca.substack.com/ Follow us on Social Media:⁠⁠⁠⁠ Instagram https://www.instagram.com/pescagist/ X https://x.com/pescami YouTube https://www.youtube.com/@pescagist⁠⁠⁠⁠ TikTok https://www.tiktok.com/@pescagist To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/howto