Podcasts about henry luce foundation

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation.From the desk of Khamsone Sirimanivong, Legacies of War Board of Directors Vice ChairRead the story here

Host Gillian Frank details the journey of Lisa Sobel, a Jewish woman from Louisville, who alongside other Jewish plaintiffs, filed a lawsuit against the state's restrictive abortion laws. The episode discusses the implications of the Dobbs v. Jackson decision, the significant challenges faced by Lisa in her IVF journey, the deep-rooted history of Jews in Kentucky, and the broader impact of these legal restrictions on religious and reproductive freedoms. Find transcripts, discussion questions, and additional resources here: https://linktr.ee/irmceorg Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Gillian Frank explores the legal and religious challenges faced by Lisa Sobel and two other Jewish women in their lawsuit against Kentucky's abortion laws. The episode delves into the trigger law that immediately banned abortions in Kentucky, even in cases of rape or incest. Lisas pregnancy journey highlights the conflict between Kentucky's abortion policies and Jewish religious beliefs, particularly focusing on the impact on in vitro fertilization. Historical context is provided on the longstanding involvement of Jewish and mainline Protestant leaders in advocating for reproductive rights. The episode underscores the continuous efforts by people of faith in Kentucky to preserve reproductive freedom amidst rising Christian nationalism. Find transcripts, discussion questions, and additional resources here: https://linktr.ee/irmceorg Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

A  church in decline tries to reinvent itself, and its young members struggle with how to talk about Christianity.The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport with production support from Elize Manoukian. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

Julian Deshazier is a rapper and a pastor. That sounds like it would be appealing to kids from his old neighborhood on the South Side. But getting them to show up to church on Sundays isn't easy.The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

Christian Allyn is proud to be Lithuanian. So when he found out that the archbishop was going to close his Lithuanian church in Waterbury, Connecticut, he decided to step in. Can his appeal save St. Joseph's Church?The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport with production support from Elize Manoukian, Sienna Barnes and Joshua Dudley. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

Dr. Gillian Frank continues to explore the progressive religious communities in conservative areas, focusing on the Unitarian Universalist ministers and LGBTQ couples who participated in same-sex marriage ceremonies in Birmingham, Alabama. The episode highlights Reverend Luna Jensen Borad's, detailing the political and religious struggles leading to and following the legalization of same-sex marriage. Personal stories from Kay and Andrew illustrate the impact of finding liberal religious spaces in a conservative environment. The episode examines the intersection of faith and social justice, unraveling the complex history of marriage equality and the enduring presence of liberal religion in the Bible Belt. Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the first chapter in a four-part series about church closures in America.Lorraine Pacheco is the caretaker for a tiny church in an even tinier town in the eastern plains of New Mexico. As she gets older and her congregation shrinks, she's starting to wonder if it will survive after she's gone.The Final Service is written and produced by Mateo Schimpf with additional writing and reporting from Ray Suarez. It's edited by Jarrod Sport with production support from Elize Manoukian, Sienna Barnes and Joshua Dudley. It's made possible with generous support by the Henry Luce Foundation and is distributed by PRX.

In the first episode of 'Red State Religions,' host Dr. Gillian Frank explores the progressive religious communities in conservative areas, focusing on the Unitarian Universalist ministers and LGBTQ couples who participated in same-sex marriage ceremonies in Birmingham, Alabama. The episode highlights Reverend Luna Jensen Boad's and Reverend Lne Broussard's roles in these historic events, detailing the political and religious struggles leading to and following the legalization of same-sex marriage. Personal stories from Kay and Andrew illustrate the impact of finding liberal religious spaces in a conservative environment. The episode examines the intersection of faith and social justice, unraveling the complex history of marriage equality and the enduring presence of liberal religion in the Bible Belt. 00:00 Introduction to Red State Religions 00:51 A Historic Day in Alabama 05:30 The Path to Marriage Equality 15:53 Personal Stories of Love and Struggle 25:27 Finding Community in Unitarian Universalism 33:10 Conclusion and Next Episode Preview Red State Religions is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Gillian Frank Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi For more research-based podcasts and public scholarship visit www.axismundi.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

On April 16th of 2021, Clay Clark, a far-right conspiracy theorist and self-proclaimed "alpha toxic male," from Tulsa, Oklahoma held his first "ReAwaken America" tour—an event that began in Oklahoma as a protest against COVID-19 restrictions and quickly grew into a nationwide platform for nationalism, so-called "patriotic streetfighters," and prophetic politics. In the buckle of the proverbial Bible belt, Clark created a cavalcade of Trumpian support, attracting actor Jim Caviezel, former U.S. national security advisor, Michael Flynn, Eric Trump, son of President Donald J. Trump, and many more Republican luminaries. When you think of international media hubs, you might think of Los Angeles, California, or New York City. When you think of places that are political powerhouses, Washington, DC, is an obvious choice. This week, Dr. Leah Payne speaks with award-winning journalist and professor Caleb Gayle and Dr. Daniel Isgrigg about a media center and political force that may not be top of mind: Tulsa, Oklahoma. Long known for its oil wealth, Black Wall Street, and the 1921 massacre, Tulsa is also an unappreciated epicenter of the global Charismatic and Pentecostal movement. It's a city where televangelists built empires, where charismatic theology shaped politics, and where spiritual power and political influence are deeply intertwined. But how did a landlocked city known for oil become a transnational hub for charismatic media making and far right political action? Find out on the Season 2 finale of Spirit & Power. Links: We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power, by Caleb Gayle Pentecost In Tulsa: The Revivals and Race Massacre that Shaped the Pentecostal Movement in Tulsa, by Daniel Isgrigg “‘I Think All the Christians Get Slaughtered': Inside the MAGA Road Show Barnstorming America” by Sam Kestenbaum Join Leah & many other scholars, activists, and artists considering music the rise of Pentecostal and charismatic Christianity at the 2025 Summer Institute for Global Charismatic & Pentecostal Studies at Candler School of Theology at Emory University, May 21-23 in Decatur, GA. Registration is free! Join Leah & many other scholars, activists, and artists considering music the rise of Pentecostal and charismatic Christianity at the 2025 Summer Institute for Global Charismatic & Pentecostal Studies at Candler School of Theology at Emory University, May 21-23 in Decatur, GA. Registration is free! Spirit and Power is produced by the Institute for Religion, Media, and Civic Engagement with generous funding from the Henry Luce Foundation. Created by Dr. Leah Payne Producer: Andrew Gill Executive Producer: Dr. Bradley Onishi Audio Engineer and Music: R. Scott Okamoto Production Assistance: Kari Onishi Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. Bridging Two Worlds: Connecting Dots from Remnants of War and Trauma From the desk of Lasamee Kettavong Transcript: https://www.legaciesofwar.org/post/bridgingtwoworlds-connectingdotsfromremnantsofwarandtrauma Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. Healing: A Journey to Laos and Self-Acceptance From the desk of Legacies of War Board Member, Anna Douangphachanh Transcript: https://www.legaciesofwar.org/post/healing-a-journey-to-laos-and-self-acceptance Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. Journal entry: Sunday, March 10, 2024 From the desk of Soudary Kittivong-Greenbaum Transcript: https://www.legaciesofwar.org/post/best-you-eat-quickly-else-the-war-will-arrive Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Series: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. The Unexpected Legacy of War Coming Full Circle From the desk of Legacies of War Board Member, Sophia Tran-Vu Transcript: https://www.legaciesofwar.org/post/the-unexpected-legacy-of-war-coming-full-circle Visit our website: https://www.legaciesofwar.org/

Welcome to Thip Khao Talk's Secret Stories: Survivors of The American Wars in Southeast Asia, made possible with funding from The Henry Luce Foundation. VILLAGE GHOST: Celebrating the traditions and values of those that came before us From the desk of: Khamphone Jot Voraphaychith, Founder and winemaker of Village Ghost Transcript: https://www.legaciesofwar.org/post/village-ghost-celebrating-the-traditions-and-values-of-those-that-came-before-us Visit our website: https://www.legaciesofwar.org/

In this election year, immigration has become a major political issue. Some would like you to believe immigration is tantamount to a veritable “invasion” of undesirables or worse. However, since the 1980s, a little-known faith-based movement has taken a very different view. Humanitarian organizations, legal advocates, and religious groups have collaborated to provide advocacy, shelter, and assimilation. Thanks to generous grants and support from the Henry Luce Foundation, the Institute for Religion, Media, and Civic Engagement and the American Academy of Religion, Executive Producer Brad Onshi presents a seven-episode podcast that tells the story of “The Sanctuary Movement.” Scholars Lloyd Barba, Ph.D. (Professor, Amherst College) and Sergio Gonzales, Ph.D. (Professor, Marquette University) bring their research to the program with a focus on asylum seekers from Central America. The Sanctuary Movement has been active for hundreds of years - around the world. But it began in earnest in this country in 1982 with a wave of immigrants from war-torn El Salvador and Guatemala. It's a story of faith as radical hospitality and the tension over “the borders between church and state.” Ken and Dr. Barba talk about the podcast series and how the current political climate distorts and harms both immigrants and Americans. SHOW NOTESBecome a Patron | Ken's Substack PageSupport the show

In August 2017, white supremacists marched on Charlottesville, VA to silence the Jews, Black Americans, and other minorities whom they feared would “replace us.” The Unite the Right Rally was one of many ominous signs of persistent antisemitic attitudes and violence in the United States, but in this history of hate, some Americans found reason to hope. Featuring: Yair Rosenberg, Jonathan Greenblatt, Mehnaz Afridi, and David Sorkin  Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

Before the American Revolution, Sephardic Jews like Aaron Lopez found economic opportunity and religious freedom in Newport, Rhode Island, but not full citizenship, nor the right to vote. What promise did an independent United States hold for American Jews and their hope that President George Washington would preside over a new nation that “to bigotry gives no sanction?” Featuring: Yair Rosenberg Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In 1809, North Carolina lawmakers tried to stop Jacob Henry from taking his seat in the state legislature because he was Jewish. Many Americans believed that Jews like Henry couldn't be moral citizens in a Protestant America, and this inspired them to donate vast sums of money in the early nineteenth century to religious societies dedicated to converting Jews into good Christian citizens. Featuring: David Sehat, David Sorkin, and Susanna Linsley Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

The California gold rush enticed many Jewish merchants west in search of prosperity in the mid-19th century, but their success drew unwelcome attention from state legislators, who passed laws requiring all businesses to close on the Christian Sabbath. Meanwhile, in the early Jim Crow South, Jewish peddlers and landowners faced resentment and violence, sometimes lethal. Featuring: Jeremy Zeitlin, David Sehat, Rachel Kranson, Zev Eleff, Jonathan Sarna, and Patrick Mason Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In Gilded Age America, immigration from Europe rapidly grew the nation's Jewish population, convincing many Americans that Jews were a dangerous and undesirable race. As lawmakers debated ways to restrict immigration, business owners denied service to Jews in hotels, resorts, and other public accommodations.    Featuring: Mitchel Hart, Zev Eleff, Britt Tevis, Jonathan Sarna, and Alan Kraut  Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

At the turn of the 20th century, conspiracy theories about Jews ran rampant in American society. Many Americans – from the famed automaker Henry Ford to officers in the U.S. Army – believed that Jews controlled media, dominated international banking, and were conspiring to foment a communist revolution in the United States. Featuring: Yair Rosenberg, Victoria Saker Woeste, and Joseph Bendersky Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

Despite the rise of Nazi Germany in the 1930s and the threat of renewed war in Europe, most Americans remained resolutely opposed to higher levels of Jewish immigration. Even as Jews faced persecution and genocide, antisemitic beliefs delayed American efforts to assist Jewish refugees and resettle concentration camp survivors, with tragic results. Featuring: Bradley Hart, Rebecca Eberling, and Joseph Bendersky Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In post-war America, Bess Myerson became the first Jewish woman to win the Miss America competition, but she confronted bigotry and exclusion far more daunting than any pageant. Meanwhile, changing demographics of urban neighborhoods and the emerging civil rights movement led to unprecedented tensions between American Jews and African Americans in New York. Featuring: Kristen Fermaglich, Pamela Nadell, Britt Tevis, Jonathan Greenblatt, Jerald Podair, Charles Isaacs, and Glen Harris  Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In the early 1970s, two powerful men, President Richard Nixon and evangelist Billy Graham, held secret Oval Office conversations about Jews. “America's Pastor” and the 37th President of the United States didn't consider themselves antisemites, but they dredged up stereotypes and traded in conspiracy theories shared by many Americans about the “good Jews”:  Jews who were too smart, too powerful, and all too willing to corrupt the nation's morals. Featuring: Yaakov Ariel, Daniel Hummel, and Jonathan Greenblatt Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In the decades following the Six-Day War in 1967, anti-Zionism gained momentum in American academia and led to the rise of the boycott, divestment, and sanctions movement on college campuses. Nearly sixty years later, the October 7, 2023, Hamas attacks on Israel, revealed how antisemitism and progressive critiques of Israel's war in Gaza could find a home in American universities. Featuring: Rachel Fish, Cary Nelson, Michael Feuer, Alana Mondschein, Adena Kirstein, and Yair Rosenberg  Narrated by Mark Oppenheimer Written by John Turner and Lincoln Mullen  This series is made possible with support from the Henry Luce Foundation and the David Bruce Smith Foundation.  Antisemitism, U.S.A. is a production of R2 Studios at the Roy Rosenzweig Center for History and New Media at George Mason University.

In June 2023, the SCOTUS ruled that race cannot be used in the college admissions process. Many in and outside of the Asian American community see the ruling as positive for Asian American students who are supposedly disadvantaged by affirmative action policies. Brad talks with Dr. Janelle Wong of the University of Maryland about what the data tells us concerning Asian American acceptance rates, how this ruling will affect BIPOC Americans on the whole, and the ways the model minority myth is used to divide and conquer people of color and Black Americans in the United States.Dr. Janelle Wong is Professor of American Studies at the University of Maryland. Prior to joining the University of Maryland in 2012, she was at the University of Southern California in the Departments of Political Science and American Studies and Ethnicity. Wong is author of Immigrants, Evangelicals and Politics in an Era of Demographic Change (2018, Russell Sage Foundation Press), Democracy's Promise: Immigrants and American Civic Institutions (2006, University of Michigan Press) and co-author of two books on Asian American politics. The most recent is Asian American Political Participation: Emerging Constituents and their Political Identities (2011, Russell Sage Foundation), based on the first nationally representative survey of Asian Americans' political attitudes and behavior. Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Japanese, Jewish, Queer, and Clergy with Rev. Laura Cheifetz Bradley Onishi interviews Reverend Laura Mariko Chaffetz, discussing her experiences as a multiracial queer Asian American Christian minister with Jewish heritage. They examine how APA religious communities navigate the black-white binary in the U.S., the impact of anti-Asian racism during the pandemic, and the dynamics of Christian identity in various contexts. The conversation highlights the importance of recognizing and valuing the diverse and rich religious practices among Asian Pacific Americans.Laura Cheifetz is the co-author and editor of "Church on Purpose: Reinventing Discipleship, Community, & Justice" (Judson Press) and contributor to "Race in a Post Obama America: The Church Responds" (Westminster John Knox Press), "Leading Wisdom: Asian and Asian North American Women Leaders" (WJK), "Here I Am: Faith Stories of Korean American Clergywomen" (Judson), and "Streams Run Uphill: Conversations with Young Clergywomen of Color" (Judson). She is co-author of the "Forming Asian Leaders for North American Churches" entry in the "Religious Leadership" reference handbook (SAGE Publishing).Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Brad speaks with Dr. Himanee Gupta, Professor in the Department of Historical Studies at SUNY Empire State and the author of "Muncie, India(na): Middletown and Asian America," about howt South Asians in the United States who grew up in the Hindu faith are caste-privileged or savarna (which means having varna, a term often equated to having spiritual purity). By contrast, Dalits like Soundararajan are avarna (without varna) and thereby deemed within this system as impure. These categorizations have found legitimacy through the promulgation of a Brahmanical form of Hinduism that shares affinities with the conservative pro-Hindu politics of India's current leadership. Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Many wonder how and why religious minorities in the USA adopt conservative – and even fascist – political identities when it seems that the American Right is anti-immigrant and in many cases explicitly racist. Scholars Dr. Jane Hong (Occidental) and Dr. Adrian de Leon (USC/NYU) argue that Asian American (religious) conservatism should be understood not just as an imported phenomenon from outside these communities, but as something structural within the formation of Asian America itself.Special Issue of Amerasia: https://www.tandfonline.com/doi/full/10.1080/00447471.2023.2167934Dr. Jane Hong is the author of Opening the Gates to Asia: A Transpacific History of How America Repealed Asian Exclusion (University of North Carolina Press, 2019). She serves on the editorial board of the Journal of American History, the Gilder-Lehrman Scholarly Advisory Board, the managing board of the Asian Pacific American Religions Research Initiative (APARRI), and the Board of Directors of the Public Religion Research Institute(PRRI). Hong appears in two episodes of the Peabody Award-winning PBS docuseries, Asian Americans (2020). An active public speaker, Hong has shared her expertise with the Brookings Institution, Uber, and NPR's The Takeaway, in addition to academic and faith-based venues. Dr. Adrian De Leon is an award-winning public historian and writer. Bundok: A Hinterland History of Filipino America, his first academic book, uses archival research in the Philippines, Hawai‘i, North America, and Spain in order to follow the co-constitution of Philippine indigeneity and Filipino migrant labor through the racial archives of 19th-century plantation capitalism in Luzon's northern hinterlands.Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Brad speaks with journalist and scholar Philip Deslippe about the origins of yoga in the United States as a response to the precarity of South Asian lives in 20th century America. "A century ago, students of yoga in the United States, like many practitioners today, believed that they were engaging in something pure, ancient, and Indian. In reality, the yoga they were doing was a bricolage of the metaphysical and mundane presented to them in an exotic, Orientalized package by largely educated and worldly immigrants from India. These teachers were themselves responding and adapting to a nativist and racist climate. Yoga in the United States during the interwar decades is one of many examples of how Asian religions in the United States cannot be fully understood outside the context of Asian American history." This episode is part of a new series by Axis Mundi Media and APARRI called APA Religions 101. Subscribe here: https://feeds.redcircle.com/581b8afe-eda8-45df-997d-3b22e5b57c64 Learn more about APARRI.  APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions.  Producer: Dr. Bradley Onishi: @bradleyonishi Audio Engineer and Musician: Scott Okamoto: @rsokamoto For more information about research-based media by Axis Mundi Media visit: www.axismundi.us Funding for this series has been generously provided by the Henry Luce Foundation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brad speaks with journalist and scholar Philip Deslippe about the origins of yoga in the United States as a response to the precarity of South Asian lives in the 20th century America. "A century ago, students of yoga in the United States, like many practitioners today, believed that they were engaging in something pure, ancient, and Indian. In reality, the yoga they were doing was a bricolage of the metaphysical and mundane presented to them in an exotic, Orientalized package by largely educated and worldly immigrants from India. These teachers were themselves responding and adapting to a nativist and racist climate. Yoga in the United States during the interwar decades is one of many examples of how Asian religions in the United States cannot be fully understood outside the context of Asian American history."Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Brad speaks with Dr. Gabriel Catanus, Affiliate Assistant Professor of Theology at Fuller Seminary and Director of the Filipino American Ministry Initiative, about the challenges and joys of doing Filipino American theology and ministry and how they fit - and stand out - from other Asian American theological and ministry paradigms.Beyond his current project with Cascade Books, Dr. Catanus' publications include “Colonial Spirituality: The Pain and Politics of Doing Filipino American Theology,” ChristianityNext 6 (Winter 2022), “Statement on Anti-Asian Racism in the Time of COVID-19″ (coauthored with the Asian American Christian Collaborative, March 31, 2020), and “Is Filipino American Theology Asian American Theology?” Inheritance Magazine 65 (October 2019).Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Brad speaks with Dr. Simran Jeet Singh , Executive Director for the Aspen Institute's Religion & Society Program and author of The Light We Give: How Sikh Wisdom Can Transform Your Life.As a boy growing up in South Texas, Simran Jeet Singh and his brothers confronted racism daily: at school, in their neighborhood, playing sports, and later in college and beyond. Despite the prejudice and hate he faced, this self-described “turban-wearing, brown-skinned, beard-loving Sikh” refused to give in to negativity. Instead, Singh delved deep into the Sikh teachings that he grew up with and embraced the lessons to seek the good in every person and situation and to find positive ways to direct his energy. These Sikh tenets of love and service to others have empowered him to forge a life of connection and a commitment to justice that have made him a national figure in the areas of equity, inclusion, and social justice.The Light We Give: https://simranjeetsingh.org/the-light-we-give/Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Brad speaks with Dr. Martin Nguyen, who explains how his personal story impacts his understanding race, theology, culture, and heritage.As he explains, "t is difficult for me to imagine doing theology, then, without also considering who I am—my being Vietnamese, Asian, American, once Catholic, and now Muslim. Race and religion are entangled in the narrative of my life. They even shape my childhood memories as a son of Vietnamese Catholic refugees, born and raised in Virginia."Dr. Nguyen is a scholar of Muslim theology and Islamic studies. His scholarship revolves around ethics, constructive theology, Qur'anic studies, and the intersection of race and religion. His most recent book Modern Muslim Theology: Engaging God and the World with Faith and Imagination presents a contemporary theology rooted in the practice of the religious imagination. A professor of religious studies, he is presently chair of the department at Fairfield University in Connecticut.Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

Brad speaks with Dr. Funie Hsu and Chenxing Han about race, heritage, and Asian American Buddhisms. They discuss the ways Asian American Buddhists are often misunderstood in the United States due to the incomplete representation of Buddhism in American culture and the contemporary predominance of Whiteness in Buddhist spaces.Dr. Funie Hsu is currently Associate Professor of American Studies at San José State University and was a former University of California President's Postdoctoral Fellow at the University of California, Davis. Her first book, Instructions for (Erasing) Empire: English, Domestication, and the US Colonization of the Philippines (under contract), demonstrates how English language instruction served to erase the violent reality of US occupation.Chenxing Han (she/her) is the author of Be the Refuge: Raising the Voices of Asian American Buddhists (2021); one long listening: a memoir of grief, friendship, and spiritual care (2023); and numerous articles and book chapters for both academic and mainstream audiences. A frequent speaker and workshop leader at schools, universities, and Buddhist communities across the nation, she has received fellowships from Hedgebrook, Hemera Foundation, the Lenz Foundation, and the University of Michigan. Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

An introduction to Asian and Pacific American religions through interviews with experts and practitioners. Host Dr. Bradley Onishi speaks with APA scholars about:Asian American CatholicismAsian American Buddhism before and beyond WhitenessFighting racism with the wisdom of Sikh teachingsDoing Muslim theology as a Vietnamese AmericanAsian American evangelicals in the MAGA AgeThe challenges of creating Filipino religious communitiesRace, Jim Crow, and the origins of modern yogaCaste privilege in the United States and IndiaAsian Americans and Affirmative ActionRacialized CapitalismBeing Jewish, Japanese, queer and clergyLearn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.

On this Memorial Day, we are proud to introduce the newest limited series from the Institute for Religion, Media, and Civic Engagement and Axis Mundi Media. Miss Information is a podcast about how conspiracies and misinformation infiltrate wellness communities and religious spaces. Subscribe here: https://redcircle.com/shows/21b4b512-ceef-4289-b9fc-76f302f5bd22/episodes/3532f1b2-5f15-4302-82f6-8a281d676871 Misinformation is big news, but what does it mean and why does it matter? If misinformation is simply incorrect information, can it be solved simply by telling people the right answer?  In this episode, we learn how misinformation can prevent people from voting if they think they aren't eligible or can't vote by mail; how misinformation can convince people to take certain drugs to cure a disease even if it's not proven to be safe; and the ways misinformation can draw people into conspiracies like QAnon. But it's not as simple as dispelling all misinformation from our midst. That seems impossible. Rather, in dialogue with Dr. David Robertson from the Open University, what we will discover points to a different question: Why do people believe misinformation at all and what does it do for them? In other words, instead of focusing on what people believe, perhaps the phenomenon of misinformation directs us to ask what beliefs do - who they favor, who they put in power, who they marginalize, and who they leave vulnerable. And by understanding the mechanics, maybe we can mitigate the damage misinformation does to our public square. For more information about research-based media by Axis Mundi Media visit: www.axismundi.us For more information about public scholarship by the Institute for Religion, Media, and Civic Engagement follow us @irmceorg or go to www.irmce.org Funding for this series has been generously provided by the Henry Luce Foundation.  Creator: Dr. Susannah Crockford Executive Producer: Dr. Bradley Onishi (@bradleyonishi)  Audio Engineer: Scott Okamoto (@rsokamoto) Production Assistance: Kari Onishi  Dr. Susannah Crockford (@suscrockford): Ripples of the Universe: Spirituality in Sedona, Arizona Further Reading Robertson, David G. UFOs, Conspiracy Theories and the New Age: Millennial Conspiracism. London: Bloomsbury, 2016. Robertson, David G., and Amarnath Amarasingam. “How Conspiracy Theorists Argue: Epistemic Capital in the Qanon Social Media Sphere.” Popular Communication 20 (2022): 193-207. https://doi.org/10.1080/15405702.2022.2050238. Howard, Philip N. Lie Machines: How to Save Democracy from Troll Armies, Deceitful Robots, Junk News Operations, and Political Operatives. New Haven: Yale University Press, 2020. Bail, Chris. Breaking the Social Media Prism: How to Make Our Platforms Less Polarizing. Princeton, NJ: Princeton University Press, 2021.  Uscinski, Joseph E., and Joseph M. Parent. American Conspiracy Theories. Oxford: Oxford University Press, 2014.  Byford, Jovan. Conspiracy Theories: A Critical Introduction. London: Palgrave Macmillan, 2011. Argentino, Marc-Andre. “The Church of QAnon: Will Conspiracy Theories Form the Basis of a New Religious Movement?” The Conversation, May 18, 2020, https://theconversation.com/the-church-of-qanon-will-conspiracy-theories-form-the-basis-of-a-new-religious-movement-137859  Hao, Karen. “How Facebook got addicted to spreading misinformation,” MIT Technology Review, March 11, 2021, https://www.technologyreview.com/2021/03/11/1020600/facebook-responsible-ai-misinformation/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Elyse Ambrose (Ph.D., Religion and Society, Drew University) is a blackqueer ethicist, creative, and educator. Their forthcoming book, A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive (T&T Clark) offers a transreligious and communal-based sexual ethics grounded in blackqueer archive. Ambrose's photo-sonic exhibition, “Spirit in the Dark Body: Black Queer Expressions of the Im/material,” explores black queer and trans spiritualities, identity, and poiesis. Currently Assistant Professor in the Departments for the Study of Religion and of Black Study at the University of California, Riverside, their commentary is featured in the Huffington Post, Vice, BMoreArt, and CBC Radio One's Tapestry podcast. Their research has been supported by the Mellon Foundation, Columbia University's Center on African American Religion, Sexual Politics, and Social Justice, Henry Luce Foundation, and Yale University LGBT Studies Fellowship.

As a nice break from all the doom and gloom in the world (and the depressing stuff we often cover), we decided to ask the wonderful Dr. Judith Weisenfeld to come talk to us about her life and work. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion at Princeton University, Associated Faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies, and a member of the Executive Committee of the Effron Center for the Study of America. Her research focuses on early twentieth-century African American religious history, and she has explored a range of topics, including in the relation of religion to constructions of race, the impact on black religious life of migration, immigration, and urbanization in African American women's religious history, and religion in film and popular culture. She is currently the Director of The Crossroads Project: Black Religious Histories, Communities and Cultures, a four-year project funded by the Henry Luce Foundation aimed at producing deeper understandings of the history and diversity of Black religious life in the U.S. Here she talks to Kelly and John about how she got into religious studies, the joys of accidentally discovering new things during research, and her books Hollywood Be Thy Name and New World A-Coming. She is on Twitter @JLWeisenfeld