Podcast appearances and mentions of lisa hostetler

“Une histoire mondiale des femmes photographes”sous la direction de Luce Lebart et Marie RobertLes Éditions TextuelPODCAST – Interview de Luce Lebart, historienne de la photographie, correspondante française pour la collection Archive of Modern Conflict, et de Marie Robert, conservatrice en chef au musée d'Orsay, chargée de la collection de photographies, directrices de livre ”Une histoire mondiale des femmes photographes” aux éditions Textuel,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et la Région parisienne, le 10 novembre 2020, durée 32'16. © FranceFineArt.HOME  |  EDITION  |  “UNE HISTOIRE MONDIALE DES FEMMES PHOTOGRAPHES” SOUS LA DIRECTION DE LUCE LEBART ET MARIE ROBERT “Une histoire mondiale des femmes photographes” sous la direction de Luce Lebart et Marie RobertPartage“Une histoire mondiale des femmes photographes”sous la direction de Luce Lebart et Marie RobertLes Éditions TextuelÉditions TextuelPODCAST – Interview de Luce Lebart, historienne de la photographie, correspondante française pour la collection Archive of Modern Conflict, et de Marie Robert, conservatrice en chef au musée d'Orsay, chargée de la collection de photographies, directrices de livre ”Une histoire mondiale des femmes photographes” aux éditions Textuel,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et la Région parisienne, le 10 novembre 2020, durée 32'16. © FranceFineArt.Couverture de Une histoire mondiale des femmes photographessous la direction de Luce Lebart et Marie Robert aux éditions Textuel, 2020. Photographie de Pushpamala N. © Pushpamala N.Newsha Tavakolian,Portrait de Negin à Téhéran,2010. © Newsha Tavakolian / Magnum Photos.Pamela Singh,Carte au trésor 022,1994-1995, peinte en 2015. Courtesy © Pamela Singh and sepiaEYE.Elisabeth Hase,Sans titre [femme sous la douche],vers 1932-1933. © Estate of Elisabeth Hase, Courtesy Robert Mann Gallery.Edith Watson,Dans le détroit [Vue d'un iceberg],Terre-Neuve-et-Labrador, Canada, 16-23 août 1913. © Edith S. Watson / Bibliothe`que et Archives Canada [e010791398].Anna Atkins,Alaria esculenta, extrait de Photographs of British Algae: Cyanotype Impressions,1849-1850. © The New York Public Library.Extrait du communiqué de presseUne fabuleuse somme collective, un livre manifeste, un ouvrage de référence.Cet ouvrage illustré par 450 images, présente les œuvres de 300 femmes photographes du monde entier, de l'invention du médium jusqu'à l'aube du XXIe siècle. Rares sont celles dont les noms sont parvenus jusqu'à nous, disparaissant du récit de la création au profit des « grands maîtres ».L'effacement des femmes dans l'histoire de la photographie résulte d'une longue tradition de discrédit. Créatrices originales et autonomes, elles n'ont pourtant cessé de documenter, d'interroger et de transfigurer le monde, démontrant que l'appareil photo peut être un fantastique outil d'émancipation. Aucune expérimentation ni aucun fracas des XIXe et XXe siècles ne leur ont ainsi échappé. Pour restituer la diversité des parcours de ces femmes photographes, Luce Lebart et Marie Robert ont invité 162 autrices de différents points du globe à nourrir cet ouvrage manifeste.La recherche dirigée par Marie Robert et Luce Lebart a été réalisée grâce au soutien des Rencontres d'Arles et de Women In Motion, un programme de Kering qui met en lumière la place des femmes dans les arts et la culture.Cet ouvrage bénéficie du soutien du ministère de la Culture, du ministère délégué chargé de l'Égalité entre les femmes et les hommes, de la Diversité et de l'égalité des chances ainsi que de la région Île-de-France.Actualité – Dans le cadre de Femmes photographes – Une histoire de la photographie à réinventer – Une proposition de Fannie Escoulen, commissaire d'exposition indépendante spécialisée en photographie contemporaine. Quatre rendez-vous sur Instagram live, du 11 au 14 novembre, à 11 h, à suivre sur @ParisPhotoFair.Le 14 novembre 2020 à partir de 14 h 15Discussions et rencontres autour de la sortie de l'ouvrage manifeste Une Histoire mondiale des femmes photographes (éditions Textuel). Une somme collective, codirigée par Luce Lebart et Marie Robert, présentant les oeuvres de 300 femmes photographes du monde entier, de l'invention du médium jusqu'à l'aube du XXIe siècle.à 14 h 15Introduction de la rencontre par Agnès Saal, haute fonctionnaire à la diversité et à l'égalité au ministère de la Culture.de 14 h 30 à 15 h 30Discussion entre Luce Lebart, historienne de la photographie, commissaire d'exposition et chercheuse pour la collection Archive of Modern Conflict, et Marie Robert, conservatrice en chef au musée d'Orsay, avec Marianne Théry, directrice des éditions Textuel. Modération par Fannie Escoulen. Diffusion en live sur Youtube. Plus d'infos sur ellesxparisphoto.com.Luce Lebart est historienne de la photographie, commissaire d'exposition et correspondante française pour la collection Archive of Modern Conflict (Londres-Toronto). Elle a notamment écrit Les Grands Photographes du XXe siècle (Larousse, 2017) et publié Les Silences d'Atget (Textuel, 2016).Marie Robert est conservatrice en chef au musée d'Orsay depuis 2011, chargée de la collection de photographies. Elle a été co-commissaire des expositions « Qui a peur des femmes photographes ? » et « Splendeurs et Misères. Images de la prostitution ».Les 162 autrices : Alix Agret, Andrea Aguad, Line Ajan, Alina Akoeff, Damarice Amao, Bérénice Angremy, Irini Apostolou,, Georgia Atienza, Marie Auger, Sarah Bay Gachot, Marion Beckers, Sophie Bertrand, Hélène Bocard, Clara Bolin, Daria Bona, Joëlle Bonardi, Mattie Boom, Clara Bouveresse, Dominique Brebion, Susanna Brown, Nocebo Bucibo, River Encalada Bullock, Laurence Butet-Roch, Marine Cabos-Brullé, Molly Caenwyn, Yudit Caplan, Éléonore Challine, Virginie Chardin, Héloïse Conésa, Julie Crooks, Marta Dahó, Aldeide Delgado, Lourdes Delgado, Françoise Denoyelle, Delphine Desveaux, Deepali Dewan, Helen Ennis, Esa Epstein, Heloisa Espada, Monika Faber, Adama Delphine Fawundu, Anaïs Feyeux, Kateryna Filyuk, Eva Fisli, Orla Fitzpatrick, Clare Freestone, Lena Fritsch, Susana Gállego Cuesta, Katarzyna Gębarowska, Anahita Ghabaian Etehadieh, Hélène Giannecchini, Marta Gili, Pamela Glasson Roberts, Bettina Gockel, Laura González-Flores, Maria Gourieva, Kristen Gresh, Rebekka Grossmann, Laetitia Guillemin, Natalya Guzenko Boudier, Sophie Hackett, Awel Haouati, Melissa Harris, Sabine Hartmann, Yining He, Charlene Heath, Elina Heikka, Nathalie Herschdorfer, Lisa Hostetler, Candice Jansen, Sabina Jaskot-Gill, Victoria Jonathan, Julie Jones, Maria Kapajeva, Malavika Karlekar, Magda Keaney, Corey Keller, Rym Khene, Sara Knelman, Monika E. Kupfer, Paula Kupfer, Cat Lachowskyj, Anne Lacoste, Annabelle Lacour, Martha Langford, Sylvie Lécallier, Sigrid Lien, Joanne Lukitsh, Anne Lyden, Lola Mac Dougall, Sandra Maunac, Shoair Mavlian, Anne Maxwell, Margarida Medeiros, Ieva Meilutė-Svinkūnienė, Jasmin Meinold, Jeanne Mercier, Christelle Michel, George Mind, Tanvi Mishra, Fulufhelo Mobadi, Elisabeth Moortgat, Gaëlle Morel, Victoria Munro, Federica Muzzarelli, Yasmine Nachabe Taan, Suryanandini Narain, Constantia Nicolaides, Nestan Nijaradze, Érika Nimis, Anne O'Hehir, Pippa Oldfield, Oluremi C. Onabanjo, Daria Panaiotti, Nikoo Paydar, Deniz Pehlivaner, Penelope Petsini, Claudia Polledri, Carolina Ponce de Léon, Karolina Puchała-Rojek, Kateryna Radchenko, Helihanta Rajaonarison, Zsófia Rátkai, Martine Ravache, Scarlett Reliquet, Raisa Rexer, Núria F. Rius, Hilary Roberts, Julie Robinson, Mette Sandbye, Franziska Schmidt, Gabriele Schor, Letta Shtohryn, Æsa Sigurjónsdóttir, Nani Simonis, Agnès Sire, Karen Smith, Abigail Solomon-Godeau, Anna Sparham, Zoë Tousignant, Flora Triebel, Aliki Tsirgialou, Silvia Valisa, Arola Valls Bofill, Pauline Vermare, Dominique Versavel, Hripsimé Visser, Sonia Voss, Francesca Wilmott, Demet Yildiz, Cynthia Young, Oksana Zaboujko, Maria Zagala, Erika Zerwes et Karolina Ziębińska-Lewandowska. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Introduction to Lisette Model's Interview by Lisa Hostetler by George Eastman Museum

This podcast accompanies the exhibition David Levinthal: War, Myth, Desire, organized by the George Eastman Museum and on view June 1st 2018 to January 1st 2019. Major support for the exhibition was provided by the Henry Luce Foundation, with additional support from the Robert Mapplethorpe Foundation. Learn more at eastman.org. The exhibition was curated by Lisa Hostetler, Curator in Charge of the Department of Photography. Manager of Digital Engagement for the Eastman Museum is Kate Meyers Emery. The podcast was produced for the Eastman Museum by Today Then. Writing and narration by Eitan Freedenberg and Molly Tarbell. Audio engineering and sound design by Stephen Roessner. Find the Today Then podcast at todaythen.org. This podcast features music by Lee Rosevere, Stephen Roessner, Dave Chisholm, H.A. Rappaport, Mike Troolines, Craig Nybo, Ben Cameron, Doctor Turtle, Clayton-Hamilton Jazz Orchestra, Blue Dot Sessions, Broke For Free, Chris Zabriskie, Podington Bear, SFXBass, Nancy Bea Hefley, David Szesztay, and Philipp Weigl. [Note, these are in the order they appear] Major League Baseball footage used with permission of Major League Baseball Properties, Inc. and MLB Advanced Media, L.P., as applicable. All rights reserved. Thanks to our contributors -- Chris Bensch, Kelly Dennis, Kenneth Goings, Kenneth Gross, Lisa Hostetler, June Hwang, and Thomas Shieber -- for providing insight into the themes and subjects in David Levinthal's work. Finally, thank you to David Levinthal for generously sharing his stories and his creative vision with all of us. --- David Levinthal (American, b. 1949). Untitled, 2007. From the series Space. Dye diffusion transfer print (Polaroid Polacolor). George Eastman Museum, gift of an anonymous donor. © David Levinthal

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

For the exhibition, A Matter of Memory: Photography as Object in the Digital Age, we asked artists to answer a question: Is your personal connection to digital images the same as it is to photographic prints? These were shared through our audio tour as part of the exhibition. Lisa Hostetler, the curator of the exhibition and curator in charge of the Department of Photography introduces the audio.

Landscapes in Passing photographers Steve Fitch, Robbert Flick, and Elaine Mayes will discuss their work. The conversation, facilitated by curator Lisa Hostetler, will focus on how all three photographers challenged traditional representations of the American landscape beginning in the 1970s, as they acknowledged the country's increasingly mobile society.

In this series Lisa Hostetler, McEvoy Family Curator for Photography, discusses the exhibition "Landscapes in Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes." This exhibition presents forty-eight photographs that depict the American landscape in passing, as drive-through scenery rather than the entrancing wilderness of the nineteenth century.

In this series Lisa Hostetler, McEvoy Family Curator for Photography, discusses the exhibition "Landscapes in Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes." This exhibition presents forty-eight photographs that depict the American landscape in passing, as drive-through scenery rather than the entrancing wilderness of the nineteenth century.

In this series Lisa Hostetler, McEvoy Family Curator for Photography, discusses the exhibition "Landscapes in Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes." This exhibition presents forty-eight photographs that depict the American landscape in passing, as drive-through scenery rather than the entrancing wilderness of the nineteenth century.

In this series Lisa Hostetler, McEvoy Family Curator for Photography, discusses the exhibition "Landscapes in Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes." This exhibition presents forty-eight photographs that depict the American landscape in passing, as drive-through scenery rather than the entrancing wilderness of the nineteenth century.