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La Canon Eos R5 ha, nel mondo mirrorless, segnato un nuovo traguardo in termini di risoluzione. Infatti la Canon Eos R5 può riprendere in 8k in formato RAW a 12 bit. Un risultato straordinario a cui neanche Panasonic con la Panasonic S1H ha raggiunto. Purtroppo i limiti operativi della fotocamera causati dal surriscaldamento hanno impedito agli appassionati del marchio di stappare una bottiglia di spumante. In pratica la Canon Eos R5 può essere utilizzata in 8k e anche in 4K per tempi limitati (valori riferiti a temperature esterne pari od inferiori a 23°C), e nel caso in cui la macchina entri in modalità protezione (spegnendosi), occorre attendere parecchi minuti prima di poterla riutilizzare nuovamente. I tecnici Canon hanno dichiarato che non hanno installato un sistema di raffreddamento (come fatto ad esempio da Panasonic o Sigma), per non compromettere la “compattezza” della fotocamera. Ora le scelte sono scelte e crediamo che il mercato dirà la verità sulle scelte dei responsabili marketing Canon. A noi però spetta il compito di valutare se i limiti dichiarati ufficialmente da Canon siano, per un videomaker di livello medio alto, un reale limite operativo. Per questo, abbiamo confrontato la Canon eos R5 con alcune delle sue rivali: la Panasonic S1H, la Sigma fp, la Black Magic PC4K, la Fuji XT4, la Panasonic Gh5s, la Sony A7III. Quale ad oggi offre le performance migliori in ambito video? Quale ha il miglior rapporto qualità/prezzo? --- Send in a voice message: https://anchor.fm/videomaking/message
While covering the campaign trail in Iowa, Griffin accidentally broke his Panasonic GH5S camera, and busted a lens as well. How he managed to complete the video assignment regardless.
ÉPISODE #120 – CONNAISSEZ-VOUS VOS DROITS? Cette semaine, on parle de droit d’auteur, des Olympiques de PyeongChang, de DarkTable, du Panasonic GH5S et de 5 choses à NE PAS faire pour connaître du succès en photo
Cette semaine, on parle de droit d’auteur, des Olympiques de PyeongChang, de DarkTable, du Panasonic GH5S et de 5 choses à NE PAS faire pour connaître du succès en photo Au menu de ce 120e épisode d’Objectif Numérique: 00:58 – Photo récente: – Christian a fait de la photo de produit et voudrait bien […] Émission en baladodiffusion/podcast sur la photographie. Pour débutants et gens plus expérimentés! Visitez notre site pour consulter articles, tests et critiques, conseils photo et notes. Fait au Québec!
Hayley Akins, Motion Hatch Podcast and online communities. Host Blair Walker discusses with Hayley the point of difference Motion Hatch offers the industry by focusing on the business of creativity specifically for freelancers. Show Notes: Compiled by Matt Lloyd 01.00 - About MotionHatch 01.40 - Hayley's background, including working at Across The Pond 02.40 - Joey and Chris episodes of Motionhatch 03.40 - Discussion of the Freelance Manifesto's applicability across the creative industries, not just motion. 04.48 - "There are no rules [as a freelancer]" Joey Korenman 05.00 - The options and opportunities afforded by freelancing 05.50 - "The business side can be fun" because it can enable you to "build your [own] life more" 07.43 - "Lifestyle design" Magoz is able to work for major clients whilst travelling the world. 09.00 - Why Hayley is aiming to win more remote clients. Locationindie 09.54 - "Think about what you want to do with your life rather than... feeling lucky just to be in the industry" 12.30 - Hayley's background 13.50 - Her motivation to do the podcast 14.40 - MotionHatch Facebook group 15.45 - Global minimum rate for motion design, discussion of how/what to charge. See Lillian Darmono on this topic. 18.30 - The importance for your professional image of not undercharging. See Chris Do on the topic. 21.00 - It's up to us as motion designers to be firm when negotiating rates, and to educate clients about what to expect to pay motion designers. 22.30 - Include discounts on invoices if you are doing a job for less than you would normally charge. 24.00 - Joey Korenman's "Pain and Rainbows" job scale. 25.00 - Further discussion of "lifestyle design" afforded by freelancing. 27.00 - Work on your own projects rather than working for low pay for the potential "exposure" a highly creative job might bring. 28.40 - Motion designers creating products for themselves, see Ryan Summers episode. 29.40 - Diversity of ways of making a living within motion design. 32.00 - Deathbed thought experiment as a means of getting clarity on what's important to you. 34.35 - The One Thing book 37.10 - Potential advantage of "niche-ing down" into your aspect of motion design, rather than being a generalist 38.00 - Opportunities outside of the mainstream of motion design 40.00 - The need/opportunity for motion designers to create products for the wider market, rather than just for the motion design industry itself. 42.50 - The emerging VR/AR market and the wealth of opportunities for 3d/animation professionals to build businesses in that field 43.10 - Breaking the studio movie model: why don't VFX artists make their own films? 46.00 - David Farrier and Dylan Reeve and their Tickled Kickstarter, which was used effectively for the movie’s development phase 48.20 - Origin of the name Motion Hatch 53.50 - Pro Video Picks: Hayley: Asana project management software Blair: TWIP Podcast with Frederick Van Johnson 56.20 - Reasons to get into podcasts 57.11 - Inspirational Video: Haley: WWF High Conservation Values by Nice and Serious Blair: Vikings from the History Channel 59.40 - Following online: Haley: Art of Charm Podcast Blair: Redshark News 1.01.19 - Panasonic GH5S 1.01.50 - Follow Haley Online: @HayleyAkins @motionhatch Pro Video Podcast Online: Blair Walker - Twitter Pro Video Podcast - Slack Pro Video Podcast - Facebook Group Pro Video Podcast - Twitter Pro Video Podcast - Website Pro Video Podcast - Spotify
Panasonic debuted their low-light GH5S camera at CES last week. Griffin and Nick share the 10 big changes that separate it from its predecessor, the Lumix GH5. Plus, your questions about daylight-balanced bulbs, how to transfer large video files online, and whether you should give your client the raw footage.
We’ve got Brian Conway on the couch with Katie. Sorg is at the helm, and Chilla is in Studio C. It must be podcast day! This week we’re talking about: Chilla’s Awesome Thing of the Week is a vacuum he can control with his voice via Alexa. And, it’s a Shark. We’re talking cats v. Roomba and cats on Roombas. Of course this is a tech talk show. Sorg’s Awesome Thing of the Week is Pluto TV as an alternative to regular TV. Pro Tip from our guest Ryan Haggerty: Turn down TV saturation on shows like Dare Devil for a film noir effect. Ryan’s Awesome Thing of the Week is the Panasonic GH5s. Thanks to Amanda Narcisi for sharing the Colgate smart toothbrush with Apple Research Kit integration. There’s a town in New Jersey that isn’t happy with apps like Waze and Google Maps causing more traffic – to the point that they’re issuing fines to non-resident drivers. Of course there’s a flying bathtub drone. Open banking may be coming to the US. Russian dash cam footage has been compiled into a documentary for The Road Movie. Chalk it up under things we’ve learned on the show: Apparently there’s a need for speed warning on SD drives? Sorg picked up a clearance dash cam this week. It’s an interesting conversation following the Russian story we just covered. After the show remember to: Eat at Slice on Broadway (@Pgh_Slice) if you are in the Pittsburgh area! It is Awesome! (sliceonbroadway.com) Join our AwesomeCast Facebook Group to see what we’re sharing and to join the discussion? Follow these awesome people on Twitter: Ryan Haggerty (@haggertymedia), John Chichilla (@chilla) and Sorg (@haggertymedia) Have you seen our AwesomeTips videos? You can support the show at Patreon.com/awesomecast! Remember to check out our friends at River’s Edge (@RiversEdgePGH) and The 405 Media who replay the show on their stream throughout the week! Also, check out sorgatronmedia.com and awesomecast.com for more entertainment; and view us livestreaming Tuesdays around 7:00 PM EST!
We’ve got Brian Conway on the couch with Katie. Sorg is at the helm, and Chilla is in Studio C. It must be podcast day! This week we’re talking about: Chilla’s Awesome Thing of the Week is a vacuum he can control with his voice via Alexa. And, it’s a Shark. We’re talking cats v. Roomba and cats on Roombas. Of course this is a tech talk show. Sorg’s Awesome Thing of the Week is Pluto TV as an alternative to regular TV. Pro Tip from our guest Ryan Haggerty: Turn down TV saturation on shows like Dare Devil for a film noir effect. Ryan’s Awesome Thing of the Week is the Panasonic GH5s. Thanks to Amanda Narcisi for sharing the Colgate smart toothbrush with Apple Research Kit integration. There’s a town in New Jersey that isn’t happy with apps like Waze and Google Maps causing more traffic – to the point that they’re issuing fines to non-resident drivers. Of course there’s a flying bathtub drone. Open banking may be coming to the US. Russian dash cam footage has been compiled into a documentary for The Road Movie. Chalk it up under things we’ve learned on the show: Apparently there’s a need for speed warning on SD drives? Sorg picked up a clearance dash cam this week. It’s an interesting conversation following the Russian story we just covered. After the show remember to: Eat at Slice on Broadway (@Pgh_Slice) if you are in the Pittsburgh area! It is Awesome! (sliceonbroadway.com) Join our AwesomeCast Facebook Group to see what we’re sharing and to join the discussion? Follow these awesome people on Twitter: Ryan Haggerty (@haggertymedia), John Chichilla (@chilla) and Sorg (@haggertymedia) Have you seen our AwesomeTips videos? You can support the show at Patreon.com/awesomecast! Remember to check out our friends at River’s Edge (@RiversEdgePGH) and The 405 Media who replay the show on their stream throughout the week! Also, check out sorgatronmedia.com and awesomecast.com for more entertainment; and view us livestreaming Tuesdays around 7:00 PM EST!
Choosing a camera is not only hard because there are a ton of options out there, there's also a ton of GREAT options. All the big camera manufacturers are making great products but they still have specific strengths and weaknesses depending on what your photographic needs are. To dive into this in extreme detail I sat down with Chris Niccolls from The Camera Store (http://www.thecamerastore.com) in Calgary, or as you probably know him, host of The Camera Store TV (https://www.youtube.com/thecamerastoretv). I'm pretty familiar with the cameras I own, but TCSTV put every camera through serious real world tests, so I always look to their opinion before I buy a new camera. Entry Budget If you're moving up from a phone to camera for the first time you probably don't want to spend too much until you figure out if this hobby is going to last or not. A few years back it was easy to spot the lower image quality from a cheaper camera, but thats no longer the case. A few hundred bucks can buy most of the image quality you would find in the gear pros use. As you spend more the difference of image quality starts to be smaller, and lot of what you're paying for is improved usability, for example autofocus and ergonomics. But if you buy the Nikon D3400, Canon T6i or Sony A6000 you can take photos that no one will know aren't coming out of a $10,000 system. Compact Cameras Smart phones have sucked all the air out of the room for smaller format cameras, but they still have their place. If a big camera feels like too much of burden, you can still get a slight quality boost over your phone with little pocket size cameras like the Panasonic ZS100, Canon G5X or Sony RX100 IV. Because of their small sensor size, they can more easily offer a bigger zoom range that's harder to achieve with larger sensor cameras, great video quality, image stabilization and raw support. Micro Four Thirds This in-between sensor size has really come in to it's own lately, with minimal trade offs in quality and huge advantages in cost and camera size. The only things you're really giving up are extreme low light performance (although that's changing with the Panasonic GH5S) and you'll have a harder time getting bokelicious blurry backgrounds. Check out the Panasonic GH5, Olympus or Fuji XT20 to name only a few of this versatile format. APS-C A lot of people look down on any sensor that is smaller than full frame, but don't forget that many hollywood films are shot on almost example this size of sensor/film, but the cinema version is Super35, which is obviously a way cooler name. In this category image quality is getting close to the plateau, with tons of dynamic range, impressive low light performance and a more affordable selection of lenses than it's bigger brother, full frame. Some cameras to look at are the Canon 80D, Nikon D500 and Sony A6500, which have different strengths but will all make your photography look professional. Full Frame 35mm is most commonly used format for professionals of all time. This is the size of the film you used growing up, it what most of the top of the line lenses are optimized for, and I promise you will love shooting on it. You'll notice a bump in quality from APS-C when you compare dynamic range and low light noise, but let's be honest. You probably want it to get a sexy blur in the background. Every brand has an affordable way to get started, just a buy a 50mm from Canon, Nikon, Sony, or whatever brand you go with and open that aperture wide. If sharp critical focus is important to you try a long lens, like the venerable 70-200mm. I have a lot to say about camera in this range, since that's typically what I buy, but for now I will just direct you to the Canon 5D IV, Nikon D850, Sony A7RIII and Leica M10. You can get lost all day researching these beautiful machines. That's it You've got your work ahead of you! I just pointed you in a few directions, but now the fun part is scoring the internet for reviews, samples, and tests to find exactly the right match for you. I strongly recommend DPReview for their incredibly in depth camera reviews, and for lenses go to ImagingResource where they do really helpful comparisons. Special Guest: Chris Niccolls.
Пилотный выпуск подкаста для тех, кого интересует видеопроизводство: видеосъемка, создание видео, монтаж, постпродакшн, анимация, моушн-дизайн, коммерческое видео, реклама, свадебная съемка и др. В этом выпуске: Цель подкаста Знакомство. Новый FinalCut 10.4 Лучшие камеры 2017 Новый Panasonic GH5s Страница подкаста: naddaka.com/videocreator Сопутствующие материалы даного выпуска вы можете найти в канале Telegram: t.me/videocreator Поддержать проект: www.patreon.com/naddaka
There are only five astronauts alive out of the twelve men that walked on the moon. Their photography and video inspire over 40 years later. I ramble about the needless complexity of gadgets revealed at CES 2018, the new DJI OSMO Mobile 2, the Panasonic GH5s, Canon's CEO admits Canon lags in innovation, analog film's viability is uncertain and the passing of New55 Film, and more. This episode is sponsored by: CrumplePop Visit http://crumplepop.com and check out all of their fine plugins for Final Cut Pro and Adobe Premiere. CrumplePop's plugins are like pixie dust for your video. StoryBlocks Go to http://storyblocks.com/camera to get all the stock images, video, and audio you can imagine for $149. Download anything from thousands of images, videos, and tracks—and unlock discounts on millions more. About the Artful Camera: Website: https://carlolson.tv Send an email or voicemail to Artful Camera: https://carlolson.tv/contact/ Disclaimer: some links referenced in the show notes are affiliate links. The use of affiliate links do not affect the price you pay. Artful Camera earns a small commission from each sale which help offset some of the costs involved in producing this podcast. Thank you for your support.
We're discussing how I consider my next camera purchase and my thoughts on the new Panasonic GH5s.Connect with us!Instagram - instagram.com/ifilmmakerFacebook - facebook.com/ifilmmakerwebsite - www.ifilmmakerpodcast.comSupport the show (https://www.paypal.com/paypalme/my/profile)