Podcasts about Pablo Picasso

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In this episode, we discuss one of Pablo Picasso's most controversial pieces: Les Demoiselles d'Avignon. We go over the painting's history and the meaning we each understood from it. We also question whether beauty can be found in such a "vulgar" piece like this one. Join us as we explore an artwork that has changed art into what we know today!

In this episode, our group discusses the Pablo Picasso painting Les Demoiselles d'Avignon; what was so specialabout it, why it shocked viewers, and how it ultimately transformed 20th-century art. We break down the painting's bold use of fractured forms, its controversial depiction of the human body, and the way Picasso pulled from African and Iberian influences to completely rewrite the rules of representation. We also look at the intense reactions it sparked when it was first shown, why even Picasso's fellow artists were unsettled by it, and how the work paved the way for Cubism and modern abstraction. By the end, we reflect on why this painting still matters today and what it reveals about the evolution of artistic expression.

In this episode, we explore Pablo Picasso's painting named Les Demoiselles d'Avignon. Our group discusses why Picasso was so hesitant to show the painting to the public. We will be also mentioning and revising over the several details and features that made it distinct throughout its time. Join us in our pursuit to discover why context truly matters in regards to understanding art.

In this episode, we talk about Pablo Picasso's Les Demoiselles d'Avignon and why it shocked so many people when it was created. We explore how the painting breaks old ideas of beauty, uses new shapes and angles, and helped inspire the style we call Cubism. Our group also discusses Picasso's interest in African masks and the cultural question that come with that influence. Join us as we look at why this paining stills feels bold, powerful, and ahead of time.

“Españoles, Franco ha muerto”: el 20 de noviembre de 1975, el entonces presidente del Gobierno, Carlos Arias Navarro, anunciaba en la televisión la muerte del dictador español Francisco Franco. España inició entonces un difícil camino para recuperar la democracia, un camino que para parte de la población aún está incompleto. Reportaje desde Madrid. La plaza de la Puerta del Sol es la más céntrica de Madrid, también de España, porque allí se sitúa el kilómetro cero de todas las carreteras del país. Justo en la entrada de la Real Casa de Correos, el edificio que sobresale con su reloj en este bullicioso enclave comercial y turístico. En frente de la Real Casa de Correos, siempre hay visitantes extranjeros con guías que narran en varios idiomas la historia del edificio construido en el siglo 18. Pero casi ninguno cuenta que hasta hace pocas décadas, el edificio era la sede de la Dirección General de Seguridad, donde se torturaba a opositores a la dictadura de Francisco Franco. “Amenazarte continuamente” Entre ellos estaban Rosa García Alcón y Julio Pacheco. “Los calabozos eran muy pequeños”, cuenta Rosa. “Yo me acuerdo de una celda muy oscura, una celda muy pequeña”, prosigue Julio, a lo que Rosa añade: “Nos daban una manta que estaba asquerosísima. Por cierto, la manta era una cosa espantosa”.   Aquello ocurrió en el verano de 1975, hace 50 años, cuando Julio y Rosa eran unos jovencísimos estudiantes y fueron detenidos por su implicación en una organización universitaria que luchaba por la democracia. “Amenazas constantes, torturas…”, recuerda Julio. “Pues eso, amenazarte continuamente. O te vamos a tirar por la ventana, o te vamos a tirar por las escaleras. Yo decía bueno, pues tiradme porque así se acaba esto. O sea que al final acabas deseando morirte. Primero acabas deseando perder el conocimiento, pero no lo pierdes. Y luego dices bueno, pues mira, así se termina esta tortura”, detalla Rosa. Uno de los pocos que en la Puerta del Sol recuerda que allí se torturaba a gente durante la dictadura es el periodista y sociólogo Emilio Silva, que recorre el centro de Madrid con un grupo de jóvenes, la mayoría estadounidenses de la Universidad de Nueva York. Rescatar la memoria Frente a la Real Casa de Correos, les explica en inglés que en España existe la tradición de recibir el nuevo año comiendo uvas frente al televisor, al compás que marcan las campanas del reloj del edificio de la Puerta del Sol. Durante unos años esa fiesta se producía mientras en los sótanos había gente golpeada y privada de libertad, algo que ha marcado a Emilio Silva: “Debajo de ese reloj donde estábamos todos emocionados mirando, pidiéndole deseos al Año Nuevo, y había gente torturada unos metros más abajo. Esa imagen de esa España que esconde, que está aquí celebrando un año nuevo, pero a la vez era un año viejo, ¿no? Porque era un año con dictadura, con represión”, dice. Silva preside la Asociación para la Recuperación de la Memoria Histórica (ARMH), una organización que en los últimos 25 años ha logrado rescatar los cuerpos de 1.700 hombres y mujeres asesinados por la dictadura de Franco y enterrados en fosas comunes donde pasaron décadas en el olvido, entre ellos su abuelo, Emilio Silva Fava. “Mi abuelo era un hombre de El Bierzo, una comarca en el noreste de España. Había sido emigrante en Argentina y Estados Unidos, y cuando se proclamó la República empezó a militar en un partido que se llamaba Izquierda Republicana. Hoy pensaríamos que era un partido moderado. Era un hombre bastante culto que alguna vez se enfrentó en un periódico local a un aristócrata, de allí que escribía artículos burlándose de las personas que pedían la igualdad”, cuenta. Cuando ocurrió “el golpe de Estado, su pueblo cayó muy rápido en manos de los golpistas. Le empezaron a sacar dinero y un día lo detuvieron en el ayuntamiento y a la mañana siguiente ya no estaba allí. Lo asesinaron con otras 13 personas a 33 kilómetros, y estuvo 64 años desaparecido en una fosa común, hasta que yo en el año 2000 di con ese lugar y conseguí que se exhumara la fosa, que él fuera identificado genéticamente y que se enterraran sus restos con los de mi abuela, que había muerto tres años antes de la exhumación”. “Creo que hay mucho olvido” Las rutas guiadas que ofrece Emilio Silva a estudiantes descubren rincones de Madrid en los que sobrevive simbología de la dictadura, y señalan también lugares en los que el ejército de Franco, con el apoyo de la aviación alemana de Adolf Hitler, bombardeaba a la población civil durante la guerra que lo llevó a convertirse en caudillo de España. “Era muy interesante porque para mí, antes de llegar a España, ni sabía quién era Franco, nunca escuché su nombre. Pero yo creo que se debe a mi ignorancia”, cuenta un joven extranjero. Junto a los estadounidenses hay una joven española, Ainara, que estudia periodismo en una universidad pública madrileña en la que echa en falta este tipo de ejercicios de memoria democrática: “Yo creo que hay mucho silencio, mucho olvido. No se quiere hablar de la realidad. Y yo, por ejemplo, en toda mi formación académica he tenido obviamente la formación de lo que fue la dictadura, pero desde muy por encima y siendo más un contexto histórico, sin explicarte bien en profundidad lo que sucedió”, lamenta. Ainara cree que ese silencio y olvido sobre la historia reciente de España contribuye al auge de los postulados ultraderechistas en jóvenes de su generación: “Yo creo que todos los ideales de la ultraderecha están calando un montón en nuestras edades, y yo cada vez noto más auge”. Actualmente en España, el 20% de la población siente nostalgia por los viejos himnos del pasado. También los jóvenes: uno de cada cinco de los nacidos en democracia, una generación que no vivió la dictadura, valora positivamente los casi 40 años del régimen de Francisco Franco. Represión “implacable” en la guerra y posguerra “Franco ha sido una figura fundamental en la historia de España porque dirigió la dictadura más larga, más sanguinaria y más terrible en todos los aspectos que nos podamos imaginar en España”, analiza Ainhoa Campos, doctora en Historia, especializada en la Guerra Civil española y en el franquismo. “Franco formaba parte de un grupo de generales que dieron un golpe de Estado en julio de 1936 para acabar con el régimen de la República (un régimen democrático que se había instaurado en 1931) y tuvo la habilidad y la suerte de conseguir colocarse como el único que podía acceder al poder absoluto de ese grupo de generales”, explica. Franco ganó la guerra con la ayuda de las tropas italianas de Mussolini y de la aviación nazi, responsable de matanzas de población civil y desarmada, como la que el pintor Pablo Picasso retrató en su obra Guernica. No fue suficiente para Franco, que después de la guerra siguió ejecutando durante años a decenas de miles de españoles. “La represión después de la guerra, la que protagonizó la dictadura de Franco, fue absolutamente implacable con el enemigo. Él quería aplastar cualquier intento de ponerle coto a su poder o de poner en cuestión el régimen que él había construido. Entonces, ya durante la guerra, todos aquellos que hubieran estado relacionados con la República, con algunos de los elementos más característicos de la República, como la educación, por ejemplo, los maestros, fueron implacablemente perseguidos, detenidos, forzados al exilio interior o asesinados, ejecutados”, prosigue Campos. “Las cifras son desoladoras. Casi medio millón de personas tuvieron que irse al exilio. También se calcula que casi medio millón de personas fueron encarceladas al final de la guerra, y se calcula que entre 140 y 150.000 personas fueron ejecutadas en esta represión que tuvo lugar en la posguerra”, recalca. La muerte de Franco, “una gran alegría” La España franquista no participó en la Segunda Guerra Mundial y quedó aislada internacionalmente tras la derrota de la Alemania de Hitler y la Italia de Mussolini, que le ayudaron a acabar con la democracia en España. Aunque años después, en el contexto de la Guerra Fría, el dictador español se convirtió en un aliado estratégico de Estados Unidos frente a la Unión Soviética. Con el apoyo de la gran potencia, Franco pudo prolongar su régimen hasta el mismo día de su muerte, el 20 de noviembre de 1975. “Yo me enteré por una gran algarabía que hubo en el patio de los presos sociales, a los presos comunes los hacían formar para el recuento en un patio que estaba aledaño a nuestras celdas. Y entonces al cerrar la formación, hubo un griterío y en ese momento supimos que Franco había muerto. Como te puedes suponer, fue una gran alegría para para todos”, recuerda Pablo Mayoral. Mayoral estaba en la cárcel ese día porque el dictador murió matando. Dos meses antes, autorizó el fusilamiento de cinco militantes antifranquistas de organizaciones que habían emprendido la lucha armada contra el régimen. Dos pertenecían a ETA, organización separatista vasca, y tres al Frente Revolucionario Antifascista y Patriota (FRAP), en el que participaba Mayoral, que fue juzgado en un consejo de guerra en septiembre de 1975, junto a sus compañeros. “Cuando el abogado te dice que te piden la pena de muerte, se te viene el mundo encima, aunque estás preparado y sabes que puede pasar”, cuenta. Pablo Mayoral esquivó la pena de muerte y fue condenado a 30 años de prisión, no así tres de sus compañeros del FRAP. Paca Sauquillo es una de las abogadas que intentaron salvar la vida de los procesados: “Sabíamos que les podían pedir pena de muerte y yo, contra la pena de muerte, podían acusarme de terrorista o acusarme de lo que quisieran o meterme en la cárcel. Pero había que luchar contra la pena de muerte”, explica. Sauquillo consiguió evitar el fusilamiento de una de las procesadas por estar embarazada, en un juicio militar repleto de irregularidades: “No nos dejaron hacer nada porque desde que los cogieron hasta que les ejecutaron, no pasó ni un mes, y no pudimos ni estudiar el sumario ni verlo porque no pudimos aportar pruebas. Fue increíble”, afirma. Una ley de amnistía dolorosa Pablo Mayoral no pudo salir de prisión hasta finales de 1977, cuando España avanzaba hacia la democracia y se promulgó una ley de amnistía que borraba todos los delitos de los presos antifranquistas, pero también los crímenes de la dictadura. Para algunos fue un necesario gesto de reconciliación, para otros un pacto de silencio que consagraba la impunidad, equiparando a víctimas y victimarios. Para Emilio Silva, presidente de la ARMH, “el verdadero problema ya no es solo la impunidad jurídica. No es que no podamos ver un juicio a estos crímenes, sino que el hábito de la impunidad se ha convertido en una cultura política, y está por muchos sitios corrompiendo nuestra democracia y debilitándola. Y eso es muy grave, porque si uno ha amnistiado los mayores crímenes que se pueden cometer contra miles de seres humanos, pues hay muchas cosas que están por debajo de eso y que han vivido también alejadas de los juzgados”. En 2023, Julio Pacheco se convirtió en el primer español que pudo contar en un juzgado de su país las torturas a las que lo sometieron los policías franquistas: “Fue una alegría enorme. Fue la primera vez que unos querellantes o unos torturados -no nos gusta decir víctimas- del franquismo pudimos declarar ante una sede judicial: ‘Yo fui torturado por esta persona, ahí está'”, dice. La querella por torturas que presentó Julio Pacheco aprovechó una rendija abierta por la Ley de Memoria Democrática de 2022, que permite investigar delitos contra los derechos humanos cometidos durante la dictadura franquista, al menos en teoría, porque un año después la Justicia archivó la causa. Julio Pacheco ha recurrido y no pierde la esperanza de conseguir romper el muro de la impunidad.

Punktem wyjścia rozmowy jest zdumiewająca historia zaginionego obrazu Pablo Picassa — Martwa natura z gitarą, który zniknął podczas transportu z Madrytu do Granady. Okazało się, że praca nigdy nie opuściła stolicy Hiszpanii — osoby odpowiedzialne za transport zapomniały go zapakować. Dzieło odnalazła mieszkająca nieopodal Pani, która myślała że paczka jest przesyłką od kuriera, na którą czekała. Dr Anna Manicka podkreśla, że podczas transportu dzieł sztuki zachowuje się szczególną uważność i skrupulatność. Jak mówi, podczas jej 36-letniej pracy w Muzeum Narodowym podobna sytuacja wydarzyła się tylko raz.Generalnie pracownicy muzeum, wysyłając wielki transport, sprawdzają każdy jeden drugiego i na tym polega bezpieczeństwo. Ludzkie sprawdzanie jest jedyną gwarancją.Ślady Picassa w PolsceDr Anna Manicka wspomina wizytę hiszpańskiego artysty w Polsce w 1948 roku i anegdotę o spontanicznym rysunku syrenki w warszawskim mieszkaniu:Picasso zawsze nosił węgiel w kieszeni — jak widział białą ścianę, nie mógł się powstrzymać. Narysował syrenkę z młotem w dłoni. I ona rzeczywiście była bardzo atrakcyjna, zachowały się dwa zdjęcia.Niestety, owo dzieło zostało zamalowane, choć można było je ocalić poprzez zdjęcie wierzchniej ściany muru, jak było m.in. w przypadku prac Francisco Goi w XIX w. Pablo Picasso przebywał w Warszawie w 1948 r., a przybył tu na Kongres Pokoju.Natomiast w Krakowie kupił kożuszek zakopiański dla syna i dla żony. Ten kożuszek, to tak dodam, do niczego się nigdy, prawie nigdy nie przydał. Na wystawie tej, która była razem z tą wystawą z Malagi, było zdjęcie ogromne, na którym Francoise Gillot jest w Kożuszku. Jest to początek festiwalu filmowego w Cannes.W dalszej części rozmowy, dr Anna Manicka diagnozuje aktualny stan sztuki współczesnej w Polsce. Zaprasza także na własny cykl wykładów w Muzeum Archidiecezji Warszawskiej — „Historia sztuki z przymrużeniem oka”, wyjaśniając, że pokazuje w nich sztukę „z licznymi nawiązaniami do współczesności” i z myślą o zwykłym odbiorcy./ab 

Hablamos de arte con la profesora Ana Valtierra.

"I fall in love with places" - Cy TwomblyWhile still reflecting on the life of Cy Twombly, I muse over a few artists that have been influenced by Italy (and my artistic process). There is just something about the visual beauty and the history of Italy that seems to impact many artists, writers and creatives. I go further into thoughts on the art of Cy Twombly and Robert Rauschenberg throwing his art into the Arno River in Florence after a disparaging critic's comment, and how artists move forward regardless of popularity or understanding. Generally the people catch up later. For some like Julian Schnabel they hit their stride early.  Schnabel said, Italy had a “massive impression” on him.  He lived in Milan earlier in his career creating work influenced by place and the landscape. A visit to the Scrovegni Chapel in Padua had such an impact on his psyche he changed the way he painted. You can see this shift in his documentary in Julian Schnabel: A Private Portrait. He later purchased land in New York City and turned it into a Venetian Palazzo. Palazzo Chupi is bright pink building and an ambitious manifestation of his own artistic temperament. The visual beauty of Venice influences many of us in varying ways.  I go on a personal journey on this episode contemplating the life of the artists and my own. Later in the share I muse over the life and inspirations of Cy Twombly, Julian Schnabel, Basquiat and Picasso. "blurring, blotching, writing and inscribing were purposely obscured by superimposing" - Thierry Greub on Twombly's painting processPentimento .... "Pentimento: a visible trace of earlier painting beneath a layer or layers of paint on a canvas". "The word pentimento is derived from the Italian 'pentirsi', which means to repent or change your mind. Pentimento is a change made by the artist during the process of painting. These changes are usually hidden beneath a subsequent paint layer".Musical Scores by Richard JohnstonShownotes at MichelleJohnston.lifeA Writer in Italy InstagramSubstack - At My TableMichelle's Books© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Episodio exclusivo para suscriptores de Se Habla Español en Apple Podcasts, Spotify, iVoox y Patreon: Spotify: https://open.spotify.com/show/2E2vhVqLNtiO2TyOjfK987 Patreon: https://www.patreon.com/sehablaespanol Buy me a coffee: https://www.buymeacoffee.com/sehablaespanol/w/6450 Donaciones: https://paypal.me/sehablaespanol Contacto: sehablaespanolpodcast@gmail.com Facebook: www.facebook.com/sehablaespanolpodcast Twitter: @espanolpodcast Hola, ¿cómo va todo? Por aquí ya nos estamos preparando para el frío, porque hace un año empezó justo en noviembre, aunque más bien en la segunda mitad del mes. Pero bueno, si la temperatura es parecida a la que tuvimos entonces, no está mal. Hizo mucho frío comparado con Madrid, pero nada del otro mundo. Con ropa de abrigo se arregla todo. Así que, me conformo con que este año sea más o menos igual. En cuanto a la noticia de hoy, está relacionada con lo que sucedió hace poco en el Museo del Louvre de París. No sé si lo habrás visto en las noticias. Si no es así, te lo cuento. Bueno, en realidad, te lo iba a contar igualmente. Para eso estoy aquí. Bueno, el caso es que el domingo 19 de octubre, a plena luz del día y mientras el museo del Louvre estaba abierto al público, cuatro ladrones disfrazados de obreros accedieron al interior de una sala del museo utilizando un montacargas. Un montacargas es un ascensor que se utiliza para subir y bajar cosas pesadas, de mucho peso. Pues bien, en apenas siete minutos, los ladrones se llevaron ocho joyas de la Corona francesa, entre ellas una diadema de perlas que perteneció a la emperatriz Eugenia y un conjunto de collar y pendientes de zafiros de la reina María Amelia. Y luego, durante la huida, dejaron caer una corona que resultó dañada. El valor estimado del botín supera los 88 millones de euros. Por si no lo sabes, en este contexto, el botín es la cantidad de dinero robada. Por ejemplo, los ladrones que robaron el banco se llevaron un botín de 1 millón de euros. Volviendo a la noticia del Louvre, la policía francesa ha detenido ya a varios sospechosos. Sin embargo, las joyas aún no han sido recuperadas. Bueno, eso es lo que pasó en París, pero yo siempre suelo hablarte de algo ocurrido en España. Y, como te decía antes, guarda cierta relación con el robo de las joyas francesas, aunque no es igual, ni mucho menos. Te hablo de la desaparición de un cuadro del pintor Pablo Picasso. Y antes de escuchar la noticia, como hago siempre, voy a darte algo de contexto. Y en este caso tengo que hablarte del autor de la obra desaparecida. Pablo Picasso nació en Málaga en 1881, y fue uno de los creadores del cubismo, un estilo que revolucionó el arte en el siglo XX. Además de pintar, también trabajó en escultura, cerámica, grabado y diseño teatral. Vivió gran parte de su vida en Francia y dejó un legado inmenso, con obras muy famosas como el Guernica o Las señoritas de Avignon. La obra de la que hablaremos hoy se titula Naturaleza muerta con guitarra, pintada en 1919. Es una composición de objetos cotidianos, como una guitarra y una botella, representados con formas geométricas y colores planos, típica del estilo cubista. Aunque no es una de sus piezas más conocidas, tiene un gran valor artístico y económico. Por cierto, si alguna vez vienes a España y quieres ver obras de Picasso, puedes visitar el Museo Reina Sofía en Madrid, donde se encuentra el famoso Guernica; el Museo Picasso Málaga, en su ciudad natal, que alberga una colección variada de pinturas, cerámicas y dibujos; el Museo Picasso Barcelona, con más de 4.000 obras, especialmente de su etapa juvenil; y el Museo Thyssen-Bornemisza, también en Madrid, que expone algunas de sus obras dentro de su colección de arte moderno. Y dicho todo esto, ya estamos preparados para escuchar la noticia de Radio Nacional de España. Como te explicaba antes, trata sobre la desaparición del cuadro de Picasso Naturaleza muerta con guitarra. Escucha con atención y te sigo contando cosas. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Un caso extraño, ¿verdad? Bueno, pues luego te cuento qué pasó en realidad, porque entre el día que escuché la noticia y el día de la grabación de este episodio, ya se ha resuelto esa desaparición. Pero antes vamos con las palabras que pueden resultar más complicadas. Expuesto: Que está visible o mostrado al público, especialmente en una exposición o museo. Ejemplos: El cuadro estuvo expuesto en el Museo del Prado durante tres meses. Los documentos confidenciales no deben estar expuestos en lugares públicos. Extravío: Pérdida de algo, especialmente cuando no se sabe dónde está. Ejemplos: El extravío del paquete ocurrió durante el transporte. Se denunció el extravío de una obra de arte muy valiosa. Exhibir: Mostrar algo públicamente para que otros lo vean, especialmente en una exposición. Ejemplos: Van a exhibir esculturas de artistas jóvenes en la galería. El museo exhibe una colección de arte moderno. Muestra: Exposición o presentación de obras, productos o elementos para que sean vistos por el público. Ejemplos: La muestra de fotografía estará abierta hasta el domingo. En la muestra se incluyen obras de Picasso y Dalí. Datado: Que tiene una fecha asignada, especialmente en documentos u obras de arte. Ejemplos: El manuscrito está datado en el siglo XV. El cuadro está datado en 1919, poco después de la Primera Guerra Mundial. Asegurado: Que tiene un seguro que cubre su valor en caso de pérdida o daño. Ejemplos: El coche está asegurado contra robos y accidentes. La obra de arte estaba asegurada en 600.000 euros. Inmueble: Edificio o propiedad que no se puede mover, como una casa o un local. Ejemplos: El cuadro fue retirado del inmueble del propietario en Madrid. Compraron un inmueble en el centro de la ciudad para abrir una tienda. Furgón: Vehículo cerrado y grande usado para transportar mercancías o equipaje. Ejemplos: Las obras fueron trasladadas en un furgón con medidas de seguridad. El furgón llegó a la galería con varias cajas de arte. Hacer noche: Pasar la noche en un lugar durante un viaje. Ejemplos: Los conductores hicieron noche a mitad de camino antes de seguir a Granada. Vamos a hacer noche en Zaragoza y continuar el viaje mañana. Muy bien. Pues ahora tienes que entender todo lo que vamos a escuchar por segunda vez. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Te adelanto que la desaparición se ha resuelto y no han arrestado a nadie. Por lo tanto, ¿qué habrá pasado? Bueno, luego te lo cuento. Así mantengo el suspense, el misterio. Ahora voy a contarte la noticia con otras palabras. En la información nos dicen que en Granada debía presentarse una pintura de Pablo Picasso, pero que nunca llegó al lugar previsto. La obra, titulada Naturaleza muerta con guitarra y realizada en 1919, fue enviada desde Madrid como parte de un préstamo para una exposición artística. La Policía Nacional está intentando esclarecer si se trata de una pérdida accidental o de un posible robo. El cuadro iba a formar parte de una muestra organizada por la Fundación Caja Granada, pero no se encuentra en el sitio donde debía exhibirse. En la noticia nos cuentan que la pieza salió de la vivienda del propietario en Madrid, y que fue trasladada a las instalaciones de una empresa especializada en transporte de arte, una empresa que contaba con sistemas de seguridad, claro. Días después, se cargó el cuadro junto a otras obras en un vehículo cerrado y se dirigieron a una localidad que se llama Deifontes, donde los conductores pasaron la noche. El día que apareció la noticia no se había determinado en qué momento exacto se produjo la desaparición. Lo único confirmado es que nunca llegó a Granada. Seguro que estás dándole vueltas a la cabeza pensando en qué pasó realmente. Pues no te preocupes que te lo cuento en un minuto, justo después de volver a escuchar la noticia. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Venga, te lo cuento ya. En realidad, el cuadro de Picasso no desapareció y tampoco fue un robo, sino simplemente un olvido. La obra no llegó a ser cargada en el camión de transporte. De hecho, el cuadro se quedó dentro del edificio del propietario, porque los encargados de recogerlo lo olvidaron allí. Subieron al camión otras obras, pero no esa. Y el asunto se resolvió porque una vecina entró al edificio, vio un paquete en el suelo y se lo subió a su casa pensando que era de Amazon. Así de sencillo. Qué cosas pasan, ¿verdad? En este caso, el cuadro de Picasso no se perdió. Pero a lo largo de la historia, muchas obras de arte han sido robadas o han desaparecido misteriosamente. Uno de los robos más famosos fue el de La Gioconda, también conocida como La Mona Lisa, de Leonardo da Vinci. En 1911, un empleado del Museo del Louvre se llevó la pintura escondida bajo su abrigo. El cuadro fue recuperado dos años después, pero durante la investigación incluso se llegó a interrogar a Picasso como sospechoso. Otro caso emblemático es el de El grito, del noruego Edvard Munch. Esta obra fue robada dos veces: la primera en 1994 y la segunda en 2004. Afortunadamente, en ambas ocasiones se pudo recuperar. También está el robo en el Museo Gardner de Boston, en 1990, donde desaparecieron once obras maestras de artistas como Rembrandt, Vermeer y Degas, valoradas en más de 100 millones de euros. Hasta hoy, muchas de esas piezas siguen sin aparecer. Incluso el propio Picasso ha sido víctima de robos auténticos. En 2010, su obra La paloma con guisantes verdes fue sustraída en París y aún no ha sido recuperada. Bueno, por suerte, la noticia de hoy ha terminado con final feliz, y espero que te haya servido para aprender cosas nuevas del español y del artista Pablo Picasso. Y antes de despedirme, vamos a repasar las palabras y expresiones que hemos visto hoy en detalle: Expuesto: Que está visible o mostrado al público, especialmente en una exposición o museo. Extravío: Pérdida de algo, especialmente cuando no se sabe dónde está. Exhibir: Mostrar algo públicamente para que otros lo vean, especialmente en una exposición. Muestra: Exposición o presentación de obras, productos o elementos para que sean vistos por el público. Datado: Que tiene una fecha asignada, especialmente en documentos u obras de arte. Asegurado: Que tiene un seguro que cubre su valor en caso de pérdida o daño. Inmueble: Edificio o propiedad que no se puede mover, como una casa o un local. Furgón: Vehículo cerrado y grande usado para transportar mercancías o equipaje. Hacer noche: Pasar la noche en un lugar durante un viaje. Si alguna vez haces noche en Madrid, recuerda que puedes ver algunas obras de Picasso en varios museos de la capital. No dejes pasar esa oportunidad. Por mi parte, es todo por hoy. Te agradezco mucho que sigas ahí apoyándome y te espero la próxima semana con más contenido exclusivo solo para ti. Adiós. Escucha este episodio completo y accede a todo el contenido exclusivo de Se Habla Español. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/171214

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

Vụ trộm táo bạo hôm 19/10/2025 tại Louvre, một trong những biểu tượng văn hóa của Pháp tại Paris, bảo tàng nổi tiếng nhất thế giới, được xem là « vụ trộm thế kỷ » gây chấn động công luận trong và ngoài nước Pháp. Đây không chỉ là một mất mát cho giới bảo tàng của Pháp, với những bộ sưu tập hàng đầu thế giới, mà còn đặt ra nhiều câu hỏi về an ninh tại các bảo tàng, nhà thờ, công trình văn hóa … Bộ trưởng Văn Hóa Pháp Rachida Dati cũng thừa nhận rằng bảo tàng Louvre không phải là trường hợp cá biệt, « đã tồn tại những lỗ hổng an ninh và chúng cần được giải quyết ». Quả thực, vấn đề bảo vệ an ninh, tài sản tại các bảo tàng chưa bao giờ lại là chủ đề gây tranh cãi nhiều đến vậy. Trong khi dư luận dậy sóng, đặt lại các câu hỏi về biện pháp bảo vệ an ninh của bảo tàng Louvre nói riêng và cảnh sát Paris nói chung, hàng trăm chuyên gia tích cực điều tra về vụ trộm táo bạo cướp đi 88 triệu euro báu vật của Pháp, thì vào ngày thứ Ba, 28/10, Cục Thông tin, Tình báo và Phân tích Chiến lược về Tội phạm có tổ chức (Sirasco) của Pháp ghi nhận sự gia tăng các vụ trộm đồ tạo tác (các vật phẩm được con người tạo ra, thường mang giá trị khảo cổ) và tác phẩm nghệ thuật của các bảo tàng trong thời gian gần đây. Trung bình, mỗi năm có khoảng 20 vụ trộm cắp tại hơn 1.200 bảo tàng trên toàn nước Pháp. Nhưng theo AFP, báo cáo của Sirasco đã vẽ nên một bức tranh đáng lo ngại, nêu rõ là « các bảo tàng, nhà thờ và cá nhân tại Pháp ngày càng trở thành mục tiêu của tội phạm nhắm vào những báu vật và tác phẩm nghệ thuật quan trọng mà họ sở hữu ». Cục Cảnh sát Tư pháp Quốc gia (DNPJ) lưu ý là nhiều vụ trộm di sản hoặc hiện vật văn hóa khác đã liên tục xảy ra trong những tuần gần đây. 7 vụ trộm nghiêm trọng chỉ trong vòng 2 tháng Ví dụ, vào ngày 20/10, khi cả nước Pháp còn đang kinh ngạc về vụ trộm ở Louvre, thì bảo tàng Langres ở tỉnh Haute-Marne, vùng Grand Est, miền đông bắc, cũng bị trộm đột nhập, nhắm vào các đồng tiền vàng và bạc có từ thế kỷ 18. Trước đó, vào đầu tháng 9, một hiện vật là đồ sứ Trung Quốc, được xếp hạng « bảo vật quốc gia », đã bị đánh cắp khỏi bảo tàng Dubouché ở Limoges. Thiệt hại ước tính lên tới hơn 6,5 triệu euro. Vào ngày 21/10, một công dân Trung Quốc đã bị bắt tại sân bay Barcelona, Tây Ban Nha, với 1 kg vàng nấu chảy : người này bị tình nghi đã tham gia vào vụ trộm gần 6 kilogram vàng tự nhiên (chưa qua tinh chế) tại bảo tàng Lịch sử Tự nhiên ở Paris hồi tháng 09. Hôm 12/10, bảo tàng về tổng thống Pháp Jacques Chirac (nhiệm kỳ 1995-2007) ở Sarran, Corrèze, cũng trở thành mục tiêu. Những kẻ phạm tội nhắm vào các quà tặng ngoại giao mà ông Chirac đã được các nước tặng trên cương vị tổng thống, trong đó có đồng hồ và trang sức. Jean-Baptiste-Félicité, người đứng đầu Văn phòng Trung ương về Chống Buôn bán Tài sản Văn hóa (OCBC), xác nhận trong phiên điều trần trước Ủy ban Văn hóa của Thượng viện Pháp ngày 29/10/2025 : « Chúng tôi thấy có sự gia tăng các vụ nghiêm trọng trong hai tháng qua, tức là tháng 09 và 10. Chúng tôi ghi nhận là có ít nhất 7 bảo tàng đã bị nhắm tới trong những vụ mà các thủ phạm có sử dụng bạo lực, thậm chí là dùng vũ khí ».   Theo nhà chức trách Pháp, kẻ trộm hoặc nhắm vào các tác phẩm nghệ thuật vì giá trị nội tại của chúng : Đây thường là các vụ trộm được tiến hành kiểu theo đơn đặt hàng, nhưng cũng có thể là ăn trộm rồi bán cho các mạng lưới chuyên tẩu tán hàng ăn cắp ; hoặc kẻ trộm nhắm vào kim loại hoặc đá quý, những món hàng có thể chia tách ra từng phần nhỏ hoặc được nung chảy ra để bán lại mà không sợ bị nhà chức trách phát hiện nguồn gốc là sản phẩm bị đánh cắp. Trong bối cảnh bất ổn định chính trị toàn cầu, vàng được coi là « nơi trú ẩn an toàn », khối lượng vàng mua vào và giá vàng đều tăng chóng mặt trong thời gian qua. Cục Thông tin, Tình báo và Phân tích Chiến lược về Tội phạm có tổ chức (Sirasco) lưu ý rằng các hiện vật làm bằng vàng là mục tiêu đặc biệt bị kẻ trộm nhắm tới. Các đồ vật bằng bạc cũng thu hút tội phạm. Về phương pháp hoạt động, các nhóm tội phạm đôi khi sử dụng « các chiến thuật bạo lực » và « có thể thuê người thông qua các dịch vụ nhắn tin được mã hóa » hoặc qua các mạng xã hội. Để tăng cường an ninh tại bảo tàng Louvre, sau « vụ trộm thế kỷ » kéo dài 7 phút, chủ tịch kiêm giám đốc bảo tàng, Laurence Des Cars, đã yêu cầu đặt một đồn cảnh sát bên trong bảo tàng, nhưng cả bộ trưởng Nội Vụ Pháp, Laurent Nuñez, nguyên cảnh sát trưởng Paris, và tân cảnh sát trưởng Paris, Patrice Faure, đều bác bỏ. Hôm 29/10, trước Ủy ban Văn Hóa của Thượng Viện, cảnh sát trưởng Paris, Patrice Faure phát biểu : « Tôi kiên quyết phản đối, vì hai lý do : nếu chúng tôi chấp thuận yêu cầu này, tất cả các bảo tàng khác đều sẽ yêu cầu chúng tôi đặt đồn cảnh sát ở đó. (…) Tôi không nghĩ việc đặt một đồn cảnh sát bên trong (bảo tàng) sẽ là giải pháp lâu dài cho những khó khăn mà bảo tàng Louvre đang gặp phải (…) Và tôi nghĩ việc đó rõ ràng là sẽ vấp phải một số khó khăn, đặc biệt là bởi vì, nhìn chung thì kẻ trộm sẽ không ở lại nơi chúng đã đột nhập mà sẽ cố gắng thoát ra ngoài và mang theo các món đồ đã lấy trộm ». Chính vì vậy, cảnh sát trưởng Paris nhấn mạnh đến tầm quan trọng của sự hiện diện của cảnh sát xung quanh bảo tàng Louvre, bởi trong năm 2025, cảnh sát đã tiến hành can thiệp gần 1100 lần. Bộ trưởng Nội Vụ cũng đã ra chỉ thị cho các tỉnh trưởng tăng cường hệ thống an ninh quanh các cơ sở văn hóa nếu cần. Trong khi đó, Jean-Baptiste Félicité, Văn phòng Trung ương về Chống Buôn bán Tài sản Văn hóa (OCBC), cảnh báo cần tránh khả năng xảy ra « hiệu ứng Đường Maginot » (effet ligne de Maginot), ý nói tới một sự bảo vệ tưởng chừng vững chắc nhưng thực ra lại là vô hiệu, vì chỉ tập trung vào một mối nguy cũ, trong khi kẻ thù hoặc vấn đề thật sự đến từ nơi khác, nói cách khác là một cảm giác an toàn giả tạo do dựa vào một hệ thống bảo vệ lỗi thời. Trộm cắp không chỉ là mối de dọa duy nhất Trả lời chất vấn của Ủy ban Văn hóa của Thượng Viện, ông Jean-François Hébert, tổng cục trưởng Di sản và Kiến trúc thuộc bộ Văn Hóa, giới thiệu khái quát các mối đe dọa mà các bảo tàng Pháp phải đối mặt trong những năm gần đây: « Chúng ta (nước Pháp) thực sự sở hữu những bộ sưu tập phong phú nhất. Ý và nhiều nước châu Âu khác cũng có những bộ sưu tập rất phong phú, nhưng chúng ta chắc chắn nằm trong số những nước có những bộ sưu tập phong phú nhất thế giới. Và những bộ sưu tập này có thể được trông thấy trên khắp đất nước, nhất tại các bảo tàng. (…) Có 1.220 bảo tàng ở Pháp được công nhận là « Musée de France », danh hiệu « bảo tàng Pháp » dành cho các cơ sở đáp ứng một số tiêu chí mà tôi xin phép không đề cập chi tiết ở đây. 61 bảo tàng trong số này thuộc về Nhà nước, mà chúng tôi gọi là các bảo tàng quốc gia. Hầu hết các bảo tàng còn lại, gần 1.200 bảo tàng, thì do chính quyền địa phương quản lý. Và tất cả các bảo tàng, dù là bảo tàng quốc gia hay bảo tàng do chính quyền địa phương quản lý, thì đều có trách nhiệm, không chỉ lưu giữ, bảo tồn, làm giàu hay nghiên cứu, tìm hiểu về các bộ sưu tập của mình, mà còn phải giới thiệu các bộ sưu tập này đến với công chúng, đến càng nhiều người thì càng tốt. Bảo vệ các bộ sưu tập công khỏi những mối đe dọa mà chúng phải đối mặt không phải là một nhiệm vụ dễ dàng. Tôi nghĩ rằng tất cả chúng ta đều nhận thức được điều đó, nhất là bởi vì các mối đe dọa rất đa dạng. Có thể nói đến hỏa hoạn, chúng ta cũng đừng quên nói đến lũ lụt, các hành vi phá hoại, hay là trộm cắp. Tôi muốn nhắc lại về những hành động đã được truyền thông nói đến rầm rộ, những hành động của những người thường được gọi chung là các nhà hoạt động vì khí hậu. Mọi người có thể quên, nhưng chuyện mới xảy ra cách nay chưa quá lâu, chỉ mới 2 năm trước thôi. Những người này đã cố tình xịt một loạt chất lỏng lên một số kiệt tác trong các bảo tàng của chúng ta để lôi kéo công luận chú ý đến cuộc đấu tranh của họ.   Riêng về vấn đề trộm cắp, trong trường hợp này, nó không chỉ đơn thuần là làm hư hại các tác phẩm nghệ thuật, và mọi người đều đồng ý rằng mối đe dọa đang không ngừng gia tăng kể từ năm 2015 trở đi, khi bắt đầu có nhiều vụ khủng bố diễn ra. Ngoài ra, còn có các cuộc biểu tình đầy bạo lực diễn ra ngay trước cổng các bảo tàng, đã có rất nhiều áp lực đè nặng lên mọi người. Và giờ đây, chúng ta đã thấy rõ ràng là chính các hiện vật, chính các bộ sưu tập, là mục tiêu bị nhắm tới ». Đây cũng là dịp để báo chí Pháp điểm lại những vụ trộm lớn nhắm vào các bảo tàng danh tiếng của Pháp trong quá khứ. Ví dụ theo trang CNEWS, vào ngày 20/05/2010, 5 kiệt tác của các danh họa Pablo Picasso, Henri Matisse, Georges Braque, Amedeo Modigliani và Fernand Léger, với tổng trị giá lên tới khoảng 100 triệu euro, được trưng bày tại Bảo tàng Nghệ thuật Hiện đại ở Paris, đã bị lấy đi ngay giữa ban ngày. Kẻ trộm, một người Croatia-Bosnia có tên là Vjeran Tomic, đã lợi dụng một lỗ hổng bảo mật : các cảm biến chuyển động đã ngừng hoạt động trong 2 tháng. Bị bắt gần một năm rưỡi sau đó, đến năm 2017, « Người Nhện » đã bị kết án 8 năm tù. Mặc dù không có tác phẩm nghệ thuật nào được tìm thấy, nhưng câu chuyện về vụ trộm 5 kiệt tác tại Bảo tàng Nghệ thuật Hiện đại ở Paris này đã truyền cảm hứng cho bộ phim Pháp dài tập « Les règles de l'art » - Các quy tắc về nghệ thuật, của Dominique Baumard, được phát hành trong năm nay. Chính bảo tàng Louvre và kiệt tác nổi tiếng nhất « La Joconde » - Nàng Mona Lisa - hồi năm 1911 cũng từng là nạn nhân của một vụ đánh cắp gây chấn động. Vincenzo Peruggia, một người thợ kính người Ý, tham gia vào việc phục chế tranh ở bảo tàng, đã đánh cắp bức tranh vì điều ông ta gọi là lòng yêu nước, để trả lại « La Joconde » cho nước Ý. May mắn là bảo tàng Louvre đã thu hồi lại được tuyệt phẩm của Leonard De Vinci. Lần này cơ may có lặp lại với bảo tàng Louvre sau « vụ trộm có tổ chức » hôm 19/10 hay không ? Các cuộc điều tra vẫn đang tích cực diễn ra, nhưng trước mắt, nhiều chuyên gia và nhà chức trách nhận định khó có thể thu hồi lại được « nguyên vẹn » những báu vật « vô giá về lịch sử » của Pháp. Trong một bài đăng trên Diễn đàn của báo Le Monde hôm 27/10, 57 người đứng đầu các bảo tàng lớn của Pháp cũng như ở khắp nơi trên thế giới, từ Tokyo, Luân Đôn, Barcelona, đến New York … bày tỏ tình liên đới với chủ tịch - giám đốc bảo tàng Louvre : « Bảo tàng không phải là pháo đài hay những két sắt chống trộm ». Họ nhấn mạnh là « những rủi ro, nguy cơ bị trộm cắp đè nặng lên tất cả các bảo tàng, lên mỗi tác phẩm nghệ thuật ngay khi chúng được trưng bày » và trộm cắp chính là « một trong những nỗi sợ hãi lớn nhất » của các bảo tàng, vốn dĩ « cũng không thoát khỏi sự tàn bạo của thế giới » và hiện giờ « đang phải đối mặt với những hành vi ngày càng bạo lực hơn ».

®In occasione della doppia esposizione dedicata alla produzione grafica di Pablo Picasso e di Markus Raetz Voci dipinte trasmette una puntata speciale in diretta dal Museo d'arte di Mendrisio. Due percorsi espositivi complementari che documentano la passione per la stampa d'arte di due artisti del Novecento molto diversi per generazione, stile e poetica, ma che si sono distinti per la loro sperimentazione calcografica e la capacità di innovare le varie tecniche incisorie.Di Picasso sono state riunite ben 150 opere che provengono dall'importante fondo donato dal collezionista svizzero Georges Bloch alla Fondazione Gottfried Keller agli inizi degli anni Settanta. Di Markus Raetz sono esposte oltre 80 incisioni – molte delle quali inedite –, che documentano un capitolo della sua produzione: l'opera incisa con la tecnica del bulino.Insieme alle co-curatrici della mostra, Barbara Paltenghi Malacrida e Francesca Bernasconi vi racconteremo le opere in mostra e le storie che racchiudono.Prima emissione: 05 ottobre 2025.

I found a post from Kylie Riordan (@mindfulheal) that connected to my good friend, Dr. Jeff Lip.  This quote is one of many that Jeff shared with my students when he spoke to my classes over the years. It's one he believes in strongly and so do I.  The quote is from Pablo Picasso who said, “The meaning of life is to find your gift. The purpose of life is to give it away.” When we can do this - and we focus on helping others, making a difference for others - that is a very rich life! Once again, the world needs people to connect with this quote more and more now. We all have gifts. Keep seeking yours and then give it away while serving others with that gift.  Thanks for listening.  Please take a few moments to subscribe & share this with someone, also leave a 5 Star rating on Apple Podcasts and ITunes or other services where you find this show.  Find me on Facebook:  https://www.facebook.com/coachtoexpectsuccess/   on Twitter / “X”:  @coachtosuccess   and on Instagram at:  @coachjohndaly  - My YouTube Channel is at: Coach John Daly.   Email me at: CoachJohnDalyPodcast@gmail.com     You can also head on over to https://www.coachtoexpectsuccess.com/ and get in touch with me there on my homepage along with checking out my Top Book list too.  Other things there on my site are being worked on too.  Please let me know that you are reaching out to me from my podcast.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz walk you through the five financial accounts you need to set up BEFORE the calendar turns to 2026. ---

Hoy sometemos a juicio a Pablo Picasso. Durante años ha sido el gran genio adorado. Pero en los últimos años se ha convertido en un monstruo maltratador despreciable. ¿Qué hizo exactamente en su vida privada para ganarse esta fama? Nuestro artesano, Pablo Ortiz de Zárate,  aporta pruebas a su favor y en su contra para que los oyentes decidan si lo condenan o absuelven.

Comenzamos una nueva semana en la que Bob Bob que nos pregunta: ¿Qué haces con tus amigos fachas? Ayer fue día de clásico y por eso en la Dupla, con Galder Reguera y Rafa Cabeleira, hablamos sobre lo que nos dejó el partido y sobre la figura de los defensas. Seguimos con nuestro Artesano, Pablo Ortiz de Zárate, que le hace un juicio a Pablo Picasso. Y para cerrar el programa en Mitos planteamos si dormir juntos está sobrevalorado.  

National Chucky the notorious killer doll day. Entertrainment from 1961. King of Greece dies from a monkey bite, US Sub torpedo's itself, 1st electronic watches went on sale. Todays birthdays - Pablo Picasso, Minnie Pearl, Marion Ross, Helen Reddy, John Anderson, Nancy Cartwright, Mark Miller, Ed Robertson, Katy Perry, Ciara. Vincent Price diedIntro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/ Chucky sings a songRunaround sue - DionWalk on bye - Leroy Van DykeBirthdays - In da club - 50 Cent    http://50cent.com/Happy Days TV themeI am woman - Helen ReddyLeave it - YesDo the Bartman - The SimpsonsSome girls do - Sawyer BrownOne week - Barenaked LadiesTeenage dream - Katy Perry1 2 step - CiaraExit - Time Bomb - Jason Sturgeon      https://www.jasonsturgeonmusic.com/countryundergroundradio.comHistory & Factoids about today webpage

El 25 de octubre de 1881 nació el artista Pablo Picasso.

Ce 25 octobre, le monde célèbre la Journée internationale des artistes, coïncidant avec la naissance de Pablo Picasso. L'occasion de mettre en lumière le rôle des créateurs et de rapprocher les artistes du public, rappelle National Day Calendar. À Maurice, Top FM a donné la parole à Joëlle Coret, présidente de l'Union des Artistes. Elle rappelle que les artistes attendent toujours la reconnaissance officielle de leur statut, tout en saluant l'introduction de la Convention nationale sur les Arts et la Culture, qu'elle espère voir prochainement concrétisée. Pour sa part, le chanteur Demaiko Raboude insiste sur la nécessité de mieux valoriser les artistes, de reconnaître leur contribution et de mettre en place un « One Stop Shop » pour faciliter l'organisation de concerts et d'événements culturels.

"Art is the lie that enables us to realize the truth." - Pablo Picasso said and then painted Guerica in response to the 1937 bombing of the Basque town of Guernica by Nazi and Fascist forces. “The artist's role is not to look away.” - Akira Kurosawa, Japanese filmmaker once said and then directed High and Low, a film about the moral dilemmas of a capitalist society and the consequences. “Art holds up the mirror to nature.” - William Shakespeare, Hamlet (Act 3, Scene 2) a sentiment similar to Aristotle, who once said "Art imitates life." The duty and role of an artist in society is not always to simply entertain. For more information about the No Kings protest, please visit https://www.nokings.orgAmong the Thorns will be here July 14th - Preorder available following this link herePreorder MAGIC REBORN hereSTRANGE FAMILIAR is liveJoin my Patreon and Discord for mentoringYou can always buy print copies of my books from my local indie, Beastly Books!Sign up for my newsletter! Support the show! Buy LoveLitCon tickets here using LOVE8368 for $10 OFF!Signed bookplates available hereThe posture correcting sports bra I love almost more than life itself can be found hereAs always, thank you for watching and let me know what you think ~ Jeffe KennedySupport the showSocials Join my Patreon and Discord for mentoring Sign up for my newsletter! Support the show! Find me on Threads Visit my website Follow me on Amazon Follow me on BookBub Find me on Instagram and TikTok! @jeffekennedy2016 @jeffe_kennedy The posture correcting sports bra I love almost more than life itself can be found here Thank you for watching or listening! See you all soon.

“Picasso: From the Studio” opens at the National Gallery of Ireland, which offers a once in a generation opportunity to see this collection of work by one the most influential artists of the 20th century, Pablo Picasso, in Ireland. Joining Pat in studio to chat all about the exhibition was Dr. Caroline Campbell, Director of the National Gallery of Ireland.

The Museum of Modern Art, also known as the MoMA, in New York City, is one of the most worthwhile museums to visit while in the city. With 5+ floors and hundreds of thousands of pieces, including works by Jackson Pollock, Pablo Picasso, and Paul Cézanne, there is something for everyone at this world-class museum.Before you go, listen to this episode covering some of the most famous art, tour options, ticket prices, and must-know tips for your museum visit.

THE PICASSO INHERITANCE: THE UNTOLD PABLO PICASSO ESTATE BATTLE: EPISODE 324Pablo Picasso painted the world in ways no one had ever seen—but when it came to his estate, he left behind a disaster. No will, no plan, just years of legal battles, family feuds, and millions lost in court fees.In this episode, we uncover Picasso's childhood, his rise to artistic genius, his marriages and complicated family life, and the shocking truth behind his estate battle. We'll explore why so many celebrities (and everyday families) make the same mistake of skipping estate planning—and how modern challenges like NFTs, crypto, and digital art make it even more important to plan ahead.This is more than art history—it's a wake-up call. Whether you're an investor, an artist, or just someone with a family teapot that everyone loves, these lessons matter.✅ Don't repeat Picasso's mistake. Check out our Estate Planning Books in the BOOKSTORE for practical, witty, and easy-to-use guides that protect your legacy.

In our Singapore Home Brew segment “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys talk with Gilles Dyan, Founder and Chairman of Opera Gallery regarding “The Singapore Masters Show: From Monet to Condo” — a landmark exhibition running to 3 November at Opera Gallery Singapore in ION Shopping Centre. Timed to coincide with the Formula 1 Singapore Grand Prix, this show features 25 iconic works spanning 135 years of art history, from Impressionism to Pop Art to contemporary figuration. See masterpieces by Claude Monet, Pierre-Auguste Renoir, Pablo Picasso, Yayoi Kusama, Andy Warhol, Jean-Michel Basquiat, George Condo, and more. This episode offers a glimpse into the provenance, cultural significance, and curatorial vision behind one of Singapore’s most ambitious commercial art showcases. Learn more at operagallery.com.See omnystudio.com/listener for privacy information.

In this episode, I talk with Steven Puri, co-founder of the focus app Sukha and former Hollywood executive, about focus and flow — what it feels like, why it matters, and how to increase it. We cover a range of tools and techniques, including: sound, physical space, to-do lists, community, solitude, time of day, and simple items like a pencil, paper, and a timer, along with lessons from Hollywood on creating great work and fulfilling your dreams.Connect and Learn More: Website: thesukha.coEmail: Shared in the episodeLinkedIn: linkedin.com/in/steven-puriResources Mentioned:Apps: Brain.fm, Endel, Forest, TodoistBooks: Deep Work by Cal Newport, Flow by Mihaly Csikszentmihalyi, Indistractable by Nir Eyal, The Net and the Butterfly by Olivia Fox Cabane & Judah PollackCompanies: Alaska Airlines, Amazon, Disney, Dreamworks Animation, Fox Corporation, Hilton, LucasFilm, Marvel, Meta, M. Fredric, News Corp, Nike, Oura Health, Pixar, Spiegel, TikTok, Twitter, Universal Studios, Vine, YouTubeMovies: A Good Day to Die Hard, Alien vs. Predator, Ant-Man, Die Hard with a Vengeance, Independence Day: Resurgence, Live Free or Die Hard, Mission: Impossible III, My Best Friend's Wedding, Rain Man, Stargate, Star Trek, The Island, The Mask of Zorro, The Wolverine, Transformers, Transformers: Revenge of the FallenPeople: Alex Kurtzman, Bob Iger, Bob Orci, Chase Carey, Dean Devlin, Elon Musk, Evan Spiegel, Francesco Cirillo, George Lucas, Hephaestus (character), Jake Paul, James Clear, James Dean, John Diemer, Judah Pollack, Logan Paul, Mark Zuckerberg, Marie Curie, Michael Jordan, Mihaly Csikszentmihalyi, Nir Eyal, Olivia Fox Cabane, Pablo Picasso, Prometheus (character), Pyotr Ilyich Tchaikovsky, Ronald Bass, Ronald Emmerich, Rupert Murdoch, Spike Jonze, Steve Jobs, Tony MauroPlaces: Austin, Bali, Chiang Mai, Cyprus, Kathmandu, Puerta Vallarta, San Francisco, ViennaPodcasts: Deep Questions with Cal Newport

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz sit down with Ilya Pozin, the co-founder and CEO of Telly. Telly's business model is simple: give away premium TVs for free, then make money on the backend with ads. To learn more about Ilya Pozin, follow him on X and Instagram. To sign up for Telly's waitlist, visit their website. ---

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz explain how $9.99 tricks your brain into buying more subscriptions than you need. By simply investing the $194 / month the average American has in subscriptions they don't use at 12% over 30 years, you'll have $678K in retirement. ---

Sabías que la gran mayoría de respuestas a tu versión adulta… ya las sabe tu niña interior?Pablo Picasso tiene una frase que dice: “La inspiración existe pero tiene que encontrarte trabajando”. Y hoy vengo a desmentirla.  La inspiración es uno de los puntos de bloqueo que más dificulta la comunicación y las estrategias de una marca. Y sabes por qué? Porque intentamos encontrarla trabajando. Y no, no se encuentra aquí. La inspiración aparece cuando tu mente está trabajando en segundo plano, divirtiéndose, charlando distendidamente… Y para eso claro, necesitas tener espacios en tu día que sean de placer y no de trabajo. Por eso en Las Referentes unimos la estrategia de negocio con la comunicación y la diversión. A caso no te lo mereces?En este episodio te cuento cómo nació el concepto creativo detrás de Las Referentes, por qué la creatividad no se entrena en una oficina, y cómo convertir una vivencia personal en una narrativa de marca inolvidable.✨ Si te has sentido alguna vez "demasiado creativa para encajar", este episodio es para ti.

Kerry James Marshall: The Histories at the Royal Academy of Arts in London is the largest ever European retrospective of the work of the US artist and has been greeted with universal critical acclaim. Ben Luke takes a tour of the exhibition with Mark Godfrey, its curator, and visits a related exhibition of Marshall's graphic novel project, Rythm Mastr, at The Tabernacle in Notting Hill, London, with the co-curator of that show with Godfrey, Nikita Sena Quarshie. Last week, the National Gallery in London announced that it will build a major new extension, at a cost around £400m, of which £375m has already been raised. Project Domani, as it is called, is billed by the National as the largest transformation since it was founded, 200 years ago. The National will also expand its collecting boundary beyond 1900 in a major shift in the division of UK national collections. The Art Newspaper's digital editor, Alexander Morrison, talks to the director of the National Gallery, Gabriele Finaldi. And this episode's Work of the Week is The Three Dancers by Pablo Picasso, one of the greatest of all the many thousands of works by the Spanish artist. The painting was made in 1925 and Tate Modern is celebrating its centenary with an exhibition, Theatre Picasso, in which The Three Dancers is the centrepiece. Ben talks to Natalia Sidlina, co-curator of the exhibition, and to Enrique Fuenteblanca who, with the artist Wu Tsang, has designed the radical staging of the exhibition.Kerry James Marshall: The Histories, Royal Academy of Arts, London, 20 September-18 January 2026; Kunsthaus Zürich, 27 February-16 August 2026; Musée d'Art Moderne de Paris, 18 September 2026-24 January 2027; Rythm Mastr: The Chronicles, The Tabernacle, London, until 14 December.Theatre Picasso, Tate Modern, London, until 12 April 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

️ Descripción del episodio / video El hombre es el niño del padre. Con esta cita de Wordsworth abrimos una reflexión íntima, emocional y poderosa sobre la figura del padre en la construcción de la identidad masculina. En este episodio de La teoría de la mente (o en este vídeo de AMADAG TV), nos sumergimos en un tema tan profundo como silenciado: la huella del padre en la vida de los hombres. ‍ A lo largo de más de 25 años en consulta, hemos escuchado cientos de historias marcadas por el deseo de aprobación, el peso del juicio, el miedo a decepcionar o la imposibilidad de ser vistos realmente por quien debió abrirnos la puerta a la vida. No se trata de restar importancia a las madres, sino de rescatar esa parte esencial de la experiencia masculina que muchas veces queda oculta bajo la coraza del silencio o la exigencia. A través de la historia de la famosa carta de Franz Kafka a su padre —un documento brutal, tierno y demoledor— exploramos cómo el amor no expresado, el juicio constante o la ausencia de reconocimiento pueden dejar cicatrices duraderas. Pero también nos acercamos a figuras como Richard Feynman o Pablo Picasso, quienes nos muestran cómo un padre puede abrir ventanas, inspirar mundos y legitimar el camino de un hijo. ️‍ ️ La figura del padre es más que un modelo: es, a veces, un portero simbólico que decide si mereces estar en la fiesta de la vida o si te colaste por error. Ese “ticket” simbólico es el que muchos hombres persiguen durante años, sin saber que quizás el botón que activa esa validación no está en sus manos, sino en la capacidad (o la limitación) del padre para reconocer sin desaparecer. En muchos casos, el camino hacia la salud emocional consiste en reconocer que ese permiso nunca llegó... y aún así seguir adelante. Dar el paso de convertirse en el padre que no se tuvo, ofrecerse uno mismo el reconocimiento que faltó y entender que no era Dios... era solo un hombre, con miedos, límites y su propia historia no resuelta. ✨ Porque tal vez no podamos cambiar el pasado, pero sí podemos escribir un nuevo presente. Un presente donde la curiosidad es una forma de amor, donde podemos mirar con ternura al niño que fuimos y decirle: “Lo hiciste bien, ahora sigue tu camino.” Palabras clave (SEO) relación padre hijo,hombres y sus padres,herida paterna,psicología del padre,relación paterna,figura del padre,trauma paterno,validación del padre,autoestima masculina,relación con el padre,kafka y su padre,carta al padre,psicología masculina,psicología emocional,paternidad,masculinidad y emociones,roles familiares,amor paterno,aceptación del padre,ausencia del padre,conflicto padre hijo,autoafirmación masculina,terapia para hombres,niño interior masculino,heridas emocionales Hashtags #RelaciónPadreHijo, #PsicologíaMasculina, #Kafka, #AutoestimaMasculina, #HeridaPaterna, #LaTeoríaDeLaMente Títulos sugeridos (con fórmulas clickbait) 4 cosas que todo hombre necesita escuchar de su padre (y casi nunca oye) Por qué dejar de buscar la aprobación de tu padre lo cambia todo Esta carta jamás fue leída… pero liberó a millones de hijos 5 heridas que te deja un padre que nunca te reconoció Esta manera de sanar tu relación con tu padre te cambiará para siempre Enlaces recomendados Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página Web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw

Donald Trump has begun the first full day of his unprecedented second state visit to Britain. Also on the programme, Israel says it will open another route out of Gaza City, after the main road south became clogged with vehicles; and, Pablo Picasso takes to the stage.(Photo: US President Donald Trump and King Charles III walk during the ceremonial welcome at Windsor Castle, Berkshire, on day one of the president's second state visit to the UK. Picture date: Wednesday September 17, 2025. Jonathan Brady/Pool via REUTERS)

Every child is an artist. The problem is how to remain an artist once he grows up. –Pablo Picasso Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Exclusive Deals For Reading With Your Kids Listeners! Visit www.zivo.life and use the promo code READ to get 30% off The Better Microalgae – your ultimate daily nutrient boost! Visit www.BigForkBrands.com and use the promo code READ to get 20% off the most delicious pork snacks ever. Visit www.CozyEarth.com and use the promo code READ to get an incredible 41% off their ultra cozy and comfy bedding. In this lively episode of Reading With Your Kids, host Jed Doherty welcomes two fantastic children's authors: Dan Gutman and Kimberly Tso. First up, Dan Gutman returns to the show to chat about his brand-new middle grade novel, The Picasso Curse. Dan shares the fascinating real-life history behind the book—did you know Pablo Picasso was once a suspect in the theft of the Mona Lisa? Dan reveals how this “what if” moment inspired his story about a modern-day kid who stumbles upon a lost Picasso sketch at a flea market, only to discover that sudden fame and fortune come with unexpected challenges. The conversation dives into themes like decision anxiety, the pressures of growing up today, and the importance of encouraging kids to dream big and talk about their aspirations. Next, Jed sits down with Kimberly Tso, author of the delightful new picture book Tic Tac Toe Chicken. Kimberly's story is inspired by a real chicken in New York City's Chinatown that was trained to play tic-tac-toe against visitors! She discusses how her childhood memories and a desire to see the world through a child's eyes shaped the book, which follows a young girl named Beatrice as she questions the ethics of the chicken's life and ultimately helps rescue it. Kimberly and Jed explore the unique culture of Chinatown, the power of empathy, and the value of listening to children's perspectives. Whether you're a parent, teacher, or young reader, this episode is packed with inspiration, laughter, and thoughtful insights into the creative process behind two unique children's books. Don't forget to check out The Picasso Curse and Tic Tac Toe Chicken at your local bookstore or library, and keep the conversation going with your kids about art, dreams, and seeing the world in new ways! Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!

What would you do if you found out you accidentally bought a priceless work of art? Would you sell it? Would you donate it? Would you get rid of it? Or would you keep it secret? In Dan Gutman's latest book, 'The Picasso Curse', Edwin discovers he's bought a Picasso original piece of art hidden behind a $10 Kobe Bryant poster. Little does he know this discovery is about to change his whole life! We're thrilled to welcome back Dan Gutman to the podcast to discuss all things about art, Picasso, and a lot of 'what ifs!?' Enjoy!   About Dan Gutman New York Times best-selling and award-winning author Dan Gutman has written more than 190 books for readers from kindergarten through middle school. Dan's My Weird School series includes 100+ titles, and has sold more than 35 million copies globally over the past 20 years. Dan also is the author of the best-selling Genius Files series, the Baseball Card Adventure series, and many more. Dan's books have been named Junior Library Guild Selections and Bank Street College's Best Children's Books of the Year, and have been awarded numerous state book awards, including: The California Young Reader Medal, the Massachusetts Children's Book Award, and the Iowa Children's Choice Award, among others. When he's not writing books, Dan loves to ride his bike, play pickleball, throw Frisbees, and explore New York City where he lives with his wife Nina. To find out more, follow Dan on Facebook, X, and Instagram. About 'The Picasso Curse' What would happen if you accidentally bought a doodle worth millions? Edwin Hodge finds out in this middle grade novel by Dan Gutman, bestselling author of My Weird School series. There were so many things Edwin Hodge didn't know when he paid $10 for a cool poster of Kobe Bryant at the local flea market. He didn't know that hidden within the frame of the poster was an original drawing by Pablo Picasso, one of the most famous artists in history. He didn't know the Picasso might be worth millions of dollars. He didn't know that kids at school were going to treat him differently, or that he would become a world famous social media superstar. And he sure didn't know that people would tap his phone, follow him home, break into his house, or threaten to burn it down. He didn't know the Picasso was going to ruin his life.   Make sure to check out the Dtalkspodcast.com website! Thanks to Empire Toys for this episode of the podcast! Nostalgia is something everyone loves and Empire Toys in Keller Texas is on nostalgia overload.   With toys and action figures from the 70's, 80's, 90's, and today, Empire Toys is a one-stop-shop for a trip down memory lane and a chance to reclaim what was once yours (but likely sold at a garage sale)   Check out Empire Toys on Facebook, Instagram, or at TheEmpireToys.com AND Thanks to Self Unbound for this episode of the podcast: Your quality of life: physically, emotionally, mentally, and spiritually, is a direct reflection of the level of abundant energy, ease, and connection your nervous system has to experience your life!    At Self Unbound, your nervous system takes center stage as we help unbind your limited healing potential through NetworkSpinal Care.    Access the first steps to your Unbound journey by following us on Facebook, Instagram, or at www.selfunbound.com

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share with you how to 70X, 26X, and 10X your money over time. Remember, investing doesn't mean you're taking thousands of dollars at once and putting it in the markets – but sometimes $5 or $10. When you have compound interest on your side, investing any amount of money moves the needle over time. You can find this money in your weekend spending, your car payment, or even your monthly mortgage. Have a plan, stick to it, and stay consistent!—

What would happen if you accidentally bought a doodle worth millions? Edwin Hodge finds out in this middle grade novel by Dan Gutman, bestselling author of My Weird School series.There were so many things Edwin Hodge didn't know when he paid $10 for a cool poster of Kobe Bryant at the local flea market.He didn't know that hidden within the frame of the poster was an original drawing by Pablo Picasso, one of the most famous artists in history. He didn't know the Picasso might be worth millions of dollars. He didn't know that kids at school were going to treat him differently, or that he would become a world famous social media superstar.And he sure didn't know that people would tap his phone, follow him home, break into his house, or threaten to burn it down. He didn't know the Picasso was going to ruin his life.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Bible Reading: Genesis 1:27; 1 Peter 1:18-19"I don't get it, Grandpa." Malik scratched his head as he looked at the painting. "What is it?""Well, the title is Three Musicians. Try squinting your eyes and tilting your head." "I think I see a clarinet and a guitar, but the musicians look a little creepy.""That's the beauty of art," said Grandpa. "Everyone sees something different." Malik and his grandparents were spending the afternoon at an art museum. Malik had never seen so many paintings and sculptures. Hundreds of pieces of artwork hung on walls that stretched on for what seemed like miles. "Which painting is your favorite, Malik?" Grandma asked."I'm not sure, Grammy. Some of these paintings look like they were painted by a three-year-old. Other paintings look way better than anything I could paint. If I had to pick my favorite, it might be Three Musicians. I like that you have to think about what you're looking at. How much do you think a painting like that costs?"Grandma shrugged. Grandpa scratched his chin. "I'm sure that painting costs millions of dollars.""Millions of dollars!" Malik couldn't believe it. "It doesn't look that valuable." Grandpa smiled. "It's not valuable because of how it looks. It's valuable because of who made it. Three Musicians was painted by Pablo Picasso, one of the greatest artists of all time. Many people consider it to be one of his masterpieces." Grandma put her arm around Malik. "Every time I come here I can't help but think that none of these masterpieces compare to God's masterpieces.""God's masterpieces?" asked Malik. "Where are God's masterpieces?" Grandma smiled. "Take a look in the mirror.""Me?" Malik asked."You got it. The Bible says God made all of us in His image. We're God's masterpieces. Our value doesn't come from how we look, but from who made us.""That's right," Grandpa chimed in. "The Bible also says God paid a high price for us. He sent His Son to die on the cross to save us from sin. Jesus paid for us with His life so we could belong to Him." Malik took out his phone and snapped a picture of himself with his grandparents. Grandma looked at it and smiled. "Now that's a masterpiece!" –Jared HottensteinHow About You?Have you ever looked in the mirror and seen something you didn't like? Maybe you think your nose is too big or your hair is too curly. The next time you find something about your body you wish you could change, remember that God made you, and He doesn't make mistakes. He made you in His image, and Jesus paid for you with His life. That determines your value--not what you look like. Today's Key Verse:God paid a very high price to make you his. So honor God with your body. (ERV) (1 Corinthians 6:20 )Today's Key Thought:You are God's masterpiece

What would happen if you accidentally bought a doodle worth millions? Edwin Hodge finds out in this middle grade novel by Dan Gutman, bestselling author of My Weird School series.There were so many things Edwin Hodge didn't know when he paid $10 for a cool poster of Kobe Bryant at the local flea market.He didn't know that hidden within the frame of the poster was an original drawing by Pablo Picasso, one of the most famous artists in history. He didn't know the Picasso might be worth millions of dollars. He didn't know that kids at school were going to treat him differently, or that he would become a world famous social media superstar.And he sure didn't know that people would tap his phone, follow him home, break into his house, or threaten to burn it down. He didn't know the Picasso was going to ruin his life.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share Robert's framework for building successful online brands. This is the exact same framework he used to build SillyBandz into a $200M+ online brand in the early-2010s. ---

Every child is an artist. The problem is how to remain an artist once he grows up. –Pablo Picasso Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Love him or hate him, many consider Elon Musk to be a modern-day genius. He co-founded PayPal, which transformed how people purchase things. He became the CEO of Tesla, which revolutionized electric vehicles—and made it cool to drive them. He founded SpaceX, accomplishing what only superpower nation-states have previously. And he is working to make our species interplanetary—maybe in a few years, we'll be doing this podcast on Mars. To many, these acts make Elon Musk a genius, perhaps the most important genius in history. But it's worth asking: What exactly makes him a genius? Is it a particular set of qualities, or is Elon Musk just particularly adept at playing the role of genius? Or at least what we've come to expect of geniuses? Is his offensive behavior excused by his genius, or the result of it? And why do human beings value genius, even to the point of deifying it? All of these questions are raised in Helen Lewis's new book, The Genius Myth. And not just with regard to Musk, but to so many of the figures our culture venerates as geniuses: Leonardo da Vinci, Galileo, William Shakespeare, Isaac Newton, Pablo Picasso, Albert Einstein, and Steve Jobs. Lewis asks: Were these people actually geniuses? Or was their genius based on a myth? And more importantly, how does our perception of “genius” confuse and distort our understanding of success—and how we value, or don't value, other human beings? Today on Honestly, Bari asks Helen Lewis if some people belong to a special and superior class, what it means to be a genius, and if she believes in geniuses at all. Go to groundnews.com/Honestly to get 40% off the unlimited access Vantage plan and unlock world-wide perspectives on today's biggest news stories. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz reflect upon their 2025 market predictions as well as share some bonus predictions as we turn the corner into the second-half of the year. Additionally, they announced the launch of a new weekly episode starting Friday, August 1st! Be sure to tune in every Friday, starting August 1st, to the Rich Habits Radar -- your go-to weekly summary of the most consequential, market moving headlines and happenings!---⚡️ Sign up for the Rich Habits Network and don't miss out on our 2-hour weekly livestreams! Click here: https://www.skool.com/richhabitsnetwork/about---

In this week's episode of the Rich Habits Podcast Robert Croak and Austin Hankwitz share four strategies rich people use to buy back their time. ---

durée : 00:54:43 - Autant en emporte l'Histoire - par : Stéphanie DUNCAN - Paris 1936. Dans un café, une belle femme brune, élégante, originale décide de séduire l'homme attablé près d'elle. C'est Pablo Picasso, il a 54 ans, elle en a 28. Pendant 7 ans ils vont partager une passion amoureuse et artistique et vivre l'expérience fusionnelle de la création du tableau Guernica

Rudolf Stingel talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Stingel was born in 1956 in Merano, South Tyrol, Italy, and lives in New York. He explores myriad ways of making paintings and extending the idea of what painting might be. With both a love of his medium and skepticism about the possibility of creating something new from such a time-honoured discipline, Rudolf explores a range of forms of painting, from abstraction to photorealism. He emerged in the 1980s, a period in which painting was condemned to obsolescence by some prominent critics, but he met this dismissal with a tangible sense of liberation, pushing painting beyond its traditional formats and contexts into the realms of sculpture and installation, while also engaging with historical genres and with key figures and objects in art history. The result is a body of work that is simultaneously weighty in the seriousness with which it questions painting and fleet-footed in the way that it relentlessly shifts, doubles-back and invents. Stingel reflects on his constant irreverence for convention, his attempts to “crank up the volume” in his groups of paintings and installation, the subtle strain of autobiography through his work. He discusses the early influence of Pablo Picasso, the enduring impact of Ernst Ludwig Kirchner and the energy given to him by close friendships with artists including Urs Fischer and Maurizio Cattelan. He talks about the impact of films by Marguerite Duras and the music of Brian Eno. Plus, he answers our usual questions, including those about the art he would like to live with and the rituals of studio life.Rudolf Stingel: Vineyard Paintings, Gagosian, Grosvenor Hill, London, until 20 September; Les yeux dans les yeux: portraits from the Pinault Collection, Couvent des Jacobins, Rennes, France, until 14 September Hosted on Acast. See acast.com/privacy for more information.

Picasso didn't just paint—he changed how people saw the world. From strange shapes to powerful pictures, discover how he used art to express ideas and feelings in bold, new ways.

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Philippe Charlier is a French coroner, forensic pathologist and paleopathologist who has personally examined the remains of historical figures such as Adolf Hitler, Napoleon, Pablo Picasso, Joan of Arc and many more. SPONSORS https://trueclassic.com/danny - Upgrade your wardrobe & save. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off. EPISODE LINKS https://www.instagram.com/phcharlier https://x.com/doctroptard FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Evidence Hitler died in Berlin 11:05 - Hitler's missing skull fragment 14:25 - Analyzing Hitler's teeth 25:15 - Examining ancient poo of King Louis XIV 30:08 - What they found in Napoleon's bathtub 34:36 - Diagnosing cancer using old paintings 41:49 - Examining Jesus' robe 47:13 - Bone analysis discovers how Lucy died 54:04 - Cro-Magnon man 59:08 - Why human lifespan hasn't changed since pre-history 01:04:29 - Pablo Picasso's remains 01:10:25 - Studying King Tut's children 01:12:40 - The mummified heart of Louis XIV 01:21:14 - The skeleton of Mary Magdalene 01:31:23 - Reviewing "The Chemical Muse" 01:43:37 - Ancient medicine 01:49:36 - Jesus' crucifixion 01:53:11 - Jesus cause of death during crucifixion 02:04:24 - Do humans have souls? 02:07:05 - Philippe's modern-day autopsies 02:09:40 - Treating murderers in prison 02:12:34 - Using ancient medical knowledge today 02:19:00 - Ancient biological warfare 02:21:18 - Finding evidence for mythological creatures 02:29:38 - Recreating the voice of King Henry IV Learn more about your ad choices. Visit podcastchoices.com/adchoices