Podcasts about Pablo Picasso

Pablo Picasso & Francis Bacon. Da müssen wir natürlich hin und natürlich ist man von der Wucht der Bilder ein bisschen eingeschüchtert. Sogar wir "Alte Hasen" müssen das erst einmal verdauen. Ohne Schnörkel kommt sie daher, diese Ausstellung, die schon lange im Kopf des Kurators Michael Peppiatt herumschwirrte. Gemeinsam mit Gunhild Bauer konnte das Projekt nun in der Basteihalle der Albertina unter dem Titel: "Picasso - Bacon. What it feels like to be human" realisiert werden. In dieser Ausstellungsbesprechung kommt unter anderem heraus, welcher der beiden von uns beiden favorisiert wird. Vorweg: wir kommen einander nicht in die Quere. Wir wünschen viel Spaß beim Hören der Folge und beim Besuch der Ausstellung ... Kontakt: redaktion@gieseundschweiger.at Redaktion: Alexander Giese Musik & Produktion: Matthias Jakisic Sprecherin: Sarah Scherer Cover: Markus Lettner

Paul Klee loved working in a wide variety of styles at once in his paintings: abstract, representational, runic or symbolic. His oeuvre literally contains multitudes. I recently saw a show of his late works in New York at the Jewish Museum and was amazed at how many mediums and approaches to painting were on display. This episode honors him and his radical reconsideration of Painting with a side detour on Magritte. Come along for a wild ride!Klee works mentioned: Around the Fish 1926, Suffering Fruit 1934, Struck from the List 1933, This Star Teaches Bending 1940, Angel, Still Female 1939, Drinking Companion 1931Magritte works mentioned: Le Stropiat (version 1 and 2-both 1948), Jean-Marie 1948, A Stroke of Luck 1948, Seasickness 1948, The Famine 1948, The Pictorial Content 1948Host note: “The Famine” cheekily referenced the characters in a popular French comic series of the day called Adventures of the Pieds Nickelés (nickel plated feet)* created by Louis Forton and told the story of 3 bumbling and good for nothing criminals who constantly fail at their mission. *a French term for lazy slackersSee more: https://en.wikipedia.org/wiki/Les_Pieds_Nickel%C3%A9sArtists mentioned: Paul Klee, Hilma af Klint, Agnes Martin, Giorgio Morandi, Hannah Wilke, René Magritte, Pablo Picasso, Emil Nolde, Wassily Kandinsky, Henri Rousseau, Ludwig Meidner, Richard Seewald, Oskar Kokoschka, Henri Matisse, Giorgio de Chirico, Gerhard Richter, Pierre-Auguste Renoir, André Breton, Diego Velázquez (Las Meninas 1656)Writers mentioned: Ralph Waldo Emerson, Sarah Gottesman, Charles W. Haxthausen, Wilhelm Hausenstein, Louis Scutenaire, George Kubler, Michael FoucaultLinks:Paul Klee: Other Possible Worlds exhibit at the Jewish Museum 2026https://thejewishmuseum.org/exhibitions/paul-klee-other-possible-worlds/Paul Klee's Bauhaus Assignments: https://www.artsy.net/article/artsy-editorial-how-to-be-an-artist-according-to-paul-kleePicasso's Return to Order Period: https://theculturalcritic.com/picassos-conflict-how-the-great-war-caused-him-to-radically-change-his-style/Magritte's Vache Period: https://www.artsy.net/article/artsy-editorial-9-times-historys-greatest-artists-made-bad-artworkshttps://www.tate.org.uk/tate-etc/issue-11-autumn-2007/ill-find-way-slip-great-big-incongruity-time-timehttps://www.moma.org/artists/3692-rene-magritteHannah Wilke's Flower Series:https://www.marcselwynfineart.com/exhibitions/hannah-wilke2#tab:thumbnails;tab-1:slideshowFoucault's essay "The Order of Things" (Les Mots et les Choses) on Velázquez and Klee:https://monoskop.org/images/a/a2/Foucault_Michel_The_Order_of_Things_1994.pdfMore on Charles W. "Mark" Haxthausen's paper: Paul Klee, Wilhelm Hausenstein, and the “Problem of Style” (2014)Watch: https://www.ias.edu/ideas/2014/haxthausen-klee-videoRead: https://www.academia.edu/6541479/Paul_Klee_Wilhelm_Hausenstein_and_the_Problem_of_Style_publication_Paul Klee books:Paul Klee: Other Possible Worlds by Mason Klein, Senior Curator at The Jewish MuseumPaul Klee: Life and Work by Michael Baumgartner, Christine Hopfengart, Fabienne Eggelhöfer, Osama OkudaAmy's Solo exhibition in Los Angeles (Atwater Village)"The Weight of Colors" at The Middle Room3229 Glendale Blvd, Los Angeles, CAOct 24-Nov 22, 2026Reception, Sat Oct 24 6-8 and Artist Talk, Sun Oct 25 1-3Come on out, y'all!https://www.themiddleroomgallery.com/exhibitionsThank you, Peps Listeners!All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.peptalksforartists.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

La marinière est aujourd'hui l'un des vêtements les plus immédiatement associés à la France. Pourtant, à l'origine, elle n'a rien d'un accessoire de mode : c'est avant tout un vêtement de travail de marin.Les vêtements rayés sont utilisés depuis longtemps par les populations maritimes européennes. Mais en France, la marinière telle qu'on la connaît est officiellement intégrée à l'uniforme de la Marine nationale au XIXe siècle.Un décret du 27 mars 1858 réglemente précisément le « tricot rayé » porté par les matelots. Il doit être composé de bandes horizontales blanches et bleu indigo. Sur le torse, le règlement prévoit notamment 21 bandes blanches, plus larges, séparées par des bandes bleues plus fines.Une légende très répandue affirme que ces 21 bandes représenteraient les 21 victoires navales ou militaires de Napoléon. Cette explication est séduisante, mais elle ne repose sur aucune preuve historique sérieuse. Le nombre de rayures semble surtout découler des dimensions et des proportions imposées par le règlement militaire.Pourquoi avoir choisi des rayures ?Une explication souvent avancée est qu'elles permettaient de repérer plus facilement un marin tombé à la mer. C'est possible, mais là encore, les sources historiques ne permettent pas d'affirmer que ce fut la raison principale. Les rayures avaient surtout l'avantage de produire un uniforme reconnaissable et relativement simple à fabriquer.À l'époque, la marinière est donc un sous-vêtement ou un vêtement de travail, associé aux matelots plutôt qu'aux officiers. Rien ne la prédestine encore à devenir un symbole d'élégance.Le changement se produit au début du XXe siècle. Vers 1913, Coco Chanel s'inspire des vêtements des marins qu'elle observe notamment sur les côtes normandes. Elle introduit les rayures dans ses collections et contribue à transformer ce vêtement populaire en pièce de mode.La marinière quitte alors progressivement les ponts des navires pour entrer dans les garde-robes civiles.Après la Seconde Guerre mondiale, elle est adoptée par de nombreuses personnalités, notamment Pablo Picasso, qui contribue fortement à son image artistique et bohème. Plus tard, des créateurs comme Jean Paul Gaultier en feront l'un des symboles les plus reconnaissables de la mode française.Ainsi, la marinière raconte une étonnante ascension sociale : née comme uniforme réglementaire de marin au XIXe siècle, elle est devenue en un siècle et demi une véritable icône de la culture française, reconnaissable presque partout dans le monde. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Surrealizm kojarzy się głównie z pokręconymi, sennymi wizjami, ale był też jednym z najbardziej wywrotowych i zaangażowanych politycznie ruchów XX wieku.

In this episode of Exploring Art Podcast, Tyler, Elijah, and Alejandro dive into Pablo Picasso's Les Demoiselles d'Avignon, a painting that challenged traditional ideas of beauty and changed the direction of modern art. We explore why Picasso kept the painting hidden for nearly a decade, how African masks and Iberian sculpture influenced its creation, and whether his use of these artistic traditions represents inspiration or exploitation. Through discussions of beauty, ugliness, and the viewer's relationship with art, we question whether something can be considered beautiful precisely because it makes us uncomfortable. We also examine how the changing world between 1907 and 1916 may have influenced the painting's reception. Join us as we ask whether Picasso's masterpiece was truly ahead of its time or whether the world simply needed time to understand it.

In this episode, we take a dive into Pablo Picasso's controversial 1907 painting, Les Demoiselles d'Avignon. Our group analyzes the visual shift from realism and traditional art and shows our reactions to the geometry and aesthetic. By not only looking at the canvas but researching the painting we decide whether we would create or appreciate this art. We also talk about the way that people perceive art is different from others so not everyone will appreciate this kind of art, especially not back in 1907. Tune into our podcast for an open discussion on how a painting broke "artistic rules" and divides opinions on art even to this day.

In this episode, we explore Pablo Picasso's Les Demoiselles d'Avignon and how it challenged traditional ideas about art and beauty. We discuss why the painting was considered so shocking and how its unusual figures and distorted forms helped change modern art. We also examine the influence of African art and the questions it raises about culture and artistic inspiration. Along the way, we consider whether something has to be visually beautiful to be considered great art. Join us as we look at how one controversial painting helped change the way people think about beauty, creativity, and artistic expression.

Chiara Borgaro"Gliacrobati"E&U Il progetto espositivo nato dalla collaborazione con le berlinesi Galerie Kremers e Galerie ART CRU Berlin In esposizione opere di Kevin Coyne, Jude Griebel, Gregor Hiltner, Michael Koch, Juan Logan, Lucebert, Fabrizio Molinario, Nelson Pernisco, Pablo Picasso, Evelyne Postic, Christian Rösner, Antoni Tàpies, Horst Wäßle, Reiner ZittaÈ stato inaugurato a Gliacrobati (via Ornato 4, Torino), E&U, il progetto espositivo nato dalla collaborazione tra la galleria torinese e le berlinesi Galerie Kremers e Galerie ART CRU Berlin. Al vernissage erano presenti anche gli artisti Gregor Hiltner e Fabrizio Molinario. La mostra, che sarà visitabile fino all'1 novembre, è stata realizzata con il sostegno di Fondazione CRT e con il patrocinio di Regione Piemonte, Consiglio Regionale del Piemonte, Città metropolitana di Torino, Città di Torino e Circoscrizione 8. Che cosa viene considerato mainstream e cosa outsider? Chi lo decide e perchè? Il titolo E&U riprende la distinzione tedesca tra E-Musik e U-Musik, con cui si distingue tra musica “colta” e di “intrattenimento” e che, applicata alle arti visive, diventa il punto di partenza per riflettere sui criteri con cui il sistema dell'arte separa le opere mainstream da quelle outsider. Nata dall'incontro tra Galerie Kremers, che rappresenta artisti riconosciuti a livello internazionale, e Galerie ART CRU Berlin, l'unica galleria della capitale tedesca focalizzata sulle opere di persone con esperienza psichiatrica, disabilità intellettiva e artisti e artiste autodidatti, E&U gioca con i confini tra la cosiddetta arte colta e l'Outsider Art, tra formazione accademica ed espressione autodidatta. “Partecipare a questo progetto significa, per noi, prendere pienamente parte al più ampio processo attraverso cui il sistema dell'arte costruisce, attribuisce e legittima il valore”, dichiarano Chiara Borgaro e Greta Zambonin, presidente e vicepresidente de Gliacrobati: “L'esposizione invita il pubblico a considerare le categorie artistiche come strumenti interpretativi, e non come definizioni impermeabili e immutabili. E&U non intende dunque spingere il pubblico a chiedersi cosa appartenga all'una o all'altra categoria, quanto piuttosto a mettere in discussione le categorie stesse: le definizioni, ma soprattutto i processi, le convenzioni e le riflessioni che ne determinano la costruzione. Il progetto si concentra non tanto sui confini, quanto più sui meccanismi attraverso cui questi vengono tracciati, riconosciuti e continuamente ridefiniti. Perché ogni margine esiste solo in relazione a un centro, e ogni centro è destinato, nel tempo, a ridefinirsi. La collaborazione tra Gliacrobati, Galerie Kremers e Galerie ART CRU Berlin nasce in occasione della prima edizione del progetto, nel 2025, e si concretizza nella partecipazione dell'artista Fabrizio Molinario alla mostra berlinese. Come nelle precedenti edizioni, anche nel capitolo torinese le opere degli artisti rappresentati dalle diverse gallerie sono presentate indistintamente, senza che ne venga esplicitata la provenienza. L'intento è quello di disorientare lo sguardo, sottraendo all'osservatore le consuete coordinate attraverso cui attribuire all'opera un'origine e un valore, e di far emergere, al contrario, i punti di contatto tra ciò che viene comunemente ricondotto all'arte contemporanea istituzionale e ciò che appartiene invece al campo dell'Outsider Art. L'espressione “Outsider Art”, nata come ampliamento del concetto di “Art Brut” elaborato dall'artista francese Jean Dubuffet, e introdotta da Roger Cardinal negli anni Settanta, nel tempo ha progressivamente assunto significati sempre più ampi, fino a comprendere esperienze artistiche molto eterogenee. Più che designare un insieme definito di pratiche, oggi la nozione di Outsider Art continua a interrogare il rapporto tra centro e margine, tra inclusione ed esclusione, mostrando come tali confini siano tutt'altro che fissi. In esposizioneMary T. Bevlock, Kevin Coyne, Darédo, Solweig De Barry, Jude Griebel, Gregor Hiltner, Michael Koch, María Lapastora, Robert Linke, Juan Logan, Lucebert, Natascha Mann, Fabrizio Molinario, Marita Müller, Carlos del Toro Orihuela, Nelson Pernisco, Pablo Picasso, Evelyne Postic, Christian Rösner, Alexandra Rothausen, Volkmar Schulz-Rumpold, Howard Sherman, Antoni Tàpies, Ongun Tomar, Horst Wäßle, Reiner Zitta. L'ingresso è libero e gratuito.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Lalkar writers | 1 July 2026 What did the Nazis' eugenicist-in-chief have to do with the fabricated Katyn massacre evidence that is still being circulated by western media today? Imperialism's lust for war knows no bounds, nor do its efforts to cover up its endless string of atrocities and war crimes. Pablo Picasso's ‘Massacre in Korea' condemned US atrocities in the Korean war. Yet Nazi war crimes in WW2 are still being covered up – no longer by a dying German fascist regime but by US imperialism and its European partners. Whether openly fascist or supposedly ‘democratic', there is no lie the imperialists would not tell in order to besmirch communism and keep the masses away from its liberating influence. ------------------------------------ Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

"They beat the dog shit out of Hungary." JuJu has a Thursday Thunder for Thursday Night Football, some big-time show awards, and a Gasbag of the Week. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sarah and Kelli talk to Max from Below Deck Med Seasons 8, 10 and 11. Topics include: a fleet of boats in the South of France, hypnosis, meeting Grant Cardone, balancing spiritual pursuits and business, his thoughts when he got the texts from his father, a manipulative woman, a money laundering scheme, 90-Day Fiance situation, hiring a guide in Tunisia, old cars, the rescue mission, a tiny dog, being kidnapped in Morocco, dealing with the French Embassy, his relationship with his father today, a friend of Pablo Picasso, hooking up with Lily, his relationship with Cathy, who he would have been loyal to - Joe or Nathan, a yacht trip giveaway and a boat tour. Grab your machete - a new episode of Above Deck is out now! Follow us on Instagram: @abovedeckpod   Get in touch: abovedeckpod@gmail.com Get ya some Above Deck MERCH! hurrdatmedia.hurrdatbrandgoods.com/page/above-deck Bonus episodes on Patreon: patreon.com/cw/AboveDeckPodcast  Please subscribe on Apple Podcasts, Spotify or wherever you get your podcasts, and tell a friend!  Resources: instagram.com/maximilien_salvador instagram.com/yacht4all_draw yachts4all.com/password This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Voilà qui peut sembler étonnant. Pablo Picasso a vécu l'essentiel de sa vie en France. Il s'installe définitivement à Paris au début du XXe siècle, y réalise une grande partie de son œuvre et meurt dans le sud de la France en 1973. Pourtant, il n'a jamais obtenu la nationalité française.Et le plus surprenant, c'est qu'il l'a bel et bien demandée.Picasso naît en Espagne, à Malaga, en 1881. Il arrive pour la première fois à Paris en 1900. Mais très rapidement, la police française commence à s'intéresser à lui.Pourquoi ? Parce que le jeune peintre fréquente des Espagnols proches des milieux anarchistes. À cette époque, l'anarchisme inquiète énormément les autorités françaises, notamment après plusieurs attentats commis en Europe.Dès 1901, Picasso fait donc l'objet d'un rapport de police. On le soupçonne lui-même d'être anarchiste, alors qu'aucune preuve sérieuse ne permet de l'établir.Et ce vieux dossier va avoir des conséquences près de quarante ans plus tard.En 1936 éclate la guerre civile espagnole. Picasso prend clairement position contre le général Franco et soutient les républicains. L'année suivante, il peint d'ailleurs l'une de ses œuvres les plus célèbres : Guernica, en réaction au bombardement de cette ville espagnole.Puis, en 1940, alors que la Seconde Guerre mondiale vient de commencer, Picasso décide de demander officiellement la nationalité française.À ce moment-là, il est pourtant déjà mondialement connu. Mais cela ne suffit pas.Les autorités ressortent son ancien dossier de police. Elles rappellent ses supposées sympathies anarchistes et son soutien aux républicains espagnols. Un rapport des Renseignements généraux le présente comme politiquement suspect.Résultat : sa demande de naturalisation n'aboutit pas.Après la guerre, la situation change complètement. Picasso devient l'un des artistes les plus célèbres au monde. Il adhère au Parti communiste français et continue à vivre en France.Il aurait alors probablement pu tenter une nouvelle demande de naturalisation.Mais il ne le fera jamais.Le refus de 1940 semble avoir laissé des traces. Et Picasso, désormais installé et reconnu internationalement, n'avait plus vraiment besoin de devenir français.Il restera donc espagnol jusqu'à sa mort en 1973.Une situation assez paradoxale : l'un des artistes les plus célèbres de l'histoire culturelle française a passé plus de soixante-dix ans en France… sans jamais en avoir la nationalité. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Get ready for instant karma in Philadelphia and a 21-year miracle in the plumbing. Episode 1096 brings you bizarre, heartwarming, and hilarious true stories from across the map, courtesy of Scot Combs and Tony Verkinnes.Episode Chapters0:00 - Intro: Philly Fans, Cheesesteaks, and the Right Bread1:55 - Kitten Rescued from a Honda Grille in Iowa4:50 - Chucky Mask Prankster Messes with the Wrong Woman8:55 - Flushed Engagement Ring Found 21 Years Later11:25 - Stolen Picasso Masterpiece Discovered in a Vacant ApartmentAbout This EpisodeReality is officially stranger than fiction this week. We kick things off in Ames, Iowa, where a tiny kitten named Fika survives a sweltering ride stuck behind a car's front grille. A local towing company completely dismantles the front end for the rescue, resulting in an adorable adoption plot twist.Then, we head to Philadelphia to witness a masked street prankster learn a highly physical lesson. Seeking cheap internet clout by jump-scaring strangers in a creepy Chucky doll mask, he targets a woman trained in stage combat. She skips the screaming, accepts his invitation to throw down, and delivers a perfectly placed front kick right to his chest.In the second half, we cover an unbelievable long-haul mystery. Two decades after a bride-to-be accidentally flushed her diamond engagement ring down the toilet, a routine bathroom replacement by her mother-in-law uncovers the lost treasure hidden deep in the plumbing trap. Finally, we break down the miraculous recovery of Torero, a rare Pablo Picasso etching stolen in 2018. The $50,000 masterpiece was found quietly abandoned in an evicted tenant's dusty apartment by a landlord doing chores.Connect with the ShowGot a bizarre true story to share, or just want to tell us we're ugly and our mothers dress us funny? Email us at TITR@netradio.network.If you enjoy instant karma as much as Scot enjoys a good sandwich with proper bread, please hit like, leave a comment, and subscribe for more completely true news.

durée : 00:34:26 - Les Nuits de France Culture - par : Albane Penaranda - En 1943, Françoise Gilot, peintre, rencontre Pablo Picasso et devient sa compagne de 1944 à 1953. La proximité du démiurge ne l'intimide pas et elle continue à créer de son côté. Elle le quittera avant qu'il ne la quitte et poursuivra sa carrière d'artiste peintre. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA, Laurence Jennepin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Si Pablo Picasso a résidé en France de 1901 à 1973, il n'a jamais obtenu la nationalité française. Mais ce n'est pas faute d'avoir essayé... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En este episodio continuamos el relato por uno de los momentos más dramáticos y universales del siglo XX: la Guerra Civil Española. Empezamos por la llegada de las Brigadas Internacionales,mientras las potencias del Eje transformaban el territorio peninsular en el laboratorio bélico de la Segunda Guerra Mundial. Caminamos de la mano de escritores como Federico García Lorca, Miguel Hernández y Antonio Machado, cuya palabra y destino encarnaron la tragedia del conflicto que partió España. Finalmente, analizamos el inmenso éxodo republicano —con México como faro de hospitalidad bajo el liderazgo de Lázaro Cárdenas—, las cuatro décadas de dictadura franquista, la efervescencia cultural del destape y el reto pendiente de una memoria histórica que, noventa años después, reclama el diálogo y la palabra para sanar. Notas del episodio Las Brigadas Internacionales y el Quinto Regimiento: La movilización solidaria de miles de voluntarios, intelectuales y artistas de diversas latitudes que viajaron a España para respaldar el proyecto republicano frente al golpe militar. Federico García Lorca y el eco de los poetas: El impacto del asesinato de García Lorca en Granada y la resonancia universal de obras como las de César Vallejo (España, aparta de mí este cáliz), Pablo Neruda (España en el corazón), Rafael Alberti y Antonio Machado. Guernica y el laboratorio de la Segunda Guerra Mundial: La devastación de la población civil mediante los bombardeos aéreos de la Legión Cóndor nazi y la aviación fascista italiana, inmortalizada en el lienzo de Pablo Picasso. El exilio republicano y la acogida en México: La política solidaria del presidente Lázaro Cárdenas, la travesía de los Niños de Morelia y el impulso formativo, artístico y cinematográfico que aportaron figuras como Luis Buñuel, Remedios Varo y cientos de académicos al continente. La filmografía de la memoria: Desde el clásico documental Morir en Madrid de Frédéric Rossif, pasando por Las bicicletas son para el verano, La lengua de las mariposas y El laberinto del fauno, hasta Madres paralelas de Pedro Almodóvar. Del franquismo a la transición y las autonomías: Las cuatro décadas de autarquía, represión y censura moral, seguidas de la explosión cultural de La Movida y el reconocimiento de las identidades de Cataluña, el País Vasco y Galicia tras 1975. Sigue mis proyectos en otros lugares:  YouTube ➔ youtube.com/@DianaUribefm  Instagram ➔ instagram.com/dianauribe.fm Facebook ➔ facebook.com/dianauribe.fm Sitio web ➔ dianauribe.fm Twitter ➔ x.com/DianaUribefm  LinkedIn ➔ www.linkedin.com/in/diana-uribe    Gracias de nuevo a nuestra comunidad de patreon por apoyar la producción de este episodio. Si quieres unirte, visita www.dianauribe.fm/comunidad  

We're talking collage! Jennifer Coates joins me in a quest to get to the heart of why collage is such a powerful generator in the studio. We also take a look at 2 artists who used collage in different ways: Lee Krasner and Jess. Krasner used collage at certain key moments to bridge bodies of work, and Jess used collage as his main ecstatic medium spanning more than 4 decades of his output. As Krasner teaches us: "Knife or scissors...no tear! "Works by Lee Krasner mentioned: Seated Figure 1938-9; Milkweed, Stretched Yellow, Desert Moon, Bird Talk, Blue Level (all 1955); Imperfect Indicative 1976 (Visit Kasmin Gallery for images)Works by Jess mentioned: Blasted Beauty 1954, The Translations series, Paste-Ups series, Assemblies series, Necrofacts series, Salvages series, Narkissos series 1976-1991, The Unentitled Graces 1978, Dyslecstasy 1991 (See all of his works at https://jesscollins.org/)Glue Tawk™: Jennifer prefers Matte Medium and Amy agrees but suggests using UHU stick for thin papersLinks to watch/listen:⁠James Kalm Report⁠ on the Outsider Art Fair⁠Recording Artists: Radical Women Podcast:⁠ "Deal With It" on Lee Krasner⁠Inside New York's Art World ⁠1978 interview by Barbara Lee Diamondstein Spielvogel with Lee KrasnerProto-collage and assemblage objects & installations: Opificio delle Pietre Dure - Florence, Limoges Casket/Reliquary 13th c, Musée des Beaux-Arts de Lille, Capuchin Crypt under Santa Maria della Concezione dei Cappuccini, Rome, Shell Grotto, Margate, Kent, Paper lace valentines of the Victorian era, Wishing Trees of CornwallArtists mentioned: Hannah Hoch, Lee Krasner, Jess, Artists of the DADA movement, Georges Braque, Pablo Picasso, Wangechi Mutu, Mark Bradford, Chris Martin, Thomas Lanigan-Schmidt, Henri Matisse, Hans Hoffman, Piet Mondrian, Illuminators of the Book of Kells, Anne Ryan, Paul Klee, Amy Sillman, Lari Pittman, Marcel Duchamp, Clyfford Still, Hieronymus Bosch, Joseph Cornell, Andrea Burgay, Max-o-matic, Richard Diebenkorn, Robert Motherwell, Henri Matisse, Max Ernst, Kurt Schwitters, Grete SternWriters mentioned: Art Reporter and Critic: Stuart Preston; Poets: Robert Duncan and John Ashbery; Gail Levin; Charles Baudelaire; Edgar Allen PoeOur Book Nook (incl Collage Resources): Kolaj Magazine and online collage artist directoryThe Weird Show online survey of contemporary collageCut Me Up Magazine "Waste Not Want Not: An Inquiry into What Women Saved and Assembled—FEMMAGE" Essay by Miriam Schapiro and Melissa MeyerLee Krasner: A Biography by Gail LevinJess: To and From the Printed Page by JessFragmentary Forms: A New History of Collage by Freya GowrleyCollage by Women: 50 Essential Contemporary Artists by Rebeka Elizegi and Blanca OrtigaCutting Edges: Contemporary Collage published by GestaltenCollage: Assembling Contemporary Art edited by Anthony DowneyRobert Motherwell: Early Collages by Robert Motherwell, Susan Davidson, Megan Fontanella, Brandon Taylor, Jeffrey WardaFind my guest, Jennifer Coates, online:See her recent exhibition "Aniline Sky" at 1053 GalleryHer instagram: @jennifercoates666Thank you, Jennifer! Thank you, Peps Listeners!All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.peptalksforartists.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

This week on SNAFU - it's the most exciting Story Reveals and narrative twists from Season 4 - Like the story of the Azores Glider with Adam Scott where we heard the tale of Robert Piche and the incredible tactics he used to save an entire plane of passengers as they ran out of fuel over the Atlantic Ocean. Or Sophia Bush’s reaction to the revelation that Pablo Picasso might have been involved in an art heist of The Mona Lisa?? Or Jon Lovett’s hilarious Survivor-adjacent ruminations on the tragic tale of the Donner Party? It’s a massive episode filled to the brim with all my favorite “SNAFU Story Reveals and Twists”See omnystudio.com/listener for privacy information.

Anna Davlantes, WGN Radio's investigative correspondent, joins Bob Sirott to share what happened this week in Chicago history. Stories include the unveiling of Pablo Picasso's masterpiece sculpture, ‘Soul Train’ hitting the airwaves, and a rendition of “Take Me Out To The Ballgame,” Chicagoans will never forget.

FROM ROLLING STONE: Jonathan Richman moved from Boston to New York as a teenager in hopes of sleeping on Lou Reed's couch. That influence shows on the two-chord anthem “Roadrunner.” Recorded in 1972 but not released until 1976, Lovers turned the tough sounds of the Velvets into an ode to suburban romanticism. “Rock & roll was about stuff that was natural,” Richman said. “I wasn't about drugs and space.” Songs like “Pablo Picasso,” “Girl Friend,” and “Dignified and Old” touched generations of punk and indie-rock innocents. Note From Rob: Some of the audio for the sfx and music sucks because my computer sucks. How can a MacBook bought this year not handle RECORDING A PODCAST? I am too lazy to fix it all, and the music is not that great anyway. 

Several investors have filed a lawsuit against Selena Gomez, her mother Mandy Teefey, and others involved with the mental health startup Wondermind, alleging they were misled about the company's prospects, finances, and Gomez's role in building the business. A Landlord Was Cleaning Out a Vacant Apartment, Then He Found a Lost Picasso. What began as a routine cleanup of a trashed Milwaukee apartment ended with the recovery of a Pablo Picasso print that had been missing for eight years. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Several investors have filed a lawsuit against Selena Gomez, her mother Mandy Teefey, and others involved with the mental health startup Wondermind, alleging they were misled about the company's prospects, finances, and Gomez's role in building the business. A Landlord Was Cleaning Out a Vacant Apartment, Then He Found a Lost Picasso. What began as a routine cleanup of a trashed Milwaukee apartment ended with the recovery of a Pablo Picasso print that had been missing for eight years. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Every child is an artist. The problem is how to remain an artist once he grows up. –Pablo Picasso Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

L'émission 28 minutes du 05/08/2026 Retour en BD sur les émeutes de Nanterre   Le journaliste Feurat Alani est l'auteur de la bande dessinée “Nanterre avant l'orage”, illustrée par Ulysse Gry aux éditions Steinkis. À travers son regard de témoin intérieur, il revient sur le quartier Pablo-Picasso de Nanterre, bouleversé par le meurtre par un policier, de Nahel, 17 ans, le 27 juin 2023. Au-delà des images de violences largement relayées par les médias, l'ouvrage donne la parole aux habitants et met en lumière leurs histoires, leurs élans de solidarité et leur quotidien. Un récit qui dévoile les visages et les voix d'un quartier.  États-Unis: pourquoi la première puissance militaire du monde ne gagne plus ses guerres ?   Malgré un budget de défense record de 1 050 milliards de dollars prévu pour 2027, en hausse de 20 % par rapport à 2025, les États-Unis peinent à imposer leur puissance militaire. Habitués à mener des guerres loin de leur territoire, le pays se heurte aujourd'hui à des difficultés d'approvisionnement. Pour “CNN” et “The New York Times”, la diminution des stocks de missiles Patriot aurait contribué à l'accalmie des frappes américaines en Iran. Si le pays conserve une supériorité militaire écrasante, notamment grâce à ses quelque 5 000 armes nucléaires, elle ne suffit plus à atteindre les objectifs fixés.  On en débat avec Alexandra Schwartzbrod, directrice adjointe à la rédaction de “Libération”, Didier Gros, chercheur à la Fondation pour la Recherche Stratégique, spécialiste de la politique de défense américaine et ancien attaché militaire à Washington, et Jérôme Viala-Gaudefroy, docteur en civilisation américaine et professeur à Sciences Po Paris. Isadora Dartial nous emmène en Lettonie pour la fête des cimetières. Cette journée singulière ne vise pas tant à pleurer les défunts qu'à célébrer la vie et les retrouvailles. Théophile Cossa nous explique comment fonctionne le refroidissement des centrales nucléaires.  28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 5 août 2026 Présentation Jean-Mathieu Pernin Production KM, ARTE Radio

Durante más de dos años, la obra de arte más famosa del mundo estuvo escondida en el dormitorio de un hombre que no sabía muy bien qué hacer con ella. Lo verdaderamente extraño es que, antes de desaparecer, la Mona Lisa ni siquiera era la pintura más célebre del Louvre. Se convirtió en un fenómeno mundial cuando dejó de estar allí. El 21 de agosto de 1911, Vincenzo Peruggia, un trabajador italiano que había realizado labores en el museo, descolgó el cuadro, lo sacó del edificio y lo ocultó en su apartamento de París. La noticia recorrió el mundo; los periódicos reprodujeron aquel rostro enigmático una y otra vez, la policía interrogó incluso a Pablo Picasso y miles de personas acudieron al Louvre, no para contemplar una obra maestra, sino para mirar el espacio vacío que había dejado en la pared. El museo había perdido un cuadro y, sin proponérselo, había creado una celebridad. Cuando la pintura regresó en 1914, ya no volvió como una obra más de Leonardo da Vinci. Regresó convertida en la Mona Lisa: un icono internacional cuya ausencia había despertado más curiosidad que siglos enteros de presencia silenciosa. Es una historia sobre arte, pero también sobre atención. Las personas rara vez sentimos curiosidad por aquello que está completamente explicado; nos atraen los huecos, las contradicciones y las piezas que no encajan. Una puerta cerrada genera más conversación que una habitación abierta, y una pared vacía puede resultar más fascinante que el cuadro que antes colgaba de ella. Los mercados funcionan de una manera parecida, aunque con menos mármol y bastante más ansiedad. Cada semana recibimos una avalancha de titulares, cifras y explicaciones aparentemente definitivas. Varias empresas pueden contar una historia casi idéntica, utilizar las mismas palabras y prometer el mismo futuro, pero terminar la sesión bursátil en direcciones opuestas. La diferencia decisiva suele encontrarse en aquello que no aparece en el titular: una cifra ausente, una promesa que todavía no se ha convertido en prueba, un riesgo que parecía pequeño hasta que alguien necesitó vender o una contradicción que el consenso había decidido ignorar porque estaba demasiado ocupado contemplando el cuadro. Por eso, el episodio de esta semana de **Actualidad Semanal +D** no es una lista de noticias ni una excursión guiada por los movimientos del mercado. Es una búsqueda de esas paredes vacías: los detalles que explican por qué compañías que parecían participar en la misma historia recibieron veredictos radicalmente distintos, cómo alguien puede comprender el futuro y, aun así, no sobrevivir al presente, y por qué el mercado suele cambiar de opinión justo cuando todos creen haber entendido sus reglas. Porque la curiosidad financiera no consiste en saber qué ha sucedido. Consiste en detectar qué falta en la explicación que todo el mundo ha aceptado. El nuevo episodio ya está disponible. Procurad no mirar únicamente el cuadro.

The art market is a famously opaque place, a world of handshake agreements and big-dollar private deals. How does it actually operate, and how has it changed over the centuries? In a richly researched new book titled Trading Beauty: Art Market Histories from the Altar to the Gallery, Valentina Castellani provides surprising answers, drawing on a long and storied career in the industry. She's worked at Sotheby's and Gagosian, where she helped organize landmark exhibitions devoted to Pablo Picasso and Piero Manzoni. Now, she's an adjunct professor at New York University's Steinhardt School, where she teaches a class about the art market. Castellani's book, which is published by Gagosian, reveals how popes, aristocrats, plucky entrepreneurs, and brave true believers developed new ways of commissioning, funding, and selling art, from medieval frescoes to avant-garde conceptual pieces. It's a wild ride, and it spans some 1,500 years. She joined Andrew Russeth on The Art Angle to delve into her findings. During our conversation, she uncorked stories about maverick dealers and patrons, the undersung role of women in this narrative, and the ways that artists have cannily enticed the market across time. Perhaps most importantly, she makes the case that the art market's relevance extends far beyond money.

Pianiste mais aussi mécène, femme de salon, véritable égérie de la Belle Epoque, la plus célèbre des Polonaises après Marie Curie aura marqué son temps.Paris, fin du 19ème siècle. Dans le quartier chic de la Plaine Monceau, une femme règne en maîtresse sur le monde des arts et des lettres : Misia Sert. Née dans la tourmente, elle va devenir la confidente des plus grands artistes de son époque, de Marcel Proust à Pablo Picasso en passant par Chanel. Témoin privilégié d'un monde en pleine effervescence créative, elle va tisser un réseau d'amitiés et de mécénats qui fera d'elle une figure incontournable de la vie parisienne. Mais derrière le faste et les honneurs se cache aussi le destin tragique d'une femme ballottée par les aléas de l'histoire. Franck Ferrand vous plonge dans l'incroyable destin de cette personnalité hors du commun, véritable incarnation de l'âme de la Belle Époque. De ses origines tourmentées aux fastes de sa vie parisienne, en passant par son rôle de mécène et de soutien pour les artistes de son temps, vous découvrirez l'extraordinaire parcours de celle que l'on surnomma la « Reine de Paris ». Une histoire captivante qui vous fera revivre les heures les plus brillantes et les plus sombres de ce début de 20ème siècle.Alors n'hésitez pas, rejoignez-nous pour ce portrait passionnant d'une figure emblématique de l'histoire culturelle de la France !Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Interview with Bob Bert drummer from Sonic Youth, Pussy Galore, and Lydia Lunch!   After seeing the Beatles on The Ed Sullivan show as an eight-year-old, he took drum lessons for one year at age twelve and learned enough to bang along to the Rolling Stones and garage-punk nuggets of the 60's (Cue up the Barbarians' "Are You A Boy Or Are You A Girl"). Bob became desperate to get out of the hell of his Catholic grade school. “In my town, which was 11 miles outside New York City, we had two types of kids, the rah rahs (jocks) and the hoods (greasers).   The hoods were mainly in the public school, and I gravitated towards the hoods mainly for the style; black leather jackets and girls that looked like the Shangri-Las and the Ronettes. I told my mom I would drop out if she didn't take me out of Catholic School!” One day Bob got called out of class by the principal who slapped his face back and forth saying "why would you ever want to go to public school?!”. (cue up "Mississippi Queen,” Quaalude Interlude", and "Oink Oink"). In high school Bob drifted away from drumming and headed towards Pop Art, Andy Warhol being a big influence. He got into Glam Rock hitting the NYC clubs to see the New York Dolls, Harlots of 42nd Street, Wayne County and the Backstreet Boys etc. He discovered CBGBs in 1975, when he wandered into a Television / Patti Smith double bill. He took classes at SVA and learned how to silk screen. He moved into Manhattan in 1978 and became a fine art silkscreen printer, eventually working for Warhol up until his death. (Cue up the Velvet Underground's " Foggy Notion" and the Modern Lovers' "Pablo Picasso"). In 1979, Bert saw an ad in the Village Voice soliciting “Punk Rock art,” submitted a piece which was accepted for a group show at the Nonson Gallery on Wooster Street, much to his delight. The opening was a gas, the whole downtown scene was in full effect.   Joey Ramone's piece was a toothbrush with red paint on it glued to the ceiling entitled "Bloody Gums.” Daniel Rey's Shrapnel performed in the back and someone drove a motorcycle through the front door! It was at Nonson that Bob met artist Linda Wolfe. In 1981, Bob and Linda moved to Hoboken, living a block away from the famed club, Maxwell's where Bob would spend half of his life seeing great shows and making tons of friends. In 1981 while hanging at a different club, he got up on stage making a racket with Peter Missing and Jeff Holiday (RIP). “We became the band Drunk Driving causing trouble most of the time we played. We were banned from Maxwells after Peter put his upside-down martini glass graffitti, which he became well known for when he formed his next band Missing Foundation, on the newly painted wall.” After about seven months, Bert saw a flier that Sonic Youth needed a drummer. Bob took the flyer which he still has and joined in 1982. As it turns out he was the only one to call. After his tenure with them, he joined Pussy Galore, staying with them from the mid-80's through the end of the decade. Bob's new album bob-bert

Hour 1: Savannah Guthrie posted another plea looking for her mother. D4vd will stand trial for the murder of a 14-year old girl. Bunnie Xo and her 24-year old boyfriend just bought a $500K Rolls Royce. Parents are losing sleep worrying about the future of technology for their kids. Eh, parents need something to worry about, right? Pablo Picasso was suspected of stealing the Mona Lisa. Plus, some animal fast facts! Hour 2: Jon Stewart, Pete Davidson, and the biggest American comedians are coming together for the 25th anniversary of 9/11. Purple Rain is headed to Broadway! Britney Spears is posting again on Instagram. Scott Budman is on the show! Vinnie starts off the conversation with an epic “Would You Rather” question. Then, Scott gives his perspective on the AI hack. The San Francisco billboards would tell aliens we are all-in on AI - hah! Sarah and Vinnie feel like there's nothing they can do to stop AI. Is the government getting involved? Hour 3: Who wants to be a millionaire? LET'S FLIP THAT COIN! Should movies be allowed to win an Oscar if it uses ANY AI? The gang has a variety of opinions on this one. Something we can all agree on - DONUTS. Randy's is getting a new location in Santa Clara - right across the street from another legendary spot! Here's what Americans think about Vinnie's hypothetical. Vinnie was suspended on the first day of school once, but Bob might actually have him beat. The listeners are weighing in on the apparent donut wars. Hour 4: Carly Simon is opening up about her biggest insecurities. Ella Langley is still crushing it on the Billboard charts. There's an internet spoof of Luke Bryan's song going viral, but that doesn't mean it's funny. What's your niche super power? The energy is off today - make sure you prep your moon juice! Plus, When Did That Happen?

Savannah Guthrie posted another plea looking for her mother. D4vd will stand trial for the murder of a 14-year old girl. Bunnie Xo and her 24-year old boyfriend just bought a $500K Rolls Royce. Parents are losing sleep worrying about the future of technology for their kids. Eh, parents need something to worry about, right? Pablo Picasso was suspected of stealing the Mona Lisa. Plus, some animal fast facts!

In this episode of Exploring Art Podcast, we discuss Pablo Picasso's Les Demoiselles d'Avignon and why it became one of the most revolutionary paintings in modern art. We explore why the artwork shocked early audiences, the meaning behind its title, how it helped inspire Cubism, and whether Picasso's decision to keep it hidden was driven by fear, doubt, or defiance.

In this very special 2019 episode, we talked to the photographer Tony Vaccaro about his prolific seventy-plus year career photographing fashion, celebrity and World War. His subjects include Dovima, Verushka, Hubert de Givenchy, Pablo Picasso and Georgia O'Keefe. Learn more about your ad choices. Visit megaphone.fm/adchoices

1976 was a banner year for music.  Some of the greatest albums of all time were released that year, and Mick & Jeff were there as it happened. This episode, they look at their favourites of the “Class of ‘76” - what was great (and what wasn't!) & why.   In Rock News, the boys check out who's touring, and what aged care arrangements are in place! Their “Album You Must Hear Before You Die” is Paul Simon's “Graceland”, which brought African street music to Western radios and stereos.   A wide-ranging romp through one of music's finest years!  We think you'll love it.   References:  1,001 Albums You Must Hear Before You Die, Robert Dimery, The Eagles, Las Vegas Sphere, Journey, Rod Stewart, AC/DC, Motley Crue, Iron Maiden, Deep Purple, Kansas, Lynyrd Skynyrd, Foreigner, Yes, Graceland, Paul Simon, Ladysmith Black Mambazo, South Africa cultural sanctions, Los Lobos, Steve Berlin, The Rolling Stones, Black and Blue,  Jagger/Richards, The Glimmer Twins, Ron Wood, Harvey Mandel, Wayne Perkins, Billy Preston, “Do You Love Me?”, “I'm Black & Blue from The Rolling Stones”, The Modern Lovers, “The Modern Lovers”, John Cale, “Roadrunner”, “Pablo Picasso”, “Jonathan Richman & The Modern Lovers”, Joan Armatrading, “Joan Armatrading”, “Down to Zero”, “Love and Affection”, Dave Mattacks (Fairport Convention), Kenney Jones (Faces), Boz Scaggs, State Theatre Sydney, Silk Degrees, David Paich, Jeff Porcaro, David Hungate, Toto, “What Can I Say?”, “Lowdown”, “Lido Shuffle”, Peter Frampton, Frampton Comes Alive!, "Show Me the Way", "Baby, I Love Your Way", "Do You Feel Like We Do?”, George Harrison , talk box, Boston, “Boston”, Tom Scholz, "More than a feeling”, Fleetwood Mac, “Rumours”, Lindsey Buckingham, Bob Welch, Mick Fleetwood, “Buckingham Nicks”, Lindsey Buckingham, Stevie Nicks, Bob Dylan, “Desire”, “Blood on the Tracks”, “Hurricane”, “Mozambique”, “Joey”, Rolling Thunder Revue, Emmylou Harris, violinist Scarlett Rivera, guitarist Dave Mason, “Hard Rain”, The Saints, (I'm) Stranded, Bob Geldof, Nick Cave, Fatal Records, EMI, Ed Kuepper, “Also Sprach the King of Euro-Disco", “Thus Spake Zarathustra”,  Playlist (all the artists and music we talk about in this episode)The Queen of Pub ChoirsSend us a message, so we know what you're thinking!

n 1911, the Mona Lisa vanished from the wall of the Louvre Museum in the center of Paris. One morning she was hanging in the Salon Carré, and shortly after, the most recognizable painting in the world was gone. What followed was a two-year investigation filled with bad assumptions, conflicting witnesses, media pressure, false suspects, radical artists, wealthy collectors, and one ordinary man who may have fooled everyone by looking like he belonged. In this episode, we'll look at the theft of the Mona Lisa from a criminal behavior and investigative perspective. Was this the work of a professional thief? A museum insider? A wealthy collector? Or was the real offender hiding in plain sight all along?I just returned from Paris, where the Mona Lisa still draws huge crowds. That trip sparked a fresh look at this historic case I participated in discussing the case with other experts and Lawrence Fishburne on History's Greatest Mysteries. We looked beyond the art mystery and into opportunity, offender behavior, investigative assumptions, and how one theft helped turn the Mona Lisa into a worldwide icon. Let's examine the empty frame, the missing doorknob, the early use of fingerprint evidence and the suspicion around Eddie Guerin, Pablo Picasso , Guillaume Apollinaire, J.P. Morgan and a relatively unknown Italian named Vincenzo Peruggia.#ProfilingEvil #MikeKing #WhoStoleTheMonaLisa #MonaLisa #MonaLisaHeist #Louvre #LouvreMuseum #Paris #France #ArtCrime #ArtHeist #TrueCrime #TrueCrimeCommunity #TrueCrimePodcast #TrueCrimeYouTube #CrimeHistory #HistoryMystery #FamousHeists #CriminalBehavior #CriminalProfiling #Investigation #ColdCase #SolvedMystery #LeonardoDaVinci #VincenzoPeruggia #PabloPicasso #JPMorgan #Mystery #CrimeStory #TrueCrimeFans========================================20% OFF Newspapers.comhttps://www.newspapers.com/go/podcast/?ref=profilingevil?xid=8877&utm_source=ProfilingEvilPodcast&utm_medium=podcst&utm_campaign=ProfilingEvil26========================================Discounts on eBikes: https://aipasbike.com/?ref=PROFILINGEVILReferral Coupon Code: PROFILINGEVIL========================================Email your questions to: ProfilingEvil@gmail.com========================================

Johnny Mac shares five good news stories: French police recovered a stolen Pablo Picasso portrait worth about 12 million euros during a drug-dealer investigation near Paris; four suspects were arrested in thefts tied to a Paris storage warehouse, and the authenticated artwork will be returned to its owner. Duke University researchers restored retinal function in mice by injecting lab-grown human retinal blood vessel cells made from induced pluripotent stem cells. Gardener Graham set Guinness records with a 3 lb 13.7 oz elephant garlic bulb and the heaviest Swedish heirloom snow pea, adding to several prior records. A purple elephant seal at Ano Nuevo State Park was stained by red algae. At a California wedding, a rediscovered video of the bride at age four predicted marrying “Max,” matching the groom's name; the moment went viral on TikTok. 00:09 Stolen Picasso Found00:57 Stem Cells Restore Sight01:33 Giant Garlic Records02:09 Mystery Purple Seal02:38 Wedding Time Capsule Become a supporter of this podcast: https://www.spreaker.com/podcast/5-good-news-stories-happiness-and-fun--5747537/support.5 Good News Stories is a daily podcast with five positive, uplifting news stories to brighten your day. New episodes every day. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media networkJohn also hosts Daily Comedy NewsUnlock an ad-free podcast experience with Caloroga Shark Media!  For Apple users, hit the banner which says Uninterrupted Listening on your Apple podcasts app. Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

Bilingual EditionIn this episode, we examine how one groundbreaking painting challenged traditional ideas of beauty and transformed the direction of modern art. We explore the historical context behind Pablo Picasso's Les Demoiselles d'Avignon and discuss the artistic influences that made it a revolutionary work. Our conversation also considers how this painting continues to shape discussions about creativity, innovation, and cultural influence. Join us as we uncover why this masterpiece remains one of the most influential works in art history.Rompiendo las reglas de la belleza | Edición BilingüeEn este episodio, examinamos cómo una pintura revolucionaria desafió las ideas tradicionales de la belleza y transformó el rumbo del arte moderno. Exploramos el contexto histórico de Les Demoiselles d'Avignon de Pablo Picasso y analizamos las influencias artísticas que contribuyeron a convertirla en una obra verdaderamente revolucionaria.Nuestra conversación también considera cómo esta pintura continúa influyendo en los debates sobre la creatividad, la innovación y la influencia cultural.Acompáñanos mientras descubrimos por qué esta obra maestra sigue siendo una de las obras más influyentes de la historia del arte.Este episodio es una edición bilingüe de “Breaking the Rules of Beauty” — “Rompiendo las reglas de la belleza.”Podcast By Snail Music (Loop) — Snail Music

* Apoie a Cultura: Chave Pix: 7296e2d1-e34e-4c2e-b4a0-9ac072720b88* Apoie a Cultura: Chave Pix: 7296e2d1-e34e-4c2e-b4a0-9ac072720b88O espanhol Pablo Picasso é considerado um dos mais importantes e populares pintores do século XX. Dentre as suas obras mais importantes estão "A Pomba da Paz", "Guernica", "Les Demoiselles d'Avignon". As obras de Picasso são classificada em períodos: Azul , Rosa, Cubismo Analítico e Cubismo Sintético.Essa é a nossa história de hoje. Se você gostou deixe seu like, faça seu comentário, compartilhe essa biografia com mais pessoas. Vamos incentivar a cultura em nosso pais. Encontro voces na próxima história. Até lá! (Tania Barros)- Contato: e-mail - taniabarros339@gmail.com

In this episode, we touch upon the classic Pablo Picasso piece "Les Demoiselles d'Avignon". Join us on a discussion surrounding the nature of subjective beauty, and contrast between liberation and objectification. View into the cultural background and history behind this monumental piece, and realize how it connects to broader topics, such as cultural cultural appropriation.Opening Theme : Original composition by Marcell Garcia; Ending Theme : Original composition by Marcell garcia

Pablo Picasso is known as one of the greatest artists of all time, and he made many works of art that are still talked about today. In this episode we will explore his work that is considered to be the most controversial of all time. ‘Les Demoiselles d'Avignon' is a painting that is made up of heavily distorted human forms, which are unlike any other traditional views of beauty that have been portrayed in art before. In this episode we will look at the genius behind this work of art and also explore the possible cause of such a work of art, and how Picasso used his paintings to express the deep rooted societal problems that were going on at the time. We will also explore the fine line between artistic innovation and pure ugliness, and ask the question, can a work of art be so visionary that it makes us feel uncomfortable? We will also look at how people view ‘Les Demoiselles d'Avignon' today, and compare it to how people viewed it after the trauma of history had developed. Join us as we delve into the many layers of this groundbreaking work of art, and have a discussion on whether or not it is beautiful, and what we really mean by the word beautiful. Is true beauty found in a work of art that is full of harmony, or in the cracks of a broken and fractured human form.

This episode explains the meaning behind Pablo Picasso's Les Demoiselles d'Avignon, considered one of the most significant paintings of modern times. This episode also talks about our first impressions of the painting, Picasso's reluctance to unveil it, and the changing nature of beauty over time. At intervals, we connect this case study to the topics from Chapter 2 (beauty, ugliness, aesthetic experience.) Is great art expected to be beautiful, or can anything that shocks initially be considered a masterpiece? Join us as we talk about how this piece continues to change how people talk about art today.

In this episode, we explore Pablo Picasso's Les Demoiselles d'Avignon and discuss its status as one of the most controversial paintings in modern art. We examine how concepts of beauty, ugliness, and cultural influence shaped public reactions and contributed to its recognition as a masterpiece. Join us as we connect philosophy, art history, and aesthetics to understand why certain works of art challenge audiences before inspiring them.

Pablo Picasso's impact on the art world was sensational, but what impact did he have on the people around him?His relationship history contains some problematic moments, to say the least, so we are asking if you can - or even if you should - separate the art from the artist.Joining Kate today is author and Harvard professor, Suzanne Blier, to help us navigate this and find out more about Pablo Picasso.Voting is now open for the Listener's Choice Award at this year's Podcast Awards. Click here to place your vote! Thank you! https://www.britishpodcastawards.com/votingThis episode was edited by Hannah Feodorov. The producer was Stuart Beckwith. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Voting is now open for the Listener's Choice Award at this year's Podcast Awards. Click here to place your vote! Thank you! https://www.britishpodcastawards.com/voting Hosted on Acast. See acast.com/privacy for more information.

Em 7 de março de 2004, o cineasta Jorge Furtado fez o que ele fazia quase todas as manhãs: pegou pra ler a edição da Folha de S.Paulo daquele dia. A maior foto da capa mostrava um quadro pendurado numa parede com a imagem de uma mulher sentada de braços cruzados. O Jorge reconheceu a obra logo de cara: era a “Mulher em Branco”, do Picasso. A matéria dizia que aquele “desenho de Pablo Picasso” tinha sido encontrado quase por acaso numa sala do INSS, em Brasília. O que era bem estranho… considerando que a “Mulher em Branco” pertence ao Metropolitan Museum de Nova York. Assim começou a saga do Jorge Furtado com aquele que ficou conhecido como “o Picasso do INSS”. Anos depois, a história inspirou a produção do documentário “O Mercado de Notícias”. E agora, em 2026, ela inspirou a repórter Bia Guimarães a embarcar numa espécie de caça ao tesouro: afinal, de onde veio e que fim teve o “Picasso do INSS”? Membros do Clube da Novelo podem ouvir os episódios do Rádio Novelo Apresenta antecipadamente, além de ter acesso a uma newsletter especial e a eventos com a nossa equipe. Quem assinar o plano anual ganha de brinde uma bolsa da Novelo. Assine em ⁠⁠⁠https://clube.radionovelo.com.br Inscreva-se no canal da Rádio Novelo no YouTube: https://www.youtube.com/@RádioNovelo Siga a Rádio Novelo no Instagram: https://www.instagram.com/radionovelo/ -- Cansado de rolar a tela e não encontrar nada para assistir? A Rádio Novelo agora é parceira da MUBI, um serviço de streaming com curadoria especializada em cinema. De 26 de junho a 6 de julho, você garante 70% de desconto por seis meses de assinatura. Acesse mubi.com/novelo e assista ao melhor cinema. -- Esqueça o cartão de crédito: com a Wise, você paga em mais de 40 moedas com a taxa de câmbio comercial — a mesma que você vê no Google. Converta e mantenha seu dinheiro na moeda de destino e pague sem se preocupar com cotação ou tarifas. Ah, e você ainda pode sacar em mais de 3 milhões de caixas eletrônicos. Quem sabe vai de Wise. ⁠Baixe o app hoje⁠.  -- Insider: tecnologia aplicada à rotina – peças que desamassam no corpo, facilitam a evaporação do suor e seguem confortáveis por horas. Utilize o cupom RADIONOVELO e tenha 15% OFF na 1ª compra e 10% OFF nas próximas – e ainda soma com os descontos do site. ⁠https://creators.insiderstore.com.br/RADIONOVELO Palavras-chave: artes plásticas, cinema, jornalismo, fake news

SHOW NOTES: Steven Spielberg created Jaws and Close Encounters. He used technology for the shark and the spaceship. But he used talent for the creation. Pablo Picasso famously relied on Ripolin, a quick-drying, glossy commercial house paint, instead of traditional artist oils. For tools, he used oversized, long-handled bristle brushes, and stiff palette knives for impasto textures. But the painting Guernica was the result of his talent. Bach created the Brandenburg concertos and the musical advancements that most helped him were the rise of flexible "well-temperament" tuning and the rapid development of the Italian concerto style. Together, these innovations allowed him to achieve his legendary harmonic complexity and contrapuntal mastery. But the talent was already there. Houdini created incredible illusions and escapes using hidden keys, sleight of hand, mirrors, and secret hatched. But the design and the implementation were due to his talent. Focus on your talent, not technology. A microphone can enhance volume but won't help you to naturally sing on key. Superb skis and advance waxes can help your skiing speed and control, but are no replacement for quick reflexes and physical stamina. Technology, whether AI or a remote control, can enhance your abilities and success, but they can't replace your judgment and native talent, unless you try to allow them to, which will only atrophy your unique abilities.

Rob Loverde is back on Brew Ha Ha with Herlinda Heras and Daedalus Howell for another round of Beatles and Beer. The first Beatles and Beer show was this episode last April. Rob is an audio engineer and a Beatles expert. Today is Paul McCartney’s 84th birthday. Herlinda made her original list of Beatles tunes and beers together with Rob, six years ago and he joins Herlinda today for the second Beatles and Beer show. Rob is a mastering engineer for Mobile Fidelity, aka MoFi. That is the last phase of audio manipulation or editing. It is also the first step in production by producing a master recording for duplication into different media. Today Rob and Herlinda will pair beers with Beatles and Wings songs. Herlinda and Rob have seen him perform in concert. When I’m 64 was the first song recorded for Sgt. Pepper. Meanwhile, the Scots are drinking Boston dry during the World Cup.   .--. .- ..- .-...Visit Russian River Brewing Co. in Santa Rosa on 4th St. and at their big Windsor location. Check out their website and socials for up-to-date hours, menus, beers and more..--. .- ..- .-... Since 1966 Paul has owned a farm in Scotland, where he lived with his wife Linda. The Wings song Mull of Kintyre was for a while the highest selling single in UK history, (since then only three songs have sold more). The song is unknown to American audiences, where it was released to modest sales and was soon forgotten. That’s understandable, since the song has a strong Scottish character that appealed to UK audiences. US audiences did not pick up on any of that local joy. They toast to Paul with a Scotch Ale. Paul practices yoga and according to Herlinda, “…still stands on his head every day.” In April of 1973 Pablo Picasso passed away. Paul and Linda were visiting Dustin Hoffman then, talking about their craft. They discussed Picasso and his last words, “Drink to me, drink to my health. You know I can’t drink anymore.” Paul started strumming the guitar and started writing the song Picasso’s Last Words at Dustin’s suggestion. Herlinda brought a Paulaner Pils, a Bavarian style pilsner beer. The Beatles connection to Germany dates back to when they went to Hamburg, to play steady gigs. They met Klaus Voorman who was an art director and artist. He drew the cover of Revolver. Also, he later became the bass player of the Plastic Ono Band. The Liverpool Beatles Museum that Pete Best and his brother Roag own, has an exhibition of Stu Sutcliffe’s art, through this September. He heard a song from Wings called Old Siam Sir, from the last Wings album. So, Herlinda opens a Chang lager from Thailand. Unfortunately it has been in storage too long. Lagers do expire, especially in green glass. Also, to celebrate Apple Records, Herlinda has brought a cider called WildCide. The Beatles’ last public concert was in San Francisco in 1966. In honor of that location she has an Anchor Steam Beer. Herlinda believes it is possible that the Beatles drank that beer while they were in San Francisco. 

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. And today, we're celebrating international archives week, set up to highlight the importance of protecting the world's historical records.Our guest is BBC curator Joe Schultz who talks about some of the jewels in the BBC radio collections. We find out why cellist Mstislav Rostropovich was stripped of his Soviet citizenship in 1978. Anti-apartheid leader Nelson Mandela reveals how he survived prison in South Africa. Plus, Pablo Picasso and his fellow artists enjoy a Surrealist summer in 1930s France. And more on the inspiration behind Anton Chekhov's most famous play, Three Sisters. We hear about the Jordanian king who survived numerous assassination attempts to become one of the Middle East's longest serving leaders. And finally, Pickles the dog: the four-legged hero who found the stolen Jules Rimet trophy ahead of the 1966 World Cup.Contributors:Joe Schultz – BBC curator.Mstislav Rostropovich - virtuoso cellist.Nelson Mandela – former president of South Africa.Eileen Agar – Surrealist artist. Paul Shishkoff – friend of playwright Anton Chekhov.King Hussein of Jordan.Jack Pizzey – TV documentary-maker.Pickles the dog – hero of the 1966 World Cup.David Corbett – dog owner.(Photo: Cellist Mstislav Rostropovich, 1950. Credit: Michael Ward/Getty Images)

In the summer of 1937, some of the 20th Century's most famous artists, writers and photographers were holidaying in the south of France. They included artist Pablo Picasso, photographer Lee Miller, poet Paul Éluard and the painter Man Ray.The group were part of the Surrealist movement – a style of art inspired by dreams and hidden thoughts that can look strange and bizarre - and one of their most recent converts was artist Eileen Agar. Through a 1985 BBC interview with Eileen, digital archivist Jonathan Charlton tells the story of that summer in an episode produced by Jane Wilkinson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: Roland Penrose, Ady Fidelin, Picasso and Dora Maar, Cote d'Azur, France 1937. Credit: Lee Miller Archives)

Pablo Picasso revendiquait ne pas aimer la musique. Il n'a pourtant cessé de peindre des musiciens, collaborant avec Satie, Stravinsky et Falla. Ses portraits d'instrumentistes sont souvent des autoportraits qui ne disent pas leur nom – ceux d'un homme hanté par ses obsessions.Picasso, figure incontournable de l'art moderne, a entretenu tout au long de sa vie une relation fascinante avec la musique. Franck Ferrand nous emmène dans les coulisses de cet artiste aux multiples talents, révélant une facette méconnue de son génie créatif.Dès son plus jeune âge, Picasso baigne dans un univers musical qui imprègne profondément son œuvre. De la zarzuela andalouse aux cabarets parisiens, en passant par les collaborations avec les Ballets russes, le peintre espagnol semble avoir été habité par une véritable passion pour les sonorités. Pourtant, lorsqu'on lui demande son avis sur la musique, Picasso n'hésite pas à affirmer qu'il ne l'aime pas. Une déclaration surprenante quand on constate à quel point elle transparaît dans ses tableaux cubistes, ses natures mortes et ses portraits d'instrumentistes. Franck Ferrand décrypte cette paradoxale relation, révélant la place centrale qu'occupe la musique dans la démarche artistique du maître.Des joueurs de flûte aux guitaristes cubistes, en passant par les collaborations avec des compositeurs comme Satie et Stravinsky, Picasso semble avoir cherché à retranscrire dans sa peinture les vibrations sonores qui l'habitaient. Une quête incessante qui l'a mené à repousser toujours plus loin les frontières de l'art, faisant de lui l'un des plus grands créateurs du XXe siècle.

What do Goethe, Ernest Hemingway, Pablo Picasso, Paul Gauguin and so many other writers and artists have in common? They all reached the apex of their creative output while living outside their countries of birth. An email from a listener, who also happens to be a member of indie band Trash Can Dream, inspired this episode from our archives. Emma Grace Stephenson is one of two Aussie expats who make up the band that is now based in New York City. Her email sparked a discussion on how travel, and specifically living abroad, can inspire art and creativity—and why we think that is. The Bittersweet Life podcast has been on the air for an impressive 10+ years! In order to help newer listeners discover some of our earlier episodes, every Friday we are now airing an episode from our vast archives! Enjoy! PS Learn more about the famous foreign writers who lived and worked in Rome on Tiffany's audio tour Rome For Readers: A Literary Tour of the Eternal City. ------------------------------------- COME TO ROME WITH US: Our third annual Bittersweet Life Roman Adventure is in the books! If you'd like to join us in 2026, and be part of an intimate group of listeners on a magical and unforgettable journey to Rome, discovering the city with us as your guides, find out more here. AD-FREE LISTENING: After well over 10 years on the air with little-to-no advertising, in 2026 we have finally made the difficult decision that this completely independent and self-funded show is no longer sustainable without it. HOWEVER! If you join us on Patreon, for as little as $3 per month, you will have access to all new episodes completely ad-free! ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. GET TWO BONUS EPISODES PER MONTH: Pledge your monthly support of The Bittersweet Life at the $5 per month level or above, and you will have access to two all-new (and sometimes wacky) bonus episodes every single month. As well as ad-free listening, occasional live meet-ups, and access to our chat community. Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Learn French by Watching TV with Lingopie: https://learn.lingopie.com/dailyfrenchpodVoici un tour d'horizon rapide de cette incroyable tombola qui a transformé un simple billet de 100 euros en un vrai chef-d'œuvre de Picasso, tout en boostant la recherche médicale.Here is a quick overview of this incredible raffle that turned a simple 100-euro ticket into a true Picasso masterpiece, while boosting medical research.Imaginez un peu, rafler une toile inestimable juste en faisant une bonne action.Imagine winning an invaluable canvas just by doing a good deed.C'est le pari dingue de l'opération « Un Picasso pour 100 euros ».This is the crazy bet of the "A Picasso for 100 euros" operation.Un projet super important quand on sait que l'OMS prévoit que les cas d'Alzheimer vont sûrement doubler d'ici 2050.A very important project when you consider that the WHO predicts that Alzheimer's cases will likely double by 2050.Alors premièrement, parlons du gagnant, parce que c'est une histoire de fou.So first, let's talk about the winner, because it's a crazy story.C'est un ingénieur parisien de 58 ans qui s'est offert pour 100 balles un portrait peint par Pablo Picasso en 1941, estimé à près d'un million et demi d'euros.It's a 58-year-old Parisian engineer who, for 100 bucks, treated himself to a portrait painted by Pablo Picasso in 1941, estimated at nearly one and a half million euros.Mais bon, ce jackpot perso n'est qu'une goutte d'eau comparé à la victoire collective, ce qui m'amène au point suivant.But anyway, this personal jackpot is just a drop in the ocean compared to the collective victory, which brings me to the next point.Deuxièmement, l'impact financier est juste monumental.Second, the financial impact is simply monumental.En quelques mois, les billets se sont arrachés dans plus de 150 pays, récoltant 12 millions d'euros reversés direct à la Fondation Recherche Alzheimer.In a few months, tickets were snapped up in over 150 countries, raising 12 million euros donated directly to the Alzheimer's Research Foundation.On pourrait se dire : « Mais attends, le monde de l'art pour financer la science ? »One might think: "But wait, the art world to finance science?"Eh ben oui, miser sur l'inaccessible, ça attire un monde fou.Well yes, betting on the inaccessible attracts a huge crowd.Troisièmement, faut saluer que cette idée de génie n'est pas un coup d'essai.Third, it should be noted that this stroke of genius is not a first attempt.La créatrice utilise cette méthode avec succès depuis 2013.The creator has been using this method successfully since 2013. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.