Podcasts about Arc

Today’s Topics: 1, 2, 3, 4) William discusses those great Holy Saints who persevered to the end of life on earth, including, Job, the Blessed Virgin Mary, and Saints John the Baptist, Ignatius of Antioch, Perpetua, Monica, Francis of Assisi, Joan of Arc, Thérèse of Lisieux, Maximilian Kolbe, and Blessed Anne Catherine Emmerich

Break through plateaus, stay consistent, and make every session count with a free 14-day trial of Intentional Climber. https://www.thestruggleclimbingshow.com/intentional     Support the Show on Patreon Get access to all Pro Clinics, bonus episodes, and more. https://www.patreon.com/thestruggleclimbingshow   - Elite climber Adam Ondra explores: Flashing multiple V15 (8C) boulders How he's stronger than ever at 33 The new training tools he's using  The truth about his "secret" crimp grips  Going for V17 (and perhaps V18?) His weird low-intensity warmup for V15 flash attempts  Training solo vs with a crew  Is anyone today capable of 9c+ 5.16a - BIG THANKS TO THE AMAZING SPONSORS OF THE STRUGGLE WHO LOVE ROCK CLIMBING AS MUCH AS YOU DO: PhysiVantage: the official climbing-nutrition sponsor of The Struggle. Train harder, recover faster, and feel better than ever. I love all their stuff! Use code STRUGGLE15 at checkout for 15% off your full-priced nutrition order. Arc'teryx: Inspired by and tested in the Coast Mountains of BC, Arc'teryx makes gear to go the distance! If you're out adventuring in the elements, Arc'teryx has got you covered. Shop their full collection at Arcteryx.com  Intentional Climber: Stop spinning your wheels. Start making real progress. Plan smarter, train harder, and stay consistent with world-class coaching plans, mindset tools, and powerful analytics built specifically for climbers. Download on Google Play or the App Store and use code STRUGGLE to unlock Kris Hampton's 6-week Stronger Fingers program.   And check out ALL the show's awesome sponsors and exclusive deals at thestruggleclimbingshow.com/deals   - Shoutout to Aiden Schlatter, Michael Martin, and Kent Olmstead for supporting at the Hero level on Patreon. So mega!  - Here are some AI generated show notes (hopefully the robots got it right) 00:00 App Announcement 01:15 Welcome Adam Ondra 03:46 Life in Arco Italy 05:39 Smith Rock Stories 06:57 Retiring From Comps 08:49 Flash Mindset Explained 12:20 Training Tools and Crew 16:49 Board Climbing Breakdown 19:09 Sponsor Break Arc'teryx 20:52 Sponsor Break Sendurex 22:35 Strength Testing Habits 24:23 Grip Hacks and Thumb 32:09 Flash vs Project Potential 35:02 App Break Intentional 37:04 Mindset for Flash Attempts 38:47 Flash Warmup Routine 40:48 Using Beta Videos Wisely 43:37 Solo vs Crew Training 46:30 Regimen vs Flexibility 51:39 Sport Climbing Goals 53:49 Arco New Route Potential 55:41 Will 9C Get Repeated 59:20 What Makes 9C Plus 01:03:32 Staying Psyched Climbing 01:06:54 Bonus Episode Promo 01:09:45 Host Training Update 01:11:13 Intentional Climber App 01:14:29 Final Wrap Up   - Follow along on Instagram @thestruggleclimbingshow and YouTube /@thestruggleclimbingshow - The Struggle is carbon-neutral in partnership with The Honnold Foundation, whose mission is to promote solar energy for a more equitable world. - This show is produced and hosted by Ryan Devlin, and edited by Glen Walker. The Struggle is a proud member of the Plug Tone Audio Collective, a diverse group of the best, most impactful podcasts in the outdoor industry. - The struggle makes us stronger! I hope your training and climbing are going great.  - And now here are some buzzwords to help the almighty algorithm get this show in front of people who love to climb: rock climbing, rock climber, climbing, climber, bouldering, sport climbing, gym climbing, how to rock climb, donuts are amazing. Okay, whew, that's done. But hey, if you're a human that's actually reading this, and if you love this show (and love to climb) would you think about sharing this episode with a climber friend of yours? And shout it out on your socials? I'll send you a sticker for doing it. Just shoot me a message on IG – thanks so much! 

During the Arc of Evolution, we have been surprised so many times by both the new and the old of the most popular legends of all time. Come see how Selesnya's past and present do not buck that trend on CCO Episode 545.Huge thank you to our sponsors, Fusion Gaming Online. They're your source for all of your gaming needs. You can find them here: www.FusionGamingOnline.com. You want a 5% discount off all of your MTG order? Head over to Fusion Gaming Online and use exclusive promo code: CCONATION at checkout.Want your deck or topic featured on Commander Cookout Podcast? Check out the reward tiers at Patreon.com/CCOPodcast. There are a lot of fun and unique benefits to pledging. Like the CCO Discord or getting your deck featured on the show.Ryan's solo podcast, Commander ad Populum:https://www.spreaker.com/show/commander-ad-populumYou can listen to CCO Podcast anywhere better podcasts are found as well as on CommanderCookout.com.Now, Hit our Theme Song!Social media:https://www.CommanderCookout.comhttps://www.Instagram.com/CommanderCookouthttps://www.Facebook.com/CCOPodcast@CCOPodcast and @CCOBrando on Twitterhttps://www.Patreon.com/CCOPodcast

#951 Ever wondered how creators turn brand deals into serious revenue? In this episode, host Brien Gearin sits down with Justin Moore, founder of Creator Wizard and author of Sponsor Magnet, to uncover the secrets behind landing, pricing, and negotiating high-value sponsorships. Justin shares how he and his wife went from free product collaborations to earning over $5 million through brand partnerships — and how he now teaches creators and business owners to do the same without giving up a percentage to agencies or managers. From understanding sponsor goals to crafting irresistible pitches and maximizing negotiation leverage, this episode is packed with actionable insights for anyone looking to monetize their platform through strategic partnerships! (Original Air Date - 10/17/25) What we discuss with Justin: + Turning free products into paid deals + Building a $5M brand partnership business + Why most creators don't need managers + Understanding sponsor goals (ARC framework) + Pricing based on awareness vs. conversions + Negotiation strategies that increase payouts + The DUE rule: deliverables, usage, exclusivity + Crafting pitches with the ROPE method + How small creators can land sponsors + Transitioning from one-off deals to retainers Thank you, Justin! Check out Creator Wizard at ⁠CreatorWizard.com⁠. Subscribe to ⁠Justin's newsletter⁠. Buy a copy of ⁠Sponsor Magnet⁠. Listen to ⁠Sponsor Magnet⁠. Follow Justin on ⁠Instagram⁠, ⁠LinkedIn⁠, ⁠TikTok⁠, ⁠Twitter⁠, and ⁠YouTube⁠. Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠video podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of this episode! To get access to our FREE Business Training course go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/training⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠millionaireuniversity.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every leader knows how to have conversations. Far fewer know how to lead them. In this episode, Bart Egnal speaks with Sandra Bekas, Senior Learning and Development Manager at The Humphrey Group, about why conversations have become one of the most important leadership skills in today's workplace and how THG helps leaders prepare for and excel in these critical communication moments. Drawing on her background in language, rhetoric, cognitive science, and leadership development, Sandra shares insights into why conversations are where influence happens and why those moments have become more complex than ever. Sandra explains why conversations have become more frequent, more candid, and often more challenging as employees increasingly expect leaders to be more present, more transparent, and more accessible than ever before. She discusses the difference between routine and high-stakes conversations, why framing a conversation is critical to creating clarity and trust, and how leaders can guide discussions without becoming overly directive. The conversation also explores practical tools from The Humphrey Group's Art of Conversation program, including the ARC framework (Acknowledge, Refocus, Catalyze) for getting derailed conversations back on track. Whether you're navigating everyday discussions or pivotal leadership moments, this episode offers practical tools for communicating with greater confidence, clarity, and influence. Show Notes: 00:58 Introducing Sandra Bekas 01:41 Introducing the topic of conversations 02:37 What led you to this role? 02:50 Love of language 03:14 Thinking and language and emotion and how that shapes reality 03:37 Moving to Japan 04:14 Japanese different language structure 04:22 Maybe trim/cut this section? 05:52 Moved back to Canada - Canadian publishing 06:15 Majority of career in instructional design... 06:35 Joining HG 07:26 How have conversations reached this inflection point? 08:00 Post-COVID interactions 08:24 In-person and digital accessibility 09:10 Leadership conversations are now more fraught 10:18 COVID level-set us 10:45 Insert: the three A's 12:47 What is the new THG program? 13:14 The Art of Conversation program 13:25 The ability to dynamically influence others 13:49 Routine conversations vs. high-stakes conversations 14:15 Corporate conversations where you want to move the needle 14:43 How you present in the moment 15:01 How to exert your influence 15:42 What is framing and why is it important? 16:01 What is the purpose of this conversation? 16:33 Example: giving a poor performance review 17:44 Example: letting down people who didn't get the promotion 20:01 Summarizing 20:48 Introducing clarity in a meeting 21:22 Bart presents a challenging example of a situation that is hard to summarize 23:36 Getting derailed conversations back on track 24:56 A.R.C. 26:06 A: acknowledge 26:17 R: refocus 26:28 C: catalyzing question 30:16 You cannot script these moments 31:04 You can still be authentic when using these tools! 32:26 Where can people find out more?

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

durée : 00:10:58 - Le Fil de l'histoire - par : Stéphanie Duncan - Le 30 mai 1431, sur la place du Vieux-Marché à Rouen, une foule immense, rameutée par un crieur public, s'est assemblée pour assister au spectacle. Jeanne d'Arc sera donc brûlée vive. - réalisation : Claire Destacamp, Anne-Cécile Perrin, Frédéric Martin - invités : Valérie Toureille Historienne, professeure d'histoire du Moyen Âge à CY Cergy Paris Université, spécialiste de la guerre de Cent Ans Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:08 - Le Fil de l'histoire - par : Stéphanie Duncan - Février 1429. Jeanne d'Arc, 17 ans, vêtue d'habits masculins, se met en route à cheval avec une escorte de six hommes armés. Direction : Chinon au bord de la Loire. Un voyage de dix jours sur des routes dangereuses. - réalisation : Claire Destacamp, Anne-Cécile Perrin, Frédéric Martin - invités : Valérie Toureille Historienne, professeure d'histoire du Moyen Âge à CY Cergy Paris Université, spécialiste de la guerre de Cent Ans Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:13 - Le Fil de l'histoire - par : Stéphanie Duncan - Le début de la vie de Jeanne d'Arc tient du conte de fée : l'histoire d'une jeune fille de la campagne qui aime s'asseoir près d'une fontaine, à l'ombre d'un bel arbre à Domrémy. C'est vers 1425, sous le bruissement de cet arbre que Jeanne entend pour la première fois des voix... - réalisation : Claire Destacamp, Anne-Cécile Perrin, Frédéric Martin - invités : Valérie Toureille Historienne, professeure d'histoire du Moyen Âge à CY Cergy Paris Université, spécialiste de la guerre de Cent Ans Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

How do you talk to someone who is doubting his or her faith? To discuss this, Pedro Garcia (For Those Who Doubt: Is It because of Jesus?) joins The ARC Show with Nate Williams.Pedro's website: https://www.isitbecauseofjesus.com/ARC's website: https://arcanswers.org/

Farmers who participate in safety net programs like ARC and PLC will soon be able increase their base acres, which means a bigger payout in tough times. State FSA Executive Director Mike Mayfield explains what this means for row crop farmers now.

Listen to weekly sermons from Velocity Church in Lawrence, KS. Velocity is a vision-fueled and faith-filled community changing lives and transforming a city with the message of Jesus. For more information visit www.findvelocity.org

Panda, Kyptan, and Seeker come together to discuss the charming fantastical romantic comedy, Letters from the Last Apothecary, by debut author, Bita Behzadi.Disclaimer: Green Team received an ARC of Letters from the Last Apothecary by Bita Behzadi courtesy of NetGalley and Penguin Random House. We thank them for the early copy for review. All opinions are our own. Letters from the Last Apothecary released on June 9th, 2026. Hope you enjoy the episode. THIS IS NOT AN AUDIOBOOK!Music is Galactic Damages by Jingle Punks.Find us on:Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/FNcpuuA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/greenteampod.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@greenteampod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/thelegendarium/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suggestion Box: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/Nsz6URWeq3JeeZnGA⁠⁠⁠⁠

Nous savons, après avoir enquêté pour Maintenant Vous Savez Culture, que des stars du monde entier se sont déjà masturbées sur scène et d'autres sont accros au sexe. Mais qu'en est-il des stars dont la passion, ce sont les pieds? Le fétichisme du pied existe aussi dans les strates les plus mondaines. Être fétichiste des pieds, ou "foot fetish" en anglais, c'est avoir une attirance pour les pieds, une vraie préférence sexuelle pour cette partie du corps. C'est le type de fétichisme sexuel le plus connu au monde. Il survient généralement chez les individus dès la petite enfance. Alors, quelles stars sont fans des pieds ? Est-ce que certains sont, à l'inverse, fans des pieds de célébrités ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : décembre 2023 À écouter aussi : ⁠Pourquoi l'Arc de Triomphe aurait-il pu être un éléphant ?⁠ ⁠Qu'est-ce que le faerie porn, ces livres érotiques qui inquiètent ?⁠ ⁠D'où vient la légende du Kraken ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This story isn't intended for young or sensitive readers. Readers who are on the lookout for trigger warnings are advised to give Worm a pass. Complete list of potential triggers: here-----------------------------------The Brockton Bay Book Club discusses J.C. McCrae's Ward live! The gang reads a portion of Ward and comes together to share our thoughts with each other and anyone who want's to participate.This week we cover Arc 17.1 - 17.6 - SundownRead along herePlay along with this week's BBBC BINGO while you listen!Support us and connect with us @brocktonbaybc-----------------------------------Thank you to the sponsors that fuel our podcast: This episode of the Brockton Bay Book Club is sponsored by Made Marion. Made Marion creates custom cottagecore and ren faire clothing designed for every body. Whether you're looking for a lace up bodice, rustic apron and pinafores, or ethereal dresses, you'll find items customized for every individual's fit and design. All items are lovingly hand sewn with attention to detail and a touch of whimsy. Visit Made Marion today and transform your wardrobe with clothing that feels as enchanting as it looks. Find Made Marion on etsy, at https://www.etsy.com/shop/themademarion

Arc 3.0 The In-between- The Night of AbundanceEpisode 80: Charmed I'm SureTUO get's the chance to party before The Night of Abundance, Véres gets flirted with, and a new person my be joining the party.Content Warnings: alcohol consumption, complicated relationship dynamics, romance, flirting, jealousy, emotional distress, fantasy violence, profanity, loss of agency and losing control of one's faculties due to magical meansTales of Three is an all-queer, dark fantasy dnd podcast where your three Game Masters are also your three Players!If you like what you hear please tell your friends about us & consider giving us a 5 star review! It's a quick and easy way to show your support for small creators whose content you enjoy!Follow the Cast:Arianna as Elara SpinelsparkDusty as Ivy Nightbreeze-TinkerfeyWayra as VéresFind our socials here!Want to chat with the cast, talk spoilers, play games, and make new friends? Join our Discord!If you want to help keep the podcast running and get access to bonus content check out our Patreon or buy us a coffee on Ko-fi!This week we are shouting out our friends at Punch & Roll! Check out their actual plays here!Special thanks to SG for theme song, Chriss for the logo, Fenn & Ely for the character art!Background music and SFX by Epidemic Sounds & Monument Studios.

David D'Onofrio, CEO and Director of  White Gold Corp. (TSX.V: WGO) (OTCQX: WHGOF) (FRA: 29W) joins me for comprehensive overview of its 3 million ounces of gold across 4 near-surface deposits, and the commencement of its fully-funded 2026 exploration program.  This will be their largest ever drill program, consisting of 20,000 meters across its district-scale land package in the emerging White Gold District in Yukon, Canada. We also discuss the upcoming value drivers of a Preliminary Economic Assessment in a few months, as well as the spin-out of their critical minerals properties into W2 Critical Minerals Corp.   We start off with the backstory and journey of how their 21 properties were assembled under Shawn Ryan's geological prowess, searching for the source of all the placer gold in the Yukon. The company has drilled around 90,000 meters to date, delineating over 3 million ounces of gold in 4 main resource areas comprised of the Golden Saddle, Arc, Ryan's Surprise, and VG deposits.   The primary objectives of this year's drill program with will be resource growth and expansion testing areas adjacent and in close proximity to the Company's known four gold deposits, both along strike and down-dip. In addition to resource growth, a portion of the exploration program will be focused on further advancing discovery-stage targets, as well as towards evaluating high priority early-stage prospects for discovery potential. The program is fully funded and supported by their strategic partners including Agnico Eagle Mines Limited (TSX: AEM, NYSE: AEM) and Power One.   The Company is also continuing to advance its maiden Preliminary Economic Assessment (PEA),  on the White Gold Project, which is expected to be released in the next few months. Additionally, things are moving forward with the spin-out of its critical mineral properties into a dedicated standalone vehicle, We also discuss the upcoming value drivers of a Preliminary Economic Assessment in a few months, as well as the spin-out of their critical minerals properties into W2 Critical Minerals Corp., which current White Gold shareholders will get shares in.   David shares the background of a few team members and technical advisors, as well as his background as an executive with the PowerOne Group; where he developed a depth of knowledge in representing, advising, and assisting emerging companies in accessing capital, advising on mergers and acquisitions and managing their businesses.     If you have any follow up questions for David regarding White Gold, then please email those to me at  Shad@kereport.com.     Click here to follow the latest news from White Gold Corp   For more market commentary & interview summaries, subscribe to our Substacks:   The KE Report: https://kereport.substack.com/ Shad's resource market commentary: https://excelsiorprosperity.substack.com/     Investment disclaimer: This content is for informational and educational purposes only and does not constitute investment advice, an offer, or a solicitation to buy or sell any security. Investing in equities and commodities involves risk, including the possible loss of principal. Do your own research and consult a licensed financial advisor before making any investment decisions. Guests and hosts may own shares in companies mentioned.  

The conversation illuminates the profound necessity of fostering sustainable communities, as articulated by our guest, Marat, the visionary founder of the ARC. At the very crux of our discourse lies the imperative to craft environments that not only nurture current inhabitants but also bequeath a flourishing legacy to posterity. Marat's extensive background in government, politics, and business equips him with a unique lens through which he perceives the intricate interplay between vision, execution, and communal values. The ARC is presented not merely as an ambitious concept but as a tangible exemplar of how collective efforts, rooted in transparency and integrity, can engender thriving neighborhoods that significantly enhance quality of life. As we delve into the nuances of community-building, we will also explore the practical milestones necessary to translate visionary ideals into concrete realities, thereby challenging the conventional paradigms of living and governance. The discourse presented within this episode encapsulates an exploration of transformative community-building, as defined by the arc, an innovative model spearheaded by the visionary Marat. At the crux of our dialogue lies the fundamental principle that the future we bequeath to subsequent generations is both a product of our current actions and an embodiment of our collective vision. Through Marat's rich tapestry of experiences across governmental, political, and entrepreneurial landscapes, we delve into the nuances of fostering sustainable, resident-driven communities that empower individuals and cultivate a sense of belonging. We are drawn into a conversation that deftly interweaves the threads of vision, execution, and outcome, illustrating how the arc transcends mere concept to become a tangible demonstration of thriving neighborhoods that enhance quality of life and serve as a global beacon for sustainable living. In contemplating the arc's vision, Marat articulates a profound belief that the contemporary epoch—shaped by the pandemic's reverberations—demands reconnection with nature. This shift, he argues, is not merely a return to simpler living but an evolution towards recognizing humanity's intrinsic relationship with the environment. The dialogue navigates the complex interplay of technology and community, positing that while the encroachment of artificial intelligence and remote work has altered societal dynamics, it is imperative that we do not allow these advancements to overshadow the organic connections that foster community cohesion. As Marat expounds on the daily lives of residents within the arc, listeners are invited to envision a world where work and passion coalesce seamlessly, where individuals are empowered to contribute to their community in meaningful ways, thereby challenging the conventional dichotomy between personal and professional life. Lastly, we critically examine the governance and operational frameworks that underpin the arc. Eschewing traditional democratic models, Marat articulates a sociocratic approach that prioritizes accountability and inclusivity while maintaining a clear decision-making structure. This innovative methodology seeks to avert the pitfalls commonly associated with intentional communities, namely the propensity for disillusionment stemming from unrealistic expectations. By fostering a culture of transparency and shared responsibility, the arc endeavors not just to create a community but to establish a living organism that thrives on collaboration, creativity, and mutual respect. As we conclude this enlightening session, we are left with the tantalizing prospect of a future where communities are not just created but are cultivated—nurtured by the very individuals who inhabit them, thus embodying the spirit of co-creation and sustainability that is quintessential to the arc.Takeaways:The conversation underscores the profound importance of creating intentional communities that prioritize sustainable living and collective empowerment, thereby ensuring a promising future for future generations.Marat's unique blend of experiences across government, politics, and business culminates in his endeavor to establish the ARC as a model for community-driven sustainability and resilience.The need for individuals to cultivate a deeper understanding of their motivations and aspirations is paramount when embarking on the journey to build an intentional community or a similar venture.The ARC embodies a bridge between traditional capitalist structures and emerging regenerative models, fostering a harmonious relationship with nature while promoting economic sustainability and community collaboration.In a world increasingly dominated by technology, the discourse advocates for a balanced integration of AI and human connection, emphasizing that technology should serve humanity rather than dictate its course.The dialogue underscores the importance of transparency and accountability within community governance, highlighting the role of clear structures and processes in conflict resolution and decision-making.Links referenced in this episode:thearkworldMentioned in this episode:My friend Dr. Noah St. John calls this 'the invisible brake.' He's giving our listeners a free Revenue Ceiling Audit to help you see what's REALLY holding you back. You'll also get a FREE 30-day membership to Noah Bot, giving you access to Dr. Noah's 30 years of experience to help you reach your next level. But hurry, because there are only 50 available this month. So if you're tired of being stuck at the same revenue level and want to finally break through, get your FREE Revenue Ceiling Audit at https://www.noahvault.com?aff=d28bf6c78150c7f09896297dfe1701c1cd191ac6fc9976779212cec5d38e94d6

Psalm 30:1-5 | David Brainerd | Amaranth by Enzalla | Joan of Arc by Jules Bastien-Lepage | Find more at www.ryanbush.org

Today, we explore the life of Joan of Arc—from the first time she heard angelic voices to her legendary battles. Welcome to History Camp!

In her third collection, Nova Scotian poet Jaime Forsythe has created an elegant long poem with Yield (Buckrider Books, 2026). In these dreamlike lines a mother faces the postpartum void from a porous house by the ocean as the veil between land and sea, and between being lost and being found, grows thinner. With repeated waves of couplets Forsythe brings the reader unforgettable images: a pom-pom that hardens into a sea urchin, an underwater dance club, a coast that melts into the sea. Delicately tracing the disorientation and dark edges of new motherhood, this is a collection that embraces beauty and ambiguity with a baby that roots for milk while what's ancient—whether history or memory—floods in. Jaime Forsythe's previous books are I Heard Something (Anvil Press, 2018) and Sympathy Loophole (Mansfield Press, 2012). Her poetry and fiction have appeared in Arc, EVENT, Grain, The Malahat Review, Geist, The Ampersand Review and This Magazine, among others. She holds an MFA in Creative Writing from the University of Guelph and currently lives close to where she grew up in Nova Scotia/Mi'kma'ki. Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from  the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In her third collection, Nova Scotian poet Jaime Forsythe has created an elegant long poem with Yield (Buckrider Books, 2026). In these dreamlike lines a mother faces the postpartum void from a porous house by the ocean as the veil between land and sea, and between being lost and being found, grows thinner. With repeated waves of couplets Forsythe brings the reader unforgettable images: a pom-pom that hardens into a sea urchin, an underwater dance club, a coast that melts into the sea. Delicately tracing the disorientation and dark edges of new motherhood, this is a collection that embraces beauty and ambiguity with a baby that roots for milk while what's ancient—whether history or memory—floods in. Jaime Forsythe's previous books are I Heard Something (Anvil Press, 2018) and Sympathy Loophole (Mansfield Press, 2012). Her poetry and fiction have appeared in Arc, EVENT, Grain, The Malahat Review, Geist, The Ampersand Review and This Magazine, among others. She holds an MFA in Creative Writing from the University of Guelph and currently lives close to where she grew up in Nova Scotia/Mi'kma'ki. Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from  the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The Arc of Evolution reaches its zenith with Uncle Brando's favorite color combo: GRUUL. Come hear all about what he has to say about the evolution of Gruul in Commander on CCO Episode 544.Huge thank you to our sponsors, Fusion Gaming Online. They're your source for all of your gaming needs. You can find them here: www.FusionGamingOnline.com. You want a 5% discount off all of your MTG order? Head over to Fusion Gaming Online and use exclusive promo code: CCONATION at checkout.Want your deck or topic featured on Commander Cookout Podcast? Check out the reward tiers at Patreon.com/CCOPodcast. There are a lot of fun and unique benefits to pledging. Like the CCO Discord or getting your deck featured on the show.Ryan's solo podcast, Commander ad Populum:https://www.spreaker.com/show/commander-ad-populumYou can listen to CCO Podcast anywhere better podcasts are found as well as on CommanderCookout.com.Now, Hit our Theme Song!Social media:https://www.CommanderCookout.comhttps://www.Instagram.com/CommanderCookouthttps://www.Facebook.com/CCOPodcast@CCOPodcast and @CCOBrando on Twitterhttps://www.Patreon.com/CCOPodcast

Emmet Kennedy, Georgia Cox, Jaime Wrenn and Jack Veitch preview all eight Group 1 races at Royal Ascot, identifying the strongest betting angles, value selections and most likely winners at the biggest Flat meeting of the year.

Antes de ir a la meditación quiero invitarte a Reset financiero un bootcamp de 11 días en donde haremos una serie de activaciones cuánticas precisamente para elevar el techo mental que te ha mantenido estancada financieramente. Clica aquí para unirte antes de que suba el precio. ¿Y si el límite de tus manifestaciones no estuviera en el Universo… sino en lo que hoy consideras posible? En esta meditación guiada profunda te acompañaré a identificar y trascender los techos invisibles que pueden estar limitando tu abundancia, prosperidad, amor, bienestar y capacidad de recibir. Muchas veces no manifestamos aquello que realmente deseamos porque nuestro subconsciente ha definido un límite sobre cuánto dinero, felicidad, éxito, libertad o expansión es "seguro" experimentar. En esta experiencia meditativa viajarás más allá de esas limitaciones para conectar con una versión expandida de ti misma y abrirte a nuevas posibilidades. ✨ En esta meditación encontrarás: • Liberación de creencias limitantes sobre abundancia y manifestación.• Expansión de tu capacidad para recibir.• Activación de nuevas posibilidades.• Conexión con una versión futura de ti.• Trabajo energético con Arcángel Metatrón.• Reprogramación de límites subconscientes.• Apertura a milagros y oportunidades inesperadas. Esta meditación es ideal para ti si:

Vamos con un programa muy especial, dedicado al nuevo número uno de Sir Paul McCartney: The Boys of Dungeon Lane, un álbum aclamado universalmente como su última obra maestra pop. Ricardo Portman nos acercará a sus canciones. Escucharemos As You Lie There, Lost Horizon, Days We Left Behind, Ripples In a Pond, Mountain Top, Down South, We Two, Come Inside, Never Know, Home To Us, Life Can Be Heard, First Star of the Night, Salesman Saint y Momma Gets By. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú) Onda Wantuki (Madrid) semanal

Nate Williams is joined by Dr. Titus Kennedy, biblical archeologist and author of the book "Archaeology and the People of the Bible." They walk through the evidence for David, the Exodus, Jesus, and more!To learn more about Titus: https://www.discovery.org/p/kennedy/ARC's website: https://arcanswers.org/

USDA has released new guidance on qualified pass-through entity rules, and the changes could matter for many farm operations structured as LLCs, S corporations, partnerships, LLPs, and other farm entities.In this episode of The Ag View Pitch, Chris visits with Paul Neiffer to break down what the new USDA and FSA rules mean for farmers, including changes to payment limits, ARC and PLC eligibility, AGI testing, actively engaged rules, and the upcoming CCC-902E filing requirements.They discuss how LLCs and S corporations may now be treated more like general partnerships for USDA payment limit purposes, why C corporations are still limited differently, what the new AGI guidance means, and why farmers should be paying close attention to FSA deadlines for base acre updates and entity paperwork. This episode covers new USDA qualified pass-through entity rules, LLC and S corporation payment limits, C corporation limitations, ARC and PLC program implications, AGI testing changes, FSA CCC-902E filing requirements, base acre update deadlines, actively engaged rules, and farm entity planning and compliance.

A podcast host who'd seen me speak in Dallas told me what she remembered most: "This woman is so free to be who she is." That word — free — cracked something open. In this Pride episode, I dig into what I've come to believe after 20 years in this work: almost everything that goes wrong on teams traces back to self-worth. The person who won't speak up and the one who won't stop talking have the same root cause. This episode is about what happens when people finally feel worthy of taking up space — and how leaders can create that. Takeaways: Freedom vs. confidence: What Deidra noticed wasn't polish or charisma. It was freedom — and that's actually what inclusive leadership is trying to build. The self-worth root: Almost every leadership failure — the wallflower, the bulldozer, the micromanager — traces back to the same place. It goes both ways: Playing small and playing insufferably big are the same problem with different looks. Both are worth examining. The ARC in action: Ask. Respect. Connect. A simple practice that makes people feel worthy of being heard — which is the precondition for everything else. Connect with Me The Newsletter: This week in the newsletter, I wrote about LGBTQ+ leaders breaking barriers in the Catholic church, a dementia village that puts dignity first, and more. Subscribe to the 5 Things Newsletter here. Work with Me: Let's talk. Watch 5 Things on YouTube.Watch Deidra's Show. Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes every Saturday morning. https://5thingsdei.com/

Listen to weekly sermons from Velocity Church in Lawrence, KS. Velocity is a vision-fueled and faith-filled community changing lives and transforming a city with the message of Jesus. For more information visit www.findvelocity.org

"Patches Don't Work" | Pastor Evan Hood | 6.7.26 by ARC of Carson City, NV

The next hot electric vehicle may not come with gullwing doors, a self-driving mode or the ability to provide backup power to your home. It may be an 80-foot tugboat, nearly four stories tall, built to pull massive cargo ships around the Port of Long Beach. That's the bet Arc is making. The Los Angeles startup, cofounded by software engineer Mitch Lee and former SpaceX rocket designer Ryan Cook, launched their electric boat startup to target the luxury watercraft market, selling sleek, fast $300,000 e-boats for wealthy weekenders. Now, with oil prices at historic highs, it's pushing into the commercial marine space with $20 million battery-powered tugs capable of pulling ginormous cargo ships into container ports. It's an opportunistic, timely shift from polished recreational toys to industrial machines with brutal duty cycles, big fuel bills and regulators at the door. Arc's first commercial boats, being built at a Seattle-area shipyard, are already heading toward proof of concept. Its tech is being used to power the world's first electric tugs that are about to go into service at the Port of Long Beach, under a deal worth $160 million announced in late 2025. If they perform as well as Arc and initial customer Curtin Maritime expect, the company aims to expand into electric ferries, barges and even military watercraft, CTO Cook told Forbes. By Alan Ohnsman, Senior Editor Learn more about your ad choices. Visit megaphone.fm/adchoices

(01:41) Nederlanders hadden een grotere bijdrage aan D-Day dan we tot nu toe dachten. Want vandaag, op 7 juni, wordt in het Normandische kustplaatsje Arromanches-les-Bains een nieuwe plaquette onthuld de inzet van ‘onze' koopvaardij eert. Wat hield die bijdrage in, en hoe substantieel was die voor het verloop van de oorlog?   We vragen het militair historicus en theatermaker Tijmen Dokter.    (14:03) Groot alarm deze week over de terugkeer van El Niño, het weerfenomeen dat eens in de zoveel jaar de oceaantemperaturen opjaagt en het klimaat wereldwijd in de war schopt. Dit jaar wordt zelfs gevreesd voor een sterke "super" El Niño: met uitzonderlijke hittegolven, droogtes en overstromingen over grote delen van de wereld.    Maar hoe lang weten we eigenlijk al van het bestaan van El Niño? En hoe ver terug in de tijd kunnen we dit verschijnsel bestuderen?   We bellen met paleoklimatoloog Timme Donders, op veldonderzoek in Italie. Hij onderzoekt El Niño, maar dan niet die van dit jaar, maar El Niño's van duizenden jaren terug, waarvan de sporen onder meer terug te vinden zijn in bodemlagen in Ecuador.  (21:48) Dit weekend werd de vijftigste EO-jongerendag gehouden in Ahoy Rotterdam. Waar het evenement in de jaren ‘70 begon als regionale aangelegenheid, is het inmiddels een volwaardig festival met christelijke rock, hiphop en zelfs moshpits. Een begrip in christelijk Nederland, maar ook daarbuiten.    Religiewetenschapper en antropoloog Miranda Klaver deed onderzoek naar hoe de Jongerendag door de jaren heen is veranderd.  (36:02) Afgelopen woensdag overleed de Iraans-Franse Marjane Satrapi op 56-jarige leeftijd. Zij was vooral bekend van Persepolis, de iconische zwart-wit striproman, gebaseerd op haar eigen ervaringen als jong meisje in Teheran rond de Islamitische revolutie.    We praten over Persepolis en de impact ervan met Nafiss Nia: filmmaker, dichter, en groot bewonderaar van Marjane Satrapi.    (43:57) Elke week bespreken we historische tips met afwisselend Nadia Bouras, Wim Berkelaar, Bart Funnekotter, Sanne Frequin, en Fresco Sam-Sin. Deze week is de beurt aan Sanne Frequin. Zij bespreekt twee boeken en een tentoonstelling:  Hoe dacht de middeleeuwer over de ideale date? - Cecile de Morree  Jeanne d'Arc, een waargebeurd verhaal - Edward de Maesschalck  Bellezza e Bruttezza (https://www.bozar.be/nl/kalender/bellezza-e-bruttezza) – Tentoonstelling in Bozar, Brussel    (58:04) Wie in Nederland denkt aan Brabant, denkt dan voornamelijk aan onze provincie Noord-Brabant. Met de nadruk op Noord – want die naam wijst er natuurlijk op dat er ook een veelgroter, zuidelijker deel van Brabant bestaat, in België.    Ooit vormde het samen één groot Hertogdom, maar door de verdeling over Nederland en België zijn de Brabanten aan beide zijden toch een beetje ondergeschoven kindjes geworden.    En bij onze zuiderburen nog erger dan bij ons, vindt VRT-Journalist Luc Pauwels. Hij besloot daarom een Brabants-nationalistische geschiedenis te schrijven, en dat werd het boek Het verhaal van Brabant.      (01:11:48) OVT Doc: Het probleem de wereld in, de begintijd van 'Blijf van m'n Lijf'    Het was schokkend nieuws deze week: Vier mannen zijn aangehouden in een groot onderzoek naar het drogeren en seksueel misbruiken van vrouwen.    Reden voor ons om de documentaire te herhalen die Christianne Alvarado maakte over de begintijd van de ‘Blijf van m'n lijfhuizen.' De opvanghuizen voor mishandelde vrouwen ontstonden in een tijd waarin geweld tegen vrouwen absoluut niet serieus werd genomen, zelfs niet door hulpverleners. Sinds die tijd is er veel veranderd, maar het probleem is allesbehalve verdwenen.  Meer info: https://www.vpro.nl/ovt/artikelen/ovt-7-juni-2026 (https://www.vpro.nl/ovt/artikelen/ovt-7-juni-2026)

Subscribe to our YouTube channel On our political radar this week… Donald Trump says he's getting bored with his war, doesn't care about the mid-terms … but is laser focused on what matters: his reflecting pond renovation, diverting money from national parks for his D.C. cleanup, the Arc ‘d Trump, taking over DC golf courses, the UFC version of the ancient gladiator battles to the death, and reminding us daily that he's passed a dementia screening test four times. His latest middle finger to the nation: suggesting that the Las Vegas-style Fight Club arena on what used to be the White House lawn become a permanent part of the landscape. Vegas has the Dome and Elvis Wedding chapel; the home of Presidents, if Trump has his way, will have its own dome and a massive wedding reception hall. And it's being reported that Trump is looting money from National Parks maintenance to pay for his July 4 fireworks show, the Reflecting Pool, a White House helipad and DC cleanup projects. He'll burn up 1.6-million dollars blowing up stuff on the 4th … even as he burns up billions every week blowing up stuff in Iran. In an administration populated by the absolutely worst cabinet in American history, Trump manages to lower the bar even further with the appointment of Michigander housing developer and certified Trump suck-up Bill Pulte as acting Director of National Intelligence, a job for which he has absolutely no qualifications. Actors Matt Damon and John Krasinski … a.k.a. Jason Bourne and Jack Ryan … would be more qualified. Adding the the Bad Cabinet Blues: the new director of Homeland Security, Markwayne Mullins, says as far as he's concerned following court orders is optional. Michigan Democrats are optimistic after making the case to the national party that Michigan should be in the first tier of 2028 presidential primaries. The state party has also rejected appeals related to vote counting in the April endorsement convention. Will the dispute extend to the official nominating convention in August? The state House has turned down a Republican-drafted constitutional amendment which would make all university boards and the State Board of Education gubernatorial appointed bodies instead of elected. Speaker Matt Hall didn't bother to talk with Democrats before putting the measure up for a vote. With a two-thirds vote needed to pass, it didn't come close to adoption, but could be revived for the November election. We are just 50 days away from the start of early voting in Michigan. The four races to watch: the 3-way Republican contest for the opportunity to battle Jocelyn Benson for Governor; the 3-way Democratic contest to battle Mike Rogers for the U.S. Senate; and multi-candidate Democratic primaries for Congressional seats based in Lansing and Macomb County. Speculation has begun over who may be in the running for President of Michigan State University in the wake of last week's departure of Kevin Guskiewicz. Will it be a relatively unknown academic, or a high-powered retired politician? There's precedent for both routes…although the highest profile possibility, Gretchen Whitmer, has already announced she is not interested in the gig. Republicans in Congress are starting to push back on Trump outrages – the House passing a measure to stop Trump's Middle East war, Senators stripping the one-billion-dollar subsidy for his ballroom from the DHS budget, and both chambers primed to outlaw efforts to revive the $1.8-billion slush fund for rewarding January 6 rioters and other Trump fans. It's interesting that congressional Republicans only started to show signs of life after candidate filing deadlines. Michigan Congressman Tom Barrett, who no longer faces the possibility of a primary challenge, was one of four Republicans voting this week to end the Iran War.  The political threat to non-compliant Republicans for pushing back against Great Leader comes as doubts about Trump's mental and physical health grow. His third physical examination since taking office coupled with an incomplete post-exam report on what the doctors learned, his reduced work schedule, the cankles and bruising – have increased the speculation. It sure looks like both his political and mental powers are in decline. This week's best political giggle: an AI doctored photo of Senate candidate Mike Rogers, turning his relatively fit 63-year-old body into a modern-day Charles Atlas. What the heck – it's easier than hours in the gym, or even going on Ozempic. ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️ Introducing our new podcast! Greed, Grift$ and Grab$: The Trump Crime Family Chronicles ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️ ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️ A Republic, If You Can Keep It is sponsored in part by

From New World Screwworm to federal regulatory updates, livestock health and policy issues remain top priorities for agricultural producers. This week's agriculture news includes strong crop progress across the Midwest, declining farmer sentiment tied to rising input costs, and USDA preparations following the first U.S. detection of New World Screwworm in decades. Additional stories cover EPA efforts to develop a more durable Waters of the United States rule, legal challenges surrounding atrazine standards, expanded opportunities for ARC and PLC base acres and tariff reductions on agricultural equipment. In this week's interview, Greg Brophy, a fourth-generation Colorado farmer, former state senator and board member of the Renewable Energy Farmers of America, discusses how wind and solar projects are affecting rural communities. He gives insight into how Renewable Energy Farmers of America helps producers navigate renewable energy opportunities. Stay connected with us for daily agriculture content on Instagram, TikTok, Facebook, and YouTube, along with our weekly videos!

EPISODE 722 - Andrey Medina - Screenwriter and Author - Sci-Fi storyteller who's fascinated by the questions that don't have easy answersIn this episode, Dave sits down with author and screenwriter Andrey Medina to explore how imagination, movement, and instability as a child sparked a lifelong inner world that eventually led him to science fiction. Andrey explains that he was not so much “called” to authorship as he was found by science fiction itself, discovering in it a way to imagine alternatives to reality. Influences like Tolkien and Asimov did more than shape his taste; they fundamentally shaped how he thinks about worlds, systems, and psychohistory-level questions of how reality can be simulated and reimagined.Andrey shares honest, practical advice for aspiring writers: finish something. Even a three to five page story matters, because reaching the end delivers pride and a deeper sense of catharsis as both writer and reader of your own work. He describes how completing a story can move you to tears or leave you breathless, and why that emotional climax is the best encouragement to keep going. From there, the second crucial step is to show your work to someone. Even if the reader does not fully connect, the simple fact that they speak your character's name out loud proves that someone else now carries a piece of your imagination in their mind. He also talks about setting himself a week-long challenge during Covid to write a short story every day, emphasizing that even “crappy” stories hold fragments of gold worth revisiting later.The conversation turns to craft and career. Andrey talks about mining small but powerful ideas from imperfect drafts, like a story of a boy who believes he is a robot and a father forced to deconstruct life into tiny, teachable truths. He discusses writing both for himself and for readers, consciously merging the stories he loves with clear commercial awareness, particularly in his young adult speculative dystopian thrillers. Drawing on his screenwriting background, he explains how thinking in scenes, locations, conflict, and emotional reaction shapes his novels, and how good dialogue functions as action rooted in motivation and emotional baggage.Andrey introduces his series, beginning with The Conduit Trials, featuring Ren, a sixteen year old rebel in a totalitarian regime whose botched mission leads to a death sentence and a shocking offer to become a fighter pilot for the very system she opposes. He teases themes of moral ambiguity, propaganda, and critical thinking in a world where nothing is fully right or fully wrong, and shares how recent chaotic global events helped fuel the emotional “lava” behind the story. He wants readers to be fully immersed in Ren's world while constantly asking themselves, “What would I do in her place?”He also explains how listeners can currently read The Conduit Trials as a free ARC through BookSprout, join his mailing list via a link at the end of the book, and stay updated on future installments and launches.Key takeaway: Finish something, no matter how small, and let it be seen. Completion gives you emotional proof that you are a storyteller, and every shared story, even an imperfect one, plants your imagined world in another person's mind.https://www.facebook.com/andreymedina84Send us Fan MailSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

John Zmirak. Hero Tina Peters Released from Demoncrat Gulag. The Eric Metaxas Show John Zmirak  Jun 03 2026   Today On The Eric Metaxas Show, Eric celebrates the launch of Revolution before talking with John Zmirak about the release of Tina Peters, the Colorado election official imprisoned after challenging the 2020 election narrative. They discuss election integrity, weaponized government, political persecution, January 6 defendants, the Save Act, Tina Peters's refusal to say the 2020 election was honest, and why John compares her case to the Dreyfus affair. Eric and John also discuss George Washington, providence, the retreat from Long Island, and why America's founding story still matters today. Subscribe for clips from The Eric Metaxas Show to hear politics and culture from a Christian perspective.⭐ ORDER TODAY:Revolution: The Birth of the Greatest Nation in the History of the World

──────────────────────────────────────── [00:04:00] The Trump-Netanyahu 'Steamrolled' Call Was Theater — the Same Two Guys Are Merging Their Militaries in the NDAA Knight: Trump planted the leak. Axios repeated 'steamrolled' exactly as intended; neither man pushed back, and the NDAA military merger proves neither pushes back on anything that matters. ──────────────────────────────────────── [00:25:00] Trump's 250-Foot Arch Copies the Arc de Triomphe — Built by Bonaparte to Flatter Himself After His First Victory Knight: grandiose neoclassical architecture as propaganda and intimidation is the hallmark of tyrants — Obama's style is Stalinist, Trump's is Hitlerian. ──────────────────────────────────────── [00:36:00] Trump Painted the Reflecting Pool Bright Blue — Destroying Its Purpose and Proving He Doesn't Read the Instructions A reflecting pool needs a dark base to mirror what is above it — Trump made it bright blue, creating confusion instead of reflection, exactly what he does with the constitution. ──────────────────────────────────────── [00:50:00] Tony Arterburn: Since 1980 There Is 56 Times More Currency on Earth — the Real Purchasing Power Loss Is Far Worse Than Stated Arterburn: official inflation assumes static purchasing power but money supply expansion destroys it — the true price is currency creation, never factored in. ──────────────────────────────────────── [01:00:00] Central Banks Bought 17 Tons Net of Gold in April — Even as India Liquidated $12 Billion to Cover Iran War Energy Costs Arterburn: even amid forced selloffs to cover energy shortfalls, net central bank gold buying continues — this environment is completely different from anything seen before. ──────────────────────────────────────── [01:08:00] Bill Pulte as Director of National Intelligence: Trump Is Importing Stalinist AI Weaponization Into the Intelligence Agencies Pulte used AI to ferret out dirt on Trump's enemies; Trump loved it so much he made him DNI — Knight: that screams where he wants to take domestic spying. ──────────────────────────────────────── [01:30:00] Boston Dynamics Robot Dogs Will Patrol the World Cup — Government Says They're Not Doing Facial Recognition, Just Looking for Bombs Knight: they're deploying novelty to move the Overton window — Black Mirror's 'Metalhead' predicted this, but that robot didn't dance. ──────────────────────────────────────── [01:45:00] Ted Cruz and Mike Johnson Condemn the One Republican Who Pushed Back on Pride Month — the GOP Has Fully Capitulated When a Tennessee staffer tweeted that homosexuality has no place in America, Cruz, Johnson, and George Santos attacked him — Knight: they demand celebration, not tolerance. ──────────────────────────────────────── [01:55:00] James Talarico's Pastor Had His Congregation Shout 'Villain' and 'Homophobic Jerk' at the Apostle Paul Pastor Jim Rigby at St. Andrews Presbyterian in Austin: a Lutheran church in his orbit opened prayer calling God 'drag queen and trans man' — Talarico calls Rigby the biggest influence on his life. ──────────────────────────────────────── [02:05:00] Sesame Street Runs Pride Month Content for Children — Knight: There's a Huge Difference Between Tolerating and Celebrating Knight: they don't demand tolerance — they demand celebration of rebellion against God, and they call themselves inclusive while excluding anyone who holds a Bible. ──────────────────────────────────────── Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code “KNIGHT” For high quality made in America products go to HomeSteadProducts.shop and use promo code “Knight” for 10% off your purchases Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-show Or you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.

──────────────────────────────────────── [00:04:00] The Trump-Netanyahu 'Steamrolled' Call Was Theater — the Same Two Guys Are Merging Their Militaries in the NDAA Knight: Trump planted the leak. Axios repeated 'steamrolled' exactly as intended; neither man pushed back, and the NDAA military merger proves neither pushes back on anything that matters. ──────────────────────────────────────── [00:25:00] Trump's 250-Foot Arch Copies the Arc de Triomphe — Built by Bonaparte to Flatter Himself After His First Victory Knight: grandiose neoclassical architecture as propaganda and intimidation is the hallmark of tyrants — Obama's style is Stalinist, Trump's is Hitlerian. ──────────────────────────────────────── [00:36:00] Trump Painted the Reflecting Pool Bright Blue — Destroying Its Purpose and Proving He Doesn't Read the Instructions A reflecting pool needs a dark base to mirror what is above it — Trump made it bright blue, creating confusion instead of reflection, exactly what he does with the constitution. ──────────────────────────────────────── [00:50:00] Tony Arterburn: Since 1980 There Is 56 Times More Currency on Earth — the Real Purchasing Power Loss Is Far Worse Than Stated Arterburn: official inflation assumes static purchasing power but money supply expansion destroys it — the true price is currency creation, never factored in. ──────────────────────────────────────── [01:00:00] Central Banks Bought 17 Tons Net of Gold in April — Even as India Liquidated $12 Billion to Cover Iran War Energy Costs Arterburn: even amid forced selloffs to cover energy shortfalls, net central bank gold buying continues — this environment is completely different from anything seen before. ──────────────────────────────────────── [01:08:00] Bill Pulte as Director of National Intelligence: Trump Is Importing Stalinist AI Weaponization Into the Intelligence Agencies Pulte used AI to ferret out dirt on Trump's enemies; Trump loved it so much he made him DNI — Knight: that screams where he wants to take domestic spying. ──────────────────────────────────────── [01:30:00] Boston Dynamics Robot Dogs Will Patrol the World Cup — Government Says They're Not Doing Facial Recognition, Just Looking for Bombs Knight: they're deploying novelty to move the Overton window — Black Mirror's 'Metalhead' predicted this, but that robot didn't dance. ──────────────────────────────────────── [01:45:00] Ted Cruz and Mike Johnson Condemn the One Republican Who Pushed Back on Pride Month — the GOP Has Fully Capitulated When a Tennessee staffer tweeted that homosexuality has no place in America, Cruz, Johnson, and George Santos attacked him — Knight: they demand celebration, not tolerance. ──────────────────────────────────────── [01:55:00] James Talarico's Pastor Had His Congregation Shout 'Villain' and 'Homophobic Jerk' at the Apostle Paul Pastor Jim Rigby at St. Andrews Presbyterian in Austin: a Lutheran church in his orbit opened prayer calling God 'drag queen and trans man' — Talarico calls Rigby the biggest influence on his life. ──────────────────────────────────────── [02:05:00] Sesame Street Runs Pride Month Content for Children — Knight: There's a Huge Difference Between Tolerating and Celebrating Knight: they don't demand tolerance — they demand celebration of rebellion against God, and they call themselves inclusive while excluding anyone who holds a Bible. ──────────────────────────────────────── Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code “KNIGHT” For high quality made in America products go to HomeSteadProducts.shop and use promo code “Knight” for 10% off your purchases Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-show Or you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.

"Search For Truth Lesson 79" | Pastor Hood | 6.3.26 by ARC of Carson City, NV

Join the email list to get a FREE private finger training clinic with Dr. Tyler Nelson (normally $15) www.thestruggleclimbingshow.com/strong   Support the Show on Patreon Get access to all Pro Clinics, bonus episodes, and more. https://www.patreon.com/thestruggleclimbingshow   - Elite climber Noah Wheeler explores: Specific training for Burden The dab ascent and what happened after Is Burden really V17? The change that unlocked the send Board climbing vs hang boarding Mindset tools to lock in for a send What Daniel Woods taught him  Half crimp vs full crimp  The next V17 on his list The happiness advantage - BIG THANKS TO THE AMAZING SPONSORS OF THE STRUGGLE WHO LOVE ROCK CLIMBING AS MUCH AS YOU DO: Arc'teryx: Inspired by and tested in the Coast Mountains of BC, Arc'teryx makes gear to go the distance! If you're out adventuring in the elements, Arc'teryx has got you covered. Shop their full collection at Arcteryx.com  Intentional Climber: Stop spinning your wheels. Start making real progress. Plan smarter, train harder, and stay consistent with world-class coaching plans, mindset tools, and powerful analytics built specifically for climbers. Download on Google Play or the App Store and use code STRUGGLE to unlock Kris Hampton's 6-week Stronger Fingers program. And check out ALL the show's awesome sponsors and exclusive deals at thestruggleclimbingshow.com/deals   - Shoutout to Aiden Schlatter, Michael Martin, and Kent Olmstead for supporting at the Hero level on Patreon. So mega!  - Here are some AI generated show notes (hopefully the robots got it right) 00:00 Secret App Launch 02:23 Noah Wheeler Intro 06:33 Goals and Process 11:51 Evolving Through Struggle 18:18 Board Training Origins 21:15 Board Sessions and Volume 24:05 Intentional Climber Break 26:07 Rehab and Burden Prep 31:10 The Dab and Redemption 36:24 Dab Send Debate 37:25 Grading Burden Reality 42:10 V17 Or Downgrade 43:17 New Beta Breakdown 47:12 Micro Beta Anchors 50:20 Arc'teryx Harness Spot 52:06 Nutrition Calorie Wakeup 53:08 Carbs Protein Caffeine 57:11 Tactics Trip Mistakes 59:44 Footwork Pull Away 01:02:39 Grip Strength Weakness 01:05:23 Finger Strength Metrics 01:05:59 Projecting Mindset Phases 01:09:52 Pre Send Mental Crux 01:11:36 Embodiment Tools 01:15:50 Happiness Advantage 01:19:35 What's Next Plans 01:20:53 Board Style Dreams 01:22:55 We Will Rock Vision 01:25:24 Wrap Up Bonus Plug 01:28:00 Host App Pitch 01:29:28 Climbing Reflections 01:31:59 Final Thanks Outro - Follow along on Instagram @thestruggleclimbingshow and YouTube /@thestruggleclimbingshow - The Struggle is carbon-neutral in partnership with The Honnold Foundation, whose mission is to promote solar energy for a more equitable world. - This show is produced and hosted by Ryan Devlin, and edited by Glen Walker. The Struggle is a proud member of the Plug Tone Audio Collective, a diverse group of the best, most impactful podcasts in the outdoor industry. - The struggle makes us stronger! I hope your training and climbing are going great.  - And now here are some buzzwords to help the almighty algorithm get this show in front of people who love to climb: rock climbing, rock climber, climbing, climber, bouldering, sport climbing, gym climbing, how to rock climb, donuts are amazing. Okay, whew, that's done. But hey, if you're a human that's actually reading this, and if you love this show (and love to climb) would you think about sharing this episode with a climber friend of yours? And shout it out on your socials? I'll send you a sticker for doing it. Just shoot me a message on IG – thanks so much! 

In national news, The EPA is working to get rid of diesel exhaust fluid mandates, base acre update opens for ARC and PLC programs, and USDA announces a plan to bolster cotton demand. In Federation news, FarmPAC endorses Barry Moore in the Alabama Senate race and the Women's Committee uses fashion as a fundraiser. We also have a field report and go In The Markets with Chris Prevatt.Find out more about our sponsor, Alabama Ag Credit, and also about Alabama Farmers Federation. 

Each week during the Arc of Evolution, we are surprised. Not only by the lists themselves, but also how the most popular commanders of all time have changed... or stayed the same. Come see how we were surprised this week on CCO 543 where we cover RAKDOS.Huge thank you to our sponsors, Fusion Gaming Online. They're your source for all of your gaming needs. You can find them here: www.FusionGamingOnline.com. You want a 5% discount off all of your MTG order? Head over to Fusion Gaming Online and use exclusive promo code: CCONATION at checkout.Want your deck or topic featured on Commander Cookout Podcast? Check out the reward tiers at Patreon.com/CCOPodcast. There are a lot of fun and unique benefits to pledging. Like the CCO Discord or getting your deck featured on the show.Ryan's solo podcast, Commander ad Populum:https://www.spreaker.com/show/commander-ad-populumYou can listen to CCO Podcast anywhere better podcasts are found as well as on CommanderCookout.com.Now, Hit our Theme Song!Social media:https://www.CommanderCookout.comhttps://www.Instagram.com/CommanderCookouthttps://www.Facebook.com/CCOPodcast@CCOPodcast and @CCOBrando on Twitterhttps://www.Patreon.com/CCOPodcast

Two physicians, married. Two kids with ADHD. A year of unbilled income. Then she looked at her husband and said, "I'm depressed." He said, "So am I." That's where Dr. Ali Novitsky's stress framework started. Not in a clinic. At her kitchen table, in the middle of a crisis she hadn't seen coming. She's a neonatologist turned obesity medicine specialist turned life coach, and what she's built since that moment — a one-to-ten stress scale, six individual stress types, four family stress patterns — is the language she now teaches her clients to use on the thing most of us feel but can't name. I asked her to walk me through the whole framework on the podcast, including the part where she diagnosed me live on air. What we get into: The 1–10 stress scale and how to find your own symptoms in each zone (takes about a week of paying attention) The six individual stress types — assertive, control, catastrophizing, impulsivity, validation, isolation — what each one looks like regulated, and what each one looks like under pressure Why control-type isn't a flaw, why catastrophizers are the people you actually want on your team, and why isolation types are the leaders nobody sees The four family stress patterns and how one person walking into the room can flip the whole dynamic in seconds The ARC framework — Awareness, Regulation, Communication, Connection — and why you don't need your whole family on board to start How to teach kids this language without putting them through a quiz they can't take yet Mentioned on the show: Family Stress Type Quiz (free, 3 min) — thefitkidmethod.com Individual stress type quiz  Ali's pilot Family Reset program, starts June 22! Ali on Instagram @alinovitskymd Ali's website  alinovitskymd.com Please note that some of these links my be affiliate links, which means I may get a commission at no extra cost to you. Follow along on Instagram → @wealthymommd If this episode hit, leave a review on Apple Podcasts — it's how new women find the show.

Host Scotty Sandow sits down with veteran ultrarunner and UltraRunning Magazine columnist Ian Sharman to talk about his new book, The Art of Ultrarunning. They discuss  highlights of the book including how to best pace yourself in an ultramarathon, the benefits of power-hiking, how not to let ego sabotage your race day, failure and much more. Sharman wrote The Art of Ultrarunning after years of ultrarunning and coaching experience on some of the world's biggest stages. The Art of Ultrarunning will be out in June 2026. Watch this episode on Youtube Subscribe to UltraRunning Magazine Thanks to our episode sponsor Arc'teryx  

Dr. Vincent Ryan joins Kris McGregor to discuss Sven Stolpe's The Maid of Orleans: The Life and Mysticism of Joan of Arc, exploring Joan's spiritual life, mystical mission, suffering and enduring witness as one of the most compelling saints of the Church. The post Dr. Vincent Ryan – Joan of Arc and the Maid of Orleans on Inside the Pages with Kris McGregor appeared first on Discerning Hearts Catholic Podcasts.

Willam and Alaska chat about skipping jury duty, Golden Girls wigs, and Honey Davenport snatching that IML title! Plus they ponder what would the world be like if it was Kelexis' Drag Race. Then, Chaz Dean stops by for a little Tip Spot to talk about his new line of dog beds, and the DM's are filled with salacious imagery, Joan of Arc herstory lessons, and hive mind jokes. Remember to vote YES on Maebe in California!maebeforstatesenate.comFor WEN products and all things Chaz Dean visit chazdean.comFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterRainbow Spotlight - Ass & Jeans by Morphine Love DionFOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.