Podcasts about hemingway

https://triunfacontulibro.com/Hay un problema que casi ningún autor de no ficción quiere admitir. No es que su libro sea malo. Es que su libro se abandona. En la mesilla. En la app de lectura. En algún lugar entre el capítulo tres y el capítulo cinco, donde el lector dejó de sentir que necesitaba seguir. Y lo más frustrante es que el contenido era bueno. Las ideas eran sólidas. El autor sabía de lo que hablaba. Pero algo falló. Ese algo tiene nombre: las historias.  El error más caro de los libros de no ficción Cuando pensamos en storytelling, pensamos en novelas. En personajes ficticios. En tramas con giros inesperados. Y entonces los autores de no ficción desconectan. "Eso no es para mí. Yo escribo sobre liderazgo, sobre finanzas, sobre productividad." Error. De hecho, es precisamente en los libros de no ficción donde las historias hacen más falta. Porque sin ellas, el libro más riguroso del mundo se convierte en un manual. Y los manuales no se terminan. Se consultan. Si quieres que tu lector llegue a la última página, necesitas algo más que buen contenido. Necesitas que no pueda soltar el libro.  Lo que separa un libro que se termina de uno que se abandona No es la calidad de las ideas. Es cómo están contadas. Hay técnicas narrativas concretas — aplicables a cualquier tema, en cualquier capítulo — que cambian por completo la experiencia del lector. Técnicas que los mejores autores usan de forma casi invisible. Que el lector no detecta conscientemente, pero que siente en cada página. En este vídeo, Ana Nieto explica exactamente cuáles son y cómo aplicarlas en un libro de no ficción. Entre otras cosas, descubrirás: Por qué casi todos los autores tienen historias poderosas y no las reconocen como tales. Qué tienen en común Harry Potter, Cadena Perpetua y los mejores libros de ensayo que has leído. Qué hizo un vendedor de camisas en Tel Aviv para vender más que nadie — y qué tiene que ver eso con tu libro. Por qué Hemingway escribió el relato más devastador de la historia con solo seis palabras. Y qué significa realmente que Pixar tenga un único lema para crear historias que enganchan.  Una advertencia antes de ver el vídeo Si escribes no ficción y crees que las historias son "cosa de novelistas", este vídeo va a incomodarte un poco. Porque vas a darte cuenta de que llevas tiempo escribiendo con una mano atada a la espalda. La buena noticia es que tiene solución. Y es más sencilla de lo que parece. 

An Mythen und Legenden um Leben und Werk von Ernest Hemingway herrscht kein Mangel. Und die Faszination rund um den Kultautor, Lebemann und Draufgänger Hemingway hält bis heute an - 65 Jahre nach seinem Tod. Der Schriftsteller und Anna-Seghers-Preisträger Michael Kleeberg macht sich in seinem Roman "Achilles in Taormina" auf die Suche nach Hemingways letztem Geheimnis. Auf radio3 verrät Literaturkritikerin Marlen Hobrack, ob wir einen weiteren Hemingway-Roman brauchen.

One True Podcast does its part to help your summer reading lists by covering a book that is not by Hemingway, but is Hemingway-relevant: Henri Barbusse's Under Fire, the 1916 World War I novel that Frederic Henry and Count Greffi name-drop so provocatively in between sips of icy cold champagne and smoothly fluent billiards shots. This episode covers the first nine chapters of Under Fire, where we discuss why Hemingway damned this novel with such faint praise in his Men at War anthology, how the episodic structure might remind readers of a contemporary work like The Things They Carried, the absence of instantly recognizable characters, and – controversially – whether there's more rain in this novel or in A Farewell to Arms. One True Podcast is never one to shy away from the divisive topics.We hope you'll join us in this summer's long-overdue read of Under Fire. We are using the Penguin Classics edition with an Introduction written by future One True Podcast guest, Professor Jay Winter.

VR34 - This week in Vapid Response: Vanilla Ice provides the platonic ideal of an amuse douche before we order up an excerpt of the worshipful new Alito biography by the editor-in-chief of The Federalist. We then take a closer look at MAGA's desperate attacks on Trump accuser E. Jean Carroll as expressed in a recent piece in the Examiner. OA Book Club is coming for all patrons! Sign up now for ad-free listening at patreon.com/law, and start reading our first selection ahead of our first live Zoom meetup later this month. “Alito Is The Most 'Courageous' Justice You've Never Read About,” Mollie Hemingway, The Federalist (April 21, 2026) Carroll couldn't remember the year. But she remembered to lie,” Joe Concha, The Examiner (May 30, 2026) Watch us on YouTube! Check out the OA Linktree for all the places to go and things to do!

In this episode, Dr. Thomas Hemingway talks about the Facts vs. Fiction of Gut Health and How Probiotics May Not be the answer to your Gut Health Issues.  What you learn may surprise you!  Have a Listen and Share with a Friend!**Free PDF:  "How to Optimize Your GUT HEALTH--Gut Reset protocol included."   Inside the PDF, we pull back the curtain on how to actually get your gut healthy because remember, "All Health Starts in the Gut!"*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"JET LAG Survival Guide.  Free PDF!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!Mahalo and Aloha andTo your health,

Welcome to Episode 205! Today, a Hemingway tells us about an obnoxious opponent at the LGS, a salty stalemate in a head to head Lorwyn duel, and a story of mill and bad mulligans. Also Tony loves Baba, Sam learns Clock of Omens is broken, and Mike summons legions of goblins. Stay Salty! Sam, Mike, & Tony ____ Buy DragonShield products and our custom sleeves from our affiliate link! Use code "staysalty" all lowercase, all one word for a discount! Pick up one of our HSM hats! Find HSM shirts on our website and our Bonfire site! Get HSM playmats from our friends at Jank Mats! Use our affiliate link!! Email your salty stories to thehowlingsaltmine@gmail.com! Find links to all our social media pages on our Linktree! Check out our Moxfield! Podcast art by the talented Devin Burnett! @j.d.burnett

In this episode of The Truth In This Art, the guest is Shaun Stewart!About the guest: Shaun Stewart is the HBIC (Head Bartender In Charge) of Patterson Pins in Baltimore's Upper Fells Point. Known for "killing the business, one cocktail at a time," Stewart brings years of bartending experience—including consulting for Hemingway's, features in Esquire, and competition wins—to his role at one of the oldest duckpin bowling alleys in the country, now reimagined with an arcade gaming and vaporwave aesthetic. Shaun has been part of many of the best, unique cocktail programs in Baltimore.We talk about Patterson Pins and what it does: a cocktail bar and arcade entertainment lounge at 2105 Eastern Avenue in Baltimore, occupying the historic Patterson Lanes building. Stewart designed the upstairs bar program and pitched the arcade concept downstairs—a non-pretentious space where guests can enjoy craft cocktails or vodka sodas, then play Marvel vs. Capcom 2 or bowl duckpin. The Upper Fells Point venue recently won Baltimore Magazine's Reader's Poll for Best Cocktail Program and Best Non-Alcoholic Program.Stewart explains his "killing the business" philosophy: strict bartending rules don't matter anymore. Why can't you put Kool-Aid or Mountain Dew reduction into a drink if it tastes good? What matters is what ends up in the glass—how it's presented, how it tastes, the experience it creates. Build cocktails on structure (strong, sweet, bitter, sour) but get there however feels right, whether stirring a Paper Plane for more acidity or serving drinks in Chinese takeout boxes or Capri Sun bags.He stresses hospitality and community over gatekeeping at the Baltimore bar. Every guest gets greeted the moment they walk in. Stewart pays staff a living wage and encourages patrons to support neighbors like Johnny Rad's across the street. Patterson Pins creates a third space where people from all backgrounds can celebrate with low-ABV crushers, fighting-game-themed menus, or just beer and a shot.We also talk about his award-winning non-alcoholic cocktail program in Baltimore, using ingredients like Pathfinder (a non-alcoholic amaro) to build thoughtful $15 NA cocktails with the same care and presentation as full-proof drinks.Patterson Pins is open every day except Tuesday and Wednesday at 2105 Eastern Avenue in Upper Fells Point, Baltimore.Follow Shaun Stewart at @shaunpointonepercenter and Patterson Pins at @pattersonpins.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Elyrea sells a kind of tour no traveler would think to search for, and Jean-Vladimir Deniau built the whole company around that fact.Jean-Vladimir Deniau is the founder of Elyrea, a French company that builds character-based immersive performances for the tourism market. The format is specific: a professional actor embodies a historical figure, Coco Chanel near Place Vendôme, Hemingway around Montparnasse, a GI on Omaha Beach, and walks a small group through that figure's neighborhood telling the story of their life. Deniau does not call himself a tour operator. He calls Elyrea a "Lego brick" that DMCs and tour operators build into the experiences they sell. The company has 15 of these performances running, almost all in France, and there is a structural problem at the center of it: nobody knows to ask for a tour with Coco Chanel, so the business cannot wait for B2C search demand. That one fact shapes how Elyrea picks its characters, how it sells, and how it funds itself.Mitch and Deniau cover the business behind the tours. Why Elyrea sells to the trade first and keeps its strongest tours off OTAs entirely. The capital-light model that built 15 tours with no outside investor. The four design rules behind a 90-minute performance, starting with the claim that you win or lose the audience in the first minute. And the recruitment problem of training an actor who learns the whole show, performs twice, and quits because the street is not the theater. Deniau also names the advice he would give any operator building an emotional experience: stay true to the place, do not overplay it, and keep the technology out of the way.Resources:Elyrea: elyrea.comLive actor booking for trade partners: elyrea.com/booking"The Colossus of Marousi" by Henry Miller, the travel book Deniau cites as the original spark

Send us Fan MailMy guest today is Caroline Woods, author of The Lunar Housewife, listed in the Visual Arts category on Art In Fiction.Watch on YouTube: https://youtu.be/0nJmxXJcrQQHow Caroline discovered the CIA's secret program to fund and shape American literary culture during the Cold War, including its involvement in the founding of the Paris Review, and why she saw a novel in it.The real-life women who inspired Louise: the aspiring writers and girlfriends surrounding the men at the center of the 1950s New York literary scene, and the female journalist who eventually broke the story decades later.The novel within a novel structure: why Louise's book had to be science fiction, how its chapters shift as Louise's disillusionment deepens, and the freedom of writing a melodramatic '50s romance as an "implied author" who isn't Caroline.The Hemingway interview at the heart of the book, based on Lillian Ross's real New Yorker profile, and how Hemingway, who is portrayed here as a kind of fairy godmother to Louise, inadvertently became Caroline's writing coach for the whole novel.Class tension in the 1950s literary world: why Louise's working-class origins matter in a scene dominated by Harvard and Yale men, and what that gave her as a character and as someone for readers to root for.How the title came about -- originally The Long Leash, the CIA's own term for the program -- and why her agent's suggestion of The Lunar Housewife did so much more work for the book.Writing The Lunar Housewife in spring 2020, during COVID lockdown, with a four-year-old and a one-year-old, writing after bedtime every night, and why that particular moment gave the lunar colony chapters their flavor.Why the 1950s is having a moment in historical fiction: the scrim of conformity and domestic bliss concealing postwar darkness, the seeds of the counterculture, and women who had tasted wartime freedom and had it yanked back.The common thread across Caroline's novels -- The Mesmerist, For All the Moons, and The Lunar Housewife -- women who question the status quo and push against systems, often in the face of government interference in private life.Caroline's advice to writers: write every single day (not just on Saturdays), and write what genuinely entertains you because if you're having fun, the reader will feel it.Reading from the opening pages of The Lunar Housewife: the launch party for Downtown magazine's second issue.Read more about Caroline Woods on her website: https://www.carolinewoodsauthor.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists.  Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...

In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Dr. Gary L. Stiles — physician, medical researcher, former Distinguished Professor of Cardiovascular Research at Duke University, and lifelong Churchill scholar — to discuss his new book A Prelude to Immortality, published by Unicorn Publishing Group. Gary's book is the definitive study of Churchill's most beloved work, My Early Life — his only autobiography, written in 1930 when Churchill was in his mid-fifties, and never out of print in nearly a century. Drawing on previously unpublished letters from the Churchill Archives, Gary walks Jonathan through the five specific reasons Churchill wrote the book, the remarkable ambulatory dictation process by which he composed it, the POW escape from the Boers that made him internationally famous, the strategic gifting of inscribed copies to over 100 influencers including T.E. Lawrence, Churchill's Nobel Prize for Literature and his complicated feelings about it, and the surprisingly human, vulnerable side of Churchill that his nanny shaped and that the history books rarely capture. The episode closes with a Churchill lightning round — favorite quotes, anecdotes, books and films — including the extraordinary story of Churchill reciting Hamlet from memory alongside Richard Burton at the Old Vic. Links A Prelude to Immortality by Gary L. Stiles (Unicorn Publishing Group) My Early Life by Winston Churchill Savrola by Winston Churchill (Churchill's only novel) Churchill: A Life by Martin Gilbert The Churchill Archives, Cambridge — chu.cam.ac.uk Chartwell, Kent (National Trust) — nationaltrust.org.uk/chartwell Darkest Hour (2017 film) Young Winston (1972 film) Friends of Anglotopia Takeaways My Early Life, published in 1930 when Churchill was 55, is his only autobiography — covering only the first 27 years of his life — and has never gone out of print in nearly a century. It was also the book most prominently cited when Churchill was awarded the Nobel Prize for Literature in 1953. Churchill wrote My Early Life for five specific reasons: to reinvigorate his public persona as the wilderness years approached; to describe the Victorian era that formed him; to tell his story in his own voice for posterity; to generate desperately needed income; and to inspire a post-WWI generation he felt was paralyzed by fear and disengagement. Churchill's writing method was "ambulatory dictation" — he would pace his library at Chartwell, mumbling and testing sentences aloud for cadence, rhythm, and word sound, while secretaries stood ready to transcribe. He never wrote My Early Life by hand; every word was dictated. The book is deliberately written in the voice of Churchill at the age of each event — as a frightened schoolboy, a cavalry officer, an escaped prisoner of war — not as a 55-year-old man looking back. This was a conscious literary choice to make readers feel what he felt, not intellectualize it. Churchill's escape from a Boer prisoner of war camp in 1899 — a 400-mile solo journey through hostile territory — was the pivotal moment that made him internationally famous and launched both his writing career and his political one. Captain Haldane never forgave him for it, calling him a cad; Churchill's two chapters on the escape in My Early Life are, in large part, a carefully crafted defense of his honor. Churchill kept fresh flowers on his nanny Mrs Everest's grave from her death until his own in 1965 — over 90 years — and kept her photograph at his bedside at Chartwell, where it can still be seen today. Gary argues it was Mrs. Everest, not Churchill's famously neglectful parents, who taught him humanity, empathy, and the capacity to care for others. Churchill was nominated for the Nobel Prize over 27 times in both the Peace and Literature categories. He won the Literature prize in 1953 — beating Hemingway, who came second — though he would have preferred the Peace Prize. Hemingway publicly stated Churchill deserved it, and had previously included Churchill's war writing in his own books as examples of great prose. Churchill was the original influencer: he personally managed the distribution of over 100 pre-publication inscribed copies of My Early Life to royals, politicians, business leaders, friends, and voters — with three handwritten iterations of the list found in the Churchill Archives, with personal notes on each recipient. Churchill's prodigious memory — which left FDR, Stalin, and his own staff in awe — was the key tool that allowed him to weave My Early Life from four earlier books, 13 major articles, and hundreds of newspaper dispatches, selecting and transforming individual sentences across decades of work. Churchill was not the impenetrable marble figure of popular mythology — he cried frequently, could be easily hurt, and never stopped seeking the parental approval he never received. Gary's research in the Churchill Archives reveals a side of him that is rarely discussed and fundamentally changes how you read everything he wrote. Soundbites "Churchill kept fresh flowers on his nanny's grave until the day he died in 1965. For 90 years. And he kept a picture of her at his bedside. If you go to Chartwell now, you can still see it. That's how close and important she was to him." — Gary on Nanny Everest and Churchill's lifelong devotion. "He was what I call stubborn. If he didn't want to study math or Greek or Latin, he just didn't — even at age twelve, he just told the teachers, I can't do this. I'm not interested in doing this. Which drove them absolutely crazy." — Gary on Churchill's unconventional education. "He would mumble. He would say words. He would say bits of sentences. Then he'd stop and say, no, no, no, that's not it. And then start again. He was listening to the cadence, the word play, the story he was telling — until he got the sound of the words, the pacing, the tone, the rhythm, and the message all clear." — Gary on Churchill's ambulatory dictation method. "He wanted to grab life by the throat. He wanted the post-WWI generation involved in politics, involved in social issues. He flatly states that if you do not make a difference in the world to make it a better place, your life is absolutely wasted." — Gary on what Churchill wanted the next generation to take from My Early Life. "Churchill was the original influencer. He sat down and planned who should get the books — Royals, business leaders, politicians, friends, voters. He went through three iterations of the list in his own hand, with personal notes on each person." — Gary on Churchill's strategic gifting of inscribed copies. "He would have preferred the Nobel Peace Prize. He wanted to be seen as the person who could get the Soviets, Americans, British and French together to create a calmer world. That obviously didn't happen." — Gary on Churchill's complicated relationship with his Nobel Prize for Literature. "Who's the bloody fool on the gray? Someone who wants to be noticed, I imagine. He'll be noticed — he'll get his head blown off." — the exchange Gary quotes about Churchill's habit of riding a conspicuously grey pony into cavalry charges to ensure he was seen. "It usually nauseates me. It's usually written by somebody who knows nothing about Churchill and what he really stood for. Churchill is a great name to drop when you want somebody to support what you're trying to support." — Gary on Churchill being invoked in modern political discourse. "Churchill begins to hear some kind of rumbling. He speeds up and the sound speeds up. He slows down and the sound slows down. And what he finally realizes is Winston Churchill is in the audience — reciting the speech from memory, out loud, word for word." — Gary recounting the Richard Burton / Hamlet anecdote at the Old Vic. "The price of greatness is responsibility. He turned that on himself. If you're great, you've got to be very responsible." — Gary on Churchill's favorite quote, first used in a speech at Harvard in 1943. Chapters 00:00 Introduction — Jonathan sets up the episode and introduces Gary Stiles and A Prelude to Immortality 01:47 How a Cardiologist Became a Churchill Scholar — A lifelong passion for resilience, literature, and collecting 02:59 What First Grabbed Gary About My Early Life — Churchill as a role model for success and getting back up 04:06 The Research Journey — 40 years, unpublished letters, and the surprising discovery of Churchill's humanity 06:33 Nanny Everest — The woman who shaped Churchill more than his parents ever did 08:36 What My Early Life Actually Covers — Ireland, Harrow, Sandhurst, Cuba, India, Sudan, South Africa, and Parliament 12:29 Why Churchill Stopped at Age 28 — The wilderness years, crossing the floor, and a planned second volume that never came 14:19 Writing in the Voice of His Younger Self — A deliberate literary choice, and how he pulled it off 17:00 Ambulatory Dictation — Pacing, mumbling, secretaries, and the sound of sentences 18:32 The Five Reasons Churchill Wrote the Book — Persona, legacy, income, inspiration, and the Victorian era 22:38 Churchill's Financial Chaos — Chartwell, near-bankruptcies, the best wine and cigars, and Clementine's despair 25:16 The Boer War Escape — Capture, the plan, the jump, Captain Haldane, and a 400-mile solo journey to freedom 32:24 How the Escape Made Churchill Famous — International press, a political career launched, and a grudge that lasted decades 34:50 The Dedication to a New Generation — Churchill's message to post-WWI youth, and its echo in JFK's inaugural address 37:43 Weaving the Book from Earlier Work — Prodigious memory, four books, 13 articles, and hundreds of dispatches 40:54 Two Titles, Two Markets — My Early Life in Britain, A Roving Commission in America, and a battle with publishers 43:13 The Inscribed Copy Strategy — Over 100 recipients, three handwritten lists, and T.E. Lawrence's extraordinary reply 47:36 Churchill's Education in English at Harrow — Mr. Somerville, color-coded sentence parsing, and the foundation of a Nobel laureate's prose 49:49 The Nobel Prize for Literature — 27 nominations, beating Hemingway, preferring the Peace Prize, and what Hemingway said 53:35 Churchill and Hemingway as Contemporaries — Two Nobel laureates who admired each other across the Atlantic 54:36 Churchill in the Modern Political Discourse — Gary's frank response to selective and misleading invocations of Churchill today 57:44 Churchill Was Not Perfect — Gallipoli, mistakes, humanity, and the importance of judging the past in its own context 58:17 Lightning Round: Favorite Churchill Quote — "The price of greatness is responsibility" 59:32 Lightning Round: Favorite Churchill Anecdote — Richard Burton, Hamlet at the Old Vic, and Churchill reciting it from memory out loud 1:01:35 Lightning Round: Favorite Churchill Book — Churchill: A Life by Martin Gilbert, and Savrola, Churchill's only novel 1:03:11 Lightning Round: Favorite Churchill Film — Darkest Hour, Young Winston, and the blubbering scene on the Underground 1:04:20 Wrap-Up — Where to find A Prelude to Immortality and My Early Life, and a call to read both Video Version

In this episode, Dr. Thomas Hemingway explains the truth behind why many of us just don't feel like ourselves after age 40 and a couple simple hacks we can do to change it!  Please share with a friend! **Free PDF:  "Why You Don't Feel Like Yourself After 40:  A High-Performance Guide to Hormones, Energy, Metabolism and Longevity."   Inside the PDF, we pull back the curtain on the exact physiological targets required to restore your system, the specific lab markers your doctor likely missed, and the highest-value actions you can take today.*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"JET LAG Survival Guide.  Free PDF!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!Mahalo and Aloha andTo your health,

Live from the University of Evansville campus and the Shanklin Theatre, where Rami Malek once trod the boards… One True Podcast welcomes Alex Vernon for an interview recorded live in front of a captive audience of students, faculty, and community members in Evansville, Indiana, as he discusses his magnificent new biography of Tim O'Brien, Peace Is a Shy Thing: The Life and Art of Tim O'Brien.Vernon explains his process of how to write a true biography, O'Brien's life and relationship to the Vietnam War, what distinguishes O'Brien's style as a writer, the enduring power of some of his greatest work, and much more. It is a generous, penetrating Q&A session with the world's preeminent O'Brien scholar.Vernon – who has previously joined One True Podcast for a discussion of Hemingway and War, as well as an episode devoted to “Soldier's Home” – lends his essential perspective to this essential contemporary writer.** Special thanks to the UE students for their insightful questions at the end, and to the wizardry of sound designer Jon Robertson for his assistance. ** Episode BibliographyTim O'Brien works mentioned:Going After CacciatoIf I Die in a Combat ZoneIn the Lake of the WoodsThe Things They CarriedOther works mentioned:Five-volume biography of Hemingway by Michael Reynolds (The Young Hemingway, Hemingway: The Paris Years, Hemingway: The Homecoming, Hemingway: The 1930s, Hemingway: The Final Years)

Bless you, dear listener! You could have spent your day surfing the net and in doing so, turned a blind eye to this episode, But instead, you're sitting there, like the cat got your tongue, about to listen to a very special episode of an Old Timey Podcast!We predict that at the end of this episode, you'll say I wish Kristin would have spilled the beans on other idioms and their origin stories! In fact, I'd pay through the nose to hear more of these delightful tales, but alas, she must have had a deadline to meet.Remember, kids, history hoes always cite their sources! For this episode, Kristin pulled from: “The origins of 21 common phrases,” by Nicholas C. Rossis for StoryEmpire.com“7 everyday English idioms and where they come from,” by Kate Lohnes for Britannica“The real stories behind 7 everyday expressions,” by Megan Willett-Wei for Business Insider“Admiral Nelson's defiance inspired the saying ‘to turn a blind eye,” by Cecilia Bogaard for AncientOrigins.net“Central New York woman becomes a ‘Final Jeopardy!' answer,” by Geoff Herbert for The Post-Standard“Internet group honors pioneering CNY librarian,” by Marnie Eisenstadt for The Post-Standard“The curious – and creepy – origins of ‘cat got  your tongue?'” for History.com“A reporter said ‘screw the pooch' on Face The Nation. Where does that phrase come from?” by Ben Zimmer for Slate.com“Buried Alive: Inside the 19th century panic over premature burial,” by Christopher Klein for History.com “I just learned why we say ‘spill the beans' and I would never have guessed,” by Amy Glover for Huffpost“Why pay through the nose?” by Anatoly Liberman for OUPblog“It's the bee's knees; or, the entomology and etymology of ‘the bee's knees',” by Mike Cassidy for The Marietta Traveler“This legendary bartender served Hemingway and aided the resistance against the nazis,” by Alexis Ferenczi for Vice.com“Why do we say ‘bless you' when someone sneezes?” by Barbara Mikkelson for Snopes.comAre you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts!Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes from Kristin's previous podcast, Let's Go To Court.

Esta madrugada, el cantante y compositor Guille Galván ha venido a "El Faro" para presentar su debut en solitario, "Nadie con ese nombre vive aquí", un disco atravesado por el duelo por la enfermedad y, después, el fallecimiento de su padre. Le ha acompañado Alejandro Pelayo, quien, además, nos ha hablado de qué supuso para Eric Clapton el duelo por la pérdida de su hijo, que reflejó en la canción "Tears in Heaven", y de cómo Pat Martino se convirtió en un virtuoso del jazz en dos ocasiones, antes y después de la operación cerebral que le quitó la memoria. Además, hemos hablado de "la generación perdida", ese grupo de artistas, escritores y pintores que, tras la I Guerra Mundial, buscaron refugio en París. Heridos en muchos casos, frustrados y poco valorados en sus países de origen, encontraron en la capital francesa un lugar y a una persona, Gertrude Stein, que les ofreció la libertad creativa que necesitaban. Hemingway les retrató a la perfección en "Fiesta", y hoy nos ha acompañado Rodrigo Fresán, autor de "Sol, sombra y Fiesta", un estudio sobre la novela que saldrá publicado en octubre (editorial Debate).

Från de italienska alperna till barerna i Paris, tjurfäktningar i Pamplona och inbördeskriget i Spanien – vad spelade platserna för roll i Hemingways litteratur, och hur påverkades han av de intellektuella miljöer han både vistades i och tog avstånd från? Litteraturvetaren Elin Käck berättar om en mycket amerikansk författare vars böcker utspelade sig på helt andra platser.Foto: Nils Käck. Hosted on Acast. See acast.com/privacy for more information.

Hvad stiller en professionel fotograf op, når vi alle sammen drukner i fotografier dagligt, og den kunstige intelligens sår tvivl om selve mediets troværdighed? I ugens "Det' en klassiker" fortæller Jeanette Varberg, hvorfor Hemingway altid er med hende på ekspeditioner. Vært: Casper Dyrholm Medvirkende: Thomas Borberg: Fotojournalist på Politiken Sofia Busk: Fotograf Jeanette Varberg: Arkæolog og forfatter Producer: David Turner Redaktør: Lasse Lauridsen

In this episode, Dr. Thomas Hemingway explains the link between brain fog, blood sugar and Alzheimer's dementia.  What you are about to hear may surprise and empower you simultaneously.  This episode may change your life.  Please share with a friend!**Free PDF:  "How to Ditch the Brain Fog and get your Mental Clarity and Energy Back, Fast."*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"JET LAG Survival Guide.  Free PDF!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!Mahalo and Aloha andTo your health,

We have experienced Paris through the words of Hemingway and Balzac, the colors of Chagall and Delaunay, the wild adventures of Henry Miller, the recipes of Julia Child, the stars of Michelin, and the curated lists of Fodor's, Frommer's, and Lonely Planet. Yet, few have explored Paris through the unique perspective of the “Exposition Universelle”—the World's Fair, or World Expo.Paris is a living archive of seven Universal Expositions held between 1855 and 1937. These grand events left an indelible mark on the city, creating an urban diary of monumental achievements: the Eiffel Tower, of course, but also the Musée d'Orsay, the Grand Palais, and the Petit Palais.“Nobody Sits Like the French” uncovers these stories and many more. Blending travel guide and history, the book reveals a Paris invisible to most—a city where every glass of Burgundy, every sip from Baccarat crystal, every Monet or Gauguin admired, and even the modern marvel of a working sewer system, can be traced back to the legacy of a World Expo. https://www.charlespappas.world/buy-the-world-expo-bookhttp://www.yourlotandparcel.org

The most honest read on AI adoption in legal might be borrowed from Hemingway: slowly, and then all at once. David Cowen sits down with Adam Becker, director of legal operations at Cockroach Labs, CLOC board member, and one of the architects of the CLOC 101 Academy - to unpack what has actually changed in the last six months, why his team is no longer impressed by AI but expects it, and why the real question is what you are doing with the time AI gives you back. Key Topics Covered: Slowly, then all at once: Why the adoption curve follows the same pattern as every transformational technology before it Capability over efficiency: Why the most important AI gain is being able to do things you literally could not do before The talent surge thesis: Why legal hiring is about to grow, not contract Stratifying the legal stack: NDAs to contract managers, vendor agreements to agents, lawyers to high-stakes work Wordle as a discipline: Why the made bed and the cleaned kitchen are not small things The automated birthday message problem: What we should and should not delegate to our agents The AI dividend list: David's analog notebook of things to do with reclaimed time

Mollie Hemingway, Editor-in-Chief at The Federalist, Fox News Contributor, and best-selling author, joined us on the Guy Benson Show today to discuss one of Guy's favorite asides in her new book, ALITO: The Justice Who Reshaped the Supreme Court and Restored the Constitution. Hemingway and Benson also discussed the ongoing attacks against the courts in the United States, with Democrats claiming that a "politicized" SCOTUS can only be fixed by adding more Justices. Listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

“It was a completely unthinking exercise in cost-cutting that made no sense in terms of the newspaper. I think perhaps if you want to destroy the newspaper, it made sense.” — Simon Elegant on being ‘eliminated' by the Washington Post Hong Kong in 2019. A dismembered body is found in a landfill. A disgraced police superintendent is called back from internal exile to solve it. The city around him is burning. Rather than a John Woo movie, this is the setting for a Simon Elegant thriller. Born in Hong Kong, former Beijing bureau chief for Time magazine, most recently the Washington Post's man in China until Jeff Bezos “eliminated” him three months ago — Elegant has written the definitive Hong Kong novel. First and foremost, City on Fire: A Novel of Hong Kong is a crime thriller. Superintendent Killian Tong — half-Chinese, half-Irish, loved by no one in his department — investigates a murder while his sister is noisily demonstrating on the other side of the barricades. But the book doubles as a compressed history of Hong Kong: from Palmerston's “barren rock” in the 1840s — seized from China after the opium wars — through the ninety-nine-year lease, the handover in 1997, and the slow strangulation of the “one country, two systems” promise. Elegant is neither a hardline China hawk nor an apologist for Beijing. Yes, he credits the British with a relatively enlightened administration — from its public housing to the uncorrupt civil service that inspired the Singapore model. But he is also clear about what happened after 1997. Hong Kong people assumed Beijing would honour the Thatcher-Deng terms, and then discovered, to their horror, that they had no rights. It was a silent coup rather than a gaudy takeover of power. And so the 2019 protests — when a million people went onto the streets — are not just a backdrop to City on Fire but also the real-life stage on which Hong Kong burnt. Five Takeaways •       Enlightened Colonialism — With Caveats: Was Hong Kong an example of enlightened British colonialism? Elegant says: relatively, yes. The administration was light-handed. The public housing was so good that Singapore copied it. The civil service was — after 1972, when they had to create the ICAC following a police corruption scandal — genuinely clean. Milton Friedman praised the free-market model. But it was also racialized: the upper levels were almost entirely white Anglo, and the Chinese were largely excluded from administrative power. Governor Jock MacLehose changed this. Enlightened colonialism, Elegant concludes, is not a contradiction in terms — but it is relative. Compared to the Belgian Congo, Hong Kong was paradise. •       One Country, Two Systems: A Promise Broken: The terms negotiated by Thatcher and Deng in the 1980s guaranteed Hong Kong's autonomy until 2047. Hong Kong people assumed these terms were real and would be adhered to. They were not. The first attempt to pass a national security law came in 2004. There were mass protests in 2014. In 2019, a million people — in a city of six million — were on the streets. Beijing's choice was not between crushing them or not. It was between blood in the streets and a silent coup. They chose the silent coup. The national security law of 2020 was the final instrument. There is no longer any meaningful “one country, two systems.” •       The Policeman as Moral Complexity: Elegant's decision to make his protagonist a policeman — rather than a protester — is the novel's central artistic choice. Superintendent Killian Tong is not a villain. He is a man caught between institutions he has served his whole life and a conscience that knows what's happening is wrong. His younger sister is on the other side of the barricades. The murder investigation forces him to confront not just the crime but the system that made it possible. Elegant wanted to write about moral complexity, not propaganda — and the only way to do that was to give the story to the person most implicated in the system. •       Bezos ‘Eliminated' the Washington Post's Foreign Staff: Simon Elegant's final paycheck from the Washington Post used the word “eliminated.” He was one of 35-40 foreign correspondents let go in a single exercise — one of the biggest foreign staffs at any American newspaper. No one, he says, can explain what the thinking was, or if there was any. Every person he meets in Washington has cancelled their subscription. The Post still has excellent national security reporters, but in terms of foreign coverage it is, Elegant says, “doomed.” His conclusion: “perhaps if you want to destroy the newspaper, it made sense.” •       Hemingway's Iceberg, Applied: What did writing fiction teach Simon Elegant after a career in journalism? The iceberg principle, which Hemingway described: seven-eighths of a book — the knowledge, the research, the reported detail — should sit below the waterline. Only the tippy-top should be visible. The weight of the knowledge gives the visible surface its authority. The book started at 128,000 words — every reported detail jammed in. By the third or fourth round of cuts with the editor's blade, it was 75,000. The lesson: don't jam in your entire notebook. Fiction goes more directly into the heart. It bypasses the brain and seeks a different truth. About the Guest Simon Elegant is a journalist and novelist born in Hong Kong. He was Beijing bureau chief for Time magazine and most recently China bureau chief for the Washington Post. He is the author of City on Fire: A Novel of Hong Kong (Pegasus Crime, May 5, 2026), A Floating Life (Ecco/HarperCollins), and A Chinese Wedding (Piatkus). He is based in Kuala Lumpur. References: •       City on Fire: A Novel of Hong Kong by Simon Elegant (Pegasus Crime, May 5, 2026). •       Episode 2870: Eyck Freymann on Defending Taiwan: A Strategy to Prevent War with China — the companion episode on Taiwan and the growing China crisis. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple Pod...

In this episode, Dr. Thomas Hemingway explains the Top 7 Most Important Lab Markers that most Doctors do NOT check and why they are important and what they mean and what you can DO about it.  This episode may change your life.  Share with a friend!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"JET LAG Survival Guide.  Free PDF!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!Mahalo and Aloha andTo your health,

So many new restaurants are popping up in Pittsburgh this spring, each fulfilling a specific craving. Longing for gumbo and jambalaya cooked by a true New Orleans chef? Check out Roux Orleans. Want to try Austrian and Hungarian food all in one sitting? Make a reservation at Titusz. Curious to try dishes that blend New Mexican flavor with Buffalo comfort food? Grab a table at the Eastman. Local journalist and City Cast contributor Aakanksha Agarwal joins executive producer Mallory Falk to talk about the new spots she's most excited about — and pour one out for the dearly-departed Hemingway's, an Oakland staple beloved by generations of Pitt students. Read Aakanksha's roundup of new restaurants in NEXTpittsburgh. Learn more about the sponsors of this Thursday, May 7th episode: Bike PGH Union Project PGH Cultural Trust Women's Center & Shelter of Greater Pittsburgh Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here.

In our fourth episode celebrating the centenary of The Sun Also Rises, we examine the theme of religion and its role in the novel.From the title, the epigraphs, the pilgrims on the train, Jake's self-conscious prayer, the festival of San Fermín, and the idea of fishing as a religious experience, Larry Grimes guides us through this vast topic and shows Hemingway's religious design in The Sun Also Rises. Grimes also discusses the minor roles of Harris and Montoya and explains why Jake is such a rotten Catholic.Listening to Larry Grimes talk about such a crucial topic in this great novel is our idea of a divine pleasure. We hope you'll enjoy it, too!Also, in these Sun Also Rises episodes, we enjoy the legendary actor William Hurt reading from Jake's fascinating prayer in chapter 10, courtesy of our friends at Simon & Schuster Audio.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.Thank you for supporting One True Podcast, from Mark and Michael (each with a hell of a Biblical name!)

Conocemos a los hombres: Hemingway, Orwell, Brenan, Barea... pero no a las muchas mujeres autoras también de crónicas, reportajes o libros sobre la Guerra Civil y sus consecuencias. La periodista Ana Cañíl ha dedicado tres años de investigación, viajes y lecturas a subsanar este vacío. El resultado es: Rescatadas del olvido: tras los pasos de las extranjeras que escribieron sobre España. Reseñas sobre la vida y la obra de 14 de estas mujeres que tienen mucho que contar. Hoy, este idioma sin fronteras quiere hablar con sus palabras. Escuchar audio

Hacemos la crónica de la Corrida Goyesca del 2 de mayo, un festejo en el que ni Uceda Leal, ni El Cid, ni Javier Cortés tocaron pelo, pero que llenó de público la plaza de Las Ventas. Igualmente, repasamos los triunfadores de la Feria de Sevilla y el estado de salud de Roca Rey, además de entrevistar a Rafael Molina, representante de El Parralejo, la ganadería de Secretario, el mejor toro lidiado en La Maestranza el pasado abril. Y también entrevistamos a Carlos Abella, autor del libro “El verano sangriento de Hemingway”, que narra la rivalidad de los toreros y cuñados Antonio Ordoñez y Luis Miguel Dominguín durante el verano de 1959 -en el que ambos sufrieron sendas cornadas- desde la perspectiva del Premio Nobel de Literatura.Escuchar audio

Marc Cox is joined by author and journalist Molly Hemingway to discuss her new book on Supreme Court Justice Samuel Alito, focusing on his influence, legal reasoning, and underrecognized role in shaping major conservative victories. Hemingway highlights Alito's sharp performance in oral arguments, particularly in immigration-related cases, and explains why she believes he is one of the most consequential justices currently on the court. The conversation also dives into allegations surrounding the Dobbs decision leak, including claims of internal delays, tensions among justices, and concerns over the integrity of the Supreme Court's handling of the fallout. Hemingway further connects Alito's authorship in key Voting Rights Act rulings to ongoing political battles over redistricting and judicial legitimacy. Hashtags: #MollyHemingway #SupremeCourt #SamuelAlito #SCOTUS #DobbsLeak #VotingRightsAct #Redistricting #ConservativeLegalMovement #JudicialPolitics #LegalAnalysis

In this episode, Dr. Thomas Hemingway explains the difference between chronological age and your biological age and how you can feel 10-20 years younger and have it reflect in your biology! He shares about the 3 most common symptoms of accelerated aging and how to fix them--Fast!  Have a Listen and Share with a Friend!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"JET LAG Survival Guide.  Free PDF!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!Mahalo and Aloha andTo your health,

In her explosive new book “Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution” (out April 21), Mollie Hemingway delivers the definitive inside account of the Dobbs leak and the landmark decision that overturned Roe v. Wade. Drawing from over 100 interviews — including exclusive insights from Justice Alito himself — Hemingway reveals the chaos, internal deliberations, and unprecedented pressures that followed the leak, while exposing how the previous Court had become dangerously activist and political. Far from the “extreme” court critics claim today, Hemingway argues this Supreme Court is actually righting the ship, with Justice Samuel Alito serving as the intellectual force and “secret sauce” behind its historic restoration of constitutional principles through practical originalism. From the courage required to write the Dobbs opinion to the threats, backdoor pressures, and media assaults facing the justices, this book offers a riveting, deeply reported look at how one humble yet brilliant justice helped build what many consider the best Supreme Court in history. Share the Arrows 2026 is on October 10 in Dallas, Texas! Tickets are on sale now at: ⁠⁠⁠⁠⁠⁠https://sharethearrows.com⁠⁠⁠ Share the Arrows is sponsored by: A'del Natural Cosmetics: AdelNaturalCosmetics.com Range Leather: RangeLeather.com/ALLIE We Heart Nutrition: WeHeartNutrition.com Buy Allie's book “Toxic Empathy: How Progressives Exploit Christian Compassion”: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.toxicempathy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Time Codes 0:00 Introduction 1:13 Why Write a Book on Alito? 3:25 The Dobbs Decision 12:35 The Dobbs Leak 27:35 How Roe Was Ended 43:50 Who Is Alito? 57:52 Birthright Citizenship – Today's Sponsors: Good Ranchers | If you go to ⁠⁠⁠GoodRanchers.com⁠⁠⁠ and subscribe to any of their boxes of 100% American meat, you'll save up to $500 a year! Plus, if you use code ALLIE, you'll get an additional $25 off your first order. Your gift to ADF will be used to fight for religious freedom around the world, including in Turkey. And for a limited time, all gifts will be MATCHED thanks to a special grant — only while funds last. Go to JOINADF.com/ALLIE or text ALLIE to 83848 to give today. We Heart Nutrition | Check out We Heart Nutrition at ⁠⁠⁠WeHeartNutrition.com⁠⁠⁠ and use the code ALLIE for 20% off. Crowd Health | Join CrowdHealth to get started today for $99 for your first three months using code ALLIE at ⁠⁠⁠JoinCrowdHealth.com⁠⁠⁠⁠. CrowdHealth is not insurance. Opt out. Take your power back. This is how we win. Geviti | Go to gogeviti.com/allie and use code ALLIE for 20% off. Episodes You May Like: Ep 633 | GOODBYE, ROE V. WADE https://podcasts.apple.com/us/podcast/ep-633-goodbye-roe-v-wade/id1359249098?i=1000567883134 Ep 620 | MEGA Episode: The Dark Reality of Abortion Extremism & Left-Wing Terrorism | Guest: Herbie Newell https://podcasts.apple.com/us/podcast/ep-620-mega-episode-the-dark-reality-of/id1359249098?i=1000562636010 Ep 533 | RIP, Roe v. Wade https://podcasts.apple.com/us/podcast/ep-533-rip-roe-v-wade/id1359249098?i=1000544134927 --- ► Buy Allie's book, “You're Not Enough (& That's Okay): Escaping the Toxic Culture of Self-Love”: https://alliebethstuckey.com/book ► Subscribe to the podcast: iTunes: https://apple.co/2UVssnP Spotify: https://spoti.fi/2FwkXxj ► Connect with Allie on social media: https://twitter.com/conservmillen https://www.instagram.com/alliebstuckey/ https://facebook.com/allieBlazeTV/ ► Relatable merchandise — use promo code 'ALLIE10' for a discount: https://shop.blazemedia.com/collections/allie-stuckey

In this episode, Dr. Thomas Hemingway explains why high performers like you often feel exhausted despite doing all the "healthy" things, eating well, going to the gym, doing cardio and pushing hard yet the results don't seem to equal your efforts.Feel good about knowing the WHY behind this tiredness we often face and then the HOW which is explained simply so you can change it in no time and feel like yourself again, Energized and Strong.  Have a Listen and SHARE with a friend!FREE PDF on BURNOUT and How to Get You Egde Back. How to feel your best and get your Energy Back in no time flat!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." Mahalo and Aloha andTo your health,

Legendary scholar Jackson Bryer joins us once again, this time to discuss one controversial moment in Hemingway's career, his vicious “poor Scott Fitzgerald” swipe in the original publication of “The Snows of Kilimanjaro.”We discuss the publication history of this graceless insult, what it says about Hemingway and what it says about Fitzgerald. We go on to discuss “The Snows of Kilimanjaro” as a story and the ways that wealth emerges as one of Fitzgerald's central themes. We explore the nature of the Hemingway-Fitzgerald relationship in the 1930s, Fitzgerald's “The Rich Boy,” and other works where the very rich emerge as important characters.Join us in our romantic awe of Jackson Bryer as he guides us through this notorious moment in Hemingway's career! 

A jam pack episode this week. We discuss the final Hemingway short story on our TBR, "The Snows of Kilimanjaro," a work that is powerful while being elusive. *Side note, Peter feels like he mispronounced this story the whole way through, he barely sleeps #Dadlife.And finally, we have a spirited discussion about Ben Lerner, where he sits in the literary world, and predicting our reactions to his latest work. Enjoy!Contact Us:Instagram @therewillbbooksTwitter @therewillbbooksEmail willbebooks@gmail.comGoodreads: Therewillbebooksko-fi.com/therewillbbookspatreon.com/therewillbbooks

Mollie Hemingway, Editor-in-Chief at The Federalist and author of the new book, ALITO: The Justice Who Reshaped the Supreme Court and Restored the Constitution, joined us on the Guy Benson Show today to preview her new book, which provides a never-before-seen deep dive into SCOTUS Justice Samuel Alito. Hemingway and Benson also discussed the shocking new indictment against the Southern Poverty Law Center (SPLC), which alleges the group sent millions of dollars to hateful groups to "infiltrate" them from the inside. Listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. Crickets from Iran Clay Travis and Buck Sexton outline the administration’s next steps as Vice President JD Vance prepares for a high‑stakes diplomatic mission to Pakistan for renewed negotiations with Iran. The hosts analyze President Trump’s morning comments on CNBC, where he stressed American control over the Strait of Hormuz, refused to extend the current ceasefire deadline, and warned that military action could resume if negotiations stall. The conversation explores whether the U.S. naval blockade is truly succeeding, how Iran is attempting to leverage ceasefire optics, and why negotiations with the Iranian regime are notoriously difficult due to deception, internal power struggles, and the lack of a clear decision‑maker within Tehran’s leadership. Clay and Buck also discuss the absence of any visible popular uprising inside Iran despite heavy military pressure, questioning assumptions about regime collapse and examining whether economic pressure, prolonged embargoes, or stronger military escalation would be required to force real change. Spilling the SCOTUS Tea An in‑depth conversation with journalist and Federalist editor‑in‑chief Mollie Hemingway, discussing her new book Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution. Hemingway addresses speculation around potential Supreme Court retirements, explaining why Justice Samuel Alito is unlikely to step down soon while also noting that multiple Republican‑appointed justices are now in their 70s. She explores Alito’s judicial legacy, originalist philosophy, and long‑term focus on religious liberty, including his interest in revisiting key precedent such as Employment Division v. Smith. The discussion also touches on internal Court tensions, Chief Justice John Roberts’ struggles to maintain institutional norms, and the breakdown of collegiality among justices. A major portion of the interview is devoted to exclusive reporting on the Dobbs leak, which overturned Roe v. Wade. Hemingway details how the leak endangered justices and their families, revealing that conservative justices faced sustained assassination threats while liberal justices allegedly delayed their dissent for weeks. She outlines failures in the Supreme Court’s internal investigation, explains why the leaker was likely a clerk or court staffer rather than a justice, and connects the episode to ongoing concerns about politically motivated leaks, slow‑walked opinions, and public attacks on the legitimacy of the Court. Hemingway also weighs in on pending Supreme Court cases, including racial gerrymandering and birthright citizenship, and offers insight into Justice Alito’s continued influence on major decisions. The segment closes with candid discussion of how Justice Ketanji Brown Jackson is viewed internally, with critiques of her jurisprudence and legal reasoning. Don't Wear a Bikini on the Job An interview with Michele Tafoya, former NFL broadcaster and Republican candidate for U.S. Senate in Minnesota. Tafoya discusses her record‑setting fundraising numbers, grassroots momentum, and why Minnesota represents one of the most important potential Senate flips in the upcoming midterms. She explains that voter anger in Minnesota is driven by government fraud, lack of accountability for Democratic leadership, rising crime, failing schools, and embarrassment over national perception of the state. Tafoya strongly criticizes Governor Tim Walz, Lieutenant Governor Peggy Flanagan, and Attorney General Keith Ellison, accusing them of avoiding accountability and pushing divisive policies. She highlights education failures, controversial ethnic studies curricula, and declining academic performance as key local issues. The conversation also focuses heavily on women’s sports, parental rights, and opposition to biological males competing in girls’ athletics—an issue Tafoya says continues to resonate deeply with parents across Minnesota. She frames the Senate race as both a Minnesota‑specific accountability fight and a nationally consequential election that could solidify Republican control of the U.S. Senate. Kamala: Imma Get Mine Clay and Buck report that Democratic Representative Sheila Cherfilus‑McCormick of Florida has resigned from Congress after being found guilty of numerous House ethics violations and facing federal charges related to the alleged misuse of FEMA funds. The hosts explain why this resignation matters nationally, given the narrow margins in the House and multiple recent resignations, and what it could mean for upcoming special elections. The hour also continues real‑time monitoring of U.S.–Iran diplomacy, with fresh reporting that Vice President JD Vance still has not departed for Pakistan, increasingly suggesting that any negotiations may shift to secure video calls instead of in‑person talks. The conversation then pivots to the 2028 Democratic presidential field, with a heavy focus on Kamala Harris and the likelihood of her running for president again. Clay and Buck analyze Harris’s early messaging, particularly her emphasis on identity politics and appeals to Black women as the “backbone” of the Democratic Party. The hosts argue that Harris’s strategy will center on framing herself as the rightful nominee based on race and gender, portraying resistance as discriminatory, and blaming her previous loss on being handed an impossible situation with only 107 days to campaign. They debate whether Democratic Party leadership can realistically stop Harris from winning the nomination, discussing the lack of competing candidates who could effectively challenge her base of support and how the Democratic primary calendar could determine the outcome. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuck YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

Bestselling author and Fox News contributor Mollie Hemingway discusses her new book Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution. She reveals never-before-told details about the unprecedented Dobbs draft leak, the slow-walking of dissents while justices faced death threats, bulletproof vests, and secured locations, plus the real behind-the-scenes tensions and triumphs on the Court. Hemingway also explains why Alito has been the quiet architect of major conservative victories on guns, religious liberty, and the Constitution. A must-listen for anyone who cares about the Supreme Court.

Megyn Kelly discusses the latest update on America's war in Iran, new reporting on what's really happening behind the scenes, the status of negotiations and what it will take to end the war, and more. Then Mollie Hemingway, author of "Alito," joins to discuss why Justices Alito and Thomas are likely to not retire this year, the potential Chief Justice Roberts is actually the one who might retire before the midterms, the inside story of what really happened at the Supreme Court during the Dobbs decision, how the liberal justices delayed their dissent putting the lives of their conservative colleagues in danger, the real role Chief Justice Roberts played behind-the-scenes, and more. Then Rob Shuter, author of "It Started With a Whisper," joins to discuss inside info about what it was like to work for J.Lo from her former publicist, the truth about J.Lo's relationship with Ben Affleck, why no one wants to work with Blake Lively in Hollywood, the truth about her talent and future career prospects, what will happen after the Justin Baldoni trial, thirsty Megan Markle and Prince Harry's failed Australia tour, why they will be doing this in more countries in the future, why the Today show didn't see a boost in ratings with Savannah's return, the fake connections the anchors have, and more.   Hemingway- https://www.hachettebookgroup.com/titles/mollie-hemingway/alito/9781541607132/ Shuter- https://robshuter.substack.com/   Supersure Insurance: Simplify your business insurance and get a free coverage report at https://Supersure.com/Megyn SimpliSafe: Visit https://simplisafe.com/MEGYN to claim 50% off any new system! Birch Gold: Text MK to 989898 to join Birch Gold's Learn and Earn event by April 30! Pure Talk: Dial #250 and say keyword MEGYN KELLY to switch to Pure Talk and get unlimited data for just $34.99 a month!     Follow The Megyn Kelly Show on all social platforms: YouTube: https://www.youtube.com/MegynKelly Twitter: http://Twitter.com/MegynKellyShow Instagram: http://Instagram.com/MegynKellyShow Facebook: http://Facebook.com/MegynKellyShow  Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Główny Inspektorat Farmaceutyczny nakazał wstrzymanie rzekomej reklamy leku w popularnym utworze Taco Hemingwaya „Zakochałem się pod apteką”, nadając decyzji rygor natychmiastowej wykonalności. Organ uznał, że wymienienie nazwy konkretnego preparatu w tekście piosenki wypełnia znamiona reklamy produktu leczniczego. Zdaniem prof. Ewy Nowińskiej z Uniwersytetu Jagiellońskiego wymagałoby to jednak wykazania celowego działania marketingowego. Wydawnictwo artysty stanowczo odrzuca te zarzuty, nazywając decyzję naruszeniem wolności artystycznej oraz swobody wypowiedzi i zapowiadając złożenie skargi do sądu administracyjnego.

In this episode, Dr. Thomas Hemingway explains whats wrong and what's right with Biohacking and how it may be making you more Tired--and what, in stead, can help you Fix your Energy, and Vitality.  Have a listen because although Biohacking can be expensive--these Health Tips are Free and Foundational and Powerful.  Have a Listen and Share with a Friend!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"JET LAG Survival Guide.  Free PDF!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." *Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!Mahalo and Aloha andTo your health,

Nicholette Hemingway is the Owner and Operator of Nike H Speaks LLC, which provides Career Coaching Services. In addition to these services, Nike H Speaks provides Interview Preparation Training and Resume Writing Tips Training, along with Document and Letter Writing, Women Leadership Training, and Administration of Public Health Programs. Nicholette has over 20 years of experience being on interview panels at the city, county, state, and federal government levels. She has taken these experiences and developed trainings on interview skills and resume writing tips. Nike H Speaks also provides one-on-one and group career coaching that includes mock interviews and attire selection. Links: https://www.linkedin.com/in/nicholetteh/ https://nikehspeaks.com/ If you're enjoying Entrepreneur's Enigma, please give me a review on the podcast directory of your choice. The show is on all of them and these reviews really help others find the show. iTunes: https://gmwd.us/itunes Podchaser: https://gmwd.us/podchaser TrueFans: https://gmwd.us/truefans Also, if you're getting value from the show and want to buy me a coffee, go to the show notes to get the link to get me a coffee to keep me awake, while I work on bringing you more great episodes to your ears. →  https://ko-fi.com/entrepreneursenigma Support me on TrueFans.fm → https://gmwd.us/truefans. Support The Show & Get Merch: https://shop.entrepreneursenigma.com Want to learn from a 15 year veteran? Check out the Podcast Mastery Community:https://www.skool.com/podcasting Follow Seth Online: Instagram: https://instagram.com/s3th.me LinkedIn: https://www.linkedin.com/in/sethmgoldstein/ Seth On Mastodon: https://indieweb.social/@phillycodehound The Marketing Junto Newsletter: https://MarketingJunto.com Leave The Show A Voicemail: https://podcastfeedback.com/entrepreneursenigma Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Simon set the standard for a New American Songbook. Reviewing these selections one is struck by the elegance of his melodies - on a par with that other Paul from Liverpool, but with a lyrical sophistication to rival America's Nobel Laureate poet, Bob Dylan. “America”, as performed here by David Bowie, presents a barren landscape, - mirroring the mundane with the spiritual - to rival the literary prowess of a Hemingway; and the classically inspired “American Tune,” as interpreted by the wizard of New Orleans, Allen Toussaint, quietly goes to the heart of our nation's ambivalence. I can't contain my tears whenever I hear it. Simon and Garfunkel were known as a unified entity. It took awhile for Paul to extricate himself from his childhood performing partner, Artie. Garfunkel, with his singular, choir-boy voice, needed Simon to provide the words for his divine instrument.  But Simon didn't need Garfunkel, and if Artie's acting ambitions hadn't interfered with Paul's musical ones, Simon might never have had the confidence to go it alone. Lucky for us it turned out the way it did. Because, since going solo, Simon has amassed a body of work that defines America's last half century. Ray Charles: Still Crazy After All These YearsDavid Bowie: AmericaJustin Townes Earle: GracelandThem: Richard CoryWailin' Jennys: Loves me Like a RockEverything but the Girl: The Only Living Boy in New YorkAnnie Lennox: Something So RightThe Blue Airplanes: The Boy in the BubbleBlossom Dearie: 59th St. Bridge Song Allen Toussaint: American Tune 

In this episode, Dr. Thomas Hemingway explains a common issue that may middle aged high performers and likely you are or have experienced...Hormonal Drift, and how that can cause you to "Feel not like yourself anymore" and it's not simple aging, it could be your hormones.  He explains how you can tell and what you can do about it. Please have a Listen and Share with a friend!**Free PDF Resource: Are Your Hormones are Drifting?  and What You Can Do About it!"JET LAG Survival Guide.  Free PDF!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!*Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." Mahalo and Aloha andTo your health,

In the midst of our centenary festivities around The Sun Also Rises, One True Podcast takes an opportunity to celebrate another Hemingway work published in 1926: The Torrents of Spring. Elena Zolotariov, author of "'Black and Red Laughter': Subverting Whiteness in Hemingway's The Torrents of Spring" (from the Fall 2023 issue of the Hemingway Review), joins us to offer an exploration and even defense of Hemingway's neglected satire. In this episode, we talk about how and why Hemingway satirizes Sherwood Anderson's Dark Laughter, examine the plot of Hemingway's novella and the characters we meet along the way, and finally discuss its legacy.At the end of the episode, enjoy Garnet Ungar's rendition of Chopin's Étude Op. 10, No. 4 (Torrent). For even more on The Torrents of Spring and its publication history, also check out our episode with Ross K. Tangedal on Hemingway in 1926.

LOUNGE LIZARDS PRESENTED BY FABRICA5 - Brilliant Honduran Cigars - Visit Fabrica005.com and use code LIZARDPOD at checkout for 10% off THE ENTIRE STORE! Free worldwide shipping from Miami on all orders over $125. See website for more information and terms.SMALL BATCH CIGAR - SAVE 15% - Exclusive Cigar Retail Partner of the Lizards - Visit SmallBatchCigar.com and use code LIZARD15 for 15% off your order. Free shipping and 5% rewards back always. Standard exclusions apply. Simple. Fast. Small Batch Cigar.Recorded at Ten86 Cigars in Hawthorne, New Jersey, the Lizards pair Davidoff Winston Churchill The Original Series in Churchill with Hillrock Solera Aged Bourbon Whiskey. The guys discuss St. Louis trying to attract future PCA shows, they share another Hemingway offshoot shipping soon from Fuente and they discuss cigar brands not disclosing their blenders.PLUS: Aging Tobacco in Bales vs. Rolled Cigars in Bundles, Brands That Have Done a 180°, Cigar Smoking Hygiene, Cigars/Movies/Music for Dark Times, Price's Effect on Lizard Ratings, Where Else to Find Cohiba's Grassy Profile?, New Asylum 90x9, Raching's New Portable Draw Machine, Solera Aging + Dave Pickerill, Does Padron Thousand Series With Age Become Anniversary 1964?, Bam's Recency Bias & MoreJoin the Lounge Lizards for a weekly discussion on all things cigars (both Cuban and non-Cuban), whiskey, food, travel, life and work. This is your formal invitation to join us in a relaxing discussion amongst friends and become a card-carrying Lounge Lizard yourself. This is not your typical cigar podcast. We're a group of friends who love sharing cigars, whiskey and a good laugh.website/merch/rating archive: loungelizardspod.comemail: hello@loungelizardspod.com to join the conversation and be featured on an upcoming episode!instagram: @loungelizardspodGizmo HQ: LizardGizmo.com

On July 2, 1961, Ernest Hemingway — the Nobel Prize–winning author whose spare, forceful prose and larger-than-life persona helped define 20th-century American literature — died at the age of 61 from a self-inflicted gunshot wound at his home in Ketchum, Idaho. A towering literary figure, Hemingway reshaped modern storytelling through works like The Old Man and the Sea, A Farewell to Arms, and For Whom the Bell Tolls, blending stoic masculinity with themes of loss, courage, and endurance. His death marked the end of a singular voice whose influence extended far beyond literature, leaving behind a legacy as mythic as the man himself. Hosts: Jason Beckerman, Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's a show worth drinking to on Go Fact Yourself! Eric Winter plays Sergeant Tim Bradford on the ABC series “The Rookie.” The show has earned a very dedicated audience, especially with kids. How does he know for sure? He's seen them dress up as his character for Halloween. Dree Hemingway is an actor who portrays Daryl Hannah in the FX show “Love Story.” She'll tell us about how she reached out to the real life Daryl Hannah after she got the part. Plus we'll learn more about her other job… as a fashion model.  Areas of Expertise: Eric: The movie The Breakfast Club, tennis, and rum. Dree: The movie The Fifth Element, the movie Romeo + Juliet, and musician Kate Bush. What's the Difference: Maine Squeeze What's the difference between a harbor and a marina? What's the difference between squeeze and squish? With Guest Experts: Ben Schaffer: Publisher of online magazine “The Rum Reader” and author of several books about cocktails.   Robert Mark Kamen: Screenwriter (and winemaker!) whose many works include the screenplay for The Fifth Element. Hosts:  J. Keith van Straaten Helen Hong Credits: Theme Song by Jonathan Green. Maximum Fun's Senior Producer is Laura Swisher. Co-Producer and Editor is Julian Burrell. Additional editing by Valerie Moffat. Seeing our next live-audience shows by YOU!  

In this Episode, Dr. Thomas Hemingway explains why Burnout is becoming increasingly Common and What to Do About it!Enjoy this powerful podcast and Share with a friend!FREE PDF on BURNOUT and How to Get You Egde Back. How to feel your best and get your Energy Back in no time flat!Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!*Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." Mahalo and Aloha andTo your health,

In this Episode, Dr. Thomas Hemingway explains the Important Lab Tests you need and that most doctors forget or don't know to test and why "Your labs may be normal, you don't feel normal." Learn here, right now, what labs you need and how to feel your best and get your Energy Back!Enjoy this powerful podcast and Share with a friend!**Free PDF Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." Join my Free Masterclass on Midlife Hormones, "Why You Don't Feel like Yourself anymore and What to Do about it!"*ACCESS my FREE workshop, "GET 10 Years Younger, Stronger, and Sharper"  How to turn back your biological age 10-20 years so you can do the things you want to do that you no longer thought possible due to your age.  Perform at your best and live your best life!*And, in my new Performance, and Longevity medical practice we specialize in turning back your biological age and OPTIMIZING HORMONES so you can feel a decade or more younger so you can do the things you want to do that you thought were no longer possible due to your age.  Join the waitlist here!*Don't Forget to SHARE with a Friend and please drop a Review:) It means the world!*Don't wait to Prioritize your health, Start Today with the Simple and Powerful Steps detailed in my Best-selling book.*GET DIRECT ACCESS to DR. HEMINGWAY in these AMAZING COURSES!**Free Resource:  "The 7 lab tests your doctor likely is not checking and could be the key to why you don't feel your best." Mahalo and Aloha andTo your health,

What does it take to write strong sentences? How do you keep writing when the world feels dark? How do you push past self-doubt, build a sustainable writing practice, and trust that your voice is enough? Anne Lamott and Neal Allen share decades of hard-won wisdom from their new book, Good Writing. In the intro, Hachette cancels allegedly AI-written book [The New Publishing Standard]; How Pangram works; Publishing industry insights from Macmillan's CEO [David Perell Podcast]; Photos from Notre Dame and Saint Chapelle; The Black Church; Bones of the Deep coming in April. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Neal Allen is a spiritual coach, former journalist, and author of non-fiction and flash fiction. Anne Lamott is the New York Times bestselling author of memoir, spiritual and creative non-fiction, and literary fiction, including Bird by Bird: Instructions on Writing and Life, which many authors, including me, count as one of the best books on writing out there. Neal and Anne are also married, and their first book together is Good Writing: 36 Ways to Improve Your Sentences You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why strong verbs are rule number one How Anne and Neal's contrasting styles created a unique call-and-response writing guide Practical advice on finding and trusting your authentic voice across genres Why award-winning novelists typically write for only 90 minutes a day — and what that means for your writing practice How to keep writing during dark and discouraging times without giving up The uncomfortable truth about publication, longevity, and why nobody cares if you write You can find Neal at ShapesOfTruth.com and Anne on Substack. Transcript of the interview with Neal Allen and Anne Lamott Neal Allen is a spiritual coach, former journalist, and author of non-fiction and flash fiction. Anne Lamott is the New York Times bestselling author of memoir, spiritual and creative non-fiction, and literary fiction, including Bird by Bird: Instructions on Writing and Life, which many authors, including me, count as one of the best books on writing out there. Neal and Anne are also married, and their first book together is Good Writing: 36 Ways to Improve Your Sentences Jo: Welcome to the show, Neal and Anne. Anne: Thank you so much, Jo. We're happy to be here. Neal: Hi, Jo. Jo: Let us get straight into the book with rule one, which is use strong verbs. How can we implement that practically in our manuscripts when most of us don't start with the verb? We're thinking of story or we're thinking of message? Neal: Throughout the book, it's pointed out that these are rules for second drafts, right? So you've put it down. You've already got your story down, you've already got your piece down—your email, your text, it doesn't matter what. Then you stop, you pause, you go back to the beginning and you go sentence by sentence and look at them. Anne: I'd like to add that there's a lot in the book, usually on my end of the conversation, that has to do with really using these rules anywhere and everywhere. Whether you're writing a memoir or a grant proposal, I believe these rules apply to getting everything written at any time, in any phase of the work because, from Bird by Bird, I'm all about taking short assignments and writing really godawful first drafts. What is fun about writing is to have spewed out something on the page and then to get to go back right then and just start cleaning it up a bit, straightening it out, probably inevitably shortening it. One place to start is to notice how weak our verbs are. If I say “Jo walked towards us across the lawn,” it doesn't give the reader very much information. But if I say “Jo lurched towards us across the lawn,” or “Jo raced towards us across the lawn,” then right away you've improved the sentence with really two or three quick thoughts about what you actually meant with that verb and a better one. So it really applies to every level and stage of writing, but Neal's right—this is really about going back over your work sentence by sentence and seeing if you can make it stronger and cleaner and clearer. The reason it's rule one is to write strong verbs. Neal: A nice thing about strong verbs is that they often preclude the need for an adjective or an adverb, right? If I say “I trudged,” it's shorter than saying “I walked slowly and depressed.” Jo: Absolutely, and how you answered that question is kind of how the book works, right? Because Neal does an outline of the rule, and then Anne comes in and comments. Maybe you could talk a bit about that process. You are both strong characters, obviously you've been writing a long time. Talk a bit about how you made the book and how that worked as a couple as well. Neal: I'd had these rules collected for a number of years and I had them on my website. When I met Anne, she liked them and would hand them out when she was doing writing sessions. I was intrigued at some point a few years ago and looked around to see whether there was a list like mine out there. I noticed that all the other lists I saw were much shorter. Hemingway had his four rules for rewriting. Elmore Leonard, his eight, which are wonderful. Margaret Atwood has 10. The longest I saw was Martin Amis had, depending on what year it was, 14, 15 or 16—he'd go back and forth with a couple of them. I had 30-some and I wondered, well, 30-some might be enough for a book. I didn't want to write a scolding book like on grammar. I didn't want it to be academic or written like “I'm the expert, I know.” I'll just let my mind range. I'll explain the rule and then let my mind go where it went. Which, by the way, is one of the rules—show then tell. Not “show, don't tell.” It's show, then tell. Let your mind riff after you've explained something to the reader or shown something to the reader. So I wrote the book. It was too short to be published, and I showed it to Anne and I asked her, “What do I do with this?” Anne: I said, “Hey, I know something about writing, Bub,” and I asked if I could contribute my thoughts and retorts and examples and prompts to each of his rules. We were just off and running because his stuff was so solid. Mine is more maybe welcoming and giving encouragement and hope to writers because writing's hard. It's still hard for me. This is my 21st book and I'm only a third of it. Writing's hard, and what we hope is that our conversation can help people understand: a) it's hard for everybody, and b) it'll work if you just keep your butt in the chair and do the best you can, and then go back one day at a time and try to make it a little bit better. Neal: It turned out to be pretty serendipitous because just naturally I'm more of an explainer and Annie is more driving toward catharsis. So the call and response is always: I set out the rule, I explain the rule, and Annie drives it toward catharsis and usefulness. Jo: In some chapters you do disagree in some form. How did that work in the process of writing? Anne: Usually I disagree because Neal might be using words that are too big, or it might be a little bit elitist, I would think. Or of course I would point out that he's completely overeducated, whereas I'm a dropout and so I have a much plainer, more welcoming version of the rules. All of the rules are so strong, but I would feel that the way he explained it was beyond me. So I would come in and try to explain what Neal had been explaining. It was actually really funny and fun. We do come from really different directions. Neal is an explainer. He's like an ATM of information, and I am the class den mother who brings in treats and party favours on everybody's birthday. My message is always: you can really, really do this, I promise, trust me. But you start where you are, you get your butt in the chair, and then Neal comes along and says what has worked for him. He was a journalist forever, so he writes in a very different way than I write. It just turned out that the two of us together kind of make a whole. People have asked us if there were a lot of conflicts or if we really objected to the other person's take. I can tell you, Jo, there wasn't a day when we had only conflict. We were just laughing and we were excited because one of us would remember a great example from literature. We came to believe that these two very distinct voices would form one voice of encouragement for any writer. Jo: That brings us to rule number eight, which is trust your voice. I feel like this is easier when you've been writing a while. We're told to find our voice, but I remember as an early writer when I read Bird by Bird and other books and I was like, “How on earth do I find my voice?” Maybe you could talk about this more for early stage writer. How do you find and trust that voice? Neal: Boy, that is a halt for almost all of us. This follows from any intellectual pursuit that requires lots of practice and repetitions. Malcolm Gladwell's great statement, or discovery, or restatement from somebody else who discovered it, that the human brain requires 10,000 hours of repetitions before something can be allowed to just flow without thought. Flow as if intuitive rather than thinking. I don't think that's any different in writing than it is in basketball or football or anything else—sports, creative pursuits, everyday pursuits. There's just a lot of repetitions required. Some people have the experience that I did, where you're just going along getting better and better, doing it over and over again, learning this, learning that, adding in this, adding in that, moving toward a goal of virtuosity or whatever. And all of a sudden, bang, one day, it all works and your voice emerges. Other people don't have that experience, don't have that one day that it happened or that feeling that it suddenly happened. For some people it takes less than 10,000 hours, but for most people it is a hell of a lot of repetitions. Anne: I think for me, the most important aspect to finding your own voice is noticing how desperately you don't think your voice is good enough and that you want to write like somebody else. I always mention that when I was coming up, at about 20, I wanted to sound like Isabel Allende because I loved her work so much. Or Ann Beattie, who was writing those wonderful short stories in the New Yorker. Or Salinger, who I'd started reading probably at 10 years old. I had to come to the understanding that I can't tell my stories and my truth and my version of life—which is really what writing is—in somebody else's voice. Unless it's a kind of advanced writing exercise to write in the voice of an alcoholic billionaire in Spain. For most of us, it's about finding out that our voice is what people want to hear. It's hard to believe, but it is absolutely true. If you have a story to tell me, Jo, I just want you to tell me your story. I don't want you to try to sound like Virginia Woolf or Margaret Drabble. I want you to be Jo. If it's the written version you're sending me, I can probably go through and help you maintain your voice while making the writing stronger by following certain really basic rules. But spiritually and psychologically, this is just about the most important rule of all because that's why we're here. That's why we are on this side of eternity—to discover who we are and why we're here. Part of that is discovering who, deep down, when all the layers are peeled away, we are, and then how to communicate that to a reader. Without trying to sound more impressive or more brilliant or more ironic than we actually are, our voice is good enough. It's hard to believe. Our voice is what we want you to tell us your stories in. Neal: I distinctly remember the day I found my voice, for odd reasons. I just can remember it, and the first thing I did when this story felt like it had written itself to me was look at it and go, “Crap. That doesn't sound like Faulkner.” Jo: It sounded like you. Anne: Or bad Faulkner. Jo: Do you think we have to find our voice maybe multiple times, depending on genre? For example, I recognised that feeling with one of my novels. It was novel number five. I was like, “Oh, that's my voice.” But then it took me a lot longer to find that in memoir because, well, I think memoir is super hard. Do you think we have to go through these 10,000 hours in different genres? Neal: Not for me. I don't think any differently about how I'm entering into a business letter, a text, a novel, a self-help book, or any of the things that I do. I feel like I just have to turn this switch and let it go, and I can trust myself. So that's interesting. I can imagine you could develop a second voice. I haven't ever needed to. Anne: I would agree that I write my novels and my nonfiction really from a kind of central bus station deep inside of me. One of our rules is write the hard things—write about life and death and loss and grief and relationships and getting old and being here during these incredibly cold, dark times. Because the reader, i.e. me, is just desperate for truth and for real. I started out wanting to sound like John Updike or sound like a New York glitterati male writer, and I can't tell you what is really real in somebody else's voice. I disagree with Malcolm Gladwell. I think it's 10 hours—a little bit different there. But when I'm writing autobiographical spiritual pieces or my novels, I have to kind of settle myself down, like gentling a horse, and find that bus station inside of myself where I'm observing and I'm tugging on the sleeve of the person sitting next to me and saying, “I just saw something really interesting. Do you have a minute?” That's really what writing is. I just saw something or thought of something or imagined something or remembered something really interesting. Do you have a minute? If I'm talking to the person next to me, I'm not going to try to sound like Laurence Olivier or anybody else. I'm just going to tell them my story. The best four or five word great quote is from our screenwriter friend, Randy Mayem Singer, and she said: “Tell me a story. Make me care.” Those six words really transcend all genres. It's just: I can tell you a story my way if you're interested. Got a minute? Jo: You mentioned that, really interesting, you said, “I need to settle myself down,” particularly in these dark times. This is not a political show, and obviously we're all from different countries here and we all have different views of what difficult times are, but we all go through them. When big things in the world make us feel like perhaps what we are doing is not so important, how do we get through that? That “shouldn't I go do something more important than writing a story” feeling? Neal: Everybody is encouraged to be a political scientist nowadays, or to be an ethicist or to be a moralist as their job, and that's kind of ridiculous, right? We've been handed our role. By the time you're 30, you've been handed your role in the world, and that's your productive role. You have certain citizenship requirements, which might include voting or marching or watching the news every day. That's not the rest of your day unless you actually work in parliament as an aide or doing some kind of social policy work. I am not going to let the external world ruin my day. I'm going to keep that to a certain number of minutes of my day that is appropriate to my role in the world. I am perfectly productive in the world. I have lots of things that I do. I work hard. Everybody works hard. There are no lazy people in this world any more—civilisation's too difficult. You want lazy? Go back to 300,000 years of tribal life, where as soon as you had fulfilled your last need for calories for the day, you made it back to camp slowly so you didn't burn calories, and lulled from about 10:00 AM to 2:00 PM. The rest of the day you reclined so you weren't burning calories and gossiped with your fellow tribespeople. None of us is like that now. I'm perfectly productive without having to say I should be more productive and more concerned about the foibles of the species. Anne: Neal does something with his clients, with whom he does this work on taming the inner critic. It's about having them make a list of what they do every day. Rain or shine or catastrophe or peace or war or whatever, you just do it. I wake up, I pray, I put my glasses on. I get a little bit of work done every day. I meditate for 15 minutes every day. I get outside every day because that is the most nourishing, spiritual reset button I can get to. I catch up with my friends. We have a grandson here. We hang out with him. I do certain things every day, and one of them is I get a little bit of work done. Of course what I'd rather do is just stay glued to CNN and have my tiny opinions on every single thing that is happening and how things would be better if they followed my always excellent advice. Instead, what I do is I will meditate for 50 minutes a day and it won't be really beautiful and inspiring—it'll be like a monkey at the mall who's over-caffeinated. I will also get outside. I don't know if I'll get a really good long walk with 10,000 steps in, but I will get outside and I will pay attention. I will breathe in fresh air. I will have moments of wonder. I will also sit down, and I will be doing it after we talk. I'm going to get my own writing done for the day. I really recommend that to writing students: write down what you do every day. And in it, figure out at least one pod—a 45-minute pod—where you can get a little bit of writing done. Something that may serve the writers in your audience is that I make long lists and I encourage all beginning writers to make long lists of every memory and thought and idea that they've had. But mostly memories, often starting very young. Thinking about early holidays and school are great prompts. Make a list of 25 memories you have that you've told people over the years that are meaningful to you. If you remember them, they're meaningful. You may think that they're meaningful because of this or that, but you sit down and you write about them for 45 minutes and you're going to discover that there was a kernel of insight, or even healing, in them that you hadn't known when you set out to write them. I taught writing forever at this bookstore called Book Passage in Marin. We would spend a part of every hour having the writers, the students, explain to me why they weren't getting any writing done, and they were excellent ideas. Any excuse your listeners have about why they're not getting any writing done—believe me, it's a good excuse and I've heard it 10 times. If you are committed to writing, you have to meet us halfway, and that means that you set aside 45 minutes or an hour and a half or whatever you can give me to get a little bit of writing done. Get one passage written—the first or eighth thing on the list of really important memories that you've carried in your pocket all these years. Neal: The typical amount of time that a Booker Prize winner, or a National Book Award winner here in America, spends writing—a novelist—is one to two hours in the morning, getting 45 minutes to an hour and a half of work done, a thousand to 1,500 words. And then they stop. The reason they stop is it's really brain-consuming. To do this is hard work, and it's intellectually vigorous. High-end programmers can work two and a half hours on average before they have to stop because they've used up their brain energy—the blood going to the brain and expending calories and whatever is going on in there. It's not a long time. It's just repetitive time. The Booker Prize winners, they typically work six days a week, not five days a week. An hour and a half a day is about the mean. About 1,200 words is about the mean. Jo: It's interesting because you mentioned what's stopping people from writing, and you also mentioned it's hard work. One of the things I've heard a lot recently is: “This is really hard. I thought writing was meant to be this romantic myth where I would sit down and things would stream into my brain and it would be easy. And if it's not easy and fun, then maybe it's wrong for me.” So maybe you could explain more about the hardness and why hard is still good. Hard doesn't mean it's a bad thing. Neal: The interesting thing about writers is that they are really interested in very complex thinking about sentences. A few things distinguish a writer from a subject matter expert or a plotter—who either writes plots and is interested in the movement of plots, or who is a subject matter expert in something and either novelises it or writes nonfiction. It's that a writer is first concerned about the puzzle of a sentence, second concerned about the flow of a paragraph really, and only thirdly concerned about the subject matter. I don't care what the subject matter is. What I want to concentrate on ultimately is the sentence. And getting a sentence to look right in context requires building sentences upon sentences upon sentences. It's more like painting than it is like writing in that sense. If you look at a painter, once they've put one brushstroke down—and usually it takes them a while to figure out what that brushstroke is, how big it is, how wide it is, how thick it is, how grainy it is—then the second brushstroke becomes a puzzle based on what they just did with the first brushstroke and the remaining canvas. A writer thinks that way about each sentence and realises that each sentence has layers of information in it—diction, colour, rhythm, harmony, melody, plot, all sorts of things are happening. How many of those are taken care of in that sentence? Well, that becomes the interest. It's hard in the sense that to be virtuosic at it, to be really good at it, requires a lot of study and a lot of mistakes. Most of the mistakes are getting rid of clichés and finding your way past them, and that's a long, long process. This isn't something that can be just picked up because you have a talent. You were told at a certain time you were a talented writer, so you can just pick it up. As soon as you get into it, you see that the sentences are demanding a heck of a lot of work. Anne: I would add that I don't find it all that fun and easy—I never find it fun and easy. I've been doing this professionally for 52 years now, since I was 20, when I worked at a magazine. I think that's an illusion. So much of becoming a writer is unlearning what you thought it meant and how it would go. That you would sit alone like Bartleby the Scrivener, hunched over working on your ledger. That was not true at all, because a lot of our book, Good Writing, has to do with the collaboration between you and a writing partner, a writing group or a writing collective, and eventually an editor. It's not about that lonely, hunched-over romantic, Wuthering Heights sense of seriousness. And it's also not giddy. It's not Walt Disney. It's just very real. It's one human sitting down at the desk with paper or at the keyboard, and it is just trying, one day at a time, to write what's on your heart, what's on your mind, what's on your scribbled notes, what you're trying to transcribe from this little bit of a flicker of an idea about something that you've always meant to tell on paper. And then writing it. Some parts of the day's work will be pulling teeth. The secret of writing—and I write about this a lot in Bird by Bird, I write a lot about it in Good Writing—is you just don't give up. Because you wanted to be a writer when you grew up. What that means is that you write a little bit every day and you read about writing. You read good books on writing. You read Stephen King. You read William Zinsser. You read all the Paris Review interviews of writers at work. You enter into the writing life because it's a calling, like a monk to a monastery. You've gotten into the water, it's a little cold at first, and you stay in it. And it starts to be something that is so fulfilling, if maybe not fun. It's fulfilling. You will feel this rare excitement that you're doing what you have put off for so long, or that you're re-entering it in a new way with a different sense of commitment and maybe a little bit more wisdom and probably a lot more stories to tell. Jo: I did want to ask Anne, because coming back to Bird by Bird, many writers listening will have read it. I've also read over the years about your son and your faith. These are really personal things that you have shared. It feels like we live in this age of judgement and cancellation, and writing what you call our truths can be very difficult. People are afraid. What would you say to them? And obviously also rule 33 is “write hard stuff”, so I guess that gets into it too. How do we do this? Anne: A lot of people don't have the calling to write personal stuff or autobiographical stuff or stuff about spiritual or emotional or psychological healing. They want to write about England in the 1300s. I've always told my writing students to write what they would love to come upon, because then they're creating it. If they love to read historical romances, or they love to read journals—I have to say, I read every single journal of Virginia Woolf's in my early twenties, and I read every single volume of her letters in my early twenties. It was thrilling to be in that intimate, umbilical connection to a writer that I loved so much, and into the world of Bloomsbury, and into the world of England between the wars. People may not want to write like I write, and I would assume they don't. My calling is that I love to write about real life and I use my immediate experiences of daily living and my family and my husband and our animals and my nation and my recovery and my church. All of that is the stuff that I love to come upon in other people's work, and so I write it. Neal writes differently. He is a journalist and a novelist, and he is writing a lot in a much more sociological way than I am. He is writing with this font of knowledge about socioeconomic and historical understanding of the world. Yet he's just raggedy old Neal Allen, but he loves to come upon different stuff than I love to come upon. Does that answer your question? Neal: I think one thing to notice is that the whole bully-victim cycle that we are promoting and living in now—and it's a cycle because if somebody claims that they have been bullied, then their only defence is to become a bully themselves. The victims become the bullies. It just gets worse and worse. It's the old revenge story. What I've noticed when I think about it is the authors who I respect the most tend to be humanists. Humanists tend not to be cancelled, and I've never felt a great danger. Of course, I watch my words in certain ways that are fashionable—you can't use this word any more, and all of that. But in terms of ideas, humanists embrace the world in a funny, different kind of way than people who chase after conflict, chase after separation of people from each other, tribalism, all of that. When I look back, my heroes were always humanists. Some of them might be cancelled now, but just for the weirdest reasons—like Henry Miller or Mark Twain might be cancelled for very strange reasons. These are absolute humanists who love everybody in the world in a certain kind of odd way. Virginia Woolf is the most incredible humanist in the world. She's not going to be cancelled. Jo: She cancelled herself. Neal: There we go. Jo: As we come towards the end, I do want to return to something—you've both talked about calling and you've been handed your role, and this sort of “we are writers now.” Both of you have had great longevity in the career, and I've been doing this now 20 years. I've noticed so many people who leave the writing life, so I wondered what tips you had on making it long term. How do we do this long term, assuming we are feeling a calling? People have to balance the money side, they're balancing book marketing, which is always a nightmare for all of us, and the writing. Any tips for longevity? Neal: I have no idea. I have lived outside of the writing life, just kind of using it as a secondary skill, for half of my life. I left journalism because it didn't pay well enough to support a family of six. I moved into the corporate world. I loved the corporate world. I didn't have any problem with it, but it wasn't the writing world. When I came out of the corporate world, I first went into “tame your inner critic” sessions with people—executive coaching, other kinds of coaching. Only lately, only in the last 10 years, have I really resumed my writing career. I think maintaining a writing career, like anything in the arts, is incredibly difficult financially. It just will be. Annie will tell you—you were, what, 15 years into your career before you had your first home office? Anne: Yes. Neal: Right. Anne: More than that. I was 20 years in before I had a door I could close to keep the Huns out—i.e. my child. Here's the thing: nobody cares if you write, if you hate it, or if you've given up. It might be that you would find your creative soul, your imaginative, creative life force at ecstatic dancing on Saturdays in the town park, which we offer here in our tiny town. It might be that you're a painter. My best friend started painting several years ago and she's incredible. If you want to write, the horrible thing is that you just have to keep setting aside a pod. I keep using the word pod because that's how I get any work done at all—an hour. Now, Neal and I can both tell you, and Neal alluded to this: you set aside an hour and that will give you maybe 40 minutes of actual writing. And we'll give the Booker Prize winners 40 minutes of actual writing. You have two hours and that gives you an hour and 15 minutes. That's how it works. If you care and if you long to be a writer, to immerse yourself in the writing life—I hate to sound like a Nike ad, and I don't know if you have this in England—but you just do it. One thing that gets in everybody's way is this fantasy of getting published and how if they get published, it will be like the world has stamped “validated” on their parking ticket and their self-esteem will now be much, much better and more consistently excellent than it ever was before. We can tell you: we've got this book that's out, brand new, and it makes you much more insecure and much more anxious than you were before it got published. Because how's it going to do? Is it going to get reviewed? There are very, very few places reviewing books any more. Carol Shields, who wrote an incredible book 30 years ago called The Stone Diaries. She was teaching large, large writing retreats, a thousand people at a time, and she would tell them that five to 10 of them will be published. Getting published means that you get your book out and you have one week to make it. You have one week in the bookstores for it to get noticed. And there are 180,000 hardback books published in America every year in general interest. So you write a novel that's about a small town. You have great dreams that it's going to be an Oprah book and that this is going to happen and it will lead to a second contract, and then you can start investing in diamonds or buy a set of fish forks. It doesn't happen. My first book that made any money at all for me was my fifth book. It was a journal of my son's first year called Operating Instructions, and it was the first time that I didn't have to have a second job. I was 38, and I had been writing—and writing full time—since I was 20 and publishing since I was 26. If the carrot that is enticing you to get any new work done is publication and finding an agent and getting published, it's not going to happen for you. I can just promise you that. If your dream is to become a writer and to become a member of the writing community and to write—and it will be discouraging—but if you want to write, you just keep pushing back your sleeves. You don't get up. You sit down and you keep your butt in the chair. If your work is really good, it may get published. If your work is excellent, it may not. But that can't be what gets you to commit to being a writer when you grow up. Jo: Fantastic. So where can people find Good Writing and all your books and everything you both do online? Neal: On March 17th the book comes out. You can get it online, anywhere online. It's published by Penguin Avery. March 17th, it gets released. Anne: As we said, it'll be in the bookstores for a while. Neal: It'll be in the bookstores in America. You might have to go online in Great Britain at first. Jo: Oh yes, it's definitely there. And what about your websites as well? Anne: I don't have a website. Neal: I have a modest website at ShapesOfTruth.com. That tells you about my other books also. Anne: I'm at Substack, Anne Lamott. I'm on Facebook, Anne Lamott. I'm kind of all over the place. But this is kind of terrifying: 80% of books bought in America are bought at Amazon on cell phones. Jo: Yes, absolutely. Actually, I was going to ask—have you recorded the audiobook as a pair? Anne: Yes, we have. It's available if you go—I hate to always be plugging Amazon, but it's so easy. If you go to Amazon, it'll give you a choice of hardback or audio or Kindle. Neal: And if you don't want to go to Amazon and want to find another place to buy it that you feel more comfortable with, go to Penguin Random House and just put in “Good Writing, Anne Lamott.” I think it'll take you to a splash page that gives you a choice of a half dozen online places to order it. Jo: Brilliant. Well, thanks so much, both of you, for your time. This has been brilliant. Anne: Oh, Jo, thank you. Pleasure and an honour. Thank you for having us. Neal: Thank you, Jo. As you can see, we really get turned on talking about this! Anne: Yes, we do.The post Strong Verbs And Hard Truths. Good Writing With Anne Lamott and Neal Allen first appeared on The Creative Penn.

Mollie Hemingway, Editor-in-Chief at The Federalist, Fox News Contributor, & author of her new book, ALITO: The Justice Who Reshaped the Supreme Court and Restored the Constitution (on sale April 21, 2026), to discuss the ongoing redistricting efforts by Democrats in Virginia.  A new report has revealed that the proposed redistricting would be the worst gerrymander in the country, and Hemingway weighed in. Hemingway and Benson also discussed why this issue is relevant to the entire country, and you can listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

At the dawn of the twentieth century, a writer emerged who learned his craft not in a classroom, but in battlefields, bullrings, and bars. To some, Ernest Hemingway was the greatest writer of his generation. A Nobel laureate whose sparse, muscular prose changed literature forever. But to others, he was a swaggering egotist, a man addicted to danger and performance, obsessed with his own legend. His own life fuelled his work, just as his work in turn fed his own myth. But behind the mask he forged through his writing lay a man haunted by fear, violence, and the tyranny of bravery.   But why, more than sixty years after his death, does Hemingway remain a symbol of masculinity and modernism? Who were the people whose lives were swept up in the hurricane of his own? And how did the same passions that made Hemingway great also destroy him in the end? This is a Short History Of Ernest Hemingway. A Noiser podcast production. Hosted by John Hopkins. With thanks to Paul Hendrickson, author, journalist, professor, and the writer of Hemingway's Boat: Everything He Loved in Life, and Lost. Written by Sean Coleman | Produced by Kate Simants | Production Assistant: Chris McDonald | Exec produced by Katrina Hughes | Sound supervisor: Tom Pink | Sound design by Oliver Sanders | Assembly edit by Anisha Deva | Compositions by Oliver Baines, Dorry Macaulay, Tom Pink | Mix & mastering: Cody Reynolds-Shaw Get every episode of Short History Of… a week early with Noiser+. You'll also get ad-free listening, bonus material and early access to shows across the Noiser podcast network. Click the subscription banner at the top of the feed to get started. Or go to noiser.com/subscriptions ⁠A Short History of Ancient Rome⁠ - the debut book from the Noiser Network is out now! Discover the epic rise and fall of Rome like never before. Pick up your copy now at your local bookstore or visit ⁠⁠noiser.com/books⁠⁠ to learn more. Learn more about your ad choices. Visit podcastchoices.com/adchoices