Podcast appearances and mentions of mark braude

Kiki was 'Queen of Montparnasse,' a superstar of her time. Who was she and why has she been forgotten? Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, I talk with historian and biographer Mark Braude about artist, model, and cabaret singer Kiki Man Ray and the art life in Paris in the 1920s.

Quentin Johnson reviews Kiki Man Ray: Art, Love and Rivalry in 1920s Paris by Mark Braude, published by Two Roads.

Mark Braude's new biography, “Kiki Man Ray,” visits a place of perennial interest — Left Bank Paris in the 1920s — through the life of the singer, model, memoirist and muse. On this week's podcast, Braude says that his subject thoroughly captured the spirit of her age, “a mix of deep pain and a very deep love of life” that emerged after the First World War.We're used to reading about this age, Braude says, through the eyes of Americans in Paris, like Hemingway and Fitzgerald. Kiki “represents something that sometimes gets overlooked,” he says, which is “the French contribution to this scene and to this moment. People like Kiki were part of the reason why expats found France and Paris so exciting.” She was “living on a completely different rhythm and in a completely different way. She was just undeniably herself, and wasn't putting on airs. And just loved life; she just wanted to do everything and meet everyone and go everywhere, and she did.”Also on this week's episode, Gregory Cowles and Elisabeth Egan talk about what they've been reading. John Williams is the host.Here are the books discussed in this week's “What We're Reading”:“River of Mountains” by Peter Lourie“Colony” by Anne Rivers Siddons“The Emperor's Tomb” by Joseph RothWe would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

The story of Alice Prin, aka Kiki—who captivated 1920s Paris—and her tumultuous relationship with photographer Man Ray Though many have never heard her name, Alice Prin—Kiki de Montparnasse—was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks with the likes of Pablo Picasso, Peggy Guggenheim, Marcel Duchamp and Gertrude Stein. She also shepherded along the career of the then-unknown American photographer: Man Ray. Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their decade-long entanglement and reveals how Man Ray—always the unabashed careerist—went on to become one of the most famous photographers of the twentieth century, enjoying wealth and fame, while Kiki's legacy was lost. But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and café wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two.

Sara forces Phil to bring up Douglas MacArthur one more time, but then we get into some fantastically feminist retellings. One today's episode, we discuss Joan: A Novel of Joan of Arc by Katherine Chen, Ithaca by Claire North, The Book Eaters by Sunyi Dean, If Nietzsche Were a Narwhal: What Animal Intelligence Reveals about Human Stupidity by Justin Gregg, Diary of a Void by Emi Yagi and translated by David Boyd and Lucy North, We Should Not Be Afraid of the Sky by Emma Hooper, and Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris by Mark Braude. Find these in the shop, at Bookshop.org or on Librofm.com for audiobook versions.

We spoke with Mark Braude, author of The Invisible Emperor: Napoleon on Elba, about Napoleon and his own personal quarantine. The post Napoleon in Quarantine appeared first on Octavian Report.

I must’ve been a kid when I first heard the palindrome “Able I was ere I saw Elba”. Napoleon didn’t mean a lot to me at the time. “Elba” meant even less. Decades later, I had learned a little more about Napoleon and his time there, but not that all that much it turns out. And then came Mark Braude’s The Invisible Emperor: Napoleon on Elba from Empire to Exile (Penguin Press, 2018)… This unexpected and absorbing book delves into the story of Napoleon’s exile on the island of Elba following his abdication in 1814. After his escape and return to France for the “100 Days,” Napoleon was, of course, finally defeated at Waterloo in 1815. The Invisible Emperor explores a period in between the “bigger-ticket” events with which readers may be more familiar, a time and space in which Napoleon at once out of sight and more in contact with everyday people than perhaps at any other point in his career. Written in multiple short chapters comprising four parts that follow the seasons of Bonaparte’s ten-month stay on Elba, The Invisible Emperor reconsiders the Napoleonic legend from the point of view of a moment of relative quiet in a modest setting. Carefully researched and a pleasure to read, it challenges aspects of the towering historical figure’s mythology. The space, timeline, and scale of this history may be small, but this is a Napoleon we don’t typically hear about. Presented in a narrative rich with curious details and a surprising intimacy, The Invisible Emperor manages to humanize an epic history and life about which so much has been written over the past two centuries. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I must’ve been a kid when I first heard the palindrome “Able I was ere I saw Elba”. Napoleon didn’t mean a lot to me at the time. “Elba” meant even less. Decades later, I had learned a little more about Napoleon and his time there, but not that all that much it turns out. And then came Mark Braude’s The Invisible Emperor: Napoleon on Elba from Empire to Exile (Penguin Press, 2018)… This unexpected and absorbing book delves into the story of Napoleon’s exile on the island of Elba following his abdication in 1814. After his escape and return to France for the “100 Days,” Napoleon was, of course, finally defeated at Waterloo in 1815. The Invisible Emperor explores a period in between the “bigger-ticket” events with which readers may be more familiar, a time and space in which Napoleon at once out of sight and more in contact with everyday people than perhaps at any other point in his career. Written in multiple short chapters comprising four parts that follow the seasons of Bonaparte’s ten-month stay on Elba, The Invisible Emperor reconsiders the Napoleonic legend from the point of view of a moment of relative quiet in a modest setting. Carefully researched and a pleasure to read, it challenges aspects of the towering historical figure’s mythology. The space, timeline, and scale of this history may be small, but this is a Napoleon we don’t typically hear about. Presented in a narrative rich with curious details and a surprising intimacy, The Invisible Emperor manages to humanize an epic history and life about which so much has been written over the past two centuries. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I must’ve been a kid when I first heard the palindrome “Able I was ere I saw Elba”. Napoleon didn’t mean a lot to me at the time. “Elba” meant even less. Decades later, I had learned a little more about Napoleon and his time there, but not that all that much it turns out. And then came Mark Braude’s The Invisible Emperor: Napoleon on Elba from Empire to Exile (Penguin Press, 2018)… This unexpected and absorbing book delves into the story of Napoleon’s exile on the island of Elba following his abdication in 1814. After his escape and return to France for the “100 Days,” Napoleon was, of course, finally defeated at Waterloo in 1815. The Invisible Emperor explores a period in between the “bigger-ticket” events with which readers may be more familiar, a time and space in which Napoleon at once out of sight and more in contact with everyday people than perhaps at any other point in his career. Written in multiple short chapters comprising four parts that follow the seasons of Bonaparte’s ten-month stay on Elba, The Invisible Emperor reconsiders the Napoleonic legend from the point of view of a moment of relative quiet in a modest setting. Carefully researched and a pleasure to read, it challenges aspects of the towering historical figure’s mythology. The space, timeline, and scale of this history may be small, but this is a Napoleon we don’t typically hear about. Presented in a narrative rich with curious details and a surprising intimacy, The Invisible Emperor manages to humanize an epic history and life about which so much has been written over the past two centuries. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I must’ve been a kid when I first heard the palindrome “Able I was ere I saw Elba”. Napoleon didn’t mean a lot to me at the time. “Elba” meant even less. Decades later, I had learned a little more about Napoleon and his time there, but not that all that much it turns out. And then came Mark Braude’s The Invisible Emperor: Napoleon on Elba from Empire to Exile (Penguin Press, 2018)… This unexpected and absorbing book delves into the story of Napoleon’s exile on the island of Elba following his abdication in 1814. After his escape and return to France for the “100 Days,” Napoleon was, of course, finally defeated at Waterloo in 1815. The Invisible Emperor explores a period in between the “bigger-ticket” events with which readers may be more familiar, a time and space in which Napoleon at once out of sight and more in contact with everyday people than perhaps at any other point in his career. Written in multiple short chapters comprising four parts that follow the seasons of Bonaparte’s ten-month stay on Elba, The Invisible Emperor reconsiders the Napoleonic legend from the point of view of a moment of relative quiet in a modest setting. Carefully researched and a pleasure to read, it challenges aspects of the towering historical figure’s mythology. The space, timeline, and scale of this history may be small, but this is a Napoleon we don’t typically hear about. Presented in a narrative rich with curious details and a surprising intimacy, The Invisible Emperor manages to humanize an epic history and life about which so much has been written over the past two centuries. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I must’ve been a kid when I first heard the palindrome “Able I was ere I saw Elba”. Napoleon didn’t mean a lot to me at the time. “Elba” meant even less. Decades later, I had learned a little more about Napoleon and his time there, but not that all that much it turns out. And then came Mark Braude’s The Invisible Emperor: Napoleon on Elba from Empire to Exile (Penguin Press, 2018)… This unexpected and absorbing book delves into the story of Napoleon’s exile on the island of Elba following his abdication in 1814. After his escape and return to France for the “100 Days,” Napoleon was, of course, finally defeated at Waterloo in 1815. The Invisible Emperor explores a period in between the “bigger-ticket” events with which readers may be more familiar, a time and space in which Napoleon at once out of sight and more in contact with everyday people than perhaps at any other point in his career. Written in multiple short chapters comprising four parts that follow the seasons of Bonaparte’s ten-month stay on Elba, The Invisible Emperor reconsiders the Napoleonic legend from the point of view of a moment of relative quiet in a modest setting. Carefully researched and a pleasure to read, it challenges aspects of the towering historical figure’s mythology. The space, timeline, and scale of this history may be small, but this is a Napoleon we don’t typically hear about. Presented in a narrative rich with curious details and a surprising intimacy, The Invisible Emperor manages to humanize an epic history and life about which so much has been written over the past two centuries. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

January 28, 2019 - Mark Braude, who we chatted with previously about his book: Making Monte Carlo: A History of Speculation and Spectacle, brings us the tale of a legendary military leader who's almost too big for the word legend. Napoleon Bonaparte of France. We meet the titan of France not at the peak of his power, but at his low-point: Cast out, kicked off the throne, and walking among the citizens of a tiny island as one of them. The book is The Invisible Emperor: Napoleon on Elba from Exile to Escape. Mark Braude is a National Endowment for the Humanities 2017-2018 Public Scholar and former lecturer of history at Stanford University, having earned a Ph.D. in Modern European History from the University of Southern California, as well as a Masters in French Studies from our own New York University. Visit him at MarkBraude.com.      

Mark Braude is a historian whose specialty is French history. He’s written a new book on Napoleon Bonaparte’s time on Elba and we discussed the book. 2:30 – Mark talks about his start in French history and how he started writing about Napoleon. 4:06 – Mark talks about the book. 6:45 – Mark talks about…

Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years. Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area. Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years. Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area. Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years. Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area. Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years. Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area. Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years. Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations. The book also engages the lives and interests of the Grimaldis, the dynasty that presided over the tiny principality that became a haven for gaming and entertainments, a center of risk and adventure, of fantasy and speed. And then there are those who came to game, to work, to be entertained, and to watch. A number of participants would tell their stories, contributing to a mythologizing that made of Monte Carlo a destination whose imaginative dimensions exceeded by far its physical area. Making Monte Carlo is at once a history of commercial and business interests and of the rapid and remarkable changes in modern culture that took place in the period covered by Braude’s chapters. This was an era of the proliferation of mass spectacle, of advertising and marketing, of innovations in the technologies of leisure, recreation, transport, and tourism. It was an age that saw the emergence of new forms of capitalist exploitation and imagination, of transformations in the idea of selling and in the selling of ideas. Considering the impact of Monte Carlo’s development on tourists rich and less-so, on the workers who made the casinos, hotels, and clubs run, and on all those (in Monaco and beyond its small territory) who witnessed the spectacle as it unfolded, the book will be a compelling read to anyone interested in the place itself, as well as all those cultural dreams it has sought to encourage and represent since its inauguration as a high-end, high-stakes capital. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email. Learn more about your ad choices. Visit megaphone.fm/adchoices

April 11, 2016 - Today, our time machine will wend its way through the tight mountain passes of Southern France, and across the blue seas of the Mediterranean to the principality of Monaco. Yes, Monaco. The name itself conjures up images of glamour and gambling, of royalty and race cars. But how did it get that way? It's about half the size of Central Park, the second-tiniest nation in the world. Yet it's played a big role as a destination of gambling and vice for the world's rich and famous. Dealing the cards today is Mark Braude, who sends us on our way with his debut book: Making Monte Carlo: A History of Speculation and Spectacle. Mark is a lecturer in history at Stanford University, having earned a Ph. D. in Modern European History from the University of Southern California, as well as a Masters in French Studies from our own New York University. Visit him at MarkBraude.com.