Podcasts about New York Public Library

In Episode 29, DDSWTNP go to space to get a good look at the earth in a time of war, turning to one of DeLillo's greatest short stories, “Human Moments in World War III,” first published in July 1983. We examine this tale of two future astronauts who have become soldiers for its strategic engagement with the tropes of science fiction, its eerie portrayals of the so-called “Overview Effect” available from a spacecraft window, and its compression and renewal of motifs from Americana, End Zone, and Ratner's Star. Nostalgia, patriotism, history, the soldier's mindset in following inhuman commands, and even the role of poetry and voice – all these come to be recast in DeLillo's shrewd take on an era of “Star Wars” defense initiatives, a Cold War giving way to hot wars, and very tricky ways out of Mutually Assured Destruction. Along the way we read the 1980s thoughts of an expert on lasers in space, consider what it means to have an alien perspective on one's earthly home and diurnal rhythms, and speculate on connections between “Human Moments” and White Noise still to come.  Texts referred to and discussed in this episode: Don DeLillo. “Human Moments in World War III.” Published in Esquire (July 1983) and reprinted in The Angel Esmeralda (2011). Philip M. Boffey. “Laser Weapons: Renewed Focus Raises Fears and Doubts.” New York Times, 9 March 1982. https://www.nytimes.com/1982/03/09/science/laser-weapons-renewed-focus-raises-fears-and.html Summary of the Overview Effect: https://en.wikipedia.org/wiki/Overview_effect The first scene of War Games (1983): https://www.youtube.com/watch?v=s6aCpS0-yls Our intro's clip of DeLillo reading from “Human Moments in World War III” comes from this October 2012 event at the New York Public Library: https://www.nypl.org/audiovideo/angel-esmeralda-don-delillo-conversation-jonathan-franzen The interlude sound effect is from Burns and Allen, featuring Ray Noble, “Rah Rah in Omaha” (1940).

In our season 3 finale of The Bookshelf of Jennifer Morrison, this episode with author E.J. Koh is truly, poetry in motion. Koh joins Jennifer to discuss her novel, "The Liberators", winner of the 2024 New York Public Library's Young Lions Fiction Award. Though it is a novel covering dark themes spanning several generations through historical tragic events, E.J. continuously manages to find light within the darkness, giving the audience a story that Jennifer finds delicate and "smooth as silk". E.J. discusses her family's influence in writing her memoir and novels, her ambition to write 1,000 love letters, and how her process of writing ultimately lends as a conduit for her real passion—making a connection with humanity.

durée : 01:00:12 - Les Nuits de France Culture - par : Albane Penaranda - Une bibliothèque est un territoire d'exploration infini. Le documentariste Frederick Wiseman a posé sa caméra dans la "New York Public Library". En 2017 il présente le documentaire qu'il a consacré à cette grande institution américaine, un service public consacré à la culture et sa diffusion. - réalisation : Vincent Abouchar - invités : Frederick Wiseman Cinéaste documentariste américain

Manhattan – ein Name, der sofort Bilder von Wolkenkratzern, Lichtern und endlosem Treiben hervorruft. In dieser Episode nehmen wir dich mit auf unseren persönlichen Streifzug durch den pulsierenden Kern New Yorks. Wir erzählen von der ersten Fahrt durch den Holland Tunnel, von der Mischung aus Skepsis und Staunen bei der Ankunft und von unserem Leben mitten im Herzen der Stadt – zwischen Times Square und Madison Square Garden. Neben Eindrücken vom Stadtleben teilen wir kulinarische Highlights: vom entspannten Frühstück im „Toast Coffee & Brasserie“ über kreative Gerichte bis hin zum edlen STK Steakhouse. Natürlich erinnern wir uns auch an das charmante Restaurant „The Marshall“, das uns mit seiner authentischen Farm-to-Table-Küche begeisterte. Doch Manhattan ist mehr als Kulinarik: Wir nehmen dich mit zu kulturellen und architektonischen Höhepunkten wie der New York Public Library und ikonischen Filmkulissen. So entsteht ein facettenreicher Blick auf eine Stadt, die uns gleichermaßen überwältigt, inspiriert und immer wieder überrascht.

For this Labor Day holiday, highlights from our series for and about non-college careers:From our centennial series, Annelies Goger, an economic geographer and a fellow with the Brookings Metropolitan Policy Program, and Justin Heck, research director at Opportunity@Work, look at the history of non-college employment and where it stands today.Audrey Mickahail, senior vice president at Opportunity@Work, a nonprofit working to expand access to career opportunities, and Aaliyah Siddiqi, marketing operations specialist for a Philadelphia pharmaceutical company, talk about alternative routes to professional careers.Blair Corcoran de Castillo, vice president of public sector and policy at Opportunity@Work, and Tony Gherardini, executive director at the Colorado Department of Personnel & Administration, talk about how state governments and public agencies are rethinking hiring, training, and credential requirements to open up opportunity for STARs—workers Skilled Through Alternative Routes.Louisa Tatum, Career Services Manager at the New York Public Library, talks about the job and career landscape for people without college degrees—and we'll take calls from listeners who are looking for career advice.Support of WNYC's coverage of economic mobility and opportunity is provided in part by the Bill & Melinda Gates Foundation. For more information about how the Gates Foundation supports economic mobility and opportunity, visit usprogram.gatesfoundation.org. These interviews were lightly edited for time and clarity and the original web versions are available here:100 Years of 100 Things: Non-College Employment (Oct 9, 2024)Another Way Into the Workforce (Apr 9, 2025)The Politics and Policy of Empowering Skilled Workers (Apr 30, 2025)Career Counseling Courtesy of the New York Public Library (May 2, 2025)

In questo episodio vi porto nel cuore di Midtown per scoprire due luoghi simbolo di New York: la New York Public Library, con i suoi iconici leoni Patience e Fortitude, e Bryant Park, il salotto verde della città.Racconteremo la storia della biblioteca, dalla sua nascita sul sito dell'antico serbatoio Croton alle sale iconiche come la Rose Main Reading Room, fino alle collezioni rare custodite nei suoi magazzini sotterranei.Poi usciremo all'aperto per vivere Bryant Park, dalla sua trasformazione da zona degradata a spazio pubblico modello, oggi teatro di eventi, attività e momenti di relax in ogni stagione. Vi darò anche consigli su dove prendere da mangiare e gustarlo al parco per vivere l'esperienza come un vero newyorkese.

Learn more at TheCityLife.org

Learn more at TheCityLife.org

History has a way of looking calmer than it really was. In this PT. 2 episode, Ryan sits down with historian and author James Romm to talk about the messy, dangerous, and often absurd reality of life in ancient Greece and Rome, especially for the philosophers who tried to “advise” the powerful. From Plato's naïve trips to Syracuse, to Seneca's complicated dance with Nero, to Marcus Aurelius resisting the pull of corruption, they discuss the timeless tension between access and integrity. James Romm is an author, reviewer, and a Professor of Classics at Bard College in Annandale, NY. He specializes in ancient Greek and Roman culture and civilization. His reviews and essays have appeared in the New Yorker, the Wall Street Journal, the London Review of Books, the Daily Beast, and other venues. He has held the Guggenheim Fellowship (1999-2000), the Birkelund Fellowship at the Dorothy and Lewis B. Cullman Center for Writers and Scholars at the New York Public Library (2010-11), and a Biography Fellowship at the Leon Levy Center of the City University of New York (2014-15).Follow James on Instagram @James.Romm and check out more of his work at his website, www.jamesromm.com

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What makes smart, principled people work for the worst leaders? In this conversation, historian and author James Romm and Ryan dig into the timeless trap that's snared some of history's greatest minds, from Plato and Seneca to modern politics. They talk about the seduction of access, the slow erosion of integrity, and why walking away from a tyrant's court is so much harder than it looks.James Romm is an author, reviewer, and a Professor of Classics at Bard College in Annandale, NY. He specializes in ancient Greek and Roman culture and civilization. His reviews and essays have appeared in the New Yorker, the Wall Street Journal, the London Review of Books, the Daily Beast, and other venues. He has held the Guggenheim Fellowship (1999-2000), the Birkelund Fellowship at the Dorothy and Lewis B. Cullman Center for Writers and Scholars at the New York Public Library (2010-11), and a Biography Fellowship at the Leon Levy Center of the City University of New York (2014-15).Follow James on Instagram @James.Romm and check out more of his work at his website, www.jamesromm.com

Ganslmeier, Martin www.deutschlandfunkkultur.de, Fazit

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Ganslmeier, Martin www.deutschlandfunkkultur.de, Studio 9

Bill Hollands was born and raised in Miami, Florida, graduated from Williams College, and received his MA in English as a Dr. Herchel Smith Fellow at Cambridge University. He worked for the New York Public Library and Microsoft before becoming a high school English teacher. He lives in Seattle with his husband and their son. A multiple Best of the Net and Pushcart nominee, he has been a finalist for North American Review's James Hearst Poetry Prize, Sycamore Review's Wabash Prize in Poetry, Smartish Pace's Erskine J. Poetry Prize, and New Ohio Review's NORward Prize. He reads submissions for Poetry Northwest and is a 2025 Jack Straw Writing Fellow. His debut collection Mangrove is out now from ELJ Editions. Find that book here: https://billhollandspoetry.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a Poet's Respond poem that is in response to an obscure/off-beat news story. Next Week's Prompt: Write a sonnet in which someone sings. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

What can public libraries teach us about finding and sharing trustworthy information in the age of AI? How can—and should—AI build upon the technology that is books? This week, Reid and Aria head to the New York Public Library in Manhattan for a conversation with the storied institution's president and CEO, Tony Marx. They explore the function of libraries in the age of AI, debate the future of work, and discuss what it looks like for civic institutions to embrace transformative technology without sacrificing core values.  For more info on the podcast and transcripts of all the episodes, visit https://www.possible.fm/podcast/  Topics: 2:54 - Hellos and intros 3:23 - Tony's studies and work in South Africa 5:25 - Taking a job as president of Amherst College 8:43 - Eliminating library fines and fees 9:23 - Visiting the Inwood Library 13:30 - Determining what gets digitized  16:20 - New media  17:42 -  AI's function for libraries  23:08 - Navigating hallucinations 27:57 -  AI becoming our epistemology 29:36 -  Technological advancements at the NYPL 33:54 - Future of work and human costs of AI 39:41 - Can AI close the educational gap? 42:43 - Trust, reliability, and AI 45:18 - Rapid-fire questions Select mentions:  Possible | Kim Stanley Robinson on the future of civilization: https://www.youtube.com/watch?v=B6OlJbPDpyc  Possible is an award-winning podcast that sketches out the brightest version of the future—and what it will take to get there. Most of all, it asks: what if, in the future, everything breaks humanity's way? Tune in for grounded and speculative takes on how technology—and, in particular, AI—is inspiring change and transforming the future. Hosted by Reid Hoffman and Aria Finger, each episode features an interview with an ambitious builder or deep thinker on a topic, from art to geopolitics and from healthcare to education. These conversations also showcase another kind of guest: AI. Each episode seeks to enhance and advance our discussion about what humanity could possibly get right if we leverage technology—and our collective effort—effectively.

Send us a textThe world freezes over in a matter of days. Could you survive? We tackle "The Day After Tomorrow," the 2004 disaster film where climate change triggers a catastrophic deep freeze across the Northern Hemisphere.What makes this apocalyptic scenario fascinating isn't just the spectacle of tornadoes ripping through Los Angeles or a massive tsunami crashing into New York City—it's the survival challenges faced by characters trapped in a rapidly freezing world. Jake Gyllenhaal's character and fellow survivors hole up in the New York Public Library, burning books for warmth as temperatures plummet to deadly levels.We dive deep into the reality versus fiction of climate catastrophe. While the movie accelerates processes that would actually take centuries into mere days, some core concepts have scientific merit. The disruption of ocean currents like the Gulf Stream could indeed affect global climate patterns, just not overnight. Our hosts debate how much impact humans truly have on climate change, acknowledging the planet's natural warming and cooling cycles while considering our ecological footprint.The real value comes in analyzing practical survival tactics. Would burning books be your best option? Probably not—we explore better alternatives like building efficient rocket stoves, creating insulated micro-environments, and proper clothing choices for extreme cold. The homeless character actually provides the most practical advice about insulation, proving survival knowledge often comes from unexpected sources.Between fits of laughter and nostalgic tangents about Oregon Trail and Jurassic Park animatronics, we uncover genuinely useful emergency preparedness tips. Whether facing a fictional superstorm or a real-world winter power outage, knowing how to conserve body heat could save your life.Ready to test your disaster preparedness knowledge? Subscribe now and join us for our live recordings on TikTok where you can participate in the conversation directly!

New York City's Summer Streets program returns for five consecutive Saturdays starting this weekend, closing more than 22 miles of roadway to cars across the boroughs. Meanwhile, Prospect Park's LeFrak Center at Lakeside is also set to reopen after its first major renovation since 2013. Also, the New York Public Library for the Performing Arts is celebrating its 60th anniversary with events in partnership with Lincoln Center. Plus, in this week's politics segment: mayoral candidate Zohran Mamdani's trip to Uganda, Andrew Cuomo's campaign promises, and the latest on the governor's race.

Richard Schoch is an historian whose research encompasses theater historiography, Shakespeare in performance, musical theater, and cultural history. Richard is the author of eight books, including the recently published Shakespeare's House: A Window onto his Life and Legacy. His latest book is How Sondheim Can Change Your Life, published last November. In 2021 he was elected to the Royal Irish Academy, Ireland's highest academic honor. Richard Schoch is a professor of drama Queen's University in Belfast. He graduated summa cum laude from Georgetown University and earned his PhD from Stanford University. He has directed plays in New York City and worked for the New York Public Library for the Performing Arts. Richard's book shows how Sondheim's lyrics relate to us all. But as important, Richard's book reveals parallel styles between Stephen Sondheim and William Shakespeare. 

This week we're replaying our favorite shows about writers and the printed page. In this episode from January 2020, the New York Public Library didn't have a copy of one of the most iconic children's books of all time for decades, because a librarian didn't like it. Plus: two pranksters added silent records to a jukebox, but customers decided they liked the quiet. Top 10 Checkouts of All Time (New York Public Library)The Quintessential Librarian Stereotype: Wrestling With the Legacy of Anne Carroll Moore (School Library Journal)The Restorative Pause of Silent Record Week (New Yorker)I could write a book about the amazing Patreon backers that make Cool Weird Awesome possible!

SEASON 3 EPISODE 147: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: We have been burying the lede here. Trump. Is. Suing. Murdoch. Trump and Murdoch are at war. Over Jeffrey Epstein. The two worst people in the country, probably the world, at each other's throats, until further notice. Weeks, months, years. Amid rumors Murdoch's people at the Wall Street Journal are upworking ANOTHER Trump-Epstein/Epstein-Trump/Trumpstein story. And that Murdoch is preparing a Defcon scenario in which he turns Fox News against Trump. Because if Trump is stupid enough to try to put Murdoch out of business, Murdoch will have no choice but to try to put Trump out of business. Trump also seems to be doing everything else he can think of to make sure the Trumpstein story never leads the headlines again. Attacks his own people again. Left a paper trail inside the DOJ and FBI of Pam Bondi searching for thousands of Trump references inside an evidence pit the size of The New York Public Library. Changing the story of the latest plot against him for the sixth time in a week. And watching the polls - 17% approve of his handling of the Epstein issue - actually get worse since just last Thursday (89% want everything, not just the almost-meaningless Grand Jury testimony, released). Oh by the way there IS a Trump Client List inside DOJ/FBI. The only part of Trump's claim that there isn't that's true, is that it may not bear that title. There's literally 40 computers, 70 CDs of video, and 300 gigabytes of data. The Trumpstein story will swamp his presidency. For sheer volume it exceeds almost everything else Trump has ever done. It makes Watergate look like the editing out of four words in a 5,000 word document. IT'S WONDERFUL. Trumpstein, Trumpstein, Trumpstein. ALSO: Trump's unpopularity has now reached 1st Term proportions. Tulsi Gabbard is conflating two Russian stories and claiming the one nobody believed (Russia tampered with voting machines) disproves the one Robert Mueller proved (Russia hacked emails and got them to Trump's campaign). How does that work? I'll explain the psychology of morons who want to please their bosses, with the story of Tennessee Ernie Williams. And if you think Trump isn't brain dead he wrote something that must've come directly from a dream about how the Cleveland Guardians (formed 1901, not named "Indians" until 1915) are one of baseball's "six original teams" (Major League Baseball started 30 years earlier; it's HOCKEY with "the original six" and that's wrong too). B-Block (39:15) POSTSCRIPTS TO THE NEWS: I understand this busts the narrative and reduces our ability to suffer as martyrs, but there is one inarguable and unanswerable fact that disproves the almost-universally accepted premise that CBS cancelled Stephen Colbert solely to appease Trump. It's this: If they are silencing him, why have they decided to keep him on TV for THE NEXT TEN MONTHS? This is the Phil Donahue cancellation all over again. It works to CBS's corporate advantage to make it look like they are sucking up to the psycho. Sorry. This is the least of the reasons. C-Block (1:09:10) MONDAYS WITH THURBER: Haven't done any of his priceless stories lately, and with Trump's new permanent Trumpstein Crisis, it's fitting to do James Thurber's stunningly prophetic saga "The Greatest Man In The World."See omnystudio.com/listener for privacy information.

This lecture considers ‘You'll Never Walk Alone' from Carousel (1945). Perhaps Rodgers and Hammerstein's most operatic song, it was originally written for Metropolitan Opera star Christine Johnson but has gone on to be recorded by artists as diverse as Elvis Presley and Marcus Mumford and sung at both the Last Night of the Proms and Liverpool Football Club.This lecture will include live performances by international soprano and Grammy Award winner Rebecca Evans CBE.This lecture was recorded by Dominic Broomfield-McHugh on 2nd of May 2025 at Conway Hall, London.Dominic Broomfield-McHugh is Gresham Visiting Professor of Film and Theatre Music. He is also Professor of Music at the University of Sheffield and is a graduate of King's College London.His scholarship focuses on the American musical on stage and screen, and he has published eight books including Loverly: The Life and Times of 'My Fair Lady' (OUP, 2012), The Letters of Cole Porter (Yale, 2019) and The Oxford Handbook of the Hollywood Musical (2022).He is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/operatic-showstopperGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Today, Margaret Wise Brown's Goodnight Moon is considered a classic. The deceptively complex children’s book has been passed down for generations. But if the New York Public Library had gotten its way, you’d have never even heard of it. * Thanks to our Very Special guests Amy Gary, author of In the Great Green Room; and writer, children's book author, and podcaster Betsy Bird. * Hosted by Zaron Burnett, Dana Schwartz, and Jason EnglishWritten by Carmen Borca-Carrillo and edited by Emily Rudder at Wonder Media NetworkProduced by Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Chris ChildsAdditional Editing by Mary DooeFact-Checking by Maya ShoukriOriginal Music by Elise McCoyVoice Actors: Katie Mattie, Chris Childs, Josh Fisher, Jonathan Washington, Juliet English, and Charlotte EnglishShow Logo by Lucy QuintanillaExecutive Producer is Jason EnglishSee omnystudio.com/listener for privacy information.

Today, Margaret Wise Brown's Goodnight Moon is considered a classic. The deceptively complex children’s book has been passed down for generations. But if the New York Public Library had gotten its way, you’d have never even heard of it. * Thanks to our Very Special guests Amy Gary, author of In the Great Green Room; and writer, children's book author, and podcaster Betsy Bird. * Hosted by Zaron Burnett, Dana Schwartz, and Jason EnglishWritten by Carmen Borca-Carrillo and edited by Emily Rudder at Wonder Media NetworkProduced by Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Chris ChildsAdditional Editing by Mary DooeFact-Checking by Maya ShoukriOriginal Music by Elise McCoyVoice Actors: Katie Mattie, Chris Childs, Josh Fisher, Jonathan Washington, Juliet English, and Charlotte EnglishShow Logo by Lucy QuintanillaExecutive Producer is Jason EnglishSee omnystudio.com/listener for privacy information.

Today, Margaret Wise Brown's Goodnight Moon is considered a classic. The deceptively complex children’s book has been passed down for generations. But if the New York Public Library had gotten its way, you’d have never even heard of it. * Thanks to our Very Special guests Amy Gary, author of In the Great Green Room; and writer, children's book author, and podcaster Betsy Bird. * Hosted by Zaron Burnett, Dana Schwartz, and Jason EnglishWritten by Carmen Borca-Carrillo and edited by Emily Rudder at Wonder Media NetworkProduced by Josh FisherEditing and Sound Design by Chris ChildsMixing and Mastering by Chris ChildsAdditional Editing by Mary DooeFact-Checking by Maya ShoukriOriginal Music by Elise McCoyVoice Actors: Katie Mattie, Chris Childs, Josh Fisher, Jonathan Washington, Juliet English, and Charlotte EnglishShow Logo by Lucy QuintanillaExecutive Producer is Jason EnglishSee omnystudio.com/listener for privacy information.

Tunes: Jason Rouse: Napoleon's Grand March Stables: Napoleon's Grand March Angus MacKay: Up and Waur them A' Willie, The Haughs of Cromdale, Robert Miller: The Highland Brigade at Waterloo, Lochiel's March (Pibroch of Donald Dhu) John Gow: The Highland Brigade at Waterloo Donald MacLeod: The Highland Brigade at Waterloo John McLachlan: The Highland Brigade at Waterloo David Glen: The Highland Brigade at Waterloo, The Highland Brigade at Waterloo (2nd setting), Pibroch of Donald Dhu, Donald MacDonald: Piobaireachd Dhomnuill Duibh (Black Donald Balloch of the Isles), John Grant: The Gathering of the Clans, Readings: Henry John Thoroton Hildyard: Historical record of the 71st regiment Highland light infantry, from its formation in 1777, under the title of the 73rd, or McLeod's highlanders, up to the year 1876 C.A. Malcolm: The Piper in Peace and War Allan MacDonald Thesis: The Relationship Between Pibroch and Gaelic Song: Its Implications on the Performance Style of the Pibroch Urlar +X+ Checkout Jason's Album Heavy Metal on Bandcamp: https://pipingrouse.bandcamp.com/album/miotal-trom-heavy-metal Be sure to come check out the Zoom Tune Session Thursday at 6:30 PM US Central time: https://und.zoom.us/j/95809246209 Here is the Facebook Even for the Session: https://www.facebook.com/share/1EHr9pYUKD/ Sources: +X+X+X+ Late 19thc: Napoleon's March From Henry Stables Cumbria Manuscript by way of Chris Partington and Traditional Tune Archive: https://tunearch.org/wiki/Napoleon%27s_March +X+X+ 1854: Up and Waur Them A' Willie from Angus MacKay's The Pipers' Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105007223 +X+X+ The Highland Brigade at Waterloo 1858: The Highland Brigade at Waterloo From Miller Manuscript +X+ 1817: The Highland Brigade at Waterloo from Gow's 4th Repository https://imslp.org/wiki/Gow%27sRepositoryoftheDanceMusicofScotland(Gow%2C_Niel) +X+ 1854: The Highland Brigade at Waterloo from John McLachlan's The Piper's Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105010534 +X+ 1870s: The Highland Brigade at Waterloo from the Glen Edinburgh Collection (Book 2) https://ceolsean.net/content/EdinColl/EdinColl_TOC.html +X+ 1890s: The Highland Brigade at Waterloo from David Glen's Collection of Highland Pipe Music (Book 9) https://ceolsean.net/content/Dglen/Dglen_TOC.html +X+X+X+ Pibroch of Donald Dbhu 1821: Pibroch of Donald Dbhu from Donald MacDonald https://books.google.co.uk/books?id=hdpWAAAAcAAJ&pg=RA1-PA106#v=onepage&q&f=false Check out Alasdair Boyd's Singing on Tobar an Dualchais: https://www.tobarandualchais.co.uk/track/44689?l=en +X+ 1858: Lochiel's March From Robert Miller's Manuscript +X+ 1880s: Pibroch of Donald Dhu from book five of David Glen's Collection of Highland Bagpipe Music https://ceolsean.net/content/Dglen/Dglen_TOC.html +X+ 1840: Donald Dhu, or Lochiel's March from Davie's Caledonian Repository I didn't play this on the episode https://digital.nls.uk/special-collections-of-printed-music/archive/104999413 +X+ 1816: Pibroch of Donald Dubh from Alexander Campbell's Albyn's Anthology (Lyrics by Walter Scott) I didn't play this on the episode https://archive.org/details/albynsanthologyo00camp_0/page/82/mode/2up?view=theater +X+X+X+X+ 1828: The Haughs of Cromdale From Donald MacDonald I didn't play this on the episode https://ceolsean.net/content/McDlight/Book02/Book02%2020.pdf +X+ 1844: The Haughs of Cromdale From Angus MacKay's The Pipers' Assistant https://ceolsean.net/content/PipeAsst/Book02/Book02%209a.pdf +X+X+ 1920: The Gathering of the Clans by PM John Grant from “The Pipes of War” a Collection of Original Pipe Tunes Compose during the Great War 1914-1918 https://ceolsean.net/content/Pwar/Book01/Book01%2014a.pdf +X+X+X+X+X+ Readings: George Clarke: 1876: Excerpt from Historical record of the 71st regiment Highland light infantry, from its formation in 1777, under the title of the 73rd, or McLeod's highlanders, up to the year 1876 by Henry John Thornton Hildyard https://archive.org/details/historicalrecord00hildiala 'Anecdote of the bravery of the Scotch piper of the 71st Highland Regiment, at the Battle of Vimiero', 1808 https://collection.nam.ac.uk/detail.php?acc=1971-02-33-533-12 Music Division, The New York Public Library. "The Highland Piper, George Clarke" New York Public Library Digital Collections. Accessed July 5, 2025. https://digitalcollections.nypl.org/items/510d47dc-9cac-a3d9-e040-e00a18064a99 +X+ Pipe Major Cameron: 1927: Excerpt from The Piper In Peace And War By C. A. Malcolm, M.A., Ph.D. https://electricscotland.com/history/scotreg/peaseandwar15.htm +X+ 1995: Thesis: The Relationship Between Pibroch and Gaelic Song: Its Implications on the Performance Style of the Pibroch Urlar by Allan MacDonald's https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/allanmacdonald/ +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

In this rich conversation, Francesca Wade joins Adam Biles to discuss her biography Gertrude Stein: An Afterlife. Wade explores the complexities of Stein's life, legacy, and literary innovations, foregrounding Stein's long-overlooked partner, Alice B. Toklas, as a powerful and persistent force behind the myth. They dive into questions of biography, erasure, performance, and gender, as well as Stein's fraught political affiliations during WWII. Wade's approach is both formally inventive and deeply human, highlighting unpublished interviews and fresh archival finds that illuminate the tension between public persona and private life. Whether you're a Stein devotee or merely curious about modernism's most elusive icon, this episode offers a fascinating entry point into the world of radical art, language, and love.Buy Gertrude Stein: An Afterlife: https://www.shakespeareandcompany.com/books/gertrude-steinFrancesca Wade's first book, Square Haunting, was longlisted for the Baillie Gifford Prize and shortlisted for the RSL Ondaatje Prize. She has held fellowships at the New York Public Library's Cullman Center and the Harvard Radcliffe Institute. Her work has appeared in The New York Review of Books, London Review of Books and Granta, among other places.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

Independence Day is on the horizon, and what better way to celebrate the spirit of freedom and new beginnings than revisiting a conversation with a true pioneer! Michele Coleman Mays redefined leadership and advocacy during her distinguished career. She has served as the Vice President, General Counsel, and Secretary for The New York Public Library and had key roles at Allstate Insurance Company and Pitney Bowes Inc. During our conversation, she shared her unique lens on personal branding, leadership, and career development.In this episode of the Branding Room Only podcast, you'll learn about the difference between branding and reputation, the critical role of authenticity, and how to rethink the concept of retirement. Michele will also touch on various aspects and strategies in strong brand creation, best practices for enhancing your leadership and career skills, and more.2:26 - Michele's personal branding definition, how she describes herself, a quote that'll make you pause and think, and her hype songs7:00 - Two strategies that Michele used in building her personal brand9:07 - The evolution of Michele's interaction with the business and leadership sides of different organizations12:12 - How personal branding and reputation differ and the necessity of keeping your audience in mind during interactions16:48 - Why you should still strive to access resources that help build your brand and skill set, even if you're already at the top20:52 - The complexity of showing up authentically for minority groups in professional settings24:32 - Two things that surprised Michele the most while co-writing her book Courageous Counsel27:00 - Civic engagements that were integral to Michele's career, how she reimagines the concept of retirement, and what she plans to do next33:05 - Two mistakes people make when networking for personal brand-building35:03 - What Michele always does for fun when traveling and her non-negotiable brand aspects, Branding Room Only Magic, and final words of adviceMentioned In Inspiring Independence: Reimagining Leadership and Branding with Michele Coleman MayesCourageous Counsel: Conversations with Women General Counsel in the Fortune 500 by Michele Coleman Mayes and Kara Sophia BaysingerMichele Coleman Mayes on LinkedInThe HistoryMakersCenter for Reproductive RightsAmerican College of Governance CounselBad Feminist by Roxane GaySubscribe to The Branding Room Only on YouTubeSponsor for this episodeThis episode is brought to you by PGE Consulting Group LLC.PGE Consulting Group LLC empowers individuals and organizations to lead with purpose, presence, and impact. Specializing in leadership development and personal branding, we offer keynotes, custom programming, consulting, and strategic advising—all designed to elevate influence and performance at every level.Founded and led by Paula Edgar, our work centers on practical strategies that enhance professional development, strengthen workplace culture, and drive meaningful, measurable change.To learn more about Paula and her services, go to www.paulaedgar.com or contact her at info@paulaedgar.com, and follow Paula Edgar and the PGE Consulting Group LLC on LinkedIn.

Headlined by news related to the Iran/Israel war, Jim presented details on the following stories and much more: --Iran said today it would refuse to hold nuclear talks with the U.S. while under attacks by Israel. --The Islamic regime in Tehran has shut down internet and cell phone lines across the nation. --On Wednesday, hundreds of protesters gathered on the steps of the New York Public Library in Manhattan to convey what they said was a clear message to the city and nation's elected officials: No war on Iran. --Representative Max Miller of Ohio, one of four Jewish Republicans in the House of Representatives, said that his car was run off the road by a pro-Palestinian activist who threatened him and his family earlier in the day. --Zohran Mamdani, the leading candidate for next Tuesday's New York City mayoral primary refused to condemn calls to globalize the intifada, arguing that the phrase is an expression of Palestinian rights. --The Department of Homeland Security released new data revealing that ICE law enforcement is now facing a 500% increase in assaults against them while carrying out enforcement operations. --Federal agents used non-lethal munitions to shut down a large group of protesters who tried to block law enforcement vehicles from entering and exiting an ICE facility in Portland, Oregon, on Wednesday evening. --Los Angeles Democratic Mayor Karen Bass on Tuesday lifted the curfew on the city's downtown that went into effect due to the riots. --An appeals court Thursday allowed President Trump to keep control of National Guard troops he deployed to Los Angeles following protests over immigration raids.

The All Local Afternoon Update for Friday June 20 2025

Headlined by news related to the Iran/Israel war, Jim presented details on the following stories and much more: --Iran said today it would refuse to hold nuclear talks with the U.S. while under attacks by Israel. --The Islamic regime in Tehran has shut down internet and cell phone lines across the nation. --On Wednesday, hundreds of protesters gathered on the steps of the New York Public Library in Manhattan to convey what they said was a clear message to the city and nation's elected officials: No war on Iran. --Representative Max Miller of Ohio, one of four Jewish Republicans in the House of Representatives, said that his car was run off the road by a pro-Palestinian activist who threatened him and his family earlier in the day. --Zohran Mamdani, the leading candidate for next Tuesday's New York City mayoral primary refused to condemn calls to globalize the intifada, arguing that the phrase is an expression of Palestinian rights. --The Department of Homeland Security released new data revealing that ICE law enforcement is now facing a 500% increase in assaults against them while carrying out enforcement operations. --Federal agents used non-lethal munitions to shut down a large group of protesters who tried to block law enforcement vehicles from entering and exiting an ICE facility in Portland, Oregon, on Wednesday evening. --Los Angeles Democratic Mayor Karen Bass on Tuesday lifted the curfew on the city's downtown that went into effect due to the riots. --An appeals court Thursday allowed President Trump to keep control of National Guard troops he deployed to Los Angeles following protests over immigration raids.

Learn more at TheCityLife.org

On this episode of The Object of History, we visit an item from the MHS collection currently on loan to the Museum of African American History on Boston's Beacon Hill. We examine the imposing stone that enabled the printing of William Lloyd Garrison's abolitionist publication, The Liberator. While visiting the Museum, we learn more about the building's importance to African American history in Boston as well as the Museum's current exhibits.  Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-7-Imposing-Stone  Email us at podcast@masshist.org. Episode Special Guests: Angela T. Tate is Chief Curator and Director of Collections at the Museum of African American History, Boston and Nantucket (MAAH). She oversees collections, exhibitions, interpretation, and content, focused on the lives and descendants of the Black communities in Boston and Nantucket, as well as New England. Prior to joining MAAH, she was inaugural women's history curator at the Smithsonian National Museum of African American History and Culture (NMAAHC). She co-curated the permanent exhibit, Forces for Change: Mary McLeod Bethune and Black Women's Activism, which highlights the strategies Black women have used to fight for justice and equality. Throughout her career, she has worked as curator and public historian in a variety of archives and museums in California and Illinois that focused on telling inclusive and expansive stories of the American past. She is a PhD candidate in History at Northwestern University and her dissertation discusses cultural diplomacy and Pan-Africanism through the 1950s-60s radio program hosted by Etta Moten Barnett in Chicago. This work has been supported by the Mellon Foundation, the Social Science Research Council, the New York Public Library, and the Schlesinger Library at the Radcliffe Institute. Her work has been published in Resonance: The Journal of Sound and Culture, the Smithsonian's Afrofuturism catalog, Ubuntu Dialogues, and several upcoming publications. Find more information at www.atpublichistory.com  Cara Liasson currently serves as the Collections Manager and Registrar for the Museum of African American History, Boston and Nantucket. Her career in the museum field spans over fifteen years, where she has worked at institutions such as Lowell National Historical Park and Old Sturbridge Village. She holds a B.A. in History from Wheaton College in Massachusetts and a graduate certificate in Museum Collections Management and Care from George Washington University. Selvin Backert is the Education Specialist at the Museum of African American History, Boston and Nantucket. Sage Morgan-Hubbard is the Director of Learning & Engagement  at the Museum of African American History, Boston and Nantucket. This episode uses materials from: Osprey by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

According to Deborah Baker, author of Charlottesville: An American Story, America has become the Charlottesville of the Unite the Right Rally of August 12, 2017. Baker, who grew up in Charlottesville in the shadow of Jefferson's Monticello, watched in shock as neo-Nazis marched through her hometown in August 2017 with torches and flags. What began as her attempt to understand how such hatred could manifest in a progressive college town became a deeper reckoning with America's buried histories and recurring tragedies. The fascist ideologies that once seemed confined to internet forums and fringe rallies have now, she argues, been institutionalized at the highest levels of government. The warning signs were there in 2017—but too many people, from university administrators to progressive leaders, chose to look away. If we close our eyes, she warns, it won't go away. five key takeaways1. America Has Institutionalized ExtremismWhat began as fringe internet movements and basement trolling has now moved into the mainstream of American politics and government institutions. The ideologies that shocked people in Charlottesville 2017 are now, according to Baker, embedded at the highest levels of power.2. Progressive Institutions Failed to Take the Threat SeriouslyUniversity administrators, mayors, and police chiefs in liberal Charlottesville told citizens to "stay home" and ignore the approaching Unite the Right rally. This pattern of progressive leadership closing their eyes to fascist organizing represents a dangerous institutional failure that continues today.3. White Supremacy Has Always Married Anti-Semitism with Anti-Black RacismThe Nazi flags at Charlottesville weren't separate from the Confederate monuments debate. White supremacist ideology consistently portrays Jews as the puppet masters behind Black civil rights movements, combining European fascism with Southern white supremacy into a unified hateful worldview.4. America's "Buried Histories" Keep RepeatingBaker discovered that Charlottesville had experienced a similar white supremacist rally in the 1950s that had been completely forgotten. This pattern of burying ugly chapters allows the same mistakes to be repeated, as communities fail to learn from their past encounters with organized hate.5. Economic and Political Destabilization Creates Fertile Ground for FascismThe conditions that radicalized figures like Richard Spencer include the "forever wars," the 2008 financial crisis, and the broader betrayal of working-class Americans. These "self-inflicted wounds" by American institutions create the chaos that fascist movements exploit to gain followers.Deborah Baker was born in Charlottesville and grew up in Virginia, Puerto Rico and New England. She attended the University of Virginia and Cambridge University. Her first book, written in college, was Making a Farm: The Life of Robert Bly, published by Beacon Press in 1982. After working as a book editor and publisher, in 1990 she moved to Calcutta where she wrote In Extremis; The Life of Laura Riding. Published by Grove Press and Hamish Hamilton in the UK, it was shortlisted for the Pulitzer Prize in Biography in 1994. Her third book, A Blue Hand: The Beats in India was published by Penguin Press USA and Penguin India in 2008. In 2008–2009 she was a Fellow at the Dorothy and Lewis C. Cullman Center for Writers and Scholars at The New York Public Library. There she researched and wrote The Convert: A Tale of Exile and Extremism, a narrative account of the life of an American convert to Islam. Published by Graywolf and Penguin India, The Convert was a finalist for the 2011 National Book Award in Non-Fiction. The Last Englishmen: Love, War and the End of Empire was published in October 2018. For this book she received a Whiting Creative Non-fiction grant and a Guggenheim fellowship. Charlottesville is her sixth work of narrative non-fiction. She is married to the writer Amitav Ghosh and lives in Brooklyn and Charlottesville.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this episode of the Shakespeare and Company Podcast, Adam Biles speaks with acclaimed author Catherine Lacey about her daring new work The Möbius Book. Structured as a "Tête-bêche"—two intertwined texts printed back-to-back—the book pairs a memoir chronicling the fallout of a painful breakup with a novella that spirals into the psychological suspense of a possible murder next door. As the narratives bend and mirror each other, Lacey explores the porous boundary between fiction and nonfiction, faith and doubt, intimacy and estrangement.The conversation dives deep into Lacey's creative process, her early entanglement with religion, the disorienting legacy of male anger, and how the pandemic shaped her understanding of confinement and rupture. Candid and philosophical, Lacey reflects on memory's distortions, the ethics of writing memoir, and the liberating act of leaving questions unanswered. Buy The Möbius Book: https://www.shakespeareandcompany.com/books/the-mobius-bookCatherine Lacey is the author of the novels Nobody Is Ever Missing, The Answers, Pew, and Biography of X, and the short story collection Certain American States. She has received a Guggenheim Fellowship, a Whiting Award, the New York Public Library's Young Lions Fiction Award and twice been shortlisted for the Dylan Thomas Prize, and was named one of Granta's Best of Young American Novelists.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website:  BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In the fall of 1940, an employ of the Consolidated Edison Company in Manhattan discovered a bomb in the company's main offices, along with a note that read “Con Edison crooks – this is for you.” The bomb was discovered before it detonated and no one was harmed, but a year later the company received a second bomb, followed by a note to NYPD in which the bomber announced he would make no bombs for the duration of WWII, but would begin again as the war ended.As promised, a new series of bombings began across New York in the winter of 1951, beginning with an explosion at Grand Central Station. In the five years that followed, “The Mad Bomber,” as he would come to be known, would place explosives at some of New York's most iconic locations including Radio City Music Hall, Penn Station, and the New York Public Library. The bombs were often followed by cryptic letters sent to the press, usually referencing the Consolidated Edison Company.Th Mad Bomber's reign of terror finally came to an end with his capture in 1957, and neither the suspect nor his motives made much sense to the New Yorkers who'd lived in fear for five years.Thank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAssociated Press. 1955. "The 'Mad Bomber' threatens Macy's." Buffalo News, May 5: 47.—. 1957. "'Bomber' sick but innocent, sisters say." Newsday, Janaury 22: 3.Baird, John, and Harry Schlegal. 1956. "Mad Bomber blast in B'klyn movie; 6 hurt." Daily News, December 3: 2.Berger, Meyer. 1957. "Bomber is booked; sent to Bellevue for mental tests." New York Times, January 23: 1.Demeusy, Gerald. 1981. "'Bomber' says life all broken dreams." Hartford Courant, November 16: 15.Greenburg, Michael M. 2011. The Mad Bomber of New York: The Extraordinary True Story of the Manhunt That Paralyzed a City. New York, NY: Union Square Press.Kaufman, Michael. 1973. "'Mad Bomber,' now 70, goes free." New York Times, December 13: 1.New York Times. 1957. "2d 'Bomber' note cites old injury." New York Times, January 16: 25.—. 1953. "A homemade bomb rips station locker." New York Times, May 7: 28.—. 1951. "Bomb blast in terminal: Homemade device explodes in Grand Central--no one is hurt." New York Times, March 30: 24.—. 1954. "Bomb in music hall injures 4 in crowd." New York Times, November 8: 1.—. 1951. "Bomb laid to prankster." New York Times, September 13: 33.—. 1957. "'Bomber' ordered to state hospital." New York Times, April 19: 44.—. 1957. "'Bomber' presses threat on utility." New York Times, January 11: 16.—. 1951. "Ex-Edison worker held in bomb case." New York Times, November 7: 32.—. 1966. "'Mad Bomber' to get hearing on sanity." New York Times, April 29: 17.—. 1957. "Metesky indicted on bomb charges." New York Times, January 31: 29.—. 1955. "Penn Station bomb blast is ignored by commuters." New York Times, Janaury 12: 11.—. 1951. "Police find bomb in Paramount Lounge; note spurs search for one at Penn Station." New York Times, October 23: 30.—. 1957. "Suspect is held as 'Mad Bomber'; he admits role." New York Times, January 22: 1.—. 1956. "The Mad Bomber." New York Times, December 30: B2.O'Kane, Lawrence. 1955. "Bomb left in Roxy; linked to 22 others." New York Times, August 12: 1.Parke, Richard. 1957. "Sisters shocked, loyal to brother." New York Times, January 23: 20.Sheridan, Mike. 1977. "Former Mad Bomber now a homebody." Hartford Courant, May 1: 22.Stay in the know - wondery.fm/morbid-wondery.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the fall of 1940, an employ of the Consolidated Edison Company in Manhattan discovered a bomb in the company's main offices, along with a note that read “Con Edison crooks – this is for you.” The bomb was discovered before it detonated and no one was harmed, but a year later the company received a second bomb, followed by a note to NYPD in which the bomber announced he would make no bombs for the duration of WWII, but would begin again as the war ended.As promised, a new series of bombings began across New York in the winter of 1951, beginning with an explosion at Grand Central Station. In the five years that followed, “The Mad Bomber,” as he would come to be known, would place explosives at some of New York's most iconic locations including Radio City Music Hall, Penn Station, and the New York Public Library. The bombs were often followed by cryptic letters sent to the press, usually referencing the Consolidated Edison Company.Th Mad Bomber's reign of terror finally came to an end with his capture in 1957, and neither the suspect nor his motives made much sense to the New Yorkers who'd lived in fear for five years.Thank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAssociated Press. 1955. "The 'Mad Bomber' threatens Macy's." Buffalo News, May 5: 47.—. 1957. "'Bomber' sick but innocent, sisters say." Newsday, Janaury 22: 3.Baird, John, and Harry Schlegal. 1956. "Mad Bomber blast in B'klyn movie; 6 hurt." Daily News, December 3: 2.Berger, Meyer. 1957. "Bomber is booked; sent to Bellevue for mental tests." New York Times, January 23: 1.Demeusy, Gerald. 1981. "'Bomber' says life all broken dreams." Hartford Courant, November 16: 15.Greenburg, Michael M. 2011. The Mad Bomber of New York: The Extraordinary True Story of the Manhunt That Paralyzed a City. New York, NY: Union Square Press.Kaufman, Michael. 1973. "'Mad Bomber,' now 70, goes free." New York Times, December 13: 1.New York Times. 1957. "2d 'Bomber' note cites old injury." New York Times, January 16: 25.—. 1953. "A homemade bomb rips station locker." New York Times, May 7: 28.—. 1951. "Bomb blast in terminal: Homemade device explodes in Grand Central--no one is hurt." New York Times, March 30: 24.—. 1954. "Bomb in music hall injures 4 in crowd." New York Times, November 8: 1.—. 1951. "Bomb laid to prankster." New York Times, September 13: 33.—. 1957. "'Bomber' ordered to state hospital." New York Times, April 19: 44.—. 1957. "'Bomber' presses threat on utility." New York Times, January 11: 16.—. 1951. "Ex-Edison worker held in bomb case." New York Times, November 7: 32.—. 1966. "'Mad Bomber' to get hearing on sanity." New York Times, April 29: 17.—. 1957. "Metesky indicted on bomb charges." New York Times, January 31: 29.—. 1955. "Penn Station bomb blast is ignored by commuters." New York Times, Janaury 12: 11.—. 1951. "Police find bomb in Paramount Lounge; note spurs search for one at Penn Station." New York Times, October 23: 30.—. 1957. "Suspect is held as 'Mad Bomber'; he admits role." New York Times, January 22: 1.—. 1956. "The Mad Bomber." New York Times, December 30: B2.O'Kane, Lawrence. 1955. "Bomb left in Roxy; linked to 22 others." New York Times, August 12: 1.Parke, Richard. 1957. "Sisters shocked, loyal to brother." New York Times, January 23: 20.Sheridan, Mike. 1977. "Former Mad Bomber now a homebody." Hartford Courant, May 1: 22.Stay in the know - wondery.fm/morbid-wondery.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Francesca Wade is the author of Square Haunting: Five Women, Freedom and London Between the Wars, which was longlisted for the Baillie Gifford Prize and shortlisted for the RSL Ondaatje Prize. She has received fellowships from the Dorothy and Lewis B. Cullman Center at the New York Public Library, the Leon Levy Center for Biography and the Harvard Radcliffe Institute, and her work has appeared in The New York Review of Books, London Review of Books, Granta and other places. On this episode of Little Atoms she talks to Neil Denny about her latest book Gertrude Stein: An Afterlife. Hosted on Acast. See acast.com/privacy for more information.

Betsy Bird is the Collection Development Manager of Evanston Public Library and the former Youth Materials Specialist of New York Public Library. She writes for the School Library Journal blog A Fuse #8 Production and reviews for Kirkus. She is the host of the Story Seeds podcast as well as the co-host of the Fuse 8 n' Kate podcast that she creates with her sister. Betsy is the author of picture books, anthologies, and the middle grade novel Long Road to the Circus, illustrated by David Small. In this, our second interview we celebrate her new picture book Pop! Goes the Nursery Rhyme, illustrated by Andrea Tsurumi (Union Square Kids, March, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With his new graphic novel, INSECTOPOLIS (WWNorton), Peter Kuper brings us the 400-million-year history of insects in their own words as they take a post-human tour of the New York Public Library. We talk about how Insectopolis began when he was around 4 years old and saw the 17-year cicada brood, how Peter needed a new mode of comics-making for this book, and how he made the NYPL a key character in the project. We get into mankind's dependence on insects, the stories of forgotten entomologists (and why they were forgotten), his experience getting a Cullman fellowship at the NYPL during COVID and how he found all the great & secret rooms while the place was near-empty, the INterSECTS exhibition that evolved from the fellowship and how it grew in scale, and his realization that entomologists are like comic fans. We also discuss his wife's great advice going into this project, the fun of getting experts to vet every chapter of Insectopolis, the alchemy that happens when people's passions overlap, how he harnesses the dread of imminent apocalypse to make his art, and more. Follow Peter on Bluesky, and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

100 years ago this week, the New York Public Library opened a special collection at its 135th Street branch in Harlem called the Division of Negro Literature, History and Prints, now known as the Schomburg Center for Research in Black Culture. On May 8, the Schomburg Center opens a new exhibition, "100: A Century of Collections, Community, and Creativity." Director Joy Bivins discusses the history of the Center, Arturo Schomburg's legacy, and plans for the centennial celebration.

Louisa Tatum, Career Services Manager at the New York Public Library, talks about the job and career landscape for people without college degrees—and we'll take calls from listeners who are looking for career advice.EVENT:The New York Public Library is hosting a free job fair and career expo at the Stephen A. Schwarzman Building's Celeste Bartos Forum. That's on Friday, May 23, 2025, 10 AM - 3 PM. More information at the link below:https://www.nypl.org/events/programs/2025/05/23/nypls-free-tech-job-fair-expo-2025-connect-learn-get-hiredSupport of WNYC's coverage of economic mobility and opportunity is provided in part by the Bill & Melinda Gates Foundation. For more information about how the Gates Foundation supports economic mobility and opportunity, visit usprogram.gatesfoundation.org.

[REBROADCAST FROM April 10, 2025] In the new novel The Dream Hotel, one woman's dreams are analyzed by AI, interpreted, and used against her.The novel is the first work of speculative fiction from acclaimed author Laila Lalami. It follows a woman named Sarah, who is detained by members of the Risk Assessment Administration. They claim that her dreams reveal that she is likely about to harm her own husband, a man she loves dearly. We've selected The Dream Hotel as our April Get Lit with All Of It Book Club selection, and Laila Lalami discusses the novel in a preview conversation ahead of our May 6 event.To find out how to borrow your e-copy of the novel from the New York Public Library, and to snag your free tickets to our Get Lit event, click here.

Jia Tolentino joins us to discuss how to finally accept all sides of you:  Why your un-productivity matters most;  When your shame is good;  How to make your real life bigger than your internet life; How to let motherhood energize you instead of drain you; and  How to stop scrolling in the middle of the night.   Plus, we talk acid trips, the sorority rush that Jia and Amanda shared, why Glennon's friends track Jia's words – and whether Glennon's mug shot will inspire Jia's next show.   About Jia:  Jia Tolentino is a staff writer at The New Yorker, a screenwriter, and the author of the New York Times bestseller Trick Mirror. In 2020, she received a Whiting Award as well as the Jeannette Haien Ballard Prize, and has most recently won a National Magazine Award for three pieces about the repeal of Roe v. Wade. Trick Mirror was a finalist for the National Book Critics Circle's John Leonard Prize and the PEN Award and was named one of the best books of the year by the New York Public Library, the New York Times Book Review, the Washington Post, NPR, the Chicago Tribune, GQ, and the Paris Review. Jia lives in Brooklyn. TW: @jiatolentino IG: @jiatortellini To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Investigators, it is a double drop week here on Done and Dunne! We turn our focus in this episode to Nick's sister-in-law Joan Didion, wo is really having a moment this month! The archives of Joan Didion and John Gregory Dunne are available now at the New York Public Library, after their acquisition in 2023. Additionally, there is a whole new work from Joan dropping April 22 – today – titled Notes to John. This release gives an alternative insight into Joan Didion about her work, motherhood, and the loss of her daughter, Quintana Roo, just two short years after the death of John Gregory Dunne. Lots of moments happening with our favorite sister-in-law – all the details happening here in this springtime bonus! See sources and more at doneanddunne.com. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Rogosin is the engineer responsible for shaping the sound of NPR's “Tiny Desk.” Now, he runs “Global Sound Concerts,” a music series which travels the world, producing videos in the cities and locations that matter to artists. He's also a judge for WNYC's Public Song Project (which you too can join through April 28). Tonight, he'll be at the New York Public Library's Stavros Niarchos Foundation Library to lead a free masterclass on recording and mixing. Jenna Li, program manager for NYPL's Studio 40 and Technology Training, also joins us to talk about the the NYPL's recording resources for local musicians.

Jay McInerney is a New York Times best selling author known for his breakout novel Bright Lights Big City. He also wrote the screenplay for the 1988 film adaption of Bright Lights Big City and co-wrote the screenplay for the 1998 film Gia, starring Angelina Jolie. In addition to his fiction work, McInerney was the wine columnist for House & Garden magazine, The Wall Street Journal, and currently writes the wine column for Town & Country magazine. His essays on wine have been collected in Bacchus & Me (2000) and A Hedonist in the Cellar (2006) and his book of short stories, titled How It Ended, was named one of the 10 best books of the year by The New York Times in 2009. McInernay has also been honored by the New York Public Library as a “Literary Lion” and won the James Beard MFK Fisher Award for Distinguished Writing.See omnystudio.com/listener for privacy information.

Mitch Horowitz is one of today's most literate voices of occultism, mysticism, and the unexplained. He has bylines in The New York Times, The Washington Post, Politico, Time, and The Wall Street Journal, and appearances in Sundance-premiering movies, popular TV docuseries, and award-winning documentaries, as well as on CBS Sunday Morning, Dateline NBC, NPR's All Things Considered, and other major media. Mitch also worked for many years in publishing, including as a vice president at Penguin Random House where he was editor-in-chief of Tarcher/Penguin, an imprint dedicated to metaphysics.He now hosts the Discovery/HBO Max TV series, Alien Encounters: Fact or Fiction, and he appears regularly on seasons one and two of History's The UnBelievable with Dan Ackroyd and in numerous docuseries including MGM+'s BEYOND: UFOs and the Unknown. He is also the host of the podcast series Extraordinary Evidence: ESP Is Real out from SpectreVision. Mitch also hosted, cowrote, and produced a feature documentary about the occult classic The Kybalion directed by Emmy-nominee Ronni Thomas and shot on location in Egypt.Mitch is a former writer-in-residence at the New York Public Library and the PEN Award-winning and wildly prolific author of many books including Occult America, One Simple Idea, The Miracle Club, Modern Occultism, and his newest offering, Practical Magick: Ancient Tradition and Modern Practice which is out on March 25th and available for preorder now.On this episode, Mitch discusses his dual roles as an occult historian and practitioner, why self-expression and true desire are the keys to effective spellcasting, and how his belief in “anarchic magick” has led him to a happier and more fulfilling life.Pam also talks about the magic of wishes, and answers a listener question about staying protected as a public witch.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Donate to Pam's fundraiser for The ACLU hereGet 20% off DeleteMe here (not an official sponsor, just a personal recommendation from Pam. Disclosure: Pam does get a small referral fee for each registration.) Our sponsors for this episode are The Witch Summit, Ritual + Shelter, Mithras Candle, BetterHelp, Black Phoenix Alchemy Lab, and The Alchemist and the Academic podcastWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. Music Pockets of Light by Ludomyr Melnyk All in Circles and Janvie by Shida Shahabi Between Trees by Akria Kosemura NotesThere are a million things to read about Stonewall, but the thing that I feel like deepened my understanding enough was The New York Public Library's The Stonewall Reader. Particularly the audiobook. Couldn't recommend it enough. Learn about your ad choices: dovetail.prx.org/ad-choices