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Today on the program, a trip into the archive and a return to Episode 780, my conversation with Chantal V. Johnson, author of the debut novel Post-Traumatic (Little, Brown). Air date: July 6, 2022. Chantal V. Johnson is an attorney and writer whose fiction explores gender, personality, friendship, and all forms of art, but particularly music. Her debut novel, Post-Traumatic, was long-listed for the Center for Fiction First Novel Prize and selected as a New York Public Library book club pick. She has received fellowships and support from The Center for Fiction, the Djerassi Resident Artists Program, the Kimmel Harding Nelson Center for the Arts, and the Arizona Commission on the Arts. Chantal graduated from Stanford Law School and worked as a tenant lawyer for several years. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hunter College professor and author of The War of Art, Lauren O'Neill-Butler talks about: Her 12 years at Artforum magazine, including its balance between advertising and hard-core art writing, and how her chapter on Fierce Pussy was written while at Artforum; the classes on Activism she's taught at Hunter College, which were not to get students to become activists but to make them aware of its history and context; how teaching activism and writing the book were both 'rage containers' but also ways to inspire difference; how activisms 'expire,' including in the case of her colleague Carrie Moyer, whose hardcore activism (including her campaigns for Dyke Action Machine) lasted two years and followed by going back to the studio and making abstract paintings; the difference between 'activists' and 'artists activists,' which culminated in a question at one of her book events at the New York Public Library: "why are you focusing on artists? What makes them so special? Why can't you talk about other activists too?" and how, in addition to bringing an aesthetic to their activism, as part of the answer, artists are beleaguered; the seminal moment in the artist Rick Lowe's career, when a student living in the 3rd Ward of Houston asked him why, as opposed to just showing them the problems in their neighborhood that they were already aware of, wasn't he being creative about coming up with solutions?; her contention that all art is political, but what does an artist's role look like in terms of their actions; how there's no purity in America and no purity in activism, and how Project Row Houses wouldn't have become as robust without the corporate effort; Sarah Schulman's recent writing on the importance of solidarity, and how the left keeps pointing the figure and keeps eating itself; what Project Row Houses looks like, including the mix of affordable and market rate housing, artists who live in them, and expensive condos recently going up in the neighborhood amidst preserved housing in the 3rd Ward of Houston. In the 2nd half of our conversation, available to paid Patreon Supporters of the podcast, Lauren talks about: Why she included (former guest) Ben Davis's critique of Project Row Houses, along with a contextual framework on the challenges of limiting the effects of gentrification, primarily as a way to point out that it isn't artists who are the problem fixers, it's our government representatives; for Rick Lowe and Project Row Houses, it was about trying to do better for the locals; the highly influential and impactful activist organization P.A.I.N. (Prescription Addiction Intervention Now), started by artist Nan Goldin, which was instigated by the terrific irony of the Tate Museum, with £4 million in donations from the Sackler Family Trust, purchased Goldin's "The Ballad of Sexual Dependency" at the same time as she was addicted to Oxycontin (the highly addictive pain medication that led to an epidemic, of which the Sacklers are known for); the successful objective of P.A.I.N. (which is a non-partisan group despite it being formed by a politically progressive artist) to eliminate the art-washing of the Sacklers by putting their names on so many museum wings, and in turn what it was like for PAIN members to attend the protests with fellow protesters who were in very different cultural spheres, including hard-core trumpers; how savvy PAIN was in cultivating and working with the press, which really got their actions thoroughly covered, and even their private meetings were recorded, which helped provide lots of content for Laura Poitras's documentary on Goldin; how Lauren uses YouTube video footage of the PAIN protests, which were so well thought out and dramatic, in her classes; why she didn't right about the Stop Oil! Activist actions in museums (because it's mainly taken place in the U.K.); how the effectiveness of a protest depends very much on the press coverage and the level of circulation of the images from a given action; how most activisms have a figurehead (Goldin), and how it matters, for better or worse, when there's a public-facing person in a group; how successful activism depends on bringing in new blood and new ideas, and how big a factor burnout is for activists; the state of agitprop, or postering, today vs. the 90s- Carrie Moyer and Sue () of Dyke Action Machine would say that the street postering they did wouldn't work today, because there's just too much visual noise, and Lauren's nostalgia for the 90s for those reasons; the 'Secret Handshake' sculptures of trump and Epstein that have been making the rounds on social media around the world, work which she hates but recognizes as effective nonetheless; the hostile takeover of the New College of Florida, Lauren's undergraduate alma mater, by governor Desantis, and how she's been part of the alumni response to the takeover including the forming of nonprofits, a project that is very close to her heart and how she's been involved in it for the past three years, and the struggle of the school was recently featured on "Last Week Tonight with John Oliver."
Today on the Conversations on Dance podcast we are joined by Jack Fever to discuss his curation of "Martha Graham: The Mother of Psychological Dance" on display now at the New York Public Library. Jack joins us again after about 10 years to share recent work and his move to full-time position as a member of the faculty at Bard Conservatory of Music. He traces his lifelong relationship to Graham technique, beginning at 13 in rural Wisconsin and continuing through training in New York. Jack details developing this centennial exhibition using only Jerome Robbins Dance Division materials, focusing on psychology, trauma, and embodiment, and highlights his unique discoveries along the way.Don't miss "Martha Graham: The Mother of Psychological Dance" on display now at The New York Public Library through November 7th, 2026. More information: https://www.nypl.org/events/exhibitions/martha-graham-mother-psychological-danceListen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
rWotD Episode 3331: Andrea Olmstead Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 17 June 2026, is Andrea Olmstead.Andrea Olmstead (born September 5, 1948) is an American musicologist and historian.Reared in Grand Forks, North Dakota, Olmstead studied violin with Burton Kaplan in New York and with Lea Foli at the Aspen Music Festival; she was a member of the New York Youth Symphony and the National Orchestral Association. She then embarked upon the study of musicology; her instructors included Gustave Reese, George Perle, H. Wiley Hitchcock, Barry S. Brook, James Haar, Brian Fennelly, and Jan LaRue. Her teaching career took her to The Juilliard School, from 1972 until 1980; the Aspen Music School, from 1973 to 1976; the Boston Conservatory, from 1981 to 2004; the New England Conservatory, from 2006 to 2018; and the University of Massachusetts, Amherst, from 2009 until 2010. The author of numerous books, she has also produced articles in Journal of Musicology, Perspectives of New Music, The Journal of the Arnold Schoenberg Institute, Tempo, Musical America, and The Musical Quarterly, reviews, program notes, and liner notes; she has also given pre-concert lectures and produced CDs. From 2005 until 2007 she was the Christopher Hogwood Research Fellow of the Handel and Haydn Society Orchestra and Chorus. Olmstead is especially well-regarded for her work on the music of Roger Sessions and for her history of The Juilliard School. Vincent Persichetti; Grazioso, Grit, and Gold, was awarded the 2019 ASCAP-Deems Taylor Award for Outstanding Musical Biography. Other honors have included three awards from the National Endowment for the Humanities, and she has spent time as a visiting scholar at the American Academy in Rome and as a fellow of the Virginia Center for the Creative Arts. Olmstead is married to composer Larry Thomas Bell, for whom she adapted the play Holy Ghosts by Romulus Linney into an opera libretto; in 2009 she produced its premiere in Boston.Olmstead's papers are held by the New York Public Library, to which she donated them in 2013.This recording reflects the Wikipedia text as of 00:40 UTC on Wednesday, 17 June 2026.For the full current version of the article, see Andrea Olmstead on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.
Jason Blitman talks with Pulitzer Prize winer Andrew Sean Greer (Less) about his newest novel, Villa Coco. This conversation was recorded live in Los Angeles at the First Congressional Church sponsored by Book Soup. Conversation highlights include:
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In August 1882, a brutal mass murder in a remote valley in the west of Ireland shocked the world. At Maamtrasna, a family, the Joyces, were attacked in their home. The victims ranged from a teenage girl to an 80-year-old woman. The police quickly suspected that the killers had been neighbours and even relatives of the Joyce family. However, a motive was elusive. As wider Irish society was shocked by the killings, injustice was followed by injustice.Indeed, the trials would soon overshadow the crime itself, unfolding into one of the most infamous miscarriages of justice in the legal history of Ireland or the UK. In this episode, Margaret Kelleher joins me to explore this intriguing case. We dig into the dark events that unfolded in Maamtrasna in the summer of 1882 and examine why an innocent man, Myles Joyce, was sent to the gallows after a trial conducted entirely in English, a language he could neither speak nor understand.The episode reveals what we know happened in Maamtrasna on that fateful night and how perjury and a rush to convict rather than find genuine justice lay at the heart of this intriguing case. This is the story of how a brutal murder in an isolated mountain community ended up having massive political implications, leaving a legacy that continues to reverberate today.Support the show: Patreon.com/irishpodcastMy guest is Margaret Kelleher, Professor and Chair of Anglo-Irish Literature and Drama at University College Dublin (research profile: https://people.ucd.ie/margaret.o.kelleher). She is a board member of the Museum of Literature Ireland (https://moli.ie/) and a member of the Royal Irish Academy. Her latest book, Mary and Padraic Colum: Lives and the Dream, is forthcoming from UCD Press in the Autumn of this year. Her monograph Maamtrasna Murders: Language, Life and Death in Nineteenth-Century Ireland (UCD Press, 2018) was awarded the Michael J. Durkan Prize for Books in Language and Culture by the American Conference for Irish Studies in 2019, and in 2020 was shortlisted for the Michel Déon Prize. She was Cullman Center Fellow at New York Public Library from 2022-2023 and Parnell Fellow in Irish Studies at Magdalene College, Cambridge from 2023-2024. Sound by Kate Dunlea Hosted on Acast. See acast.com/privacy for more information.
The Tony Awards often celebrate the names on a show poster, but every Broadway production is carried by countless artists whose work rarely fits neatly into a category. So in anticipation of this year's awards ceremony, we're spotlighting a few of the performers, collaborators, and creative forces behind nominated productions. Victor Vazquez has spent his career expanding the possibilities of who gets seen onstage and whose stories Broadway embraces. As the founder of X Casting and casting director for CATS: The Jellicle Ball, Victor has helped build one of the most joyful, original, and culturally electric productions of the season from the ground up. In this conversation, Victor offers a rare look inside the audition room, reflects on what it means to bring Ballroom culture into the spotlight with care and authenticity, and discusses why he remains hopeful about the future of theater and the artists shaping it. —— LINKS CATS: The Jellicle Ball: https://catsthejellicleball.com/ X Casting: https://www.xcastingnyc.com/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa
The Tony Awards often celebrate the names on a show poster, but every Broadway production is carried by countless artists whose work rarely fits neatly into a category. So in anticipation of this year's awards ceremony, we're spotlighting a few of the performers, collaborators, and creative forces behind nominated productions. Allison Blackwell knows the power of ensemble storytelling firsthand. Currently appearing in Ragtime at Lincoln Center Theater as Sarah's Friend, Allison is part of the acclaimed company behind one of Broadway's most resonant productions this season. She has built a career defined by extraordinary versatility, emotional depth, and a deep commitment to collaboration onstage. In this conversation, Allison reflects on the path that brought her back to theater after nearly pursuing law school; what it has meant to revisit Ragtime across multiple productions; and what recognition for ensemble artists means to her personally. ----- LINKS Allison Blackwell: https://www.allisonblackwell.com/ Ragtime at Lincoln Center Theater: https://www.lct.org/shows/ragtime/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa
Als je het nieuws volgt durf je de titel van deze podcast nauwelijks uit te spreken. Maar er zijn lichtpunten zoals een groot diner in de openlucht voor asielzoekers en Nederlanders, of de seizoenspreview van de Stadsschouwburg Nijmegen en Concertgebouw De Vereeniging.Hedy merkt dat ze meer opziet tegen reizen. Gek dat ze dat opeens te inspannend gaat vinden. Maar ze doet nog genoeg. Zo ging ze deze week naar de opera en naar de première van een documentaire over presentator en journalist Clairy Polak. Clairy heeft nooit aan iemand verteld dat ze ongeneeslijk ziek was. Hedy kan zich dat wel voorstellen omdat ze mededogen slecht verdraagt.De VPRO bestaat 100 jaar en Hedy zou een ode aan de VPRO willen brengen omdat ze zo gelachen heeft om Koot en Bie en Arjan Ederveen Hadassah herinnert zich een kindersprookje dat van Kooten en de Bie ooit opvoerden op oudejaarsavond. Ze wil het gaan opzoeken in de schatkamer van Beeld en GeluidDit was het Nieuws heeft al een aantal afleveringen uit die schatkamer laten verwijderen omdat de humor nu niet meer gepast zou zijn. Toch een vorm van censuur.Hedy werd overvallen door de dood van Marjan Minnesma. Iemand die ze zeer bewonderde.Het kabinet wil een handelsverbod op goederen uit de Israëlische bezette gebieden. Iets waar Hedy al lang voor pleit. Voor het eerst ziet ze een poging van de Nederlandse regering om Israël ergens op aan te sprekenKoningin Camilla heeft tijdens het staatbezoek aan de VS een knuffelversie van kangoeroe Roe, een van de hoofdpersonage uit de Winnie -de- Poeh-boeken overgedragen aan de New York Public Library. Hedy was op de middelbare school al fan. Ze vindt het zo ontzettend grappig.En zingende tachtigers. Je kunt je eraan optrekken en het relativeert de ouderdom. Voor tachtigers die niet kunnen zingen heeft Hedy nog een tip: Onderhoud je nieuwsgierigheid Hosted on Acast. See acast.com/privacy for more information.
Creative work is often romanticized as spontaneous: a flash of inspiration, a breakthrough moment, a burst of talent. In reality, many artists discover that creativity is less about sudden genius and more about the systems, rituals, and relationships that help ideas grow over time. For Oliver Richman, creativity has been both an early spark and an evolving practice. As a child, his performances found an audience far beyond his years, from a widely shared rendition of "Defying Gravity" to performing alongside Stevie Wonder at just ten years old. Since then, he has continued exploring new creative paths: studying drama at NYU Tisch, writing and directing numerous projects, and building an online community through his ambitious song-a-day practice. In this episode, Oliver reflects on balancing spontaneity with structure, building meaningful connections with online audiences, and why creativity thrives when treated as a daily practice. ----- LINKS Oliver Richman: https://oliverrichman.com/ Oliver's Instagram: https://www.instagram.com/oliverrichman11/ Oliver's TikTok: https://www.tiktok.com/@oliverrichman The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa
New York's Bryant Park was established in 1847, but by the 1970s, the 9.6 acres behind the New York Public Library just a block off Times Square had become an open air drug market, with muggings there cited as the reason companies were leaving Manhattan. Enter Dan Biederman, founder of the Bryant Park Restoration Corporation. Beginning in 1980, Biederman led a series of initiatives remaking the park into a destination for visitors and residents seeking respite and recreation. After a complete restoration and reimagining programing of the space in the early 1990s, Bryant Park had become a emblem of midtown Manhattan's rebirth. Today, with caf?s, a performance stage, ping pong tables, and ample tree canopy, it has become one of the most welcoming public parks in New York City.rnrnBiederman went on to launch a private consultancy, helping government agencies, private developers, sports teams, non-profit agencies, and communities reclaim and reimagine the public realm, with self-sustaining parks and urban spaces that contribute to community and economic development. He has worked in Green Bay, Dallas, San Francisco, Nashville, El Paso, and Seattle, among dozens of other cities.
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Join the conversation by letting us know what you think about the episode!You've seen us cry many times, but this episode feels different. The world is truly complicated and problematic at times - especially now. But, what do we do about it? This is our cry for help.Photo by The New York Public Library on UnsplashSupport the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!
This summer, The New York Public Library is partnering with The Public Theater for a special book club event, taking place on August 17 at the Delacorte Theater in Central Park. Today on All Of It, Brian Jones, senior director of NYPL's Reading and Engagement department, announces the book club selection: The City We Became, by NK Jemisin. Photo by John Dillenbeck via Wikimedia Commons Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Matty Dalrymple talks with Todd Fahnestock about THE ECONOMICS OF CON LIFE, including the real costs and revenue thresholds of selling books at cons, why five books is the minimum for a viable booth, how selling sets instead of singles and leaning into cover art and merch changed his income, the break-even math that determines whether a con is worth attending, how face-to-face interactions at cons became the foundation of a 4,000-person email list, and how that list became the launchpad for a Patreon that monetizes the work he's already doing. Interview video at https://www.youtube.com/@TheIndyAuthorPodcast/podcasts Show notes, including extensive summary and transcript, at https://www.theindyauthor.com/episodes-all If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple Todd Fahnestock is an award-winning, #1 bestselling author of fantasy for all ages and winner of the New York Public Library's Books for the Teen Age Award. Threadweavers and The Whisper Prince Trilogy are two of his bestselling epic fantasy series. He is a founder of Eldros Legacy—a multi-author, shared-world mega-epic fantasy series—three-time winner of the Colorado Authors League Award for Writing Excellence, and two-time finalist for the Colorado Book Award for Tower of the Four: The Champions Academy (2021) and Khyven the Unkillable (2022). His passions are great stories and his quirky, fun-loving family. When he's not writing, he travels the country meeting fans, talks philosophy with his son, plays board games with his wife, dissects movies with his daughter, and plays to the point of bruises with Galahad the Weimaraner. Visit Todd at toddfahnestock.com Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. More at mattydalrymple.com. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She writes nonfiction books for authors; her articles have appeared in Writer's Digest magazine; and she is a Partner Member of the Alliance of Independent Authors. More at theindyauthor.com. She also guides professionals in building their presence through a sideline or second act through her platform From Expertise to Authority. More at theindyauthor.com/authority.
Wenn man sich anschaut, wo Frederick Wiseman alles war, was er alles gefilmt hat, dann kann einem schwindelig werden. Vielleicht gibt es gar keinen anderen Filmemacher, bei dem man so sehr wie bei ihm sagen kann, es ging um Menschheit, um Gesellschaft, um uns. Im neuen Special schauen sich Christian, Lucas und JE seine Methode an und versuchen die Entwicklung seiner Institutionen-Dokumentationen zu verstehen. Vom kritischen Blick aus "Titicut Follies" und "Welfare" über den Wahnsinn des Spiels bei "Missile" und das gigantische Kleinstadt-Portrait "Belfast, Maine" bis hin zu den hunderten Gewerken der New York Public Library in "Ex Libris". Wir hätten noch ewig weiterreden können, weil es so viel zu sagen gibt. Eine Folge, die man auch gut hören kann, wenn man sich noch gar nicht mit Wiseman beschäftigt hat. Die ganze Folge jetzt für alle, die uns auf Steady unterstützen: https://steadyhq.com/cuts
In the first hour, Greg Kelly gives highly critical monologues and commentary regarding modern American politics and cultural issues. Kelly begins by condemning Drag Queen Story Hour, characterizing the events as a form of grooming and recounting his unsuccessful attempt to report the New York Public Library to the FBI. The broadcast then shifts to political leadership, where Kelly contrasts the "common sense" of Spencer Pratt with the alleged incompetence of current leaders like Mayor Karen Bass and the NYPD commissioner. A significant portion of the segment is dedicated to President Trump's Rose Garden address, where the former president honors "angel moms" and reinforces his stance on border security and the fentanyl crisis. Finally, Kelly critiques Gavin Newsom, arguing that the governor's own memoir reveals a pompous and contradictory personality that will ultimately derail his future political ambitions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rosebud has been on its first international road trip, to New York City. In this episode, Gyles and Harriet chat about their trip... about how they gossiped for 15 hours straight on the flight over, about being guests of the Queen at the New York Public Library and seeing Pooh Bear, Kanga, Eeyore, Tigger, Piglet and the new Roo, and about Anna Wintour giving Gyles an unexpected compliment. In the second half of the show, Gyles talks to Josh Ellis, one of Broadway's most distinguished Press Agents, who worked on productions such as 42nd Street, Into the Woods, The King and I, The Elephant Man and The Life and Adventures of Nicholas Nickleby. He tells Gyles insider tales about some of the stars he worked with during his long career, including Yul Brynner, Rex Harrison, Katharine Hepburn, Eartha Kitt, Cher, David Bowie and Ethel Merman. It's fascinating, and gives a real flavour of life at the heart New York's theatre land.Our thanks for Josh Ellis for this fun and fascinating conversation. Our thanks to New York City for being fabulous. And our thanks to you for listening. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.
It's the week in review on Palace Intrigue, and what a week it was. King Charles addressed Congress, made a submarine joke at a White House state dinner, delivered honey to a Harlem farmer, and left Washington having said nothing quotable, offended no one, and received approximately a dozen standing ovations — mission, by all accounts, accomplished. Queen Camilla delivered a replacement toy kangaroo to the New York Public Library and warned an audience her voice might not last the speech. The gifts included a Second World War bell, Resolute Desk plans, Tiffany teaspoons, and White House honey. Meanwhile, Meghan published a sixteen-designer fashion interview during the state visit, the OneOff platform controversy rumbled on, and a Heat World report claimed Harry privately winces at Meghan's money talk. Harry's forty-thousand air miles in sixty days attracted scrutiny. Tom Sykes suggested his Ukraine speech may have been AI-drafted. William and Catherine marked fifteen years of marriage with a Cornwall portrait. Eugenie resurfaced in Sicily. Sarah Ferguson was spotted in Austria. Andrew remains in Norfolk. And the British summer season is about to begin, right on schedule, as it always does.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening. Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.A new season of King William is available now.Our royal newsletter written by Deep Crown is available for free.Royal Books:Revenge: Meghan, Harry, and the War Between the Windsors by Tom BowerWilliam and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana
Jenna and Sheinelle weigh in on listeners' tricky social situations. Adam Scott joins to discuss his new horror film, ‘Hokum,' and reflect on his hit shows ‘Severance' and ‘Parks and Recreation.' Jenna sits down with Queen Camilla during a special event at the New York Public Library. And, chef Brooke Baevsky shares a delicious recipe for banana bread and French toast crepes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
King Charles' U.S. trip enters a more complex phase as the New York leg delivers a mix of diplomacy, distance, and spectacle. According to reporting in The Guardian, the King moved from the high of his Washington reception to a cooler political tone in New York, where Mayor Zohran Mamdani declined a private meeting, saying he would instead attend a public wreath-laying ceremony. Mamdani also raised the long-running debate over the Koh-i-Noor diamond, noting, “If I was to speak to the king separately from that, I would probably encourage him to return the Koh-i-Noor diamond.”Despite the tension, the King continued his engagements, visiting the National September 11 Memorial & Museum alongside Michael Bloomberg, where he honoured victims of the 2001 attacks with a wreath and a handwritten message of solidarity.The tone shifted again at the King's Trust Global Gala, with Vanity Fair describing a room filled with high-profile figures including Anna Wintour, Edward Enninful, and Lionel Richie. The King praised the charity's mission, while Enninful reflected on its impact, saying, “I had cousins, friends in our neighborhood who were really told they couldn't amount to nothing. I watched the Kings Trust firsthand change their lives.”Elsewhere, the King visited Harlem Grown, where he was given a handwritten note by a student, responding, “That's fantastic,” before gifting honey from Highgrove House. He later attended a business reception at Rockefeller Center, bringing together senior industry figures.Queen Camilla's programme leaned into culture and literacy. At the New York Public Library, she delivered a symbolic gift marking 100 years of Winnie-the-Pooh, reuniting a recreated Roo with the original characters. In an interview with Jenna Bush Hager, she described the visit as “wonderful,” adding, “It's been wonderful, and everybody's been very kind and welcoming.”Earlier, following their farewell with Donald Trump, the King and Queen travelled to Arlington National Cemetery, where they took part in a formal ceremony at the Tomb of the Unknown Soldier, echoing Queen Elizabeth the Second's visit in 1957.The trip closes with a contrast that has defined it: ceremonial warmth, political distance, and a monarchy still capable of commanding attention—even in New York.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening. Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.A new season of King William is available now.Our royal newsletter written by Deep Crown is available for free.Royal Books:Revenge: Meghan, Harry, and the War Between the Windsors by Tom BowerWilliam and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana
Nicholas King is a wealth advisor. However, he also founded “After Arts”, a community of professionals who share a passion for and background in music. He also founded the “Art of Giving Back”, a non-profit dedicated to supporting young musicians and giving back to the community. And he started out as a concert pianist who performed in various major venues. He serves on the Board of Governors of The Mannes School of Music, the Board of Directors of the National Opera Company and “Project Music Heals Us”, and the Advisory Board of The New York Public Library for the Performing Arts. My featured song is “Cakewalk For Debra”, from the album Miles Behind by the Robert Miller Group. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest Voices Click here to Subscribe Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH NICHOLASwww.theafterartsgroup.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Send us Fan MailMy guest today is Herb Williams-Dalgart, author of Jingle Boys listed in the Music category on Art In Fiction. View the video on YouTube: https://youtu.be/azuaBStafaIHerb's personal origin story behind the novel: named after his grandfather who died in WWII, a man he never knew, which sparked a lifelong fascination with the era.How the role of music in wartime, harmony versus the disharmony of war, became the central thematic engine of the novel.The surprising historical truth behind the jingle-as-secret-code premise, including Herb's research into declassified military records at the New York Public Library.Writing all the jingles and song lyrics himself and what he learned about the craft of songwriting in the process.His protagonist Walter Lipkin's anxiety neurosis (stress-triggered fainting) and why a hero whose greatest enemy is his own brain felt both authentic and timely, written as it was during COVID.The recurring theme across Herb's work: finding courage in unlikely places, and why that feels both personal and hopeful.His screenwriting background (UCLA certificate) and what it gives him as a novelist: cinematic pacing, three-act structure, and crisp, character-revealing dialogue.The fascinating true story of the Steinway Victory Vertical, the olive-drab piano the US government authorized for every theater of war, and how it found its way dramatically into the novel.Reading from Jingle Boys.Herb's take on plotting versus pantsing, and why he calls himself a "paraglider."His next project: Everything the Sea Brings, Book 1 of a trilogy set in Northern Ireland, told from the dual perspectives of a lighthouse keeper's wife and a German sailor who washes ashore with secrets.Read more about Herb Williams-Dalgart on his website: https://www.herbthewriter.comAre you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Find out more on her website....
In this episode of Capital for Good, we speak with Tony Marx, the president and CEO of the New York Public Library, the nation's largest library system and the world's preeminent public research library. Marx's reimagination of this storied institution builds on his transformative leadership in higher education when he served as president of Amherst College. A distinguished scholar and political scientist, Marx's education — in the power of education — was forged by his experience in South Africa in the 1980s. We begin this wide ranging conversation with Marx's beginnings: his childhood in New York City's Inwood neighborhood, high school at Bronx Science, the intellectual care and attention he received from professors at Wesleyan and Yale, and his early passion for political science, inspired by his involvement in the anti-apartheid movements on campus and the "excitement of being involved in something bigger than myself, and thinking about social justice at scale." Marx would soon move to South Africa, where he helped create Khanya College, a free, residential liberal arts college for Black South Africans to prepare them for entry and success in the country's top universities, where they had long been excluded. Marx notes that his years in South Africa were "life changing," allowing him to live and work with "people who were living and dying for the rights of democracy that we take for granted," and teaching him how one year of high-quality education at Khanya could "undo" twelve years of a stunting K-12 system. "The power of the human mind, the power of education to feed the human mind, should never be underestimated," Marx says. These lessons would define his career and life's work. Back in New York, Marx's scholarship on Africa and questions of nationalism earned him tenure at Columbia, where he and his family spent thirteen fruitful years. Without extensive administrative experience or ties to Amherst, Marx was surprised to find himself a serious candidate in the presidential search of the country's leading liberal arts college, but soon discovered that Amherst's board was ready to lean into change from its position of strength. "When you're at the top of the game is when you should take risk," Marx believes. "It's a wild way of thinking, but it's the right way of thinking, but nobody thinks that way." With the board's support, Marx undertook a number of groundbreaking initiatives that would make Amherst an even stronger institution; he is best known for his efforts to increase significantly the economic diversity of the student body, improving the school's racial diversity, and academic standing, in the process. In 2010, the New York Public Library came calling. Marx saw in the library's unusual combination of assets — a branch system that served millions of people in person each year (the most trusted and visited civic institution in the city) and the world's most used public research library — a 130-year-old educational institution ripe for "innovation at scale." Over fifteen years, Marx and his colleagues have invested significantly in the branch libraries, transmuting them into community centers, which today are, after the schools and CUNY, the city's largest provider of educational services, all free, from early literacy and career training to English language and technology instruction. In Inwood, Marx's childhood branch, the NYPL has partnered with various public development agencies and philanthropies to build 175 units of affordable housing atop a new library and community center, a model they are pursuing at other sites across the city. In wifi "deserts," the team has worked with internet service providers to beam broadband from local libraries into the neighborhoods. Technology has also been crucial to expanding global access to the research libraries, starting with vast and copyright-respecting digitization efforts. "The notion is that every book ever written should be available to anyone on the planet for free through their library — that's the aspiration and we're building it," Marx proclaims. He has not shied away from the promise of artificial intelligence to support this work, if AI can be harnessed in ways consistent with the institution's values including "privacy, veracity, and respect." "Even more than books, trust is our greatest asset" Marx says. He therefore holds that institutions like the New York Public Library have a role to play in shaping the responsible evolution of these new technologies, and to ensure equitable access to information and knowledge. "It all goes back to the same lesson I learned in South Africa… that the world learned in the Enlightenment," he concludes. "We have to respect everyone. We have to be compassionate towards everyone. We have to understand that everyone has the capacity to learn, to create, to inspire, to inspire others, to have empathy, so that we can live in the world we want to live in." Mentioned in this Podcast Khanya College Lessons of Struggle: South African Internal Opposition, 1960-1990, (Oxford University Press, 1992) Making Race and Nation: a Comparison of South Africa, the United States and Brazil, (Cambridge University Press, 1997) Amherst College The New York Public Library Neighbors Fight Affordable Housing, But Need Libraries. Can't We Make a Deal?, (Michael Kimmelman for the New York Times, 2024)
Guests: Lindsay Buchman and Heather Raquel PhillipsHost: Christopher KardambikisRecorded on March 20, 2026This is the second of three episodes focusing on the recent publication: Even the Score, guest edited by Lindsay Buchman and published by Homie House Press.Lindsay Buchman is an interdisciplinary artist, writer, and publisher based in New York (NY) and Philadelphia (PA), whose work explores image-making and writing through print and lens-based media, artist books, and installation. Recent exhibitions include the Penumbra Foundation (NY), Center for Photography at Woodstock (NY), and the Wignall Museum of Contemporary Art (CA). Her work is in the collections of the Metropolitan Museum of Art, the New York Public Library, and SFMOMA. She is a recipient of the Toby Devan Lewis Fellowship and the Flaherty Fellowship, and her work has appeared in Hyperallergic, Lenscratch, and The Hopper Prize Journal. Buchman has been an artist-in-residence at Light Work, Virginia Center for the Creative Arts, the Lower East Side Printshop, and Kala Art Institute. She holds an MFA from the University of Pennsylvania and a BFA from California State University, Long Beach. lindsaybuchman.comHeather Raquel Phillips (she/they) is an interdisciplinary artist & independent curator based in Philadelphia, Pa. Working across photography, moving image, text-based textiles, and installation, Phillips critically investigates systems of power as they relate to personal autonomy, sexuality, deviance, and transgression. Phillips is the recipient of the Toby Devon Lewis Fellowship 2016, the Leeway Foundation Art & Change Grant 2017 and the Leeway Foundation Transformation Award 2020. She was the 2019 Visiting Scholar at the Leather Archives & Museum (LA&M) in Chicago, where she was voted onto the Board of Directors in 2020. She has since helped craft the LA&M Artist In Residence program and curated the exhibition, Sparks in a Dark Room by Gabriel Martinez. Phillips participated in the post-grad apprenticeship at The Fabric Workshop and Museum in 2022 and as a CFEVA Finalist in 2025. Phillips' work, The Path to Candyland, is currently exhibited at Taller Puertorriqueno, Philadelphia, as well as Threaded Currents at Pennsylvania Academy of Fine Art.Her work has been featured in Hyperallergic, Artforum.com, and Sixty (Inches From Center), Philadelphia Gay News and Artblog. She has exhibited nationally and internationally, including in Los Angeles, New York City, New Orleans, Chicago, Philadelphia, and the United Kingdom.heatheraquelphilllips.comEpisode artwork by Homie House Press“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net
Blending filmmaking and fiction: Neil Laird is a veteran documentary filmmaker and television executive who rediscovered a new creative spark in midlife through writing fiction. In this episode Neil shares his journey from a small steel town in Pennsylvania to directing documentaries for the Discovery Channel and National Geographic, and eventually finding the courage to self-publish his own novels at the age of 50.Inspired by the fearless reinvention of David Bowie, Neil discusses the transition from the 'tedious' corporate side of television back to the joy of making things up. He delves into his Prime Time Travelers series of novels, which blends his deep knowledge of ancient history with satirical takes on the chaos of TV production, and offers inspiring advice for adults looking to reignite their own passions: stop waiting for the stars to align, don't be afraid of the first 'rubbish' draft, and surround yourself with cheerleaders rather than naysayers.Finding Inspiration in the Unexpected: Neil recounts how a period of unemployment led him to the New York Public Library, where a chance encounter with a book on ancient history completely shifted his creative trajectory and led to his first documentary on the Great Sphinx.The Midlife Creative Shift: Turning 50 served as a catalyst for Neil to explore fiction. Inspired by the fearless innovation of David Bowie, he decided to move beyond the constraints of documentary filmmaking to imagine historical worlds with a fresh coat of paint.Blending Expertise with Satire: After struggling to find an agent for a traditional historical novel, Neil found his unique voice by blending his professional background with fiction in his Prime Time Travelers series – a satirical look at a film crew messing up history.The Power of Creative Independence: Neil discusses his decision to self-publish, allowing him to maintain creative control over his characters and storylines, including diverse and LGBTQ+ representation that might have been lost in traditional publishing.Advice for Aspiring Creatives: Neil emphasises the importance of starting now, surrounding yourself with cheerleaders rather than naysayers, and not being afraid of the inevitable first draft being a load of rubbish.I would love some financial support to help me to keep making this podcast. Visit buymeacoffee.com/creativityfoundSupport the showFollow @CreativityFoundPodcast on InstagramWant to be a guest on Creativity Found? Send me a message on PodMatch, herePodcast recorded with Riverside and hosted by Buzzsprout
Libraries are often thought of as quiet repositories. But at their best, they are living, evolving spaces where culture is preserved, interpreted, and reimagined. Brent Reidy serves as the Andrew W. Mellon Director of the Research Libraries at The New York Public Library—one of the most expansive and dynamic cultural collections in the world. With a career that spans musicology, consulting with arts institutions, and nearly a decade at NYPL, Brent brings a unique perspective on how libraries function not just as archives, but as active participants in the cultural ecosystem. In this episode, Brent reflects on what it takes to engage new audiences; how digitization efforts intersect with access and institutional mission; and how preserving the past can help shape a more inclusive and imaginative future for the arts. ----- LINKS: The New York Public Library: https://www.nypl.org/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa StoryCorps Archive: https://archive.storycorps.org/
On April 15, The New York Public Library kicks off their annual World Literature & Arts Festival, with a series of events and author talks spotlighting excellent fiction from around the world. Plus, 12 translated titles will be available to borrow as e-copies immediately, in unlimited quantities. Erica Parker, the NYPL associate director of adult cultural programming, previews the festival, and the 12 novels available to borrow. Plus, listeners share their favorite translated works. Photo by Lindsey Nicholson/UCG/Universal Images Group via Getty Images
The April "Get Lit with All Of It" book club selection is the novel Lake Effect by Cynthia D'Aprix Sweeney. It follows one woman's affair in 1970s Rochester... and the continued fallout years later as she lives in New York City and prepares to attend a family wedding. D'Aprix Sweeney discusses the novel ahead of the April 27th "Get Lit" event. Click here to grab your tickets and find out how to borrow your e-copy of the novel, courtesy of The New York Public Library.
Cleo de Lasa, an information assistant at The New York Public Library, highlights a thoughtful selection of books in recognition of both National Arab American Heritage Month and National Poetry Month. Her picks celebrate the richness and diversity of Arab American culture and contributions, while also showcasing the power of poetry to illuminate identity, history, and lived experience. *Tomorrow night, there will be an event to honor the rich poetic tradition of Arab American literature at Stavros Niarchos Foundation Library at 6:30pm EST. To read the library's full list of Best New Poetry Books, visit their website here. Graphic courtesy of NYPL
The beauty of theater isn't just what happens on stage. It's the community that forms around it. And increasingly, that community is being built online. Ashley Hufford is part of a growing group of creators leading that shift. A constant presence across New York's theater scene and on social media, she has built an audience of more than 100,000 followers who turn to her not for theater criticism, but for an invitation to try something new. What began as a pandemic-era hobby of posting about shows has grown into a kind of cultural bridge, connecting productions with new and younger audiences. In this episode, Ashley reflects on her path from sports media to political storytelling to theater influencing; what she's learned about sharing stories that resonate; the evolving role of influencers in the theater ecosystem; and how the arts industry can rethink accessibility and audience-building for the future. ——— LINKS: Ashley Huffed: https://www.ashleyhufford.com/ The New York Public Library: https://www.nypl.org/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa
Learn more at TheCityLife.org
Folks are probably well into planning for summer reading programs, so now is the perfect time to talk about Summer Scares! On this Episode of Shelf Care: The Podcast, host Susan Maguire talks to the folks involved. First, this year's celebrity spokesperson, author Jennifer McMachon, joins Susan and readers' advisory and horror expert Becky Spratford to talk about the adult and YA Summer Scares titles, and Jennifer's journey from misfit girl to capital-H horror writer. Then, Booklist's Julia Smith talks to Susan about the middle-grade Summer Scares titles. Finally, Susan sits down with HWA Library Committee co-chair Konrad Stump along with New York Public Library's Allison Nellis and Kate Federiconi to talk about programming and NYPL's best-of lists. Here's what we talked about: (* indicates a Summer Scares 2026 title) Readers' Advisory survey (it's quick!) Summer Scares Resource Page (RA for All) Summer Scares Middle-Grade Panel (March 12) Summer Scares YA Panel (March 23) Summer Scares Adult Panel (March 26) *A Botanical Daughter, by Noah Medlock *Never Whistle at Night: An Indigenous Dark Fiction Anthology, edited by Shane Hawk and Theodore C. Van Alst, Jr. *Maeve Fly, by CJ Leede iRead Summer Reading 2026: Plant a Seed, Read *What We Harvest, by Ann Fraistat *Gorgeous Gruesome Faces, by Linda Cheng *Our Shadows Have Claws: 15 Latin American Monster Stories, edited by Yamile Saied Méndez and Amparo Ortiz, illustrated by Ricardo López Ortiz Stay Buried, by Jennifer McMahon (coming August 2026) “Monster Girl: How Horror Gave Me a Place to Belong,” by Jennifer McMahon, in Why I Love Horror: Essays on Horror Literature, edited by Becky Siegel Spratford *This Appearing House, by Ally Malinenko A Monster Calls, by Patrick Ness *It Came from the Trees, by Ally Russell *Garlic and the Vampire, by Bree Paulsen, art by the author The Lion's Run, by Sarah Pennypacker Max in the House of Spies, by Adam Gidwitz Max in the Land of Lies, by Adam Gidwitz Summer Scares 2026 Programming Guide NYPL's Best New Horror for Adults 2025 Dollface, by Lindy Ryan Headlights, by CJ Leede Kiss, Slay, Replay, by Rachel Harrison Japanese Gothic, by Kylie Lee Baker Abyss, by Nicholas Binge Thirty-Two Words for Field: Lost Words of the Irish Landscape, by Manchán Magan
Evan Leslie reads his poems "Ricercar (rēCHərˈkär) music composition derived from the verb ricercare" and "Evensong," from our Winter 2026 issue.Evan Leslie grew up in Tulsa, Oklahoma, and now lives in Houston, Texas, with his husband, Ryan, and their rescue pit bull, Rimbaud (formerly Rambo). A cellist and arts educator, he directs the University of Houston's Community Arts Programs, the Texas Music Festival, and previously served as Artistic Producer at the New York Public Library for the Performing Arts. His poems have appeared in The Pinch, Troublemaker Firestarter, and New Verse News.
Molly Crabapple is an artist and writer. She is the co-author of Brothers of the Gun, an illustrated collaboration with Syrian war journalist Marwan Hisham, which was a NY Times Notable Book. Her memoir, Drawing Blood, received global praise and attention. Her animated films have won two Emmys and an Edward R. Murrow Award. Molly's reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, The New Yorker and Rolling Stone. She was the 2019 artist-in-residence at NYU's Hagop Kevorkian Center for Near Eastern Studies in 2019, a New America fellow in 2020, and the winner of the Bernhardt Labor Journalism Award in 2022. In 2023, she was a fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library.Molly's third book, Here Where We Live is Our Country: The Story of the Jewish Bund, will be released by One World/Random House in April 2026. Please PRE-ORDER if you'd like to support her work and artistry!Molly websiteLeah website
Welcome to Capital for Good, the podcast where we hear from business and civic leaders about their visions, plans, and hard work to build a vibrant, inclusive and sustainable society. Hosted by seasoned executive and award winning author Georgia Levenson Keohane, and presented by Columbia Business School's Tamer Institute for Social Enterprise and Climate Change, Capital for Good features in-depth and candid conversations with leaders across the private, nonprofit, and public sectors exploring solutions to some of our most urgent challenges. Season five offers an extraordinary line up of guests including business and civic leader Mellody Hobson, the Co-CEO of Ariel Investments; Tony Marx, the President & CEO of the New York Public Library; Yale Law Professor, legal historian and award winning author John Witt; Marla Blow, the CEO of the Skoll Foundation; Technology investor and Managing Director of Insight Partners, Deven Parekh; Rabbi Angela Buchdahl, the renown religious leader and author of the new bestselling book, Heart of a Stranger; Bob Steel, whose storied career in finance and government service now finds him as Vice Chairman of Perella Weinberg; and impact investing pioneer Antony Bugg Levine. Learn more and subscribe today at The Tamer Institute for Social Enterprise and Climate Change at Columbia Business School – or wherever you get your podcasts.
The late 19th and early 20th centuries were a special time for magic in New York, coinciding with the rise of vaudevilles, circuses, and mainstream theaters, as well as innovations in publishing and science. A new exhibit at the New York Public Library, "Mystery and Wonder: A Legacy of Golden Age Magicians in New York City," presents rare items from the NYPL's Library for the Performing Arts. Annemarie van Roessel, assistant curator of the Billy Rose Theatre Division, discusses what's on view, and the long history of magicians in New York. Image: A promotional photo of Harry Houdini. Courtesy of Billy Rose Theatre Division, The New York Public Library for the Performing Arts.
Before audiences fall in love with a story, they fall into a world—one shaped by the unseen artistry that turns empty space into something alive. Set and production designer Paul Tate dePoo III has built a career shaping the physical environments that hold our favorite stories. From intimate stages to large-scale productions, his work lives at the intersection of architecture, storytelling, and psychology, where space itself becomes a character. In this episode, Paul reflects on how ideas move from sketch to stage, the collaborative nature of his work, and the responsibility designers carry in shaping how audiences experience a narrative. ----- LINKS: Tate Design Group: https://www.pauldepoo.com/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa The New York Public Library Photography Collection: https://www.nypl.org/locations/schwarzman/wallach-division/photography-collection
For a question that brings up strong feelings on both sides, try asking: Do audiobooks qualify as 'reading'? Brian Bannon, the Merryl and James Tisch Director of Branch Libraries and Education and Chief Librarian at The New York Public Library, joins us to talk about the rise of—and stigma around—audiobooks, and why the environment in which we read might matter more than the modality.
Welcome to another LEGENDARY episode of Storybeast! Our Legendaries are special guests who are an expert within their area of storytelling. In this episode, Ghabiba Weston and Courtney Shack have the pleasure of interviewing legendary Vajra Chandrasekera.Vajra Chandrasekera is from Colombo, Sri Lanka. His novels THE SAINT OF BRIGHT DOORS and RAKESFALL have between them won the Le Guin, Nebula, Ignyte, Locus, Crawford, and Otherwise awards, been selected as New York Times Notable Books of 2023 and 2024, and been nominated for many others, including the Hugo. He is one of the 2025-2026 Fellows of the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library.In this episode, you'll hear about:how Vajra conceptualizes storylistening to your instincts and not killing your darlingsleaning into your strengths the inspiration behind THE SAINT OF BRIGHT DOORSusing the full fantasy toolkitFor more storytelling content to your inbox, subscribe to our newsletter. Feel free to reach out if you want to talk story or snacks!A warm thank you to Deore for our musical number. You can find more of her creative work on Spotify.As ever, thank you for listening, Beasties! Please consider leaving a review to support this podcast.Be brave, stay beastly!
“Le Chat Noir” is one of the most famous pieces of late 19th century European art, but the artist behind it was also very active in France's anarchist and socialist political groups of the time. Research: Asimakis, Magdalyn. “War, Socialism, and Cats: Théophile-Alexandre Steinlen's Political Artistic Practice.” The Met. Nov. 2, 2017. https://www.metmuseum.org/perspectives/theophile-alexandre-steinlen-cats-socialism-world-war-i Budge, A. “Arts & Decoration Combined with the Spur.” Volumes 19-20. 1923. Accessed online: https://books.google.com/books?id=joAyAQAAIAAJ&vq=steinlen&source=gbs_navlinks_s “Charles Matlack Price letters 1917-1947 [bulk 1918-1923].” The New York Public Library – Archives and Manuscripts. https://archives.nypl.org/mss/18567#:~:text=His%20career%20trajectory%20was%20briefly,to%20friends%2C%20and%20his%20work “Declaration of the Rights of Man – 1789.” Yale Law School. https://avalon.law.yale.edu/18th_century/rightsof.asp Fau-Vincenti, Véronique. “STEINLEN Théophile, Alexandre.” Le Maitron. Nov. 4, 2009. https://maitron.fr/steinlen-theophile-alexandre/ Gegout, E. and Ch. Malato. “Prison fin de siècle : souvenirs de Pélagie.” Paris. G. Charpentier et E. Fasquelle. 1891. https://digital-research-books-beta.nypl.org/read/7581051 Glass, Chloe. “Printmaker Theophile Steinlen Used Art to Advocate for Social Change in 1900s France.” Crystal Bridges Museum of American Art. https://crystalbridges.org/blog/printmaker-theophile-steinlen-used-art-to-advocate-for-social-change-in-1900s-france/ Goldstein, Robert Justin. “Fighting French Censorship, 1815-1881.” The French Review, vol. 71, no. 5, 1998, pp. 785–96. JSTOR, http://www.jstor.org/stable/398913 Guthrie, Christopher E. “History of Censorship in France.” EBSCO. 2023. https://www.ebsco.com/research-starters/politics-and-government/history-censorship-france Kagan, Étienne, et al. “GEGOUT Ernest.”Le Maitron. April 7, 2014. https://maitron.fr/gegout-ernest-charles-joseph-ernest-dit-dictionnaire-des-anarchistes Olsen, Annikka. “The Surprising Story of the Cat-Obsessed Artist Behind the Famed ‘Le Chat Noir’ Poster.” Artnet News. Oct. 28, 2024. https://news.artnet.com/art-world/theophile-alexandre-steinlen-tournee-du-chat-noir-2417712?amp=1 Stefiuk, Eleanor. 2022. “Villiers de L’Isle-Adam’s Anarchism: A Legacy of the Paris Commune.” Dix-Neuf26 (1): 1–17. doi:10.1080/14787318.2021.2010167 See omnystudio.com/listener for privacy information.
Remember when independent cinema was actually FUN? :p Well this cult classic was released during the height of the indie boom in the mid '90's and was pretty much the launching pad for rising star Parker Posey (Best In Show, Superman Returns, The White Lotus, The House of Yes) who plays the titular character, Mary. Mary is an aimless young lady in her '20's living in Manhattan who's good at organizing, planning parties, and not much else until one day working for her godmother (Sasha von Scherler) at the New York Public Library, she suddenly discovers what might be her calling....to become a librarian. :o This wacky sorta-coming-of-age comedy features a bouncy soundtrack and stellar cast of up-and-comers including Liev Schreiber, Guillermo Diaz, Omar Townsend, and Anthony DeSando. It was also directed by Daisy von Scherler Mayer (Woo, Matilda) who would eventually going on to be a prolific director of prestige TV. Heh-heh-HELLO!!!Host & Editor: Geoff GershonProducer: Marlene Gershon Send a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Jeff and Sharifah talk about a new sweeping federal book ban law that was introduced in Congress, The New York Public Library's 10 Most Checked-Out Books of All-Time, bookstores buying their buildings, recent reading, and more. Follow the podcast via RSS, Apple Podcasts, and Spotify. Join The Book Riot Podcast Patreon for bonus content and ad-free listening. Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. The Book Riot Podcast is a proud member of the Airwave Podcast Network. Discussed in this episode: The New York Public Library's Most Checked Out Books of All-Time A Nationwide Book Ban Bill Has Been Introduced in the House of Representatives Netflix's PRIDE & PREJUDICE Has A Trailer and Get Ready for Another JANE EYRE Spotify Launches Audiobooks Charts The Booker Prize released its longlist for the 2026 fiction prize today. UK Launches National Year of Reading Should indie bookstores all try to buy their buildings? This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices
Before a performance is polished, premiered, or reviewed, it exists in a more vulnerable state. What happens when you invite audiences into that space? As Executive Director of Works & Process, Duke Dang leads an organization built around that idea. By welcoming audiences into the rehearsal room—where new work is tested and shaped—Works & Process transforms performance from a finished product into a shared journey. Under Duke's leadership, the organization has grown in scale and influence, setting the standard for how institutions can nurture artists at pivotal moments in their development. In this episode, Duke reflects on building sustainable pathways for artists across disciplines, creating space for artistic risk, and deepening audience investment in new work. ----- LINKS: Works & Process: https://www.worksandprocess.org/ CATS: The Jellicle Ball: https://catsthejellicleball.com/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa
On this episode of CounterPunch Radio, Joshua Frank and Erik Wallenberg are joined by Brian Jones to discuss his new book, Black History Is for Everyone, out now with Haymarket Books. In Black History Is for Everyone, Brian Jones offers a meditation on the power of Black history, using his own experiences as a lifelong learner and classroom teacher to question everything—from the radicalism of the American Revolution to the meaning of “race” and “nation.” Brian Jones has taught many ages and grades in New York City's public schools and the City University of New York. He served as the inaugural director of the Center for Educators and Schools at the New York Public Library and was the associate director of education at the Schomburg Center for Research in Black Culture. He is also the author of The Tuskegee Student Uprising: A History. Catch Brian Jones on tour. Buy a copy of Black History Is for Everyone. The post Black History Is for Everyone w/ Brian Jones appeared first on CounterPunch.org.
Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about Draft2Digital, Bookshop DRM, Harper's Bazaar Short Story Contest, and AI Slop books. Then, stick around for a chat with Benjamin Hale!Benjamin Hale is the author of the novel The Evolution of Bruno Littlemore (Twelve, 2011), the short fiction collection The Fat Artist and Other Stories (Simon & Schuster, 2016), and the nonfiction book Cave Mountain: A Disappearance and a Reckoning in the Ozarks (HarperCollins, 2026). He has received the Bard Fiction Prize, a Michener-Copernicus Award, and nominations for the Dylan Thomas Prize and the New York Public Library's Young Lions Fiction Award. His writing has appeared, among other places, in Conjunctions, Harper's Magazine, the Paris Review, the New York Times, the Washington Post, Dissent and the LA Review of Books Quarterly, and has been anthologized in Best American Science and Nature Writing. He is a senior editor at Conjunctions, teaches at Bard College and Columbia University, and lives in a small town in New York's Hudson Valley. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Aidan Connolly knows that institutional growth isn't just a matter of square footage. It's a test of values. As Executive Director of Irish Arts Center in New York City, Aidan is leading the organization through a major expansion and transformation—one that requires not only bold vision, but the discipline to protect what made the institution matter in the first place. In this episode, Aidan reflects on what it takes to lead values-driven change, how his background in politics shaped his approach to advocacy and stakeholder management, and how arts organizations can become not just presenters of culture, but civic homes for artists and audiences alike. —— LINKS: Irish Arts Center: https://irishartscenter.org/ WorkLife with Adam Grant: https://adamgrant.net/podcasts/work-life/ The New York Public Library: https://www.nypl.org/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa
Hubert Joly is a Harvard Business School lecturer and globally recognized leadership thinker focused on re-founding business around purpose and people. A former Chairman and CEO of Best Buy, he led one of the most celebrated corporate turnarounds of the past decade by rejecting cost-cutting playbooks in favor of purpose-driven strategy. At Harvard Business School, he co-leads flagship CEO programs and advises organizations on developing next-generation leaders. Joly serves on the boards of Johnson & Johnson and S&P Global, is a trustee of the New York Public Library, has been named among the world's top CEOs and management thinkers by HBR, Barron's, Glassdoor, and Thinkers50, and is the bestselling author of The Heart of Business. In this episode we discuss the following: When Hubert became CEO of Best Buy, he resisted the instinct to cut, cut, cut. Instead, as a first-time CEO, he chose to be a learn-it-all rather than a know-it-all—constantly asking, What's working? What's not? And what do you need? He then held himself to a strong “say-do” ratio, making sure his actions matched his words. I was also struck by the hierarchy he emphasized at Best Buy: people, business, finance. Of course a company has to make money. But when meetings start with finance or strategy, the implicit message is that people come second. Best Buy ultimately clarified this by defining its purpose as enriching lives through technology by addressing human needs. Another powerful idea was Hubert's reminder that culture changes faster than we think—if behavior changes first. If you want to be customer-centric, don't just talk about customers. Spend time with them. Behavior shapes culture surprisingly fast. Give a name or brand to our behavior change goals.
Bryan Washington joins Deborah Treisman to read “A Small Flame,” by Yiyun Li, which was published in The New Yorker in 2017. Washington, a winner of the New York Public Library's Young Lions Fiction Award, is the author of the story collection “Lot” and the novels “Memorial,” “Family Meal,” and “Palaver,” which was a finalist for the National Book Award in 2025. Learn about your ad choices: dovetail.prx.org/ad-choices
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