Podcasts about Fujifilm

Episode 490 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Calibrite's summer sale at Calibrite.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: The camera industry could do more of this and we'd like it. (#) This 26mm pancake lens sure packs a punch. (#) Tamron's new 12-20mm f/2.8 wows. (#) The price of these has stayed surprising reasonable. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

Controversial influencer Andrew Tate has been arrested and charged and sued and investigated and re-investigated and re-arrested all over the world. Over the weekend, he was taken into custody again, this time in Miami. Tate is facing dozens of fresh charges and a complicated legal fight over whether he'll end up in a UK courtroom. If you've lost track of the Tate timeline, don’t stress, because we’ll take you through all the plot twists and bring you up to speed in today’s deep dive. Hosts: Emma Gillespie and Billi FitzSimonsProducer: Orla MaherVideo Editor: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

Two weeks ago, one of Sydney's newest venues opened its doors in a heritage-listed former church. A few days later, it was shut down entirely, caught between a Christian backlash, a landlord's legal notice, and a fight over public arts funding. On today's podcast, we're breaking down what actually happened to Divine Playhouse, why the venue struck a nerve with some religious groups, and what happens next for the creative arts space at the centre of it all. Hosts: Elliot Lawry and Billi FitzSimonsProducer: Avegail MatutinaVideo Editor: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

Photografix-News ist EUER News-Podcast rund um alle Themen der Digitalen Fotografie!

No men's team has won back-to-back World Cups since 1962. On Monday morning, Lionel Messi - 39 years old, in what many expect is his final tournament - tries to become the first. His opponent is the teenager he once held in a bathtub. Today we unpack how the World Cup final has been nearly 20 years in the making, and introduce you to the two star players. Hosts: Billi FitzSimons and Sam KoslowskiProducer: Orla MaherVideo Editor: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

In less than a week, three men and a teenage boy have been charged with murdering women and girls known to them in unrelated alleged attacks across the country. These deaths bring the national toll of women and girls lost to violence this year up to 54. In today’s podcast, we’re going to talk about what we know about each of these cases, the broader national conversation and how the government has responded. You can see Sherele Moody's Australian Femicide Watch here. Hosts: Billi FitzSimons and Zara SeidlerProducer: Orla MaherVideo Editor: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

Štěpánka Stein se dlouhodobě pohybuje na pomezí autorské, dokumentární, módní i komerční fotografie. Vedle vlastní tvorby se věnuje také pedagogice a kurátorství, a právě díky tomu nabízí jedinečný pohled na proměny fotografie i celého oboru.Řeč je o hranicích mezi dokumentem a stylizací, hledání vlastního vizuálního jazyka, práci v autorské dvojici Stein–Issa, rozdílech mezi galerií a komerční zakázkou i o tom, co znamená učit fotografii v době, kdy obrazy dokáže během několika sekund vytvořit umělá inteligence.------------------------Fujifilm X-Talk je podcastový video formát zaměřený na fotografii, vizuální kulturu a autorské přemýšlení o obrazu.Není určen pouze příznivcům značky Fujifilm, ale všem, kdo se zajímají o fotografii. Nový díl vychází pravidelně každou druhou středu ve 20:00. O letních prázdninách nově každou středu!Své nápady, názory nám můžete psát do komentářů pod epizodu nebo zasílat na email: lenka.vanickova@fujifilm.com

Last week, millions of Australians were reminded that their phone and data service is only as reliable as one company’s software, when Telstra experienced its third major outage in under a year. Today, we’ll unpack why these outages keep happening, what regulators want to do about it, and a question that’s been the subject of a decade-long debate: If a telco experiences an outage, why can't your phone jump onto a competitor’s network instead? Hosts: Emma Gillespie and Billi FitzSimonsProducer: Orla MaherVideo Editor: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

Our guest this week was Emily Endean, an award-winning UK photographer, educator, and Fujifilm ambassador whose beautiful landscape and seascape photography reflects her deep connection with nature. Beyond creating stunning imagery, she teaches workshops, mentors photographers, and inspires others to embrace creativity, storytelling, and the outdoors. Get Emily's book, Beginner's Guide to Photography:  https://www.emilyendeanphotography.co.uk/store/p/beginnersguidetophotography Use Offer Code: FUJILOVE5 Follow Emily Endean ------------------------ WEB: www.emilyendeanphotography.co.uk IG: www.instagram.com/emily_endean_photography/ Follow Wayne Campbell ------------------------ WEB: https://www.wacfoo.co.uk/ IG: https://www.instagram.com/wacfoo Email the Show: FujiLoveFeedback@gmail.com Follow Marc Sadowski: ------------------------ Substack: https://substack.com/@thefilmish IG: https://www.instagram.com/marcsadowski/ YouTube: https://www.youtube.com/@film-ish

Yesterday, former Australian of the Year Professor Richard Scolyer was honoured with a state funeral at the Sydney Opera House, after he died on 7 June from brain cancer, aged 59. The service included countless moving tributes to the pioneering pathologist credited with saving thousands of lives. Richard Scolyer is remembered as the researcher that turned melanoma from a common death sentence into a largely curable disease. But his legacy extends beyond that. He shared his three year journey and public health battle as patient zero of an experimental immunotherapy treatment with millions of Australians. In today's deepdive, we are going to play you a very special interview we did with Professor Richard Scolyer back in November 2024. Hosts: Emma Gillespie and Zara SeidlerGuest: Professor Richard Scolyer AOProducer: Orla Maher Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

In case you missed it, the Federal Government has for the first time released a report tracking how AI is reshaping Australia’s workforce. It said there has been no evidence that AI has caused widespread job losses or major disruptions… yet. Which might be surprising considering the job cuts we have heard about. This report, from the government, does paint a bit of a different picture. But it also tells us what job are most at risk. We’ll tell you what you need to know in today’s podcast. Hosts: Elliot Lawry and Billi FitzSimonsProducer: Orla MaherVideo Editor: Rosa Bowden Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. Shot on Fujifilm.See omnystudio.com/listener for privacy information.

John talks about selling high-priced systems, learning customers' businesses, simplified CRMs, and much more! Before retiring as North American Sales Manager for Zünd Systemtechnik AG in 2019, John Cote had a long career in sales of capital equipment and systems. Over his career, John was in sales or sales management with several large and medium sized companies including Fuji Film and HP. He also owned a couple of his own companies in the marketing, graphics and photography fields. John has given a lot of thought to the types of personalities and characteristics which seem to be common to top notch sale people and how to manage teams of these diverse and sometimes troublesome folk. John not only managed successful sales and sales support teams but gave talks to management teams in his own and other companies about how to recruit and manage sales people and sales teams.

The ceasefire between the U.S. and Iran is falling apart. Ships have been attacked in a key shipping route, the U.S. has struck back, and Trump says the deal is "over." Today we're breaking down what's happened since Sunday, why a Supreme Leader who died months ago is only being buried this week, and whether we're heading back to full-blown war. Hosts: Sam Koslowski and Billi FitzSimonsProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Yesterday, right-wing politician Nigel Farage resigned from the UK Parliament. The resignation comes as an investigation into his finances is currently underway. But who exactly is Farage, and why have we been hearing so much about him lately? On today's podcast, we're going to get to the bottom of that question, and work out why he's just walked away from the seat it took him seven attempts to win. Hosts: Elliot Lawry and Billi FitzSimonsProducer: Avegail MatutinaVideo Editor: Rosa BowdenDonate to the Petbarn Foundation Seeing Eye Dogs Appeal here. Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Karlovy Vary právě žijí filmovým festivalem. Každý ročník po sobě zanechá fotografie, které se stanou součástí jeho historie. Michal Čížek je vytváří už řadu let.Jak se fotografuje festival? Jak vznikaly snímky Jiřího Bartošky a co rozhoduje o tom, která fotografie zůstane?Řeč přijde také na připravovanou fotoknihu Spolu sami, která zachycuje atmosféru covidových let. Proč bylo právě toto období tak náročné fotograficky? Jak vzniká fotokniha jako celek a co rozhoduje o tom, že fotografie nezůstane jen zprávou, ale stane se svědectvím doby?------------------------Fujifilm X-Talk je podcastový video formát zaměřený na fotografii, vizuální kulturu a autorské přemýšlení o obrazu.Není určen pouze příznivcům značky Fujifilm, ale všem, kdo se zajímají o fotografii. Nový díl vychází pravidelně každou druhou středu ve 20:00. O letních prázdninách nově každou středu!Své nápady, názory nám můžete psát do komentářů pod epizodu nebo zasílat na email: lenka.vanickova@fujifilm.com

The death of a young Melbourne teacher on a suburban footy field has reignited conversations about player safety and intensified growing scrutiny of the AFL's concussion record. In today's deep dive, we'll unpack this tragedy, and the bigger reckoning about brain injuries in our national game. Sign up to TDA's Sport Newsletter here. Hosts: Emma Gillespie and Billi FitzSimonsProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Episode 489 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Benro's special edition America 250 MiniMax at BenroUSA.com - Godox's Summer Savings! - More mostly 20% OFF codes at LensShark.com/deals. Stories: Leica's new 44 megapixel SL3-P. (#) A new twist on and old lens from 1987. (#) Tamron's excellent 17-70mm f/2.8 comes to 2 more mounts. (#) Adobe makes a key acquisition. (#) Fujifilm opens it's GFX Challenge Grant Program 2026. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

Last week another popular music festival announced its going on hiatus. Harvest Rock. We’ve talked a lot about the struggling live music scene post COVID on this podcast. But we’re not going to talk about that today. What we are going to talk about is Australia’s live theatre industry. Because while we’ve been watching music festivals suffer, another creative sector has been facing its own, similar challenges, with multiple big-budget shows axing performances in recent weeks. We’ll explain what’s going on, and the UK Government model that could offer a way out for Australia’s struggling stages.For more stories like this straight into your email inbox, sign up to TDA's Culture Newsletter here. Hosts: Emma Gillespie and Billi FitzSimonsProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Last week, something unusual happened in Canberra. A group of Australia’s best musicians, artists and writers came together outside Parliament House. Not to perform but to rally. They were there to deliver a message to the Albanese Government: don't sell us out to Big Tech. On today's podcast, I'm going to explain what they're actually worried about, why the Government is spending billions courting some of the world's biggest tech companies, and what Australian creatives stand to lose if things go wrong. Hosts: Elliot Lawry and Emma GillespieProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Ik zit in Ibiza, uitgenodigd door Nadav Kander, de portretfotograaf achter beelden voor The New York Times, The Guardian en Time Magazine en achter grote commerciële campagnes. We namen samen een lange podcast op en voor die aflevering verschijnt, deel ik alvast vijf inzichten die me het meest zijn bijgebleven.Wat je leert in deze afleveringWaarom Nadav single images vaak sterker vindt dan een serie, en wat hij bedoelt met "the electricity between images"Waarom schoonheid zonder wrijving voor hem oninteressant is, en wat hij zoekt met "the edge"Waarom het beginnen aan een nieuw project ook na een indrukwekkende carrière onzeker en zoekend blijftHet verschil tussen een foto die je na vijf jaar beu bent en een beeld dat na twintig jaar nog steeds iets nieuws zegtWaarom een werk volgens Nadav pas af is zodra iemand ernaar kijkt, en wat dat betekent voor hoe je je eigen werk loslaatOver Nadav KanderNadav Kander is een internationaal gevestigde portret- en landschapsfotograaf, bekend van zijn werk voor grote redacties en merken en van autonome projecten zoals zijn rivierproject over de Yangtze. Hij werkt momenteel samen met David Campany aan een overzichtstentoonstelling die in september opent in Foam Amsterdam.LinksThe Daily Frame, 21 korte afleveringen vanaf 13 juli (€9,99)Masterclass met Bastiaan Woudt over boeken en tentoonstellingen als duurzame zichtbaarheid: (€25)Wil je de zomer doorkomen met korte, dagelijkse impulsen over ondernemerschap, mindset en creativiteit? Schrijf je in voor The Daily Frame, mijn reeks van 21 korte afleveringen, en start op 13 juli.Wil je liever verdieping over hoe je boeken en tentoonstellingen inzet als duurzame vorm van zichtbaarheid, in plaats van te blijven hangen op social? Sluit dan aan bij de masterclass met Bastiaan Woudt.Mede mogelijk gemaakt doorDeze aflevering van de De Donkere Kamer Podcast wordt mede mogelijk gemaakt door Profotonet, gekend voor hoogwaardige prints, handgemaakte fotoboeken en wanddecoratie van topkwaliteit. Als luisteraar van deze podcast krijg je bovendien 10% korting met de code KAMER-10. Meer info op profotonet.com.Deze aflevering van de De Donkere Kamer Podcast is er ook met dank aan Foto Robyns. Al meer dan 70 jaar een vaste waarde voor fotografen, met persoonlijk advies en een sterke expertise in Canon, Nikon, Sony en Fujifilm. Een plek waar ze echt meedenken vanuit hoe jij fotografeert. Meer info op robyns.be.

CW: Today's episode discusses distressing details, and may not be suitable for everyone. This week, Australian man Simon Peter Carman was charged with the murder of 17-year-old Thanchanok Donhomla in Thailand. The Australian was arrested at Bangkok airport while allegedly trying to board a flight to Perth, before the teenager’s body was found in a suitcase near railway tracks. In today’s podcast, we’re going to unpack what we know about this story, the charges Carman is facing and what comes next.1800 Respect: 1800 737 732 Hosts: Zara Seidler and Elliot LawryProducer: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Good morning from Pharma Daily: the podcast that brings you the most important developments in the pharmaceutical and biotech world. Today, we're diving into a series of significant advancements and strategic shifts reshaping the industry landscape. To begin, the U.S. Food and Drug Administration has taken a noteworthy step by selecting key industry players, including Eli Lilly, Regeneron, Fujifilm, and Kriya Therapeutics, for its PreCheck pilot program. This initiative is designed to enhance U.S. drug manufacturing capabilities, emphasizing the importance of robust domestic production. By reducing dependency on international supply chains, the program aims to expedite the delivery of critical therapies, highlighting a strategic move towards self-reliance in pharmaceutical manufacturing. In oncology news, Beone's Brukinsa (zanubrutinib), a small molecule BTK inhibitor, has demonstrated a remarkable 43% reduction in risk of progression for patients with first-line mantle cell lymphoma in its Phase 3 trial. This breakthrough offers a promising chemotherapy-free option for non-Hodgkin lymphoma treatment, marking significant progress in targeted cancer therapies that could improve patient outcomes in previously underserved areas. Meanwhile, Boulevard Bio and Metis TechBio have sealed a substantial licensing agreement valued at $1.6 billion for MTS-128, a trispecific T-cell engager aimed at autoimmune diseases. This collaboration reflects a broader industry trend towards leveraging advanced AI and machine learning technologies to enhance the development of precision medicine and personalized therapies. Such partnerships indicate a shift towards more innovative approaches to tackling complex disease mechanisms and illustrate burgeoning interest in multispecific biologics within immunotherapy domains—offering new avenues for targeting multiple disease pathways simultaneously. On the regulatory front, Sanofi is advancing efforts to expand the U.S. label for Nexviazyme (avalglucosidase alfa) following successful Phase 3 trials for infantile-onset Pompe disease. As an enzyme replacement therapy targeting GAA enzyme deficiency, Nexviazyme could address a critical gap in treatment options for this debilitating genetic disorder, underlining the importance of regulatory pathways in facilitating access to life-saving therapies. Financially, Beeline Medicines has garnered $126.3 million in Series A extension funding to propel its autoimmune programs originally sourced from Bristol Myers Squibb. Similarly, SmartBax has raised €6.3 million to advance its lead antibiotic program targeting multi-drug resistant infections. These investments underscore an unwavering focus on addressing unmet medical needs through innovative therapeutic solutions. Regulatory challenges persist as well; Unicycive Therapeutics faced FDA rejection due to third-party manufacturing deficiencies surrounding oxylanthanum carbonate. This setback emphasizes the critical importance of maintaining rigorous quality standards throughout drug production processes to secure regulatory approvals and ensure patient safety. Globally, China has achieved a milestone with the approval of the world's first CAR-T therapy for solid tumors—a significant leap forward given the historical challenges of applying CAR-T technology beyond hematological malignancies. This approval could transform cancer treatment paradigms globally and prompt similar regulatory advancements in other regions. In other developments, Abbvie and Genmab's combination therapy involving Epkinly has shown promise in diffuse large B-cell lymphoma (DLBCL) trials following prior challenges with monotherapy approaches. This success story highlights the potential of combination therapies in enhancing outcomes for patients battling complex cancers like DLBCL. From a corporate perspective, Klick Health's acquisition of Oxford Pharmagenesis marks its third purchase in 18 months, expanding its global footprint and scientific capabilities—a testament to ongoing consolidation trends aimed at augmenting expertise and strategic growth within the sector. These developments collectively paint a picture of an industry dynamically evolving amidst scientific breakthroughs and regulatory recalibrations. As companies navigate this transformative landscape, their ability to adapt and innovate remains paramount for sustaining growth and addressing global healthcare challenges effectively. Stakeholders must remain agile to seize opportunities while mitigating inherent risks in this high-stakes environment that increasingly prioritizes patient-centric innovations.Support the show

The consumer watchdog is suing Amazon over the ads on its streaming service Prime Video. It says the tech giant unfairly charged more than a million subscribers by telling them to pay more to keep watching ad-free. In today’s episode, we’ll explain what you need to know about the case. Hosts: Lucy Tassell and Zara SeidlerProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

"Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual." -- Edward Weston "I see no reason for recording the obvious." -- Edward Weston   In this episode, Antonio and Ward talk about Fujifilm cameras, autofocus, and film simulations. Antonio shares his frustration after missing bird photographs because the autofocus refused to lock onto obvious subjects, while Ward compares his own experiences photographing action with Fujifilm gear. They discuss firmware updates, the expectations photographers have for modern autofocus systems, and how working with film simulations can encourage a slower, more intentional approach to photography. Antonio and Ward spend the second half of the episode talking about Edward Weston's Daybooks and the ideas that shaped his photography. They discuss Weston's famous pepper photographs, his search for what he called “the thing itself,” and his belief that photography should reveal the true character of a subject rather than imitate painting. They talk about the relentless self-criticism found throughout his journals, the years he spent refining both his craft and his artistic philosophy, and the challenge photographers faced in convincing the art world that photography belonged alongside painting and sculpture. Along the way, they reflect on how Weston's writing still offers practical lessons for photographers today and why his way of seeing continues to inspire nearly a century later.     Links: Edward Weston – The Flame of Recognition Edward Weston's Daybooks Pepper No. 30 Fujifilm film recipe iPhone app X Sim Lab - Fujifilm RAW processing iPad app   Watch the YouTube video of this podcast here. Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines or buying a print. Support the show by purchasing Ward's Zine, Book and Prints Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page.   Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

Today marks the start of a new financial year, which means a raft of new measures are now in effect – from a payrise for 2.7 million workers, to tax and super changes, and a variety of new federal and state-specific laws. We’ll take you through all the 1 July updates in today’s deep dive. Hosts: Emma Gillespie and Zara SeidlerProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Sanne De Wilde is beeldend kunstenaar, fotograaf en maker van projecten die gaan over genetica, identiteit, perceptie en systemisch geweld. In dit gesprek vertelt ze over haar nieuwe trilogie, over de procedure die haar en haar partner Majesty jarenlang heeft uitgeput, over moederschap en het patriarchaat, over de koloniale erfenis die als een boemerang terugkomt, en over hoe zij fotografie inzet als verbindend middel, niet als statement van buitenaf.Dit is een openhartig, gelaagd gesprek over wat het betekent om als maker te leven wat je maakt.Wat je leert in deze afleveringHoe Sanne haar persoonlijke ervaringen, migratie, moederschap en koloniale erfenis, omzet in artistiek onderzoek dat verder reikt dan de galerijencontextWaarom samenwerken voor haar geen keuze is, maar een overtuiging, en hoe dat haar sterkste én kwetsbare kant tegelijk isHoe zij laat in haar carrière het subsidiesysteem heeft leren kennen en wat ze daarin anders had gedaanWat fotografie kan doen wat andere media niet kunnen, en wat het medium nog te weinig doetWat zij aan jonge fotografen meegeeft over professionalisering, het zwarte gat na de opleiding en wat een fotoschool je niet leertOver Sanne De WildeSanne De Wilde (Antwerpen, 1987) is beeldend kunstenaar en werkt met fotografie, film, installatie en schilderkunst. Haar projecten onderzoeken thema's als genetica, identiteit, perceptie en systemisch geweld, altijd in samenwerking met anderen en via storytelling. Haar werk won onder meer de Photo Academy Awards (2012), de Nikon Press Award (2014/2016), de Zilveren Camera en de World Press Photo Award (2019, samen met Bénédicte Curzen voor Land of Ibiji). Ze geeft les aan de Houston Center for Photography en is lid van Institute Artist. Haar nieuwe trilogie The Trilogy about Togetherness werd eerder dit jaar getoond in Hangar in Brussel.Links en bronnenWebsite Sanne De WildeInstitute ArtistMede mogelijk gemaakt doorDeze aflevering van de De Donkere Kamer Podcast wordt mede mogelijk gemaakt door Profotonet, gekend voor hoogwaardige prints, handgemaakte fotoboeken en wanddecoratie van topkwaliteit. Als luisteraar van deze podcast krijg je bovendien 10% korting met de code KAMER-10. Meer info op profotonet.com.Deze aflevering van de De Donkere Kamer Podcast is er ook met dank aan Foto Robyns. Al meer dan 70 jaar een vaste waarde voor fotografen, met persoonlijk advies en een sterke expertise in Canon, Nikon, Sony en Fujifilm. Een plek waar ze echt meedenken vanuit hoe jij fotografeert. Meer info op robyns.be.Meer weten over 1-op-1 mentoring?In mijn persoonlijke begeleidingstraject werk ik zes maanden intensief met jou samen aan de onderdelen van jouw fotopraktijk die jij wil aanpakken of verbeteren. Van portfolioopbouw tot positionering, van sales tot tentoonstellingsstrategie. Volledig afgestemd op jouw situatie. Ik begeleid maximaal tien fotografen tegelijk.Alle info vind je op donkerekamer.com/mentor. Heb je vragen of wil je eerst even kennismaken? Stuur een DM of plan een kennismakingsgesprek.

In Australia, it is completely legal to lie in a political ad. Politicians can run false claims, spread misinformation, and publish AI-generated content, all without facing consequences. That could soon change though, after one MP introduced a bill last week to try and legislate truth in political advertising. In today’s podcast we're going to break down the rules around political ads, and what proposed changes could be on the horizon. Hosts: Elliot Lawry and Zara SeidlerProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Last week, Channel Nine dropped Karl Stefanovic, one of its longest-standing TV hosts, over a podcast episode with a British far-right, anti-Islam activist. Stefanovic launched the podcast saying it was going to be “unfiltered and uncensored,” and while that might be the case, that doesn’t mean it is without consequences for his Australian media career. In today’s episode, we’ll explain why interviewing Tommy Robinson meant Karl lost his job at Nine. Hosts: Lucy Tassell and Emma GillespieProducer: Orla Maher Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

My co-host Ken Suzan and I are welcoming you the episode 176 of the IP Fridays Podcast. Today's interview guest is returning guest Franklin Graves, who is a senior counsel at Linkedin and teaching IP law at Emerson College. With my co-host Ken Suzan he is discussing how the law for creators has dramatically changed in the past years. Franklin Graves is expressing his personal views and not the views of Linkedin or Microsoft. He is talking about the paper “Upload Complete” before he joined Linkedin. Bio: https://www.linkedin.com/in/franklingraves/ Paper: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5271442 Website: https://creatoreconomylaw.com/ But before we jump into this interview, I have news for you! Richard Meade, a judge on the UK High Court and one of the most prominent figures in European patent law, was appointed Lord Justice of Appeal at the British Court of Appeal on June 12, 2026. Meade played a key role in numerous landmark British patent decisions, particularly in the area of standard-essential patents (SEPs) and FRAND licenses. In Insulet Corp. v. EOFlow Co., No. 2025-1807, the U.S. Court of Appeals for the Federal Circuit completely overturned the original $452 million judgment (which had already been reduced by the District Court to $59.4 million) in favor of Insulet. In its decision of June 2, 2026, in the case of Fujifilm v. Kodak, the UPC Board of Appeal provided comprehensive clarifications regarding so-called “long-arm jurisdiction”—that is, the question of whether the UPC can also rule on national patent claims outside the UPC territory (such as in the United Kingdom). In 14 guiding principles, the judges established specific procedural rules for various categories of cases. There is no automatic UPC jurisdiction over national patent claims outside the UPC territory. The Munich Regional Court has issued an arrest warrant against the managing director of Polytech Health & Aesthetics GmbH because he is alleged to have continued to exploit the Brazilian company Silimed's patent for breast implants despite a preliminary injunction. A number of IT and automotive industry associations—which are among the most frequent users of Inter Partes Reviews (IPR) at the U.S. Patent and Trademark Office—have filed an amicus brief with the Supreme Court, urging the Court to grant Google's certiorari petition. An attorney for a Las Vegas performer has asked a California federal judge to temporarily prohibit Taylor Swift from using “The Life of a Showgirl” as a trademark while the trademark lawsuit is pending. Swift's attorney called the lawsuit baseless. And now let's hear Ken discuss creator law with Franklin! AI, Platform Law, and the Creator Economy: What Businesses Need to Know Now Franklin Graves has spent his entire career watching digital content move through systems that most people never see. He started in marketing at a major music label right out of law school, then represented individual creators on YouTube in a pro bono capacity, then moved to the platform side at Eventbrite, and today works as Senior Product Counsel at LinkedIn, where he focuses on AI, data, and the regulatory questions that come with both. His recently published law review article, Upload Complete: An Introduction to Creator Economy Law, is the first academic paper to address the creator economy as a distinct legal field. In a recent episode of the IP Fridays podcast, he spoke with host Kenneth Suzan about responsible AI development, platform regulation, and what it actually means to own your audience in a world where the rules keep changing overnight. From Content Creator to Platform Lawyer The through-line in Graves’ career is a genuine understanding of how content moves from an idea in someone’s head to an audience on a screen. That experience, he argues, is precisely what in-house counsel needs right now. Lawyers working on AI and product development cannot afford to sit at a distance from the technology they are advising on. They need to use the tools, experience them as a creator or end user would, and understand the nuances of how a product actually operates before it reaches the public. Understanding the product first is the precondition for everything else. That philosophy translates directly into how he approaches responsible AI implementation. The landscape of AI standards is crowded: NIST frameworks, the EU AI Act, sector-specific guidance, and a growing body of industry-adopted best practices. The challenge for in-house counsel is not knowing that these standards exist. It is making them actionable for the engineering and product teams they support. Abstract principles need to become concrete controls and workflows. Graves offers one practical shortcut: most companies already have open source software review processes that involve the right stakeholders, the right sign-off levels, and the right security checks. Layering the specifics of generative AI or large language models onto those existing processes is far more efficient than building something new from scratch. A Fragmented Regulatory World The geopolitical dimension of AI regulation is something Graves thinks about constantly in his role at LinkedIn. The EU AI Act, shifting US executive orders, and country-specific approaches to data privacy have created a regulatory environment that can change the rules of the game without warning. His analogy is instructive: creators have long understood what it means to build a community on a platform they do not own. An algorithm change, a policy update, or a government ban can wipe out years of audience-building overnight. Businesses deploying AI tools globally now face a structurally similar problem. The response, for creators and for platforms alike, is to build resilience rather than rely on stability that may not last. TikTok is the clearest recent example. When the platform faced the prospect of being shut down in the United States on national security grounds, it triggered a broader conversation about platform dependence that had been building for years. Creators who had invested their entire business in one platform suddenly confronted the possibility that their audience could simply disappear. The lesson is not that platforms are bad. It is that concentration of any kind, whether it is your audience, your data pipeline, or your regulatory compliance strategy, creates fragility. What Is a Creator, Legally Speaking? One of the central contributions of Graves’ law review article is definitional. The terminology matters more than it might seem. When courts and regulators talk about creators without a shared understanding of what that word means, the resulting legal analysis tends to miss the mark. Graves draws a distinction between users who post content, creators who post with the intent to build an audience and eventually monetize it, and influencers, a subset of creators who are actively running a small business through their content. The difference is intent. A parent posting family photos on Facebook is a user. Someone building a subscription community around their professional expertise is running a business, and the legal framework that applies to them should reflect that. That distinction matters practically when it comes to liability. As more creators build their own platforms, whether through custom membership sites, open source tools like Ghost, or federated social networks, they take on obligations that previously fell to large platforms: content moderation policies, privacy notices, terms of service, and compliance with data regulations across multiple jurisdictions. A creator in Tennessee running a membership platform with subscribers in Germany is operating a global business, whether they think of themselves that way or not. Protecting Children Online: A Question Without a Clean Answer The tension between age verification and privacy is one of the more difficult problems in platform law right now. Australia, several European countries, and a growing number of US states have introduced or passed minimum age requirements for social media accounts. The technical challenge is real: verifying age online requires collecting identifying information, and collecting identifying information creates privacy risk, particularly for the young people the laws are designed to protect. Who should bear the responsibility for that verification is also unresolved. Is it the platform? The app store? The mobile operating system? Graves does not pretend there is a clean answer, but he points to the mobile layer as an underexplored option. The Apple App Store and Google Play Store already have significant leverage over which apps reach users on their devices. Whether that leverage should extend to age verification is a question that deserves more attention than it currently receives. The Right of Publicity in the Age of AI Voice cloning, digital replicas, and AI-generated synthetic media have pushed the right of publicity into territory that traditional IP law was not designed to cover. Trademark law, copyright law, and existing publicity rights each capture part of the problem but none of them covers it completely. The result, as Graves describes it, is a period of experimentation: lawyers filing trademarks on vocal sounds and phrases, states updating their publicity statutes to explicitly mention artificial intelligence, and entertainment unions negotiating over who controls a performance and any AI-generated iterations of it. Tennessee’s Elvis Act is a concrete example of the legislative response: the state updated its right of publicity law to include voice and to reference AI directly. Similar efforts are underway elsewhere. The underlying challenge is calibrating protection so that it gives creators and performers meaningful control over their likeness and voice without foreclosing the development of generative AI systems that depend on broad rights to process and learn from content. Somewhere between those two interests, a workable legal framework needs to emerge. The brand deal context may be where the issue becomes most immediately practical. When a brand partners with an influencer and the campaign involves generative AI in any form, the contract needs to address control explicitly. Who has final approval over how the influencer’s likeness or voice is used in AI-generated deliverables? What happens to those assets after the campaign ends? These are not hypothetical questions. They are contract drafting problems that any brand counsel or creator attorney should be addressing today. What Comes Next Graves is cautious about predictions, but his sense of direction is clear. The regulatory environment will continue to fragment before it converges. The right of publicity will be updated, imperfectly, in more jurisdictions. Creators will continue to move toward owning more of their infrastructure. And the lawyers who do this work best will be the ones who understand the technology well enough to translate it into practical, defensible decisions for the people they advise. Full Transcript: Ken Suzan: Thank you, Rolf. Our returning guest today is Franklin Graves. Franklin is the founder and editor of Creator Economy Law, a website and newsletter that educates creator economy professionals on the intersection of law and policy with the world of creators, brands, and platforms. Franklin also published the first law review article focused on the creator economy, Upload Complete, an introduction to creator economy law. He regularly appears across news and media outlets as a commentator and contributor with a focus on educating creators and raising awareness of all legal aspects of the creator economy. Franklin is based in Nashville, Tennessee. Ken Suzan: Franklin was invited to participate as one of the creators and creator economy professionals in the first ever White House creator economy conference. Franklin works full time as a product counsel at LinkedIn Corporation. As a member of the product and data team, he focuses on emerging issues in AI and data. Franklin previously held roles on the technology law group at HCA Healthcare, the commercial legal team at Eventbrite, and the business and legal affairs team at Naxos Music Group. Welcome back Franklin to the IP Fridays podcast. Franklin Graves: Thank you so much for having me. It is exciting to be back and reflecting over the last decade since I last joined and also the paper that I wrote that dives into this in more detail. So I really appreciate it. And yes, full disclosure, I currently work for LinkedIn, which is a subsidiary of Microsoft. I’m here in my personal capacity to talk about this, the paper I wrote before joining LinkedIn and all of that. So thank you so much for having me back. Ken Suzan: Excellent. So Franklin, since your last appearance on IP Fridays in 2017, your career has evolved significantly. You are now senior product counsel at LinkedIn focusing on AI and data. How has working inside a major tech platform changed your perspective on the legal frameworks governing digital content compared to when you were viewing it purely from the creator side? Franklin Graves: I appreciate that question because when I wrote the article, I did not work for LinkedIn. And I had been coming from a history in my career where I, right out of law school, worked for a record label like we talked about almost 10 years ago. And I was on the content creation side. I’ve represented a major distributor of classical music digitally at the time. And that was my first exposure to understanding how content was taken from the initial inception stage from creators and routed through all the various digital platforms that were at the time still evolving and even arguably still today continue to evolve. The early days of YouTube Music launching and then Apple Music launching, and then going through all the phases of high-res audio and everything that came after that. So that was an interesting perspective to start my career with. And then I went to Eventbrite, which is a ticketing platform, but was also focused on elevating event creators. They kind of took on that moniker of “Hey, we are event creators that we support.” And that was arguably my first exposure to the platform side, the tech platform side of it, because Eventbrite is a platform. And so then I evolved from there in my personal capacity, in a pro bono capacity representing individual creators across the YouTube space. And that’s what we talked about a little bit back when I first came on the podcast. Franklin Graves: Over the last decade, it’s been a chance to grow my own understanding of the creator economy. The terminology “creator economy” came around. And then now on the other side of it, having written the article and all that, and now being fully in-house at LinkedIn, I truly am experiencing a social media platform. LinkedIn is of course arguably way more than just the platform itself. There are so many different avenues to it, but it is a chance for me to understand what it is like working for a company that is operating the platform that people are distributing content on. There’s a user journey to content and all of that. So it’s definitely enhanced and given me a different perspective from a major tech platform side. And part of my role at LinkedIn is really heavily focused on understanding regulation and how that from an AI and data perspective impacts the company. And so I’ve been really leveling up my game over the last year and a half that I’ve been here, understanding mostly EU regulations, but also US regulations that are still in their infancy when it comes to AI. But really when it comes to privacy and data, those are pretty well established across the board. It’s been kind of a combination of what I learned at Eventbrite, because I went to Eventbrite when GDPR was going into effect. And so that was an eyes-wide-open moment of getting in the weeds with negotiating data processing agreements, understanding data transfers and cross-border data transfers and the like. So it’s been kind of an evolution as the laws and regulations have evolved. So has my career, so has my own understanding, so have the platforms’ responses to those laws and regulations. And I’m sure that probably resonates with a lot of your listeners who have also been growing their practice and their understanding as the laws and regulations in this realm have been evolving too. Ken Suzan: Yes, indeed. Now let’s switch gears and talk about AI. You advise on AI and data daily. As platforms integrate generative AI tools into their tech stacks, what are the most critical best practices in-house counsel should be adopting right now to embed responsible AI principles into product development? Franklin Graves: So as an attorney, one of my key roles is to understand the technology. Even representing creators and working for creator platforms, that’s something I’m constantly trying to do: put myself in the shoes of being a creator. And I think I talked about this last time I was on, but I come from a background where I was working for a major label doing marketing, video editing, social media work. And I was creating content. I understood the whole life cycle from the inception point of an idea to execution and then to the final delivery and distribution of that content to an audience within a major music label. And so part of that is the same thing that I think attorneys, especially in-house, should be doing: using the tools that the product and engineering teams are either developing in-house or partnering with third parties to develop, or a combination of the two. Using them, understanding them, using them as a creator would, using them as an end user or a client or customer would. And making sure that if you understand the product and understand the nuances of how it operates, and being a part of the iterations of that internally before it fully ramps, that really gives you a chance to understand: okay, we have a lot of responsible AI principles and standards and protocols that are in existence right now, whether it’s NIST, whether it’s based on the EU AI Act or anything and everything in between. It’s understanding how to apply those and bring those into a product and an engineering environment in a way that is practical and actionable for the people that you’re supporting, the stakeholders you’re supporting. So I think one of the critical best practices is, number one, understand the product or features that you’re supporting. Franklin Graves: And then understand how you as an attorney can use your expertise and understanding of responsible AI practices, whether it’s a regulatory standard or an industry-adopted standard or a hybrid of the two, to leverage those and implement those, break those down and make them into actionable controls and processes and flows that work within your existing infrastructure. That’s a lot of high-level talk, but that’s the general idea. One concrete example we talk about frequently is with open source AI. If you’re working with a product team or an engineering team that is taking an off-the-shelf open source model and bringing that in-house, a lot of times companies have pre-existing open source processes that cover the use of open source software or code. Piggyback on that. That’s the easiest quick win for attorneys: leveraging your existing open source processes to just build on top of that the AI flavor and layering. It’s not very much that you have to do, but the underlying process of the key stakeholders that need to be involved in the review, whether it’s security, whether it’s executive sign-off if it gets to that point, even export control considerations should already be part of your existing open source software process. So layering in on those existing processes the specifics of generative AI or large language models that you’re trying to bring in is a great way to put this into practice. Ken Suzan: Now looking at the geopolitical landscape that we currently have, we have the EU AI Act setting strict standards and shifting US executive orders. How should platforms and brands prepare for this fragmented regulatory environment when deploying AI tools to a global user base? Franklin Graves: It’s a great question. It’s something that is still evolving, I think is fair to say. I would equate it, as I do in the paper that I wrote, to how creators and arguably brands don’t own the platforms that they’re building their communities on. That spawned this concept of de-platforming or going into building your own platform, a decentralized platform of sorts, and owning your community. That gives you that control and takes away the level of instability that can come for creators trying to build a business on a platform they don’t own, they don’t control when certain updates happen, when algorithms change, when tools and functionalities either become available or go away completely. So it’s very similar to what we’ve been experiencing in a regulatory environment where we have geopolitical complexities, for lack of a better term, that can overnight seemingly disrupt the way in which a platform or even a multinational brand is able to connect and reach an audience or continue to leverage the user base that they’ve built. I think TikTok is a great example of that, where it became a national security concern and suddenly it was facing an executive order that required it to be effectively disabled in the US or completely owned and operated by a US entity. All the mechanics and technicalities of whether it’s actually possible and still have a global platform with a global user base is a whole different discussion. But that’s an example of very similar considerations that are now not just a discussion point at the creator level or the individual brand level, but also in a much broader context at a platform level as well. Ken Suzan: Franklin, let’s now shift gears and talk about your article. In your recently published journal article, Upload Complete, which we will have linked in our show notes, you advocate for a shift in terminology from internet creator law, a term used during our first podcast almost a decade ago, to creator economy law. Why is this distinction important and how does it change the way legal practitioners should view the ecosystem of creators, brands, and platforms? Franklin Graves: Oh yes, this is part of the reason why I wanted to write the article: to lay this foundation of understanding. Because at the time I’d written the article, the term creator economy and creator had really not appeared but for maybe once in an actual court decision. And it was kind of focused on influencers and this concept, and it was just not getting it right. And so it was also, as you mentioned, when we first spoke I was even using the term internet creators. And I think that was something that was common at the time. The “internet” portion as a qualifier has since dropped off. And now for purposes of the creator economy, the term creators refers to individuals, it can be small businesses, which is what we’ve seen from a regulatory standpoint, how these small businesses are being impacted by regulations. But essentially creators in the article I pin in the context of intent. What is the intent behind the person or the small business that is posting content, trying to build a community and form a community in a virtual environment? And then that can even spill over into real physical world environments. And so the intent is kind of what I look at. Franklin Graves: And I have a chart in the article that has a diagram showcasing the overlap of what I refer to as “users generating content.” It’s a play on the concept of user-generated content, UGC. Users generating content is that large bucket of anyone posting on a platform of some kind. And within that large bucket, that large circle, are smaller subsets. You have creators, you have brands. Those are really the two buckets you can put people into. Otherwise it’s like your grandmother or your parents posting content on Facebook or Instagram, and those are everyday users of a platform. The distinction to get into that subcategory of being a creator more so has been analyzing the intent behind the posting. Are you posting content to build an audience, to build a community, to eventually have a chance to monetize the following that you’re bringing in or sell services or something like that? Brands are posting for that reason. Creators are maybe posting for that same reason. But even within the creator category, there’s a subcategory of influencers that are trying to sell something, that are trying to build more than just an awareness of who they are, their influence. They are trying to do brand deals, partnership deals, upsells and all that, and start an actual small business aside from just the content itself that they’re creating. So that’s kind of the distinctions that I make in the paper. And that’s why it’s important to understand and lay that foundation, that anyone can post content online, but the intent, the why behind their posting that content, really does ultimately matter, especially when you’re looking at it from a court case or from a regulatory standpoint. Ken Suzan: Now, Franklin, we’re seeing unprecedented geopolitical activity around platform ownership. For example, the US legislation targeting TikTok and Brazil’s recent temporary ban of X. How do these macro-level battles impact the day-to-day livelihood of creators? And how can they legally and operationally protect themselves? Franklin Graves: So the shift that we’re seeing, and I alluded to this earlier in our conversation, is this concept of Web 3. And that term may or may not be really popular anymore, but that’s essentially what we’re looking at: a shift into a federated, decentralized operation of a platform. So instead of one owner, one company, one entity owning and operating the platform, it’s decentralized. Anyone can start up a server, and it’s interoperable, meaning anyone can plug and play and connect to that larger network. And it creates this unified social network experience. Within each operating node of that network, there can be your own decisions around content moderation, your own decisions around the hosting providers you use, where you’re operating out of, the terms and conditions that apply to that. But the flip side is that instead of creators posting and sharing in a closed environment run and controlled by a singular entity, you’re now experiencing a peer-to-peer type operation where your experience can change based on which server, which node, which user you’re engaging with. You might have content that’s acceptable in one area but not acceptable in another, and maybe it just doesn’t even show up in that other area. Franklin Graves: But from a liability standpoint, as creators start to build their own networks and communities, even outside of a concept like the fediverse, it’s even down to creators building their own communities through online courses, subscription membership-based platforms that they run on their own website. There’s open source software out there, even something called Ghost, where you have memberships. And that is a creator or a small business in the creator economy that is now taking on the obligations that would typically fall upon a platform. They need to take into consideration terms and conditions, privacy policies, legal aspects, and regulatory considerations for running a platform, especially in a global world. So it’s a lot of liability that then shifts over to those small businesses and even brands sometimes that are doing the same thing. Whether it is something as simple or complex as content moderation or all the way up to monetizing an audience, this new world where creators can spin up and run a platform all dovetails back to the concept of creators not feeling like they have control in reaching the audience and the community that they’re building on an individual platform. And so this really became more mainstream conversation with TikTok and the issues around it potentially being shut down in the US. That was kind of the mindset shift and eyes opening for many creators, especially within the influencer subset, of realizing: we need to make sure that we have a way to reach the audience we’ve built if the individual platform that we’ve committed to over the last year or three years or so is no longer available. We need a way to continue that relationship outside of that one platform controlling it. Ken Suzan: Franklin, we have a few minutes left and a number of topics. So I’m going to switch gears and talk about a few issues. First, a major emerging topic in your paper is the evolution of protecting kids online. With state-level age-gating laws like the CAADCA and the recent FTC updates to COPPA, how should platforms navigate the significant tension between strict age verification mandates and the privacy and First Amendment rights of their users? Franklin Graves: Man, that is a whole discussion to unravel. It is a consideration that we’re seeing happen again, going back to the geopolitical nature of everything. Countries like Australia and certain countries in Europe and now even individual states in the US are trying to look at ways, and some of them have already put into place minimum age requirements before you can even sign up for an account with a social media platform. One of the things I’d just highlight quickly here is that one of the tensions is around how you verify someone’s age online and still maintain the ability to be at least pseudonymous. How do you still have a level of privacy, autonomy, and protection when it comes to having to provide something like a driver’s license or have parental consent tied and connected to an account managed by a parent in a situation where maybe it’s not appropriate or not beneficial to the child in that manner? But then maybe there are counterbalancing factors that outweigh that. All of that comes down to the technicalities of how it’s actually implemented and maintaining the sense of openness and freedom that we’ve had on the internet to date. And then the other element there is, since a lot of the internet that we think of today is more so through mobile applications, is it something that the mobile operating system providers and app store providers should be thinking about? So whether that’s the Google Play Store or the Apple App Store, where does that initial age verification need to fall? Is it at the platform level? Is it the app store or mobile device management level or something else? Yeah, there’s a lot to discuss there. And a lot of the issues we’re seeing with how the internet is changing in terms of being able to browse a website without disclosing personal information that might not have been required before is largely stemming from a focus on protecting children online. Ken Suzan: It sounds like, Franklin, we could have another episode covering lots of issues connected with that one topic alone. Franklin Graves: I would absolutely agree with that. There’s a lot going on there. And again, it’s different across the world. And so I know you all have a global listener base. And so there’s a lot of nuances to that whole discussion too, that are worth exploring. Ken Suzan: Last question for today’s episode is regarding the right of publicity. With the explosion of AI-generated synthetic media, digital replicas, and voice cloning, the right of publicity is taking center stage. What are the biggest legal risks for brands partnering with influencers right now? And how can creators protect their most valuable asset, their likeness? Franklin Graves: That’s a great question. I think we’re seeing kind of a throwing-spaghetti-against-the-wall-to-see-what-sticks approach right now by a lot of different parties, whether it’s trademark attorneys, whether it’s general entertainment attorneys or whoever. For example, we’ve seen Taylor Swift filing trademarks to protect certain sounds of her voice and phrasing that she uses. It’s a difficult area because in the realm of generative AI with deep fakes and virtual avatars, that is where it gets tricky, because traditional IP laws are just not able to fully cover that spectrum. It’s a piecemeal approach, but even then it doesn’t fully cover it. So for example, I’m based in Tennessee and a couple of years ago we had the Elvis Act that updated our right of publicity law to add voice and to explicitly reference artificial intelligence. And so that’s the kind of effort we’re probably going to continue to see: efforts to develop some framework around protecting what is essentially a privacy right, in a manner that doesn’t restrict generative AI systems from continuing to develop and operate the way they’re operating now, while layering in those protections so that in the US at least a First Amendment right doesn’t necessarily get squashed, and those traditional well-recognized efforts to not overregulate a technology in its early stages are respected. Franklin Graves: And so I think a lot of what we’re seeing is just a need to update laws. The SAG-AFTRA debate and the strikes that happened around maintaining control of your performance and any iterations of that, or building upon that by a media company that might come later, it’s all on the table right now and still being discussed, still being worked out. I think in the short run, a lot of times if it’s in a brand deal, the key question is: if you are using generative AI to enhance in some way the final deliverable for the campaign, who has control over that? Who has final say and sign-off on how that likeness or that digital replica or that person’s voice is represented? And even outside of the brand space, we’ve seen actors like James Earl Jones signing over certain aspects like their voice and allowing it to continue to be used in these manners powered by generative AI as Darth Vader. And I think I saw something that Boy George was even starting up an AI company that allows musicians, the original recording artist, to rerecord new versions of their masters so that they don’t miss out on that revenue. It’s powered by generative AI, by taking their voice now, which is significantly different than it was back in the 80s, and using generative AI to make it sound closer to the original, but all based on their current performance. So I think it’s still an evolving area. And what’s interesting too is on the platform side, we’re seeing the early stages of platforms like Google starting to acknowledge and rely on the license grant contained in their terms of service for YouTube, which grants them broad rights to use the content to run their platform. So all that to be said, it’s still early stages. I’m very interested to see where we go from here in the future, especially from a global perspective as well. Ken Suzan: Franklin, I could spend hours talking to you about this. You’re such a knowledgeable person on these topics. Maybe in a few years, will we connect again and talk further on AI and all the things that are yet to be developed? Franklin Graves: Thank you. Yeah, it doesn’t have to be another decade. Maybe we can cut it to half a decade, given the pace at which technology is going now. Ken Suzan: Sounds good, Franklin. Thanks again for being on the IP Fridays podcast.

Meer omzet halen uit je fotografiepraktijk. De meeste fotografen denken daarbij meteen aan: meer Instagram, meer LinkedIn, meer advertenties, meer nieuwe leads. Maar er is een kortere weg, en die begint bij de mensen die je al kennen.In deze aflevering vertel ik over de klantreis: wat het is, waarom de meeste fotografen het overslaan, en hoe het er concreet uitziet wanneer je er wél aandacht aan geeft.Ik deel ook het verhaal van een van mijn één-op-één klanten die de voorbije maanden zijn orderwaarde per klant zag stijgen, zonder extra marketing aan de voorkant. Enkel door slimmer om te gaan met wie al klant was.Wat je in deze aflevering meekrijgt:Waarom bestaande klanten makkelijker converteren dan nieuwe leadsHoe je een klantreis uittekent die bij jouw fotografiepraktijk pastWat "upsell" écht betekent, los van het marketingjargonHoe je referenties en affiliate marketing eerlijk en ethisch inzetEn waarom meten weten is, ook in een creatieve praktijkOf je nu portretfotograaf bent, trouwfotograaf, persfotograaf of autonoom werk maakt: een klantreis is een klantreis. Het gaat erom of je er bewust mee aan de slag gaat.Vermeld in deze aflevering:Één-op-één mentorship (oude prijs geldig tot 30 juni, instroom mogelijk tot 31 december 2025)The Daily Frame — podcastreeks van 21 episodes voor €9,99, ideaal voor tijdens de zomerVragen? DM me of boek een gratis kennismakingsgesprek hier.Mede mogelijk gemaakt door:Deze aflevering van de De Donkere Kamer Podcast wordt mede mogelijk gemaakt door Profotonet, gekend voor hoogwaardige prints, handgemaakte fotoboeken en wanddecoratie van topkwaliteit. Als luisteraar van deze podcast krijg je bovendien 10% korting met de code KAMER-10.Deze aflevering van de De Donkere Kamer Podcast is er ook met dank aan Foto Robyns. Al meer dan 70 jaar een vaste waarde voor fotografen, met persoonlijk advies en een sterke expertise in Canon, Nikon, Sony en Fujifilm. Een plek waar ze echt meedenken vanuit hoe jij fotografeert.

We dig into the new Leica SL3-P with a full review and Lab Test, share the results of our DJI Ronin 4D successor poll, go behind the scenes on an immersive BBC Proms production for Apple Vision Pro, and run through a wave of new on-set apps and gear – plus SMPTE opening its standards catalog, two pieces of FUJIFILM news, new DZOFILM adapters, and CVP's Warranty+. Chapters & Articles Mentioned in This Episode: (00:00) Intro & topic outlook (05:58) Leica SL3-P Review – Gorgeous Color Rendition, Confusing Menu https://www.cined.com/leica-sl3-p-review-gorgeous-color-rendition-confusing-menu/ (07:53) Leica SL3-P Lab Test – Rolling Shutter, Dynamic Range, and Exposure Latitude https://www.cined.com/leica-sl3-p-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude/ (15:55) Leica SL3-P Review – Gorgeous Color Rendition, Confusing Menu (continued) (27:36) Poll: What Would You Want from a DJI Ronin 4D Successor? https://www.cined.com/poll-what-would-you-want-from-a-dji-ronin-4d-successor/ (44:44) Inside “Debut at the BBC Proms”: Director Ian Russell on Filming Classical Music for Apple Vision Pro https://www.cined.com/inside-debut-at-the-bbc-proms-director-ian-russell-on-filming-classical-music-for-apple-vision-pro/ (51:19) LidarAC App for Tilta Nucleus-M II and Nano II Introduced – Turn Your iPhone Into a LiDAR Rangefinder https://www.cined.com/lidarac-app-for-tilta-nucleus-m-ii-and-nano-ii-introduced-turn-your-iphone-into-a-lidar-rangefinder/ (55:03) RingThing Focus Ring Label Maker App for ARRI Hi-5, WCU-4, and Tilta Nucleus-M II Released https://www.cined.com/ringthing-focus-ring-label-maker-app-for-arri-hi-5-wcu-4-and-tilta-nucleus-m-ii-released/ (56:36) Mavis Studio Update Adds NDI Preview, PTZ Camera Control, and USB Audio to the iPad https://www.cined.com/mavis-studio-update-adds-ndi-preview-ptz-camera-control-and-usb-audio-to-the-ipad/ (58:02) First Rush 2.1 – On-Set Multicam SDI to ProRes Recorder Lands on the Mac App Store https://www.cined.com/first-rush-2-1-on-set-multicam-sdi-to-prores-recorder-lands-on-the-mac-app-store/ (1:00:44) Eddie AI Integrates with Iconik for AI-Assisted MAM Workflows https://www.cined.com/eddie-ai-integrates-with-iconik-for-ai-assisted-mam-workflows/ (1:02:17) SMPTE Opens Its Entire Standards Catalog for Free, Removing a Century-Old Paywall https://www.cined.com/smpte-opens-its-entire-standards-catalog-for-free-removing-a-century-old-paywall/ (1:06:05) FUJIFILM Fujikina Returns to New York City in October https://www.cined.com/fujifilm-fujikina-returns-to-new-york-city-in-october/ (1:07:37) FUJIFILM GFX Challenge Grant Program 2026 Opens – August 17th, Submission Deadline https://www.cined.com/fujifilm-gfx-challenge-grant-program-2026-opens-august-17th-submission-deadline/ (1:11:08) DZOFILM Octopus II and Marlin 1.4x Extender Announced – Up to 49% Lighter, 1.4x Focal Boost, S35-to-Full-Frame Coverage https://www.cined.com/dzofilm-octopus-ii-and-marlin-1-4x-extender-announced-up-to-49-lighter-1-4x-focal-boost-s35-to-full-frame-coverage/ (1:12:26) CVP Launches Warranty+ – Up to 4 Extra Years of Cover, Worldwide Repairs, and ProRepairs Support https://www.cined.com/cvp-launches-warranty-up-to-4-extra-years-of-cover-worldwide-repairs-and-prorepairs-support/ (1:13:34) Breaking the Framing Rules – New Storytelling Sessions Webinar on June 30th https://www.cined.com/breaking-the-framing-rules-new-storytelling-sessions-webinar-on-june-30th/

Australia officially has a new political party. It’s called Community Strong Australia, and it’s been founded by two of the country's most prominent independent MPs. On today’s podcast I sat down with Allegra Spender and Zali Steggall to discuss the launch of their new party, why their fellow teal independents aren’t coming along for the ride, and what CSA has to offer for young voters. Hosts: Elliot Lawry and Zara SeidlerGuests: Zali Steggall and Allegra SpenderProducer: Orla Maher Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Thanks to our friends at DxO for sponsoring today's episode. It's the middle of summer, which means the Milky Way is up and a lot of you are out shooting the night sky. And if you have ever tried astrophotography, you know the file that comes home looks nothing like the night sky that you stood under. The RAW file is usually flat, gray, and buried in noise. Bringing the Milky Way back to life is the whole challenge of night editing, and DxO makes a set of tools that can handle it from start to finish. DxO is offering PetaPixel Podcast listeners 15% off any DxO software, including PureRAW and Nik Collection 9! Head over to http://dxo.com/ and use code PetaPixelSummer2026 to save 15% today!Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) OR you can pay over time with our 6 & 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo. Credit card offers are subject to credit approval.Payboo Credit Card Accounts are issued by Comenity Capital BankWe use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro, and introducing Dima Koshutin!09:16 - VSCO's New 'One' Platform is getting a ton of blowback17:22 - Sony's first LOFIC image sensor looks promising25:44 - Fujifilm is hosting a Fujikina in NYC this October30:44 - 7Artisans has a new entry-level cine lens line that's really cheap34:37 - Viltrox's $99 28mm f/4.5 is now on L-mount37:17 - Affinity will come pre-installed on all Surface devices now40:14 - Pelican cases are 12% better now45:20 - NiSi's new lens is the widest and fastest for medium format48:15 - Light Lens Lab's new film is making significant progress51:28 - Who are these high-end features in action cams and gimbal cameras for?1:12:37 - What have you been up to?1:19:28 - Tech support1:20:21 - Key-In's video: https://www.youtube.com/watch?app=desktop&v=QaX3PKTtVPY1:37:55 - Feel good story of the week: https://petapixel.com/2026/06/18/you-can-eat-your-popcorn-from-an-imax-camera-bucket-while-watching-the-odyssey/

Earlier this week, five nations, including Australia, issued a joint warning on AI. In a rare move, the joint warning said the world’s most powerful AI tools are on the very of making cyber attacks faster, cheaper and more damaging. It comes just weeks after the US government shut down a new AI model over national security fears. In today’s podcast, we’ll explain the latest warning, as well as why you can’t access Claude’s latest update. Hosts: Zara Seidler and Emma GillespieProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

This week marks 10 years since the Brexit referendum, when a majority of the UK population voted to leave the European Union. In that time, six Prime Ministers have resigned - the latest being Keir Starmer, who led Labour to a landslide victory less than two years ago. In today’s episode, we’ll explain exactly how Starmer’s position became untenable. Hosts: Lucy Tassell and Emma Gillespie Producer: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Episode 488 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com -  Elinchrom's new Transmitter Pro X at Elinchrom.com - Calibrate's big WYSIWYG savings! - More mostly 20% OFF codes at LensShark.com/deals. Stories: Insta360 unveils its Luna Ultra. (#) You might want to wait on updating this Panasonic. (#) These types of cameras are doing especially well. (#) Fujifilm announces Fujikina NYC. (#) Adobe's latest updates are very useful. (#) Zeiss sets the record straight on these lenses. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

A few days ago, Australia was the only continent in the world to have avoided the deadly H5 bird flu strain. After years spent watching this virus devastate wildlife populations and agricultural sectors from afar, everything changed on Saturday when the Government confirmed bird flu has finally arrived on our shores. In today’s deep dive, we explain why you should care, and what this actually means for our wildlife, for your food bill, and your health. Hosts: Emma Gillespie and Zara SeidlerProducer: Orla Maher Learn more about the Emergency Animal Disease Hotline here Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

One in three people living in Australia right now were born overseas. It's one of the highest proportions in the world. And right now, every political party has a very different idea about whether that number should go up, down, or stay the same. Today we're breaking down the current migration figures, why the debate over immigration is dominating headlines, and what the different sides of politics have to say about it. Hosts: Elliot Lawry and Sam KoslowksiProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

S7, EP 208Special Guest: Mike PecciJoin us tonight at the Chaos Table and listen in on our conversation with award winning Director, filmmaker, writer and visual storyteller Mike Pecci.Mike is known for blending horror, science fiction, and emotionally grounded genre filmmaking with striking cinematic imagery. Classically trained in silent film directing and cinematography in New York, Pecci built his career directing commercials, music videos, and branded content before emerging as one of the most distinctive voices in independent horror cinema. His work combines old school visual storytelling with modern cinematic intensity, drawing inspiration from filmmakers like John Carpenter, Steven Spielberg, Alfred Hitchcock, and Andrei Tarkovsky.Pecci first gained major attention with his viral science fiction horror short film 12 Kilometers, a Lovecraftian nightmare inspired by the real life Kola Superdeep Borehole. The film became a cult phenomenon online, praised for its atmosphere, practical effects, sound design, and cinematic ambition. The film generated a massive grassroots following through an unconventional “you need the director's permission to watch it” release campaign, helping it spread virally throughout the horror community. Critics described the film as “what if David Lynch directed The Thing,” while audiences praised its haunting tone and immersive visual style. Since the release of 12 Kilometers, Pecci's films have screened at major genre and independent film festivals around the world, including the FilmQuest, where his short film Come Home earned him the award for Best Director. His experimental horror fashion film Metanoia, starring David Dastmalchian, received multiple festival nominations including Best Cinematography and Best Macro Short at FilmQuest, as well as nominations at the London Fashion Film Festival. Outside of narrative filmmaking, Pecci has directed over 30 music videos and commercial campaigns for artists and brands including Killswitch Engage, Meshuggah, Czarface, Bose, Fujifilm, Leica, and Samuel Adams. Pecci is also the creator and host of the long running filmmaking podcast In Love with the Process, where he interviews some of the industry's top cinematographers, directors, editors, and artists about the realities of the creative process. The show has become a respected platform within the filmmaking community for its honest conversations about art, struggle, obsession, and storytelling.Known for his visceral visual language, love of practical filmmaking, and emotionally driven horror, Mike Pecci continues to push genre storytelling into bold and unexpected territory. His work has earned a passionate cult following among filmmakers and horror fans alike, establishing him as one of the most exciting emerging voices in modern genre cinema.Mike's Links -Website - http://mikepecci.com/Podcast - http://inlovewiththeprocess.com/IG- https://www.instagram.com/mikepecci/This is a shareable podcast where a group of creatives join together to  document their creative voiceover & on-camera journeys in real time. We hope this podcast creates inspiration, stirs up a few ah-ha moments or maybe brings to the surface a feeling of "you're not alone" while navigating the creative process. Either way, we are glad you are here.  Oh, and we also pull into our conversations at the chaos table industry professionals along with other fellow actors, to share their stories, experiences and knowledge - so we can all connect, share, learn, grow and expand together.  This podcast is for entertainment and not educational purposes!  Enjoy and thank you for listening to our Creative Chaos! *Have a creative story or journey to share, we'd love to hear it - email us at chaoskeepers411@gmail.com or jozlynrocki@gmail.com Follow all the Chaos - YT - https://www.youtube.com/channel/UChG0fKKBt2QNplJowSaKU6wFB - https://www.facebook.com/keepingupwithchaospodcastIG - https://www.instagram.com/keeping_up_with_chaos/

Last week, a group of Australian activists who had tried to sail to Gaza on a flotilla of boats carrying humanitarian aid returned home. They’ve publicly alleged that while the Israeli Defence Force had them in custody, soldiers sexually and physically assaulted them. Now, the Australian Federal Police says it is investigating their allegations. On today’s podcast, we’ll unpack what has been alleged and what the AFP can actually do. Hosts: Lucy Tassell and Emma GillespieProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

Geef gas in de zomer, terwijl iedereen op de rem staatIedereen lijkt ervan uit te gaan dat de zomer een dode periode is voor ondernemers en fotografen. Klanten zijn weg en alles staat op pauze. In deze solo-aflevering geeft Kaat tegengas. Ze laat zien hoe je de zomer net gebruikt om te versnellen in je bedrijf, terwijl je tegelijk vakantie neemt en je hoofd leegmaakt. Van een slimme out of office tot pitchen bij uitgevers en fotoredacteurs, en van marketing die op de automaat doorloopt tot een systeem om al je zomerideeën vast te houden.Mede mogelijk gemaakt door:Deze aflevering van de De Donkere Kamer Podcast wordt mede mogelijk gemaakt door Profotonet, gekend voor hoogwaardige prints, handgemaakte fotoboeken en wanddecoratie van topkwaliteit. Als luisteraar van deze podcast krijg je bovendien 10% korting met de code KAMER-10.Deze aflevering van de De Donkere Kamer Podcast is er ook met dank aan Foto Robyns. Al meer dan 70 jaar een vaste waarde voor fotografen, met persoonlijk advies en een sterke expertise in Canon, Nikon, Sony en Fujifilm. Een plek waar ze echt meedenken vanuit hoe jij fotografeert.In deze afleveringWaarom "alles valt stil in de zomer" vooral perceptie is, zeker omdat vakanties nooit collectief samenvallen en in Nederland korter zijn dan in BelgiëHoe Kaat zelf haar zomer indeelt: buiten werken, supervroeg of 's avonds laat, en meer op het creatieve gaan zitten in plaats van puur in productiemodusEen intelligente out of office opzetten met een Calendly-link, een weggever en eventueel een pre-sale, zodat je geen leads verliest terwijl je weg bentWanneer het slim is om je mailbox tijdelijk door een VA te laten opvolgenLong form content en funnels op voorhand klaarzetten zodat je marketing blijft doorlopen tijdens je vakantieHoe je verslavingsgevoelige apps blokkeert om echt te ontschakelen (Kaat werkt met de Opal-app)Waarom de zomer hét moment is om te pitchen bij fotoredacteurs en uitgevers, juist omdat het rustiger is op redactiesMeten is weten: data verzamelen per maand en per jaar om te zien wat voor jou werktJe zomerideeën opvolgen met een vast systeem (Kaat gebruikt Trello)Nadenken over je zwakke schakel in de zomer en hoe je dat gat dicht, ook met behulp van AIGenoemd in deze afleveringMini training "Pitchen als een pro" Daily Frame, de dagelijkse zomerreeks vol inzichten Gratis Trello-training Opal, de app om je schermtijd te reguleren (te vinden in de App Store)Doe meeStuur Kaat een DM met je eigen zomerplannen. Wat ga jij als ondernemer of fotograaf deze zomer doen? De podcast neemt een maand zomerbreak en is daarna terug met nieuwe afleveringen.

Earlier this week, a new report on how Aussies consume news media was released. It’s the latest in a long-running international survey that compares data on media usage in 48 different countries, and is deemed the authoritative source of information for understanding changing attitudes and behaviours when it comes to news. In today’s podcast, we’re gonna break down some of the biggest findings, including that young people’s trust in news jumped significantly in a single year, Australia is bucking global trends when it comes to interest in news and that news creators are growing steeply in popularity. Hosts: Zara Seidler and Elliot LawryProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here. See omnystudio.com/listener for privacy information.

A woman suffered life threatening injuries after she was bitten by a shark, 30 metres from the shore at Sydney’s Coogee beach on the weekend. The incident has reignited long-running debate around how/if humans can safely coexist with sharks in the ocean. Today we’ll unpack how governments are trying to mitigate the risk of shark attacks, what technologies exist in this space, and why these attacks seem to be on the rise. Hosts: Emma Gillespie and Elliot LawryProducer: Orla MaherVideo Editor: Rosa Bowden Shot on Fujifilm. Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

"Sometimes the simplest pictures are the hardest to get." – Neil Leifer “I never have taken a picture I've intended. They're always better or worse.” – Diane Arbus In this episode, Antonio talks about getting ready for his upcoming six-week class, The Narrative Lens, at Southeast Community College. That leads to a discussion about teaching photography, helping new photographers build confidence, and why so many photographers feel pressure to chase “hero photographs” instead of paying attention to the ordinary subjects that are already around them. Antonio and Ward also discuss the value of constraints, personal projects, and finding meaningful photographs close to home. The conversation moves to gear, including some new USB-C rechargeable batteries Antonio has been using with his Fujifilm cameras. They also talk about collecting photographic prints after Antonio finally opens a signed Gregory Crewdson print that had been sitting unopened in its box for far too long. That leads to a discussion about living with photographs, hanging prints on the wall, and the different ways photographers connect with the work of artists they admire. The second half of the show focuses on Ward's recent trip to the Hand Hills Lake Stampede rodeo. Returning to an event he photographed ten years ago, Ward set out to make something different from the traditional rodeo photographs he had made in the past. Instead of concentrating on the obvious action, he focused on color, movement, gesture, and smaller details within the scene. The result was a series of photographs that received a strong reaction from other photographers and online audiences. Antonio and Ward spend some time discussing one particular image and why it works. The conversation looks at shape, color, rhythm, timing, and composition, along with some of the practical challenges of photographing fast-moving events. Ward shares his approach to photographing the rodeo, while Antonio breaks down some of the visual elements that make the photograph successful.   The Narrative Lens — Antonio's six-week photography course at Southeast Community College Ward's Rodeo Print — Featured image from this episode (link when available) Big Boy Locomotive Photograph — Antonio's train image discussed during the show Edward Weston (60th Anniversary Edition) — The book Antonio has been reading and plans to discuss in a future episode SMALLRIG Fujifilm NP-W126S USB-C Battery SMALLRIG Fujifilm NP-W235 USB-C Battery    Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines or buying a print. Support the show by purchasing Ward's Zine, Book and Prints Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page.   Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

Veel fotografen denken dat ze een beter portfolio nodig hebben. Betere klanten. Een betere strategie. Meer marketing.Soms klopt dat maar vaak ligt de echte vraag ergens anders.Wie moet jij worden om het werk, het bedrijf en de kansen te creëren waar je van droomt?In deze aflevering deel ik een persoonlijk verhaal over waarom ik zelf op zoek ging naar een mentor voor mijn fotografie. Waarom zelfs een mentor soms een mentor nodig heeft. En wat ik zag gebeuren tijdens twee recente kick-off sessies met fotografen die voelden dat het tijd was voor een volgende stap.We hebben het over identiteit, leiderschap, weerstand, zichtbaarheid en waarom zoveel fotografen blijven vastzitten, ondanks hun talent, ervaring en ambitie.Deze aflevering is een uitnodiging om te stoppen met klein spelen, te stoppen met wachten op toestemming en keuzes te maken die je dichter brengen bij de fotograaf die je wil worden.Voel je dat je klaar bent voor persoonlijke begeleiding en wil je graag dat ik een tijdlang naast je sta? Kijk dan hier even naar mijn 1-op-1 mentoring:Je kunt hier ook meteen een gratis kennismakingsgesprek inplannen om samen te bekijken of het traject bij jou past.Deze aflevering van de De Donkere Kamer Podcast wordt mede mogelijk gemaakt door Profotonet, gekend voor hoogwaardige prints, handgemaakte fotoboeken en wanddecoratie van topkwaliteit. Als luisteraar van deze podcast krijg je bovendien 10% korting met de code KAMER-10.Deze aflevering van de De Donkere Kamer Podcast is er ook met dank aan Foto Robyns. Al meer dan 70 jaar een vaste waarde voor fotografen, met persoonlijk advies en een sterke expertise in Canon, Nikon, Sony en Fujifilm. Een plek waar ze echt meedenken vanuit hoe jij fotografeert.

Kev's edging ever closer to his Spanish retreat for the Summer, though nobody has warned the locals he has Mediterranean wind! The boys learn about Haoge, a 'new-to-them' place to buy third-party accessories for Fujifilm cameras, they celebrate the House of Photography, and talk about the importance of personal photo projects. Also, how to choose gear for the open road, key-wording images, Instagram Bot-Gate, and getting back into photography after time out to concentrate on family and mental health. Email the show with your questions: click@fujicast.co.uk  For links go to the showpage. If you'd like to travel to far-off places with a camera: https://www.thejourneybeyond.uk/ Listen to Neale's other podcasts: The Photowalk and Halfway to Maybe or wherever you get your podcasts.

Ouster ($OUST) just reported $49M in Q1 2026 revenue — up 49% year-over-year — and crossed the 40% gross margin threshold as it shifts toward a fabless model. But the bigger story is product: the new REV8 LiDAR family and L4 Max chip now integrate native color sensing directly into the sensor, developed in partnership with Fujifilm.In this episode, Nick breaks down what that means for physical AI — autonomous vehicles, robotics, and industrial automation — where today's systems rely on costly, complex sensor fusion setups combining LiDAR with CMOS image sensors. Color LiDAR could simplify that stack significantly.We also cover Q2 2026 guidance, the path toward breakeven, and why OUST remains a small bet in the Semi Insider portfolio — not a full position. This is still a prove-it story: the company operates at a loss and continues issuing shares to fund operations.Topics covered:REV8 family and L4 Max chip breakdownHow color LiDAR changes the physical AI sensor stackWhy OUST is sized as a small bet and what would change thatQ2 2026 guidance and the road to profitabilityFor deeper research and portfolio updates, visit us at chipstockinvestor.com.Chip Stock Investor covers semiconductor stocks and the chips powering AI, autonomy, and the physical world. Subscribe for weekly analysis and research updates.This content is for informational and educational purposes only and does not constitute financial advice. Always do your own research before making any investment decisions.

This is The Digital Story Podcast 1,054, June 2, 2026. Today's theme is, "A Brilliant Compact Flash - Godox iT30." I'm Derrick Story. A flash as compact as your camera. Weighing in at 4.2 ounces and a mere 2" high, the Godox iT30 Pro Flash is available for OM System, Panasonic, Fujifilm, Leica, Sony, Nikon, and Canon. Yet it includes pro features, a gorgeous LCD screen and a $75 price tag. If you're looking to brighten up your photography, this review is for you. I hope you enjoy the show.

DxO is offering PetaPixel Podcast listeners 15% off any DxO software, including the brand-new Nik Collection 9, by using the code 'PetaPixel' at checkout. Nik Collection 9 adds AI-powered object and depth masks, plus new creative filters like Halation, Color Grading, Chromatic Shift, and Glass Effect in Color Efex and Analog Efex. Blending modes now work inside the plug-in stack, so you can experiment without opening Photoshop. All AI processing runs locally on your machine, so no images leave your computer. Head over to dxo.com and check out Nik Collection 9 and use code 'PetaPixel' to save 15%!With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 5% off certified pre-owned gear from KEH, 10% off lighting gear from FJ Westcott, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. It costs just $3 per month or $30 per year. Join today!This week on the PetaPixel Podcast, the team is in-person at Fujifilm's Tokyo headquarters to chat with Yuji Igarashi about lenses, specifically how it feels the results of the Focus on Glass vote went. Plus, Sony gets thrashed for bad AI advice, Nikon is rumored to be selling to Essilor Luxxotica, TSMC wants to build a sensor fab in Japan, and Jordan Drake gives his thoughts on the Lumix L10. All that and more!Watch Fujifilm's 2026 Focus on GlassCheck out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 -Intro08:16 - You can make this 3D printed digital rangefinder at home11:04 - Nikon speculators believe it might sell to Essilor Luxotica15:05 -

Episode 487 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - 20% OFF with code SHARKY2026 at BenroUSA.com - Calibrate's big WYSIWYG savings! - More mostly 20% OFF codes at LensShark.com/deals. Stories: Sony unveils its a7R VI. (#) The new Sony FE 100-400mm f/4.5 GM OSS. (#) Maven's ingenious way to control these. (#) Brightin Star's fisheye is a funk buster. (#) This camera does it again. (#) Nikon breaks a record you don't want to break. (#) Meike's 56mm f/1.7. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).