Podcasts about aps c

Episode 465 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Benro Spring savings at BenroUSA.com. - More mostly 20% OFF codes at LensShark.com/deals. Stories: Sony's FE 50-150mm f/2 G Master. (#) Tamron's 18-300mm f/3.5-6.3 for APS-C. (#) The newest additions to Photoshop and Lightroom. (#) Profoto's new Spot Small. (#) The Viltrox AF 35mm f/1.2 LAB. (#) Flickr makes a key change to its service. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

Ja hoor, we zijn er lekker in gedoken. Sensorformaten! Fullframe, APS-C, micro four thirds, middenformaat – allemaal termen waar je van gaat duizelen. Maar eerlijk is eerlijk: iedereen heeft er een mening over. En wij dus ook. Of nou ja… we twijfelen ook gewoon keihard. Want wat is nou eigenlijk het beste sensorformaat? En bestaat dat überhaupt? We praten over gewicht, dynamisch bereik, je portemonnee, cropfactoren, en waarom Niels ineens een middenformaatcamera test terwijl Michiel stiekem al zit te googelen op een analoge fullframe. Want ja, een grotere sensor klinkt lekker, maar wat levert het écht op?Voor de duidelijkheid: je maakt geen betere foto's door een grotere sensor, maar je kúnt wel het idee krijgen dat je ineens Magnum-waardig bent. Vooral als je portretfoto's maakt met een middenformaatlens waar je in kunt wonen. We bespreken de voor- én nadelen van de verschillende formaten, delen onze eigen ervaringen. Want daar gaat het uiteindelijk om: wat werkt voor jou? En waar word je blij van? Spoiler: het is waarschijnlijk gewoon die camera die je al hebt.

「キヤノンが長時間の撮影でも疲れにくい小型軽量ボディの動画クリエイター向けAPS-Cミラーレス「EOS R50 V」を発売」　キヤノンは、動画性能を重視したAPS-Cサイズミラーレスカメラ「EOS R50 V」を2025年5月下旬に、「RFレンズ」で初めてパワーズームを内蔵した小型・軽量な APS-Cサイズカメラ用広角ズームレンズ「RF-S14-30mm F4-6.3 IS STM PZ」を7月下旬に発売する。

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Resources: Lavender Phoenix: website | instagram QTViet Cafe: website | instagram Mugworts Queer Cabin: website Underpainting Collective: instagram Aetelier Collective / Suncha: instagram | spotify | show on march 30 in Newark, CA Minjoona Music instagram | spotify Transcript: Cheryl Truong (she/they): Good evening and welcome to tonight's episode of apex express. I'm your host, Cheryl Truong and tonight show is in honor of Trans Day of Visibility, but we're not just here to talk about visibility in that surface level way get sometimes framed as a political strategy. We're here to hold the fullness of trans life, the rage, the fear, the grief, and the joy, the power and the brilliance. Across the nation, a storm of hostility is being unleashed against the LGBTQ plus community.  In 2024 alone, 617 anti-trans bills were introduced. Making it the fifth consecutive record breaking year for legislation targeting trans rights. This year, that number has already climbed to 796 bills. This is horrifying. Yes. But even in the face of all of this, Our trans and queer community have never stopped living have never stopped dreaming. Have never stopped building futures from the margins.   And so I hope tonight as much as it is important to stay rooted and grounded in our political reality that is having very real, very immediate consequences on our trans and queer and gender expansive community. We also want to center trans joy because trans joy is not a distraction.  It is a strategy, a survival skill, and a source of power. So we're gathering in that spirit of resistance, remembrance, and radical joy tonight. And I'm honored to be joined by some incredible guests whose lives and work, reflect that very spirit. First we have Jean and Hải from QTViệt Cafe a creative cultural hub, dedicated to queer trans (QT Viet) liberation through ancestral practices, the arts and intergenerational connection. And we're also joined by eri oura from Lavender Phoenix, also known as LavNix, an organization that builds trans non-binary and queer API power in the bay area. Thank you all so much for being here. To start us off can you all introduce yourselves so that our listeners can connect your voices to names?  Hải Võ: Yeah, thanks Cheryl. Chào mọi người My name is Hải. And I am a member of Asian Refugees United, QTViệt Cafe Collective. And, yeah, thanks so much for having me. Jean Phạm (they/them): Hey, I'm Jean. I use they/them pronouns and I also organize with Hải at QTViệt Cafe Collective. I'm also a part of a newly formed art collective called Under Painting Collective. We're taking over an art school. We teach oil painting and charcoal drawing. Thanks for inviting us to be here, Cheryl.  eri oura (they/them): Hey, thanks Cheryl for having us. I'm eri. I am part of LavNix I am also part of Mugworts, a queer, and trans BIPOC centered cabin out in Greenville. , and I'm excited to be here. Cheryl Truong (she/they): Before we begin, I want to offer a logistical note. For our listeners if you were interested in any of the organizations that were mentioned, and it will be mentioned throughout the show such as Mugwort and Lavender Phoenix, which eri mentioned. Or QTViệt Cafe mentioned by Hải and Jean, and of course the Underpainting collective you could find their socials in the show notes on our website, kpfa.org/programs/apex-express.  Okay. Transition. I want to start with a question that is intentionally spacious. What is on your heart right now as a trans person moving through the world. Hải, do you want to start us off?  Hải Võ: Hmm. Yeah chia buồn That's the phrase that comes up for me. I just share in sadness. Usually that's a phrase to describe when someone passes in the Việt community. The way that I hear about how folks in our community are experiencing job insecurity, housing insecurity, being arrested, detained, deported. My days and my hearts are just broken. My heart has gone in many cycles of heartbreak over my whole life, as a queer person, as a trans, femme person. It isn't to say that this is anything new or that I haven't been in practice to mend my heart. This is just a incredibly heightened time. It's starting to not just hurt my heart, but also I feel it viscerally. It's much more tangible. We're talking about our lives, each other's lives. And so yeah, my heart is breaking.  I feel the frustration and the anger and the more frequent, heightened fear. But to be honest with you, our ancestors have equipped us for this moment. And I think there are reasons why, this moment exists. This is the reason why we started QTViệt Cafe, why Asian Refugees United is here because we know that we're trying to restore our wholeness, not just as trans folks, as queer folks, but just as people from a history of violence, trauma, and displacement. This isn't the first time that all those things have come around. Our ancestors have faced these maybe in different contexts and maybe in our homelands more so. And while I have that frustration and that anger, the frequency is heightened, I feel steadfast and I feel more able to mend my heart and able to hold and mend other people's hearts in this moment because we've been at this for so long. QTViệt  Cafe, we're gonna be celebrating nine years this summer. So I just got chills because I, I think I, um, I have to like, hold myself in comfort for myself right now because, I mean, when I came out, to myself in my teen year or I knew I was queer and trans from a really young age. I could see who I was, but I didn't necessarily feel like it was who I truly was. And so I grew up in a world where I was living different realities or wanting a different reality from actually how I was. I'm getting chills because when I came out, I started coming out to friends and families in my late teens and early twenties, and then ultimately to my parents when I was 23. I didn't know I would be able to live this long. I didn't know I would be able to meet other queer and trans Viet people, other queer and trans folks of color or other queer and trans people in general. Couple that with like a food system that I've been in food for so long, , for almost 15 years. And so, trying to nourish. Queer justice is connected to all other forms of justice. I've been at land and food justice work for a long time. And so, what I was seeing with what was happening to me and our queer and trans kin, the injustices happening in our community, I was seeing also that with cultural injustice in Vietnam to the Vietnamese community here, and then ultimately to the food system here in the US. So it was all connected. I am both surprised and also really proud that I'm still here and the most comfortable and thriving I am in my skin. Healing as a trans and queer person, I can only go so much. I can only heal so much on my own. The healing and the fight for liberation and freedom as queer and trans people happens so much more exponentially when done together. And so, I'm just so proud of us for all the years of connecting with each other, getting to know each other, building friendship, relationships, and fighting for the future that we want. I'll be turning in Viet age, I'll be turning 40 next year. My doctor, when I was young and had type two diabetes said that I'll only live to be 30. And so I've surpassed that. I'm excited for what magic we as queer and trans people continue to make, and what's the fights that we will continue to have and ultimately the unprecedented and insurmountable victories and wins that we'll have as a queer and trans community. 'cause we've been doing that forever and in this moment I wanna organize, I wanna help mend and heal our hearts and our minds so that we can really be able to like galvanize, organize, and create the practices and policies and futures that we actually want in the world, which we've been doing forever. I also think that it's an important time right now to be really clear about what we need, to be really clear about what we want and gather in ways that we may not have gathered before. I see joy and health as part of struggle and freedom in liberation and organizing. And so, I'll check there. eri oura (they/them): That was so beautifully said Hải. Thank you for naming the resilience and the fight that queer and trans folks have had to exude to continue to exist. For me it has also been really difficult to see and witness the struggle that our folks are experiencing right now.  It's really something to kind of trust in the state to hold our identities in a way that I don't think the state ever really knew how to. I was reminded on a group coaching call with other trans folks, that trans folks have lived in the underground for most of time. And that reminder really just made me feel we don't need validation from these entities, you know? That's never what has fulfilled our existence. It's actually our joy. It's actually our healing, our ability to not get bulldozed by waves of hate and transphobia. Queerphobia. It's really important for us to remember that and remind young folks that truth even though there has been this chunk of time, maybe like the last decade or so, where our gender identities get acknowledged by the state, but that's not where our validation comes from. We really need to not depend on these institutions. We take care of us. What I have been witnessing more is mutual aid being used as a way for our people to keep going. Honestly, I have never in my life gotten so many mutual aid requests as I have in the last few months which speaks to the heightened security and safety issues that our folks are experiencing in the queer and trans community. But also it's a sign that people are leaning into being courageous and asking for help, which is not an easy thing to do. It's not easy to ask for the help that we need. I think it's really important for us to remember that we're not alone. There are more than a billion people in this world I think I was also feeling overwhelmed by how much support folks were asking of me and I've had to say some grounded nos. And that kind of broke my heart honestly, to have to say no to a really courageous ask for support. My friend and coworker reminded me that there are so many other people in this world and we need to be able to share the the work of supporting each other to exist. Jean Phạm (they/them): Mm-hmm. Wow, that's beautiful. I'm loathed to go last. the first thing I think about is recently, one of the youth that I had formally worked with reached out and we just had a check-in and it really reminded me of the show Heartstopper, you know, these gay British kids. One of the gay kids, he is like always going to his art teacher about his various issues like, Hmm, I'm gay. Like, what do I do? And the art teacher's just trying to have lunch. And I remember I used to be Charlie, the kid, but now I'm the art teacher trying to have lunch and trying to help this kid deal with crisis. I remember years ago, the first time Trump got elected, I remember the first thing that I was thinking about was ” oh, I, I guess I'll never be able to transition or live my life the way I want or need to.” then I just kind of grieved that and made peace with it. I do wish I could speak to that version of me because I think it's pretty similar to what Hải had shared. Personally, I do feel I am in probably the best form of myself that I've ever been. I'm the wisest I've ever been. I'm doing everything that I want to. I'm learning to heal my inner child. My taste in men has improved dramatically. I learned how to say no. There's a lot of things that have just shifted that I think are net positives, but it's in total, in contrast with the world in which we live ourselves. And I think similar to what folks have shared I think for me, I've just gone more hyperlocal. Right. Given that these institutions, our federal institutions, our state institutions have failed us. It's just truly ripping the mask off. These are things we've known before. The ways in which we are being oppressed, the ways in which people spout hate. The rhetoric being used. It's not new, it's not novel. These are things we've heard over and over again. Like, if I wanted to cosplay as a hater, an alt-right hate, like, it'd be so easy, you know everything they say. There's a sense that the oppression we face is so mundane and it's so ordinary. The student had asked me oh, Jean, I'm so alone right now. What do I do as a young queer person trying to navigate the Trump of it all, and I was like, oh girl, you need to make friends. Like you really need to make friends. 'cause it's really, yeah, like when our institutions fail us, our community really holds us out. It's why I organized with the QTViệts. It's why my art friends, we created Under Painting Collective. It's why we find these pockets of the world that we really want to build and that are nourishing to us, our energy giving, that we wanna invest our time and resources in. And we try to carve out a version of the world that we wanna live in. And I think that's how we ride it out, or that's how we survive. We have to look super local. Yeah, I think that's basically how I'm doing. So I'll, I'll just check there too.  Cheryl Truong (she/they): Thank you all for sharing what's in your heart.  Hải, thank you for bringing up chia buồn, sharing sadness, and for naming our legacies of ancestral resilience. eri, thank you for reminding us that the state and institutions have no say in the validation of our identities as trans and queer people. And for lifting up mutual aid as a beautiful alternative that supports, and I loved how you put this, those courageous asks for help that the state will never be able to provide. And of course for modeling those grounded no's..  And Jean, thank you for your offerings of alt-right cosplay. And for grounding us in that strength of community. And I just want to say. A big, thank you to the art teachers in the middle of having lunch everywhere. I don't know where we would be without you truly. ‘  We are going to take a quick music break, don't go anywhere we'll be right back with more conversation in honor of Trans Day of Visibility when we return. Next up, you're listening to a track called “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright. This track features Ari Statler on bass, josh Qiyan on drums, and Ryan Fu producing. Juniper is the lead single from Minjoona's newest release, the Juniper EP, a five track p roject rooted in indie rock, 60 throwback vibes, and lyric forward storytelling. You can follow Minjoona on Instagram at @minjoonamusic or find them on Spotify to keep up with upcoming releases. We'll drop the links in our show notes. Enjoy the track and we'll be right back.  And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona.  Huge thanks to Jackson Wright and the whole crew behind that track. Before the break we talked about, what's been sitting on our hearts as queer and trans people moving through the world right now, naming both the grief and also the resilience that we carry. I wanted to stay with that thread and widen the lens a bit because we know that even in the face of violence and erasure, trans resistance is alive and ongoing. So I want to ask, where are you seeing moments of resistance in the trans community?  Whether in movement spaces, small acts of care, or day to day survival.  eri oura (they/them): I am happy to share first. Where I'm seeing resistance, movement building work and also community building. My paid work with LavNix is definitely a space where we center trans justice and do the work of developing leaders with skills to be able to hold the line of our existence. Our existence is resistance. We don't just see our own individual liberation as separate from everyone else's. We are doing the work of advocacy around budget in San Francisco with our Care Not Cops campaign. We're doing the work of lifting up our folks in our stories not just in the current moment, but also by lifting up like our QTAPI histories. QTAPI meaning queer and trans API folks. With Mugwarts, we provide a more accessible, affordable space for queer and trans BIPOC folks to heal. For me that is also part of the resistance, the fight, getting to rest because as we were checking in earlier and talking about how stress really does shorten people's lifespans and quality of life. I think knowing that there's space, there's place, there's land for us to engage with to do that work of healing. The more disconnected we are from that reality that we are connected with the land, it's making it harder for us to be able to feel connected to ourselves, to each other. For me, when I go to the river for a swim or go to the ocean for a dip, that is part of my resistance too. My joy in being in that space is so important. Why would we fight if we had nothing to look forward to? Honestly, if it all just felt so mundane and also like we're always fighting, we would just burn out. When we're burnt out, it makes it hard for us to feel the light of our ancestors, feel the light of the universe that is actually our birthright to connect with. The reality is that this world is very abundant. Scarcity is a manufactured thing that, capitalism, the state is trying to push on us as a way to oppress us, to suppress us, to keep us down. When we tap into abundance, we tap into pleasure, we tap into joy. We tap into ease in this way that allows us to stay connected to each other, to ourselves, to other beings on this planet. Being rooted in abundance is a powerful act of resistance. Jean Phạm (they/them): Yeah. Well said. I try to practice abundance, but I always feel all I know is scarcity. Great reminder. For me, trans justice is so embedded with so many larger movements like you have shared. Trans justice is disability justice. Trans justice is fighting for Palestinian liberation. Trans justice is anti-imperialist because I think ultimately, self-determination in our bodies. To be the way that we are.  I often feel spiritually as trans people, we know who we are so there's a lot of abundance there. There's a lot of wealth there. I would actually argue spiritually cis people have more to gain from trans justice than we do. I always share how trans people in pre-colonial societies were spiritual leaders, shamans, healers in the community. It was mentioned before that a lot of trans people today exist in underground economies or are just not embedded in society. There's no place for trans people in our current world whereas there used to be. I do think that is one of the unstated qualities that we're trying to bring within trans justice. I also will say in any given committee where people are doing actions or organizing or doing mutual aid, I can assure you that there is a, they them, there is a doll, there's a trans gender expansive person, otherwise trans person in those committees, you know, People are moving.  In the topic of trans visibility day, we see the ramifications of that, right? Visibility doesn't always offer us more power or safety. Institutions are realizing this. You see nonprofits, community orgs, they have to scrub every fixture of language around diversity, equity, inclusion, so that they aren't being targeted by the federal government. Visibility isn't really what trans justice is about, right? It has never really protected us. We're fighting for basic things to survive, to work to make sure this stupid gender on our form is right. To walk to the store. In some sense, the way I've lived and expressed my transness, I always feel the un visible parts or the invisibility is where I will always feel more actualized. You know when people, cis people, strangers look at me and they're like, who the hell is she? What is she like? What is that? I'm like, uh, My favorite moments are when people. Like in my old job when I had first moved to the Bay, I got this big sense that I declared to know, oh, I'm trans. And I could see the cogs turn in their head as they're trying to figure out, oh, which way are they trans? And I love that. I love living in the ambiguity. To me, that's always been more emblematic what being trans is to me is kind of just playing with expectations. Making people a bit more uncomfortable and allowing more for more experiences to live. Hải Võ: What's coming to mind, in addition to what you've all shared is, what does it mean for me to be on Turtle Island and in the diaspora? Part of transness and queerness is also understanding who we are and where we come from. In the context of just the nature of why I'm here on Turtle Island in diaspora is because the US was there in Vietnam. I think that means trans justice is actually beyond borders and actually recognizing that the history of our queer and trans people, trans justice means that we're also acknowledging the struggles and liberations of our kin  in the homeland. When I think about trans justice, I can't help but think about the fights against imperialism, colonization, the ways in which essentially trans and queer people in Vietnam have been discriminated, have been bullied, have been essentially because of colonization, imperialism, been wiped out of history. And if it wasn't for a culture that is by word of mouth and people from indigeneity that is questioning who we are and also being like, well, if we are trans and queer then we must have queer and trans ancestors. And we do. And that's been a very healing journey for me. It's been both hard but also very healing to know that queer and trans folks our age, even younger are also experiencing similar things to what we're experiencing here as queer and trans folks in the diaspora. But it also means fighting for indigenous, local, queer and trans ancestral homeland experience also. I was just, we were just hearing about how USAID was paying for essentially medication for our people over there. But now with that gone, it's like, what are people to do? And so it's not even just, not just about trans lives. The defunding of that has also created stop in removal of Agent Orange. We have fields in Vietnam that have like, after that cut, are left to continue to have Agent Orange. Now, with the early monsoon seasons of the year, that water will permeate into millions of lives downstream. And Vietnam is a whole ecosystem of wetlands and water. And so for me, I just think about trans justice as as a Viet, as a Southeast Asian, as an Asian person, as a person who has lineage somewhere, ancestry, somewhere indigeneity somewhere, it means acknowledging the deep historical reparations that colonization, imperialism and modern day capitalism in parts. The last thing I'll share for this one is I think that trans and queer justice is also ecological justice. This is very connected to what you were sharing, Jean. Ecology is essentially the study of home. There's just been too many times in my life where home has been ripped from me. I've had to leave what I thought was home. I've had to feel like I, I needed to be a different thing outside of what my home actually is in my own body and my own mind. How can we create a piece of not just mind, but also piece of body, piece of place, piece of space, piece of an unlived ecology that transness and queerness is the norm. And, I love learning about how nature is so queer and so trans. I mean me saying that and naming that is a hard thing to say. The English terms that we use is a very colonial thing, but the ways in which other animals and plants are in relationship to each other, I'm like, oh, worms having multiple genders, I'm like that. I feel like that. And so like, the worms probably have their own language about what that is. I'm not gonna like, “worms, teach me about who you are” because I'm not trying to appropriate you and I'm just like, this is this cool that nature is already in a state of abundance in itself, like queer abundance in itself. Cheryl Truong (she/they): Ooh.  Thank you all for sharing those powerful reflections on resistance. It's such a reminder that trans resilience doesn't just show up in protests, policy fights, or in singular days like Trans Visibility Day. It lives on in our relationships. And our lineages in the everyday ways we refuse erasure.  As Hải reminded us. It stretches beyond borders and into our motherland, especially as diasporic trans or queer people of color. And it shows up when we play with people's expectations. Like Jean confusing their colleagues assumptions about their gender. It's also in the worms. In our ecologies. It shows up when we fight for Palestinian liberation. When we organize with value aligned groups, like Lavender Phoenix, like QTViệt Cafe it also shows up as Eddy beautifully names in our joy. I love the importance of uplifting that swimming in the ocean is part of resistance. Because rest is resistance. Pleasure is resistance. Our very existence is resistance. So, thanks for grounding us all in that  So we've just spent time talking about how resistance shows up in our trans and queer communities. And I now want to shift us into a conversation about what sustains us, what keeps us going, what brings us back to ourselves and to each other. But before we dive in, we're going to take a quick music break.  Up next. You're going to be hearing from Suncha, an Asian-American Bay area based band dabbling in punk rock, math rock, and groove-based jamming. The group features Ryan Foo on guitar and vocals. Jackson Wright on bass and vocals. And Abhay Malik on drums. You can catch Suncha live this Sunday at Simmer Huang in Newark, California. For more information, check them out on Instagram. @ ateliercollective That is spelled. A T E L I E R collective– link in our show notes. And keep an eye out Suncha's debut album is set to drop in the summer of 2025. Enjoy the music and we'll be right back. Welcome back!  You're listening to APEX express on 94.1 KPFA, 89.3. KPFB in Berkeley, and 88.1 KFCF in Fresno and online at kpfa.org. Big shout out to Suncha for that last track. So much love to this Bay Area Asian American band bringing punk, math, rock and groove into our ears and hearts. You can catch them live this Sunday at Simmer Huang in Newark. More information on Instagram at @ateliercollective, as always link in our show notes.  I'm your host, Cheryl Truong and tonight's show is in honor of Trans Day of Visibility. I'm here in conversation with Jean and Hải from QTViệt Cafe, which is a project of Asian Refugees United. And eri oura from Lavender Phoenix. Before the break we explored where trans resistance is showing up across our communities. Now I want to turn towards what sustains us, what keeps us rooted, nourished and connected as we continue dreaming and building together. So my next question: what kind of trans joy or wisdom has carried you through this past year? Jean Phạm (they/them): I wanna uplift what Hải I had shared at the very beginning. The Vietnamese concept of chia buồn. Sharing sadness. We can survive if we each just take a little piece. The community takes a small morsel of someone's burden and helps lift them up and share it. I really experienced that a couple weeks ago when my maternal grandmother passed away. And I think one of the biggest I feel tragedies is we're all just trying to survive. Purchasing power definitely creates a difference, but the reality is in our terms of just lived experience, we're just one or two paychecks from just full on destitution, you know? so we really rely on each other. When I heard that my grandma passed away, it was really hard for me because one is just going back to family is such a traumatic ordeal, and two, the flights were just logistically expensive. I just commiserated to one of my friends I had to do an overnight train down, which is maybe 10 hours. I mean, it's fine. I've done it many times before. But I think as an act of care and mutual aid, my friends organized behind my back and were able to give me enough so that I could get a flight and not really think about the logistics so much so that I could just focus on being present and also deal with the mental load of being around my family again. To me that was an expression of trans joy in terms of all these relationships I had built, really came through and I wasn't expecting it to, you know. One constant reflection I had was like, when people are grieving, am I just nice to them? Because I was like, I don't think so. Maybe, you know, it's hard to tell. But people really came through. And I think that really lifts me up and really I think about it so often. Being able to share in everyone's sadness. I'll also share within my close group of friends, I have this little scheme or theory called the Screaming Girl Theory. In a given week, only one of us can be the screaming crying girl and everyone has to support her. And then it rotates. In the scheme of things, it's like, oh God, we're all people of color who are all queer, trans or just have a touching point of just being oppressed in some way. If someone's like, oh no, I'm having such a hard time because I'm depressed, I have anxiety, I'm a queer person of color. You know, that type of rhetoric. It's hard in our space 'cause it's like me too. Everyone's going through it. So I think moments where we can share in that and rotate taking care of each other is really what has been keeping me going. And I also think it's nice to care for other people too. That's probably the final realization. People like helping, and giving people opportunities to help. I think it does induce a nice feeling and we may not always be well resourced or have the capacity to, but when we can, when we offer help to people, I think that's something people generally wanna do in service of the community. eri oura (they/them): I love this question because again, I feel like joy is so important right? In our fight for liberation, for Justice as trans folks, gender expansive folks. I mean, honestly, being with other queer and trans folks is such a joy. When we're marching in the streets together, when we're organizing doing the back end work of creating the space for each other to feel safe. And not just safe, but also seen and held. Not only is it joyful, but it's healing. When I think about trans justice, I think about healing justice as a intersection that we hold together. It's inseparable, honestly. I do think that there is a lot of grief, a lot of hurt, a lot of trauma that we have to endure in this world and sometimes we inflicted on each other. But when we can turn that around and really face each other in those hard moments. It makes such a difference in the quality of our relationships. The depth of how much we can access within ourselves. We as trans and queer folks, it doesn't matter what the state is trying to impose on us, trying to erase our existence, they have been doing that forever. They have been trying to eliminate us in this colonial context. It really is the joy that keeps us buoyant, that keeps us connected to the light of the universe that keeps us connected to each other. When other people who don't understand transness see us in our joy, they just see joy and that makes it attractive. That makes it something they wanna be a part of. The fact that we have learned to put words to who we are in the deeper ways that words have evolved into is us really just trying to fit into this context of colonialism, meaning making, all of these things that I think are powerful tools, powerful skills to have. At the root of everything is we know we are a network that supports each other to exist. And being able to put words to that is such a gift. Without the words we communicate with each other in ways we see each other in ways that I don't think people who are stuck in narrow binaries can actually see or feel or understand. For whatever reason that makes them angry. Their anger is just more fuel for us to lean into joy because it's not even about them. We can have conversations, we can try to justify our joy and our existence, but at the end of the day when the sun goes down, we are who we are, and in the light it might be easier to see how magical we are, but in the darkness, I think. We glow in a way that people who are limited in their thinking are not able to. They can't tap into that light. Hải Võ: I used to hide a lot. I used to hide who I was in order to think that I would feel safe. Hide my queerness. Hide my transness. Because there were assumed fears that my parents being conservative Catholic that I would be reprimanded and then, that happened. There was a period of that very tragic dark times. Looking back at that, I think I needed to experience that in order to fully understand how deeply organized systems can be traumatic and be deeply problematic. And also lessons in how do we actually better organize our systems to not perpetuate discrimination, violence and trauma. All that to say, I think that part of trans joy in the last year is instead of being less, getting smaller, being less than, hiding, actually, trans joy is just what you were saying, eri. Actually just being more me. Being more truthful. More honest. I've been on a healing journey with my dad the last year. We've been estranged for five years since my mom passed. I had gone to come to peace with, potentially not talking to my dad for a while. But I think that innately part of being Viet and wanting to reconnect with Vietnam is to try to connect with my dad as a portal or as a throughway to Vietnam. I took both the risk and the opportunity to reconnect with my dad with the hopes that we could heal our relationship. And just as much as I've gone through my own journey on transness and queerness, my dad has also too. There's been a lot of apologies, A lot of me unearthing and upending a lot of my own truths and just being really honest about who I am and being more comfortable and more grounded in what I want to do in my life. My dad has too. As hard as the tensions are, and even if in the moment, our elders, our people, our families might not be voting in the ways that we want them to vote or be against the policies and practices that counter who we are. I think I'm hopeful for just being more honest with myself and getting out of our comfort zones and unease in order to really surface what needs to be said. That's one. Two is, I just love meeting with our queer and trans elders. I think that's been part of our joy. Shout out to Sống Thật, the first queer Viet radio show in San Jose. They literally just were like, we're gonna take community college classes on radio and we want a show. We just wanna share that experience to dismantle a lot of the stereotypes. And so I think a lot of the, the trans joy that I'm experiencing is just we just gotta do it. We just gotta try it. I'm learning with our ancestors. Learning with our elders and just being like, we gotta try, we gotta do and yeah. I'll check there. Mm-hmm.  Cheryl Truong (she/they): And that's the end of our show. If you're. Curious about the incredible work being done at Lavender Phoenix, Asian Refugees United, QTViệt Cafe, Mugworts, and Under Painting Collective, check out the links in show notes and learn more about how these groups are building trans and queer aAPI power, culture and care in our communities. You can access the show notes at kpfa.org/programs/apex-express.  Before we close out, I want to take a moment to uplift a campaign that is very close to my heart. Pardon APSC 4. Some of you listening may already be familiar with this campaign, they've been on our show before. Pardon APSC4 is a demand to Governor Newsom to pardon the APSC 4 which are Borey “Peejay” Ai, Nghiep “Ke” Lam, Chanton Bun, and Maria Legarda. Our beloved family members, the APSC 4 are at risk of deportation. We are asking you our listeners to join us in telling the governor to pardon them now so they can remain home with their families and communities. The APSC 4 are childhood survivors of violence and trauma. They are impacted by bullying, poverty, war, and domestic violence. Like so many others, they were funneled into the criminal legal system as youth. While incarcerated, they became leaders. They completed self-help and educational programs. They mentored others and committed themselves to healing and transformation. Each one of them have earned release through California's parole process and were affirmed for release by both the board of parole hearings and Governor Newsom himself. But instead of being allowed to return home, ICE was contacted and now they face deportation simply because of where they were born. That is what's called double punishment. A racist and unjust system that targets immigrants and refugees after they've already served their time. The APSC 4 are not just individuals. They are community leaders. As part of the Asian Prisoners Support Committee, an organization, which centers formerly incarcerated leadership, Peejay, Ke, Bun, and Maria provide reentry support. They mentor at risk youth and they lead workshops on the school to prison, to deportation pipeline. They are change-makers. They are caregivers. They are parents. They are our community. And despite everything that they've given and everything that they continue to do, they live in an immigration limbo. Under the threat of deportation by a system designed to disappear them. So we are calling on Governor Newsom to stop ICE from deporting the APSC4.  We are calling on Governor Newsom to grant them pardons. To learn more and take action, please visit bit.ly/APSC4.  That is B I T dot L Y slash APSC. You can sign a petition, write a letter and help us keep our people home. Please join us in the fight to keep APSC4 home. Thank you. Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – March 27, 2025 – Trans Day of Visibility appeared first on KPFA.

扫码关注我的视频号上午10点直播间学摄影早安，我是叶梓，今天是摄影早自习陪伴大家的2438天。 图片来源：七工匠官网你有关注过你的镜头的光圈数值吗？有同学说我肯定知道，我买镜头的时候就会要先看这个镜头的最大光圈是多少，是吧？f/1.8的呀、f/1.4的呀，还是f/2.8的呀、f/4的呀。对，我们都特别关注镜头的最大光圈，为什么呢？因为光圈越大，它的进光量越大，越可以用低感光度拍出更清晰的画面，也越可以去拍出背景更模糊的照片。当然了，光圈越大，成本也会越高，所以镜头可能会越贵，或者做着个头也会越大。这里要打个小括号，就是定焦镜头除外，因为结构简单，定焦镜头的大光圈不会影响它的尺寸，还是可以做得很小的。不过你有关注过镜头上的最小光圈这件事情吗？其实最小光圈也是应该关注的一个数值，它也会影响我们拍照的自由度。我们现在最常见的全画幅和APS-C幅相机的镜头，最小光圈的一般是f/22，但如果你是一支有着超大光圈的镜头，比如f/1.4光圈镜头，那么可能你的最小光圈就只有f/16。嗯，你看，那头大了，这头就小不了，它俩其实有个牵制关系的，镜头的光圈就那么多档。要么就往大的这边走，要么就往小的那边走。七工匠 50mm f/0.95 光圈范围f/0.95-f/16 图片来源：七工匠官网你比如说七工匠有些镜头光圈超级大，那么它的最小光圈就不太小，我把它的镜头的参数标在下方的图注了，大家可以看一下。七工匠 M28mm F5.6 光圈范围f/5.6-f/22 图片来源：七工匠官网或者如果有的镜头，它是最大光圈根本就不大，比如说从f/5.6开始的光圈，这不是一个特别大的光圈，那么它的小光圈就会相对应的小一些。f/22小光圈+超焦距 © 叶梓我们为什么会去关注镜头的最小光圈大小呢？因为光圈越小，景深越大呀，景深越大的话，我们就越可以去获得一个背景前景不太模糊的照片。这也是拍照时需要的，尤其是在街拍啦、人文啦、纪实啦这种比较快速拍摄的场景，为了避免对焦耽误时间，我们有可能会利用小光圈去做一个大景深的效果，或者是超焦距的效果（超焦距就是景深大到无穷大了，叫超焦距）。这个时候你不管拍什么东西基本上都是清楚的，只要在那么0.7米、1米以为，基本上都不会太模糊。有了这种超大的景深，我们就不再用对焦啦，拿着相机随便对一个地方按下快门都是清楚的，这个对抓拍就非常的有利。f/22小光圈+超焦距 © 叶梓我自己是非常喜欢用小光圈拍照的，因为我觉得太大的光圈导致的背景那种模糊啊、简洁啊经不起时间的考验，画面中的信息量太少了，对吧？没东西可看，看一眼就明白了。在手机上看看小图还行吧，一眼看是好看的，但是如果你放大看呀，或者是说洗出来、印出来挂在墙上，是吧？参加展览比赛，都不行，总是感觉就是比较单调和无聊。所以我自己还是挺喜欢做加法构图的。再加上我很喜欢用超焦距去快速的抓拍，所以我买镜头的时候就有个习惯，我会优先去看它的最小光圈是多少。f/22小光圈+超焦距 © 叶梓有人可能会认为最小光圈进光量太小了，我拍照片会不会模糊呢？其实是这样，你可以用闪光灯，所以你看我的这些样品里边都是用闪光灯在抓拍人物，对吧？所以闪光灯正是用来弥补这种进光量偏少的问题的。细心的同学可能发现了，刚才我说的是全画幅和APS-C幅的常见的镜头的最小光圈是f/22或者是f/16，那为什么一定要限定画幅呢？因为如果画幅再小，那么它的光圈就很难做得很小了，比如说M4/3画幅。用奥林巴斯小光圈（f/22）拍摄的照片 © 叶梓小光圈引起的衍射 © 叶梓奥林巴斯就是典型的M4/3画幅的相机，在这种画幅下，小光圈它的真实的孔径的尺寸就太小了，小到出现了光的衍射，也就是说拍东西没那么清楚了，拍点光源会有明显的光的衍射现象产生，这画质就会下降了。所以在用奥林巴斯这种M4/3画幅的相机拍照时，我一般不太敢用f/22或者更小的光圈拍照，我顶多就用到f/16就可以了。好了，那么今天我们聊了一个挺冷门的但是其实又挺重要的话题。去关注一下你的镜头的最小光圈，如果下次再购买镜头的时候，你可以看一看大光圈小光圈的，你衡量一下，看看哪一个更适合你的需求。那么今天是摄影早自习陪伴大家的第2438天，我是叶梓，每天早上6:30，微信公众号以及喜马拉雅的“摄影早自习”栏目，不见不散。

「デジカメの価格が高騰！10年以上前の機種を引っ張り出して現役復帰させてみたら…」　少し前までは、APS-Cサイズのミラーレス一眼レフカメラでもエントリーモデルなら5万円台で購入できたはずだ。

「プロ機「Z9」と同じ頭脳を搭載したNikonのAPS-Cミラーレス「Z50II」がもたらす新たな表現力」　Nikon「Z50II」は、フラッグシップモデル「Z9」と同じ画像処理エンジンEXSPEED 7を搭載し、APS-Cミラーレスながら高い描写力と高速性能を誇る入門機である。進化したAF性能と高感度耐性により、スナップやポートレートはもちろん、動体撮影でもその実力を発揮。被写体検出は2種類から9種類に増え、被写体を自動認識してくれるオートも加わった。センサーは従来のDXフォーマットの2088万画素CMOSセンサーを搭載する。550gボディに詰め込まれた最新技術が、どのような表現を可能にするのか。本記事では、実写作例を通じてZ50IIの実力を検証していく。

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express Host Miko Lee continues the series on the Asian Prisoner Support Committee's campaign for justice for the APSC 4. The APSC4 are Ke Lam, Peejay Ai, Chanthon Bun and Maria Legarda. All are formerly incarcerated folx who have served their time and are currently incredibly valued leaders, advocates and healers in the community. They are also part of the staff of Asian Prisoner Support Committee and all are at risk of deportation.  In our most recent episode we showcased an interview with all of the APSC4, in our upcoming shows we will center on each person's individual story. Tonight we focus on Maria Legarde. Thank you to the HHREC Podcast for allowing us to re-air a portion of their show, which will be linked in our show notes. Maria's story is also featured in the zine we was girls together by Trần Châu Hà. The zine is on display in the Walking Stories exhibit at Edge on the Square in San Francisco Chinatown until February 28th.  For more information: Thank you to the HHREC Podcast for allowing us to rebroadcast part of their interview with Maria. Asian American Histories of Resistance timeline For tickets to Edge on the Square event APSC 4: https://action.18mr.org/pardonapsc3/ APSC Website: https://www.asianprisonersupport.com/ APSC Donation Page: https://donate.givedirect.org/?cid=13… APSC Get Involved Page: https://www.asianprisonersupport.com/apsc-4 Appreciation to the HHRC Podcast: https://www.youtube.com/@thehhrecpodcast83   Twitter:   / asianprisonersc   Facebook:   / asianprisonersupportcommittee   Instagram:   / asianprisonersc     SHOW TRANSCRIPT: APSC4 Part 2: Maria's Story   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:02:01] Thank you for joining us tonight on Apex Express. Welcome to the second part in our series on the Asian Prisoner Support Committee's Campaign for Justice for the APSC4. The APSC4 are Ke Lam, Peejay Ai , Chanthon Bun, and Maria Legarda. All are formerly incarcerated folks who have served their time and are currently incredibly valued leaders, advocates, and healers in the community. They are also part of the staff of Asian Prisoner Support Committee, and all are at risk of deportation. You can help today by urging Governor Newsom to pardon APSC4, and protect them from deportation, which you can find the links for in our show notes. In our most recent episode, we showcased an interview with all of the APSC4. In our upcoming shows, we will center on each person's individual story. Tonight we focus on Maria Legarda. Thank you to the HHREC podcast for allowing us to re-air a portion of their show, which will be linked in our show notes. Maria's story is also featured in the zine we was girls together by Trần Châu Hà. The zine is on display in the Walking Stories exhibit at Edge on the Square in San Francisco Chinatown until February 28th. You can come view the zine in person at the Walking Stories closing event, arriving with our stories on February 28th, 2025, at Edge on the Square in San Francisco, Chinatown, from 6 to 8 pm. Co presented by Asian Americans for Civil Rights and Equality, Asian Prisoner Support Committee and Edge on the Square, featuring readings from Asian Prisoner Support Committee's recent anthology, Arriving, Freedom Writings of Asian and Pacific Islanders, along with a panel discussion with the APSC4. Maria's story, the one we'll hear tonight, that is also featured in the exhibit, echoes the broader themes of the Arriving anthology, Where AAPI community members share their journeys through criminalization, deportation, and reentry. These narratives expose the deep entanglement of the prison and immigration systems while humanizing and making visible the resilience of those impacted. The link to RSVP for the event will be included in the show notes, where you can also choose to donate 25 and receive a copy of the anthology. this event marks the closing ceremony of the yearlong exhibition walking stories, but also a commitment to the ongoing work to center the voices and stories of system impacted individuals through the oral testimonies of those still incarcerated and the panel discussion with community leaders of APSC4, a space where storytelling is not just a practice of remembrance, but a demand for justice and an ongoing continuing call to action is created. So join us at arriving with our stories on February 28th, 2025, from 6 to 8 PM at Edge on the Square, 800 Grant Avenue, San Francisco, California. Find the full details in our show notes and at edge on the square. org. Now let's listen to Maria Legarda share her journey content warnings for mentions of sexual violence, substance abuse, death, incarceration, and trauma.   Maria Legarda: [00:05:10] So I grew up in the Philippines, with my grandparents. My first years had the fondest memories there. Couple of years later, we moved to our new home. Had my baby brother and we moved and a couple years later, my sister was born. She had a medical condition when she was born and I saw the change in our household. You know, as she got older, her condition worsened and it took a toll on our family slowly. I withdrew from my folks, detached and I, I built a resentment towards my parents. I was young, this is what we used to have. And this is what's happening now, what's going on. You know, there was no emotional support when we were growing up, me and my brother. The focus was, Trying to get my sister better, you know, but I was young, I was young, and my brother was young for us to understand, you know, what was going on in our household, and, that started the separation between me, my parents, It was tough growing up, I'm the eldest and so I had to be responsible, you know, for my younger siblings and I didn't know. I didn't know what to do. so. When I got older, you know, my dad urged me to go to the U. S., you know, years where our family was in debt. And when I came to the U. S., I saw the opportunity to help my parents actually get out of debt, and help them. I didn't know the cost, the burden that it's going to cost me. being in a different country, and supporting my family alone. And I did everything that I could to help my parents and my siblings, not be in poverty. Not live day to day and have a future for them. but at the same time, being a young adult in America, when I immigrated here, it was after 9/11. So there was a lot of, society was different at that time and finding my place during that time was hard, you know, and I was alone, I was working hard. I was stressed, you know, I didn't have much help. ,and that started the drug use. it was hard for me to assimilate into a culture that it just looks, it's great. You know, being free and being able to experience a lot of different things, but deep down, I don't know how to, Find my place here. You know, I didn't have friends and I have my cousin, And I was dealing with a lot of the tension at home, too You know my mom dealing with my sister's death She passed away Dealing with the money issues dealing with her marriage I was her emotional support, and as a young adult, I don't know how to provide that for my family. And so the drug use became my coping here in a new country with new friends, and I just got tired of being hurt and being pain and, you know, the trauma of losing my sister. How do I deal with that? Losing my family because we were lost, you know, with her. And how do you cope from that?    Drugs became my coping. I was numb. I was happy, you know, because I didn't hurt anymore. and, you know, being alone here in the U. S., I turned to online chatting. That's where friendships, I found friendships in there. I was very young and naive and, You know, I met a man online who said all the right things, words, that I felt loved and cared for, for somebody like me that was so desperate for emotional connection and just to feel loved that was huge for me to find that one person to give me that attention. And so for six months, you know, I felt I was at the happiest in my life because I had somebody to turn to, I had somebody to talk to. And, I felt that I, you know, I have somebody with me that understands what I'm going through, um, when my own family is not there for me because they're too busy trying to take care of their own needs. And, um, you know, we started talking and, after six months, he promised to, um, take me out on a date. and when we met, um, it was fun, you know, for the first time seeing somebody behind, you know, the, the conversations and seeing him in person, it was nice. It's real. Right. And, you know, everything happened so fast at that time that, I was excited, but then there's that fear and, you know, we were on our way to where we were going at, you For our first date and he veered off to a hotel and, you know, in my inexperience you know, I was hoping that, okay, why are we veering off to this? This wasn't part of what we talked about, but things were happening so fast and I was engaged in the conversations and what we're going to do, or we're just going to go and see. And, you know, I was very vulnerable and I went with it. And before I knew it. I was at the hotel, you know, with him and, I was hoping and praying that nothing bad would happen, but unfortunately, you know, I was alone and knowing that it was just me and him soon enough, the inevitable would happen. And our first meeting, our first date, I was raped, you know, and, all the signs were there, you know, that desperate for that human connection and that, you know, I trusted him. I trusted him that, you know, he was a good person, but it happened, after that I went home and I told myself that it didn't happen. Pretended that it didn't happen. my mind and my body just disassociated, you know, from what just happened and, you know, went to bed the next day, went to work, like it never happened, like nothing happened. That intensified my drug use. It was my way of coping. Every time I hurt, every time I'm in pain, I feel pain, I feel hurt. I turned to drugs because it made me numb and it made me function. You know, I am able to function and continue on with the next day. Why? Because I have a family who's waiting for me, that depends on me, and I need to take care of them. and that's how it was for me.    For the next months, few months later, I found out that I was pregnant from the rape. And when I found out I was pregnant, I stopped using. You know, I was torn and at the same time I was still hoping there was still that small hope that what I had with him was real and I was suffering. Now I know that back then I was suffering from post traumatic, battered women's syndrome. I never got help from what happened that day. and so with the baby I have this, thought that maybe if he knew that I was pregnant, that he would come back to me. That's how my mindset was. I wanted my rapist to come back into my life. That's how desperate I was, you know, was alone. And I wasn't in the right state of mind, you know, with deep in my addiction, not being able to think rationally. By the time I, I asked, you know, for help, I asked my parents if they could, um, come and visit me here in the United States. I didn't know how to tell my mom about my addiction, about the rape, that I just needed them and they couldn't be there for me. And with everything else that's going on in my life, I hit, finally hit my rock bottom and I relapse, I relapse and I used, and me using far along in my pregnancy. That night induced my pregnancy, um, induced labor. And so the following morning, I went into premature labor. Again, I was alone in my room when they induced labor. I was in my bathroom and I gave birth to my son. I got him, picked him up, wrapped him in a towel, and when he wasn't breathing, I panicked. Wrapped him in a towel and put him in the room. And after that I went to go take care and get ready for work. What am I supposed to do with my baby not breathing? got ready for work, called the cab so I can go to work. I didn't make it to work because um, the cab driver took me to the hospital because I was so pale and I lost so much blood. And, um, so I stayed in the hospital and later on, um, medical staff was there. and, you know, the cops were there and I was arrested, I was sentenced to 25 years to life, for the death of my son.    I was 24 when I sat in the holding cell of California's biggest women's prison sitting there thinking, this is what. Life is going to be like for me. What is life going to be like for me? How did I get here, you know, and I was, I was in so much denial. You know, I was in so much denial I don't even know where to start. Because at that time, sitting there at that holding cell, I was still in a victim mode. You know, I knew I was responsible for the death of my son, but the extent of it, I couldn't even grasp the severity of how much harm I've caused. And for 14 years, I immersed myself in self help groups to make sure that I understood what happened that night, what happened at that time, you know, 25 years, there's no amount of punishment that I think would, would equate because I give that punishment to myself every single day. There's not a day that goes by that I don't think like, okay, today he would have been 19 years old. I wondered if he was playing basketball, would I take him to football games? Would I take him to baseball games? Like, what would it be like for him? You know, when my parents came to visit, Those were questions like my dad would want it to know, my mom would want it to know, and it's the big elephant in the room, we don't talk about it. But today, um, I hold, I am, you know, I hold responsibility, accountability for all my actions that led to that dreadful night. You know, when, when I went to board and I was found suitable, you know, one of the, one of the programs that, really helped me was, um, We're just to life, you know, forgiveness I have to find forgiveness in myself for what I've done for my past decisions in order for me to move on and make a difference in, you know, for people. If I wanted to help people, how am I supposed to help people if I can't even start healing within me? you know, took all the self help groups so I could have that understanding of where do I need to start in order for me to have a future and so that people around me, I wouldn't hurt anymore the people, those people that are around me. My family, my friends, even people that I don't know that when they see me, they wouldn't get scared of the person that they knew came from prison. You know, that was sentenced to 25 to life for killing her own son. I don't want to be that person. So. I took advantage of all the groups that, you know, were, were offered to us and I earned that second chance. when I went to board and to really deep, look deep in, deep down and where was that anger coming from? You know, why was it so hard for me to ask for help? And the biggest part that I learned was stepping out of denial, acknowledging that the rape happened, that it wasn't my fault, that I could overcome that and, I could take control back, you know, take that back and turn my life around and use that. You know, motivate myself to, find healing and forgiveness.    Today I'm a re-entry consultant for APSC. I help folks that are coming home from jails, from prisons, from detention centers. I help them navigate, you know, in their re entry. You know, coming home from detention, so after I, you after I paroled from CCWF, I knew that I would be, I had an ice hold and I would be detained and ICE came and picked me up in CCWF in 2019. You know, the first day of being free, I was welcomed with shackles, with handcuffs and a waist chain around my waist chain. And, I was walking, you know, into a white van and I drove off to the Holding cell, the ice holding cell, and I was on the road for 72 hours back and forth because they, they have nowhere to, put me, all the ice facility detention centers were, I guess, they were packed and they have no room for me. So they finally made room for me and I was in the Delanto where I stayed for 11 months. And. You know, when I was there, I'm just like Bun said, once they get you there, they ask you sign the paperwork, you deport, or you want to fight your case. And I've met Anoop, Anoop prepared me, you know, for when that day comes, like I just needed to let them know that, no, you're fighting because you have people, the community, the family here fighting alongside you. And that's what I told them. I said, no, I'm not. signing, I will go through the process and it was very, it was a very different experience, you know, with being sentenced to 25 years to life than being told, you have to sign this paper because I'm deporting you back to your country because you're not a citizen. You know, they don't see the changed person. They only see the person that was not born here in the United States. They don't see the person that has a family in the community waiting outside that building. They only see a convicted felon that has an aggravated felony that's not a U.S. citizen that needs to get deported back to the country where they were born. So knowing that every day, and I've always said it, you know, every moment in detention center is like a cliffhanger moment. You'll never know when your day is going to be when you don't come back to the dorm and you get shipped off and get sent to a plane. And then next thing you know, the next phone call your family gets is that you're in a country where you don't know where you're going. So that's what it was like in the detention center.    You know, it was the onset of COVID when I was able to file, a writ because of my medical condition. And by the grace of God, you know, with the community behind me, Anoop too, was very instrumental. I was released Friday when everybody was telling me that you're not going to get released. You know, the cutoff date, the cutoff time is six o'clock and you're not going to get released and you're not going to get a bond hearing. You're not going to you're not going to get released from here. There's just no hope for you. You know, that's what they tell us in, in detention, you know, there's the chances of us being released from detention. Once ICE has a hold of you is very, very slim. So for us, that's. small hope is really just a teeny tiny window for us. But it takes a community, you know, to work together to get us all out. And I have that support with Anoop, with APSC. So at six o'clock on a Friday, when they said that the judge is not going to rule today, you're going to have to wait. And the last, The last process already for people that were getting released were already done. There's, you're, that's it. You're not gonna get it. But 6:30 came. It was after count time. All the tablets in the detention center was ringing and it was a phone call for me and all I saw was my grandma on the other line saying that, she was crying, crying, hysterically crying. And so my heart dropped because I thought, okay, this is it. I'm getting deported, what I didn't know, was Anoop and my grandma were constantly in communication trying to get me out and the judge made a decision a little after six that before five o'clock Saturday morning, they are to release me. And, it took the community, you know, to get, to make that happen. And on April of 2019, I was released from Adelanto and I was released to Los Angeles. I couldn't, parole to San Francisco, to the Bay area because, um, of COVID shelter in place.    Ayame Keane-Lee: [00:23:30] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, 97.5 K248BR in Santa Cruz, 94.3 K232FZ in Monterey, and online worldwide at kpfa.org. We'll be right back to Maria's story after we listen to “7,000 Miles” by Ruby Ibarra featuring Ann One.   MUSIC   That was “7,000 Miles” by Ruby Ibarra, featuring Anne One. You are listening to Apex Express. Now let's get back to Maria Legarda ‘s story.   Phillip Winnick: [00:28:19] Um, Maria, how long did you know Anoop throughout this process when you were in the detention center? Um, and how did you manage to get to San Francisco?    Maria Legarda: [00:28:31] So I've known Anoop since 2015, end of 2015, beginning of 2016, right before board. I needed to seek his advice about, you know, my ICE detainer and how long. Like what the process is going to be, if I choose to fight it, if I don't fight it. And around that time, you know, we just had a new president in the Philippines and what would it look like for me if I don't win my case? Like, what are the chances, you know? So that's how we started corresponding, 2015, I prepped for board and then, um, when I got out in 2019, Prior to that, 2018, we started, corresponding frequently, more frequently because, My board date, um, is coming up, and, you know, when they ask me about questions about immigration, like, what do I say, Anoop, like, because the board wants to know everything, just like Bun mentioned before. They want to see the big picture. If we grant you parole, what are you going to do? So when it comes to immigration, like, what are your plans? So I have to have a realistic, it needs to be realistic for me. You know, there's no ifs and buts. I have to like, Anoop, what do I do? And if it's not possible, then I have to have a plan B, you know? So that's how we started corresponding and Anoop guided me in a lot of my preparation. and before I went to Adelanto, he prepped me step by steps on what it It's gonna look like for me once ICE picks me up and everything was on point, you know, they came and got me an R& R, I left around nine o'clock, the white van came and picked me up, I went to Fresno holding cell from there, they're gonna, assign me a, facility, you know, so that's how it started. And then when I ended up in Adelanto after 72 hours, they finally were able to locate me just like, when, you know, Anoop has a way of, you know, it's like a, you know, We have a GPS within us and Anoop just knows where to find us. So finally, you know, my grandma was telling me that Anoop told her that I was in Adelanto and, you know, later on I'm going to be in the system. And so, when I got there, everything that Anoop told me to, like, when you get there and they ask you for your signature, you tell them that, you're fighting your case, this is what's happening. You give them my number and, you know, so that's the step by step process.    And, that's, that's how Anoop got me, situated when I got to Adelanto and in preparing for my, my hearing, he walked me through it too. from the Bay Area, I was all the way to like, what, San Bernardino County in Adelanto and he was guiding me every step of the way. He had some, The Advancing Justice LA kind of like helped me, you know, with representing. Um, so I have extra help, and then preparing for CAT hearing, preparing for, just, you know, the whole time that I was in Adelanto, I was in constant communication with Anoop. Sometimes it's not even about legal support, just emotional support. Like, okay. Anoop you have to, you have to just tell me. Tell me what I'm looking at. Tell me what I need to do. What are my next steps? What are my chances? And that really helped a lot, you know, stepping out of denial. That was my life story or, you know, I'm always in denial. And so this time, like, no, Anoop I need to know, like, what am I looking at? and so when. when it wasn't going, it didn't look well, you know, for me, as far as my hearing, it gave me all my probabilities, And I know what I need to do. So that's how we, I've always, um, until today, I still seek Anoop's advice about everything. you know, not being able to get my ID, like Anoop would be my next step, not being able to get, I said, some paperwork, some documents. So every step of the way in this whole journey, he's always been our, You know, emotional support, legal support, in everything.   Anoop Prasad: [00:32:40] I think what's really amazing and special at APSC is I met most of the staff at APSC when they were incarcerated. And most of the APSC staff first met each other in prison, often when they were just kids. And I think that makes APSC just like such a special place. Um, and I met Maria through Nia Norn, who's our co director and met Maria at CCW Afton prison. Um, and I'd been writing Nia about her ICE hold and her deportation when she was serving a life sentence. and then she over mail introduced me to Maria and I started writing with Maria. and there's this ripple effect of hope and freedom from every person who gets out and Maria has helped so many other people and she got out, get out of prison and out of ICE and same with Bun.That's helped so many other folks in San Quentin and throughout the entire prison system get out. And so it's really amazing seeing folks come home and then come back to get other folks out.    Phillip Winnick: [00:33:33] Yeah, it's incredible. Um, Maria, why don't you tell us about some of the experiences you had, um, helping people out with the APSC?   Maria Legarda: [00:33:41] Oh, where do I start?    Phillip Winnick: [00:33:43] Most memorable, I guess.    Maria Legarda: [00:33:44] Yeah, the most memorable. you know, I've been sober for 20 plus years now and, one of my clients, um, when I introduced myself to her, I always introduced myself as a formerly incarcerated individual because I don't want them to feel that I'm, you know, most of my clients have had traumas and have been judged for a very long time. And I don't want them to think that I'm law enforcement or anything like that. And so I always tell them, oh, hi, my name is Maria and I'm formerly incarcerated. I served 14, 15 years and they're like, what? And so that opens up, you know the, the door and it becomes an easy conversation to have. And so when one of my clients, she told me that Maria, I'm 20 months sober. I was like, Oh, I'm so happy for you. And she's like, really? It's like, yes. Don't you know that it's an accomplishment? It's like, why? It's like, Oh my God, you just give me one day. I'd be the happiest person. And she said, why? Because I'm 20 years sober, 20 plus years sober. You're 20 months. You're going to get to where I'm at. And so that started that conversation and that just bond between us. She's, you know, she, she's worked hard and she needed some help in different aspects of, you know, her trying to get her life together. Like Maria, I need to get my kids. Um, I'm in the process. What do I do? It's like, okay, don't worry. We're going to find you some resources. We're going to find you some, help with the law clinics and see who can take your case. And we'll start from that. It's like, okay. she needs housing. We signed her up for a housing and, it didn't work out for her because she already participated in a similar program. So what we did was, okay, maybe we should start, you know, asking your CPS and this is what we're going to do. So having case plan goals in order for her to see what would best suit her, what she wants to do in life and what she wants for her kids. we worked on that, you know. and her desire to be a substance abuse counselor.​​ The team, actually, I had talked to [unintelligible]. We need to help her get enrolled and she doesn't have, financially, she's struggling. She has three kids on coming back to her. You know, she's getting her custody, her three kids custody back. So, you know, her hands are gonna be full. we need to help her. What do we do? He's like Maria, enroll her. Like, I can? Like, yes, enroll her. I was like, really? I can enroll her? And to me, when my boss said I can enroll her, I was like, oh my god, that's like, you know, you're giving something. Like, that's a gift. It, it doesn't cost a lot, but that's her future. That's the kid's future. And her having, you know, a career after that. She's been on drugs for as long as she remembers, right? So that's the greatest achievement for her at that time to be a substance abuse counselor. And just like, Maria, can you please help me find a class and to be able to do that? That's why I'm doing the work that I do because if I can make a difference, even just by enrolling them, you know, what other programs do that? I don't know if they do that, out of their organization's pocket to sponsor somebody, you know, for higher education. So that was one of my memorable moments helping one of my clients get her classes to become a substance abuse counselor. Thank you.    You know, and then the other one, we had one of our clients struggling with substance abuse and, his wife called me and she's not actually our client, but you know, we're all about family reunification. So if the wife, if the kids are having trouble and they have my phone number, they can reach out to us and we'll help them. Right. And she reached out and she felt really this burden of guilt because. Like Maria, I don't want to turn him in, but like he was drunk and being a, being a domestic violence survivor, right? I told her like, look, the first, that's the best, like, he's not going to be mad at you because you put your daughter's care and your care in your life first before anything and because I know he's a good father to her and a good man to you, besides that, you know, addiction, it creeps up on you and it crept up on him. And I said, you did the right thing. You did the right thing for him, because when the time comes, you were his accountable, accountability partner. So, you guys are both responsible for your daughter, and you did the right thing. And just walking her through that, because the guilt that was eating her up, because the whole family's mad at her because she put him there, she shouldn't have to go through that alone. You know, so, just taking the time, throughout the week and checking up on her. Do you need food? I can, we have pantry available for you. like, do you need diapers formula for the kid, for your daughter? Like, we have somewhere, a place that you can go to, to get some help in these trying times. And she's like, okay, Maria, I'm going. So other than the emotional support and you know, the, other things that she needs, just getting her through that toughest time, there's just no, there's no, amount of like, there's no satisfaction other than seeing a mother and the daughter being together and then now reunited with, you know, them reunited as a family.    Phillip Winnick: [00:39:19] The feeling of you helping people who feel alone in a situation that you are similar to, and that you felt alone in, what is that feeling of being able to give these, these people somebody to talk to who have been through what, what they've been through?   Maria Legarda: [00:39:38] You know, it feels good is not even like amount to it because, um, I always wondered what if somebody, you know, what if somebody took their time, you to ask me, like, Maria, is everything okay? I felt like that could have. You know, that could have made a difference. Maybe not, but I wouldn't know, right. Because of what I went through, but I don't want that to be me. So when people come my way, I, I encounter people and, you know, I get a sense of like, what's going on, you know, like what's going on in your life. Like, you know, to have a conversation and just get to know them just a little bit, Then that's when I know, you know, like, okay, this is what they're going through. So let me just walk them through it. Why? Because some people don't even know that they need that at that moment, at that time. You know, I, I didn't know that maybe, you know, if one of the lifer OGs, you know, and in the beginning of my time, if she didn't make an effort and say like, baby, you know, you can be more than just this around you. There's hope out there for you. And that, gave me that small window of hope that maybe there is a chance for me to get out of this place and see myself outside these walls, right? So when I encounter people and I know that they've been in situations, I don't know exactly what it is, I'll just give some time and just get to know, talk to them just a little bit. Just a little bit to see, like, what is it that you need? Maybe that's, you know, a few seconds would make a difference, right? So if that's what it needs, if that's what somebody needs, a few seconds of my time to deter them from making that one major, decision in their life that's gonna alter the course, right, of their life and go down that path that I went down on, like, that I've gone through, if I can prevent them from that. Then I did my job for that day, not my job, but I did what I'm supposed to do, you know, I felt like I went through all these obstacles in life because I have a purpose now, you know, and it's not about saving everybody, but just being there for that person at that moment when it counts.   Ayame Keane-Lee: [00:42:01] We'll be right back after the next song, “GRLGNG” by Rocky Rivera.   MUSIC   You are listening to Apex Express. That was “GRLGNG” by Rocky Rivera. Thanks again to the HHREC podcast for allowing us to re-air a portion of their show. Let's get back to it.   Phillip Winnick: [00:46:22] That's incredible. And I'm so happy for you that you found that for yourself. Why don't you, you were, you were talking about the support groups a little bit earlier. Why don't you, uh, tell me more about that?    Maria Legarda: [00:46:33] Oh, so APSC, created, me and my director created, community and, re entry empowerment, which stands for CARE. It's APSC's first women's support group for formerly incarcerated women and transgender folks here in the Bay Area. And. You know, after years of incarceration, you know, navigating in, society, right, coming back home, transitioning into society, there's a lot of overwhelming experiences and obstacles that we all go through. And so I know a lot of people. Women need that support, but where do we get that support? So we've been in a lot of re entry groups, support groups, and men have it, like they have it it's, you know, it's available for them, but what about the women? And so when we started it, um, we started with 24 people, asking is this something that you're interested in? And majority of them said, yes, like, we need this because women wear many hats, you know, some are daughters, sisters, mothers, grandmothers, and there's a lot in their lives that they go through. and as formerly incarcerated, not everybody understands what it's like. So for us, you know, it's, we live right next to each other, right? If I need help and I need support, I'm going to knock on the door like, Hey, you got a few minutes. Like, cause I need to talk right now. Like, okay, come on. We'll walk down the yard, walk down and hash it out, talk and, you know, what's going on with you. It's like, I'm going through it. We can just talk. But now being out here, some live in the Bay area, some live in Antioch, some live in Pittsburgh, some live in Dinuba, some live up the mountains, like how do you find that support? Right? Some are tech challenged. They don't know how to zoom. They don't know how to FaceTime. So how do you do that? So we. made it possible for them, you know, to find, to have that space where we can meet every month and check in and see what's happening with it, with each other. You know, what's going on? What kind of support do you need? What resources do you need? Who do you need to get connected with? And, you know, being in that support group for six months, it's like I never left my sisters inside. You know, the bond that we formed, and I know Bun can, you know, relate to this, the bond that we formed, you know, in those walls, it just continued in that Zoom space, you know, and it, recharged, that motivation, that encouragement that we've always looked out for each other when we were inside. So now that we're out here, like, no, it doesn't mean that just because we're all out that we have to stop. So that space being created for us, we were able to reconnect and help each other out and playing phone tag and have text thread messages and emails. And so it just needed to get started. Like, no, this is what we're going to do. This is how we can be there for each other. And so the program was a success. You know, we graduated in December. We started with 24, but due to work conflicts, we graduated with 19 women, who participated and completed the program. We had three in person events. Their whole family came with us with a graduation. And the one thing we wanted for our graduates, our participants, is that to spend a weekend with their family without having to worry about, Oh my God, we're going to have to travel. It's going to cost us money. No. We wanted them to spend time with each other as a unit, as a family, because of all those years that they were separated. Right. And not only that, be in the same space with the sisters that they've left, that they've been celebrating Christmases for two decades that's how much time these women have spent with each other. And now that they're out, they just needed to find a place to, you know, have a reunion. But at the same time, continue what we have when we were inside. Cause it doesn't mean it has to stop. So now with the success of the program, We're getting emails and we're getting, you know, when can we start the next group? When can I participate? When can I come over? Am I going to be able to come to the Bay Area reunion? So there's that hope, you know, that they're not alone because, like we know now it's, you know, these are challenging and difficult times and we're here, you know, we we just. Don't leave any of our sisters behind we just come on we got you just like we've always had each other's backs.   Ayame Keane-Lee: [00:51:18] You can learn more about Maria's story in the zine we was girls together by Trần Châu Hà. It portrays the story that you just heard along with more details. Maria's story is one of many. She's a survivor of gender based violence, forced to migrate to the United States due to the economic consequences of Western imperialism in the Philippines. Migrant women like Maria experience the compounding forces of colonialism, border exclusion, and economic exploitation in the United States, making them even more vulnerable to abusive relationships. In their attempts to survive, these women are usually met with criminal punishment rather than support or care. An estimated 94 percent of those in women's facilities are abuse survivors. In the absence of state sanctioned support, these women turn to one another, building their own networks of care and advocacy for each other's freedom. These networks illuminate the nature in which feminist care work is inherently a practice of racial solidarity between Black, Brown, Indigenous, and API women. The zine we was girls together, seeks to honor Maria's story alongside that of her community of incarcerated women, documenting their solidarity campaigns, mutual aid projects, and life affirming relationships to one another. Thank you so much for joining us. We hope you will have the opportunity to join the live event on February 28th and to take action in support of the APSC4. You can also find out more about Maria and the APSC4 in the Asian American Histories of Resistance Timeline that is both online and in augmented reality form in the gallery. This timeline spans from 1873 to present day. We have interviewed scholar Helen Zia on Apex Express multiple times. She talks about moments that are MIH, or missing in history. In the timeline, Acre, Asian Americans for Civil Rights and Equality, presents moments of our Asian American story that are MIH. One of those stories is about Maria. Apex Express is a proud member of ACRE, Asian Americans for Civil Rights and Equality. We are committed to fighting for a more just and equitable world. As Grace Lee Boggs said, We are the leaders we've been waiting for.   Miko Lee: [00:53:26] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.    The post APEX Express – 2.13.25 – Arriving APSC4 Maria's Story appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight join Host Miko Lee as we focus on the APSC4. We will be doing a short series on the members of the Asian Prisoner Support Committee's campaign for justice. In this first episode we speak with all four leaders, advocates from APSC4 including: Peejay Ai, Maria Lagarda, Kee Lam, and Chanthon Bun. They are staff at Asian Prisoner Support Committee who work with formerly incarcerated folks and their families. They provide support like jobs, healthcare, education, community. And yet, despite their work and their personal transformations and community transformations, they remain in immigration limbo and are at risk of being detained by ICE and potentially deported. Tonight, we hear their personal stories. We learn about movement building and talk about how you can get involved. And just a note for listeners that we will be talking about experiences with war. trauma, sexual assault, and violence.   How to support the APSC4 APSC 4: https://action.18mr.org/pardonapsc3/ APSC Website: https://www.asianprisonersupport.com/ APSC Donation Page: https://donate.givedirect.org/?cid=13… APSC Get Involved Page: https://www.asianprisonersupport.com/apsc-4 Twitter:   / asianprisonersc   Facebook:   / asianprisonersupportcommittee   Instagram:   / asianprisonersc     Arriving: APSC4 Part 1 Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:34] Welcome to our multiple part series about the members of the Asian Prisoner Support Committee, APSC4, and their campaign for justice. First up is an interview with all four. In the next episodes, we'll be diving into their individual stories. Special thanks to the HHREC podcast for allowing us to re-air their shows, which will be linked in our show notes.   Miko Lee: [00:00:56] Tonight on Apex Express, we have members of the APSC4, Asian Prisoner Support Committee's formerly incarcerated leaders, advocates, and healers. We are talking with Peejay Ai, Maria Lagarda, Kee Lam, and Chanthon Bun. They are staff at Asian Prisoner Support Committee who work with formerly incarcerated folks and their families. They provide support like jobs, healthcare, education, community. And yet, despite their work and their personal transformations and community transformations, they remain in immigration limbo and are at risk of being detained by ICE and potentially deported. Tonight, we hear their personal stories. We learn about movement building and talk about how you can get involved. And just a note for listeners that we will be talking about experiences with war. trauma, sexual assault, and violence. Thank you so much for joining us on Apex Express. Welcome APSC4 to Apex Express. I am so happy to have you here. I want to start with a question that I love to ask of everyone, which is from the amazing poet Chinaka Hodges. And the question is, who are your people and what legacy do you carry with you? Let's start with Peejay.   Peejay Ai: [00:02:12] So I am Peejay. I am Cambodian of origin. My mom and dad are Cambodian. We have part Chinese somewhere in our genes. When I think about legacy, I think about my culture, my upbringings, you know, my, my parents cares with them. I Also have experiences in incarceration, and obviously through my journey in life, I have this legacy as well, where I've learned some stuff and I have met people through the prison system. When I think about my people, I think about the people I've come across with who helped me grow in life, you know, and the foundation that my parents taught me when I was a kid. That's kind of my legacy. I think about the people I've come in contact with, my community, my parents, what they teach me about my ancestor. And now that I'm working heavily with the CERI community, Center for Empowering Refugees and Immigrants here in Oakland, you know, I'm co facilitate the Men's Elders group. So, with them, they teach me a lot about culture, a lot about my roots and where I came from. And so I'm relearning who I am as a person and redefining myself. And also reminded that, you know, beyond my experience, there's a foundation of Cambodian cultural, right. and heritage, you know, behind me. So that's kind of what I think about when I think about my people and I think about my legacy.   Miko Lee: [00:03:29] Thank you so much, Peejay. Bun, what about you? Who are your people and what legacy do you carry with you?    Chanthon Bun: [00:03:36] I'm Cambodian. My people are Khmer people. The legacy that I have is resilient. My family have lived through, through a lot of systems even my grandparents being Khmer from colonization to the genocide to, coming to America. My family have endured a lot. so the resilient in us still live and that's the legacy I carry.    Miko Lee: [00:03:58] Thank you so much. Bun, I'm going to ask you about resilience later, because that is a key thing I get from y'all. Maria, what about you? Tell me about your people and what legacy you carry with you.   Maria Legarde: [00:04:09] Who are my people? I'm a Filipina immigrant, so my people are the survivors. You know, those that dealt with a lot of that, that had a lot of challenges growing up, right? And didn't have a voice. So those are my people. My faith community are my people, my elders, my Lolas, and my mylas, my mentors, those that shaped me and who I'm becoming today. Those are my people. The legacy that I feel that what I'm leaving an imprint here on earth is being the voice for those that cannot express themselves. For those that do not have a voice right now and are scared. And I want to be that voice to let them know that they're not alone.   Miko Lee: [00:04:54] Ke Lam, who are your people and what legacy do you carry with you?    Ke Lam: [00:04:58] My people are my incarcerated. Those are incarcerated. Those that got deported, and those that are living in fear are my people. Because I understand the struggle, I understand the fear, I understand the trauma. The legacy I carry with me is all the advocates before me that have done this work that, you know, that put their life on the line. As well as my grandfather who came to this country, you know, struggling to raise a whole family, whole generation. I think the other part of my legacy is. breaking the, the, the cultural cycle. Like my grandfather never hugged my dad, but I hugged my dad, gave my dad that hug. And so, and, and that progression is going towards my, my siblings, as well as even to other men that was incarcerated. That never got a hug from their father.    Miko Lee: [00:05:50] Thank you all for sharing your stories of who you are and your sense of resilience and giving voice and incorporating your culture. I know that each of you have had incredibly deep and profound experiences and thank you so much to the HHREC podcast, which is allowing us to air interviews that you did already sharing your stories. I have heard your stories also and I'm just wondering what is that like for you to continue to tell your stories again and again? How do you sustain reliving that type of trauma by sharing your stories?   Chanthon Bun: [00:06:25] You know telling our stories is really traumatic. But we've learned how to heal from a lot of our traumas without healing from your trauma, it's hard to tell that story. And when you tell that story, it comes alive again. With that, I believe it's so important for our elders and our youth, especially like Peejay, myself and Maria. We are the 1.5 generation. I truly believe that we bridge these generation, you know, where we could relate to our younger folks. And then our elders, we still hold the tradition that they're used to. Telling our stories is bridging the experience, you know, bridging the past and the future with the present of our stories. For me, a lot of it is because when I grew up, I didn't have stories like this. I had to live it and made mistakes as I went. I didn't have somebody telling a story of how an immigrant could learn this culture. I did it all with mistakes that I've made and lessons that I've learned. And then passing it down. I mean, there's a lot of folks that are in my shoe. There's a lot of folks living the life that I live that still don't understand and still can't heal. And, you know, I'm just hoping that the shared experience could start a conversation of healing.   Peejay Ai: [00:07:44] Yeah, I think for me, sharing my story over and over again it is healing in some instances, and sometimes, you know, living, reliving trauma is very difficult. And I'm learning to like, do my work, you know, as an advocacy with APSE, and through my own experience through restorative justice practices that, sharing my story, it could be empowering for other people to share, right. I think I grew up. In this API community or silence, you know, and it's a shame to talk about, your experience, right, airing out your laundry, pretty much, you know, your personal experience could be very shameful but what that does, and I'm learning, like, you know, like, when you have trauma. and you don't talk about it, you know, you become silent. It's affects you, you know what I mean? It affects your life. It's affects your health. It affects your community and your family. So now as I'm reframing the way I look at my story is that I'm using as a tool and to share, so that other people could, could learn and know, but also feel empowered to share their story. You know, I think storytelling could be a very powerful thing for a community, right? Not just Bun have said, like provide healing, right. But. Also, I think like it provide teaching, you know, like when I hear my elder share their story, it teaches me  about my history, my culture, what they've been through, but also it also like reaffirmed that, I'm on the right track, you know, that healing could happen by watching, you know, my elder shed tears from their story by hearing their emotion and feeling their emotion and seeing it with my own eyes, you know? I think like storytelling is a very powerful tool for us and I think more people should tell their story because they have something to offer, you know, and I think we should always tell our stories. So, what's once was like a very difficult thing to do now become something that I know is very purposeful and empowering.   Miko Lee: [00:09:19] Thanks Peejay Maria. What about for you? How is it for you telling your story again and again?    Maria Legarde: [00:09:24] Sharing my story like I always get emotional. So, it's very hard for me, because I relive it, but I use it as a tool now, as it's a powerful tool, you know, going through it, sharing it, like it just happened yesterday. Because when I share my story, especially with the young women, it makes it real for them. To know that I've been there, like, I've been there too, I know it, I know what she's feeling. And, sharing it, what did I do, how did I do it. Painting the picture for them, not to traumatize them, but to show them how I got from not being able to speak about it. To talking about it to healing and then taking control over my life, and then becoming empowered by the struggles that I gone through all those years. It just didn't take me one year, took me 15, 20 years, even today, you know, so to share that I know that when I plant that seed, it's not because to traumatize them or to make them relive it. There's that collective power in it, the collective healing in it, that that's what got me to share my story in the first place. When I heard all the other women share it, I'm not alone. For the first time in my life when I heard it, I didn't feel alone. Because I knew somebody believed me. When the people that were supposed to believe me didn't believe me, they believed me. You know, so I, that's the gift that telling that story gives another, individual. That life, it's, pass it forward, you know, that's why I was so happy with the Me Too movement because it's a collective power within us. So like with Bun and with Peejay, the intergenerational healing from our, you know, the trauma within our family. Because of that, I know I can share it with my family and we start talking about it because they've seen me do it. Like how is that that young girl was able to talk to you like that? I was like, because she knew that I believed her. The moment she told me, she knew I believed her. it opens the door for healing in my family, in my community. So that's why I, today, I use that as a tool to bring people together, collective healing.    Miko Lee: [00:11:42] Storytelling as collective healing and being able to, be heard and open the door for other people to share their stories as well. Thank you so much for sharing about that. Kee Lam, I'm wondering if you could talk about the resilience it takes to tell your story again and again, what is that like for you   Ke Lam: [00:12:02] Each time I tell my story is almost like an awakening. It, is reliving a lot of that trauma, but it's also like reminding me of what I've been through and, and I'm still here. it's also for me is, Self love, being able to share it because I'm hoping that I can be an encourager to those who don't know how to share a story or who are afraid to share a story. And so when I, the reason I put myself out there all the time is like, who better to, Encourage somebody and somebody that's been through it all as well. when I help, you know, restore your justice circles, people told me the way through is through the fire. and it's not easy to share a story sometimes because it's so traumatic. But one thing that encouraged me all the time is when I see other people. And I see them when they share the story that there's like a burden that was taken off shoulders. I see the difference when somebody able to feel like they could release some of that harm that was put on them and find healing and then find, strength in a community that support them through their struggle. And so that's why I keep sharing my story because I believe that. it takes all of us to bring voice to the hurt and pain that we, we had throughout so much generations.    Miko Lee: [00:13:14] Thank you for sharing angela Davis talks about how prisons are meant to break human beings. I'm wondering how each of you. what tool you drawed on to stay strong while you are incarcerated and how different that is, like, what mental health support do you do now? Do you have a daily practice to stay resilient now? And did you have something different when you were locked up?   Chanthon Bun: [00:13:38] Yeah, that is so true. Prison is meant to break you. And there's many times while I was incarcerated for my 23 years that, I was fighting that, that don't break me. You know, I still had the fight in me. You're not going to break me. even during my long years in solitary, I just, there was something in me, like I say, there's some resilience in me that, innately told me, like, do not let them break you, you know, mentally, physically. but yeah, during my, the hardest time where I felt like, you know what, this, this is getting too hard for me, being isolated, not having human contact. And, you know, the only thing on my skin is concrete and, and metal. I often look back to. My grandparents, I often look back to their teachings, their lessons that they've shown me through the years when I was young. and sometime, I use my trauma, you know, I, grew up in the refugee camp. It was hard. I was starving there. and it's weird how like you use a bigger trauma. To cope with this trauma, you know, it's like, man, I, when I, when I was a kid, I had nothing to eat. So I lick salt, you know, . They gave me three meals a day. I think I'm doing better than I used to be. So it's like, it's it was kind of crazy way to, think about it. And, and I think because I had so much trauma as a child. It really helped me to be resilient when I was incarcerated. And like, it really helped me to empower myself. And then, and then it really helped me to think about what is resilient? at first I didn't even know what it meant. People tell me, I was like, yeah, whatever. It was just, Something I do, like when folks like, damn, you're so resilient, like, I've been like this all my life. I don't know. I don't know what the gauge of resilience you're giving me. I've always been a person like, I'll figure this out, you know, as long as I survive, I'll figure it out. So, if you let them, it will break you. You look deep inside you, and you look at your life, and just like me, a crazy way was, I've been through worse and I could do this too.    Miko Lee: [00:15:32] Before you get to you stay resilient now, Maria, I see you smiling a lot. I wonder if you want to respond to that. About prison breaking, meant to break human beings.   Maria Legarde: [00:15:43] I, I, because I agree with what Bun was saying, you know, it's like trauma on top of trauma on top of trauma. Which one's worse? There's really, like, is, this trauma is really worse than this trauma? Because I both came out of it, you know, so give me more. Is there anything more that you can give me, right? So it becomes a defensive mechanism for us. And Bun said, I didn't know what resilient means. too, when I was in prison, what does resilient mean? I said, I know English is my second language, but, , you know, I don't know what that meant for a human being to be resilient and what it embodies. So that's why I agreed. And I smile because, yep, we didn't know we were resilient because we've been fighting to survive. We've been fighting to just to live another day.   Miko Lee: [00:16:28] Peejay, what about you? How did you stay strong when you were locked up?    Peejay Ai: [00:16:32] There's many factors, right. But I think like one factor I share with Bun, like I grew up on the street. It was hard, you know, I grew up poor. I grew up on welfare. I grew up, you know, as a refugees, you know, coming to America, doesn't speak the language, was bullied, you know, was victim of school shooting to the point. Right. And like, there's. Certain things in my life that really, like, shaped me and, like, pushed me really hard. And so I knew I was different. I knew I was, like, you know, like, the deck is stacked against me. And so I think, like, experiencing it as a young person, I become numb to it. And so when I hit prison, and I went, you know, I went to Juvenile Hall, right? I went to Juvenile Hall. I went to the CYA. I went to prison. So as young person going through the prison system, I started to the lower level first and I can build resilience, you know, like teaching myself how to read, like learning, to accept hardship, right. Not being able to be isolated, not to be like in a cell locked up for many, you know, for many days, sometime many years or two, right. I think the one thing that really shaped my life the most is when I was in Solano State Prison. And I was just like, this was like new. I turned 18, they sent me from CYA. To Solano, and one night my mom came to visit me and, she was just so dumbfounded by like, what she hear about prison. And then she asked me, how am I doing with everything? And then I explained to her, like what the environment is like, and I didn't candy coat it for her, but I just explained it to her and she couldn't understand why people would continue to harm each other in prison. We're all in the same boat, you know, like we're all in the same boat, we're locked up away from our family, like, why are we not together helping each other out? Right? And then there's one thing she said was I stuck with me today. She said life is hard, you know what I mean? Like, and it could be harder, you know what you make of it, right? Like, you've got the choice to make it easier if you want to, like, Your circumstance were always going to be the same, right? But you have a choice to make it worse. And I'm sitting there like, man, that's just makes so much sense to me. You know, like, why are we making much harder on ourself? Right. so then I started looking at life much differently. I think her statement for me was at the moment I had, it's like, you know, things are hard, right, but I can always make it harder for myself and things could always be harder too, right? So why not enjoy You know, things that is around me and try to make a difference in my own self. Right.    So from that concept, I started developing resiliency. You know, I started, I looked at it, I started reframing life differently. Right. I started thinking about like, well, I don't have nothing to eat, you know, like doing lockdowns, I think about, yeah, well, people starving all over the world too, you know, like, you know, So it just kind of gave me strength, you know, as I learned to reframe my environment over and over again. And then I started to develop, like, start to like find opportunity to create better opportunity for myself. I went and got a job, you know, I worked in a kitchen and I fed myself and I, went to school and I got a, education and I started getting in the program. And so, you know, I started really thinking about like, How do I make my life better? You know, I call it my life, despite what I, you know, very little I have, I make the best of it. Right. So I think like that kind of echo out in my whole life until I got to the ICE detention center, you know, I'm reminded like, Oh, it's pretty bad down here. at that point, I'm like, I'm used to this already, you know, I'm used to reframing things to become positive, right? No matter how negative it is, you know, I try to find the best of it. Right. Conditioning through like hardship, hard time when I was a kid, all the way to my adulthood, even now, you know, like things get hard, with this new immigration policy and stuff, there's a lot of fear. I mean, I'm constantly reminded that I'm not alone, you know, I've built community throughout my life, I'm creating opportunity, for healing. And so I should focus on what I have that is positive versus what I don't have that is negative, you know, let's cherish the moment, you know, cherish my friendship, you know, cherish my opportunity, right. And my freedom and soul. So that grounds me, that reminded me that, can get better and it will get better. I just got to keep that faith alive and just keep hope alive and just keep moving, you know. When I go through prison and I survive all the hardship, it's grounded myself on knowing that, you know, like, people in the world have it so much worse, you know, and sometimes we have a choice to make things better for ourselves, but we have to choose to make it better, right? You can't focus on the bad things. Problem solving, you know, don't focus on a problem, like, let's focus on a solution. What can you do different right now to make it better?    Miko Lee: [00:20:11] Thanks Peejay key. I'm wondering how you were able to stay strong when you were incarcerated.   Ke Lam: [00:20:17] Wow. , at first when I first started, on my. Committed offense. I went through the whole system. I went to all one time. I went to juvenile hall, youth authority, county jail, prison and immigration all on one case. It took a while. living straight strictly on survival mode. It's almost no different than when I was growing up. My family moved around constantly and it was just either you survive or you become a victim. And I started off my early life being a victim and then I learned, how to normalize violence, growing up in a predominantly African American community. And that actually, sadly prepared me for my committed offense, be doing time inside. It wasn't easy. one thing I learned was not to be, you know, to be a tough guy. just go there, mind your business, do your time, be very observant. That's one thing that did help me a lot in life is being observant of what's going on around me, being conscious of what's going on around me. And the other thing is. Try not to take too much stuff personal, but it wasn't until I started going through self help classes that I became more in tune with learning about empathy, compassion, forgiveness, not just forgiving others and receiving forgiveness from others, but also learning how to forgive myself for a lot of the stuff that I allow myself to go through and the things that I've done to others. I think the other part of me was becoming really spiritually grounded was another big part of me was, I started out practicing Buddhism. My first, you know, my first stay for, like, 10 years of incarceration. then I converted to Christianity. no denomination because I don't believe in being a religious person. I believe in being spiritual. So a lot of people are like, what's your religion? I say, I don't have one, but I do believe in a higher power. I believe that, you know, we are spiritual being experiencing a human experience. so it's a mixture of what I learned in Buddhism and Christianity is learn to have compassion for everything around me, including myself, and part of that compassion the biggest part that actually helped me to prison was. one thing that I never got from my father and he never got from his father was a hug. So I start hugging guys, giving people hugs, guys, on a yard, you know, so nationality did not matter to me. you know, I didn't grow up. biased against a lot of different people. I learned to embrace a lot of different cultures. and then one thing by going through the self help classes, learning to connect with people on a human level, besides what t they believe in or what they look like. And so once I was able to do that, I started experiencing a lot of healing for myself and for them.    Ayame Keane-Lee: [00:22:50] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, 97.5 K248BR in Santa Cruz, 94.3 K232FZ in Monterey, and online worldwide at kpfa.org.   Miko Lee: [00:23:10] I'm wondering what each of you do, what is your personal, like mental health support that you do now to be able to stay, stay resilient, stay in there. Maybe you all have touched or feel like you've answered this already, or is there anything that you're doing differently now in your daily practice?   Maria Legarde: [00:23:26] Do want to share something real quick, Miko, going back the quote, right? That prison is meant to break us. I was already broken when I went to prison. There's nothing more that they can break me. That's why I said it, like, give it to me more. What else can you give me? Because I'm already broken. You took everything from me. You know, everything was taken from me. What more can you do to break me? But then, you know, with my journey, faith as being my foundation, right, I believe that once, God gives you that second chance, right, for me. What do I want to make? With this chance, who do I want to be? So like a phoenix, you know, rise from the ashes, right? And so I utilized that and it didn't take just one year, right? Took me in that journey. That throughout that 14 years to be who I am today. So I took that broken pieces of me and put it in a puzzle and made it into this beautiful product today, right? So my mental health, my wellbeing, emotionally, mentally, I always go back to my faith. Because it's what saved me from when I got to prison. So when everything else is in chaos, I go back into that place. Go to my place within me that I can just be at peace. And meditate, listen to my music, be one in nature, so that's my go to. And it helps when I know I have people, like my beautiful family here. it helps when I know that I don't have to tell them. They can hear it from my voice and say, it's gonna be okay, Maria. So that's the kind of care. Without even having to say it, they just know. And that's more effective than anything else.    Miko Lee: [00:25:16] Thanks, Maria. Peejay, you were going to add?    Peejay Ai: [00:25:19] Yeah, so one of the things that I adopted for myself when I was in prison is that I was heavily involved with the Native American spiritual circle, you know, because of my kind of Cambodian Background before Buddhism came through, we were indigenous, right? And so through my indigenous side of sharing with the Native American cultural there, they found a lot of similarity to us people, right? And so I was fortunate to be invited to join the spiritual circle, did ceremony with them. And so a lot of the spiritual practices that I have done with them, like, for example, like this sweat lodge ceremony, which are often used for healing or prayers. stay connected with the earth, stay connected with your creators, stay connected with the higher power and also like have an opportunity to pray for your family and do some healing and cleansing for yourself. So I still practice that today and sometime when I feel out of balance, when I feel like, you know, a lot's going on and things are heavy and just stuff out of control and I need to find that balance again. You know, I go to ceremony, I go to ceremony here, here when I'm in the lodge. you know, it's pitch black, the sweat leader brings in the stone that just represent grandfather, and your elders and when he poured a water on top of the stone and it's pitch black, the steam comes out, you know, reminding me of like grandfather's breath, right. The creator's breath. And, you know, like that. And like being a sauna, people think about it being a sauna, like it washes away a lot of like toxins out of my body. It just, it washes away a lot of the hardship I've experienced as I leave it into the fire, you know, leave it into the steam and allow myself some time to like disconnect from the world around me and just reconnect with myself, you know, what am I experiencing at that moment, my breath, my pores opening, my heartbeat, you know, and, sometime, you know, people who are in the sweat lodge sing traditional songs and the sound of the drum. , And it wakes up my spirit, and it reminds me of who I am, where I came from, where I'm going. Yeah, and when I come out of the sweat lodge, I always feel like renewed, I feel energetic. I feel like I've been reborn again, right? And that helped me stay grounded on a very physical, spiritual, and emotional level. I think the other piece is that as I'm going through life, I'm celebrating it by, like, with family members, with a long walk with my family. Well, my, my dog, also help, just kind of like putting things in perspective, right. I found moments to do like me time, sometime yoga, even, you know, I, you know, the other day I did silver sneaker, because some of my elders like to do silver sneaker. . And that was like, very, powerful moment, right. And I feel like I guess it's like what I'm learning is that, Those moments help me connect with myself. And sometimes that's the thing that I need to do most when things are hard. sometimes working and responding to crisis disconnect me from myself and then when I start to refocus on myself, I realize where I need to be. then I feel empowered take the next step. That's what keeps me going. Be aware of connecting with myself more often, right? You know, I because sometimes it's easy to forget that I matters and forget myself.    Miko Lee: [00:27:59] Thank you for sharing. It's really easy to get disconnect, disconnected in our world right now. So many things are hitting at us constantly. Ke. What about you? What are ways that you stay resilient?   Ke Lam: [00:28:10] I think for one is definitely take a lot of deep breath is grounding myself is definitely one thing. It's so easy to get caught up in all the chaos around us, you know, hearing all the raids and pick up and who works, who works with ice. It is, it's really, it's depressing and it causes a lot of anxiety. One of the things I do besides breathing is I have wind therapy, wind therapy. I just learned what wind therapy is actually just riding my motorcycle, just going out there and just, you know, pick a location, just go, right? no plan. Just, just go. And most of the time I just go by myself. so I ride my ride. I zone out, play my music and I go, other things. I really, I actually been doing a lot lately is sitting with my dog and Just sitting there in peace and just quiet, just hanging out with my dog. Cause I lost my other one in October. And so the one I have now, I just meet her, just chill at the, on the sofa. I mean, on the ground, sofa on the floor, and sometimes we just go for long walks and just, don't have to talk. you know, just being present and grounded with earth and with the environment around me. and then other thing is, you Just stay connected with family and community. you know, being able to slowly share like what's going on while I'm feeling inside and outside. It's been helpful.   Miko Lee: [00:29:22] Thank you. I think we all need as many resources as we can to find ways to stay connected to ourselves and our community right now. , I'm wondering both. Peejay and Ke, , touched on the fact that you have been involved in the like bad education to incarceration as a youth into adult incarceration and now potential deportation. Can you all give a breakdown about what crimmigration is and why it is important for people to know about it?   Chanthon Bun: [00:29:50] Crimmigration is, my simplest definition of crimmigration is double punishment. crimmigration is for folks that come here legally with papers, but then because of the IIRA IRA law of 1996 that states that any crime of moral sopropo you could be deported after you serve your time so you have to serve your whole sentence pay back to society what they say you got to pay back to society serve your sentence and after that deal with deportation consequences and that's another question that we're going through today Right with this new administration is who deserve to stay in who doesn't and right now it's so Convoluted where where you know, every day we're getting new explanation who stays who goes who stays who goes and everybody talk about the law, it's the law this, it's the law that, the law says this, and they interpret the way they want to interpret it. But nobody that's in power is talking about the family, nobody's talking about the person, nobody's looking into the person like, you know, a country of second chances, nobody talks about that, like yeah, there are criminals. send them out But we have folks that have served long term, like all four of us and we healed ourselves. we went to a parole board, the state of California, the governor approved that. We are no longer a threat to our community, our society, and also an asset to our community and society, right? But after that, immigration comes in like, we don't even care. We just know you were arrested for this and this. And it's time for you to go. And for a lot of our Southeast Asian families, that's a hard thing to wait for your family member for 20, 30 years, and then get deported for life. And I only say that is because We suffer a lot of displacement. We suffer a lot of family separation. a lot of us are the ones that were saved during the genocide, during the war, the ones that survived. and then, this country doesn't look at our history. Right. and our history is sold like you are blessed to have a second chance to come to this country and make something of yourself. Right. And that's a totally blank statement. But then reality was, we came here with nothing. We came here with a lot of trauma, and we were just placed here with no explanation, no nothing. struggling to survive, struggling to understand this country. a lot of us like myself, fall into the criminal system. And we had, paid for what we've done. we've served our time and now to turn around our parents that are elderly now saying goodbye to them again. And, oh, that's a misstatement saying goodbye. They don't even let us say goodbye. You know, it's not like, oh yeah, say goodbye to, no, you got to go. And the way it's done is so cruelly done that, nobody ever think of the human. Nobody ever thinks of the heartbreaks, nothing. And right now, all I hear is the law says so. So we are a country of law, right? But we are human too.   Miko Lee: [00:32:56] Thanks for that rundown on criminalization. Peejay, do you want to add.   Peejay Ai: [00:32:59] Yeah, I think about, like, when I hear crimmigration, I think of, like, my own experience, you know, like, going through the pipeline list. I'm learning, like, there's a pipeline. You know, between the criminal justice system to the immigration system in the criminal justice system, a legal system, you know, like for me, when I came to United States, we settled in a very poverish, violent, crazy community. Right. there was not a lot of resources, you know, and then there's like a lot of gangs, a lot of like bias, racism was happening at the time. This is the time, like the war on drugs, tough on crime policy, it was out, and the prison boom. Right. Right. And so for me, I think like the lack of education, the lack of support was already like a prelude to my incarceration. Like there was a pipeline or established that one, one of these days, I'm going to be in prison because of all those X, Y, Z reason. And I'm not the only one. I think like that's pipeline created, you know, hardship for a lot of people, and then, for many Southeast Asian community end up in prison because of like, Dealing with trauma, you know, like we didn't have the resources to deal with a trauma, you know, it comes out in crimes comes out in gangs, it comes out and, you know, like adapting to environment by, being part of all this negative stuff. Right. And, you know, in a prison system. And, you know, unfortunately, a lot of us in being raised in prison, you know, learning about the prison system, through our lived experience, I have to suffer through it. Right.    And I think like what Bun said, you know, like, for Southeast Asian community. You know, being in prison system is just the first step, like surviving your environment, your resettlement is one thing, right? And then end up in a prison system is another step, right? And then the other step is that you end up in an ICE dentention center, simply not because of like what you did, it is who you are, like you were born with, you were born Asian or you were born an Islander, you were born, you know, API, right? And you have the immigration hole on you. And so they try to punish you again because of that very reason, you know, like if I was an American citizen. And I served my time, changed my life. I will be home. Right. I can give back to my community. I reconnect with my family. But for, you know, for API community, that's not always the case. You know, like where are you pre preset that, you know, like after prison, you're going to go into the immigration system and that's where you're going to take your next step, your journey. Right. And then after you, if you were to survive the immigration system, we will deport you, you know, and we'll separate you from your family again. And often like stuff that makes sense, like Cambodian, for example, and this is true for Laos, Vietnamese, Hmong, and a lot of other Southeast Asian communities, right? Like we were refugees, you know, we came to this country, you know, as kids. So we're not even born in the country that we left, you know, like I, I was never born in Cambodia. My mom left Cambodia during a genocide and I was born in Thai. So then I was in, they were trying to deport me to Cambodia to a country I'd never been to. I wasn't even born there, you know, so it didn't make no sense, right? But I feel like this, when I think about like crimmigration it's a pipeline, you know, it's a pipeline that it's very biased, it treats us very differently. if you're API, then you're out of luck, if you're API, you will be out of luck, you know, like you'd be treated differently. Right. and I, and I don't think that's a right system because it's the exact opposite of what the American society is supposed to stand for. Right. You know, especially like California, and you're like, we're a very liberal community, right? Like, we're a state that just, support, ideally, immigrants and all ethnic background. But then we treat people so differently, And not because of what I did, just simply because who I am.   Miko Lee: [00:35:54] Ke can you talk about the APSC4? What your campaign is about.   Ke Lam: [00:35:58] APSC4 is a campaign to save half of the staff from deportation back to a country that they have no ties to, , for me is Vietnam for Peejay and Bun it's Cambodia and Maria to the Philippines. It's basically trying to say, you know, we're not the same, like people that served time and got released are considered, I consider is redeemed, we changed our lives, we made restoration for the harms that we've done, and we're giving back to the community, and we're showing that people with a second chance can make society greater. And by deporting APSC4, deporting people like us, you're taking valuable resources from the community. People that understand the struggle and, the hardship that's going on in our community. So we're bringing voice to the voiceless. We're bringing, light to those that are still in the dark. And the other thing, the biggest part of APSC4 is we're hopeful for a lot of folks that are, not just impacted people, but for families. If APSC4 is able to get a part in, we're showing the community that when we fight, we win. That together, we can not just save APSC4, but we can actually save our community. I think that's one of the biggest mission of why we urge Gavin Newsom to pardon APSC4 is that way that we can show that not only are people that committed crime, not their crime, because so easy to label somebody that committed crime. You know, as that thing, right? , but we're not, I think that's the biggest part for me for APSC4 and I'd like to hear what Maria had to say on   Maria Legarde: [00:37:24] So much going through my head. APSC4 you know, we make up half of the staff for APSC, right? We represent the community that APSC serves. We're directly impacted. We've been through immigration. We, you know, with our family reunification. APSC4 is the bridge between the people that are inside fighting for their freedom, what freedom looks like out here, how, when they're out here, how they can bridge that gap in their community, how they can bridge that gap with their family, how can they start over by, you know, having a solid reintegration into a community that's gonna be supportive of their success. Because they were given second chances, who they were when they were 20 years ago are different people today. And I think, you know, with Nia, with Danny, right, they received pardons from Governor Newsom, you know, and it was during that time, too, when all the immigrants were at risk. And so for us, APSC4, It would really be, a loss in the community because we bridged that gap, Miko. Like, when I first came home, Ke was my bridge. I was in LA, right? People didn't know it, what to do for folks. immigrants coming home on parole. But we bridged it. Now LA knows what to do. LA knows where to start because Ke bridged that gap between local DMV, and head, Sacramento DMV. You know, that's what community work and that's what APSC4 is. We were the bridge, literally the bridge from our folks inside, to our community out here, to our elected officials that you invested in programs to rehabilitate us, to spend money on those rehabilitation, those fundings, and now that we're here, you're allowing you know, allowing an administration, like for your investment to just, what, go down the drain, because really that's what it is. Only because we weren't born here, only because of what we were dealt with at the time when we were facing challenges we didn't know how to, but now we have all the tools and we've proven that we've held our community, because our community has spoken for us. You know, ask Governor Newsom to please pardon the community members that are coming home that are all at risk of deportation and it's not just APSC4. very much. But we are being the voice for those that don't know how to advocate for themselves. We're showing them, look, we're putting ourselves out here. Because we know the value that we hold today. And our community believes in us. And with their support, hopefully, Newsome hears that, you know, changes his mind, I don't know. Do within his executive authority to save those people that are working in his vulnerable communities, in his marginalized communities, that are thriving, helping those communities thrive. And we are part of that. And we're hoping that he does it in a manner where, because it's imminent, we don't know when we get to talk to our community members again, to you, to have this discussion again, and so that's what APSC4 campaign is about.   Miko Lee: [00:40:50] And folks can find out more about the APSC campaign on their website, Asian Prisoner Support Committee, and we'll also post it on the Apex Express website. And folks can meet all of these amazing guests in person at an event that's happening February 28th from 6 to 8PM at Edge on the Square in San Francisco, Chinatown, where we will be hosting the reading from the book arriving. Can one of you talk about and and the other exciting thing about that is at that event, there's actually a zine. That's based on Maria's life story called when we were girls, that they'll be able to meet Maria and actually walk away with the zine. That's for people to take people can make a donation to actually receive the book. Can one of you talk about the book and what that experience was like working on the book and about what this event is coming up at the end of February.    Chanthon Bun: [00:41:40] Arriving is our second anthology. the first anthology was called The Others. So, Arriving is a collaboration of incarcerated writers. I'm an artist in that book also. it was, it's just stories. of folks that are incarcerated, API folks that are incarcerated, expressing, poems, expressing their trauma, expressing their live experience, expressing what it felt like to be API at a certain moment. in time with, immigration, with, coming to, uh, this country, acculturation, you know, we have, many different writers that, that collaborated with us. when I read certain, certain, writers, And they're telling my story. They're telling all our stories. So, if you guys can, check out, check out the second anthology, Arrival.   Miko Lee: [00:42:30] So we are recording this on the last day of January, 2025. And already in just a couple of weeks, our political system is in tumult based on Trump 2.0 policy. Can you talk a little bit about how, and I know the policy is changing daily. I mean, every day it's this onslaught, but from what you know right now, how has this impacted your community?   Chanthon Bun: [00:42:54] The community is in fear. All day today I was driving around going to meetings, but getting phone calls right in the middle. What's happening? What's going on? I heard and there's a lot of rumors. There's a lot of fear out there and folks are catching up to rumors and, you know, our folks like, hey, they're deporting us. Should I run? Should I stay? Should I check in? Should I check in with my family? Should I move out for a while? And it's just a lot of fear. The sad thing is they're calling me and they're probably calling everybody from APSC. because we have a wide connection with our former incarcerated folks and folks that are under, final removal order. The hard thing is, Like what you said, I tell him the same thing. Like I know it's fear. We have a lot of fear in our community. I know we're all worried. for the kids, for the family. And I can't give you no answers because it's changing every day. I wake up, I look at the news is something else new. There's something there. There's something there. And every day since the inauguration, it's just. hits our community and living with fear is such a mental breakdown. I had one guy, call me a friend of mine. He says, I do a door dash and I see them everywhere. What do I do? Like, I see them everywhere I'm living at. I see them in the corners. I see them eating in the restaurant. And, you know, I have to go pick up food there to drop off. and you know, the only thing I could really say, and it's not even something that, could calm them. It was like, be careful, you know, be aware. I mean, it's hard. I know it's hard, a heart advice but I myself is living in that same fear. being aware, but still trying to uplift our community in times like this. I mean, this is not going to be the first or last time that our community are in fear. It's happened before and we'll get through it. You know, with our community strength, we'll get through it. And the hard thing is, some of us won't get through it. Some of us will be deported. But somehow, as a community, we have to stand strong together. We have to just brace this. And, hopefully, it'll end soon.    Ke Lam: [00:44:57] Yeah, my biggest concern with what's going on right now is when community, fight each other like good immigrant versus bad immigrants. you know, how to stay away from that narrative, right? how not to pit each other against each other. So I think that's one of the things we seen on the first administration. and now with the second administration, especially when he's talking about going a little harder on it. I worry that, you know, family will. Start separating within each other. And, you know, with the, political views, certain family members who support Trump, who doesn't support Trump other part of the population I'm afraid of is those that are remaining silence. Those are that are hiding in the shadows. Right. Because they think by being invisible, they're that, that they'd be safe when in reality they're not. And so like, that's what caused, that's what's going on with this new mission. It causes people to hide and by hiding, by being siloed, that they become more vulnerable. And then I asked that community don't become like that. It's like the shame culture in our, you know, in our generation, the Southeast Asian, where we don't talk about nothing. Right. And that's actually not really productive for healing at all. That's actually the perpetuation of trauma. And so like we need to talk about crimmigration, criminal justice, we need to talk about social reform. Even something as simple as like, did you vote. That are who are able to vote like you need to vote. And don't complain about what's going on if you didn't vote. And so that's a hard conversation with our families, that I have with my family. You know, when they complain, I say, did you vote? No? Well, you got nothing to complain about. Right? But the other thing is, I think the other word that popped in my mind is proximity. How do we get our, people. To come close to the problem and to talk about it. We're all close to the problem, but we don't talk about it. And so like, you know, hopefully people like formerly incarcerated people, like APSC4, we're making that difference. We're bringing voice to our community that don't want to talk about it. Even our community that fight against us and tell us not to remain silent. Like we're like, no, like my family tell me, don't talk about it. Like, I'm like, I'm going to talk about it. You know, either you're with me or not, regardless, I'm gonna talk about it because we need to talk about we need to, we need to heal from all this trauma.   Miko Lee: [00:46:58] Thanks, Ke. Maria, what are your thoughts on how this new administration is impacting your population?    Maria Legarde: [00:47:05] Well, he succeeded in creating that climate of fear. That he wanted to, you know, that's the one thing that he did, but like yesterday I was with a group of community members up here in the Central Valley, and, we were talking about how, you know, when I was growing up, 1986, it's a revolution in the Philippines, when the church and the state, you know, it's always separated, right? But it was that one time. That the church and the state stood together to overthrow a dictator. And if it happened in history once, right, I, there's that hope. And so for my Filipino community that are in fear of what's going on in Trump 0, especially the ones in SoCal, know, knowing their rights and everything that we've talked about for the last week already, right? It's good to know those things, creating that space for them to talk is what my family is helping with others too. So here, my husband and my mom at work, like this is what needs to be done. You know, this is what needs to be done. There's a lot of our Hispanic over there, in the community, and this is what you need to tell them, translate it, so we know what we need to do, so it's our job to, disseminate the information and show them how it's done, so for our Filipino folks, It was actually, you know, my family, some of my family members that gave me a call. It's like, okay, so what do we do again? You know, I said, I'm going to send you some red cards in the mail if not printed. Like, well, I don't have a printer. So just doing my part to make sure that my family is well equipped, their family, their community, wherever they're at. It helps alleviate that fear. And I always tell them like, Yeah, sometimes it would creep in. And when it does happen to me, Bun knows, I go to Bun, I go to my mom, I go to my brother, I cry if I have to, because I just need to release it. And I tell them, just do it! If you need to yell, yell! But, you already succeeded. Then what? But like you said, you know, the laws are changing every day. And so, you earned it. Then fight for it. And when you fight for it, did things happen because you're in this fight and you don't give up and that's what resilient people are. Immigrants are resilient. We're the backbone of the economy. I mean, if they don't know that by now, I don't know what world they're living in or what planet they're living in, because we're showing them that we are the backbone of the economy. You know, and without the hardworking immigrants, would America be really that great? Because we add to that greatness.    Miko Lee: [00:49:26] Thanks, Maria. Peejay, what are your thoughts on Trump 2.0 and the impact on the community?   Peejay Ai: [00:49:31] I think it's terrorism, right? For me, I think, like, when I think about Trump 2.0, I mean, like, there's a lot of stuff on the news about, Trump using anti terrorism, sentiment, to try to scare people into passing all these bills and justifying, treating other people as terrorism, but I think, like, we live here, like, we are being terrorized right now, by the whole Trump 2. 0 process, by, like, separating people from their family, creating fear, attacking people at their home, like, all those are, like, Formal terrorism, you know, I think to me is like, how do you treat human being that way? You know, and, I can't believe that's the best option that you could think of. Of how to solve whatever immigration problem that they feel like they're having, but yeah, I think this is a way to like create separation between community, right? You're pitting people against each other. Like you said, you know, like when people live.   Miko Lee: [00:50:11] in a classic divide and conquer mode.   Peejay Ai: [00:50:14] divide and conquer. Yeah. And I don't think it's fair, you know, I don't think anyone have a right to treat human being that way, you know? create more trauma and justify it as the right thing to do. Cause I don't think, creating that kind of pain. I mean, it's human right. You know, but you're violating, human right. And even the constitution of being violated and that, and people think it's okay that is happening, you know, so if, if, and the constitution are created to safeguard people, right. Safeguard United States the citizen. Right. So if you can't even honor your own constitution, how do you know anyone here is safe? I think we're creating. A lot of damage, right? I think this administration is creating a lot of damage in this policy. And I think, I don't think we're going to recover from it. And people is going to wake up one day and realize that the people they care about is no longer there. And it's going to be too late to be sad because, you know, they're gone, right? and I think people should do something about it. You know, now we have a chance to come together as a community and fight back, you know, and keep each other safe and show the world like what community can do for each other, what it means to each other, right? And I'm, I'm sad, you know, I'm really sad. I have a lot of fear for myself, for my, brothers and sisters, APSE four, and I'm very sad for my community around me and the client that I serve, you know, I think it's tragic. And we're now, At this stage, you know, being in America, I mean, like, that's just insane to me. yeah, I think terrorism has a very crazy definition and I think, you know, if you unpack it, you can see it happening in this, with the way people are being treated right now, from this whole process.   Miko Lee: [00:51:28] Feel like we all need what Ke's saying, take a breath and, lean into the resilience we were talking about earlier. This is why I was asking you questions. You all are some of the strongest people I know, like how do we keep the strength? How do we continue on? I want to move us toward my last question for all of you, which is around a liberatory future and what does it look like? Dr. Bettina Love, who, as you all know, is an amazing teacher around abolitionism, talks about how abolitionist teaching is not just about tearing down and building up, but also about the joy necessary to be in solidarity with others. Knowing that your struggle for freedom is constant, but that there is beauty in the camaraderie of creating a just world. So my question for us to leave in a dreamy note, is what is your dream of a liberatory future? What does that look like for you?   Chanthon Bun: [00:52:22] I'm a father, grandfather. For me, a liberatory future is folks could just live with their family happy. Thank you. You know, we have the worries of, making money and all that, but beside all that, just having the breath to share with your, your family, you know, the feeling of true freedom, right? Like, I don't even know how that looks like or how it feels. Cause haven't got there yet, but there's moments when I spend with my kids and my grandkids. So I want that moment to be longer.   Miko Lee: [00:52:52] Thanks, Bun. Anybody else have their dream of a liberatory future?   Ke Lam: [00:52:57] For me, a future is where there is no us versus them. There is a place where community could come together, break bread, despite different languages. and then part of that is, where members of community that has been a silo for so long can actually come to, to ask for help. You know, there's no fear to, right now I have a friend who's so afraid to ask for help and in the shadow, because a part of it is also a liberatory future. It's like, Not carrying on the shame of the past, breaking a lot of those intergenerational trauma. All right, where it's, you know, it doesn't matter if you've been convicted of a crime, if you're a refugee, if you're darks complected, or you're like completed, there's like no biases in a laboratory future where we share in each other's wealth and happiness. your happiness is my happiness. And there's no need to like, I need to have what you have to be on the same status like it's like no social class, like, there is none. We're all equal. You know, we all have universal health care and, and education, and it's just, and universal childcare as well. We definitely need that because it's so expensive, but it just, it just, for me, it's a place where it's like a utopia, a liberatory future. It's like a dream. Right. And I think, A liberatory future is like one win at a time, but not just one small one, but big wins.   Miko Lee: [00:54:20] Thanks, Key. Peejay, what are your thoughts?   Peejay Ai: [00:54:23] I just want to not live in fear. you know I've Live in fear since the day I was born, and I continue to live in fear to today. And I feel that journey has not ended for me and my family. You know, fear from being murdered and fear from genocide, fear of incarceration, fear of family separation. You know, I haven't had, I have not had a stable life. You know, until today, I'm still living in limbo, right? I was born into it. And so for me, it's just not simple, you know, like I just want what any kid wants, you know, in a family, you know, to be loved, to feel safe, to be accepted. And to be with my family, that's really all I want, you know, just to be a normal kid, to be a normal person with a normal life without having to be afraid all the time.   Miko Lee: [00:55:01] Thanks, Peejay. Maria, what are your thoughts on what does a liberatory future look like?    Maria Legarde: [00:55:06] Think for me, like, everyone shared, you know, what the future looks like. one thing is that not have, not looking behind me or, you know, just walking, enjoying a walk out there without having to fear that is somebody going to come out of that corner. want a future where, you know, finally I'm at a place in my life where I'm able to make Decisions, good rational decisions I'm able to take care of myself, my family, my loved ones, my community, I'm able to give back more than I thought I could, you know, and I'm living that life where I can actually make a difference. You know, who would have thought little old me? Is going to be able to make a difference in people's lives. I just want to be able to continue that and love, you know, and share that love and joy and with everybody. And that's the kind of future like what he said, you know, the kind of future where everybody would have the help that they need. If they need someone, they can go to the next person without having to fear if they're going to get be judged or treated differently because of the color of their skin. Or because of the way they talk or because of the way they look, you know, I just want that kind of future where we can all be happy, and life is full of challenges, but I want that future that we, I know that we can all depend on each other and grow together. That's the kind of future that I want.    Miko Lee: [00:56:27] Thank you so much to the APSC4 Peejay, Maria, Bun, and Ke for sharing your stories, your fight, your leadership, your advocacy, and also what does a liberatory future look like, which is just living without fear, being able to be with our families, being able to celebrate and take joy in beloved community, and not to have to worry, but just breathe and be with each other. I really appreciate y'all and all the work that you're doing and encouraging our big community to come out and celebrate February 28th at Edge on the Square in San Francisco, Chinatown. Thanks, y'all. Please check out our website, kpfa.org. To find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.    The post APEX Express – 2.6.25 – Arriving: APSC4 Part I appeared first on KPFA.

In this episode, the duo discuss Jared's "Executive Producer" role in his secret bowling show project, rumored "leaked" specs for Canon's supposed upcoming APS-C camera that's quite "stacked," Fuji's new Evo WIDE hybrid Instax camera & much more! Text us with any thoughts and questions regarding this episode at 313-710-9729. This is RAWtalk Episode 136!

Well, 2024 has certainly come and gone in a flash, meaning it's time once again for us to reflect on new photo offerings in our annual Cameras of the Year episode, now renamed Photo Gear of the Year. Featured in our discussion are new releases from Canon, FUJIFILM, Leica, Mint, Nikon, OM SYSTEM, Panasonic, Ricoh Pentax, and Sony. In the words of our recurring guest, Kevin Rickert, B&H's Senior Sales Trainer for Photography and Lighting, “Everything old is new again” at least when it comes to this year's most sought-after camera releases. A penchant for pocketable, fixed lens cameras led us to organize our camera offerings by type rather than in an alphabetical laundry list. Along with debating the current craze for “the digicam look,” we consider whether manufacturers will respond to consumers' increasing appetite for midrange point and shoots. After the break, we shift to the newest crop of flagship cameras that are built for speed, while also discussing notable updates to other new releases. We also shed light on the essential role served by firmware updates, both in trimming a new camera's time to market and allowing you to get more out of the camera you already have. As Kevin points out, “It's an important part of having a camera. Much like if you have a car, you need to get oil changes.” We wrap things up with some predictions for 2025, including Kevin's hopes for a continued resurgence of point and shoot models, plus some intriguing new photo accessories that caught his eye this year. Stay to the end to learn about the inventive new Fjordan camera control for the iPhone, recently acquired by Leica. Guest: Kevin Rickert Episode Timeline 2:30: Kevin Rickert's role as a B&H sales trainer for photography and lighting. 9:34: What camera stood out the most this year: FUJIFILM X100VI 18:02: Ricoh GR III HDF / Ricoh GR IIIx 20:00: Nostalgia for midrange point and shoots and the digicam look 29:36: Leica D-Lux 8 31:42: Leica Q3 43 35:52: Fujifilm X-T50 (a baby Fujifilm X-T5) 37:30: Fujifilm X-M5 41:54: Pentax 17 48:52: Mint Camera Rollei 35AF   51:17: Episode break   52:22: Canon EOS R1 55:50: Sony a1 II 59:31: OM SYSTEM OM-1 Mark II 1:02:35: Nikon Z6 III 1:05:48: Canon EOS R5 Mark II 1:14:40: Leica SL III 1:17:55: FUJIFILM GFX 100 SII 1:20:31: Nikon Z 50 II 1:21:28: Sony ZV-E10 II 1:23:19: Panasonic Lumix S9 1:27:19: Kevin's predictions for 2025 1:33:36: Peakto Image Management Software 1:35:06: Capture One 16.5 with Match Look 1:35:49: Fjordan iPhone camera grip   Guest Bio: Kevin Rickert is B&H Photo's Senior Sales Trainer for Photography and Lighting. It's Kevin's job to keep in touch with camera and lens manufacturers and get details about all the latest releases and updates. His role is to make sure the world-renowned B&H staff has all the information to answer your who, what, why, and other questions that you may ask, so they can satisfy all your wants and needs. Born and raised in New York, Kevin is an intrepid street photographer, an avid traveler, and a baseball fan with 22 years in electronic retail, the last 10 of which have been spent as a sales trainer at B&H.   Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photography Podcast landing page: https://www.bhphotovideo.com/explora/podcasts B&H Photography Podcast on B&H Photo's YouTube channel: https://www.youtube.com/@BandH/podcasts B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353 B&H Photo Video Instagram: https://www.instagram.com/bhphoto B&H Photo Video Twitter: https://twitter.com/bhphoto Micro 4/3rds YouTube video link: https://www.youtube.com/watch?v=m072i-jDSg4 Peakto Image Management Software: https://cyme.io/peakto-photo-organizer-software/ Fjordan iPhone Camera Grip: https://shop.fjorden.co/en-us/pages/about

If you're a wildlife or birding photographer, you know the magic of capturing rare encounters from afar. Get an OM-1 Mark II, a 150-600mm F5.0-6.3 IS, the MC-20 2x Teleconverter, and the HLD-10 Battery Grip for just $4,499.96 – that's a savings of $1,380! Don't miss out! This amazing offer expires on January 5, 2025! Discover more at http://explore.omsystem.com/petapixel or at your local OM SYSTEM retailer. -- Do you ever get tired of manually organizing, searching for, tagging, and culling your images? We do, too - and that's where Excire can help! To purchase an Excire lifetime license or to download a 14-day free trial, visit www.excire.com/en/shop! PetaPixel viewers can receive 15% off their purchase with the special discount code PETAPIXEL. -- We are proud to announce the results of the fourth-annual PetaPixel Awards where we are able to honor the best new photography products released in the last year. 2024 was a heck of a year for photography and the results showed that: it was the closest batch of voting in the awards' history. Support Chris and Jordan directly with a PetaPixel Membership and check out PetaPixel Merch. We use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe. -- In This Episode: 00:00 - Into (explaining all our upcoming gear shows) 08:24 - Samyang announced a new 35mm f/1.4 P lens (and brought a 12mm f/2 lens to Canon RF mount APS-C) 13:22 - Microsoft discontinues the Surface Studio 2+ 18:48 - Canon USA brought back Rudy Winston 21:07 - The PetaPixel Awards (About, Methodology, Categories) 26:00 - Accessory of the Year 29:27 - Desktop Software of the Year 21:11 - Smartphone App of the Year 33:51 - Computer of the Year 35:18 - Smartphone of the Year 41:13 - Zoom Lens of the Year 47:36 - Prime Lens of the Year 56:48 - Camera of the Year, People's Choice Award 59:47 - Camera of the Year 1:07:36 - Photo Company of the Year 1:09:51 - What have you been up to? 1:12:14 - Tech Support 1:29:56 - Feel good story of the week

Welcome to the Visual Storytelling podcast. Let's discuss the best lens for taking portraits on an APS-C sensor camera. Today's episode comes by way of a question I was asked, so I thought I would provide my answer on the podcast as I'm sure the person asking the question, is probably not the only person wondering the same thing. I love answering your photography related questions, so if you have anything you would like answered or discussed, then ask away and I'll do my utmost to provide you with a to the point response that will hopefully not only answer your question, but offer you clarity as well.  You can leave a question here on the podcast or contact me through either X or Threads @GaryFernon. Don't forget to follow the podcast  so as not to miss out on, not only new episodes, but catch up on previous episodes you may have missed, or simply wish to listen to again. It genuinely does make a difference. Until next time,  Be Creative. Be Inspired. Be You. https://linktr.ee/garyfernon Social Handles Threads - GaryFernon X - GaryFernon Li - https://www.linkedin.com/in/gary-fernon/ YT - https://www.youtube.com/garyfernon

The Australian Public Service Commission has released the findings of its Centralised Code of Conduct Inquiry into Robodebt.Outro grab from The West Wing, Season 3, Episode 10.Now for some appropriately bureaucratic disclaimers....Those of us in the employ of the State Government speak in a strictly personal capacity, consistent with the Public Sector Code of Ethics that permits public servants to promote an outcome in relation to an issue of public interest - in this case, the betterment of the public service.Nothing we say should be taken as representing the views of the Government or our employers.While we have tried to be as thorough in our research as busy full time jobs and lives allow, we definitely don't guarantee that we've got all the details right.If you want rigorous reporting on Robodebt, we recommend the work of Rick Morton at the Saturday Paper, Chris Knaus and Luke Henriques-Gomes at the Guardian, Ben Eltham at Crikey, Julian Bajkowski at The Mandarin, and of course, the Robodebt Royal Commission itself.Please feel free to email us corrections, episode suggestions, or anything else, at thewestminstertraditionpod@gmail.com.Thanks to PanPot audio for our intro and outro music. 'Til next time!

Puntata 170 - Meglio una full frame in modalità crop o una aps-c?Prendo spunto da una domanda letta in un gruppo Facebook, dove una persona chiedeva come mai tanti preferissero scattare la fotografia di avifauna con delle full frame in modalità crop, quindi con una perdita di megapixel, e non direttamente con una aps-c? Ci sono tante ragioni e io ho provato a riassumervele, la qualità d'immagine non è l'unico fattore...Aspetto le vostre domande e i vostri feedback. Buona luce a tutti!*******************************************I MIEI LINK:Cliccate qui per sostenere con un piccolo contributo economico alle spese del podcast e ottenere dei benefici esclusivi: PatreonEmail: andreageymet@gmail.com (da usare anche per un contributo con PayPal)Portfolio:https://andreageymet.myportfolio.compeopleofindia.myportfolio.comInstagram del podcastLe mie foto dei viaggi: viaggiI miei ritrattiIl mio profilo Thread: @andreageymet Il gruppo Telegram*******************************************Se volete farmi un regalo, cliccate sulla mia lista amazon*******************************************IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA: Juza Photo******************************************* Il mio fornitore di fiducia: Solo Digitali(chiedere di Paolo a nome mio)

加入摄影早自习群，请加微信：nihaoyelaoshi （暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第2349天。一位名字叫做“原来”的同学在群里面提了一个非常重要的问题，她说：我们拍照的时候1:1的比例、4:3的比例都什么时候用呢？用1:1的比例拍照的时候是不是横拍竖拍没区别了？第二个问题简单，1:1是正方形拍照，那确实横着竖着拍没有分别的，你怎么顺手怎么拍。但第一个问题就很有讲究了，我们常用的拍照比例有这么几种：2:3、4:3、1:1、16:9，在手机上还会冒出来一个叫全屏的比例。我们到底应该用哪个比例来拍照呢？当然啦，你可以根据自己的喜好去选择，但是如果你想说我要充分利用好这台相机的拍照能力，要记录下最多的像素，留下最多的画面，那你就得先了解你这台机器（不管是相机还是手机），它的感光元件到底是几比几的。佳能R5 Mark II（全画幅）感光元件比例２:３ 图片来源：佳能官网感光元件就是数码相机的底片，如果这个感光元件的比例是2:3的，比如说相机里的全画幅照相机，还有APS-C画幅的照相机啊，你们的比例都是2:3的感光元件，当然你拍出来照片就选2:3，能够充分利用每一个像素点，你花的每一分钱都不会浪费。很多人就因此是优先选择2:3，然后回来以后想裁成16:9，那再裁切嘛，那个是后话了。奥林巴斯 OM-1（M4/3画幅）感光元件比例4:３ 图片来源：奥之心相机官网不过呢，有的相机，比如说M4/3画幅的相机，还有手机，绝大部分的手机的感光元件的长宽比它是4:3的，在这种情况下，你就应该选4:3来拍照，才能留下最多的像素。这里我打个岔，所谓像素就是照片的最小组成单位，你可以把它理解为一张照片的原子，它的数量越多，照片它的信息含量就越丰富，细节就越多、越清晰。所以如果是手机用户或者是M4/3画幅的相机用户，我们就选4:3，能得到最大像素的照片。那其他的比例怎么回事呢，1:1、16:9？其实啊，它就是一种相机或手机内部的裁切过后的照片。将3:2的照片裁切为1:1 © 叶梓一个长方形的照片，掐头去尾不就变成正方形了吗？那画面就变成1:1的了。所以它会损失一些像素，损失一些画面，来制造出1:1的正方形的视觉效果。将3:2的照片裁切为16:9 © 叶梓16:9也一样，它就是把一个长方形的画面裁切得更窄一点，显得更扁长一点，就变成16:9的比例了，它也是损失了一些像素的。所以基于想要更多的像素，或者是说更多的画面信息的角度来讲，或者是说你想给后期裁切留更多余地的角度来讲，我们一般都不主张用1:1和16:9。你喜欢的话你可以后期裁去，你先拍个完整的留下来。但是有的同学他就是喜欢这个画面效果，那我觉得你完全有权利去选择你喜欢的比例。哈苏相机 Photo by Declan Sun on Unsplash1:1和16:9其实都大有来头。1:1是我们老相机的胶片比例，有一种底片的规格叫做120的胶卷，把它装在哈苏503系列的相机或者是禄来的双镜头反光镜照相机或者咱海鸥的双镜头反光镜照相机4A、4B上去使用的时候，它的照片比例就是1:1的，所以1:1它仿的是一种老相机的怀旧的照片效果。当然了，因为它本身是正方形，所以构图确实有四平八稳，特别适合用来拍摄一些比较安静的场景，我还挺喜欢的。你如果喜欢这种效果，可以设成1:1来拍照。16:9就不用我解释了，它其实就是电影的宽幅的比例，对吧？现在你在网上能看到的绝大部分的电影都是16:9的，现在有的电脑屏幕都是16:9的，方便你看电影，还有电视机都设置成16:9的，因为它宽度比较宽，所以看上去视觉效果冲击力比较大。但是，请注意啊，16:9的比例，它只有横着的时候能有那种视觉冲击力大的效果，如果你把它竖过来拍的话，它就有点不伦不类的，太窄了，左右两侧构图上太局促，它也不符合这种人的眼睛横着长所看到的这种世界的效果。所以你如果要用16:9拍照，记得多横着构图，它更适合用来做横构图。Photo by Dan Gold on Unsplash最后，我一定要吐个槽，我真的好讨厌这些手机厂商乱搞比例啊。它们又发明了一个叫全屏的比例拍照，对不对？什么叫全屏呢？就是手机屏幕这个东西它本身的比例可能并不是16:9，也不是4:3，也不是3:2，它是一个特别修长的比例，这样拿在手上舒服嘛。然后这些手机厂商就搞出了一个全屏比例拍照片，拍的时候在屏幕上来看，每一个角落都是照片，感觉好像很大、很满。因为如果你用4:3来拍照的话，手机屏幕长啊，最后肯定上下两截就是黑的呀，有人就觉得我拍的照片不够大呀，于是它们就搞了个全屏比例。看着照片大，这屏幕上看着大，实际上这个照片的像素是最少最少的。而且它的比例很奇怪，因为有的手机屏幕是16:10的，或者是其他的奇怪的比例。最后呢，不仅是像素损失的多，而且照片过于修长，构图也很不好构。最讨厌的就是它这个全屏的“全”字，会让很多老百姓都误以为这才是最全的照片，其实它是像素最少的。手机里照片尺寸不同比例的选择这种比例的照片有什么好处呢？我想只有一个好处，就是设成桌面壁纸的时候它就还是那么大，因为屏幕就是那么大的嘛。但是我觉得这也不算什么好处，因为你即便拍成了4:3的比例，你最后放在屏幕上的时候，你也可以任意裁切呀，你想怎么去构图放在壁纸上，你都可以自己去控制嘛。所以我是建议大家尽量不用全屏模式拍照，因为它的比例太奇葩，它跟别的照片可能组不成组，放到网上去别人也很不熟悉这个视觉感受，很难评，它也没有什么历史的原因造就这个比例的存在。好，今天我们就先聊到这里，这是由“原来”同学提的一个好问题。同样的也欢迎同学们继续在底部留言区向我提问，我们一起来探讨有很多这种看似简单的问题，其实都是初学者们非常疑惑的或者经常容易犯错的地方，我也非常乐于为大家解答。另外，同学们也可以把我的早自习分享到你的朋友圈里面去，看看有哪些朋友需要这些知识，大家就各自取用，拿走不谢。今天是摄影早自习陪伴大家的第2349天，我是叶梓，每天早上6:30，微信公众号以及喜马拉雅的“摄影早自习”栏目，不见不散。

Episode 447 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Get a FREE Elinchrom Transmitter PRO with qualifying purchase at ElinchromUS.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: Nikon raises the cost of this lens, and economic concerns. (#) Meike's new 33mm f/1.4 for APS-C bodies. (#) Tamron's new 28-300mm f/4-7.1. (#) Canon patents 5 interesting new lenses. (#) Adobe's newest update. (#) Wandrd wants you to carry your gear this way. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Important Resources: APSC 4 Action Toolkit Asian Prisoner Support Committee Website | Instagram Purchase Arrival: Freedom Writings of Asian Americans and Pacific Islanders Transcript: Cheryl: Good evening! You were currently tuned in to APEX Express. I'm your host Cheryl Truong, and tonight is an AACRE night. What is AACRE, you might be asking. Comprised of 11 grassroots, social justicegroups, the Asian Americans for Civil Rights and Equality Network — AACRE — leverages the power of its network to focus on long-term movement building and support for Asian Americans committed to social justice. Speaking of AACRE groups, APEX Express is proud to be a part of the AACRE network.  Tonight. I have the incredible honor to introduce you all to some very special friends of mine, members of the Asian Prisoner Support Committee APSC, which is also one of the 11 groups with the AACRE network. These individuals are among the most incredible people I've had the privilege to know. And tonight we'll be delving it to their stories and the important initiative that they're leading which is called #PardonAPSC4?  Their journey is not only one of immense resilience and courage, but also a Testament to the importance of community care and how community based approaches keep us safe way more than surveillance institutions or police ever will. So join us as they share their stories and also stick around to learn more about APSC's newest anthology, Arrival: freedom, writings of Asian and Pacific Islanders, where you can actually find some of their art and writings in physical form. So to start here with us, are Maria, Peejay, Bun, and Ke who put the four in APSC4. Peejay, do you mind kicking us all off with what the #PardonAPSC4 for campaign is all about?  Peejay: So APSC 4 are staff members at APSC and we all do different work at A PSC but our primary is helping our community. In general, fighting deportation, helping folks come home and reintegrate to society and supporting them with other needs that they may have, right? Mainly just to become successful citizen and. APSC4, despite our work, we all have backgrounds in incarceration, we're impacted, which means we're also at risk for deportation. And the campaign is born out of a desire to keep us home to fight our own deportation. And so we need the Governor Newsom to actually issue a pardon so that we can continue to do this work and stay with our family. Because otherwise, they would eventually, deport us. And as immigration is a very hard thing to deal with, and there's not a lot of options, especially with folks with convictions. And pardonness for us is like mainly the only thing that can help us stay home. And APS v4 mainly is to, it's a campaign to ask community members to support us, that mean elected official, that mean community members that you know, family members, anyone who's willing to support us, and basically uplift our campaign as well as reach out to elected and to Governor Newsom and encourage him to pardon us so that we can stay home and do this work. Cheryl: Thanks Peejay. You're literally hearing about the campaign directly from the people who are leading the way. So we know about APSC 4. We've heard a little bit about their campaign. But I also want you all to know about the people within APSC 4. And this is very in theme, especially with APSC's upcoming anthology Arrival, which captures stories of Asian American Pacific Islander individuals inside prisons, or who have been detained by ICE or have been recently released from ICE or prisons and as well as stories from impacted family members. So until you all get your hands on that, which is available for purchase now at Eastwind Books of Berkeley Berkeley. Which you can get at asiabookcenter.com. I would love to introduce you all to the beautiful, incredible, inspiring people of APSC 4. everyone's nodding their head. It's really cute. So let's start with,, maybe Ke, do you want to introduce yourself? Let our listeners know, who are you? Who are your people? Where do you come from?  Ke: Hi, my name is Ke Lam. My first, that's my full name is Nip Ke Lam which means in finishing my father's business in my language. So I'm Chinese Vietnamese. I also am a refugee baby who came here when I was four years old to America. So my people are all the impacted folks, all the juvenile lifers. And everyone that's trying to make a change in their life and looKeng for a second chance.  Cheryl: Thank you so much. I love that. Maria, do you want to introduce yourself next? Who are you? Who are your people?  Maria: Hi, my name is Maria Legarda and I'm the reentry consultant for APSC. My people are impacted folks, incarceration, immigration, detention, the survivors and, the resilient women who are still inside, those are my people. And my APC family and the community members who work towards change to improve our communities. People just didn't decide one day to commit crimes, right? There's always a reason behind because of events that led to that. People that make changes in the community to help it make it better for them to have that. Those are my people too. You know what else? I forgot what the question was.  Cheryl: Maria, you answered. Everything perfectly. The question was who are you and who are your people? And you answered it by giving a huge list of who your people are and I think that's very definitive of who you are as a person. But is there anything else you want to add to that, Maria?  Maria: I think that covered it all.  Cheryl: Beautiful. All right, Peejay, do you want to introduce yourself?  Peejay: So I am Peejay, real name is Borey Ai, but I go by Peejay, and Peejay has been in my life for many years longer than I can remember, but it has shifted and shaped in different forms, but I answer to both now, and I am a child refugee, I'm Cambodian, my family escaped the Khmer Rouge when it happens, and then I immigrate to Thailand to find refuge, and my mom and my dad met there, and so I was conceived and was born in Thailand, came to the United States when I was five, and yeah, and then got in trouble, trying to resettle into the, to the new environment, new culture, and I end up in prison. I share that to say that my people are folks who are impacted, people who I can relate to, and my experiences, so the refugee folks community And, my elders at CERI, obviously APSC and AACRE are all my community members and anyone who is in a fight, like where I'm learning, as I sit in a lot of different coalition spaces, doing my work, as an advocacy with APSC, and I've learned that a lot of community members are sharing the same work, sharing the same values, sharing the same goals, and the people that I'm in community with, so they are my people. And yeah, just like with Marie, like anyone who's striving to make changes to better our community members who are impacted is my community.  Cheryl: And last but not least Bun.  Bun: Hey, y'all! Thank you. My name is Chanton Bun, but I just go by Bun. I'm a, I was born during the genocide in Cambodia. I grew up in the refugee camps. Came to the U. S. when I was about six or seven years old. I'm formerly incarcerated. I'm a father of three boys. Grandfather Yeah, I'm the reentry coordinator here at Asian Prince Support Committee. And I also mentor at risk youth in our community. My folks are the incarcerated, the formerly incarcerated, the community the youth that is growing in our community now. And just supporting our community through a lot of these traumas that we still  Cheryl: It's so interesting hearing all of you introduce yourself because I work a lot with the APSC four members just through AACRE. But and I just learned that bun is a grandfather.    Bun: Yeah, I was gonna say that I'm not that old, but I am a grandfather.  Cheryl: All right now is that we've had the chance to hear from each of you about your backgrounds and the communities that you represent and the people that you carry with you. I would like to delve a bit deeper into your personal stories. Each of you have faced unique challenges and experiences that have shaped who you are today. Could you each share with our listeners a bit about some of the hardships that you have all encountered along your journey?  Bun: Oh, I can go.  Yeah. Growing up yeah, I grew up in the refugee camps. So I was faced with like starvation not knowing what safety was, there was, living in the refugee camps. There were so many I saw so many people hurt or walKeng in almost dead. I think I was numb to it coming to this country. I was faced with bullying a lot and being discriminated against. Being poor wasn't really. And I didn't realize we were poor because in the refugee camp, we were poor. So like coming here, we had, we had a roof on our head and food and, family all around the fear of, somebody coming into our house, just taKeng our stuff or, doing what they want because we were in refugee camps when I came to the United States. I didn't realize we were poor for a long time. But the bullying and the discrimination was really hard. I remember even the school discriminated against us because I guess they didn't know where we're from. One of my memory was me and my cousins and an uncle, we went to school and we all wore slippers. They called our parents to come pick us up and say, you guys cannot wear slippers. You need shoes. And like our parents didn't realize that we're like that's what we wear for shoes. So that's one of the first like memories. I knew that we didn't understand the U. S. And then, you know, Keds around the neighborhood. We're just picKeng on us because we didn't speak English or we didn't understand the rules we were, and then it was just like a bunch of us Keds. Cause when I came to LA, I lived in an apartment with about 25 of us living there because our cousins and stuff, all we came from Texas, our cousins were here. And we just wanted to be together because we've been separated for a while. And all we knew was me, my uncles, and my cousin, we walked everywhere together. Some of us caught on caught English earlier, so we understood more, some didn't. So we're just guiding each other. And then when we were bullied Our parents told us to just take it. And we knew that in, in the refugee camp we had no power. We took whatever they wanted. I remember getting robbed like three times a week and they're taKeng our pots and pans. So like keeping quiet was a thing. So we just kept quiet and we didn't trust authorities at all. Never complained to the principal or the teacher at all, but then we grew into That, that, that, that fear grew into anger and the need was protection. So the boys in, in, in my family is nah, we're not taKeng this no more. And we just started defending ourself, fighting and just or my thought, and I'm pretty sure like all my, my, my uncles and my cousin's thoughts were like, we got to protect. Each other because we can't walk home crying all the time or we can't walk home seeing our cousin walk home crying. So we just said the next time we're going to fight back and whatever the consequences and the cost. The consequences of coming home, like the teacher calling like, Hey, you're going to fight. That's what the consequences because our parents was like against fighting against violence. But, the consequences of getting detention in class wasn't, that wasn't nothing to us. We were scared of coming home, but that, that led into a lifestyle of violence, a lifestyle of feeling that I need protect myself from everything and don't matter what the situation was. And, it tumbled into joining gangs for protection and in the gang lifestyle. overtook that fear and we just, gravitated to it because it gave us strength. It gave us a sense of, sense of brotherhood, a sense of safety, a sense of I'm not going to get hurt no more. So that's how my life spiraled.  Cheryl: Yeah, the interesting thing about radio is that y'all can't see their faces when Bun was telling the story, literally everyone in this room right now, we're nodding their heads, and y'all can't see that because it doesn't translate into radio. Ke, I saw you nodding your head a lot. Do you want to share your story?  Ke: My story is very similar to probably Bun's and Peejay's being come here as a refugee baby. I don't remember my whole journey to America. I just remember my journey in America. I just, I remember growing, we moved around a lot in California. We came into San Francisco, moved around. I remember home for me was the barrier, but predominantly San Francisco. And we moved all over the city. We lived in Chinatown, 100th Point, Petro Hill, Sunset. I remember as a Ked parents separated when I was about six. No, in and out of relationship when I was seven. So they, they basically wasn't around for me or each other. They dealt with, dealing with trauma. My mom lost her parents on the way to America. Yeah. My mom's parents was actually murdered by pirates in the open South China sea. So she dealt with that and she did not deal with that to cope with that. So she, she did what she did best. And that's, is finding an end jobs and then dealing with a husband who was abusive. And so we live when we moved to patrol Hill. We got our place got robbed all the time. We ended up having to put bars on our doors and our windows. I remember my mom would say, don't go outside. Knows anytime of the day. So I basically was like in a prison in our little apartment. And I had to run this. I remember trying to go to school one time by myself and I got jumped multiple times. I remember they, they do rocks at me. They do run eggs at me. They push me push me down. They didn't let their dogs chase after me. So the funny joke about that, I said, I was grateful for them because they actually made me really good at track and field, so I was able to run real fast and jump fences, so that was, I like, I was grateful for that. But I took, the route to school was only five minute walk, but it took me 30 minutes every day to, one each way to come to go to school and come home, just so I could avoid my bullies. I remember one time they actually caught up to me when I was like eight years old, and I had to, I had really no choice but to fight. And after that day, after they jumped me, after I fought one of those guys, I remember I was standing over the Ked that I fought, and I saw the parent just yelling at me like how you let that chink, that Chinese Ked, that chink beat you up. And then I saw his friend walKeng up to me like they about to assault me, and I'm like, I'm about, I'm, I'm about to get messed up, but instead they congratulated me. They said good job, welcome to the neighborhood. And so I'm like, from that day on, I normalized violence. Violence is the way to solve your problems, and it's also the way to be accepted in the neighborhood. And that's, and that opened my eyes to, everywhere I looked, there was violence, all different forms of violence. My mom was gone all the time. She was never home. I became a parent. My mom had my second, third oldest my brother. And I end up becoming a parent at eight years old, raising my little brother for a whole year by myself because the neighbor was some old elderly Asian couple just didn't care about him. He had diaper rashes and I just took care of him. I built a lot of resentment towards my mom. I'm like, you abandoned us. You abandoned me. You abandoned my brother. What Kend of mother are you? I remember I went out, I stole diapers, stole formulas, stole food, also begged for money at the streets not in the neighborhood, but, different parts of the cities and yeah, it just, I, it felt, I felt like my mom didn't care. My dad was never around, he was out of the picture, so I didn't even think about him. My teenage years. I became really good at sports, played a lot of sports growing up. At the age of 15, we moved to Richmond, California, where I got introduced to the gang lifestyle. I didn't know nothing about gangs. It was the first time I actually grew up, I went to a school where there was a lot of Asians. In San Francisco, all the schools I went to were predominantly Blacks and Mexican and Pacific Islanders. And I didn't know, certain words meant certain things, and then I learned what a blood and a crib is. I didn't know what that was, because I remember growing up in San Francisco, we used the word, the term blood all the time as a form of, like family. And so when I went to Richard and they were like, what's up? I was like, what's up, blood? And they were like, just cuz. I'm like, cousin? I was confused. I didn't like, I didn't know what that meant. But then I didn't know that by me hanging out with them that their enemies also became my enemies. And and then I remember if I walked around by myself, their enemy would try to attack me thinKeng I was one of them, which I wasn't. And so I became a wannabe at the time and I like associate with them. I started KecKeng with them. But one thing that drew me really close to the gang, the Asian gang, was that our story was very similar to each other. They understood my story, understood this story. We all struggled. I remember growing up, I had to be a translator for my parents, my mom. She would take me out of school and I resented her for that. Why? I didn't want to learn English. And so that was, and that just came on as I got older. That resentment came and then I committed my crime when I was 17 years old because I was trying to show my homeboys like you got to show me love. I'm gonna be there. I want to be the best I could be. I wanted a name for myself. I wanted that respect. And I didn't think about the consequences at the time. My life was on, it was on the road down destruction. So I didn't care about myself and I didn't care about nobody else and I didn't care about my siblings either at the time. And so that's what ended up happening to me before, growing up as a Ked. Cheryl: What about you, Peejay? Peejay: Yeah, I think what Keechi said, like my life And Bun and his similar, like I came here when I was five and then like I got bullied right away, right? Like at the earlier stage. And at the time I didn't even, I didn't even understand it, even know what it is. And I think like this one story Kend really highlighted my introduction to bullying. I was in the park, a bunch of Keds laughed at me, right? They're laughing, right? And so I'm like, at the time I didn't know they were laughing at me. They were just laughing. And so I laughed. I thought they were laughing, because we're friends or something, right? They liked me. So I laughed too. I didn't know what that was laughing about, but one of the Keds got angry and came up and punched me in the face. I realized, he punched me in the face, he was screaming and yelling at me, I didn't know what he was saying but I understood right then and there he wasn't laughing with me, he was laughing at me. So what happened, I laughed too, so it got him angry, learned right away, What like bully was right and then I wasn't like well accepted, share the same story of like most Southeast Asian community, we get spit on we get beat up, in school and things like that. But I think the message I got, most deeply about I'm not wanted, is, we talked about that the Cleveland elementary school shooting, that was where I was with the first school shooting in the United States where Southeast Asian community was targeted by, And I lost my cousin during a school shooting. But that was like a big statement, some dude showed up in the, in the playground, climbing up the roof with an AK 47 and shooting at us, right? They were like telling me, that's a big statement you're not wanted, for me it was like, I grew up in a very bad environment as it is, where there's a lot of gangs, there's a lot of violence, a lot of shooting, a lot of, stuff happening in the neighborhood and then, getting constantly bullied all the time and, spit on and tell you that you're not wanted to go back to your country. And then when that happened, I just shut down, I didn't believe that my environment is safe anymore. And I, obviously when you're in a refugee camp, like when I go you don't feel safe, you know what safety is, right? So I grew up never feeling safe, right? And I was moving around. And so that led me to gangs, right? Like he, I joined a gang. I felt the love in the gang. The bully stopped, and they started giving me hugs, showing me love and as someone who craves acceptance, since the day you step into a new country, just wanting to belong somewhere that felt really good, and I was a Ked. I was like, man, I felt so good. Like I felt like I belong somewhere. Like people care about me. This is my family. And for me, like that, that bought me into this idea, like this is what most of my life is about. I'm going to give everything for these, for the homies. And, the Ke, I agreed to commit a crime, At 14 and end up in the prison system as one of the youngest juvenile lifer, and I was pretty much raised in the system. I think I spent more time in prison than I've been home, been out on the street. So everything I learned, in prison, right? And then I came home as an adult after 20 something years. And not like trying to just, as an adult in a new society with not a lot of experience. So fortunately, people like he, people like Bun, Maria, who does this work, that's why APC4 Reentry Program is so important, right? Because people like me didn't know how to use a cell phone, didn't know how to turn on a computer, didn't do a lot of stuff, right? I've learned a lot of stuff in prison. So I have a lot of advantage as I was investing in myself and doing my programming to earn my parole, but even still this stuff, I didn't know, and I imagine people it was worse than both of I was to have some knowledge and have a lot of access that I did, but I'll show you, I'll show you to say it's hard, it's hard in our work, help transition. I remember he took me shopping, show me how to use Bart, how to use public transportation. The trajectory of my life would have much been different. If I grew up in a different environment, like that's something I was clear about. And so now like we try to create those environment for our community because we'll know better. We learn from our past experience and now like giving back to our community. Is, for me, it's like, for me, like this work is my life, like it's my life because I've lived through it, like someone saved my life, I didn't want to make it home without people showing up, doing this work. So I feel like for me giving back and continuing this work is part of the commitment. Creating change and giving back, but I feel like I was meant to do this, like I, I came home with a purpose, I went to prison with absolutely no clue, just trying to survive. And I came home with a purpose. I feel like I have some Kend of meaning in my life. So that's Kend the short summary of my life. I like my connection to APS C is my work and my work is my life. Cheryl: (Peejay I think your genuine passion for what you do really shows, and I'm sure our listeners can feel it too.) Maria, please. We would love to hear your story. .  Maria: For me. Unlike Peejay, Ke, and Bun, I wasn't a refugee, during the war. I immigrated to the U. S. During the time when the economic the economy in the Philippines is not doing great. I was born during the time of the Marcus dictatorship. That was during Ferdinand Marcus regime in the Philippines where we were under his dictatorship for 30 years. During that time, growing up. I had siblings and my younger sister became ill, with my parents being gone all the time taKeng care of my sister. It was a difficult childhood, from what we were used to, and just the changes. In our lives. And at that time, my parents did the best that they could to support us, all three of us, but because they don't know actually what was going on with my sister, right? It was difficult for a parent to see their child. Child suffering, and she was young. She was only four. So at that time, I was left to take care of my brother. And it was the two of us, fending for ourselves. It took a toll on my parents, and the time spent with me and my brother and my sister were very limited. And I felt abandoned. This was our life before, my sister got sick. We were happy. We're going on vacations summer. By the beach, even if it's just, right there, you go to the beach with your chocolates and you just hop on the, the side of it's the islands, right? So we had fun. We just stopped doing all those things. And the only thing we knew was my sister was sick. That was it. My parents didn't know how to explain something that they don't know either what was going on. So I guess that my expectation is such a young age is, my parents were in my world. So expecting them to tell us like what was going on and the feeling of that abandonment and that unworthiness being unloved and cared for really was there, it's just there, but I never manifested it because I didn't know how to, but I knew what I was feeling inside. And so when parents fought my sister's condition got worse and eventually at the age of 10, she passed away, so my parents would, my parents, other than the heartache, the heartbreak of losing a child was left with huge financial debt. In, in our culture, the eldest takes care of the family, right? So at that time I was going to school my parents provided for us that we can still go to school. It was hard. We managed it. We went through a lot, but in the end my parents did the best that they can for me and my brother. So I, I had the opportunity, to come to the U S. And I came here by myself without any contingency, any plan, but the idea that maybe when I get there, then I'll figure it out because I see a lot of people leaving the Philippines, coming over here, finding work. So I'll also do that. And that was the trend during that time. In the 90s, a lot of people were immigrating to the U. S. to find like a better life, right? And so when I came during that time I mentioned that longing, the attention, that abandonment. And so I was here alone and I met someone. I met someone and everything that I needed, that person listened to me. He cared. He loves me. He actually, somebody does actually care how I feel. And so I never thought that he would be the person to hurt me. And so we were talKeng like really getting to know each other. And then six months, we decided to meet. And on the day we met, I became a victim of sexual assault. And Again, the, it was worse, there were, I don't even have words for how, I felt after the betrayal because my whole world just shattered, and being alone here, it wasn't, it's not like the Me Too movement that we have now. Back then, we don't speak of it. And one thing I did at that time that I tell the women now, the young women, it is not your fault because I met him. Do I really know him? No. Growing up in a culture where you just don't go out with somebody you don't know, right? That was the time then people were meeting chat rooms, online dating. So I carried that guilt with me that it was my fault. For a long time, it took me a long time to really process that it wasn't my fault. It was done to me. I didn't ask for it. But I carried that. So drugs were the only thing that I was able to cope with because it made me numb. It made me forget. It gave me that false sense of power that I can take control back of my life. Not knowing that once I use drugs, I, it, I become numb to it all. And that eventually led me to incarceration. And so now after years of self introspection and just understanding what has, what the challenges and, the difficulties and all the heartbreaks that I had went through in life, going to self help groups and hearing the other survivors overcome it And stepping out of that that it was my fault, having to hear that the first time is what broke me free from that. Now, in my line of work, I can easily recognize it, because I was there. I know how it felt. And I always I've been, blessed to be able to grant that space, that safety space for our folks, men and women, when they share their struggles, because I've been there. I know what it's like. So I do, I'm passionate about my work because I've seen how I've turned things around. I saw myself, how I picked myself back up. I saw myself when I was really down that at the end of the day when people around you care enough to get to know you more than your past, you're going to get through it, and my, work in APSC And Ke would be the I came out of detention and Ke was one of the first one of the first people that I met other than Nia, Nia was a volunteer at that time with APSC and being undocumented it was hard for me to get anything. So Ke was there from the beginning. This is what you need to do. Don't worry. I'm going to walk you through it. And without Ke. guiding me through those steps it would have been much harder. It was already hard, but this was going to be extremely harder if he didn't give me the guidance. He didn't know what was going to happen, but he knew something to guide me. So that's why that's how I Eventually got to work with APSE because the first time they had their internship program, I think five minutes into posting it, I already submitted my application because I knew that the journey that I was taKeng on at that time as an undocumented immigrant, I know that there's going to be ways that I'm gonna, I have to find another way. Because I'm not the only one, and I know a lot of women coming home, men and women that are coming home are going to need their IDs, are going to need their social security, are going to need all their documentation, and who's best to explore them, right? Than me. Why? Because right now, this is where God has me, right? He has me on this path to help people. So let's get it done. And so that's why I stay with my APSC because I believe in what they do for a community because they started with me.  Cheryl: Maria!. That is such a beautiful point. And I think that last sentence that you shared is really why I admire the work of APC. So, so incredibly much, like not only is it work. For. Impacted folk. But it's also led for and by impacted folk who really understand the experiences of what it's like. And when your work is led by those who have truly experienced the impact firsthand. You approach people with a level of empathy that makes a real difference. And I'm listening to the things that you've all shared. You know, it's clear that what often matters most are the things that people like me who have never been behind bars often take for granted, you know, it's things like. You know your stories of needing Ke to. Teach you how to navigate BART? How do you secure your ID? What's a. Social security number. And the emotional support that comes with helping someone reintegrate into society. I truly don't know where a community would be without the incredible work that you all do with APC for.   Now I'm eager to learn more about the impactful work that you're doing within our community. What has been some of the most rewarding aspects of your work in. Reentry support and mentorship. Time is a factor. So maybe we could hear from maybe two of you. Bun: I think the most rewarding about re entry for me is, Watching the person I'm helping know that they have support, in my life there was nothing out there to support us other than gangs. But just. Watching them know that they have support, empowering them and their family to understand the system understand a person when they're coming home with family relations, and also relationships with their Keds because a lot of us have been incarcerated for so long. Just that, like he always say the first 90 days are important to show them the support that they really need because like myself, I was lost. I was like a loss, the last person coming home. I didn't even know how to cross the street. It took somebody to come take me to cross the street and walk me down the street because I wouldn't do what I was like, I can't do it. It's terrifying. But yeah just. A lot of folks often think like reentry is like a, no, we have to go get you a job, get you this. And those are important too. But the important thing is the little things like, teaching, teaching somebody how to answer their phone, teach them how to, setting up their calendar, teaching them across the street, walKeng, maKeng decisions when we're ordering stuff, taKeng them shopping, letting them shop for themselves. So these are the little things that. A lot of us and especially myself, I could speak for having anxiety, it was a really big anxiety of learning how to navigate society when I came home. I think a lot of our folks in reentry and. And it's crazy. Often, like when we take them on everybody in RedsKens is thank you. Thank you. Thank you. Thank you. I'm like, what are you thanKeng me for? This is what you deserve, and then you'll hear it. They'll thank us all day. And we want to relate to them. This is what you deserve. This is what all of us deserve when we're coming home. This is what all of us deserve when we're growing up in our communities is this support from people that looks like you. People come from the same background, people that understand you. That's what really give me a lot of joy when I do my work is to seeing folks know that they do have support from folks that have been through it and folks that look like them, folks that's been through things like them. So that's my biggest joy when I do this work,  Ke: I like to jump in real quick I remember when I came home before all the rest of my colleagues here. I had no one like no one knew how to navigate the system. No, I like I came home with a loss of status. So I didn't know that I wasn't American that, I got released from immigration. And it just Kecked me out. And then it's I want to go get an ID. And it's we need two form of IDs. And I'm like, what do you need? They need, they said, we need a birth certificate or a passport. And I said, I have neither, no, neither one. And they said, what about a green card? I said my green card is no good no more. According to what they told me. So I'm like, I have no former I. D. I couldn't get I. D. And it took me a while to get I. D. And just learning how to navigate barred and everything. It was I have a lot of gray hairs behind it. I have my head on, so you can't see, but it was really difficult to navigate. And then it's I had no one that looked like me that went through that process, right? And there was no program for A. P. I. folks that's coming out to have that support. And I'm so grateful for Asian Prison Support Committee for giving me that, for opening that door for me to learn this process, but also to receive the help. And I think for me, the highlight like Bun named a lot of the great stuff. I think for me, the it's my way of maKeng amends for the harm that I caused. That's why I do this work. I can, I could have left this job for a really good trade job, get great money, maKeng six figures a year, but I'm like, I need to get back, because that, this is my way of healing myself, not just the other person, it's just, it's Kend selfish to say that. But I if I can't heal myself, how can I help heal the next person? And that's why I do this work. And I remember one of the guys I picked up from immigration, he's he had a choice of his family and us, formerly incarcerated folks, to pick him up. And he's I'm grateful for you guys to pick me up. And I'm like, why? He said, because you guys understand me. You guys understand if my family came, it would have been a such a disconnect with them because they wouldn't understand it was like you have to do this, you have to do that. And then this is what you should do is but for us like we know what to do, and then we understand like choices, being incarcerated for decades and coming out like choices is really difficult for us, people tell what do you want, and we like, I don't know. We was limited to what we had inside. And so that's why I keep doing this work. Like with the rest of them, it's like giving back, but also at the same time healing. We're on this healing journey together.  Cheryl: I know I only said two people, but I really watched the way Maria's eyes fricKen sparkled when I asked this question. Maria, I want to know what has been the most rewarding part of worKeng at APSC?  Maria: Am I that I'm easily read? No, because the one thing and he and by with no we had a client, she had a drug past these two, she was, she had a, oh my god, I said that backwards past drug use. And she worked on actually worKeng on getting her substance abuse, counseling. So we help her get through it online classes register for her use gift cards to get that online classes paid like every avenue that we could think of we helped her get that in the same time. She was trying to get custody of all her children. And so walKeng her through her online classes and being there by her side, like just cheering her on, you can do this. And so with her heart and mind into it, she was able to do it. She graduated. She finished it. And at the same time it was just getting hit with left and right with different problems, around getting custody of her child children. But because she has the support of a PSE. She said, I would have never been able to get through all this if not for your weekly calls that you check up on us. It doesn't matter whether it's me, whether it's Ke, Bun, because it's a, it's an effort, a team effort, right? Me and Bun would go there when she needed us, as a support. And so when she finally finished her school she was able to go to an internship. And now she works for another nonprofit organization, and she actually refers clients to us now because she became a substance use counselor. And then on top of that, gained custody of her three Keds. How much more work an AP has to do, right? With family reunification, that's what it's all about. It doesn't matter what your past was, it matters like how you're going to move forward. Yeah, your past, they're always going to bring it up, right? Because you have a record. But what they're not going to be able to take away from you is what you go from this point on, from that abusive relationship, and you were able to take it out, and you're able to do something with your life and get your Keds back, and now you have a home for them. That's what the work is about. It's not just about helping people, when they first come home, but it's that care that you nurture them in their journey. That's why our job is not eight to five, unfortunately, and it doesn't, our job doesn't stop after six months. They become family to us and that's really what APSC is about, and that's one of the joys seeing her graduate, become a counselor and have her Keds back. So that's our APSC, one of our stories, our re entry stories that really we talk about it all the time.  Cheryl: I could speak the praises of the incredible work that APSC 4. Does forever. But until then we have to take a quick music break. To our listeners. If you take anything away after hearing these stories, it's that we need to collectively demand that governor Newsome, pardons APSC 4 for. Formerly incarcerated leaders like the APSC four are at the heart of our movement. They're compassion and resiliance inspire us all to create change in our communities. And yet despite their work and transformation. Maria Key bun and PJ remain in this immigration limbo and are at risk of being detained by ice and deported. Uh, deporting APS. Core staff would devastate our community.  So please join me in urging governor Newsome to take action now to pardon APC for. To protect them from deportation by going to this link. bit.ly/APSC4 for all in capital letters. It'll also be linked in our show notes.  Once again, the link is bit.ly/APSC4 this is an all capital letters. This is a direct link to the APC for action toolkit, which will give you different action items you can do to join us in. The fight to part in APC for. There's a call script for governor Gavin Newsome. Demanding the protection of APC for there are sample tweets you can send out. There is a petition. You can sign there also graphics you can share on social media. So please, please check out this link. You could even do this during our music break. Once again, the link is bit.ly/APSC4 N all capital letters. When we come back, we're going to be tackling broader issues and systemic change.  So don't go anywhere.   Cheryl: And we're back. You were listening to apex express on 94.1, FM KPFA and online@kpfa.org. You were just listening to change the world by baby Chris. We have currently with members of APS C. Maria Key PJ and bun. And the first half of the show, we delved into their personal stories, struggles and advocacy efforts. But in order to give you all a comprehensive understanding of their stories. We need to talk about the broader systemic dynamics that are at play. So let's dive back in.   Bun: For me immigration need to look at what we've been through and also what California said, we got a second chance. We earned our second chance. We have proven that we are change, and we, APSE4, have proven that coming back to the community, we are an asset to our community. I think they need to really look into that. Folks that have been have proved themselves through the board, through finishing their term, that we all deserve a second chance. If a citizen deserves a second chance, why not us? And what is the difference, other than we were born somewhere else? Our lives, our family, our communities here. So yeah, they need to really look into what a second chance  Ke: mean. I don't think there's anyone in the world that has not made a bad choice in their life or a mistake. Like to be defined by the worst day of your life for the rest of your life. Like, how is that just, especially in a country that is You know, the pillar of human rights, we say who built America, immigrants built America. How do we make America great again? We save our immigrant and refugee community. That's how we make America great again. It's not by, I look at it when you put people through the immigration system, it's like slavery all over again. Prisons, no different. It's like slavery all over again. If we talk about humanity, we talk about a just system. We talk about second chances. We talk about people. These are people that are incarcerated, not numbers, not products. not just a person that made a terrible choice, these are people, mother, father, grandfather, aunties until we start seeing people as people, we will continue to dehumanize them. And yeah, yes, we made some bad choices in our life. But at the same time, like Bunce said, we are redeemable. Just give us that second chance to show you. And that's what APSC's Board has been doing. We've been showing everyone that we, yeah, we own it. We, yeah, we take accountability for what we've done. At the same time we're showing you that we're not that same person anymore. And put it out there for everyone is yes, look at, don't always look at the harm that people cause, but look at the reason why they made that choice. And if you understand where they came from, it'll tell you why they did what they did, but also you give them that chance, they can show you that they can make a difference. Yeah, I know like  Peejay: the way I see life now, and this is Kend of like mind boggling to me because a lot of people like are conservative or very smart. We're educated. And then, to me, it's if you truly value peace, right? You truly value people's lives. Community, right? You have to treat everyone equally, the same, right? We start treating people differently, you create division, that's how you divide us. California isn't supposed to be a state that is full of division, it's supposed to be, the value is that we're all together, right? We're from all walks of life, and a melting pot, right? Of cultural and diversity, and that's what makes it so amazing and beautiful, and you can find anything here in California from any part of the world. Like we made California an amazing place, right? So then, like, when you see about the anti Asian hate, like, all the movement about solidarity, then you turn around and say, okay we're going to treat these people differently and just deport them because they committed a crime, but then we're going to say, like, all these other people, they redeemed themselves, too, but we're going to give them another chance, to me, that would make no sense, right? You're creating division, we're people, we should treat everybody the same. And we all have, it's not like we didn't earn it, we're not talKeng about giving people a chance to give a chance we're giving people a chance to earn a chance. And then we have proven ourselves. And I think that's a testament, like I'm going to keep living my life the way I live my life. I'm going to keep pushing and helping people because that's what I'm meant to do. And I don't think that's going to change me no matter what people think of me, but I think if people really put money where their mouth is, then they should really more solidarity, like watching people differently when we're trying to bring people together. I don't know. That's, maybe that's too simple, but to me, it's no brainer, if you want to pull us all dirty, then do it. Stop talKeng about it,  Cheryl: maria, did you have anything you wanted to add?  Maria: I second everything that Bun, Ke, and Peejay mentioned, second chance is, to me, it's, we weren't born here, right? But, our community is we're helping our community become safe. We're helping our community thrive, and I'll look at that. Cheryl: I  Maria: got distracted, but they would someone that never had a conviction, what are you doing to help your community thrive? So the only difference between me, but he and Peejay is that we had a conviction. But we're here to serve our community, and yet at any given day, he can just pick us up and deport us. And then what happens, who's going to continue to work, because like I said, our jobs not eight to five, and it doesn't last a six month program. It's a lifetime. No. So who's willing to pick up that responsibility, because we are. So I hope that, in the near future, like the policies and the immigration see past the conviction. And see us that we matter, took us a long time to regain that work to believe in our own worth, because we're now we know what our value is, and we fight for our freedom to stay here to not get sent back to a country we've never been in, because now we know what our value is. We know our community values us, our family holds us dear. And without our work in the community, who's going to save the children, the youth, who's going to help the elders, who's going to bridge that gap, because there are more and more people that's going to be in and out of the system. And who's going to help them. And that's, that's my hope that, one day they see us as equals, and not just. immigrants who are not born here.  Cheryl: I hope that by this, after hearing all of these incredible stories of APSC4, you all know how important and integral that Boone, Peejay, Maria, Ke are to our community. I know just from my own experience that They are core members of my own community, and I don't know where our community would be without them. Learn more about PartinAPSC4 in the show notes. I want to thank all of you so much for coming on our show tonight. Thank you all so much for being here, for sharing your stories, and for continuing this really incredible work that y'all are doing. Yeah, we'll see you on the next show. Thanks, everyone! Thank you, have a good night!  Ke: Alright, bye!  And that's the end of our show. Learn more about the incredible work being done by Apsu for, by checking out the show notes. Don't forget that the APC for action toolkit is also available at the link bit dot Lee slash APC. that's the number for all capital letters. And it's also available in our show notes as well.  And also don't forget to check out the new anthology published by Asian prisoner support committee. APC called arrival freedom, writings of Asian and Pacific Islanders. This anthology was several years in the making.  And offer us an intimate insight into the lived experiences of AAPI communities, entangled within the criminal legal system and immigration. From tales of resilience, amiss adversity to profound reflections on identity and belonging, arrival explores themes of war, memory, prison, transformation, healing, and the pursuit of home.  This is available for purchase at Eastwind books of Berkeley. www.asia book, center.com.  Cheryl Truong: Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong   Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening! The post APEX Express – July 11, 2024 appeared first on KPFA.

Sony has launched the ZV-E10 II, the second generation of the top selling mirrorless ZV-E10 camer. The original ZV-E10 is a staple in Sony's ZV content creation camera series, designed to provide an easy, compact, and versatile tool for content creators of any level. The new ZV-E10 II maintains all the features creators love about the original, such as Creative Looks, Product Showcase Setting, Background Defocus function and the vari-angle flip screen and builds on it to increase sophistication and ease of use. The ZV-E10 II 's internal hardware has been improved from its predecessor with an upgraded 26 megapixel (MP) (approx. effective) Exmor R CMOS sensor and adoption of Sony's latest BIONZ XR image processing engine. A few additional updates to this model include improved autofocus and video capturing capabilities: Cinematic Vlog Setting, a new vertical format user interface (UI), an upgraded large-capacity battery Sony Z battery for improved stamina and improved connectivity for easy live streaming and data transfer. It is compact and lightweight, and fits into a creator's hand with ease, weighing in at approximately 377 grams. In addition, the E PZ 16-50MM F3.5-5.6 OSS II is announced, a compact APS-C power zoom lens which will be available separately or as part of the ZV-E10 II 's lens kit. The upgraded kit lens is lightweight and offers improved autofocus (AF) and video performance compared to the first-generation model. "From the beginning, the goal of the Sony ZV line was to create cameras that produced high-quality results while being extremely easy to use. Today, the ZV line continues to uphold that standard, but we're taking it a step further," says Yann Salmon Legagneur, Head of IP&S Marketing, Sony Europe. "Our aim with the advancements of the ZV-E10 II is to inspire creators to develop or recreate their own unique style through features like personalised Creative Looks and Cinematic Vlog Setting. We are committed to continually evolving our technology to help creators of all skill levels bring their visions to life." Create Your Own Photos and Video Aesthetics The ZV-E10 II features two key functions designed to produce premium-looking content straight from the camera, Creative Looks and Cinematic Vlog Setting. When shooting videos and still images, users can instantly enhance their images by selecting from ten Creative Look options: Standard (ST), Portrait (PT), Neutral (NT), Vivid (VV), Vivid 2 (VV2), Film (FL), Instant (IN), Soft Highkey (SH), Black & White (BW), and Sepia (SE). Each of these looks are further customisable and can be edited through eight different parameters, allowing creators to fine-tune their content. Once customised, a creator can save six personal custom styles directly is camera for easy and reuse. The ZV-E10 II allows creators to producer premium, cinematic video content with a single touch using the Cinematic Vlog Setting. This feature automatically adjusts the aspect ratio, frame rate, and AF transition speed to optimal settings for cinematic video capture. Additionally, Creators can enhance their footage by selecting from five "Looks" such as S-Cinetone that enhances skin tones, and applying one of four "Moods"iv, that emphasise specific colours, offering extensive options to maximise creative expression. Key Camera Specifications 759-point Focal Plane Phase-detection AF with Real-time Eye AF for Human/Animal/Bird and Real-time Tracking Backside illuminated Exmor R CMOS sensor offering an ideal combination of high sensitivity and low noise with an ISO range from 100 to 32000 APS-C interchangeable lens camera compatible with over 70 Sony E-mount lenses High-speed readout, 5.6K oversampling compresses a vast amount of information into stunning 4K footage at up to 60p Active Mode electronic image stabilisation employs a precision gyroscope and advanced algorithm to accurately measure and compensate for camera shake, providing highly effective stabilisation without sacrificing mobili...

La Sony ZV-E10 II es una nueva cámara Sony diseñada para video, vlogs y creación de contenido. Con características avanzadas que facilitan la grabación de videos de alta calidad, esta cámara es ideal para vloggers y creadores de contenido que buscan mejorar su equipo. Incluye un sensor APS-C, enfoque automático rápido y preciso, y una pantalla táctil abatible, perfecta para grabaciones en solitario. Además, su conectividad con dispositivos móviles permite una fácil transferencia de archivos y streaming en vivo. En este video, exploramos todas las innovaciones que la Sony ZV-E10 II trae para mejorar tu experiencia de grabación y creación de contenido. No te pierdas nuestra revisión completa y descubre por qué esta cámara puede ser la mejor inversión para tu canal de YouTube. #SonyZVE10II#CámaraParaVlogs#CreaciónDeContenido#VideoAltaCalidad#Vloggers#CámaraSony#InnovaciónTecnológica#GrabaciónDeVideo#StreamingEnVivo#EquipoParaCreadores

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee speaks with artivists from the upcoming exhibition at Edge on the Square opening this Saturday June 29 and running through February 2025!   TRANSCRIPT Walking Stories: Artivists POV   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:34] Good evening this is Miko Lee and welcome to Apex Express. We are so happy to have you with us. We are going to be talking about something really personal to me tonight. We are talking about the new interactive exhibition at Edge on the Square in San Francisco, Chinatown. The whole exhibition is called Walking Stories and it is stories from our Asian American community. And we invite you to join us. It opens June 29th and runs all the way through December. Opening night, June 29th is going to be interactive performances and amazing little goodies so we really invite you to join us for opening, but if you can make it that night, we're running all the way through the end of December. Okay, so a little bit of background. Some of you might know that I have been a host on Apex Express for the past seven and a half years, and it has truly been a delight and a joy. As part of that time, I learned that Apex Express is part of a network of Asian American progressive groups. That's called AACRE, which is short for Asian Americans for Civil Rights and Equality. And about two and a half years ago, I joined the staff of AACRE, which has been such a joy to be around colleagues that share the same values and passions and beliefs in supporting and uplifting our community. For the past year, we have been working on a narrative strategy, really trying to reframe how Asian Americans are portrayed in the media, how we're perceived within our own community. We were initially going to do this with the Pacific Islander community as well. But in talking to our sister colleagues, they are going through their own process of a PI narrative strategy and I totally respect that. At some point we will merge and join those voices together. So right now we're focusing on Asian American stories. Through the past year through wonderful funding from San Francisco foundation's Bay Area Creative Corps we were actually able to fund approximately 37 different artists and embed them in different AACRE groups to be able to create narratives that resonate with their own communities. So that in this exhibit Walking Stories, we're going to hear stories about Hmong folks and formerly incarcerated folks, folks that are queer and trans and folks that have stories to share, because we all have important stories to share. Our exhibit is inviting folks to think about how they can get involved, how they can share their own stories, how they can join us in this collective movement for rewriting our history of the kind of silent, quiet model minority that sits in the background that's used as the wedge issue for larger things like reparations and affirmative action and really reframes that and brings back our Asian American activist past because we know that is who we are. That is our history going back from the first time that we came into this country. We invite folks in the community to join us to see more about who these stories are, to find out, to get involved to see what resonates with them and even what doesn't resonate with them. But really join us in this conversation. So tonight I'm really pleased to be talking with just a few of the artists that are in Walking Stories. So that you can get some insight into their process and how they made the piece that they're going to be sharing.   The exhibit itself will be at Edge on the Square in San Francisco Chinatown. When you walk in, you are going to see this timeline of lanterns hanging from the ceiling. That's about an Asian American activist history. You're going to see a really cool, nourishing power piece, which we're going to talk to the artists about, that is about how potlucks were used as a tool for queer and trans organizing. You are going to learn more about Hmong dance. And what does that look like, and what does it feel like in your own body? You're going to learn about ancestors, the power of our ancestors and how we can bring that to help us in our healing and moving forward. You're going to see in the exhibit about a Hmong story cloth reimagined with a modern perspective, you're going to see stories of south Asians activists and what they represent. And what does it mean to be a south Asian Muslim in America today? You're going to hear some of these stories. You're going to see them. We hope that you'll experience them. Then we hope that you'll learn more and find out about what we're doing and how you can get involved. So join me on this little journey through some of the artivists—that's artists that are also activists—that are part of our exhibit called Walking Stories. Come board. Join us. Welcome Hà Trần to Apex Express. We're so happy to have you with us. Trần Châu Hà: [00:05:40] Thank you for having me.   Miko Lee: [00:05:41] So you are amazing artist, but I want to start and go back and for you to tell us who are your people and what legacy do you carry with you?   Trần Châu Hà: [00:05:52] Ooh, oh my god, that's such like a big question. I guess my people are the people at Asian Prisoner Support Committee. I come from like a lineage of like Vietnamese refugees, and I think about like the ways that our communities have been impacted by the legacy of imperialism, which includes like incarceration, deportation, and things of that nature. I would say my community are folks who are impacted by, those kinds of pipelines and violences, Southeast Asian folks broadly.   Miko Lee: [00:06:14] And what legacy do you carry with you from them?   Trần Châu Hà: [00:06:18] I think the easy answer is like resilience clearly. To exist and survive under so many different violences and still move forth and create such beautiful communities.   Miko Lee: [00:06:25] Hà how did you get started working with Asian Prisoner Support Committee?   Trần Châu Hà: [00:06:29] It actually started from an interpersonal relationship. My best friend who also works at the organization now. They actually explained to me that a APSC was doing all this work in regards to like stopping the prison to deportation pipeline, how like so many of our Southeast Asian American community members were impacted by this kind of incarceration and things of that nature. At that point, it just became my political home after many, many years.   Miko Lee: [00:06:50] Thanks for sharing that. Then tell us about the work that you have in the new exhibit that is opening up called Walking Stories. Can you tell us the title of your piece and then describe it for us?   Trần Châu Hà: [00:07:01] The piece I'm making is a comic called We Was Girls Together. It's a quote from Sula by Toni Morrison. The comic is about my friend Maria Legarda. She's a re-entry coordinator at the Asian Prisoner Support Committee. She's also a Filipino immigrant who's facing deportation to the Philippines now after she was incarcerated in CCWF for 14 years. We met each other through APSC I know her as a very generous and kind person who loves crocheting. She's always been like an extreme light every time I come to the office and interact with her. But I also know that Maria is like someone who frankly, knows all these like incarcerated women or like formerly and currently incarcerated women. She really shows me what it looks like to be, like, an abolitionist feminist despite the kind of struggles and difficulties that she's moving through as someone who's literally currently still facing deportation because of her quote unquote, deportable offense. My comic is about Maria Legarda. It starts with like her story, her migration story from the Philippines. She was born under the Marcos regime, which basically socioeconomically destabilized the Philippines. She came to the US for economic opportunity. But clearly she had a really hard time adjusting, and then eventually she made some choices that led her to a federal offense that led to her decades of incarceration. When she was in prison, she met all these, wonderful women of color who also were survivors of sexual and gendered violence, so I just follow her story through her healing. Despite the fact that she's healed so deeply and she's shown so much care to other people and she has these communities she still is deportable to a country that she hasn't been to in 30 or so years, and doesn't consider home anymore.   Miko Lee: [00:08:27] Share with me a little bit about how zines are your choice of art medium?   Trần Châu Hà: [00:08:32] I love the nature of how like accessible they are. I think I kind of started out as an illustrator and an essayist separately. But then I realized as I was like writing essays I couldn't necessarily share those things immediately with my mom. She's not super fluent in English, right? But like when I combined the medium of illustration and writing into creating a comic in a zine, I could show that to my mom and even if she can't fully understand all the writing she could still access, like the actual medium. And then the form of the zine is something that is meant to be taken away. It's meant to be shared with other people. I started going to a lot of zine fests last year and it just made me realize like, oh yeah, I want all my stuff to be accessible, right? Like I don't want it necessarily to be underneath a pay wall or things of that nature. I think there's something like, you know, for lack of a better word, very like, democratic about zine making, and as well as, comics generally.   Miko Lee: [00:09:20] I love how you do the mom test.   Trần Châu Hà: [00:09:22] Yes. It's funny, I wrote, an essay about my grandmother, actually, in the Asian American Writers Workshop like 2021, and I had to literally translate the entire thing for her to read it to make sure all the details were right, and I was like, wait, I could have just made this easier by like illustrating some of it to make it accessible across language barriers and things of that nature.   Miko Lee: [00:09:40] And has Maria read through the scene?   Trần Châu Hà: [00:09:42] Yes, she has.   Miko Lee: [00:09:44] What has been her take on it?   Trần Châu Hà: [00:09:46] She actually sent me a very long signal which like made me cry because I was like, oh my god, I can't believe she actually thought this about the work. She was talking about how it helped her reflect on everything she's gone through but also like these relationships that have really sustained her. Namely like, I mentioned this person named Granny in the comic who I've met who's essentially like the person who adopted Maria when she just became incarcerated and was dealing with the fallout and trauma of sexual violence and things of that nature. The comic reminds Maria of just her growth essentially over all these years, but also all these rich relationships that still continue to sustain her like across carceral walls and things of that nature.   Miko Lee: [00:10:17] And what do you hope people that come and see your work and take one of your zines, what do you hope that they walk away with?   Trần Châu Hà: [00:10:25] The obvious answer to the question is, like, how cruel the prison to deportation pipeline is. For someone to build such wonderful communities in the United States and for borders being so arbitrary and things of that nature that they can be stolen away from these communities at any point, and how cruel and unnecessary that all feels for immigrants and refugees who have been criminalized to experience this kind of double punishment. I think the other element of it is the ways that women, specifically currently and formerly incarcerated women create these networks of care amongst each other that, in light of the state not supporting them and their healing, whether they've experienced gendered or sexual violence, these people will find each other, these women will find each other and they'll be able to support each other and help each other through these processes of healing and also like fighting sexual violence in the carceral system. Yeah, just like highlighting those kinds of like organic networks and that relationship building that we don't necessarily get to see in like, for example, like mainstream media or like policy making or things of that nature.   Miko Lee: [00:11:18] What will people see when they walk into the Rdge on the Square exhibit space?   Trần Châu Hà: [00:11:23] Yes, you will see 15 comic pages in acrylic frames and then underneath that will be a table with actually takeaways. So feel free to take the comic away in like a booklet form as well, but you can also read it out on the wall when you walk in.   Miko Lee: [00:11:35] Thank you so much for sharing with us about your artistry and your vision and your story about Maria and your connection with Asian Prisoner Support Committee. We look forward to seeing your work.   Trần Châu Hà: [00:11:45] Thank you, Miko. Pleasure speaking with you.   Miko Lee: [00:11:48] Next up, listen to “Staygo” from DARKHEART, A Concert Narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipinx futurism punk rock sci-fi DARKHEART. Katie Quan, artist, activist, ethnic studies teacher. I'm so happy to have you on Apex Express. And the first question I want to ask you is, who are your people and what legacy do you carry with you?   Katie Quan: [00:16:51] I would say that my people, I really strongly identify with Asian American movement artists, makers, and shakers from like the 60s and 70s. It was my first introduction to really seeing Chinese Americans be out there and be really vocal, be excited, and be loud and angry about all these different topics. And so I've really gravitated towards just all that excitement, all that energy over the past decade just after learning more about them. I really just enjoyed seeing what that looks like and how we can continue that energy, especially for East Asian Americans here in the States, as we move into a new generation of game makers.   Miko Lee: [00:17:38] Tell us about how you carry that legacy of feisty activism into your work as an artist.   Katie Quan: [00:17:44] I like to consider myself a legacy of the Asian American movement. My grandparents came here in the 30s and 40s. I also have great grandparents and great great grandparents who traveled between the US and China, back and forth, back and forth and so I find myself really attached to their stories as well as how they've overcome a lot of those obstacles that Chinese Americans had to face during that time frame. My parents are both second generation Chinese American. They met at Self-Help for the Elderly, which was a organization that came from the Asian American movement in terms of making sure that our elderly are actually taken care of and have culturally relevant care. My parents were very much interested in enrolling us into bilingual education. Bilingual education was not a popular educational pedagogy at that point, partly because people thought that if you learned another language that was not English, that you would lose your Americanness in a lot of ways. And so one of the things that I really like to bring into my art is making sure that legacy and that history is always challenged and always, it feels relevant to where we are now, but also can meet other people where they're at. I do understand that not everyone gets to have a lot of those kinds of privileges where they see themselves, in their role models or that they didn't grow up around the history, I understand that that's the case. And so making sure that the work that I always produce meets people where they need to be at, is something of interest and something that I carry with me in all my work.   Miko Lee: [00:19:32] Thank you, Katie. Can you talk about the work that you have been doing with Chinese for Affirmative Action and tell us about the reparations zine that you've been developing?   Katie Quan: [00:19:43] Me and a team of other artists, academics and activists have been working to make a reparations zine alongside Chinese for Affirmative Action. Here in San Francisco reparations is still a very contentious issue. So one of the things that we're trying to really bring about and inform, especially the Chinese American demographics, is what reparations are and how we can support the work that black communities need and what they're doing at the moment. Within the zine, we are really covering what reparations are, how African Americans in San Francisco have contributed to the making of the city and also the Bay Area, how their community has been bulldozed in many, many ways, whether it's through health, environmental justice, redlining, all of these different issues. What's happened in the past 50, 60 years reparations is that first step in terms of saying sorry and, how can we begin to mend this wound that the United States has created consistently over time with this particular population.   Miko Lee: [00:20:54] What has surprised you about this process?   Katie Quan: [00:20:58] It's hard. [Laughs] And not that I didn't think it wasn't going to be hard. But I think the team that we've been working with, we've been really fortunate because we have some, second, third and fourth generation activists and artists, but we also have a team of other people who are new immigrants, and we've been really fortunate to learn from their perspective. And so rather than approaching it in a lens that talks about anti-blackness, sometimes it's talking about what it means to be American. And how do we participate in democracy? It's bringing a very positive spin, or just kind of a different spin to topics that we already know, and then that we talk about all the time, but making sure that it's accessible to everybody.   Miko Lee: [00:21:46] So this zine is going to be available for free in the Edge on the Square exhibition. Can you talk about what people will see when they walk into the exhibition and see your work? What are they going to see? What are they going to experience?   Katie Quan: [00:21:59] Yeah, we are hoping to make sure that our exhibition is big and it's bold, but at the same time it feels simple in its messaging. Asking people a little bit about what they know about reparations, being able to challenge their own thinking of what they know about black communities here in San Francisco, what they've done. Also talking about how we ourselves get information, how do we learn the things that we know and how can we challenge that? Or how can we push that forward? And so we will have an interactive element, but we will also have the zine there available, which will be created both in English and in Chinese for anybody who needs it. We will also have additional resources via QR code so that if anybody has any other questions or want to learn more about it, want to act on their excitement for this particular issue that they can also do so.   Miko Lee: [00:22:58] And what do you hope that people will walk away from your after taking away your zine after seeing the exhibit? What are you hoping that they will learn or or do after seeing your work?   Katie Quan: [00:23:10] One of the things that we kind of came across when creating the zine is that people had very strong opinions about reparations. They didn't always have all the information, but they had very strong opinions and they had very particular beliefs that come from their own life experiences. Our goal for this is not necessarily to persuade one way or the other, but it's to make sure that they're informed and just making sure that they have all the facts so that they can make a decision that best suits their own life experiences. We're also hoping that people walk away feeling like they know a little bit more and that they can share that with their own communities in a way that makes sense for them.   Miko Lee: [00:23:51] Katie Quan, thank you so much for joining us on Apex Express.   Katie Quan: [00:23:54]Yes, thank you so much.   Miko Lee: [00:23:55] Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.   MUSIC   That was “Live It Up”by Bay Area's Power Struggle. Welcome Tsim Nuj to Apex Express.   Tsim Nuj: [00:27:32] Hi, Miko. Thank you so much for having me today.   Miko Lee: [00:27:37] Can I start with just by asking you, who are your people and what legacy do you carry with you?   Tsim Nuj: [00:27:46] Who are my people and what legacy do I carry with me? My people are Hmong. My ancestors were living in northern Laos, in the mountains and in the jungles and farming. That's where my lineage and then my ancestors had to flee their homes because of the Vietnam War and the secret war in Laos to find refuge in Thailand and then now we're here in the US. specifically in Merced, California in the Central Valley on indigenous Yokut land. So yeah, that's my, those are my people. I think that my community here in Merced that I organize with, who are also queer and trans folks of color are also my people. And I think that the legacy that I carry is this legacy of, I carry this legacy of love. I think that in moments of having to find home and having to survive, I think that love really grounded my people and my people's families. And so I think that I'm really holding onto this act of loving. That I think really grounds me and really affirms who I am and the journey as I honor my ancestors. And I really, as I think about the descendants, right, my descendants, the young people who are a emerging and, you know, the future generations that are coming. And so I think that there's this really special moment where I feel like I'm really longing to connect with my ancestors, especially those who were queer and trans, my queer and trans Hmong ancestors. And I've been also connecting with my descendants. And then I think that there's also this present moment, right, where I'm also connected deeply with my community, who consists of being children of immigrant refugees, you know, queer and trans folks, and folks that are really reimagining and really fighting for a world where we can all be liberated and be our full, authentic, genuine, loving selves.   Miko Lee: [00:29:58] Thank you for sharing. Your art form is as a dancer, as a movement person, and you've created a video for the Walking Stories exhibition. Can you tell us the name of that video and what inspired you to create that?   Tsim Nuj: [00:30:14] I feel really honored to be a part of the Walking Stories exhibit, and this is actually my first exhibit that I get to be a part of and share my work in and so it feels very exciting and it feels very, like such an honor that I get to be a part of this project that's a collection of works who the artists and yeah, the folks that are a part of this are just such like incredible, brilliant beings, sharing our stories. And so my dance video The title of it is Our Queer Hmong Love Dance. What really inspired this piece was this idea of being home, right? And this idea of belonging. There's, there's so much ideas that came up for me. And I think that these ideas were coming up because of a recent transition. Last year, around this time, actually, I graduated from UC San Diego, and I was coming home, right, after five years. And so I think that this piece is really about connecting with my roots and finding home specifically in Merced and in the Central Valley. And really trying to think about who I am as a Hmong person. But it was also about who I was as a Hmong and queer person, right? A queer and Hmong person. And so I started to think about these rituals or these sounds and these movements that I really needed to explore. And so a lot of that exploration and that work. I got to practice and be in process and I think it's really what I needed in this moment. And so I'm really grateful I'm really grateful that I get to share it with my community and I'm really grateful that I get to share with my community and the folks that come and see our exhibit and I really I'm really hopeful that folks will resonate with it and really get to just witness me.   Miko Lee: [00:32:14] And so folks will come to the exhibit, they'll see all these different works, they'll see a booth that will have your film playing in it. Is there something that you want to have your audience lingering with or thinking about after they watch your work?   Tsim Nuj: [00:32:30] Yes. I really want my audience, the folks that come to the exhibit, feel invited to witness my piece, my video in the booth. I want them to allow themselves to really feel, right, whatever they're feeling, whatever is coming up for them. Whether it's the sounds that are guiding them, whether it's the visuals, right. Whether it's, you know, there might be some words or some images that come up, and I really want the audience to just really be with their bodies. Be with their minds, their spirits, right? And I, I hope that they allow themselves to just feel it. And I, I remember having a conversation with you Miko about this like meditative presence. And so I'm hoping that my audience or the folks that come and witness the entire exhibit, right? I hope that they are curious, and that they really allow themselves to just be with the work, whatever that means for them. I don't want to tell people how to watch my work, right? But I do want them to just really, be with it, right? And, and if you can, I hope that you'll be able to watch it for its entirety. I think that there's something really beautiful happening, with how I have put this video together and so I hope that you can be with it. Take the deep breaths. Take those breaths, right, pay attention to the sensations that you experience in your body.   What I want the audience to take away from after seeing my piece, I hope that they get to receive it and that they breathe it in and they're with it, right. And that they really see me and see the people that are in this video. And I hope that they see parts of themselves in it, and parts of their stories and their journeys. And I also really want them to think about these questions that I propose and that I ask, right? That I'm also asking myself. This piece is a dedication, right? I think that I'm creating this piece for my ancestors. I'm dancing for my descendants, and I think I'm also asking them, I'm in conversation with them, right? About where is home? Especially for folks who have been displaced, because of very violent histories of war and persecution and having to flee our homes, right, and survive all that, like, thinking about our indigenous relatives here on Turtle Island and thinking about Palestinians in Gaza. I think that, there's in this moment, this piece, I do ask, and I am trying to find this home, this idea of going home. And also how do we dance there, right? Like, how do we dance towards home? And so what is dance for us? I'm just really inspired by, black queer and trans feminists, specifically Prentiss Hemphill, and just the conversations that Prentiss has shared on their Spotify podcast, go and check it out. I think that this piece is also about remembering and honoring the folks who have come before me and the folks that will arrive after me.   Miko Lee: [00:35:32] Tsi Nuj, thank you so much for sharing your story. And we look forward to seeing your dance piece in Walking Stories.   Tsim Nuj: [00:35:41] Thank you so much, Miko, for your time and for creating the space for me. Yeah, I like, I think there's a lot of excitement that I feel in my body. And so like, I want to talk about the work, but please, please, please, for whoever is listening, come and be with us. Come and experience our work and be in conversation with us. I think it's really important in this moment for us to uplift one another's voices and really affirm each other's stories. When we think about collective liberation, it really is doing this work, right? Of thinking about what is collective care and collective love look like, how do we lean into our creativity, our ancestral technologies and practices to really make meaning of how we show up in this world, right? And to really empower us, right? To, you know, continue showing up for one another and because we know that this work is lifelong. Healing and, you know, really creating this world where we are all free. I hope that the folks that are listening to this and the folks that come to the exhibit and everybody, right, I really hope that we can feel how important it is for each one of us and all of us to be in this movement towards the liberation of everybody, right? Because our liberations are, are so deeply intertwined and connected. So thank you.   Miko Lee: [00:37:04] Thank you so much. That was great. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights.” This is part of the trilogy of the activists songbook. This multi-lingual rap gives steps to know what to do when ICE officers come to your door.   MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jafferis and composed by Byron Au Young. Welcome Visibility Project and Related Tactics to Apex Express. I'm so happy to have you all with me this evening, and I would love to just ask you all the question I love asking for people, which is what is your story? What's your background? And what legacy do you carry with you? And let's start with Weston.   Weston Teruya: [00:40:12] I am a Japanese American and Okinawa American from Hawaii. I identify as an Asian American and person of color, and I draw on the histories of cross-racial solidarity between communities as a strategic alliance and community building effort for justice.   Miko Lee: [00:40:34] Thanks, Weston. And Michelle, how about you? Who are your people and what legacy do you carry with you?   Michelle K Carlson: [00:40:41] Hi, thanks, Miko. I'm Korean American. I grew up in Seattle, Washington and spent most of my time on the West Coast. I, similar to Weston, operate in a realm of cross racial solidarity, linking myself often to histories of racial solidarity justice movements. Weston and I are representing Related Tactics, which is an artist collective that also anchors itself within these histories of cross racial solidarity. We make all sorts of artistic works at the intersection of race and culture.   Miko Lee: [00:41:18] Thanks, Michelle. And finally, Mia Nakano, who are your people and what legacy do you carry with you?   Mia Nakano: [00:41:24] Thank you so much for having me here. I'm Mia Nakano she/her pronouns and I'm the executive director of the Visibility Project. I am a queer fourth generation Japanese American woman. I am the daughter of a single mother and the sibling of a deaf adult. And I think that all of those relationships and intersectional identities bring forth all of the work that I do. And so I think about queer ancestors, I think about accessibility in the deaf community, I think about all of the really powerful women that have been incredibly present in my life to shape who I am today.   Miko Lee: [00:42:10] Thank you, Mia. And you are two different groups of artists. One is Visibility Project. The other is Related Tactics. Can you share with us a little bit about how this collaboration came about?   Mia Nakano: [00:42:22] I was invited to participate as a contributing artist in one of Related Tactics' very first shows back in, I believe, in 2016, and have been following their work as a growing artistic practice and a collective for quite some time. I've always been thinking about how could the Visibility Project as a queer led, you know queer, LGBTQ, archiving and organizing artistic practice collaborate with this cross racial, very intersectional, collective in Related Tactics. One of the ideas that has sort of been percolating for me over a long period of time was that so many queer Asian American organizations and so many queer spaces have all come out of the idea and like the gathering around potluck spaces, right? So potlucks being safe spaces for queer folks, for folks of color, for marginalized communities who didn't have safe spaces to gather. And many queer Asian organizations started off with potlucks that then turned into social and political groups, which then shifted into political advocacy and culture change, and then ultimately like legislative change. And I saw such deep connections in terms of how I see related tactics and experience related tactics. It's building roots and planting seeds for multiple relationships and collaborations through the different intersecting ways that our communities have been able to come together over the past few years.   Miko Lee: [00:44:18] So how did this collaboration begin working on this concept around potlucks?   Michelle K Carlson: [00:44:24] This is Michelle from Related Tactics. The three of us have known each other for a long time and Mia and I have worked together in a lot of different capacities over the years. I think Related Tactics, at the core of what we do is coming together with this kind of shared belief and shared value system around collectivity as this really productive material and tool and method for creative action in the world. I think at the core of that is understanding that we don't have all the information and we don't like to be the only voice in the room and we are not the ones that necessarily should be telling the stories for everyone. Related Tactics, when we often get an opportunity, one of our common strategies is just to figure out a way to share that out and to bring more voices into the room to be in concert with our own. When we understood that the Visibility Project was also going to be a part of this project, we're like we should join forces and bring our communities together. And I think we've been looking for a way to do that over the years.   Miko Lee: [00:45:35] Talk to me about the title, Nourishing Power. Where does that come from? What is that about?   Mia Nakano: [00:45:41] I think because of the individual artistic practices, And the people who comprise Related Tactics, and myself at the Visibility Project, we are all so incredibly busy, that all of our contributions to our various communities, whether it's at universities, in social justice movements, in artistic organizations, we're all about cultivating the power of other people while putting artists into artistic practices and people first, right? Like you have to, put on your oxygen mask first before you're able to really step out and fully do the work that you want to be doing. And to do that, you have to nourish yourself, you have to nourish your power. And I think that there's also the idea of the collectivity and framework that Related Tactics brings where we can all also do that for one another, right? When one person is at 10 percent capacity, the other two people can step forth and we can all move and lift each other up together rather than doing it as individuals.   Miko Lee: [00:46:52] Thank you. And Weston, what can people expect when they walk into Edge on the Square, the corner of Grant and Clay? What will they see that will show them your work?   Weston Teruya: [00:47:04] So the center point of our installation is going to be these carts with an array of takeaways that people are free to engage with in different ways, and they are essentially prompt for various potlucks that, we've contributed as a themes and as collaborators and then have also invited a group of additional artists to contribute as well. One of the modes that Related Tactics works in is in the form of the takeaway and part of the impetus behind that is that we want to provide the seed for people to create their own sort of spaces and gatherings and encounters with people beyond the gallery walls. We don't want art to just be this thing that only exists in these defined spaces. We've had different projects that use that mode, and this is one of them. We invite people to engage with it, take these ideas, plant the seeds for their own potlucks beyond the walls of the gallery and hopefully have these opportunities to build community, in their own spaces, in their own worlds, amongst their own networks of people.   Miko Lee: [00:48:12] I love the accessible takeaway. I still have a divest yourself matchbox from one of your shows. [Laughs] I love that. Michelle, what's a concrete example of a takeaway from Nourishing Power?   Michelle K Carlson: [00:48:27] One of the examples I would talk about is, one of the artists we've invited, Joy Enriquez, has created like hundreds of tiny ceramic spoons. They're thinking a lot about how does one articulate when they need support. They talk about it as if one only has so many spoons to use in a day, but you have way more things you need to do with those spoons. How do you survive that? How do you ask for support? How do you allocate those spoons to this kind of overwhelming existence? They have all these really beautiful prompts that will be printed on a card to take away, but then also you can take away a ceramic spoon that they've been spending many hours in a ceramic studio, making and firing. I think there's this idea too, that there's many, many ways one can use that spoon that can exist to support your day to day that you might not think about. So they have some things that are about how one might hold or touch the spoon or things you might do with it that isn't just about eating. That also really embodies the spirit of this project, that it's also not just about potlucks in the sense of like, bring food to a table, but that it's about this kind of space to share knowledge, to share resources, to exchange things when you don't feel like you have the thing you're supposed to bring, or you can't meet the expectation, the greater expectations of what is supposed to occur in that moment. But that the potluck is a space for us to share and support each other in ways that we maybe have not been able to imagine yet.   Miko Lee: [00:50:06] Ooh, I love that. And Mia, how many different artists are there? How many, and how did you go about selecting all these different artists that are participating?   Mia Nakano: [00:50:15] There's over a dozen artists who are participating, and we collectively just started brainstorming and extending out invitations to our various communities and folks that we've worked with in the past, folks who, have participated in Related Tactic shows or know, you know, through other pathways and connections. And then I just reached out to a few Visibility Project participants, even folks going back that I interviewed over 15 years ago to ask if they would be willing to participate. Each person was invited to create one prompt, one initial prompt of what the potluck would be, like if they were to have a potluck, right? So we have somebody who put forth a potluck for screaming, a potluck for nourishing. So different artists are putting forth their own individual potlucks, and one prompt connected to that, and then folks will be able to use that as a seed to create their own gathering spaces in the future.   Miko Lee: [00:51:15] If there's an action word that you would want people to walk away with, what's that action word after they go to see your exhibit? What is the verb that you want them to do?   Weston Teruya: [00:51:27] I think it might be gather. That's sort of the crux of what we're hoping to seed.   Miko Lee: [00:51:33] What about an emotion? Is there an emotion you want folks to walk away with?   Mia Nakano: [00:51:38] I like the idea of gathering, in that also kind of to be able to connect, right? Like we're not just coming together, like we're building something that we want to connect and maintain.   Michelle K Carlson: [00:51:50] Yeah. And I think also like exchanging, right? It's like something really active is happening, there's an exchange, everybody's kind of, there's like a reciprocity too. That you know, that nobody is hosting, like everybody's coming and sharing and exchanging and giving and receiving and maybe nourish is actually the right, I don't know if nourish is an emotion, but I think in the social justice world it is. [Laughs] So it feels like nourish actually is probably a useful emotion. I think reciprocity is also like a feeling that should happen, that when you are giving you're not doing so to the point of extraction because you are also receiving. And that's I think one of the core things about this project wasn't just about Related Tactics and or Visibility Project offering ideas. It was like, we have created a prompt for a potluck and in many ways audience members will come into the show and see our potluck because it will have all these contributions from all these other artists. And so you get to kind of leave with like a goodie bag, doggie bag that is like the kind of residue of our potluck. We hope that folks go home and do that for themselves within their communities, either using our prompts or using our prompts as a platform to create their own space.   Miko Lee: [00:53:18] Is there a perfect amount of people to attend a potluck? Like how many dishes do you want at your potluck?   Michelle K Carlson: [00:53:26] I feel like we're in like a seven to ten vibe. Like 15 tops, then it's too many. You know, it's like, because not too many, but it, there's a different thing that's happening when you get over 15 people in a room. But like, I feel like 10 is the zone where you can still have kind of like close intimate, you know, conversations where you can like build trust, you can spend some time, get around to see everyone, get a little bit of everybody's, you know, contribution, and then, but it's not like so small that it's like you and one other person and you're on a very awkward blind date or something.   Miko Lee: [00:54:09] And are you all down for the themed potlucks or do you like them to be just open ended, bring whatever you want?   Mia Nakano: [00:54:17] I love a themed potluck. I love just like some sort of container where you're going in and you're acknowledging I've got dessert, or we're gonna go over to Southeast Asia, rather than everybody showing up with ten pots of rice and they're just eating rice all night.   Michelle K Carlson: [00:54:35] Or tortilla chips, or like Trader Joe's brownie bites, like five containers of those. No shame on brownie bites.   Miko Lee: [00:54:44] Okay, how can folks find out more about your work?   Mia Nakano: [00:54:48] So folks want to check out what the Visibility Project is doing, you can go to visibilityproject.org and learn about all the participants and hear their stories and even go on an LGBTQ digital history tour of the Asian American community in the Bay Area.   Michelle K Carlson: [00:55:04] If you want to find out more about Related Tactics, you can go to relatedtactics.com or find us on Instagram and our handle is just at Related Tactics.   Miko Lee: [00:55:15] Thank you so much for joining me and I look forward to seeing your work in the show and feeling nourished and planning my next potluck. Thank you so much. So that was a chance to listen to just a few of the artivists that are part of Walking Stories. You got a little insight into where they're coming from and how they created their pieces. And there's so many more artivists that you didn't get to hear from. So I hope you'll come to our exhibit that runs June 29th through the end of December. We'll be at Edge on the Square in San Francisco Chinatown. We'll put a link in the show notes at our website kpfa.org backslash programs, backslash apex express. We hope that you'll join us and share your story too, because all of us have important stories to tell. Thank you so much for joining us on Apex Express. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 6.27.24 – Walking Stories appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee speaks with artivists from the upcoming exhibition at Edge on the Square.   TRANSCRIPT Walking Stories: Artivists POV   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:34] Good evening this is Miko Lee and welcome to Apex Express. We are so happy to have you with us. We are going to be talking about something really personal to me tonight. We are talking about the new interactive exhibition at Edge on the Square in San Francisco, Chinatown. The whole exhibition is called Walking Stories and it is stories from our Asian American community. And we invite you to join us. It opens June 29th and runs all the way through December. Opening night, June 29th is going to be interactive performances and amazing little goodies so we really invite you to join us for opening, but if you can make it that night, we're running all the way through the end of December. Okay, so a little bit of background. Some of you might know that I have been a host on Apex Express for the past seven and a half years, and it has truly been a delight and a joy. As part of that time, I learned that Apex Express is part of a network of Asian American progressive groups. That's called AACRE, which is short for Asian Americans for Civil Rights and Equality. And about two and a half years ago, I joined the staff of AACRE, which has been such a joy to be around colleagues that share the same values and passions and beliefs in supporting and uplifting our community. For the past year, we have been working on a narrative strategy, really trying to reframe how Asian Americans are portrayed in the media, how we're perceived within our own community. We were initially going to do this with the Pacific Islander community as well. But in talking to our sister colleagues, they are going through their own process of a PI narrative strategy and I totally respect that. At some point we will merge and join those voices together. So right now we're focusing on Asian American stories. Through the past year through wonderful funding from San Francisco foundation's Bay Area Creative Corps we were actually able to fund approximately 37 different artists and embed them in different AACRE groups to be able to create narratives that resonate with their own communities. So that in this exhibit Walking Stories, we're going to hear stories about Hmong folks and formerly incarcerated folks, folks that are queer and trans and folks that have stories to share, because we all have important stories to share. Our exhibit is inviting folks to think about how they can get involved, how they can share their own stories, how they can join us in this collective movement for rewriting our history of the kind of silent, quiet model minority that sits in the background that's used as the wedge issue for larger things like reparations and affirmative action and really reframes that and brings back our Asian American activist past because we know that is who we are. That is our history going back from the first time that we came into this country. We invite folks in the community to join us to see more about who these stories are, to find out, to get involved to see what resonates with them and even what doesn't resonate with them. But really join us in this conversation. So tonight I'm really pleased to be talking with just a few of the artists that are in Walking Stories. So that you can get some insight into their process and how they made the piece that they're going to be sharing.   The exhibit itself will be at Edge on the Square in San Francisco Chinatown. When you walk in, you are going to see this timeline of lanterns hanging from the ceiling. That's about an Asian American activist history. You're going to see a really cool, nourishing power piece, which we're going to talk to the artists about, that is about how potlucks were used as a tool for queer and trans organizing. You are going to learn more about Hmong dance. And what does that look like, and what does it feel like in your own body? You're going to learn about ancestors, the power of our ancestors and how we can bring that to help us in our healing and moving forward. You're going to see in the exhibit about a Hmong story cloth reimagined with a modern perspective, you're going to see stories of south Asians activists and what they represent. And what does it mean to be a south Asian Muslim in America today? You're going to hear some of these stories. You're going to see them. We hope that you'll experience them. Then we hope that you'll learn more and find out about what we're doing and how you can get involved. So join me on this little journey through some of the artivists—that's artists that are also activists—that are part of our exhibit called Walking Stories. Come board. Join us. Welcome Hà Trần to Apex Express. We're so happy to have you with us. Trần Châu Hà: [00:05:40] Thank you for having me.   Miko Lee: [00:05:41] So you are amazing artist, but I want to start and go back and for you to tell us who are your people and what legacy do you carry with you?   Trần Châu Hà: [00:05:52] Ooh, oh my god, that's such like a big question. I guess my people are the people at Asian Prisoner Support Committee. I come from like a lineage of like Vietnamese refugees, and I think about like the ways that our communities have been impacted by the legacy of imperialism, which includes like incarceration, deportation, and things of that nature. I would say my community are folks who are impacted by, those kinds of pipelines and violences, Southeast Asian folks broadly.   Miko Lee: [00:06:14] And what legacy do you carry with you from them?   Trần Châu Hà: [00:06:18] I think the easy answer is like resilience clearly. To exist and survive under so many different violences and still move forth and create such beautiful communities.   Miko Lee: [00:06:25] Hà how did you get started working with Asian Prisoner Support Committee?   Trần Châu Hà: [00:06:29] It actually started from an interpersonal relationship. My best friend who also works at the organization now. They actually explained to me that a APSC was doing all this work in regards to like stopping the prison to deportation pipeline, how like so many of our Southeast Asian American community members were impacted by this kind of incarceration and things of that nature. At that point, it just became my political home after many, many years.   Miko Lee: [00:06:50] Thanks for sharing that. Then tell us about the work that you have in the new exhibit that is opening up called Walking Stories. Can you tell us the title of your piece and then describe it for us?   Trần Châu Hà: [00:07:01] The piece I'm making is a comic called We Was Girls Together. It's a quote from Sula by Toni Morrison. The comic is about my friend Maria Legarda. She's a re-entry coordinator at the Asian Prisoner Support Committee. She's also a Filipino immigrant who's facing deportation to the Philippines now after she was incarcerated in CCWF for 14 years. We met each other through APSC I know her as a very generous and kind person who loves crocheting. She's always been like an extreme light every time I come to the office and interact with her. But I also know that Maria is like someone who frankly, knows all these like incarcerated women or like formerly and currently incarcerated women. She really shows me what it looks like to be, like, an abolitionist feminist despite the kind of struggles and difficulties that she's moving through as someone who's literally currently still facing deportation because of her quote unquote, deportable offense. My comic is about Maria Legarda. It starts with like her story, her migration story from the Philippines. She was born under the Marcos regime, which basically socioeconomically destabilized the Philippines. She came to the US for economic opportunity. But clearly she had a really hard time adjusting, and then eventually she made some choices that led her to a federal offense that led to her decades of incarceration. When she was in prison, she met all these, wonderful women of color who also were survivors of sexual and gendered violence, so I just follow her story through her healing. Despite the fact that she's healed so deeply and she's shown so much care to other people and she has these communities she still is deportable to a country that she hasn't been to in 30 or so years, and doesn't consider home anymore.   Miko Lee: [00:08:27] Share with me a little bit about how zines are your choice of art medium?   Trần Châu Hà: [00:08:32] I love the nature of how like accessible they are. I think I kind of started out as an illustrator and an essayist separately. But then I realized as I was like writing essays I couldn't necessarily share those things immediately with my mom. She's not super fluent in English, right? But like when I combined the medium of illustration and writing into creating a comic in a zine, I could show that to my mom and even if she can't fully understand all the writing she could still access, like the actual medium. And then the form of the zine is something that is meant to be taken away. It's meant to be shared with other people. I started going to a lot of zine fests last year and it just made me realize like, oh yeah, I want all my stuff to be accessible, right? Like I don't want it necessarily to be underneath a pay wall or things of that nature. I think there's something like, you know, for lack of a better word, very like, democratic about zine making, and as well as, comics generally.   Miko Lee: [00:09:20] I love how you do the mom test.   Trần Châu Hà: [00:09:22] Yes. It's funny, I wrote, an essay about my grandmother, actually, in the Asian American Writers Workshop like 2021, and I had to literally translate the entire thing for her to read it to make sure all the details were right, and I was like, wait, I could have just made this easier by like illustrating some of it to make it accessible across language barriers and things of that nature.   Miko Lee: [00:09:40] And has Maria read through the scene?   Trần Châu Hà: [00:09:42] Yes, she has.   Miko Lee: [00:09:44] What has been her take on it?   Trần Châu Hà: [00:09:46] She actually sent me a very long signal which like made me cry because I was like, oh my god, I can't believe she actually thought this about the work. She was talking about how it helped her reflect on everything she's gone through but also like these relationships that have really sustained her. Namely like, I mentioned this person named Granny in the comic who I've met who's essentially like the person who adopted Maria when she just became incarcerated and was dealing with the fallout and trauma of sexual violence and things of that nature. The comic reminds Maria of just her growth essentially over all these years, but also all these rich relationships that still continue to sustain her like across carceral walls and things of that nature.   Miko Lee: [00:10:17] And what do you hope people that come and see your work and take one of your zines, what do you hope that they walk away with?   Trần Châu Hà: [00:10:25] The obvious answer to the question is, like, how cruel the prison to deportation pipeline is. For someone to build such wonderful communities in the United States and for borders being so arbitrary and things of that nature that they can be stolen away from these communities at any point, and how cruel and unnecessary that all feels for immigrants and refugees who have been criminalized to experience this kind of double punishment. I think the other element of it is the ways that women, specifically currently and formerly incarcerated women create these networks of care amongst each other that, in light of the state not supporting them and their healing, whether they've experienced gendered or sexual violence, these people will find each other, these women will find each other and they'll be able to support each other and help each other through these processes of healing and also like fighting sexual violence in the carceral system. Yeah, just like highlighting those kinds of like organic networks and that relationship building that we don't necessarily get to see in like, for example, like mainstream media or like policy making or things of that nature.   Miko Lee: [00:11:18] What will people see when they walk into the Rdge on the Square exhibit space?   Trần Châu Hà: [00:11:23] Yes, you will see 15 comic pages in acrylic frames and then underneath that will be a table with actually takeaways. So feel free to take the comic away in like a booklet form as well, but you can also read it out on the wall when you walk in.   Miko Lee: [00:11:35] Thank you so much for sharing with us about your artistry and your vision and your story about Maria and your connection with Asian Prisoner Support Committee. We look forward to seeing your work.   Trần Châu Hà: [00:11:45] Thank you, Miko. Pleasure speaking with you.   Miko Lee: [00:11:48] Next up, listen to “Staygo” from DARKHEART, A Concert Narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipinx futurism punk rock sci-fi DARKHEART. Katie Quan, artist, activist, ethnic studies teacher. I'm so happy to have you on Apex Express. And the first question I want to ask you is, who are your people and what legacy do you carry with you?   Katie Quan: [00:16:51] I would say that my people, I really strongly identify with Asian American movement artists, makers, and shakers from like the 60s and 70s. It was my first introduction to really seeing Chinese Americans be out there and be really vocal, be excited, and be loud and angry about all these different topics. And so I've really gravitated towards just all that excitement, all that energy over the past decade just after learning more about them. I really just enjoyed seeing what that looks like and how we can continue that energy, especially for East Asian Americans here in the States, as we move into a new generation of game makers.   Miko Lee: [00:17:38] Tell us about how you carry that legacy of feisty activism into your work as an artist.   Katie Quan: [00:17:44] I like to consider myself a legacy of the Asian American movement. My grandparents came here in the 30s and 40s. I also have great grandparents and great great grandparents who traveled between the US and China, back and forth, back and forth and so I find myself really attached to their stories as well as how they've overcome a lot of those obstacles that Chinese Americans had to face during that time frame. My parents are both second generation Chinese American. They met at Self-Help for the Elderly, which was a organization that came from the Asian American movement in terms of making sure that our elderly are actually taken care of and have culturally relevant care. My parents were very much interested in enrolling us into bilingual education. Bilingual education was not a popular educational pedagogy at that point, partly because people thought that if you learned another language that was not English, that you would lose your Americanness in a lot of ways. And so one of the things that I really like to bring into my art is making sure that legacy and that history is always challenged and always, it feels relevant to where we are now, but also can meet other people where they're at. I do understand that not everyone gets to have a lot of those kinds of privileges where they see themselves, in their role models or that they didn't grow up around the history, I understand that that's the case. And so making sure that the work that I always produce meets people where they need to be at, is something of interest and something that I carry with me in all my work.   Miko Lee: [00:19:32] Thank you, Katie. Can you talk about the work that you have been doing with Chinese for Affirmative Action and tell us about the reparations zine that you've been developing?   Katie Quan: [00:19:43] Me and a team of other artists, academics and activists have been working to make a reparations zine alongside Chinese for Affirmative Action. Here in San Francisco reparations is still a very contentious issue. So one of the things that we're trying to really bring about and inform, especially the Chinese American demographics, is what reparations are and how we can support the work that black communities need and what they're doing at the moment. Within the zine, we are really covering what reparations are, how African Americans in San Francisco have contributed to the making of the city and also the Bay Area, how their community has been bulldozed in many, many ways, whether it's through health, environmental justice, redlining, all of these different issues. What's happened in the past 50, 60 years reparations is that first step in terms of saying sorry and, how can we begin to mend this wound that the United States has created consistently over time with this particular population.   Miko Lee: [00:20:54] What has surprised you about this process?   Katie Quan: [00:20:58] It's hard. [Laughs] And not that I didn't think it wasn't going to be hard. But I think the team that we've been working with, we've been really fortunate because we have some, second, third and fourth generation activists and artists, but we also have a team of other people who are new immigrants, and we've been really fortunate to learn from their perspective. And so rather than approaching it in a lens that talks about anti-blackness, sometimes it's talking about what it means to be American. And how do we participate in democracy? It's bringing a very positive spin, or just kind of a different spin to topics that we already know, and then that we talk about all the time, but making sure that it's accessible to everybody.   Miko Lee: [00:21:46] So this zine is going to be available for free in the Edge on the Square exhibition. Can you talk about what people will see when they walk into the exhibition and see your work? What are they going to see? What are they going to experience?   Katie Quan: [00:21:59] Yeah, we are hoping to make sure that our exhibition is big and it's bold, but at the same time it feels simple in its messaging. Asking people a little bit about what they know about reparations, being able to challenge their own thinking of what they know about black communities here in San Francisco, what they've done. Also talking about how we ourselves get information, how do we learn the things that we know and how can we challenge that? Or how can we push that forward? And so we will have an interactive element, but we will also have the zine there available, which will be created both in English and in Chinese for anybody who needs it. We will also have additional resources via QR code so that if anybody has any other questions or want to learn more about it, want to act on their excitement for this particular issue that they can also do so.   Miko Lee: [00:22:58] And what do you hope that people will walk away from your after taking away your zine after seeing the exhibit? What are you hoping that they will learn or or do after seeing your work?   Katie Quan: [00:23:10] One of the things that we kind of came across when creating the zine is that people had very strong opinions about reparations. They didn't always have all the information, but they had very strong opinions and they had very particular beliefs that come from their own life experiences. Our goal for this is not necessarily to persuade one way or the other, but it's to make sure that they're informed and just making sure that they have all the facts so that they can make a decision that best suits their own life experiences. We're also hoping that people walk away feeling like they know a little bit more and that they can share that with their own communities in a way that makes sense for them.   Miko Lee: [00:23:51] Katie Quan, thank you so much for joining us on Apex Express.   Katie Quan: [00:23:54]Yes, thank you so much.   Miko Lee: [00:23:55] Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.   MUSIC   That was “Live It Up”by Bay Area's Power Struggle. Welcome Tsim Nuj to Apex Express.   Tsim Nuj: [00:27:32] Hi, Miko. Thank you so much for having me today.   Miko Lee: [00:27:37] Can I start with just by asking you, who are your people and what legacy do you carry with you?   Tsim Nuj: [00:27:46] Who are my people and what legacy do I carry with me? My people are Hmong. My ancestors were living in northern Laos, in the mountains and in the jungles and farming. That's where my lineage and then my ancestors had to flee their homes because of the Vietnam War and the secret war in Laos to find refuge in Thailand and then now we're here in the US. specifically in Merced, California in the Central Valley on indigenous Yokut land. So yeah, that's my, those are my people. I think that my community here in Merced that I organize with, who are also queer and trans folks of color are also my people. And I think that the legacy that I carry is this legacy of, I carry this legacy of love. I think that in moments of having to find home and having to survive, I think that love really grounded my people and my people's families. And so I think that I'm really holding onto this act of loving. That I think really grounds me and really affirms who I am and the journey as I honor my ancestors. And I really, as I think about the descendants, right, my descendants, the young people who are a emerging and, you know, the future generations that are coming. And so I think that there's this really special moment where I feel like I'm really longing to connect with my ancestors, especially those who were queer and trans, my queer and trans Hmong ancestors. And I've been also connecting with my descendants. And then I think that there's also this present moment, right, where I'm also connected deeply with my community, who consists of being children of immigrant refugees, you know, queer and trans folks, and folks that are really reimagining and really fighting for a world where we can all be liberated and be our full, authentic, genuine, loving selves.   Miko Lee: [00:29:58] Thank you for sharing. Your art form is as a dancer, as a movement person, and you've created a video for the Walking Stories exhibition. Can you tell us the name of that video and what inspired you to create that?   Tsim Nuj: [00:30:14] I feel really honored to be a part of the Walking Stories exhibit, and this is actually my first exhibit that I get to be a part of and share my work in and so it feels very exciting and it feels very, like such an honor that I get to be a part of this project that's a collection of works who the artists and yeah, the folks that are a part of this are just such like incredible, brilliant beings, sharing our stories. And so my dance video The title of it is Our Queer Hmong Love Dance. What really inspired this piece was this idea of being home, right? And this idea of belonging. There's, there's so much ideas that came up for me. And I think that these ideas were coming up because of a recent transition. Last year, around this time, actually, I graduated from UC San Diego, and I was coming home, right, after five years. And so I think that this piece is really about connecting with my roots and finding home specifically in Merced and in the Central Valley. And really trying to think about who I am as a Hmong person. But it was also about who I was as a Hmong and queer person, right? A queer and Hmong person. And so I started to think about these rituals or these sounds and these movements that I really needed to explore. And so a lot of that exploration and that work. I got to practice and be in process and I think it's really what I needed in this moment. And so I'm really grateful I'm really grateful that I get to share it with my community and I'm really grateful that I get to share with my community and the folks that come and see our exhibit and I really I'm really hopeful that folks will resonate with it and really get to just witness me.   Miko Lee: [00:32:14] And so folks will come to the exhibit, they'll see all these different works, they'll see a booth that will have your film playing in it. Is there something that you want to have your audience lingering with or thinking about after they watch your work?   Tsim Nuj: [00:32:30] Yes. I really want my audience, the folks that come to the exhibit, feel invited to witness my piece, my video in the booth. I want them to allow themselves to really feel, right, whatever they're feeling, whatever is coming up for them. Whether it's the sounds that are guiding them, whether it's the visuals, right. Whether it's, you know, there might be some words or some images that come up, and I really want the audience to just really be with their bodies. Be with their minds, their spirits, right? And I, I hope that they allow themselves to just feel it. And I, I remember having a conversation with you Miko about this like meditative presence. And so I'm hoping that my audience or the folks that come and witness the entire exhibit, right? I hope that they are curious, and that they really allow themselves to just be with the work, whatever that means for them. I don't want to tell people how to watch my work, right? But I do want them to just really, be with it, right? And, and if you can, I hope that you'll be able to watch it for its entirety. I think that there's something really beautiful happening, with how I have put this video together and so I hope that you can be with it. Take the deep breaths. Take those breaths, right, pay attention to the sensations that you experience in your body.   What I want the audience to take away from after seeing my piece, I hope that they get to receive it and that they breathe it in and they're with it, right. And that they really see me and see the people that are in this video. And I hope that they see parts of themselves in it, and parts of their stories and their journeys. And I also really want them to think about these questions that I propose and that I ask, right? That I'm also asking myself. This piece is a dedication, right? I think that I'm creating this piece for my ancestors. I'm dancing for my descendants, and I think I'm also asking them, I'm in conversation with them, right? About where is home? Especially for folks who have been displaced, because of very violent histories of war and persecution and having to flee our homes, right, and survive all that, like, thinking about our indigenous relatives here on Turtle Island and thinking about Palestinians in Gaza. I think that, there's in this moment, this piece, I do ask, and I am trying to find this home, this idea of going home. And also how do we dance there, right? Like, how do we dance towards home? And so what is dance for us? I'm just really inspired by, black queer and trans feminists, specifically Prentiss Hemphill, and just the conversations that Prentiss has shared on their Spotify podcast, go and check it out. I think that this piece is also about remembering and honoring the folks who have come before me and the folks that will arrive after me.   Miko Lee: [00:35:32] Tsi Nuj, thank you so much for sharing your story. And we look forward to seeing your dance piece in Walking Stories.   Tsim Nuj: [00:35:41] Thank you so much, Miko, for your time and for creating the space for me. Yeah, I like, I think there's a lot of excitement that I feel in my body. And so like, I want to talk about the work, but please, please, please, for whoever is listening, come and be with us. Come and experience our work and be in conversation with us. I think it's really important in this moment for us to uplift one another's voices and really affirm each other's stories. When we think about collective liberation, it really is doing this work, right? Of thinking about what is collective care and collective love look like, how do we lean into our creativity, our ancestral technologies and practices to really make meaning of how we show up in this world, right? And to really empower us, right? To, you know, continue showing up for one another and because we know that this work is lifelong. Healing and, you know, really creating this world where we are all free. I hope that the folks that are listening to this and the folks that come to the exhibit and everybody, right, I really hope that we can feel how important it is for each one of us and all of us to be in this movement towards the liberation of everybody, right? Because our liberations are, are so deeply intertwined and connected. So thank you.   Miko Lee: [00:37:04] Thank you so much. That was great. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights.” This is part of the trilogy of the activists songbook. This multi-lingual rap gives steps to know what to do when ICE officers come to your door.   MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jafferis and composed by Byron Au Young. Welcome Visibility Project and Related Tactics to Apex Express. I'm so happy to have you all with me this evening, and I would love to just ask you all the question I love asking for people, which is what is your story? What's your background? And what legacy do you carry with you? And let's start with Weston.   Weston Teruya: [00:40:12] I am a Japanese American and Okinawa American from Hawaii. I identify as an Asian American and person of color, and I draw on the histories of cross-racial solidarity between communities as a strategic alliance and community building effort for justice.   Miko Lee: [00:40:34] Thanks, Weston. And Michelle, how about you? Who are your people and what legacy do you carry with you?   Michelle K Carlson: [00:40:41] Hi, thanks, Miko. I'm Korean American. I grew up in Seattle, Washington and spent most of my time on the West Coast. I, similar to Weston, operate in a realm of cross racial solidarity, linking myself often to histories of racial solidarity justice movements. Weston and I are representing Related Tactics, which is an artist collective that also anchors itself within these histories of cross racial solidarity. We make all sorts of artistic works at the intersection of race and culture.   Miko Lee: [00:41:18] Thanks, Michelle. And finally, Mia Nakano, who are your people and what legacy do you carry with you?   Mia Nakano: [00:41:24] Thank you so much for having me here. I'm Mia Nakano she/her pronouns and I'm the executive director of the Visibility Project. I am a queer fourth generation Japanese American woman. I am the daughter of a single mother and the sibling of a deaf adult. And I think that all of those relationships and intersectional identities bring forth all of the work that I do. And so I think about queer ancestors, I think about accessibility in the deaf community, I think about all of the really powerful women that have been incredibly present in my life to shape who I am today.   Miko Lee: [00:42:10] Thank you, Mia. And you are two different groups of artists. One is Visibility Project. The other is Related Tactics. Can you share with us a little bit about how this collaboration came about?   Mia Nakano: [00:42:22] I was invited to participate as a contributing artist in one of Related Tactics' very first shows back in, I believe, in 2016, and have been following their work as a growing artistic practice and a collective for quite some time. I've always been thinking about how could the Visibility Project as a queer led, you know queer, LGBTQ, archiving and organizing artistic practice collaborate with this cross racial, very intersectional, collective in Related Tactics. One of the ideas that has sort of been percolating for me over a long period of time was that so many queer Asian American organizations and so many queer spaces have all come out of the idea and like the gathering around potluck spaces, right? So potlucks being safe spaces for queer folks, for folks of color, for marginalized communities who didn't have safe spaces to gather. And many queer Asian organizations started off with potlucks that then turned into social and political groups, which then shifted into political advocacy and culture change, and then ultimately like legislative change. And I saw such deep connections in terms of how I see related tactics and experience related tactics. It's building roots and planting seeds for multiple relationships and collaborations through the different intersecting ways that our communities have been able to come together over the past few years.   Miko Lee: [00:44:18] So how did this collaboration begin working on this concept around potlucks?   Michelle K Carlson: [00:44:24] This is Michelle from Related Tactics. The three of us have known each other for a long time and Mia and I have worked together in a lot of different capacities over the years. I think Related Tactics, at the core of what we do is coming together with this kind of shared belief and shared value system around collectivity as this really productive material and tool and method for creative action in the world. I think at the core of that is understanding that we don't have all the information and we don't like to be the only voice in the room and we are not the ones that necessarily should be telling the stories for everyone. Related Tactics, when we often get an opportunity, one of our common strategies is just to figure out a way to share that out and to bring more voices into the room to be in concert with our own. When we understood that the Visibility Project was also going to be a part of this project, we're like we should join forces and bring our communities together. And I think we've been looking for a way to do that over the years.   Miko Lee: [00:45:35] Talk to me about the title, Nourishing Power. Where does that come from? What is that about?   Mia Nakano: [00:45:41] I think because of the individual artistic practices, And the people who comprise Related Tactics, and myself at the Visibility Project, we are all so incredibly busy, that all of our contributions to our various communities, whether it's at universities, in social justice movements, in artistic organizations, we're all about cultivating the power of other people while putting artists into artistic practices and people first, right? Like you have to, put on your oxygen mask first before you're able to really step out and fully do the work that you want to be doing. And to do that, you have to nourish yourself, you have to nourish your power. And I think that there's also the idea of the collectivity and framework that Related Tactics brings where we can all also do that for one another, right? When one person is at 10 percent capacity, the other two people can step forth and we can all move and lift each other up together rather than doing it as individuals.   Miko Lee: [00:46:52] Thank you. And Weston, what can people expect when they walk into Edge on the Square, the corner of Grant and Clay? What will they see that will show them your work?   Weston Teruya: [00:47:04] So the center point of our installation is going to be these carts with an array of takeaways that people are free to engage with in different ways, and they are essentially prompt for various potlucks that, we've contributed as a themes and as collaborators and then have also invited a group of additional artists to contribute as well. One of the modes that Related Tactics works in is in the form of the takeaway and part of the impetus behind that is that we want to provide the seed for people to create their own sort of spaces and gatherings and encounters with people beyond the gallery walls. We don't want art to just be this thing that only exists in these defined spaces. We've had different projects that use that mode, and this is one of them. We invite people to engage with it, take these ideas, plant the seeds for their own potlucks beyond the walls of the gallery and hopefully have these opportunities to build community, in their own spaces, in their own worlds, amongst their own networks of people.   Miko Lee: [00:48:12] I love the accessible takeaway. I still have a divest yourself matchbox from one of your shows. [Laughs] I love that. Michelle, what's a concrete example of a takeaway from Nourishing Power?   Michelle K Carlson: [00:48:27] One of the examples I would talk about is, one of the artists we've invited, Joy Enriquez, has created like hundreds of tiny ceramic spoons. They're thinking a lot about how does one articulate when they need support. They talk about it as if one only has so many spoons to use in a day, but you have way more things you need to do with those spoons. How do you survive that? How do you ask for support? How do you allocate those spoons to this kind of overwhelming existence? They have all these really beautiful prompts that will be printed on a card to take away, but then also you can take away a ceramic spoon that they've been spending many hours in a ceramic studio, making and firing. I think there's this idea too, that there's many, many ways one can use that spoon that can exist to support your day to day that you might not think about. So they have some things that are about how one might hold or touch the spoon or things you might do with it that isn't just about eating. That also really embodies the spirit of this project, that it's also not just about potlucks in the sense of like, bring food to a table, but that it's about this kind of space to share knowledge, to share resources, to exchange things when you don't feel like you have the thing you're supposed to bring, or you can't meet the expectation, the greater expectations of what is supposed to occur in that moment. But that the potluck is a space for us to share and support each other in ways that we maybe have not been able to imagine yet.   Miko Lee: [00:50:06] Ooh, I love that. And Mia, how many different artists are there? How many, and how did you go about selecting all these different artists that are participating?   Mia Nakano: [00:50:15] There's over a dozen artists who are participating, and we collectively just started brainstorming and extending out invitations to our various communities and folks that we've worked with in the past, folks who, have participated in Related Tactic shows or know, you know, through other pathways and connections. And then I just reached out to a few Visibility Project participants, even folks going back that I interviewed over 15 years ago to ask if they would be willing to participate. Each person was invited to create one prompt, one initial prompt of what the potluck would be, like if they were to have a potluck, right? So we have somebody who put forth a potluck for screaming, a potluck for nourishing. So different artists are putting forth their own individual potlucks, and one prompt connected to that, and then folks will be able to use that as a seed to create their own gathering spaces in the future.   Miko Lee: [00:51:15] If there's an action word that you would want people to walk away with, what's that action word after they go to see your exhibit? What is the verb that you want them to do?   Weston Teruya: [00:51:27] I think it might be gather. That's sort of the crux of what we're hoping to seed.   Miko Lee: [00:51:33] What about an emotion? Is there an emotion you want folks to walk away with?   Mia Nakano: [00:51:38] I like the idea of gathering, in that also kind of to be able to connect, right? Like we're not just coming together, like we're building something that we want to connect and maintain.   Michelle K Carlson: [00:51:50] Yeah. And I think also like exchanging, right? It's like something really active is happening, there's an exchange, everybody's kind of, there's like a reciprocity too. That you know, that nobody is hosting, like everybody's coming and sharing and exchanging and giving and receiving and maybe nourish is actually the right, I don't know if nourish is an emotion, but I think in the social justice world it is. [Laughs] So it feels like nourish actually is probably a useful emotion. I think reciprocity is also like a feeling that should happen, that when you are giving you're not doing so to the point of extraction because you are also receiving. And that's I think one of the core things about this project wasn't just about Related Tactics and or Visibility Project offering ideas. It was like, we have created a prompt for a potluck and in many ways audience members will come into the show and see our potluck because it will have all these contributions from all these other artists. And so you get to kind of leave with like a goodie bag, doggie bag that is like the kind of residue of our potluck. We hope that folks go home and do that for themselves within their communities, either using our prompts or using our prompts as a platform to create their own space.   Miko Lee: [00:53:18] Is there a perfect amount of people to attend a potluck? Like how many dishes do you want at your potluck?   Michelle K Carlson: [00:53:26] I feel like we're in like a seven to ten vibe. Like 15 tops, then it's too many. You know, it's like, because not too many, but it, there's a different thing that's happening when you get over 15 people in a room. But like, I feel like 10 is the zone where you can still have kind of like close intimate, you know, conversations where you can like build trust, you can spend some time, get around to see everyone, get a little bit of everybody's, you know, contribution, and then, but it's not like so small that it's like you and one other person and you're on a very awkward blind date or something.   Miko Lee: [00:54:09] And are you all down for the themed potlucks or do you like them to be just open ended, bring whatever you want?   Mia Nakano: [00:54:17] I love a themed potluck. I love just like some sort of container where you're going in and you're acknowledging I've got dessert, or we're gonna go over to Southeast Asia, rather than everybody showing up with ten pots of rice and they're just eating rice all night.   Michelle K Carlson: [00:54:35] Or tortilla chips, or like Trader Joe's brownie bites, like five containers of those. No shame on brownie bites.   Miko Lee: [00:54:44] Okay, how can folks find out more about your work?   Mia Nakano: [00:54:48] So folks want to check out what the Visibility Project is doing, you can go to visibilityproject.org and learn about all the participants and hear their stories and even go on an LGBTQ digital history tour of the Asian American community in the Bay Area.   Michelle K Carlson: [00:55:04] If you want to find out more about Related Tactics, you can go to relatedtactics.com or find us on Instagram and our handle is just at Related Tactics.   Miko Lee: [00:55:15] Thank you so much for joining me and I look forward to seeing your work in the show and feeling nourished and planning my next potluck. Thank you so much. So that was a chance to listen to just a few of the artivists that are part of Walking Stories. You got a little insight into where they're coming from and how they created their pieces. And there's so many more artivists that you didn't get to hear from. So I hope you'll come to our exhibit that runs June 29th through the end of December. We'll be at Edge on the Square in San Francisco Chinatown. We'll put a link in the show notes at our website kpfa.org backslash programs, backslash apex express. We hope that you'll join us and share your story too, because all of us have important stories to tell. Thank you so much for joining us on Apex Express. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – June 13, 2024- Walking Stories appeared first on KPFA.

Today, OM SYSTEM is bringing you a deal that you simply cannot beat. For those who love the great outdoors and are passionate about photography, the weight and size of your camera gear can be a real game-changer. Enter the OM SYSTEM OM-5 -- not only does it boast cutting-edge tech and unmatched performance, but it also leaves ample space in your bag for all your adventure essentials. For a limited time, OM SYSTEM is running an exclusive June promotion. Now through June 30th, when you purchase the OM-5 camera and the M.Zuiko Digital ED 14-150mm F4.0-5.6 II lens together, you'll receive $550 in savings off the regular price! You can now own this duo for just $1,299.99. Don't let this offer slip away. Head to your nearest authorized retailer or swing by explore.omsystem.com/petapixel to grab this fantastic deal before it's gone. But hurry: the offer ends on June 30, 2024. -- Check out PetaPixel Merch: store.petapixel.com/ -- Adobe is having a hard time getting out of its own way. Last week, the company pushed an update to its terms of service that was widely viewed as an over-reach. The company plans to change them again, but is it too late? The PetaPixel Podcast team discusses. Also in this episode, Chris Niccolls, Jordan Drake, and Jaron Schneider go over Apple's new AI tools, Canon and Blackmagic Design's new immersive video capture systems made specifically for the Apple Vision Pro, and the team also breaks down Fujifilm's full camera line to see if it really needs to be as robust as it is. We use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe. In This Episode: 00:00 -Intro 10:00 - Canon dropped two dual-optic lenses. First is this one. 11:17 - It's Apple Certified, too 12:12 - The other one is an APS-C lens 07:00 - Blackmagic made a stereoscopic video camera that shoots 8kp90 per eye 24:43 - Apple Intelligence in photo editing 28:20 - The Adobe Block 28:49 - Adobe's updated terms of use update enrage photographers 29:36 - Adobe says it isn't spying on users 29:52 - Adobe will adjust the ToS 42:55 - Nikon Z6 III is coming next week 44:08 - Fujifilm makes a lot of cameras now, do we need them all? 1:03:04 - What have you been up to? 1:08:27 - Tech support 1:08:36 - How can I take better indoor sports photos? 1:15:24 - What is your favorite way to take a break from editing without losing your groove? 1:18:51 - Three major questions about lenses and how they resolve. 1:28:09 - Never read the comments (but we always do)

During OM SYSTEM's Trade-in, Trade-up event throughout May and June, you'll enjoy significant savings! You'll receive the value of your trade-in, plus additional rebates and offers on select products, increasing your savings even more. Plus, you'll receive a trade-up bonus towards the purchase of select OM SYSTEM products, making this an ideal opportunity to upgrade. Visit your nearest authorized OM SYSTEM retailer or check out explore.omsystem.com/petapixel for more information on how to upgrade your gear today! Professional quality prints are the perfect way to elevate your photography and, if you have your own photo business, a great way to boost sales. With Bay Photo as your partner lab, you can easily order and quickly deliver stunning photo products to your clients. PetaPixel viewers can save 25% Off Any One Wall Display Order with promo code PETAPIXEL25. This includes MetalPrints, Acrylic Prints, Framed Prints, Epic Prints, Canvas Wraps and so much more. Go to bayphoto.com/petapixel to create your next high-impact display today! Fujifilm held another Fujikina event, this time in Australia, to announce four new products: the X-T50, the GFX100S II, XF 16-50mm f/2.8-4.8 R LM WR lens, and the GF 500mm f/5.6 R LM OIS WR. Two of these announcements, the lenses, were expected: Fujifilm is one of the few companies that publishes lens roadmaps well ahead of official product announcements. But the two cameras were less so, especially considering the GFX 100 II was announced so recently, seeing the GFX100S II may have come as somewhat of a surprise. The X-T50 is also a bit unexpected and it brings a new dial to the party that is just for film simulations. There is a lot to discuss, and that's not even touching on the new Sigma 24-70mm f/2.8 Art II, which was also announced this week. It's a packed episode that you won't want to miss! In This Episode: 00:00 - Intro (first food you'll grab in Japan) 06:27 - Nikon bought RED for just $85M 09:23 - Contextualizing that value 11:12 - Fujifilm's profits are soaring 15:06 - Sigma's new 24-70mm f/2.8 is REALLY good 19:33 - Fujifilm's MASSIVE week! Everything Fuji announced and what excites us! 21:44 - X-T50 25:05 - GFX 100S II 28:58 - XF 16-50mm f/2.8-4.8 R LM WR 35:05 - GF 500mm f/5.6 R LM OIS WR 40:43 - Fujifilm makes a lot of cameras now 47:06 - What have you been up to? 51:03 - Tech support, and a disclaimer 52:46 - How close would a full frame with a 1.4x teleconverter be to an APS-C camera at the same shutter speed and f-stop? 55:14 - What is a good Sony lens to get started with videography? 57:24 - What is your favorite camera menu system? 1:02:04 - What is your favorite obscure camera feature? 1:05:46 - Is the photo and video industry toxic? 1:11:38 - Never read the comments

In this episode of the Beginner Photography Podcast, I chat with nature photographer Christopher Gilbert to dive deep into the importance of matching your gear with your unique photographic style. Christopher switched from medium format to APS-C, not because of sensor size, but to find a system that complements his creative vision. Through our conversation, you'll learn that the technical aspects, like crop factors and lens focal lengths, should enhance your storytelling, not hinder it. I'll share why mastering the settings that suit your needs can transform your shoots, guiding you to choose tools that truly embody your artistic expression. This is a journey to making every click of the shutter count!The Big Ideas:Embrace Simplicity: Your best photos can emerge from using simpler, more intuitive gear. Less complexity allows more focus on capturing moments.Focus on What Matters: Prioritize your vision and expression over technical perfection. Focus on how the photo feels, not just how it looks.Experiment Freely: Allow yourself to make mistakes and learn from them. Each error teaches you something valuable about your own style.Seek Tools That Fit You: Choose gear that complements your way of seeing the world. Your comfort with your tools translates into better photography.Photography Action Plan:Experiment with Different Lenses: Rent or borrow lenses in various focal lengths to explore how they transform the perspective and composition of your photos. Take the same subject and photograph it with different lenses to clearly see the difference each lens makes to the image.Dial in Camera Settings: Start using aperture priority mode to gain better control over depth of field and understand how it affects your photos. Practice shooting in different lighting conditions to learn how ISO and shutter speed interact with aperture.Focus on Composition: Concentrate on incorporating the rule of thirds into your shots to create more balanced and engaging compositions. Try out leading lines, framing, and the use of negative space to add more depth and interest to your photographs.Explore Post-Processing: Download a reputable photo editing software and familiarize yourself with basic adjustments like exposure, contrast, and color correction. Watch online tutorials specific to your software to efficiently learn various editing techniques that can enhance your images.Resources:Follow Chris on Instagram - https://www.instagram.com/fujifilm.christopherLearn What Camera Settings to Use in our free guide!https://perfectcamerasettings.com/ Build Your Dream Photography Business and Keep More of the Money You Earn with CloudSpot Studio.And get my Wedding and Portrait Contract and Questionnaires, at no cost!Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Please support this show buy subscribing / following and writing a review if you can. It greatly helps us to reach more photography enthusiasts like you! Konstantin & Becky bring to you the latest Nikon news and photography related announcements. 0:00 Intro 1:05 Z 28-400mm is shipping worldwide 3:12 Z8 and other Firmware updates 6:25 Z8 & ZF were best selling cameras at Map Camera 7:49 Nikon completes acquisition of RED 8:27 Nikon x RED at NAB 9:48 Live panel with Jarred Land 10:50 Nikon will make Cine Lenses? 13:15 Did Nikon buy RED because of the lawsuit? 16:14 Nikon is now a big player in Cinematography 18:38 Tamron Z 28-75 lens is shipping 20:00 Voigtlander Z 75mm f/1.5 announced 22:19 Viltrox AF 56mm f/1.7 DX Lens announced 23:33 Viltrox AF 20mm f/2.8 review 24:58 Atomos Ninja phone video co-processor Nikon Report 148 Nikon Z 28-400 lens is shipping worldwide Order yours at Grays: https://shop.graysofwestminster.co.uk/product/nikkor-z-28-400mm-f-4-8-vr-deposit/#tab-description Nikon  Z 8 Firmware ver. 2.0.1 https://downloadcenter.nikonimglib.com/en/download/fw/527.html Z 5 Firmware ver. 1.4.3 https://downloadcenter.nikonimglib.com/en/download/fw/526.html Z 50 Firmware v. 2.5.1 https://downloadcenter.nikonimglib.com/en/download/fw/519.html Z 30 Firmware ver 1.11 https://downloadcenter.nikonimglib.com/en/download/fw/520.html D6 Firmware ver. 1.60 https://downloadcenter.nikonimglib.com/en/download/fw/521.html D780 Firmware ver. 1.11 https://downloadcenter.nikonimglib.com/en/download/fw/525.html COOLPIX P950 Firmware ver. 1.5 https://downloadcenter.nikonimglib.com/en/download/fw/523.html COOLPIX P1000 Firmware ver. 1.7 https://downloadcenter.nikonimglib.com/en/download/fw/524.html Nikon Message Center 2 (mac) ver. 2.5.1 https://downloadcenter.nikonimglib.com/en/download/sw/253.html Z8 and ZF were best selling cameras for 2023 at MAP Camera Japan https://tinyurl.com/3265smm7 Nikon Triumphs With Four Wins At This Year's TIPA World Awards https://tinyurl.com/bdfyt45e Nikon completes acquisition of RED, appoints a new CEO https://www.nikon.com/company/news/2024/0412_imaging_01.html https://tinyurl.com/2wpjzkfp RED was showcasing the all-new V-RAPTOR [X] and V-RAPTOR XL [X] cameras at the 2024 NAB show. It was part of the Nikon stand. https://tinyurl.com/mstsmnun Photos of Nikon stand from NAB https://tinyurl.com/ywrym9nz Exclusive NAB Live With Jarred Land (ex RED President) - RED, After Nikon Acquisition - Where We Go From Here by Scott Balkum https://www.youtube.com/watch?v=DYEcoWjkHx0&t=2s RED Will Continue to Support Canon RF, But Nikon is ‘Considering' Making Cine Optics https://tinyurl.com/3f6bxdn8 A New Camera Using Both Nikon and RED Tech Will Come in ‘A Few Years' https://tinyurl.com/2ckaex5z Nikon Began Steps to Acquire RED in 2022 ‘Due to the Lawsuit https://tinyurl.com/5t4548z4 3rd party: Tamron 28-75mm F/2.8 Di III VXD G2 Nikon Z is also shipping Order yours at Grays: https://shop.graysofwestminster.co.uk/product/tamron-28-75mm-f-2-8-di-iii-vxd-g2-nikon-z/#tab-description Voigtlander NOKTON 75mm f/1.5 Aspherical full-frame mirrorless lens for Nikon Z-mount Pre order yours at Grays: https://shop.graysofwestminster.co.uk/product/voigtlander-75mm-f-1-5-nokton-aspherical-lens-for-nikon-z-mount-cameras/#tab-description New Viltrox AF 56mm f/1.7 APS-C lens for Nikon Z-mount is now shipping https://viltroxstore.com/en-gb/products/viltrox-af-56mm-f1-7-xf-z?variant=40983511400514 https://tinyurl.com/wtc3njzz Viltrox AF 20mm F2.8 Full Frame Lens Review for Nikon Z Mount - Affordable 20mm Wide Angle for Nikon by Grays https://www.youtube.com/watch?v=nQHLvKhJB2Q&t Atomos announces the Ninja phone video co-processor https://tinyurl.com/mu7zcd2u Thanks for watching! #nikon #nikonred #voigtlander --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

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Episode 427 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: Godox's new V1Pro. (#) Fujifilm's X-Summit and other announcements. (#) Yongnuo's 50mm f/1.8 for APS-C in Z-mount. (#) The new Xnano flash trigger by Godox. (#) ProGrade Digital's new CFexpress Type A Gold Series cards. (#) AstrHori's new 25mm f/2.8 2x-5x ultra macro. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

In this week's episode we'll hear USM Chair Jesse Nevel's presentation at the December 17th Jews Against Colonialism event. Afterwards, we'll discuss with Chair Jesse, long-time APSC member Ruby Gittelsohn, and Chairwoman of APSC Penny Hess.

Please support this show buy subscribing / following and writing a review if you can. It greatly helps us to reach more photography enthusiasts like you! 0:00 Intro 0:16 Nikon Z6 III new camera registered in China 3:53 Z6 III dual Expeed 7? 6:15 Z6 III influencers 7:49 Z6 III - Lanzarote 10:37 Nikon at CES & CP+ 11:21 Best selling Nikon at Map Cameras & Grays 16:38 New US rebates & UK & EU promos 17:10 Nikon Z 18-140 DX firmware update 17:38 Nikon Smart telescope launched 18:40 TT Artisane 10mm f/2 lens announced 19:49 Yongnuo Z 50mm f/1.8 lens announced 20:21 New Z lens accessories 21:31 Weekend Read & Watch Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/rebecca_danese⁠⁠⁠⁠⁠⁠⁠⁠ Konstantin Kochkin: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/konstantinkochkin⁠⁠⁠⁠⁠⁠⁠⁠ Production: Konstantin Kochkin Contact us at media@graysofwestminster.co.uk Nikon Report 141 Nikon registered a new camera in Asia (N2214) http://tinyurl.com/35wjh5f5 http://tinyurl.com/8xztx66z http://tinyurl.com/mr24an3y More rumoured Nikon Z6 III camera specifications from China http://tinyurl.com/35p27sd9 Influencers talk about an upcoming mysterious trip (Nikon Z6III?) http://tinyurl.com/4sb7fbt7 Nikon event for influencers in Lanzarote at the end of January (Nikon Z6III?) http://tinyurl.com/2v596m26 UPDATE: Influencers are flying today… be on the lookout for the Nikon Z6III in Lanzarote http://tinyurl.com/4yrmyyvc Nikon at the 2024 CES show https://www.nikon.com/company/news/2024/0109_01.html http://tinyurl.com/ykmxksy3 CP+ in Japan is scheduled for 22-25 Feb in Yokohama Japan https://nikonrumors.com/2024/01/04/nikon-at-the-2024-ces-show.aspx/ Nikon has both the best-selling camera and lens for 2023 at Map Camera Japan http://tinyurl.com/yw3kch73 Nikon 2023 Bestsellers at Grays https://www.youtube.com/watch?v=uxqOD0JcqTA New Nikon rebates in the US (800mm f/6.3: $500 off, Z8: $200 off) http://tinyurl.com/v3cfawnc UK & EU Nikon Winter Savings has been extended till 29th January. https://shop.graysofwestminster.co.uk/ NIKKOR Z DX 18-140mm f/3.5-6.3 VR Firmware https://downloadcenter.nikonimglib.com/en/download/fw/510.html Nikon Made a New In-Camera ‘Digital Watermark' to Go on Top of C2PA http://tinyurl.com/3uwvj6sz https://www.nikon.com/company/news/2024/0109_imaging_02.html Nikon launched Smart Telescopes ODYSSEY PRO and ODYSSEY https://www.nikon.com/company/news/2024/0109_odyssey_01.html Nikon camera used in North Korean spy satellite https://nikonrumors.com/2023/12/23/nikon-camera-used-in-north-korean-spy-satellite.aspx/ 3rd Party TTartisan announced a new 10mm f/2 APS-C lens for Nikon Z-mount https://ttartisan.myshopify.com/products/102?variant=43922867978402 The Yongnuo YN50mm f/1.8Z DA DSM lens for Nikon Z-mount will be officially announced on January 18th with a price tag under $100 http://tinyurl.com/mej3cx3j iShoot metal lens collar tripod mount ring for the Nikkor Z 180-600mm f/5.6-6.3 VR lens. http://tinyurl.com/5yme783w 3rd party Lens Hood For Nikon Z40 f2 Z28 f2.8 is now available on ebay https://www.ebay.com/itm/285303386289?siteid=0&customid&toolid=20012 Weekend Read & Watch Teaching A Portrait Master Class With Joe McNally In London | Featuring Nikon & Profoto https://www.youtube.com/watch?v=Y6Ba3dD2fak Nikon D80 RETRO review: BEST budget DSLR! By Gordon Laing https://www.youtube.com/watch?v=llCWBLiQd8A Nikon's UNDERRATED compact 35mm camera - Nikon L35AF Compact Point and Shoot 35mm Film Camera by Grays https://www.youtube.com/watch?v=YPnW8pDk0yA Thanks for watching! #nikon #nikonz6iii #nikonzf --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

2023 has certainly come and gone in a flash, meaning it's time once again for us to reflect on new photo offerings in our ninth annual Cameras of the Year episode, now renamed Photo Gear of the Year. We'll be talking with B&H Camera and Lighting Senior Sales Trainer Kevin Rickert. Featured in our discussion are 25 new releases from Canon, FUJIFILM, Leica, Nikon, Panasonic, Ricoh Pentax, Polaroid, and Sony. In addition to insights about each camera on our list, we also examine broader topics, such as manufacturers' attempts to regain market share lost to smart phones through a growing crop of cameras geared toward content creation.  Instant cameras are a popular trend, leading us to diverge from alphabetical order when discussing this growing product category. And with two monochrome models among this year's offerings, we zoom in on the visual differences between pictures shot with these specialty cameras and those made by converting from color files.  For listeners who enjoy a good debate, whet your appetite for the main course as we consider this year's most touted technological advance—the global shutter. Finally, as an antidote to overindulgence that's so common during this time of year, Rickert offers some practical advice about avoiding GAS (Gear Acquisition Syndrome) with the tip “You date your cameras, marry your lenses.” Guest: Kevin Rickert For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/2023-photo-gear-of-the-year-with-kevin-rickert Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photo Video Instagram: https://www.instagram.com/bhphoto B& Photo Video Twitter: https://twitter.com/bhphoto B&H Photo Video YouTube: https://www.youtube.com/@BandH B&H Event Space YouTube: https://bhpho.to/BHEventSpaceYT B&H Photo Video Facebook: https://www.facebook.com/bhphoto B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353

Get ready to embrace winter with incredible deals on OM SYSTEM products. Right now, OM SYSTEM is offering an unbeatable seasonal offer you won't want to miss. Purchase the E-M10 Mark IV body and receive the M.Zuiko 14-42mm II R Lens at no charge. Originally priced at $999.98, it's now available for just $699.99 – that's a fantastic $300 in savings! But hurry, time is ticking! December 17th is the last day to place orders to ensure delivery in time for Christmas. Don't let this opportunity slip away. Capture your holiday moments with OM SYSTEM's incredible gear at the season's best savings. Visit explore.omsystem.com/petapixel or visit your authorized retailer today and make this festive season picture-perfect with OM SYSTEM. -- Now in its third year, PetaPixel has gathered its team together to guess the things they just know are going to take place over the next calendar year. To help, we've also brought in Gordon Laing, the brains behind the excellent CameraLabs website and YouTube channel. All of us are, as usual, ready to be very, very wrong. We use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe. -- In this episode: 00:00 - Intro 09:05 - Sony photographers should be careful what memory cards they buy 14:03 - Why aren't drone makers giving photographers better underwater solutions? 20:10 - Instax makes up more than 50% of Fujifilm's entire Imaging business revenue 25:22 - Our BOLD camera predictions for 2024! 26:22 - Gordon: There will be no other global shutter cameras for a long time 30:27 - Jordan: Panasonic will kill the S1 and S1R line 32:12 - Chris: Canon WILL make a global shutter, full-frame camera 33:49 - Jaron: Canon won't release a "high resolution" camera, perhaps ever 37:35 - Gordon: A Fujfifilm X100V successor is coming 40:19- Jordan: There will be two tiers of Fujifilm fixed lens cameras, one as APS-C and one as full-frame 43:20 - Chris: Nikon will release a surprise, speed-focused camera 45:20 - Jaron: Sigma's full-frame Foveon sensor is coming in 2024, or not at all 49:10 - Gordon: Lumix S will become known as a viable system 51:33 - Jordan: We will see Nikon-branded smartphone cameras 54:52 - Chris: Pentax will release a retro-inspired DSLR. 57:28 - Jaron: Sony's a9 III will get a firmware update to allow CFe 4.0, unlock 240 fps 57:06 - Gordan: Sony and Canon will continue to release vlogging cameras despite DJI clearly having won 61:22 - Jordan: DJI will release a handheld large-sensor camera 1:03:20 - Chris: Gordan will will launch his own brand of coffee beans 1:04:21 - Jaron: Canon and Nikon will add C2PA via firmware before the 2024 Olympics 1:05:44 - What will you be up to? 1:11:23 - Tech support 1:18:02 - Never read the comments

Do you find some photography terms completely baffling? Are you bewildered by terms like APS-C, mirrorless camera, focal length, and aperture scale? Are you a phone user wanting to get more into photography but finding this strange terminology putting you off?I get you. I know how you feel. And I can help you. So let me.In this episode, I tell you.·         Why APS-C should be banned.·         Why ISO does not make sense.·         Why the exposure triangle does not actually do anything.·         And why eight other photography terms are rubbish?·         What if I use a phone to take photos and not a camera?·         What if I use a film camera?·         And finally, what I do. In brief. Very brief this time.All explained in plain English, without the irrelevant detail, in less than 27 (ish) minutes!What is not to love?Support the showGet your question answeredThis is what my podcast is all about, answering your photography questions - just click here. Not only will I answer your question, but I will also give you a lovely, big shout out, which is nice.Find out more about the podcast on the Photography Explained Podcast websiteAnd find out all about me on my photography websiteThanks very much for listeningCheers from me Rick

Si eres un apasionado principiante en el mundo de la fotografía, seguramente te hayas enfrentado a la abrumadora tarea de seleccionar la cámara y los objetivos adecuados. Cometer errores es parte del proceso de aprendizaje, pero ¿y si pudieras sortear algunos de los fallos más comunes desde el principio? En este podcast, exploraremos los errores más frecuentes que suelen cometer los fotógrafos principiantes al empezar, centrándonos especialmente en la elección de cámaras de fotos y objetivos. ¿Listo para dar tus primeros pasos con confianza? Acompáñanos, y si quieres saber más visita nuestra página web Sin Filtro. 1. Comprar Equipo de fotografía sin Freno ( y Malgastar Tu Dinero) Al comenzar en la fotografía, la emoción te abruma y terminas comprando más cámaras, objetivos y lentes de lo que realmente necesitas. Después de todo, ¿quién puede resistirse a ese nuevo objetivo brillante que promete maravillas? Nuestra sugerencia: Alquilar es la respuesta a tus problemas de espacio y presupuesto. Pero, claro, si prefieres acumular gadgets, ¡cómpralos todos! 2. Pack Maldito: Cámara para Principiantes y objetivo Pisapapeles Esa oferta tentadora de una cámara de fotos y una lente por un precio "irresistible" parece genial hasta que descubres que la cámara es más un pisapapeles avanzado que una herramienta fotográfica. La ironía aquí es que podrías haber invertido en una cámara fotográfica de segunda mano de mayor calidad, que te habría servido mucho mejor como fotógrafo principiante. ¡Pero claro, comprar el pack de iniciación recién salido de fábrica es mucho más emocionante!

Please support this show buy subscribing / following and writing a review if you can. It greatly helps us to reach more photography enthusiasts like you! Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: ⁠https://www.instagram.com/rebecca_danese⁠ Konstantin Kochkin: ⁠https://www.instagram.com/konstantinkochkin⁠ Production: Konstantin Kochkin Contact us at media@graysofwestminster.co.uk 0:00 Intro 0:15 Delivery updates for 600mm, ZF, Plena, ETC 3:03 Nikon's camera / lens releases & deliveries 5:55 Nikon Z8 review by DPReview 6:49 We NEED Z6 III & Z7 III discussion 14:50 Nikon ZF is not answer for everyone 16:17 Z8 & Z9 are top reviewed cameras 17:09 Z 135mm Plena review 19:21 Z 135 vs Sigma 135 Art 20:56 Z 135 vs Z 85 f/1.2 24:04 Z 135 vs Nikkor 105, 135, 135 Ais & Z 85 f/1.2, Z 85mm f/1.2 26:45 Nikon ZF tutorials and accessory chart 27:49 Sirui Z DX lenses 28:11 Brightin Star 9mm for Z 28:44 Nikon Financial results schedule 29:00 Weekend Read & Watch Nikon Report 134 The next NIKKOR Z 180-600mm f/5.6-6.3 VR will arrive in February 2024. https://tinyurl.com/334ymszk Nikon Z8 review: a supercharged D850 successor by Richard Butler at DPReview https://www.dpreview.com/reviews/nikon-z8-review Currently, the top-rated cameras at Dpreview are the Nikon Z8 and Z9 (both at 94%) https://www.dpreview.com/reviews?category=cameras&sort=rating Z 135mm Plena Review by Gordon Laing CameraLabs https://www.cameralabs.com/nikon-z-135mm-f1-8-s-plena-review/ Nikon published ZF tutorials on it's Digitutor Channel https://www.youtube.com/@digitutor4968/videos Nikon also published Nikon ZF system chart https://www.nikon-image.com/products/mirrorless/lineup/z_f/system_chart.html SIRUI to release new Sniper f/1.2 APS-C autofocus prime lenses for Nikon Z-mount https://photorumors.com/2023/10/16/new-sirui-sniper-f-1-2-autofocus-primes-lenses-for-mirrorless-aps-c-cameras/ Brightin Star 9mm f/5.6 full-frame lens for Nikon Z-mount https://nikonrumors.com/2023/10/20/new-brightin-star-9mm-f-5-6-full-frame-lens-for-nikon-z-mount.aspx/#more-186932 DCLife published “earnings” schedule for the top camera manufacturers https://dclife-jp.translate.goog/camera_news/article/etc/2023/1017_01.html?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en-GB Weekend Read & Watch In-Store Portrait Demo and Q&A with Joe McNally! | Adorama Event Space Livestream  https://www.youtube.com/watch?v=xxvZHtJTAjM Thanks for listening! #nikon #nikonz #nikonzf --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

Tener un cuerpo Full Frame y otro APS-C del mismo sistema, puede llegar a ser mucho más beneficioso de lo que crees. En este programa te cuento mi experiencia con este combo y te doy algunas ideas interesantes

Please support this show buy subscribing / following and writing a review if you can. It greatly helps us to reach more photography enthusiasts like you! Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: https://www.instagram.com/rebecca_danese Konstantin Kochkin: https://www.instagram.com/konstantinkochkin Production: Konstantin Kochkin Contact us at media@graysofwestminster.co.uk 0:00 Intro 0:40 Z5 Firmware update 2:05 Nikon Z9 firmware update rumour 2:30 Z 600mm lightweight rumour 5:44 Z 135mm Plena coverage 7:51 Nikon Z lens roadmap updated 15:15 Nikon Small World Award winners announced 16:23 Nikon Integrated report released 16:41 Smallrig announced USB-C batteries for Nikon 18:58 Sigma to announce a new lens? 19:40 Tamron Z lenses 21:32 Z 105 review by Admiring light 23:04 Weekend Read & Watch Nikon Report 131 Z 5 Firmware ver. 1.41 https://downloadcenter.nikonimglib.com/en/download/fw/504.html Nikon Nikkor Z 600mm f/6.3 PF lens rumours from China https://tinyurl.com/3rrudy6s PRE-ORDER Z NIKKOR 135MM F/1.8 S PLENA LENS AT GRAYS: https://shop.graysofwestminster.co.uk/product/nikkor-z-135mm-f-1-8-plena-pre-order-deposit/ Stunning NIKKOR Z 135mm f/1.8 S Plena Is Here | WOW ! | First Look - Images & Video | Matt Irwin https://www.youtube.com/watch?v=6o8Rq1aL1mM 135mm Nikkor Plena - The Worlds Best Portrait Lens by Matt Granger https://youtube.com/watch?v=j7FASDFlfQo NIKKOR Z 135mm f/1.8 S Plena | Live Q&A with Mark Cruz https://www.youtube.com/watch?v=f_ipGtQhVcU The First look at Nikon Zf Retro Camera & Z 135mm Plena Lens with Ricci - Nikon Live Camera Chat by Grays https://www.youtube.com/watch?v=e_5n-xKYrG8 NIKKOR Z 135mm f/1.8 S Plena | The Making of Plena: Part I | Concept https://www.youtube.com/watch?v=UD0jWHGsxoQ NIKKOR Z 135mm f/1.8 S Plena | The Making of Plena: Part II | Round bokeh https://www.youtube.com/watch?v=v8tg0Lr7pDQ NIKKOR Z 135mm f/1.8 S Plena | The Making of Plena: Part III | AF system https://www.youtube.com/watch?v=ZpJMPKYPJpw The Thousand and One Nights No.32 - Nikkor AF 135mm f/2D DC https://imaging.nikon.com/imaging/information/story/0032/ Updated Nikon Z roadmap https://nikonrumors.com/2023/09/28/updated-nikon-z-lens-roadmap-one-more-lens-left-35mm-f-1-2.aspx/ Patent application for optical system based on Nikon's "Z 35mm F1.4" and "Z 50mm F1.4" https://asobinet.com/info-patent-nikon-35mm-f1-4-50mm-ff1-4/ Nikon Instruments Inc. has revealed the winners of the popular annual Nikon Small World in Motion Competition. https://www.nikonsmallworld.com/news/a-glimpse-into-the-central-nervous-system-wins-the-13th-annual-nikon-small-world-in-motion-competition https://petapixel.com/2023/09/26/neuron-formation-timelapse-wins-nikon-small-world-in-motion/ Nikon Integrated Report has been released. https://nikon.com/company/ir/management/nikon-report/ SmallRig announced USB-C fast charging batteries for Nikon cameras https://www.smallrig.com/smallrig-EN-EL15c-USB-C-Rechargeable-Camera-Battery-4332.html https://www.smallrig.com/smallrig-EN-EL25-USB-C-Rechargeable-Camera-Battery-4333.html Sigma will also be announcing an APS-C ultra-wide lens on October 5th. (rumour) https://twitter.com/camerainsider/status/1707393303594090583 Tamron: “In terms of development capacity, we only produce about five new lenses a year.” https://tinyurl.com/6y5tmf2u Review: Nikon Nikkor Z MC 105mm f/2.8 VR S by Admiring Light https://admiringlight.com/blog/review-nikon-nikkor-z-mc-105mm-f-2-8-vr-s/ NIKKOR The Thousand and One Nights No.87 - Challenging limits - New Nikkor 200mm f/4 https://imaging.nikon.com/imaging/information/story/0087/ Cameras That Changed Photography Forever by Matt Williams at Petapixel https://petapixel.com/2023/09/30/cameras-that-changed-photography-forever/ Thanks for watching! #nikon #nikonz #plena --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

Episode 411 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Get $100 instant rebate off certain Benro  Aero S2 Pro trips at BenroUSA.com, RobertsCamera.com and elsewhere. - Get 20% OFF with code SHARKY20 at KupoGrip.com. - More mostly 20% OFF codes at LensShark.com/deals. Stories: Nikon's retro Zf. (#) Lindsay Adler's new float wall mounting system. (#) Canon patents an impressive super zoom. (#) This eWagon and get your gear around with ease. (#) Canon patents a cooling grip. (#) Denny Manufacturing burns. (#) Sirui introduces three new AF lenses for APS-C bodies. (#) TTArtisan's odd new 500mm lens. (#) Blackmagic Design joins the L-Mount Alliance. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

Hace un mes escaso Sony ha lanzado una actualización muy esperada dentro de su gama APS-C, y no he dudado un instante en hacerme con ella. ¿Porque? Te lo cuento! **COMPRA EN FOTOK desde este enlace y pon el cupón GABELLIFTK en tu carrito de la compra para llevarte un regalo. WEB FOTOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotok.es/?aff=y206⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ___________________ WEBS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.rubengabelli.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotografodecomida.es⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cutt.ly/ft3QEHF ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PATREON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/RubenGabelli ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ INSTAGRAM: @rubengabelli

In this episode, we look back on Day 2 of the Uhuru Solidarity Movement's 2023 Convention: "White People, Say No the FBI War on Black Liberation!" with a clip from the tour of the Black Power Blueprint. Afterwards, we interview longtime APSC member, Kitty Reilly, who works directly under APEDF President Ona Zené Yeshitela. Learn how the Black Power Blueprint is bringing the community together and changing the landscape in North St. Louis!

Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: https://www.instagram.com/rebecca_danese Konstantin Kochkin: https://www.instagram.com/konstantinkochkin Production: Konstantin Kochkin Contact us at media@graysofwestminster.co.uk 0:00 Intro 0:39 Z 24mm f/1.7 Lens aftermath 4:24 Will we ever get Z 28mm f/1.2 lens? 6:10 Why 24 DX Lens NOW? 7:50 More DX coming soon? 10:15 Nikon Z90 13:40 Nikon DX Lens lineup 16:29 Nikon Z lenses what's coming next? 19:41 NX Ready is an APP 22:32 Nikon Z8 3rd party batteries 26:53 7Artisans 24mm DX lens announced 27:29 Delkin New fast CFExpress cards released 28:26 Reviews Nikon Report 115 24mm f/1.7 lens released Pre-order yours at Grays: https://shop.graysofwestminster.co.uk/product/nikkor-z-24mm-f-1-7-dx/ Nikon's New Lens by Thom Hogan https://tinyurl.com/5hhbhcp6 Buzz Buzz by Thom Hogan https://tinyurl.com/2p9e936n Nikon Z DX 24mm f1.7. First look against Z 26mm & Z 28mm by Ricci https://tinyurl.com/mr3ta7dr Nikon Updated  Nikkor Z mirrorless lens roadmap as of May 31, 2023: four more lenses expected this year https://tinyurl.com/6n88y27e The Nikon NX READY trademark is for a new smartphone app https://tinyurl.com/4sj9mpk7 Nikon blocking international sale of used 18-55mm lens on eBay https://tinyurl.com/4uzdd26a Report: Nikon restricts customers to using OEM batteries “for your safety” (Nikon Z8 doesn't like aftermarket batteries) https://tinyurl.com/mwteh92n Z8 Batteries by Thom Hogan https://tinyurl.com/4dr2k5bz 7artisans announced a new 24mm f/1.4 APS-C lens for Nikon Z-mount https://tinyurl.com/2tnr9rwb Delkin released new CFexpress Type B memory cards. https://tinyurl.com/7k83m4ku Reviews: NIKON Z 26mm f/2.8 on Z8 | FIRST LOOK | Real World Testing | Images and Video | Matt Irwin https://tinyurl.com/2wvxn2f5 Nikon Z8 Final Review: What's the Catch? By PetaPapa at Petapixel https://tinyurl.com/52kybbyz Nikon Z8: It's the Price, Stupid! By Three Blind Men and An Elephant Productions https://tinyurl.com/s7e4u38b Thanks for listening! #nikon #nikonz8 #z8 --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: https://www.instagram.com/rebecca_danese Konstantin Kochkin: https://www.instagram.com/konstantinkochkin Production: Konstantin Kochkin Contact us at media@graysofwestminster.co.uk Nikon Report 113 Nikon Z8 RAW & HLG RAW support https://tinyurl.com/y74teusw Nikon Z8 Manual page is up https://tinyurl.com/5bzmkpdz N-Log 3D LUT v.1.05 update released https://tinyurl.com/2zb5965z Nikon Z 8. Does it overheat ? 8K 60FPS RAW. Depends on the Memory Card by Ricci https://tinyurl.com/4kfy5azu NIKON Z8 Video Heat Tests - OVERHEAT In HIGH END RAW & MORE Vid? | THINK POWER DELIVERY | Matt Irwin https://tinyurl.com/2crhnw8b Nikon Z8 1st Batch sold out at major Japanese retailers. https://tinyurl.com/5nyxtaj3 Nikon Z8 field report by Marsel van Oosten https://tinyurl.com/3z9tawcu Z8 Vs D850 | Detailed First Look by Matt Irwin https://tinyurl.com/3prmw3hr Nikon Nikkor Z DX 12-28mm f/3.5-5.6 PZ VR lens started to ship worldwide on 19th May https://tinyurl.com/3wps2evw Nikon Z fc camera firmware update version 1.40 released https://tinyurl.com/y7thsn9j New Nikon discount/rebates in Europe https://tinyurl.com/3jy36sy4 Nikon Z8 interview: Nikon looking at introducing CINE lenses according to Amateur Photographer magazine https://tinyurl.com/hmtzvayd https://tinyurl.com/h7was8c9 Nikon received four “2023 iF Design Awards” https://tinyurl.com/ywmv6sn5 New Nikon CREATORS camera bag release in Japan https://tinyurl.com/28ssk29f Nikon Full Year Financials https://tinyurl.com/5n94y6we Financials Q&A published:  https://tinyurl.com/yebfh66j Progress Report on Medium-Term Management Plan (FY2022 to FY2025) https://tinyurl.com/ytfw9wmw 3rd Party: Meike Mount Adapter ETZ for Sony E Mount Lenses to Nikon Z Cameras https://tinyurl.com/6fu62vnj TTartisan announced a new 100mm f/2.8 2x ultra macro tilt-shift full frame lens for Nikon Z mount https://tinyurl.com/4tb63v4c New 7Artisans is rumoured to announce a 24mm f/1.4 APS-C for Nikon Z Mount https://tinyurl.com/yu4fse79 DXO Optics added a profile for Nikkor Z 85mm f/1.2 S Lens https://tinyurl.com/4mx7872v Reviews: Nikon Z Mount 17-28mm f/2.8 | Nightscape and Astrophotography Review by Will Chaney https://tinyurl.com/yckkd2jc DC WATCH had Hands on with a new Voigtlander NOKTON 55mm f/1.2 SLIIs lens for Nikon F-mount https://tinyurl.com/4k6wf92r Bokehlicious: Nikon vs VOIGTLANDER - the 50mm f/1.2 S vs 50mm f/1.0 by Grays https://tinyurl.com/3meccad9 Why I Ditched the Zoom - A PRIME LENS for landscape photography by Nigel Danson https://tinyurl.com/mrnffpzd Thanks for listening! Please Follow US & Subscribe if you haven't done so already! #Nikon #z8 #nikonz8 --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

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“Do I really replace lenses or just buy more of them? That's the major question,” says Kevin Rickert, B&H Photo's Senior Sales Trainer for cameras and lighting, in the heat of discussion for our Notable Lens Releases of 2022 and 2023 episode. Listen in as we assess the latest crop of optics from Canon, FUJIFILM, Hasselblad, Nikon, OM SYSTEM, Sigma, Sony, and Tamron. The full list makes for a lot of glass, so we've narrowed things down to a focused selection of primes and zooms spanning medium format, full frame, cropped sensor, and Micro Four Thirds formats. As in our annual Cameras of the Year show from December, we mix up the tech talk with practical anecdotes to help match lenses and customers based on user experience. Among the many threads of our chat, we commend the release of some new and different focal lengths—from Nikon's 26mm pancake to Sony's 20-70mm f/4 G-series zoom to Tamron's 50-400mm f/4.5-6.3 telephoto. “Maybe the 26mm will be the new 28, which is great,” says Rickert. “We like choices, and a lot of brands are going this route with their lens offerings.” Guest: Kevin Rickert Episode Timeline 1:45: Canon RF 135mm f/1.8L IS USM lens and its unique cat-eye bokeh. 6:32: Four new Canon RF-S lenses for APS-C cameras, plus RF 800mm f/5.6L IS USM and RF 1200mm f/8L IS USM super-telephotos for wildlife and sports. 9:20: FUJIFILM XF 56mm f/1.2 R WR for portraits, XF 150-600mm f/5.6-8 R LM OIS WR for wildlife and sports, XF 18-120mm f/4 LM PZ WR for everyday use, XF 30mm f/2.8 R LM WR, and FUJIFILM GF 20-35mm f/4 R WR lens for medium format. 12:42: Hasselblad XCD 38mm f/2.5 V, XCD 55mm f/2.5 V, and XCD 90mm f/2.5 V lenses. 18:49: Nikon Z 26mm f/2.8 pancake lens, Z 85mm f/1.2 S for portraits, 400mm f/2.8 TC VR S, and Z 600mm f/4 TC VR SZ super telephotos for wildlife and sports. 25:06: Episode break 25:58: OM SYSTEM 90mm f/3.5 Macro IS Pro lens, and the benefit of IP53 weather sealing. 31:43: Sigma 50mm f/1.4 DG DN Art for L-mount and E-mount systems, plus rerelease of lenses for X-mount and Z-mount systems. 36:06: Sony FE 50mm f/1.4 GM, FE PZ 16-35mm F4 G, FE 24-70mm f/2.8 GM II, FE 20-70mm f/4 G lenses. 43:58: Tamron 20-40mm f/2.8 Di III VXD, 50-400mm f/4.5-6.3 Di III VC VXD lenses. Guest Bio: Kevin Rickert is B&H Photo's Senior Sales Trainer for Cameras and Lighting. It's Rickert's job to collaborate with camera and lens manufacturers to create curriculum for training B&H's world-renowned sales staff. He knows his stuff! Born and raised in New York and self-described as a ballpark journeyman, Rickert has traveled to—and photographed—all Major League baseball stadiums in the United States since 2008. Earlier this year, he helped to represent the B&H Sales Team, in Nashville, at Imaging USA 2023―where he discovered how hot Nashville hot chicken, really is! Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photo Video Instagram: https://www.instagram.com/bhphoto B& Photo Video Twitter: https://twitter.com/bhphoto B&H Photo Video YouTube: https://www.youtube.com/@BandH B&H Event Space YouTube: https://bhpho.to/BHEventSpaceYT B&H Photo Video Facebook: https://www.facebook.com/bhphoto B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353

Episode 376 of the Lens Shark Photography Podcast   Featured: Photographer, Brian Matiash   In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Show Opener:Photographer, Brian Matiash. Thanks Brian! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - Get 25% OFF Bat, Rhino, and Tortoise tripods at BenroUSA.com- Get 20% OFF DNA Messenger bags at Tenba.com - Get 25% OFF select items at JupioUS.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: The underwhelming reason for renaming the show. A photographer's use of AI could have big ramifications. (#) Adobe rakes in the dough. (#) 2022 most-rented gear is very telling. (#) Certain Nikon Z9 bodies won't let go. (#) 7Artisans has a new 12mm for APS-C. (#) Canon's global shutter could be the future. (#) Capture One makes an important change. (#) Ricoh's leaning in on analog. (#) DJI's Mini 3. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

For anyone seeking a new camera to gift or to hold this holiday season, we present the eighth annual installment of our Cameras of the Year episode! Featured in our discussion are 16 new cameras from Canon, FUJIFILM, Hasselblad, Leica, Nikon, OM SYSTEM, Panasonic, and Sony—presented in alphabetical order. In addition to a detailed review of each camera on our list, we also discuss trends such as the shift from separate cameras for photo and video to a single camera geared to content creation, recent advances in high resolution EVFs, the benefits to cameras with internal memory, an increasing prevalence of AI technologies, the continued relevance of Micro 4/3rds and APS-C models when full frame cameras are shrinking in size and weight, and much more. Along the way, we even come up with some new terminology—Exit Level Cameras! Tune in for yourself and find out what it means. Guest: Kevin Rickert Episode Timeline 3:30: Canon EOS R6 Mark II Mirrorless Camera 4:29: From separate cameras for photo and video to one camera for content creation 5:30: Canon EOS R7 Mirrorless Camera 6:42: A question about image stabilization 7:58: The increasing use of dual card slots 8:50: Newer Canon cameras have a different hotshoe 11:18: Canon EOS R10 Mirrorless Camera 12:25: The legacy of the Canon Rebel series name 14:25: Canon R5 C Mirrorless Cinema Camera 15:43: What constitutes a Netflix-approved cinema camera 17:08: FUJIFILM X-H2S Mirrorless Camera 18:12: FUJIFILM X-H2 Mirrorless Camera 18:20: FUJIFILM X-T5 Mirrorless Camera 19:43: Recent advances in high resolution EVFs 20:55: New FUJIFILM lenses mean faster full-time autofocus 22:15: Hasselblad X2D 100C Medium Format Mirrorless Camera 2400: The benefits to cameras with internal memory 24:38: Medium format 16-bit color gives you more crayons to play with in the box 26:02: Episode break 27:13: Leica M 11 Rangefinder Camera 30:24: US-B Type C connection allows downloading pictures to a phone 30:59: What is pixel binning and why is it useful? 32:12: Nikon Z 30 Mirrorless Camera 35:44: OM SYSTEM OM-1 Mirrorless Camera 37:08: The continued relevance of Micro 4/3rds and APS-C sensors when full frame cameras are shrinking in size and weight 39:54: OM SYSTEM OM-5 Mirrorless Camera 41:29: Panasonic Lumix GH6 Mirrorless Camera 43:15: The value of dual image stabilization 44:14: Sony ZV-1F Vlogging Camera 46:51: Sony FX30 Digital Cinema Camera 48:42: What is a BSI sensor? 49:08: Sony a7R V Mirrorless Camera 49:52: The higher the resolution, the better your lenses need to be 50:52: The increasing prevalence of AI technologies in the photo world 54:40: Sony a7R V updated screen design and menu tweaks Guest Bio: Kevin Rickert is B&H Photo's Senior Sales Trainer for Cameras and Lighting. It's Kevin's job to collaborate with camera and lens manufacturers to create curriculum for training B&H's world-renowned sales staff. He knows his stuff! Born & raised in New York and self-described as a ball-park journeyman, Kevin has traveled to—and photographed—all* Major League Baseball Stadiums in the United States since 2008. He also recently travelled to South Korea for food, drink, and photography in October. Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photo Video Instagram: https://www.instagram.com/bhphoto B& Photo Video Twitter: https://twitter.com/bhphoto B&H Photo Video YouTube: https://www.youtube.com/@BandH B&H Event Space YouTube: https://bhpho.to/BHEventSpaceYT B&H Photo Video Facebook: https://www.facebook.com/bhphoto B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353

Episode 375 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Landscape photographer, Felix Inden   In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Landscape photographer, Felix Inden. Thanks Felix! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - The Elinchrom FIVE from Elinchrom- Get a FREE ColorChecker Classic Mini with purchase of ColorChecker Display Pro while supplies last at Calibrite.com- Get 20% off at BenroUSA.com with offer code PetaPixel20 - More at LensShark.com/deals. Stories: How not to be a firmware guinea pig. (#) Fuji X100V is hard to come by. (#) TTArtisan's new 35 for APS-C. (#) Panasonic pivots. (#) The Photon is a DIY light meter. (#) Certain Fujifilm film is in short supply. (#) Insta360 releases a useful new update. (#) Vero clarifies its Terms of Use. (#) DJI passes a critical test. (#) Synology has a new solution. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We'd love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you're listening to the PetaPixel Photography Podcast with Sharky James!”

Jess and Elsie discuss this year's holiday gift guide. Elgato - Wave Mic Arm LP - A studio-grade boom arm for your premium microphone. Designed to lay low, look terrific, and work around you. Elgato - Multi Mount System - A modular rigging system that lets you mix components to match your workflow. Shure MV88+ Video Kit - The birth of a new portable audio & video recording kit is here, giving you all the tools you need, right out of the box. RØDECaster Pro II - The RØDECaster Pro II is the ultimate audio production solution for content creators, including streamers, podcasters and musicians. Focusrite Vocaster - The easiest way to bring studio quality sound to your podcast. Sony ZV-E10 Mirrorless Camera - Perfect for vloggers, the Sony ZV-E10 pairs a large APS-C sensor and mirrorless versatility with a specialized feature-set built just for content creators. The Pivo - The world's most versatile AI-powered smartphone mount. Transform your smartphone into a personal camera crew. Apple - Studio Display - Standard Glass Tilt Adjustable - An immersive 27-inch 5K Retina display* with a 12MP camera with Center Stage, studio-quality mics, and six-speaker sound system. Lashify DIY Lash Extensions. Say Goodbye to Using Mascara Dior Rouge Dior Forever Liquid Transfer-Proof Lipstick - 959 Forever Bold - A transfer-proof, matte liquid lip color that is ultra-pigmented with 12 hour* weightless long-wear mooncat | not nail polish. wearable art. Onesies! Savage X Fenty Yitty Exfoliating Mitts - Microdermabrasion at home Think Rolyn - Bar and Tiny Dancer cross-body bags Amarillo Stationery - Latin American Stationery and Analog Tools For Your Desk Cloth & Paper - Luxury Aesthetic Planners, Dividers, & Inserts Plotter USA - Leather binders and more   She Podcasts LIVE! (June 19 - 23, 2023) tickets are back on sale! We've added a few different ticket options and you can also reserve your hotel room. Check it out here! We are collaborating with Marco Arment from Overcast . He has committed to continuing to feature podcasts led by people of marginalized genders. And we are thrilled. All women and non-binary folks please fill out this SUPER EASY FORM! DO IT NOW. She Podcasts thanks our Sponsors! → My Podcast Biz Here's where to find us: Tik Tok Pinterest Twitter Facebook (Group) Facebook (Page) LinkedIn If you haven't done it already, join the She Podcasts Facebook group! Did you know we have a membership? Click here to check it out. WAY TO CONNECT! Elsie (and occasionally Jess) will be texting you directly! - Sign up here! 302–240–3425, text yes or my.community.com/shepodcasts Send us your feedback, email feedback@shepodcasts.com! We can't wait to hear from you!

All the big photography news for the month of June 2022 in under ten minutes.This episode: Adobe announces photographer-centric updates, is there life left for APS-C cameras, and a new film stock hits the market.Hosted by Rich Stroffolino and Anthony Lemos See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/dtns.

All the big photography news for the month of June 2022 in under ten minutes. This episode: Adobe announces photographer-centric updates, is there life left for APS-C cameras, and a new film stock hits the market. Hosted by Rich Stroffolino and Anthony Lemos MP3 Download Follow us on Twitter Instgram YouTube and Twitch Please SUBSCRIBEContinue reading "Names Are Hard, Apparently – Photography News Monthly 5"