Podcasts about Waterloo

Two hot Jupiters presented at the 248th American Astronomical Society meeting push our understanding of exoplanet atmospheres to the extreme. Research Scientist Tiffany Kataria from NASA's Jet Propulsion Laboratory shares new JWST observations of HD80606 b, the "Roasted Planet,”a gas giant on one of the most eccentric orbits ever discovered. Assistant Professor Lisa Dang of the University of Waterloo joins to discuss CoRoT-2 b, a young, inflated hot Jupiter whose hottest point shows up in an unexpected location on the exoplanet, possibly because the planet hasn't fully tidally locked with its star yet. Then Chief Scientist Bruce Betts joins for What's Up to explore atmospheric super-rotation, winds that outrun the worlds they ride on. Discover more at: https://www.planetary.org/planetary-radio/2026-hot-jupitersSee omnystudio.com/listener for privacy information.

Send us Fan MailA baby shows up at Southfork Ranch, and it should feel like pure joy, but Bobby Ewing looks like he's about to crack. Baby Christopher lights Pam up in an instant, and watching that transformation is equal parts sweet and terrifying because Bobby knows the adoption is illegal, and the truth behind the child could detonate the entire Ewing family. Then J.R. Ewing does what J.R. does best: he turns custody into a business weapon. Miss Ellie corners him over emptied reserves and a bill coming due, and he admits he hoarded oil to pressure Clayton Farlow into pushing Sue Ellen out. The plan backfires, the oil price drops, and Ewing Oil nearly bleeds out. Ellie heads to San Angelo, makes a deal with Clayton, and saves the family finances while quietly proving she's still the smartest power in the room. From there, the episode stacks dominoes: Ray and Donna's marriage grinds against pride and money, Mitch steps deeper into his medical storyline with a plastic surgery case, and Afton's return signals more drama on deck. Everything funnels into the courthouse, where J.R. threatens to humiliate Sue Ellen with witnesses and headlines, only for the judge to deliver a custody ruling that reshapes the battlefield and hits J.R. where it hurts most. If you love Dallas recaps, vintage primetime soap opera breakdowns, and character-driven drama at Southfork, press play, then subscribe, share with a fellow soap fan, and leave a review. What moment made you the most angry or the most relieved?

Dozens of Democratic senators are demanding immediate, independent and transparent investigations into two fatal shootings by Immigration and Customs Enforcement. We talk about what accountability would look like with John Sandweg, former ICE acting director who served from 2013 to 2014 under then-President Barack Obama. Then, scientists say human-caused climate change is driving longer fire seasons across drier landscapes, sparking more intense and widespread forest fires. We hear from Anabela Bonada of the University of Waterloo's Intact Centre on Climate Adaptation. And, this year's FIFA World Cup marks the first soccer tournament that embraced artificial intelligence. Is this a new era for AI in sports? We ask Axios' Ina Fried.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Readings from the Waterloo Cedar Falls Courier. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

El 15 de julio de 1815, Napoleón Bonaparte se rindió al capitán Frederick Maitland tras su derrota definitiva en Waterloo. El hombre que había dominado la mayor parte de Europa durante quince años terminó sus días exiliado en la remota isla de Santa Elena. Sus secretarios personales documentaron que lo que más lo destruía no era la soledad del exilio, sino la pérdida del control. El control había sido su dios, y perderlo, resultó más devastador que cualquier derrota militar. El control es una ilusión que reconforta mientras dura. Cuando se pierde, y siempre se pierde en algún punto, el alma que no ha aprendido a confiar queda desamparada. Pero quien ha practicado la entrega a Dios encuentra en esos momentos no el vacío del control perdido, sino la firmeza de la soberanía divina que no falla. De modo que, no todas las variables te corresponden gestionarlas. Algunas pertenecen a Dios desde antes de que llegaras a ellas. Suéltalas con paz, porque allí donde el control termina, la fe empieza. La Biblia dice en Salmos 46:10: "Estad quietos, y conoced que yo soy Dios". (RV1960).

El 15 de julio de 1815, Napoleón Bonaparte se rindió al capitán Frederick Maitland tras su derrota definitiva en Waterloo. El hombre que había dominado la mayor parte de Europa durante quince años terminó sus días exiliado en la remota isla de Santa Elena. Sus secretarios personales documentaron que lo que más lo destruía no era la soledad del exilio, sino la pérdida del control. El control había sido su dios, y perderlo, resultó más devastador que cualquier derrota militar.El control es una ilusión que reconforta mientras dura. Cuando se pierde, y siempre se pierde en algún punto, el alma que no ha aprendido a confiar queda desamparada. Pero quien ha practicado la entrega a Dios encuentra en esos momentos no el vacío del control perdido, sino la firmeza de la soberanía divina que no falla.De modo que, no todas las variables te corresponden gestionarlas. Algunas pertenecen a Dios desde antes de que llegaras a ellas. Suéltalas con paz, porque allí donde el control termina, la fe empieza. La Biblia dice en Salmos 46:10: "Estad quietos, y conoced que yo soy Dios". (RV1960).

Danielle Smith announces a $13 billion Meta data centre in Sturgeon County, Alberta, set to be the largest in Canada.In contrast to Carney's federal A.I. strategy, which promised clean, sovereign, and ethical A.I., Smith refers to the Meta project as a “digital refinery,” fuelled by a natural gas plant that will be built to power it. Instead of digital sovereignty, is Canada going to end up being a branch-plant, resource economy at the service of Big Tech? Plus, the best Canadian films you probably haven't seen, and Big Tech's new hiring target: philosophers. Host: Jesse BrownCredits: James Nicholson (Producer), Kallan Lyons (Associate Producer and Fact Checking), Caleb Thompson (Mixing and Mastering), Tristan Capacchione (Senior Production Supervisor), Jesse Brown (Editor)Guest: Douglas SoltysFurther reading: Big Tech joins Calgary Stampede oil bash, as Alberta courts data centres | CBC News Meta to build $13 billion data centre in Alberta, largest outside the U.S. | Globalnews.ca 'Responsible corporate citizen:' Meta, Premier Danielle Smith defend $13B Alberta mega data centre plan - Edmonton JournalSupersized data centres are coming to Canada. One province is at the epicentre | CBC News Meta to build Canada's largest data centre north of Edmonton | BetaKitMeta axes feature that allowed tagging Instagram users to generate AI images of them | CBC News Vancouver's Growing Anti-AI Movement | The Tyee Meta's AI Data Center Caught Leaking Deadly Bacteria Into Water Town Uses for Irrigation - Futurism The Revenge of the Philosophy Majors - NY Times The 100 best Canadian films ever made - The Globe and Mail Join Jesse Brown at the University of Waterloo for:Campus Town Hall - Civil Conversations7pm | July 21st, 2026University of WaterlooPearl Sullivan Engineering BuildingPSE 7303Supported by Heterodox AcademySponsors:Fizz Mobile: Visit fizz.ca and activate a first plan using the referral code CAN40 to get 40$ off and 10GB of free data.Douglas: Douglas is giving our listeners a FREE Sleep Bundle with each mattress purchase. Get the sheets, pillows, mattress and pillow protectors FREE with your Douglas purchase today. Visit douglas.ca/canadaland to claim this offer.Shopify: Sign up for your one-dollar-per-month trial today at Shopify.ca If you value this podcast, Support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch at our store, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody. Hosted on Acast. See acast.com/privacy for more information.

What does it take to write the very first check into a company that has almost nothing to show yet, sometimes not even a finished idea?Afore Capital helped invent the pre-seed category. When Gaurav Jain and Anamitra Banerji started the firm ten years ago, "pre-seed" was almost a slight, a label for founders who couldn't raise a proper seed round. They set out to build the world's largest pre-seed fund anyway, closing $47 million on a $40 million target, and every fund since has closed above plan. Afore now runs more than $500 million across four funds, with top-quartile DPI on the first three. The idea has become so mainstream that when Sequoia launched its latest fund, it said, "I guess we're pre-seed investors too."The real substance of the conversation is how Gaurav thinks. He is clear about what matters most in venture, and the order tends to surprise people. Being in the very best companies matters more than anything else, ownership comes after that, and the entry price that so many investors fixate on matters least, because fifty per cent of zero is still zero. He is also convinced that the genuine bottleneck is talent. There is a great deal of money in the world and very few people who can build something truly large, which is why at the earliest stage founders tend to choose their investors as much as investors choose them. You give a founder a million dollars with no collateral, and then you still have to convince them to take it. A pre-seed pitch, he says, is almost entirely storytelling with very little data behind it.If you want to understand how the earliest checks actually get written, and what it really costs to say no, this episode is worth your time.00:00 - Trailer01:00 - From Dehradun to Google to starting Afore02:08 - The Waterloo co-op that talked him out of every job03:18 - Back when "pre-seed" was an insult05:44 - When Sequoia said "I guess we're pre-seed investors too"07:26 - Afore's three products, and the experiments that failed09:01 - Hightouch was a travel company when they invested11:02 - Goldcast: no visa, no money, funded anyway12:07 - The through line is always the team14:44 - The Ramp miss17:24 - "Founders pick us more than we pick them"18:45 - The constraint isn't capital, it's talent22:24 - The Solana miss, when it was still Loom Protocol24:46 - Ramp's Super Bowl ad, the buses, his wife's business25:32 - What he looks for in founders28:50 - Coachability, happy ears, and the Mom Test31:28 - The biggest mistake: falling in love with the idea35:04 - The three things that matter, and "50% of zero is still zero"39:25 - "100% storytelling, 0% data"41:25 - Investing in India, and the fear of being dumb capital44:41 - "Sign the deal before Monday"47:26 - One engineer now does the job of 2051:43 - Raising from LPs, the undiscussed part of VC-------------India's talent has built the world's tech—now it's time to lead it.This mission goes beyond startups. It's about shifting the center of gravity in global tech to include the brilliance rising from India.What is Neon Fund?We invest in seed and early-stage founders from India and the diaspora building world-class Enterprise AI companies. We bring capital, conviction, and a community that's done it before.Subscribe for real founder stories, investor perspectives, economist breakdowns, and a behind-the-scenes look at how we're doing it all at Neon.-------------Check us out on:Website: https://neon.fund/Instagram: https://www.instagram.com/theneonshoww/LinkedIn: https://www.linkedin.com/company/beneon/Twitter: https://x.com/TheNeonShowwConnect with Siddhartha on:LinkedIn: https://www.linkedin.com/in/siddharthaahluwalia/Twitter: https://x.com/siddharthaa7-------------This video is for informational purposes only. The views expressed are those of the individuals quoted and do not constitute professional advice.Send us Fan Mail

Readings from the Waterloo Cedar Falls Courier. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

The Erics sit down with bone health expert Dr. Lora Giangregorio, a professor of kinesiology at the University of Waterloo, to unpack what's actually known about how bone adapts to resistance training. The conversation covers why bone changes so slowly, the many sources of measurement error in DEXA scans, and why so much of the exercise-and-bone literature is underpowered and hard to interpret. Dr. G makes a central practical case: for building bone, the message shouldn't be "lift heavy" but rather "work hard." Emphasizing high effort over intimidating absolute loads lowers the barrier to entry, especially for older and osteoporotic populations, while still driving progressive overload. She argues the best current bet is combining moderate-to-high-intensity resistance training with impact work, introduced gradually on a foundation of strength. Along the way she debunks popular but weakly supported interventions, including weighted vests and whole-body vibration platforms, and discusses the difference between biological aging and simple chronic inactivity in bone loss. Iron Culture is proudly presented by the MASS Research Review. Mostly because Helms and Trex are co-owners. massresearchreview.com If you're in the market for some new (ultra-high-quality) gym gear or apparel, be sure to use code "MRR10" for a 10% discount over at elitefts.com If you'd like to submit a question for a future episode, head over to: massresearchreview.com/ironculture Chapters 0:00 Intro 4:13 Meet Dr. Lora Giangregorio 7:44 Why bone adapts so slowly 11:42 DEXA error & why to be skeptical 23:07 Does load matter? 33:58 "Heavy" vs "hard" & barrier to entry 42:42 What is impact training? 47:31 The science communication problem 52:55 The weighted vest myth 58:13 Muscle pull, compression & light loads 1:06:48 Do vibration platforms work? 1:09:54 Aging vs. inactivity 1:15:46 Drugs & HRT for bone 1:20:24 How the medications work 1:24:27 Wrap-up & where to find Dr. G

Booze, bridges, and the fog of the trade war.Canada's booze boycotts are working, and Senator Adam Schiff says it's unfair and devastating for the California wine industry. Isn't that the point? Meanwhile, Carney offers concessions to Trump on the Gordie Howe Bridge deal. Did we get bamboozled? Plus, a Wall Street Journal deep dive paints Carney as the leader of the resistance against Trump. Host: Jesse BrownCredits: James Nicholson (Producer), Kallan Lyons (Associate Producer and Fact Checking), Caleb Thompson (Mixing and Mastering), Tristan Capacchione (Senior Production Supervisor), Jesse Brown (Editor)Guest: Douglas SoltysFurther reading: Canada's boycott of U.S. wines ‘causing devastating harm,' California senator says - CTV NewsRepublican bill targets Canada's provincial booze bans | CBC NewsU.S. “We demand Canada stop this alcohol boycott that isn't working and also we don't even care” - The BeavertonOntario runs $8M tab storing U.S. alcohol, as province's plans for stockpile still uncertain | CBC NewsHow will Gordie Howe Bridge profit-share deal work between Canada, U.S.? | Globalnews.caCanada gives share of Gordie Howe Bridge profits to U.S. to get Trump go-ahead - Financial PostTruckers say Gordie Howe bridge changes everything - CTV News 42% of Canadian manufacturing companies have moved to the U.S. or are considering it, and Ottawa is running out of time to stop them - The HubJohn Ivison: Carney may lead the Trump ‘resistance,' but Canadian casualties are mounting - National PostThe Reverse-Centaur's Guide to Criticizing AI (05 Dec 2025) – Pluralistic: Daily links from Cory Doctorow The First Chinese EVs Reaching Canada Aren't The Bargains Buyers Were Promised | Carscoops Join Jesse Brown at the University of Waterloo for:Campus Town Hall - Civil Conversations7pm | July 21st, 2026University of WaterlooPearl Sullivan Engineering BuildingPSE 7303Supported by Heterodox AcademySponsors:Fizz Mobile: Visit fizz.ca and activate a first plan using the referral code CAN40 to get 40$ off and 10GB of free data.Douglas: Douglas is giving our listeners a FREE Sleep Bundle with each mattress purchase. Get the sheets, pillows, mattress and pillow protectors FREE with your Douglas purchase today. Visit douglas.ca/canadaland to claim this offer.BetterHelp: Visit BetterHelp.com/canadaland today to get 10% off your first month. If you value this podcast, Support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch at our store, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody. Hosted on Acast. See acast.com/privacy for more information.

Canada produces world-leading science, engineering, and AI research. So why does so much of that research still commercialize outside of Canada?In this episode of TechSurge, host Nic Brathwaite puts that question to four leaders at two of Canada's top research universities: Mary Wells (Dean of Engineering) and Chris Houser (Dean of Science) at the University of Waterloo, and Heather Sheardown (Dean of Engineering) and Gianni Parise (VP Research) at McMaster.At Waterloo, Mary Wells traces how the university's origin produced one of the world's most influential co-op programs and a creator-owned IP policy that lets inventors keep their ideas, making the school a talent engine for global tech. The group digs into Canada's AI paradox, foundational research and talent but far less of the economic value, and what quantum, robotics, and advanced manufacturing show about getting research to market.McMaster runs a different model, built on health sciences, nuclear research, and problem-based learning. Heather Sheardown explains the McMaster Method and why it matters in an AI-shaped future. Gianni Parise argues for commercialization as a core university function, with work spanning AI-assisted drug discovery, inhaled vaccines, critical-mineral-free motors, and a campus nuclear reactor that supplies much of the world's iodine-125 for prostate cancer treatment. They also unpack Fusion Pharmaceuticals, the McMaster spin-out acquired by AstraZeneca, and what it reveals about university commercialization.Together, these conversations ask what universities must become in an era defined by AI, deep tech, national competitiveness, and the urgent need to move ideas from the lab into the world.Sign up for our newsletter at techsurgepodcast.com for updates on upcoming TechSurge Live Summits and future episodes.Speaker Profiles and LinksMary Wells - University of Waterloo Profile: https://uwaterloo.ca/engineering/about/dean-engineerinChris Houser - University of Waterloo profile: https://uwaterloo.ca/earth-environmental-sciences/profile/chouserHeather Sheardown - McMaster Engineering profile: https://www.eng.mcmaster.ca/chemeng/faculty/dr-heather-sheardown/Gianni Parise - McMaster Experts Profile: https://experts.mcmaster.ca/people/parisegChapters: 0:00 Highlights0:56 Welcome 2:39 Waterloo's origin story 4:51 Creator-owned IP and the Waterloo model 7:42 The Co-op Flywheel 8:56 Canada's AI paradox: world-class research, slower domestic value capture 10:21 AI, Regulation, Trust, and Canadian Competitiveness 17:09 Rethinking the PhD for Commercialisation 21:43 Inside Waterloo's labs 30:14 What Waterloo wants to be in ten years: builders of the country 32:39 Meet McMaster: health sciences, nuclear capability, and research intensity 34:12 The McMaster Method 35:11 Research, Health, and Commercialisation 40:45 McMaster Labs: Heat, Motors and Health Innovation 47:13 Bioinnovation, Nuclear Research and Fusion Pharmaceuticals 58:43 The university of 2035: less lecture, deeper societal impact References Mentioned and Further ReadingUniversity of Waterloo Policy 73 - Intellectual Property Rights: https://uwaterloo.ca/secretariat/policies-procedures-guidelines/policies/policy-73-intellectual-property-rightsUniversity of Waterloo - Our IP policy: https://uwaterloo.ca/entrepreneurship/our-ip-policyUniversity of Waterloo Co-op programs: https://uwaterloo.ca/future-students/co-opUniversity of Waterloo - Academy of Research Commercialization: https://uwaterloo.ca/conrad-school-entrepreneurship-business/graduate-students/academy-research-commercialization-arcOpen Quantum Design: https://openquantumdesign.org/Institute for Quantum Computing, University of Waterloo: https://uwaterloo.ca/institute-for-quantum-computing/CIFAR - Pan-Canadian Artificial Intelligence Strategy: https://cifar.ca/ai/Government of Canada / ISED - Pan-Canadian Artificial Intelligence Strategy: https://ised-isde.canada.ca/site/ised/en/pan-canadian-artificial-intelligence-strategyStatistics Canada - Understanding Canada's innovation paradox: https://www150.statcan.gc.ca/n1/pub/36-28-0001/2024007/article/00002-eng.htmCouncil of Canadian Academies - Innovation and Business Strategy: Why Canada Falls Short: https://cca-reports.ca/wp-content/uploads/2018/10/2009-06-11-innovation-report-1.pdfKPMG / University of Melbourne - Trust, attitudes and use of artificial intelligence: https://assets.kpmg.com/content/dam/kpmg/ca/pdf/2025/07/trust-in-ai-en-report.pdfMcMaster - Our approach to teaching and learning / Problem-Based Learning: https://provost.mcmaster.ca/teaching-learning/our-approach/McMaster - Evidence-based medicine: https://fhshrwelcome.mcmaster.ca/did_you_know/evidence-based-medicine/McMaster Nuclear Reactor - Medical Isotopes: https://nuclear.mcmaster.ca/medical-isotopes/McMaster Industry Liaison Office - IP and commercialization FAQ: https://research.mcmaster.ca/mcmaster-industry-liaison-office-milo/ip-education/intellectual-property-guides/faqs/McMaster - AstraZeneca to acquire McMaster-supported Fusion Pharmaceuticals: https://news.mcmaster.ca/astrazeneca-to-acquire-mcmaster-supported-fusion-pharmaceuticals/Fusion Pharmaceuticals - FACIT investment and CPDC spin-out background: https://fusionpharma.com/facit-announces-investment-in-fusion-pharmaceuticals-and-alpha-emitting-radiotherapeutics/PubMed - Evidence-based medicine and problem-based learning at McMaster: https://pubmed.ncbi.nlm.nih.gov/31617018/ScienceDirect - Fifty Years on: The first problem-based learning programme at McMaster:

Readings from the Waterloo Cedar Falls Courier. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

The Marketing Hustle, Brand of the Match. Champion of OOH. Brand marketers have always argued about the best campaigns down the pub. Now Lottie Unwin and co-host Joel Bjarni Marlinarson are doing it properly, with red cards, yellow cards and a full-time whistle.Out of home covers billboards, installations and anything you see out and about. But in the age of social, OOH is now curated to travel well beyond its physical location. In the second episode of Brand of the Match, Lottie and Joel put out of home under the microscope. It's a channel as old as advertising itself, from Surreal's LinkedIn-native billboard mockups and Canva's genuine "make the logo bigger" takeover of Waterloo station, to TfL and Heineken Zero's confusing Bakerloo Line rebrand, to Rhode's headline-grabbing pimple patches at Coachella. Along the way they cover Pip & Nut's decade of the same squirrel, Lime Bike's reactive dig at London's tube strikes, Turo's shot at stealing Zipcar's audience, and Nike's provocative takeover of the London Marathon.By full time, there's only one winner. Do you agree with the result? Tell us in the comments.This episode is brought to you by Stickybeak, rapid consumer research built for FMCG marketers. Test packaging, concepts and campaigns with real people in under 48 hours. Find out more at stickybeak.co.Follow Brand of the Match:Joel Bjarni Marlinarson: Instagram & TikTok @coldestjoel, LinkedIn Joel Bjarni MarlinarsonLottie Unwin: Instagram @lottieunwinmarketing, TikTok @lottieupworld, LinkedIn Lottie UnwinPlease subscribe wherever you're listening, it makes a huge difference to the show.Timestamps:00:00 - Coming up on Brand of the Match00:47 - Countdown into round two00:53 - Kick-off: Champion of Out of Home01:15 - Out of home as old as advertising itself02:31 - Joel's spectrum: from LinkedIn mockups to full-spend campaigns03:25 - Surreal's copywriting-led fake billboards04:05 - Canva's real Waterloo station takeover05:38 - TfL x Heineken Zero's Baloo line rebrand07:24 - Rhode x Coachella's pimple patch stickers10:34 - Half time: word from Stickybeak11:45 - Second half kicks off11:55 - Pip & Nut's squirrel and the case for consistency14:11 - Lime Bike's reactive tube strike ads15:11 - Turo's dig at the collapsing Zipcar18:03 - Nike's London Marathon takeover23:01 - Final whistle for this round23:17 - Pip & Nut crowned Brand of the Match23:54 - Looking ahead: the future of out of home26:45 - Outro and how to follow the show

This week we recap our weekend at the George Tragos/Lou Thesz Professional Wrestling Hall of Fame Weekend in Waterloo!   We have a new one stop shop for AWA Unleashed merch, it's https://www.teepublic.com/user/unleashed-plus

Twins position at the MLB All-Star Break should make them a buyer at the deadline, Chris Tubbs recaps his history making weekend in Waterloo, Iowa, plus we have Bite of the Night and Headlines.

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The post Luke 22:39-52 Gethsemane — Waterloo appeared first on Grace City Church.

Pigeons: The Heroic Communicators of Modern Warfare Guest: Stephen Moss Book Title: Ten Birds That Changed the World The humble pigeon is celebrated for its extraordinary homing skills, which Moss describes as making it the "ultimate mailman." While legends like the Rothschilds using pigeons to profit from the Battle of Waterloo are mostly myth, the bird's real-world contributions to communication during the World Wars were pivotal. During D-Day, radio silence was mandatory, and pigeons were released from Normandy beaches to carry news of successful landings back to Britain. Moss highlights Cher Ami, a pigeon that saved a New York battalion from "friendly fire" despite being severely wounded. These birds were so effective that the British military even deployed a unit to hunt peregrine falcons to protect pigeon messengers. Moss notes the paradox of the pigeon: often dismissed as urban pests, they were actually reliable, "unturnable" assets that saved the democratic world through their instinctual drive to return home. (2)1849 RAVEN

0:00 SEGMENT 1: Actor, writer, and producer Brandee Stilwell talks about her MAD Rewind Podcast and the Mad TV reunion at San Diego Comic-Conhttps://madrewind.com/ 15:39 SEGMENT 2: Brandee Stilwell continued35:01 SEGMENT 3: James Enstall and Producer Joey V. review the movie ‘Gail Daughtry & The Celebrity Sex Pass'.https://davidwain.com/ 46:50 SEGMENT 4: Chris Schmitz, CEO of Con-Quest, talks about his event happening next weekend in Waterloo, IA.https://www.con-quest.world/ Keep up to date with 2 Rivers Comic Con, coming back to St. Charles in 2027 https://2riverscomiccon.com/ Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223), HW Kia (https://www.hwkia.com/)Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio Website -   http://geektomeradio.com/   Podcast -   https://anchor.fm/jamesenstall Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

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Taylor Kurta is an award-winning singer/songwriter, certified music therapist, and PhD candidate at the University of Waterloo. A SSHRC Doctoral Fellow and recipient of the Canada's Walk of Fame/RBC Emerging Artist Mentorship Prize, her research develops collaborative songwriting methods with people living with dementia to challenge stigma and promote inclusion. She currently teaches at the University of Toronto Scarborough, where she focuses on music and health in community and medical contexts. Across everything she does, Taylor's perspective is really grounded in seeing music not just as a therapeutic tool, but as a creative and relational practice that can be used for social justice.We're incredibly excited to have Taylor here with us today. Let's dive in!Episode Links:LinkedIn: Taylor Kurta -- Subscribe to the Able Voice Podcast, leave us a review and connect with us (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ablevoicepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @synergymusictherapy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) to share your experiences and takeaways. AVP Theme Music by: Christopher Mouchette. Follow him on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Soundcloud (@Chris Mouchette)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Episode audio edited by: Justis Krar (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@immvproductions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Show produced by Olivia Maveal (@summitmusictherapy) and hosted by Hayley (@mtahayley) & Kim (@mta.kimberly).Rate and review the podcast on Apple Podcasts here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/able-voice-podcast/id1505215850⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

SWR was in Waterloo, IA this past weekend for the annual George Tragos Lou Thesz Hall of Fame Weekend! With this weekened there's always a huge reunion feel to it for wrestling fans! We talked to fans and wrestlers from all over who come every year and what keeps bringing them back year after year!

How often are you bored nowadays? This hour we take a look at the psychology of boredom to learn what's happening in our minds when we're bored, and if there's any benefit to it. Plus, a look at boredom through history and literature. And, what makes a movie boring? GUESTS: James Danckert: A Professor in the Department of Psychology at the University of Waterloo. He is co-author of Out of My Skull: The Psychology of Boredom Peter Toohey: A Professor of Classics at the University of Calgary, and author of books including Boredom: A Lively History Mary Mann: The College Archivist at The Cooper Union, and the author of Yawn: Adventures in Boredom David Edelstein: America’s Greatest Living Film Critic Music featured (in order): No Rain – Blind Melon Bored – Billie Eilish One More Day – Todd Rundgren Still I Dream Of It – The Beach Boys Grand Ennui – Mike Nesmith I’m Bored – Iggy Pop Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Before Napoleon's legendary Marshals, France was already producing some of the greatest military leaders in European history. In this episode, we explore 4 remarkable Marshals of France whose achievements helped shape the French Army long before Austerlitz, Jena, and Waterloo.Special guest Jonathan Abel discusses the Comte de Rochambeau, whose leadership alongside George Washington helped secure victory at Yorktown during the American Revolution; the Duc de Broglie, one of France's most capable commanders during the Seven Years' War and an important military innovator, the Marquis de Castries, the naval reformer and statesman who strengthened French military power in the years before the French Revolution; and the Marquis de Ségur, the reform-minded Minister of War who helped modernize the French military.These forgotten marshals bridged the gap between the armies of Louis XIV and the armies of Napoleon, laying foundations that would influence French warfare for generations. From battlefields across Europe to the American War of Independence, their stories reveal how the French military evolved into the force that would later dominate the continent under Napoleon.X/Twitter: @andnapoleon#Napoleon #FrenchHistory #MarshalOfFrance #Rochambeau #AmericanRevolution #NapoleonicWars #MilitaryHistory #FrenchArmy #Yorktown #LouisXVI #SevenYearsWar #Broglie #Castries #HistoryPodcast #GeneralsAndNapoleon

Self-focus is one of your most powerful tools for change, but there's a point where it quietly turns into a wall. Dr. Caroline Leaf breaks down the difference between healthy self-focus and narcissism, the 4 signs to watch for, and why nearly all popular confidence advice (affirmations, power poses) is neurologically backward, then gives you 5 research-backed moves to build real confidence. What you'll learn: - Why self-focus is a neuroplasticity tool, and the moment it becomes a wall - The 4 signs your self-focus may be sliding toward narcissism - 5 ways to rebalance: the relationship audit, directed outward attention, the clean apology, and more - Why affirmations like "I am enough" measurably made people feel worse (2009 University of Waterloo study) - Why the famous power-pose finding was retracted by its own lead author - What confidence actually is: a signal your brain generates, not a personality trait - Albert Bandura's gold standard for building confidence: mastery experiences - 5 moves to build confidence from evidence, not claims - Why a 2024 meta-analysis of 108 studies found women are less confident, and what to do Resources:

On this episode Aries and Andy talk about Waterloo & Medford, Eddie Murphy Celebration & Origins of Hip Hop.  Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit megaphone.fm/adchoices

The French Revolution didn't end in tyranny. It invented a new kind.History calls Napoleon a genius. That story isn't wrong — it's just incomplete. The real engine wasn't genius. It was architecture. Ballot boxes surrounded by bayonets. Referendums written before the votes were cast. Prefects in every province. Bonds that turned rich men into loyalty machines. Then Louis Napoleon ran the same playbook forty years later — a December coup, a midnight constitution, and Haussmann's boulevards designed for troop movement, not just beauty.The Bonapartes didn't seize power. They built a machine that asked the people to hand it over and engineered only one possible answer. This video walks the full autopsy — the five architectural pieces that held plebiscitary empire together, why Waterloo didn't kill the template, and what the modern version of the same machine looks like.═══════════════════════════════

Tonight, as we close out our paranormal trip to Belgium, we discuss the horrifying history what happened AFTER the Battle of Waterloo . . . and trust me, it's not what you think!

Yesterday's Sports is part of the Sports History Network - The Headquarters For Sports Yesteryear.YESTERDAY'S SPORTS HOME PAGEEPISODE SUMMARYThe first USA Women's National Championships were held on May 23, 1981, in Waterloo, Iowa. There were only 29 competitors, and only one woman, Judy Glenney, was able to snatch more than her bodyweight. Lifting in the 67.5-kilo weight class, Glenney easily won the best lifter award with a 75-kilo snatch and a 97.5-kilo clean & jerk. Seventeen of the 29 competitors were unable to clean & jerk their bodyweight, but it was a start....... You can read the full blog post here.YESTERDAY'S SPORTS BACKGROUNDHost Mark Morthier grew up in New Jersey just across the river from New York City during the 1970s, a great time for sports in the area. He relives great moments from this time and beyond, focusing on football, baseball, basketball, and boxing. You may even see a little Olympic Weightlifting in the mix, as Mark competed for eight years. See Mark's book below.No Nonsense, Old School Weight Training: A Guide For People With Limited TimeRunning Wild: (Growing Up In The 1970s)

Americans tend to see the Declaration of Independence and the Revolutionary War as milestones in world history that inaugurated the era of modern democracy. But the British, unsurprisingly, see these events quite differently. David Remnick talks with the historians who host the popular podcast “The Rest Is History,” Dominic Sandbrook and Tom Holland. Growing up in Britain, Sandbrook explains, the Revolution seemed like “a parade of quite boring men talking very earnestly about liberty, [with] battles that involved twenty people in a field somewhere. . . . It's not Waterloo!” The King was “annoyed” to lose the thirteen colonies to the new nation, but, for his government, “it could have been a lot worse.” Sandbrook and Holland discuss historical events that overshadow the American Revolution in the British mind; the 1619 Project and the subject of slavery; the “colossally consequential” Presidency of Donald Trump; and the fate of the British monarchy.Further reading :  “Was the Declaration of Independence Better Before the Edits?” by Jill Lepore.  “The American Revolution Wasn't the Main Event” by Daniel Immerwahr. “Two Hundred and Fifty Years of Complicated Commemorations" by Jelani Cobb The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

A string of shootings across the Greater Toronto Area are being tied to gun-for-hire networks targeted by vulnerable youth through encrypted messaging apps. Toronto Police say they have no idea who's hiring teenagers to commit the crimes. Host Maria Kestane speaks to Dr. Adam Ellis, assistant professor at the University of Waterloo about how youth get involved in street gangs and organized crime, and what realistic steps Ottawa could take to tackle the crisis. We love feedback at The Big Story, as well as suggestions for future episodes. You can find us:Through email at hello@thebigstorypodcast.ca Or @thebigstory.bsky.social on Bluesky

Americans tend to see the Declaration of Independence and the Revolutionary War as milestones in world history that inaugurated the era of modern democracy. But the British, unsurprisingly, see these events quite differently. David Remnick talks with the historians who host the popular podcast “The Rest Is History,” Dominic Sandbrook and Tom Holland. Growing up in Britain, Sandbrook explains, the Revolution seemed like “a parade of quite boring men talking very earnestly about liberty, [with] battles that involved twenty people in a field somewhere. . . . It's not Waterloo!” The King was “annoyed” to lose the thirteen colonies to the new nation, but, for his government, “it could have been a lot worse.” Sandbrook and Holland discuss historical events that overshadow the American Revolution in the British mind; the 1619 Project and the subject of slavery; the “colossally consequential” Presidency of Donald Trump; and the fate of the British monarchy.  Further reading and listening:   “The American Revolution Wasn't the Main Event,” by Daniel Immerwahr America at 250, a special issue of The New Yorker “Was the Declaration of Independence Better Before the Edits?,” by Jill Lepore “Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial,” by Jill Lepore “We Could Have Been Canada,” by Adam Gopnik    New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the medicine wheel to the building blocks of DNA, the number four has represented structure and stability. But four is also a troublemaker: a portal to realms like the fourth dimension. Our series, The Greatest Numbers of All Time explores how four helps us understand the world — by making the rules, and by breaking them. More in the series:Listen to The Curse of 13Listen to 12 is SublimeListen to 27 Club LoreListen to The 33,000 Horsepower GamechangerGuests in this episode:Joyce Perreault is an Ojibway Anishinaabe children's book author and elementary school teacher at Donald Ahmo School in Crane River, MB.Brian Katz is a composer, instrumentalist, improviser, and guitar instructor at University of Toronto and York University.Lauren Fink is a professor of cognitive neuroscience at McMaster University.Alex Fisher is a professor of musicology and area coordinator for early music at the University of British Columbia.Tyrone Ghaswala is an assistant professor teaching stream with the Centre for Education and Computing (CEMC) and an adjunct professor in the Pure Mathematics department at the University of Waterloo. Wenran Jiang is the founding director of the China Institute at the University of Alberta. Stephan Reuter is an associate professor for plasma physics and spectroscopy at the Engineering Physics Department of Polytechnique Montréal Sarah Hart is professor emerita of mathematics at Birkbeck College and author of "Once Upon a Prime: The Wondrous Connections between Mathematics and Literature."

Pete and Gary return to one of their most popular series, the 2nd Fife & Forfar Yeomanry, a distinguised WW2 cavalry unit. Pete's interviews with dozens of veterans paint a fascinating portrait of the regiment, from it's formation to its service in the European theatre to the eventual end of the war.Presenters: Peter Hart and Gary BainPublisher: Mat McLachlanProducer: Jess StebnickiPete and Gary's latest book, Beggar Me! I'm a Prisoner!: British POWS in Germany, 1914-18, is available now.Visit Gallipoli with Pete and Gary! Go to https://phbt.uk/ for more information!Join a river cruise to the battlefields of Waterloo, WW1, WW2 and Vietnam: https://historycruises.com/Become a member to listen ad-free and receive special bonus content for only £2 per month: https://plus.acast.com/s/pete-and-garys-military-historySupport the show with a one-off contribution: https://buymeacoffee.com/pgmhFind out everything Pete and Gary are doing at https://linktr.ee/pgmhFor more great history content, visit www.LivingHistoryTV.com, or subscribe to our YouTube channel at https://www.youtube.com/c/LivingHistoryTV Hosted on Acast. See acast.com/privacy for more information.

A termination letter shows why a former IPERS official was fired. Libertarians running for Iowa governor and lieutenant governor are suing to be put on the ballot. And a museum in Waterloo is bracing for funding cuts.

Twenty-seven can be a pivotal and tumultuous age. It's held up as the year of peak performance in many sports and it's also seen as a cursed age for pop and rock stars, exemplified by the so-called 27 Club. Artists like Jimi Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse, all died at 27. As part of our series, The Greatest Numbers of All Time, IDEAS producer Chris Wodskou makes the case for a number that may not stick out in your mind but is more significant than you think.More episodes in this series:Listen to 12 is SublimeListen to The Curse of 13Guests in this podcast:David Awosoga is a PhD student in Statistics at University of Waterloo and sports performance data analyst.Alan Cross is a music historian, broadcaster, and host of The Ongoing History of New Music podcastDianna Kenny is a professor emerita of psychology and music at University of Sydney and psychotherapist in private practice.Michael Owen is a retired clinical psychologist and author of The 27 Club.Maria Westerstahl is senior lecturer at Karolinska Institutet in Sweden.

Lost Island and Adventureland make an unlikely coaster destination out of central Iowa: explore the impressively nuanced Lost Island Theme Park of Waterloo and the nostalgic regional-park golden-era sensibilities of Adventureland. Both parks are at the threshold of exciting new eras and we're happy to be along for the ride!

Les Misérables by Victor Hugo w/Jesan Sorrells & Libby Unger---Jesan Sorrells and Libby Unger explore Victor Hugo's masterpiece Les Misérables, examining its insights on moral authority, the impact of historical trauma, and the power of redemption in leadership. They discuss Hugo's romanticism, the enduring influence of French history on civic institutions, and how individual heroism still inspires contemporary audiences. The episode also draws parallels between Les Misérables' characters, modern social issues, and the necessity of aligning leadership values with virtuous action.Book Title: Les MisérablesAuthor: Victor HugoGuests: Jesan Sorrells, Libby Unger---Time-Stamped Overview---00:00 Introduction to a Classic Book06:31 Discovering French history through Les Mis13:15 European influence and historical trends17:10 Victor Hugo's impact on France26:14 Moral authority in leaders and characters27:34 Ben Hur and themes of revenge36:57 Monsignor Bienvenue's isolating virtue42:19 Life after prison struggles42:58 The power of small kindnesses49:50 Perceptions of America through the FIFA World Cup (2026)58:02 Discussing political candidates' solutions59:35 Consequences in a democratic republic01:07:35 Populism and public sacrifice01:12:55 Valjean's transformation through grace01:17:16 Reflections on Waterloo's aftermath01:23:54 Impact of Waterloo on French psyche01:28:57 Napoleon crowns himself emperor01:33:13 Understanding homelessness as a human issue01:39:34 Discussing poverty in Les Misérables01:45:57 Unexpected performance sparks epiphany01:48:24 Lessons on being heroic---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Sometimes we do something just for fun. Recently while covering The Great Eastern Iowa Tractorcade by News/Talk 1540 KXEL we ran into Jerry and Margie Sweeting who have been in the catering business for thirty years. That's a bunch of folks enjoying food like the chicken, potatoes and slaw they prepared and served at the John Deere Museum in Waterloo, Iowa. So, we sat down for this brief story about Jerry and Margie's Catering. Enjoy...we did! Thanks for listening! The award winning Insight on Business the News Hour with Michael Libbie is the only weekday business news podcast in the Midwest. The national, regional and some local business news along with long-form business interviews can be heard Monday - Friday. You can subscribe on  PlayerFM, Podbean, iTunes, Spotify, Stitcher or TuneIn Radio. And you can catch The Business News Hour Week in Review each Sunday Noon Central on News/Talk 1540 KXEL. The Business News Hour is a production of Insight Advertising, Marketing & Communications. You can follow us on Twitter @IoB_NewsHour...and on Threads @Insight_On_Business.

What if the real secret to a lasting writing career isn't talent or luck, but learning to thrive in the mess? Why are in-person events worthwhile even if the maths doesn't add up? How do you protect your creativity when the machines never sleep and the community is at one another's throats? With Mark Leslie Lefebvre In the intro, Has AI Already Killed Non-Fiction [Tim Ferriss]; 9 ways that AI would disrupt authors and the publishing industry over the next decade; Pivoting towards The Transformation Economy; and Who do you serve? This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why print and in-person events are making a comeback for indie authors The case for (and against) licensing your voice clone through ElevenLabs Why we keep selling books in person when the numbers rarely add up Measuring success by creative satisfaction rather than money Being honest about author earnings and the fear of being truly seen Managing stress, divisiveness, and the noise around AI You can find Mark at MarkLeslie.ca. Transcript of the interview with Mark Leslie Lefebvre Jo: Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. Welcome back to the show, Mark. Mark: Oh, hey, Jo. It's always an awesome time chatting with you. Jo: You've been on the show lots of times over the years, but the last time was in September 2024, when we talked about selling books in person. So give us a bit of an update. What does your writing and publishing business look like at the moment? How do you manage it alongside the day job and everything else you do? Mark: Oh my God. Well, sleep is—no rest for the wicked, maybe. I'll sleep when I'm dead. It's so funny, it was just this last weekend in Waterloo. I was at Waterloo Book Fest, and somebody came up to my table—another author from one of the other tables—and said, “I heard you on the The Creative Penn Podcast. And then when you mentioned something about Waterloo, I said, ‘He can't be from Waterloo.' And then when you mentioned the skeleton, I said, ‘I know where he lives.'” Jo: That's scary. Mark: So I love the fact that there are so many of your listeners all over the world, and that's usually how people know me. No matter what else I've done, it's like, “Oh, you've been on Joanna Penn's podcast.” I'll say, “Yes, I have.” You know what's really funny? The last time I was on the podcast, we were talking about A Book in Hand, which I was supposed to release that year. Jo: Yes. Mark: I just added another 5,000 words to it this morning. Jo: Wait, it's still not published? Mark: No, and it's so funny. I actually have the first 60,000 words of it with an editor right now, and I told her I'd get her the rest of it, which I thought would be another 20,000 words, by the end of June. But I think it's going to hit 100,000. Here's the weird thing that happened with this. This is trying to accumulate my life of book selling, as well as doubling down on doing in-person events in the last several years. I thought I was going to have the book done in 2024. I ran into some issues where I didn't back it up properly. It was an old version, and I accidentally overwrote the only version I had. Jo: So, for everyone listening, Mark—how many decades have you been an author and a publisher? How come you're still missing deadlines and still not backing up your work properly? Mark: Yes, this is a lesson: no matter how long you've been doing something, you can still make boneheaded errors. So if you, dear listener, have made mistakes, just know that this old guy who's been doing this since the mid-'80s still makes mistakes like that. Don't beat yourself up. I probably did something worse. Anyway, that book I thought was going to be maybe 40, 45,000 words, it's going to be bigger than Wide for the Win—close to 100,000 words. Here's a really important lesson I learned in that, Jo. I thought the book would be something. It became something else. Through my own experiences of doing more in-person events, book signings, and library event. Also in talking to awesome folks like Johnny B. Truant, Katie Cross, Todd Fahnestock, and so many other authors I know, and seeing what Ben Wolf is up to, and a whole bunch of different people who are doing in-person events. In creating case studies for how they interact specifically with a bookstore or library, or how they do in-person selling—I really think the book wasn't ready then. It's like the recipe wasn't ready. I still needed to play with some things. I do sincerely have faith, since I got it into the editorial process, that this will be the year the book actually gets released. Jo: As you said, there are some really good lessons there around sometimes the book not being quite ready. I'd bought an early version from the StoryBundle, which is how I got this book as well, actually. Mark: Yes. Jo: That's another tip for people—storybundle.com. You can go and find some great bundles there. I was also thinking, as you were talking, that maybe one of the reasons this book about in-person events has got so big is because that's a real trend in the community. It feels like indies, we've moved… Back in the day, I said, “I'm not doing print. No way.” This was the early days of digital, because print was really hard back then. So I was like, “Oh, and we've got all the advantages doing digital, so I'm just going to focus on that.” It feels like the pendulum has swung, perhaps even more with the ease of mass production of digital with AI. The focus on print and in person is getting stronger and stronger. Do you think that's happening? Mark: Oh, yes, 100%. I did print in 2004. It was really hard back then, so that's gotten easier. I think there are a few reasons. One of the reasons is, yes, digital made it so much easier for indie authors to get out there and break into the community. But the reality is that print books still outsell e-books in general—overall—despite the fact that indie authors can make six and seven figures a year from selling e-books alone on a single platform. So print has never really gone away. It was just never something indie authors attended to. They were in a different business than traditional publishers were in. And second, obviously I've got these gorgeous books that you've created on Kickstarter, because I like the beautiful books. I've never stopped buying print books. I actually buy more print books. I read more because of audiobooks and e-books, but I buy more print books, especially when I can get a nice signed copy. Then the other reason comes back, again, to your advice—something I've been following for the longest time, and you've long been saying. I do repeat this, and I try my best to offer attribution to you every time I use it: to double down on your humanity, particularly in this age of digital generation and the ability for even non-writers to leverage tools to create content. I think it's so much more important for me, as a creative who will never be able to catch up with the machines, to exploit my humanity. I mean, we both have digital voices of ourselves, right? There's a digital Mark Leslie Lefebvre voice that people can use, and I'm making money off it because people are able to license it through ElevenLabs. But when I'm there in person, so far the holograms aren't good enough to fool people. I think I'm not just selling a book to somebody; I want to create an experience where, “Oh, I'm talking to the author, and we're signing a book together, and we're taking a selfie together.” For me, there's that tactile experience that's really enriching. And it may not be something that lines my pockets as easily, because the investment is more significant. For every $10 I make, it costs me six or seven dollars, as opposed to an e-book, where the cost is amortised in the most beautiful way over millions of copies. Jo: There are a few things there. First of all, let's talk about that ElevenLabs voice licensing, because, as you say, I also have a voice clone. Bones of the Deep, the latest book, that's my voice clone. I haven't gone with the licensing, partly because you don't have control over what someone can do with it. So, for example, someone could create Nazi content, or content that I might not agree with, in my voice. So how have you got over that? Because part of me really does want to license my voice, and the other part doesn't. Mark: This is a great question, Jo, and I'm glad you asked it. It's the same reason I don't worry about people stealing my books—adding DRM onto my e-books and things like that. I may as well make some money off it, because let's be honest: you and I, our voices are out there. Thousands of hours of our voices, right? In your podcast, my podcast, in various interviews we've done over the years. The technology exists for someone to make a copy of my voice themselves anyway. The tools exist. They can do it easily, so why not do it myself and at least make money? I'm actually getting money deposited into my account. Not a lot—maybe $30, $18, something like that every week. Again, I've taken a lot of my non-fiction books that I haven't had the time to record myself, as I like to do, and I can at least load those to ElevenLabs and make my voice the default voice. But wouldn't it be great to be able to listen to my book in your voice? It would sound so much better. Because you can do that. When you listen to a book on that platform, you can choose my voice if you'd rather hear it in my voice, or you can choose Burt Reynolds' voice, or some other folks who've licensed theirs. Again, for me, the whole concept of wide publishing has always been important. It's another small revenue stream that's adding to my numerous revenue streams. So I guess that's how I've justified just licensing the voice. If someone's going to do something with my voice that I can't control, they can do it regardless of whether or not I put it out there myself. Jo: I agree with you. That could happen, and neither of us is famous enough that it's likely to happen anyway. I do quite like the idea of people using our voices, say, for other books for authors, because that would make sense—that's where we fit in the niche. I will rethink that, because I think it's interesting. I wanted to come back to print books. You said sometimes there are easier ways to line your pockets, and I think that's funny. So, getting into the book, this leapt out at me quite near the beginning: Why do we keep doing this when the maths almost never adds up? Mark: Oh, I have a perfect example of that from an event I did a couple of weekends ago in Burlington, Ontario. I think it was a $60 table fee. It was a new event. I believe I made $90 or $95 in sales. So even after the costs of printing and all that stuff, I really didn't make money. I made my table back, which is always a good thing. There were a few encounters I had with people who were really excited to find my Canadian Werewolf series of books, and just so thrilled to get started. Among the four of them, they bought one copy, but they were going to pass it amongst each other. You know what? Okay, they bought a single copy, and I was like, “Well, the e-book is permanently free online. You don't even have to buy a copy”—which is anti-selling. I just want them to read the book and enjoy it. But if they read it and pass it along and start talking about it, they could become readers for a long time. It's an eight-book series, with the ninth book coming out later this year. There was another encounter I had that day. A woman and her teenage daughter came in, and they were looking at my traditionally published books that I buy at a reduced price from a local bookstore and resell. They were looking at these true ghost story books I had, and they were pointing: “Do you have that one?” “Yes, I have this one, I have that one.” And the mother's like, “Well, she collects all your books, and she wants to make sure she has them.” We had this conversation, and she was so excited to meet me in person and to get a signed copy of the book. That experience was such a vanity moment for me as an author. We're lonely. I'm a big loser. Nobody's buying my books. We're always down on ourselves. So that investment of time and energy, in order to get that little pat on the back or that feeling of, “Wow, I really connected with someone who likes my stuff”—those moments are really precious. They're difficult to explain if you only look at the world in a financial way. I guess I'm fortunate enough that I do have enough income from numerous streams, including the consulting I do part-time, that it's okay if not every bookish endeavour leads to more money in my pocket at the end of the day. I can still have these authentic connections with people, which I think is one of the reasons I'm a storyteller. Yes, it's the stories I have to tell, but it's also putting the story into somebody else's hands and eyes and heart and mind. Jo: You're very giving like that. You have that sense about you, whereas I'm just a curmudgeon in the corner. Mark: That is not true. Jo: It is, generally. I don't do events like you do for readers. Mark: But that's because it takes a lot out of you. Jo: Yes, but that doesn't matter. Why do I write? I write for me. Mark: Ah, very good. Jo: At the end of the day—just being entirely selfish about this—when people say, “Oh, if you won the lottery, what would you do?” I'm like, “Well, I'd do pretty much what I'm doing now.” Mark: Yes, I'd just do the same. Of course, I'd write more books. Jo: I'd write more books. So this is where I'm trying to get to for people as well: measuring success in a different way. You were talking about measuring success by how that girl loved your books, and how you feel when someone says they love your books. With Bones of the Deep, this thriller I've just done, I feel like I had the benefit of that book before anyone even read it. As soon as it was finished, I made a nice proof copy from BookVault, and I held it in my hand and said, “I made this. I'm proud of the story, I wrote the story, and it's outside my head now.” I feel like I'm creatively satisfied in that moment. Then, of course, the Kickstarter was great, and I love that the books are going out around the world, but— I think the happiest I felt was that moment of finishing—that creative satisfaction of holding the book in my hand. You know what I mean? Mark: 100%, Jo. I cannot agree with you enough. I love so many aspects of writing. Yes, the connection with people is amazing. But I often say this when I'm doing my one-on-one consulting with authors: focus on the projects that mean the most to you, those passion projects. The process of writing, and the painful rewriting and editing and all the things you go through—when you finish that book, like you said, you hold it in your hands and it is a thing of beauty. It's a huge achievement. You've won. Whether or not you sell a single copy, you've won by doing it. Everything else is gravy: the sales, the money in your pocket or not, the reviews, positive or not, the people who say, “Oh my God, Bones of the Deep, thank you for writing this book. I'm so glad you introduced this into the world and into my life.” Anything beyond the creation itself, which is a pure joy—I love it so much. It's just why I get up at 5:30 every morning and write for hours before the rest of my day begins. I try to get stuff done before the rest of the world wakes up. I want to get the writing done first, when I have the most energy to give myself to the page. Then the rest of the day is kind of gravy for me too. Jo: You talk there about giving yourself to the page, but in Stark Realities— You talk about the fear of truly being seen. What do you mean by that, and how do you manage that feeling? Mark: For anyone who has written anything—fiction, non-fiction, memoir in particular, since it's a bit more closely tied to reality—it's exposing yourself to the world. I'll never forget an interview I did with Canadian science fiction author Julie E. Czerneda, who, before being a fiction writer, was writing biology textbooks, but her real passion was science fiction and fiction. When her first novel came out, she said, “It's like standing naked on the front lawn.” When you release a book, even a novel, people look at it and they're going to judge you and rate you. I remember early on, Jo—we knew each other through Twitter, I think, where we initially met, and then interacted with and finally met in person at London Book Fair. I think you and I have a very similar reaction. When people know us as positive and upbeat and out there helping authors in the community, and then they read our fiction, they go, “Well, Jo, you burned a nun alive on page one.” Or, “Mark, what kind of… they're drinking from the skulls of dead people? What the heck is going on with you two?” We are exposing parts of ourselves in our fiction and non-fiction. That's a fear I embrace, but also never get over, if that makes any sense. I write scary stories because I'm a big chicken. So maybe the entire process is just cheap therapy for me. Or not cheap, because it's an expensive pastime, isn't it? Jo: It certainly can be, but I agree. I struggle with fear of judgment still. I think it's also because we do this in public, which comes back to the financial side of things. We do a lot of this in public, and then people judge us on our author businesses too. You could look at Bones of the Deep, which was just on Kickstarter, and compare my Kickstarter to another author's Kickstarter for a fiction book, and judge one or the other person based on numbers. I feel like this is because you and I have done so much in public—for me, almost 20 years, and for you, like 40 years or whatever. Maybe 30 years. You look that old. Mark: Listen there, dearie. Get off my lawn. Jo: Yes, get off my lawn—with those skeletons you have on your lawn. Mark: Yes. They're no longer in my closet. Jo: They're not in your closet. I wonder if that also plays a part of it—the pros and cons of doing this business in public. Mark: Yes, that is a part of it. One thing I try to be very clear about, because there's so much FOMO and so much out there about people thinking that everyone else is making a million dollars from their books and “I'm the only loser who's not”—I try to be clear that I have never made more than a mid-five figures as an author from my author earnings, ever. I haven't yet hit six figures. One of the reasons I try to be transparent in sharing that is I don't want people to think that everyone else is a six- and seven-figure success story, and they're the only one who's only made $100 last year on their books. The reality is, 90 to 99% of the people who are writing and publishing are not going to earn a significant amount of money. I realise I'm also very, very lucky that I've earned this much, and it's taken a long time. I just shared this in a Substack post I posted yesterday: it was 10 years of rejections before I got $5 for my first short story that was published in '92. It wasn't until 2001 that I finally made pro rate, six cents US a word, for a short story that, ironically, Julie Czerneda bought from me back in the day. For me, I've been lucky that it's always been a long, slow slog. It's been a marathon, and I've never instantly sprinted across any dramatic finish line. I've had some really phenomenal moments—doing a book signing in a Costco, walking into Walmart and seeing my books there. Even last night at the Burlington Public Library, going, “Wow, they have eight of my books here—four of my self-published books and four of my traditionally published books, in two different sections.” I was like, “That's kind of cool.” So I've had these amazing moments as a writer, but I've never had the blockbuster—the Brandon Sanderson, or even the Dungeon Crawler Carl, Matt Dinniman, kind of moments. I still think I've had a very fortunate and lucky journey. Even if I wasn't making the money I'm making, I'd still be writing, and I'm sure you would be too. Jo: Oh, yes, for sure. I actually think the thing most of us would probably let go is the marketing. If we won the lottery, we'd carry on with all the creative stuff, the writing, the community stuff, and we'd just literally do no marketing at all. Mark: Well, yes, of course. Or potentially say, “Oh, here, ad agency, here's some money. You just run it, whatever. Let me know if it works or not. I don't care.” Jo: That's a much better idea. Mark: At least I've got the extra disposable income, so I may as well, because I'm helping the world when my books are out there. I know my books will help people. I really honestly think that as storytellers—whether it's fiction or non-fiction, we're still storytellers—what we do in writing and podcasting and all the things we do, the re-sharing on social media, is really helping connect people. I think that is one of the most profound things we can do as writers. And I mean that the writing, in and of itself, is a reward. Jo: Like you said, we met on Twitter when Twitter was what it was back in the day. I do very, very little social media now. But you just mentioned your Substack, and you also have your podcast, Stark Reflections. So how are you balancing what you put on each? I only do this podcast now. I don't even blog. I write books, obviously, and then I do the podcast. So what are you doing differently on Substack to the podcast, and what part do they play in income and marketing? Mark: Great question. I realise most people have never heard of me, or read or listened to the things I put out into the world. And I've been a longtime fan of “reduce, reuse, recycle my IP.” My podcast is not as long-running as yours, but I'm in my ninth year, and I've not missed a single Friday in the full eight years, or eight and a half by now, that I've been doing this. Every week I reflect on what I learned from an interview, or I'll reflect on something you've posted and say, “This episode is not an interview, but Jo said this last week, and I'm going to talk about it.” The podcast itself takes a lot of work. I still do all of it myself, and I know I probably shouldn't, but I like doing it, so it's one of those tasks I enjoy. I also have reflections that aren't going to come out vocally but might come out in writing. Sometimes in the morning I'm not in the mood to write the novel or the non-fiction book I'm writing, but I'm writing some tangent. I just let the creative monster go. I find that re-sharing… I might have reflected on something for a couple of minutes at the end of an interview, but I really want to expand upon it, so I write the Substack article. I try to reuse some of that content. Someone's going to enjoy seeing it on a short video clip I share on YouTube, or whatever the platform is. Someone else is going to listen to it on a podcast, wherever they listen to podcasts, and someone else is going to want to read it. It could be the same information, just shared in a slightly different way, to potentially get it out to other people. So for me, it's part of that wide publishing mentality. I'm trying not to completely duplicate the work, although I am duplicating some of it. I'll give you an example. Hey, Canadian listeners—if you have not registered for Public Lending Right in Canada, please put something in your calendar for February 2027, because the deadline's over. It was May 1st of 2026. Put it in your calendar for next year. I even had somebody at this writers' event I was at this last weekend say, “You mentioned something in a presentation you did for the Canadian Authors Association about Public Lending Right, and thank you, because now I get thousands of dollars a year from this.” So just look up Public Lending Right. I've been saying stuff about Public Lending Right for at least 10 years now. Every time I get my beautiful multi-four-figure cheque from them in February every year, I post on social media and remind authors to check it out. I know it exists in the UK, and it exists in 36 countries in the world—just not the US. Jo: Not the US. Mark: They don't have a programme like this, probably because the big publishers—and probably one of the authors' associations—think that libraries are cannibalising book sales, which is not true. It's been proven time and time again, and that lobbying has prevented it from happening. Whereas here in Canada, the Canada Council for the Arts and the Writers' Union of Canada worked hard to make this happen. Anyway, I talk about something like Public Lending Right and I feel like I must have said this so much that people are sick of it, but every single time I mention it, someone goes, “Oh my God, thanks for saying that. I never heard it.” That's a good reminder, especially for folks like you and me. We know the basics. We know what an ISBN is. We know KDP Select means you can't put the e-book on any other retailer, or even sell it on your own website. We know all these things, but it's hard for us to remember that there are folks coming to this for the very first time who've never heard it, even though we feel like, “Oh my God, I've said this till I'm blue in the face.” I think I got that from retail. When I worked in retail, I recognised that somebody's going to come in and ask for “that blue book that Reese Witherspoon was talking about,” or Oprah was talking about, or whatever. And you do your darn best to help them figure it out rather than mock them. I try to take the same approach when people ask me those questions, because I'm trying to remember what it was like when I honestly did not know the answer, and having someone take the time to help me. I've been very, very lucky that I've had a lot of people take the time to help me. I'll never forget—God rest her soul—Nancy Kilpatrick, a horror writer here from Canada who passed away a few years ago. She gave me a blurb for my very first book in 2004 because she'd acquired one of my short stories for an anthology she'd edited. I was trying to call my short story collection an anthology, and she very kindly took me aside and said, “It's not an anthology if it's a single author. An anthology is a…” Jo: I didn't know that until, like, last year. I got that wrong as well. There are lots of words like that. I want to circle back, because you didn't really answer earlier about the time management. You just mentioned YouTube, on top of Substack and all the things you do. You also have a day job at Draft2Digital—it's part-time, right? You also do part-time at the university, teaching publishing, right? You do all kinds of things. How do you manage your time with all of that? Mark: Well, I mismanage my time more than I manage it, Jo. That's the God's honest truth. Fortunately, most of the things I have that aren't scheduled—like, scheduled to do this lecture at this time, or scheduled to have this meeting at this particular time with Draft2Digital—most of my work is very flexible. I do not work a regular 9:00 to 5:00, Monday to Friday. Well, I never did. I always worked way more. But I have a very flexible schedule. Every single day is a work day, and every single day is a play day for me. So I'm very, very lucky. I do schedule in the very important things, particularly where somebody else is reliant upon me—meetings and connections and stuff like that. Then I make the time first thing in the morning to get the writing done. Everything else is not as important, and it's part of… I guess it's part of playing. You know, like the social media sharing. I don't look at social media as marketing. I just look at it as another way to connect with people, with other creatives, and with readers potentially, all six people who read my stuff. I probably could do a better job of managing my time. I've tried several times over the years to adapt processes to make it better, but I consistently default back to what I do, and so far I guess I've been getting away with it. So I was like, “Do I want to waste more time trying to come up with a process, or do I just want to roll with it?” Because so far I haven't killed myself doing it, and I've been enjoying the journey. So, if it ain't broke… Jo: I think that's the point, if it doesn't feel like it's broken. Having known you for a long time now, and we work together—obviously we co-wrote The Relaxed Author—you do work very, very differently to me. You definitely are a little bit more chaotic. I'm chaotic in some ways too. Mark: Oh, you're very generous. “A little bit chaotic.” Thanks. That was generous, Jo. Jo: You're chaotic in your work practices and scheduling and all that, which I couldn't cope with very well. Even though I feel like a part of my brain is very chaotic—the creative side, I guess, can be quite chaotic—I think I'm actually quite controlling and very scheduled in my work practices. As you say, for someone else on the outside, it might feel to me like you have too many balls in the air. But if you don't feel that, then that's the way of working that works for you. So this is another important thing, isn't it? You can't adapt to what other people say your life should look like. It's what feels good to you. Mark: Oh, for sure. One thing I know about my procrastination tendency is that panic and fear motivate me. So, a deadline—”I have to get this into a publisher by this date, I have to get this manuscript to an editor by that date”—I'm motivated by fear. And I'm afraid of everything, so I guess I'm always motivated. Jo: But I also know that when you hear the word “deadline”—and I know a lot of people who do this—the deadline means you get it in on the deadline, or the day before the deadline. To me, a deadline means I have it ready a month earlier. Mark: I love that. I've done that a few times and shocked myself. I actually had a pre-order up—with the audiobook, the print, and the e-book—a month in advance, and I didn't know what to do with myself. I was like, “Well, what am I going to do now in the next month?” Jo: Work on the next thing. Mark: But I'm so used to working on it up to the last second that I was kind of like, “What do I do?” That actually caught me by surprise, and I honestly felt weird. I was like, “I've never felt this before.” I'm really lucky. I know you have a very supportive and amazing partner, and so do I. My partner, scarily enough, is maybe a bigger procrastinator than me, so she never gives me a hard time. She supports me, and I do the same thing with her own work. I'm up all night with her at the last minute so we can get something turned in. So, fortunately, we really understand one another, and we don't give each other a hard time. We just go, “Well, got away with it again. I guess I'm not going to change my ways.” Jo: We made it. And again, that's the point. You and I could stand up in front of people, both hold up the last book we wrote, and say, “We made this,” and our processes are completely different. Our brains are completely different. We come from different countries. There are lots of things that are different, and yet we both made a book. So hopefully that encourages people. You don't have to do anything that we're telling you, or anyone else tells you. But if you want to be an author, at some point you have to produce a book. Mark: Exactly. As Brian in the classic Monty Python film gets them to say: “Yes, we are all different.” Embrace that difference. I think that's such a powerful reminder that there is no one process for getting anything done. Jo: Given that we co-wrote The Relaxed Author back in 2021—and we did that because we had another show, and we were talking, and we said, “Oh, everyone's stressed and the anxiety levels are really high, and we think there's a better path”—we co-wrote that book, which I think is still a very good book. Definitely people should get it. Interestingly, I think the stress and anxiety might actually be higher now than it was. So what do you think the main stresses are in the community now? You also see a lot with Draft2Digital, I guess, as well. Mark: Oh, for sure. Honestly, Jo, I'm so glad we wrote that book, because I actually pick it up every once in a while to remind myself of the things we tried to help others with. Again, it's therapy for me as well, so I'm so glad we did it. I think we're 10, if not 100, times more stressed. The world events and things going on, the divisiveness—not just in the world in general, in politics and everything else, but the divisiveness in the author community. The witch-hunting that happens, people trying to tear down other authors either because they're successful, or because, “Oh my God, you dared use a new technology.” All of these things are happening, and everyone's at one another's throats. I need to pick that book up and reread it. I'm a lot more stressed than I was. I'm just getting over shingles, which is… Jo: Oh. Which is actually related to stress as well, isn't it? Mark: It is, yes. I was in LA for Writers of the Future—I'm a judge for that science fiction and fantasy conference. I went right from LA, like a week in LA, which was a phenomenal experience getting to mentor the winners. And I mean, come on, it's a free trip to Hollywood, hanging out with Kevin Anderson, having beers and stuff like that. Then I came back to the Toronto Indie Author Conference, run by Tao Wong, here in Toronto. I went right from the airport—didn't even go home—straight to the hotel, because I kicked into another conference. We did a display on how to set up an in-person booth, so I ended up having to hand-bomb boxes, blocks down the street from where I was parked. My chest was really sore when I got home on the Monday, and I thought it was because I hadn't used these muscles, because I'm not in the best shape. Then I took my shirt off and went, “Oh, there's a rash there.” Liz goes, “You have shingles.” Because the pain in my chest, which I thought was the muscle, was actually underneath. I'm one of those lucky people that it's taken the full five weeks, and I'm still in pain even afterwards. So, again, public notice: if you're an older person like me, and there's a vaccine available for shingles, you may want to consider it. Jo: Yep, get it. Mark: Oh my God, it hurts. But, yes, the stress, I think, is higher—even though I didn't know I was feeling it. It was happy stress, right? I was stressed out because I'm there in Hollywood, helping people and doing some good things, and then I'm doing the same thing, interacting with some amazing authors at the Toronto Indie Author Conference. I didn't feel anxious stress. I was happy stress. Is that a thing? Jo: I think possibly… your physical body masks stress, physical stress, because you enjoy all of that stuff. Whereas someone like me, I'll feel it quicker and withdraw. Although I say that, back probably a decade ago, Jonathan would say to me, “You're going too fast, and you're going to hit the wall. And when you hit the wall, it's not going to be fun.” And I did hit the wall. Then, probably in 2021—I mean, that was when I just started going into menopause, and obviously we had the pandemic, and I wrote Pilgrimage, and I was doing all those walks, which I think really helped me. I learned a lot about maybe stopping that before it happened. Becca Syme obviously talks a lot about this too. But I find it interesting with you, because I think you're so positively happy with these events you do that it might mask your physical symptoms in a different way. That's really hard to watch out for. I'll give a tip to you and everyone else listening: schedule the calendar, and look at your calendar and go, “I can't go back-to-back-to-back. I have to put in some rest days.” Mark: Well, thank you. You know, Jo, you and Becca Syme are two of my best unpaid therapists. I appreciate that. Jo: You just don't listen, Mark. Mark: Or sometimes I do. Jo: Just coming back to the community, and the divisiveness there is primarily over AI at the moment, I think that's one of the biggest things. And the arbitrary lines as to what you're allowed to use it for and what you're not allowed to use it for, which is just kind of crazy. Obviously, you know I've opted out of that whole discussion now. How do you think we can move through this [divisiveness over AI], move on? We remember when it was trad versus indie, and then it was wide versus KU. So this will pass—it's just hard, when you're in it, to know when it might pass. Mark: Yes. I think the more generic advice—for whatever may come, whatever has come—is: why are you doing this? Why are you a writer? Heads down, focus on what gives you pleasure, and do that, because everything else is noise. All the marketing tactics and strategies, and all the people yelling at one another. Write your books. Do the things that motivate you. Do the things that give you that intrinsic reward. It's hard to ignore. I get it, it is hard to ignore. I have difficulty ignoring the haters and the yelling and the screaming that happens, but I do my best. Like this morning, when I was in the throes of my manuscript and I looked up and went, “Oh my God, I've got to shower. I'm going to be talking to Jo soon, I should comb my hair”—which I have none of. Because I was so in my book that everything else melted away. That, for me as a storyteller, as a writer, is one of the most beautiful places to be. Jo: I think you're absolutely right. I have a little thing that pops up in my calendar sometimes which says, “If you're feeling all of these things, just go create something.” The moment you refocus on creation—whatever that means to you—things change. It changes the energy. That, or go for a walk. That's my other tip. Mark: Outside. And I have to say, Jo, Pilgrimage is still one of the most profound and powerful books you've written, and you've written a lot of amazing ones. Jo: Oh, you're very sweet. Mark: That one really resonates, not just for me, but with Liz. Because one of the things we often do when we get stressed is go for a walk, ideally in nature. The vitamin N. I think there's something really profound in that, and it really helps me a lot. And again, sometimes going for a walk listening to your podcast, or an audiobook, or sometimes just attending to the environment. A tip I picked up years ago from Brooklyn author Denis Hamill was: go for a walk with your character. Listen to what they see. What do they comment on? How do they approach this environment that you've seen a million times? How do they see it? What do they notice that you don't notice? That's such an incredible experience of creativity—when you're not writing, but writing. That really helps me a lot. Jo: Oh, nice one. Okay, so your latest book is Stark Realities, but you have so many more. Where can people find you and your books and your podcast online? Mark: Jo, you can find everything you want to know about me—and stuff you don't want to know about me—over at MarkLeslie.ca. It links to all the other places from there. Jo: Brilliant. Thanks again for your time, Mark. That was great. Mark: Thanks so much, Jo. Bye-bye. The post Creative Satisfaction, In Person Print Book Sales, And Author Mindset With Mark Leslie Lefebvre first appeared on The Creative Penn.

Charles Esdaile has a lot to get off his chest when it comes to the Battle of Waterloo - which is why he surprised me recently by asking to do what turned into a three-hour mythbusting session working through what he thinks everyone's getting wrong about the ultimate Napoleonic encounter.As this podcast won't be making it to Waterloo for years and years - we're talking the 2030s here, people - I'm not going to stick it up on the main feed right now. On the other hand, it's too good to just be left sitting on the shelf. So this week it's been made available to our esteemed Quartermasters on Patreon, some of whom have already been very kind about it - and leaving lots of comments of their own.The support this podcast receives through Patreon is essential to the continuing success and sustainability of the project. If you're not signed up already but listen regularly, we'd all be grateful if you gave it some consideration.

It's time for a second helping of ABBA, and how could we resist "Mamma Mia"? Kirk peels back the layers of one of the band's most beloved songs, revealing a carefully crafted concoction of melodies, countermelodies, stealthy synthesizers, and marimbas. Written by: Benny Andersson, Björn Ulvaeus, and Stig Anderson Album: ABBA, 1975 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: A Listener's Guide To Strong Songs Live “Mamma Mia” by ABBA from featuring Siobahn McCarthy from the Mammia Mia! original cast recording 1999, and featuring Meryl Streep from the film adaptation, 2008 The Real Story of ABBA: Bright Lights, Dark Shadows by Carl Magnus Palm, 2001 Abba's winning performance of "Waterloo" at 1974 Eurovision at the Brighton Drome (they beat Olivia Newton John!) "Waterloo" by ABBA from Waterloo, 1974 "Dancing Queen" by ABBA from Arrival, 1976 “Chicago” by Sufjan Stevens from Illinoise, 2005 “The Bird Women of Golden Gate Park” by Kirk Hamilton from The Exited Door, 2009 A clip from Muriel's Wedding, 1994 --------------------JUNE 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Greer Bevel - Butch Vig - Greg - Matt R JUNE 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare H - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - Greg Henion - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - Dan Cutter - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Kym Griffith - PhantomMare - Alison Dugan - Margaret McReynolds - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Steve B - Ian Karmel - Zach Putnam - Stephen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - AlanB - Will King - PJ and Ethan - TheShirtRipper - Rebecca - Ned Rosen - Simon Hellman - Jim M - Ben Buddy Slack - Néa - Karl Dube - Frank - Robin Ling - M --------------------

Franck Ferrand vous emmène à la découverte de quatre dates emblématiques qui ont marqué la relation mouvementée entre la France et la Grande-Bretagne. De la victoire de Jeanne d'Arc à Patay en 1429 à l'appel historique du général de Gaulle en 1940, en passant par la défaite de Napoléon à Waterloo en 1815, cet épisode captivant vous fera revivre les moments clés d'une rivalité ancestrale, mais aussi d'une complicité parfois inattendue entre ces deux puissances européennes.Remontez le temps pour comprendre comment ces dates charnières, du 18 juin 1429 au 18 juin 1940, ont contribué à façonner l'identité et le destin de la France face à son voisin d'outre-Manche. Découvrez comment les victoires et les défaites ont tour à tour forgé la confiance, la résistance et parfois même l'effondrement de la puissance française.Plongez au cœur de ces épisodes historiques, à travers les récits passionnants de Franck Ferrand. De la plage rouge de Camaret en 1694 à la bataille de Waterloo, en passant par le célèbre appel du 18 juin, laissez-vous captiver par ces moments qui ont marqué à jamais les relations franco-britanniques.

Franck Ferrand vous emmène à la découverte de quatre dates emblématiques qui ont marqué la relation mouvementée entre la France et la Grande-Bretagne. De la victoire de Jeanne d'Arc à Patay en 1429 à l'appel historique du général de Gaulle en 1940, en passant par la défaite de Napoléon à Waterloo en 1815, cet épisode captivant vous fera revivre les moments clés d'une rivalité ancestrale, mais aussi d'une complicité parfois inattendue entre ces deux puissances européennes.Remontez le temps pour comprendre comment ces dates charnières, du 18 juin 1429 au 18 juin 1940, ont contribué à façonner l'identité et le destin de la France face à son voisin d'outre-Manche. Découvrez comment les victoires et les défaites ont tour à tour forgé la confiance, la résistance et parfois même l'effondrement de la puissance française.Plongez au cœur de ces épisodes historiques, à travers les récits passionnants de Franck Ferrand. De la plage rouge de Camaret en 1694 à la bataille de Waterloo, en passant par le célèbre appel du 18 juin, laissez-vous captiver par ces moments qui ont marqué à jamais les relations franco-britanniques.

Leslie John (Revealing: The Underrated Power of Oversharing) is a behavioral scientist, Harvard Business School professor, and expert on privacy, self-disclosure, and decision-making. Leslie joins Armchair Expert to discuss growing up in Waterloo, Canada, training professionally in ballet as a child, and how her family's irrational penny-pinching sparked her fascination with human behavior. Leslie and Dax talk about why people are more open to revealing their dark secrets on a sketchy-looking website over a more official looking one, how one mortifying overshare helped her find lifelong mentors, and what parasocial relationships reveal about modern intimacy. Leslie explains why secrets take up cognitive space, how vulnerability creates trust through social risk, and why we may be better off sharing a little more than we think we should.Check Allstate first for a quote that could save you hundreds: https://www.allstate.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, the incredible Maggie Lupkeson swings by to introduce us to America's rare and majestic "gentle giants," the American Cream Draft Horse! Then, Jamie brings us an Amigo update, and we dive into "This Day in Equine History" to relive the Battle of Waterloo alongside the legendary and fiery stallion, Copenhagen. All that, plus a dose of the weird news—Listen in!HORSES IN THE MORNING Episode 3975 – Show Notes and Links:Hosts: Jamie Jennings of Flyover Farm & Glenn the GeekJamie and Glenn's Amazon StoreTitle Sponsor: Chewy EquinePicture Credit: Maggie LupkesGuest: Maggie Lupkes on the American Cream Draft HorseSpalding Labs Fly Predators Coupon: HRN10 for 10% off your first order.Additional support for this podcast provided by: , Equine Network and Listeners Like YouTime Stamps:04:07 - World Cup fans & matches chat07:09 - Screwworm outbreak update10:08 - Daily Whinnies12:17 - Amigo training & first canter update19:06 - Gopher “turtle” vs tortoise & naming Sheldon24:47 - American Cream Draft Horse37:59 - Equestrian history42:02 - Weird News segment

Today, the incredible Maggie Lupkeson swings by to introduce us to America's rare and majestic "gentle giants," the American Cream Draft Horse! Then, Jamie brings us an Amigo update, and we dive into "This Day in Equine History" to relive the Battle of Waterloo alongside the legendary and fiery stallion, Copenhagen. All that, plus a dose of the weird news—Listen in!HORSES IN THE MORNING Episode 3975 – Show Notes and Links:Hosts: Jamie Jennings of Flyover Farm & Glenn the GeekJamie and Glenn's Amazon StoreTitle Sponsor: Chewy EquinePicture Credit: Maggie LupkesGuest: Maggie Lupkes on the American Cream Draft HorseSpalding Labs Fly Predators Coupon: HRN10 for 10% off your first order.Additional support for this podcast provided by: , Equine Network and Listeners Like YouTime Stamps:04:07 - World Cup fans & matches chat07:09 - Screwworm outbreak update10:08 - Daily Whinnies12:17 - Amigo training & first canter update19:06 - Gopher “turtle” vs tortoise & naming Sheldon24:47 - American Cream Draft Horse37:59 - Equestrian history42:02 - Weird News segment

Garage Logic citizens facing their Waterloo moment. First with the Mpls park board and next with the Mpls school board. We become big fans of LH Grey. Here is a link to what LH Grey wroteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.