Podcasts about henry luce foundation

San Francisco's gay/lesbian community in the 1980s wasn't just facing an AIDS crisis, they also struggled against ongoing  anti-gay violence. In 1989, in the midst of a campaign to legally establish anti-gay violence as a hate crime, MCC San Francisco made headlines when their AIDS minister was attacked in her home. The city, the police department, and the LGBTQ community rallied around the church and the minister. And when they finally solved the puzzle of who did it, the answer shocked the church.  For images and links about this episode visit https://www.heavenpodcast.org/episode-6. The voices from the service after the first attack include Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “If you come for one of us, you come for all of us.”  Kevin Calegari, Dignity San Francisco – “Somebody by the name of Jesus…” Harry Britt, San Francisco City Supervisor – “It hurts to be reminded of the power of evil.” Gayle Orr-Smith, representative of the Mayor's Office – “I am moved when I hear you say you are an angry people.”  Rev. Duane Wilkerson, United Methodist Church – “But in the event that doubt has crept into your mind…”  Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “And to the enemies who are attacking us…” “The Call” is by George Herber with music by Vaughan Williams. The soloist is Bob Crocker. “Nearer My God to Thee” is by Sarah Flowers Abrams. Some links to good groups Community United Against Violence – still working for safe communities for queer people.  National Alliance on Mental Illness LGBTQI Information Page The Shanti Project - is a pioneering nonprofit that builds human connections to reduce isolation, enhance health and well-being, and improve quality of life. It innovated enduring models of attentive companionship to people facing the end of life through their work during the height of the AIDS crisis.  The Trevor Project – the leading suicide prevention and crisis intervention non-profit organization for LGBTQ+ young people.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Special thanks to Kelsy Pacha, Dr. Janis Whitlock, and Dr. Mary Hunt for consulting with us about this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco's gay/lesbian community in the 1980s wasn't just facing an AIDS crisis, they also struggled against ongoing  anti-gay violence. In 1989, in the midst of a campaign to legally establish anti-gay violence as a hate crime, MCC San Francisco made headlines when their AIDS minister was attacked in her home. The city, the police department, and the LGBTQ community rallied around the church and the minister. And when they finally solved the puzzle of who did it, the answer shocked the church.  For images and links about this episode visit https://www.heavenpodcast.org/episode-6. The voices from the service after the first attack include Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “If you come for one of us, you come for all of us.”  Kevin Calegari, Dignity San Francisco – “Somebody by the name of Jesus…” Harry Britt, San Francisco City Supervisor – “It hurts to be reminded of the power of evil.” Gayle Orr-Smith, representative of the Mayor's Office – “I am moved when I hear you say you are an angry people.”  Rev. Duane Wilkerson, United Methodist Church – “But in the event that doubt has crept into your mind…”  Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “And to the enemies who are attacking us…” “The Call” is by George Herber with music by Vaughan Williams. The soloist is Bob Crocker. “Nearer My God to Thee” is by Sarah Flowers Abrams. Some links to good groups Community United Against Violence – still working for safe communities for queer people.  National Alliance on Mental Illness LGBTQI Information Page The Shanti Project - is a pioneering nonprofit that builds human connections to reduce isolation, enhance health and well-being, and improve quality of life. It innovated enduring models of attentive companionship to people facing the end of life through their work during the height of the AIDS crisis.  The Trevor Project – the leading suicide prevention and crisis intervention non-profit organization for LGBTQ+ young people.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Special thanks to Kelsy Pacha, Dr. Janis Whitlock, and Dr. Mary Hunt for consulting with us about this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco's gay/lesbian community in the 1980s wasn't just facing an AIDS crisis, they also struggled against ongoing  anti-gay violence. In 1989, in the midst of a campaign to legally establish anti-gay violence as a hate crime, MCC San Francisco made headlines when their AIDS minister was attacked in her home. The city, the police department, and the LGBTQ community rallied around the church and the minister. And when they finally solved the puzzle of who did it, the answer shocked the church.  For images and links about this episode visit https://www.heavenpodcast.org/episode-6. The voices from the service after the first attack include Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “If you come for one of us, you come for all of us.”  Kevin Calegari, Dignity San Francisco – “Somebody by the name of Jesus…” Harry Britt, San Francisco City Supervisor – “It hurts to be reminded of the power of evil.” Gayle Orr-Smith, representative of the Mayor's Office – “I am moved when I hear you say you are an angry people.”  Rev. Duane Wilkerson, United Methodist Church – “But in the event that doubt has crept into your mind…”  Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “And to the enemies who are attacking us…” “The Call” is by George Herber with music by Vaughan Williams. The soloist is Bob Crocker. “Nearer My God to Thee” is by Sarah Flowers Abrams. Some links to good groups Community United Against Violence – still working for safe communities for queer people.  National Alliance on Mental Illness LGBTQI Information Page The Shanti Project - is a pioneering nonprofit that builds human connections to reduce isolation, enhance health and well-being, and improve quality of life. It innovated enduring models of attentive companionship to people facing the end of life through their work during the height of the AIDS crisis.  The Trevor Project – the leading suicide prevention and crisis intervention non-profit organization for LGBTQ+ young people.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Special thanks to Kelsy Pacha, Dr. Janis Whitlock, and Dr. Mary Hunt for consulting with us about this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

When Rev. Ron Russell Coons got diagnosed with AIDS he thought a lot about what healing meant when death was certain. He pursued it in his strained and broken family relationships and he preached about it from the pulpit. Though he knew, without a doubt, that he would die from AIDS, Ron claimed that he believed in and had experienced healing. What does healing mean when everybody knows it can't mean survival? Maybe healing is one's biological family and queer kin showing up and reaching for connection across those fractures. For images and links about this episode visit https://www.heavenpodcast.org/episode-5. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “When the Roll is Called Up Yonder” is by James Milton Black.  “Give Me Jesus” is a traditional spiritual arrangement by Charles Ivey. The soloist is Maria Barnet.  “It is Well with My Soul,” also known as “When Peace, Like a River,” is by Horatio Spafford. Thanks to  Ron's family for speaking with us on and off the record. We know this was a stretch and we appreciate it. Dr. Joseph Marchal, for helping us understand Ron's “We Have AIDS” sermon and the biblical text it was based on. It'll be a great special episode one day.  Steve Russell for sharing his memories of Ron and his brother, Chuck Russell Coons. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Rev. Ron Russell Coons got diagnosed with AIDS he thought a lot about what healing meant when death was certain. He pursued it in his strained and broken family relationships and he preached about it from the pulpit. Though he knew, without a doubt, that he would die from AIDS, Ron claimed that he believed in and had experienced healing. What does healing mean when everybody knows it can't mean survival? Maybe healing is one's biological family and queer kin showing up and reaching for connection across those fractures. For images and links about this episode visit https://www.heavenpodcast.org/episode-5. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “When the Roll is Called Up Yonder” is by James Milton Black.  “Give Me Jesus” is a traditional spiritual arrangement by Charles Ivey. The soloist is Maria Barnet.  “It is Well with My Soul,” also known as “When Peace, Like a River,” is by Horatio Spafford. Thanks to  Ron's family for speaking with us on and off the record. We know this was a stretch and we appreciate it. Dr. Joseph Marchal, for helping us understand Ron's “We Have AIDS” sermon and the biblical text it was based on. It'll be a great special episode one day.  Steve Russell for sharing his memories of Ron and his brother, Chuck Russell Coons. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Rev. Ron Russell Coons got diagnosed with AIDS he thought a lot about what healing meant when death was certain. He pursued it in his strained and broken family relationships and he preached about it from the pulpit. Though he knew, without a doubt, that he would die from AIDS, Ron claimed that he believed in and had experienced healing. What does healing mean when everybody knows it can't mean survival? Maybe healing is one's biological family and queer kin showing up and reaching for connection across those fractures. For images and links about this episode visit https://www.heavenpodcast.org/episode-5. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “When the Roll is Called Up Yonder” is by James Milton Black.  “Give Me Jesus” is a traditional spiritual arrangement by Charles Ivey. The soloist is Maria Barnet.  “It is Well with My Soul,” also known as “When Peace, Like a River,” is by Horatio Spafford. Thanks to  Ron's family for speaking with us on and off the record. We know this was a stretch and we appreciate it. Dr. Joseph Marchal, for helping us understand Ron's “We Have AIDS” sermon and the biblical text it was based on. It'll be a great special episode one day.  Steve Russell for sharing his memories of Ron and his brother, Chuck Russell Coons. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Based on two years of extensive fieldwork, Ecological States: Politics of Science and Nature in Urbanizing China (Cornell UP, 2023) examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality. Ecological States is freely available with support from the Henry Luce Foundation. The link to the book is Ecological States by Jesse Rodenbiker,Foreword by Albert L. Park | Paperback | Cornell University Press. Jesse Rodenbiker is Assistant Professor in the Geography department at Rutgers University. He is a human-environment geographer and interdisciplinary social scientist focusing on environmental governance, urbanization, and social inequality in China and globally. His email address is jesse.rodenbiker@rutgers.edu. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Based on two years of extensive fieldwork, Ecological States: Politics of Science and Nature in Urbanizing China (Cornell UP, 2023) examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality. Ecological States is freely available with support from the Henry Luce Foundation. The link to the book is Ecological States by Jesse Rodenbiker,Foreword by Albert L. Park | Paperback | Cornell University Press. Jesse Rodenbiker is Assistant Professor in the Geography department at Rutgers University. He is a human-environment geographer and interdisciplinary social scientist focusing on environmental governance, urbanization, and social inequality in China and globally. His email address is jesse.rodenbiker@rutgers.edu. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Based on two years of extensive fieldwork, Ecological States: Politics of Science and Nature in Urbanizing China (Cornell UP, 2023) examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality. Ecological States is freely available with support from the Henry Luce Foundation. The link to the book is Ecological States by Jesse Rodenbiker,Foreword by Albert L. Park | Paperback | Cornell University Press. Jesse Rodenbiker is Assistant Professor in the Geography department at Rutgers University. He is a human-environment geographer and interdisciplinary social scientist focusing on environmental governance, urbanization, and social inequality in China and globally. His email address is jesse.rodenbiker@rutgers.edu. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Based on two years of extensive fieldwork, Ecological States: Politics of Science and Nature in Urbanizing China (Cornell UP, 2023) examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality. Ecological States is freely available with support from the Henry Luce Foundation. The link to the book is Ecological States by Jesse Rodenbiker,Foreword by Albert L. Park | Paperback | Cornell University Press. Jesse Rodenbiker is Assistant Professor in the Geography department at Rutgers University. He is a human-environment geographer and interdisciplinary social scientist focusing on environmental governance, urbanization, and social inequality in China and globally. His email address is jesse.rodenbiker@rutgers.edu. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Based on two years of extensive fieldwork, Ecological States: Politics of Science and Nature in Urbanizing China (Cornell UP, 2023) examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality. Ecological States is freely available with support from the Henry Luce Foundation. The link to the book is Ecological States by Jesse Rodenbiker,Foreword by Albert L. Park | Paperback | Cornell University Press. Jesse Rodenbiker is Assistant Professor in the Geography department at Rutgers University. He is a human-environment geographer and interdisciplinary social scientist focusing on environmental governance, urbanization, and social inequality in China and globally. His email address is jesse.rodenbiker@rutgers.edu. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Based on two years of extensive fieldwork, Ecological States: Politics of Science and Nature in Urbanizing China (Cornell UP, 2023) examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality. Ecological States is freely available with support from the Henry Luce Foundation. The link to the book is Ecological States by Jesse Rodenbiker,Foreword by Albert L. Park | Paperback | Cornell University Press. Jesse Rodenbiker is Assistant Professor in the Geography department at Rutgers University. He is a human-environment geographer and interdisciplinary social scientist focusing on environmental governance, urbanization, and social inequality in China and globally. His email address is jesse.rodenbiker@rutgers.edu. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation.From the desk of Khamsone Sirimanivong, Legacies of War Board of Directors Vice ChairRead the story here

Dr. Gillian Frank explores the legal and religious challenges faced by Lisa Sobel and two other Jewish women in their lawsuit against Kentucky's abortion laws. The episode delves into the trigger law that immediately banned abortions in Kentucky, even in cases of rape or incest. Lisas pregnancy journey highlights the conflict between Kentucky's abortion policies and Jewish religious beliefs, particularly focusing on the impact on in vitro fertilization. Historical context is provided on the longstanding involvement of Jewish and mainline Protestant leaders in advocating for reproductive rights. The episode underscores the continuous efforts by people of faith in Kentucky to preserve reproductive freedom amidst rising Christian nationalism. Find transcripts, discussion questions, and additional resources here: https://linktr.ee/irmceorg Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Gillian Frank details the journey of Lisa Sobel, a Jewish woman from Louisville, who alongside other Jewish plaintiffs, filed a lawsuit against the state's restrictive abortion laws. The episode discusses the implications of the Dobbs v. Jackson decision, the significant challenges faced by Lisa in her IVF journey, the deep-rooted history of Jews in Kentucky, and the broader impact of these legal restrictions on religious and reproductive freedoms. Find transcripts, discussion questions, and additional resources here: https://linktr.ee/irmceorg Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

A  church in decline tries to reinvent itself, and its young members struggle with how to talk about Christianity.The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport with production support from Elize Manoukian. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

Julian Deshazier is a rapper and a pastor. That sounds like it would be appealing to kids from his old neighborhood on the South Side. But getting them to show up to church on Sundays isn't easy.The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

Christian Allyn is proud to be Lithuanian. So when he found out that the archbishop was going to close his Lithuanian church in Waterbury, Connecticut, he decided to step in. Can his appeal save St. Joseph's Church?The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport with production support from Elize Manoukian, Sienna Barnes and Joshua Dudley. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

Dr. Gillian Frank continues to explore the progressive religious communities in conservative areas, focusing on the Unitarian Universalist ministers and LGBTQ couples who participated in same-sex marriage ceremonies in Birmingham, Alabama. The episode highlights Reverend Luna Jensen Borad's, detailing the political and religious struggles leading to and following the legalization of same-sex marriage. Personal stories from Kay and Andrew illustrate the impact of finding liberal religious spaces in a conservative environment. The episode examines the intersection of faith and social justice, unraveling the complex history of marriage equality and the enduring presence of liberal religion in the Bible Belt. Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the first chapter in a four-part series about church closures in America.Lorraine Pacheco is the caretaker for a tiny church in an even tinier town in the eastern plains of New Mexico. As she gets older and her congregation shrinks, she's starting to wonder if it will survive after she's gone.The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport with production support from Elize Manoukian, Sienna Barnes and Joshua Dudley. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

In the first episode of 'Red State Religions,' host Dr. Gillian Frank explores the progressive religious communities in conservative areas, focusing on the Unitarian Universalist ministers and LGBTQ couples who participated in same-sex marriage ceremonies in Birmingham, Alabama. The episode highlights Reverend Luna Jensen Boad's and Reverend Lne Broussard's roles in these historic events, detailing the political and religious struggles leading to and following the legalization of same-sex marriage. Personal stories from Kay and Andrew illustrate the impact of finding liberal religious spaces in a conservative environment. The episode examines the intersection of faith and social justice, unraveling the complex history of marriage equality and the enduring presence of liberal religion in the Bible Belt. 00:00 Introduction to Red State Religions 00:51 A Historic Day in Alabama 05:30 The Path to Marriage Equality 15:53 Personal Stories of Love and Struggle 25:27 Finding Community in Unitarian Universalism 33:10 Conclusion and Next Episode Preview Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

On April 16th of 2021, Clay Clark, a far-right conspiracy theorist and self-proclaimed "alpha toxic male," from Tulsa, Oklahoma held his first "ReAwaken America" tour—an event that began in Oklahoma as a protest against COVID-19 restrictions and quickly grew into a nationwide platform for nationalism, so-called "patriotic streetfighters," and prophetic politics. In the buckle of the proverbial Bible belt, Clark created a cavalcade of Trumpian support, attracting actor Jim Caviezel, former U.S. national security advisor, Michael Flynn, Eric Trump, son of President Donald J. Trump, and many more Republican luminaries. When you think of international media hubs, you might think of Los Angeles, California, or New York City. When you think of places that are political powerhouses, Washington, DC, is an obvious choice. This week, Dr. Leah Payne speaks with award-winning journalist and professor Caleb Gayle and Dr. Daniel Isgrigg about a media center and political force that may not be top of mind: Tulsa, Oklahoma. Long known for its oil wealth, Black Wall Street, and the 1921 massacre, Tulsa is also an unappreciated epicenter of the global Charismatic and Pentecostal movement. It's a city where televangelists built empires, where charismatic theology shaped politics, and where spiritual power and political influence are deeply intertwined. But how did a landlocked city known for oil become a transnational hub for charismatic media making and far right political action? Find out on the Season 2 finale of Spirit & Power. Links: We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power, by Caleb Gayle Pentecost In Tulsa: The Revivals and Race Massacre that Shaped the Pentecostal Movement in Tulsa, by Daniel Isgrigg “‘I Think All the Christians Get Slaughtered': Inside the MAGA Road Show Barnstorming America” by Sam Kestenbaum Join Leah & many other scholars, activists, and artists considering music the rise of Pentecostal and charismatic Christianity at the 2025 Summer Institute for Global Charismatic & Pentecostal Studies at Candler School of Theology at Emory University, May 21-23 in Decatur, GA. Registration is free! Join Leah & many other scholars, activists, and artists considering music the rise of Pentecostal and charismatic Christianity at the 2025 Summer Institute for Global Charismatic & Pentecostal Studies at Candler School of Theology at Emory University, May 21-23 in Decatur, GA. Registration is free! Spirit and Power is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Leah Payne Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. Bridging Two Worlds: Connecting Dots from Remnants of War and Trauma From the desk of Lasamee Kettavong Transcript: https://www.legaciesofwar.org/post/bridgingtwoworlds-connectingdotsfromremnantsofwarandtrauma Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. Healing: A Journey to Laos and Self-Acceptance From the desk of Legacies of War Board Member, Anna Douangphachanh Transcript: https://www.legaciesofwar.org/post/healing-a-journey-to-laos-and-self-acceptance Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. Journal entry: Sunday, March 10, 2024 From the desk of Soudary Kittivong-Greenbaum Transcript: https://www.legaciesofwar.org/post/best-you-eat-quickly-else-the-war-will-arrive Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. The Unexpected Legacy of War Coming Full Circle From the desk of Legacies of War Board Member, Sophia Tran-Vu Transcript: https://www.legaciesofwar.org/post/the-unexpected-legacy-of-war-coming-full-circle Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Stories: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. VILLAGE GHOST: Celebrating the traditions and values of those that came before us From the desk of: Khamphone Jot Voraphaychith, Founder and winemaker of Village Ghost Transcript: https://www.legaciesofwar.org/post/village-ghost-celebrating-the-traditions-and-values-of-those-that-came-before-us Visit our website: https://www.legaciesofwar.org/

In this election year, immigration has become a major political issue. Some would like you to believe immigration is tantamount to a veritable “invasion” of undesirables or worse. However, since the 1980s, a little-known faith-based movement has taken a very different view. Humanitarian organizations, legal advocates, and religious groups have collaborated to provide advocacy, shelter, and assimilation. Thanks to generous grants and support from the Henry Luce Foundation, the Institute for Religion, Media, and Civic Engagement and the American Academy of Religion, Executive Producer Brad Onshi presents a seven-episode podcast that tells the story of “The Sanctuary Movement.” Scholars Lloyd Barba, Ph.D. (Professor, Amherst College) and Sergio Gonzales, Ph.D. (Professor, Marquette University) bring their research to the program with a focus on asylum seekers from Central America. The Sanctuary Movement has been active for hundreds of years - around the world. But it began in earnest in this country in 1982 with a wave of immigrants from war-torn El Salvador and Guatemala. It's a story of faith as radical hospitality and the tension over “the borders between church and state.” Ken and Dr. Barba talk about the podcast series and how the current political climate distorts and harms both immigrants and Americans. SHOW NOTESBecome a Patron | Ken's Substack PageSupport the show

Before the American Revolution, Sephardic Jews like Aaron Lopez found economic opportunity and religious freedom in Newport, Rhode Island, but not full citizenship, nor the right to vote. What promise did an independent United States hold for American Jews and their hope that President George Washington would preside over a new nation that “to bigotry gives no sanction?” Featuring: Yair Rosenberg Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In 1809, North Carolina lawmakers tried to stop Jacob Henry from taking his seat in the state legislature because he was Jewish. Many Americans believed that Jews like Henry couldn't be moral citizens in a Protestant America, and this inspired them to donate vast sums of money in the early nineteenth century to religious societies dedicated to converting Jews into good Christian citizens. Featuring: David Sehat, David Sorkin, and Susanna Linsley Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

The California gold rush enticed many Jewish merchants west in search of prosperity in the mid-19th century, but their success drew unwelcome attention from state legislators, who passed laws requiring all businesses to close on the Christian Sabbath. Meanwhile, in the early Jim Crow South, Jewish peddlers and landowners faced resentment and violence, sometimes lethal. Featuring: Jeremy Zeitlin, David Sehat, Rachel Kranson, Zev Eleff, Jonathan Sarna, and Patrick Mason Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

At the turn of the 20th century, conspiracy theories about Jews ran rampant in American society. Many Americans – from the famed automaker Henry Ford to officers in the U.S. Army – believed that Jews controlled media, dominated international banking, and were conspiring to foment a communist revolution in the United States. Featuring: Yair Rosenberg, Victoria Saker Woeste, and Joseph Bendersky Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

Despite the rise of Nazi Germany in the 1930s and the threat of renewed war in Europe, most Americans remained resolutely opposed to higher levels of Jewish immigration. Even as Jews faced persecution and genocide, antisemitic beliefs delayed American efforts to assist Jewish refugees and resettle concentration camp survivors, with tragic results. Featuring: Bradley Hart, Rebecca Eberling, and Joseph Bendersky Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In the decades following the Six-Day War in 1967, anti-Zionism gained momentum in American academia and led to the rise of the boycott, divestment, and sanctions movement on college campuses. Nearly sixty years later, the October 7, 2023, Hamas attacks on Israel, revealed how antisemitism and progressive critiques of Israel's war in Gaza could find a home in American universities. Featuring: Rachel Fish, Cary Nelson, Michael Feuer, Alana Mondschein, Adena Kirstein, and Yair Rosenberg  Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In August 2017, white supremacists marched on Charlottesville, VA to silence the Jews, Black Americans, and other minorities whom they feared would “replace us.” The Unite the Right Rally was one of many ominous signs of persistent antisemitic attitudes and violence in the United States, but in this history of hate, some Americans found reason to hope. Featuring: Yair Rosenberg, Jonathan Greenblatt, Mehnaz Afridi, and David Sorkin  Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

Brad speaks with journalist and scholar Philip Deslippe about the origins of yoga in the United States as a response to the precarity of South Asian lives in 20th century America. "A century ago, students of yoga in the United States, like many practitioners today, believed that they were engaging in something pure, ancient, and Indian. In reality, the yoga they were doing was a bricolage of the metaphysical and mundane presented to them in an exotic, Orientalized package by largely educated and worldly immigrants from India. These teachers were themselves responding and adapting to a nativist and racist climate. Yoga in the United States during the interwar decades is one of many examples of how Asian religions in the United States cannot be fully understood outside the context of Asian American history." This episode is part of a new series by Axis Mundi Media and APARRI called APA Religions 101. Subscribe here: https://feeds.redcircle.com/581b8afe-eda8-45df-997d-3b22e5b57c64 Learn more about APARRI.  APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions.  Producer: Dr. Bradley Onishi: @bradleyonishi Audio Engineer and Musician: Scott Okamoto: @rsokamoto For more information about research-based media by Axis Mundi Media visit: www.axismundi.us Funding for this series has been generously provided by the Henry Luce Foundation. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Memorial Day, we are proud to introduce the newest limited series from the Institute for Religion, Media, and Civic Engagement and Axis Mundi Media. Miss Information is a podcast about how conspiracies and misinformation infiltrate wellness communities and religious spaces. Subscribe here: https://redcircle.com/shows/21b4b512-ceef-4289-b9fc-76f302f5bd22/episodes/3532f1b2-5f15-4302-82f6-8a281d676871 Misinformation is big news, but what does it mean and why does it matter? If misinformation is simply incorrect information, can it be solved simply by telling people the right answer?  In this episode, we learn how misinformation can prevent people from voting if they think they aren't eligible or can't vote by mail; how misinformation can convince people to take certain drugs to cure a disease even if it's not proven to be safe; and the ways misinformation can draw people into conspiracies like QAnon. But it's not as simple as dispelling all misinformation from our midst. That seems impossible. Rather, in dialogue with Dr. David Robertson from the Open University, what we will discover points to a different question: Why do people believe misinformation at all and what does it do for them? In other words, instead of focusing on what people believe, perhaps the phenomenon of misinformation directs us to ask what beliefs do - who they favor, who they put in power, who they marginalize, and who they leave vulnerable. And by understanding the mechanics, maybe we can mitigate the damage misinformation does to our public square. For more information about research-based media by Axis Mundi Media visit: www.axismundi.us For more information about public scholarship by the Institute for Religion, Media, and Civic Engagement follow us @irmceorg or go to www.irmce.org Funding for this series has been generously provided by the Henry Luce Foundation.  Creator: Dr. Susannah Crockford Executive Producer: Dr. Bradley Onishi (@bradleyonishi)  Audio Engineer: Scott Okamoto (@rsokamoto) Production Assistance: Kari Onishi  Dr. Susannah Crockford (@suscrockford): Ripples of the Universe: Spirituality in Sedona, Arizona Further Reading Robertson, David G. UFOs, Conspiracy Theories and the New Age: Millennial Conspiracism. London: Bloomsbury, 2016. Robertson, David G., and Amarnath Amarasingam. “How Conspiracy Theorists Argue: Epistemic Capital in the Qanon Social Media Sphere.” Popular Communication 20 (2022): 193-207. https://doi.org/10.1080/15405702.2022.2050238. Howard, Philip N. Lie Machines: How to Save Democracy from Troll Armies, Deceitful Robots, Junk News Operations, and Political Operatives. New Haven: Yale University Press, 2020. Bail, Chris. Breaking the Social Media Prism: How to Make Our Platforms Less Polarizing. Princeton, NJ: Princeton University Press, 2021.  Uscinski, Joseph E., and Joseph M. Parent. American Conspiracy Theories. Oxford: Oxford University Press, 2014.  Byford, Jovan. Conspiracy Theories: A Critical Introduction. London: Palgrave Macmillan, 2011. Argentino, Marc-Andre. “The Church of QAnon: Will Conspiracy Theories Form the Basis of a New Religious Movement?” The Conversation, May 18, 2020, https://theconversation.com/the-church-of-qanon-will-conspiracy-theories-form-the-basis-of-a-new-religious-movement-137859  Hao, Karen. “How Facebook got addicted to spreading misinformation,” MIT Technology Review, March 11, 2021, https://www.technologyreview.com/2021/03/11/1020600/facebook-responsible-ai-misinformation/  Learn more about your ad choices. Visit megaphone.fm/adchoices