Podcasts about Olympus

New secrets come to light as Major Wolf and his troops face off against the citizens of Olympus Dale. Niels and the 1952s prepare themselves for an upcoming fight. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Aria Love Jackson as Doctor Credence Brown, Sila Agavale as Major John Howling Wolf, Isaac Akers as Corporal Clayton Coldpepper, Kaylin Jones as Olympia, Joel Bishop as Pastor Dan Anders, Luiz Laffey as Dr. Hector Gomez, and Mitch Hall as Deputy Mayor Dorian Rees. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with music editing by Kiplin Merrill and Gracie Davis, dialogue editing by DJ Cromarty, sound design by DJ Cromarty, Ashtyn Parkinson, and Charles Clarke, with mixing by Charles Clarke. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

Interview with Scott Caithness, Managing Director of Hawk Resources Ltd.Our previous interview: https://www.cruxinvestor.com/posts/hawk-resources-asxhwk-new-exploration-model-revitalises-historic-utah-mining-district-6860Recording date: 12th November 2025Hawk Resources (ASX:HWK) is preparing to drill its flagship Cactus copper-gold project in Utah this December, targeting five high-priority prospects in a historically productive mining district. Managing Director Scott Caithness recently outlined the company's systematic exploration approach and the multiple pathways to value creation at this advanced-stage project.The Cactus district boasts an impressive mining heritage, with the original mine operating between 1905 and 1920, producing 1.3 million tons at 2% copper with gold credits of 0.3 grams per ton and 6-7 grams per ton silver. Modern exploration has validated this potential, with Rio Tinto's previous work intersecting 42 meters at 1.9% copper and 0.6 g/t gold, while multiple historical drill holes have exceeded 1.4% copper grades.Hawk has employed a sophisticated dual-track strategy, identifying both deep geophysical targets with district-scale potential and near-surface oxide mineralization that could provide rapid development opportunities. The company's comprehensive geophysical surveys and systematic soil sampling—the first conducted over these targets - have defined five priority drill targets ranked by geological confidence.The Copperopolis target exemplifies the project's exploration potential, featuring a massive geophysical anomaly with surface soils returning up to 1,000 ppm copper. A 1974 drill hole off the anomaly's edge intersected 30 meters at 0.2% copper, yet the core remains untested with potential for substantial mineralization.With A$5 million recently raised and Utah permitting expected by end-November 2025, Hawk is fully funded for its 12-hole drilling program. Initial assay results are anticipated in Q1 2026, providing regular newsflow through the critical discovery phase.Beyond Cactus, the company has secured the Olympus scandium project in Western Australia, featuring a 4km x 7km soil anomaly grading over 500ppm scandium. This provides significant optionality in an emerging critical mineral with growing aerospace and defense applications, currently valued at approximately $3-3.5 million per ton.View Hawk Resources' company profile: https://www.cruxinvestor.com/companies/alderan-resourcesSign up for Crux Investor: https://cruxinvestor.com

La quedada de noviembre vuelve a ser presencial, con gadgets interesantes y algunas preguntas. Como ha sido extensa la hemos dividido en dos partes. Temas: - Teléfono móvil Blindshell Classic 3. Preguntas y dudas: - Comentarios sobre grabadoras de voz accesibles Olympus y Zoom. - Preguntas sobre configuración de esferas y complicaciones en Apple Watch. - Comentarios sobre encendido y primera configuración de Apple Watch. Enlaces de interés: - Podcast Sucdepoma con información de las grabadoras de voz Zoom H1, H4 y H6 Essential. Podcast Sucdepoma mayo 2024 segunda parte - Podcast Sucdepoma con información de la grabadora de voz Olympus DM-770. Podcast Sucdepoma noviembre 2024 primera parte - Podcast Sucdepoma con información sobre la grabadora de voz Zoom H2 Essential. Podcast Sucdepoma diciembre 2024 primera parte - Enlace a la web de Blindshell. Web oficial de Blindshell - Enlace a la web de Once CTI con ficha del teléfono móvil Blindshell Classic 3. web CTI Once con ficha de Blindshell Classic 3 - Enlace a Amazon de la grabadora Olympus DM770. Olympus DM770 en Amazon  

Glasgow is home to many things whisky-related: Glasgow Distillery, Clydeside Distillery, The Bon Accord, The Pot Still, an SMWS Member's Room, and the home the one and only Jessica Rabbit Guillermo Lomas. The list could go on, really, but would surely be an "incomplete Joshua-Hatton-list" if we left off The Good Spirits Company; one of Glasgow's most respected and well curated whisky shops. Period.  Listen in Jess speaks with Co-owner, Matthew McFayden, about all things Good Spirits Co. It's a cracking conversation, to be sure!  What's more is Jess gives us a recap of her time at the 2025 Glasgow's Whisky Fest.  ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

GETTING CAUGHT UP BEFORE SEASON 2!! Percy Jackson and the Olympians Full Series Reaction Watch Along: ⁠  / thereelrejects  ⁠ Download PrizePicks today at ⁠https://prizepicks.onelink.me/LME0/RE...⁠ & use code REJECTS to get $50 instantly when you play $5! Percy Jackson and the Olympians: The Lightning Thief (2010) Movie Reaction: ⁠   • PERCY JACKSON & THE OLYMPIANS: The Lightni...  ⁠ Percy Jackson: Sea of Monsters (2013) Movie Reaction: ⁠   • PERCY JACKSON: SEA OF MONSTERS (2013) MOVI...  ⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Percy Jackson Reaction, Recap, Commentary, Analysis, Breakdown & Spoiler Review! Greg Alba & Tara Erickson dive into the Disney+ adaptation of Rick Riordan's bestselling series Percy Jackson and the Olympians as we follow Percy Jackson (Walker Scobell), Annabeth Chase (Leah Jeffries), and Grover Underwood (Aryan Simhadri) through the opening episodes: “I Accidentally Vaporize My Pre-Algebra Teacher” and “I Become Supreme Lord of the Bathroom.” We revisit every major moment — Percy's discovery that he's a demigod, the attack from Mrs. Dodds / the Fury (Alecto), the Minotaur battle, Sally Jackson's disappearance, Grover revealing his true identity as a satyr, Percy's arrival at Camp Half-Blood, his first encounter with Chiron, Mr. D, the centaurs, the cabins, the Capture-the-Flag scene, and the emerging threat from the gods of Olympus. We also highlight the iconic creatures and monsters featured in Episodes 1 & 2: Fury (Alecto), Minotaur, Hellhound tease, and hints of Olympus rising. We break down changes from the books, character dynamics, early foreshadowing for the Lightning Thief arc, how this adaptation sets up Percy Jackson Season 2, and why Disney+ is treating this series as a major tentpole. Whether you're searching for Percy Jackson Disney Plus reaction, Percy Jackson episodes explained, Minotaur fight breakdown, or Percy Jackson Season 2 predictions, this video covers mythology, monsters, friendships, powers, and every big moment from the first two episodes. Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

GETTING CAUGHT UP BEFORE SEASON 2!! Percy Jackson and the Olympians Full Series Reaction Watch Along:   / thereelrejects   Download PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Percy Jackson and the Olympians: The Lightning Thief (2010) Movie Reaction:    • PERCY JACKSON & THE OLYMPIANS: The Lightni...   Percy Jackson: Sea of Monsters (2013) Movie Reaction:    • PERCY JACKSON: SEA OF MONSTERS (2013) MOVI...   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Percy Jackson Reaction, Recap, Commentary, Analysis, Breakdown & Spoiler Review! Greg Alba & Tara Erickson dive into the Disney+ adaptation of Rick Riordan's bestselling series Percy Jackson and the Olympians as we follow Percy Jackson (Walker Scobell), Annabeth Chase (Leah Jeffries), and Grover Underwood (Aryan Simhadri) through the opening episodes: “I Accidentally Vaporize My Pre-Algebra Teacher” and “I Become Supreme Lord of the Bathroom.” We revisit every major moment — Percy's discovery that he's a demigod, the attack from Mrs. Dodds / the Fury (Alecto), the Minotaur battle, Sally Jackson's disappearance, Grover revealing his true identity as a satyr, Percy's arrival at Camp Half-Blood, his first encounter with Chiron, Mr. D, the centaurs, the cabins, the Capture-the-Flag scene, and the emerging threat from the gods of Olympus. We also highlight the iconic creatures and monsters featured in Episodes 1 & 2: Fury (Alecto), Minotaur, Hellhound tease, and hints of Olympus rising. We break down changes from the books, character dynamics, early foreshadowing for the Lightning Thief arc, how this adaptation sets up Percy Jackson Season 2, and why Disney+ is treating this series as a major tentpole. Whether you're searching for Percy Jackson Disney Plus reaction, Percy Jackson episodes explained, Minotaur fight breakdown, or Percy Jackson Season 2 predictions, this video covers mythology, monsters, friendships, powers, and every big moment from the first two episodes. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz dives deep into the official trailer for Percy Jackson & the Olympians Season 2 in this Notorious Mass Effect segment. After Camp Half-Blood's magical border shatters, Percy Jackson launches a high-stakes quest across the Sea of Monsters to rescue Grover and secure the Golden Fleece—the only artifact capable of saving the camp. Joined by Annabeth Chase, Clarisse La Rue, and his cyclops half-brother Tyson, Percy races to thwart Luke Castellan, Titan Kronos, and their plot to destroy Olympus. Analytic Dreamz analyzes key trailer moments, character arcs, mythological ties, and Disney+ production upgrades. Season 2 premieres December 10 with a two-episode drop on Disney+ and Hulu, followed by weekly Wednesday releases. Essential listening for Percy Jackson fans, Riordanverse enthusiasts, and fantasy adventure seekers. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The citizens of Olympus Dale are fed up with the lack of answers. Niels comes to his mom's aid. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Aria Love Jackson as Doctor Credence Brown, Sila Agavale as Major John Howling Wolf, Isaac Akers as Corporal Clayton Coldpepper, Ali Durham as Annie Lee, Kaylin Jones as Olympia, Joel Bishop as Pastor Dan Anders, Luiz Laffey as Dr. Hector Gomez, Ana Yslas as Dr. Ana Gomez, Mitch Hall as Deputy Mayor Dorian Rees, Emily Tucker Latham as Trooper Alice Bones and Joe Rising as Trooper David Bones. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with dialogue editing by Hannah Evans, sound design by Ashtyn Parkinson and Hannah Evans, music editing by Gracie Davis, and mixing by Jim Cassler and Hannah Evans. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

In this episode of The Distribution, host Brandon Sedloff sits down with Wade Madden, CEO of Olympus Property, for a deep dive into operational excellence and culture-driven leadership in multifamily real estate. Wade shares how his background in risk management and entrepreneurship shaped his disciplined yet people-first approach to scaling Olympus into one of the largest vertically integrated owner-operators in the country. He unpacks how being “operator first” translates into performance, why culture is a true driver of alpha, and how technology and AI are augmenting—not replacing—the human element that powers great property management. They discuss: • How Olympus scaled to 36,000 units and $9B in assets through a people-first operating model • The role of servant leadership and company culture in creating lasting operational alpha • Why bottom-up budgeting and direct feedback from property teams drive better performance • How Olympus integrates AI and technology to empower, not replace, on-site teams • Lessons from partnering with the Ritz-Carlton to elevate customer service across the portfolio • The current state of multifamily fundamentals, supply trends, and the outlook for 2026 Links: Wade on LinkedIn - https://www.linkedin.com/in/wade-madden-73444646/ Olympus Property - https://www.olympusproperty.com/ Brandon on LinkedIn - https://www.linkedin.com/in/bsedloff/ Juniper Square - https://www.junipersquare.com/ Topics: (00:00:00) - Intro (00:01:40) - Wade's background and career (00:04:07) - Scaling Olympus Property: Operations and growth (00:11:13) - Capital structure and investment strategy (00:16:13) - Operational excellence and team culture (00:28:34) - Staffing challenges in property management (00:29:33) - Vertical integration and control (00:30:17) - The importance of company culture (00:34:19) - Leveraging AI in property management (00:39:57) - Customer service excellence with Ritz-Carlton (00:47:48) - Market trends and future outlook (00:57:55) - Conclusion and contact information

Single Cask Nation -- America's Original Independent Bottler -- is nearing on 15 years as an independent bottling company. Catch up with the Joshua, Jason, and Jess as they recount their very beginnings and talking about the growth of the company through the lens whisky, packaging changes, the addition of a US retail range, Global growth, and now a pending brand refresh. Lot's of stories here to tell and things we discuss that some of us completely forgot about (looking at you, Hatton!) ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Neils and Skinny must put their differences aside to help a friend. Martha, Bonzy, and Reina confront a mysterious enemy. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Trenton James as Orville Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Aria Love Jackson as Doctor Credence Brown, Kaylin Jones as Olympia, Joel Bishop as Pastor Dan Anders, and Luiz Laffey as Dr. Hector Gomez. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with sound design by Ashtyn Parkinson, dialogue editing, music editing, and mixing by Gracie Davis. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

This poem is from my first collection- The Call of the Unwritten this is available by clicking here .  The photo in the podcast episode image is from https://tolkiengateway.net/wiki/Strider_%28chapter%29 The quote from CG Jung is as follows  “We think we can congratulate ourselves on having already reached such a pinnacle of clarity, imagining that we have left all these phantasmal gods far behind.  But what we have left behind are only verbal spectres, not the psychic facts that were responsible for the birth of the gods.  We are still as much possessed by autonomous (forces) as if they were Olympians.  Today they are called phobias, obsessions, and so forth; in a word, neurotic symptoms.  The gods have become diseases; Zeus no longer rules Olympus but rather the solar plexus, and produces curious specimens for the doctor's consulting room, or disorders of the brains of politicians and journalists who unwillingly let loose psychic epidemics on the world.” (Jung, Cw 13, par. 54)  

If you're long-time listeners (now viewers!) of One Nation Under Whisky then you know that, each October, the J-Team drop an episode highlighting their favorite SCN and non-SCN Whiskies of the Year. This year is a little different. Joshua, Jason, and Jess decided to move their favorite non-SCN Whiskies of the Year to their “Year in Review” episode (coming in December) and have focused today's episode solely on their favorite SCN Whiskies of the Year: Online Exclusive, US Retail, and Rest of the World releases. There are some surprises in here, for sure, and Joshua is convinced Jason may have cheated during the guessing game that is today's episode. Tune in, turn on, and dram along... ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Encroaching chaos forces the Smiths to flee from their home. Bet has an extreme plan to help his nephew Chess. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Aria Love Jackson as Doctor Credence Brown, Chris Miller as Bet Lee, Ali Durham as Annie Lee, Kaylin Jones as Olympia, and Luiz Laffey as Dr. Hector Gomez. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with dialogue editing by Jacob Mumford, sound design, music editing, and mixing by Luke Gunnerson. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

Not only are Single Cask Nation launching a new website on November 6th (which will include access to old accounts and purchasing data, if you're a long standing Nation member) the J-Team are adjusting their launch schedule! Put October 23rd far from your mind and and focus on November 6th @ Noon EST when Single Cask Nation will be releasing 6 new Online Exclusive bottlings. While we mentioned three already in our last Extra Extra Episode (Season 9 Ep 34) today we're revealing the other three. Strap in because, holy cow... ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Like a glowing boon sent by your favorite uncle from Olympus, Hades 2 has bestowed its favor upon us.  This week we dig into on of our most anticipated games of the year and experience some para-social pride around what Supergiant Games has accomplished.  And of course: death to Chronos.

Chess's condition worsens, and the 1952s desperately search for something that can help him. Martha and Major Wolf meet an unlikely visitor. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Luke Brown as Adam Wolf, Aria Love Jackson as Doctor Credence Brown, Sila Agavale as Major John Howling Wolf, Trenton James as Private Hicks, Chris Miller as Bet Lee, Ali Durham as Annie Lee, Kaylin Jones as Olympia, Joel Bishop as Pastor Dan Anders, Ana Yslas as Dr. Ana Gomez, Emily Tucker Latham as Trooper Alice Bones, and Joe Rising as Trooper David Bones. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with dialogue editing by DJ Cromarty and Lauren Sandberg, sound design by Lauren Sandberg and Kiplin Merrill, mixing by Kiplin Merrill and Luke Gunnerson, and music editing by Gracie Davis The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

Joshua and Jason welcome both Shane "Showtime" Armstrong (Master Blender, Westland Distillery) and Jason Moore (Managing Director, Westland Distillery) back to the podcast. In this episode we find our very own Jason visiting with Shane at the Westland "Sensory Lab" going through the design, make-up, and flavors of Garryana 10yo, and then our time with Jason Moore was a chat over Zoom with us discussing the theft of over 12,000 bottles of Westland's whisky which included Garryana 10yo, as well as their "Flagship" and "Watchpost" bottlings. Add to this, and perhaps most importantly, we discuss the historic nature of this Garryana release which is Westland's first age stated whisky! Finally, Joshua and Jason take you through their tasting notes of this seriously epic dram. Spoiler alert: Hot shit, this is good whisky.  ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Episode 173 of Limb Lengthening LIVE is an open mic discussion! Patients are invited to join the stream, share their stories, updates, and ask questions in real time.Also the PRECICE nail price could increase significantly after the new year. We'll discuss what this could mean for future patients and the limb lengthening community._____________________Audio Podcast - will be available within 24-48hrs after stream endsTimestamps - 0:00 – Intro1:07 – Noah Update: Halfway Through Lengthening (35 mm Down)2:00 – Pain Management Journey & Medication Challenges3:10 – Slow vs Staggered Lengthening Rates (0.66 mm & 0.99 mm Alternating)4:00 – Evolution of Lengthening Protocols & Surgeon Insights5:03 – “I Need to Stretch” Shares Tibia Correction and Duck-Butt Posture6:25 – Aaron Joins: Bone Healing X-Rays & First Walking Video Reveal8:30 – Proportion Talk: 7.4 cm Gain and Natural-Looking Silhouette10:00 – Aaron on Early Walking & Learning Limits15:00 – New Guest Olympus Joins – Femur Surgery & Fat Embolism Story17:10 – Olympus Recovery Journey & Learning From Complication19:20 – DS Joins – New Tibia Patient (Precice 2) & Biomechanics Motivation22:20 – Pain, Swelling & Nerve Compression Discussion + Compression Tips27:00 – Live Chat Q&A: Work Return, Pain Tips, Gabapentin & Insurance35:00 – Risk Assessment of Surgery (Panel 1–10 Scale) & Real-World Insights43:00 – DS on Surfing, Proportions & Restoring Tibia-Femur Balance55:00 – Lifestyle and Social Questions (Post-Op Work & Telling Friends)1:00:00 – Outro______________________Find Links to Everything Here and Below: https://sleekbio.com/cyborg4life

The 1952s discover eerie truths that invite more questions than they answer. The adults' interrogation reveals truths about the world at large. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Luke Brown as Adam Wolf, Aria Love Jackson as Doctor Credence Brown, Sila Agavale as Major John Howling Wolf, Danor Gerald as Captain Dolittle, Isaac Akers as Corporal Clayton Coldpepper, and Kaylin Jones as Olympia. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with dialogue editing, sound design, music editing, and mixing by Hannah Evans. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

Die Zeitschrift "Capital" meint: "Deutschland mag in der Dauerkrise stecken, doch an vielen Stellen geht auch einiges voran - danke junger Macher und großer Talente - die Top 40 unter 40." Cihan Sügür ist seit 2024 einer von Ihnen. Seine Familie steht stellvertretend für viele, die sich persönlich auf einen mutigen Weg begeben haben: aus alten Umgebungen aufzubrechen, und mit Mut und Tatkraft etwas Neues zu schaffen. Cihans Mission ist die Digitalisierung. Nach Stationen bei Porsche, Olympus, IBM und der Deutschen Bahn ist er nun Associated Partner bei MHP. Als Gewinner der CIO Young Talent Awards war er Stipendiat der CIO Stiftung sowie MBA Studierender an der renommierten WHU. Nebenbei ist noch Mitglied der Atlantik-Brücke und engagiert sich politisch - weil ihm die Weiterentwicklung auch ein gesellschaftliches Anliegen ist: "Wir leben in dem schönsten Deutschland, das es je gab, und es liegt an uns, dass es lebensfähig in der Zukunft auch ist." Wir finden: Cihan steckt an, mit seinen Überzeugungen und viel Entrepreneurship. Also: Reinhören in eine tolle Folge über Wirtschaft, Gesellschaft & Mindset! ----- Unser Werbepartner in dieser Folge ist übrigens Clockadoo - eine tolle App und Plattform zur Zeiterfassung eurer Projekte. Mit dem Code DIGDEEP25 erhaltet ihr zusätzliche kostenlose Abozeit. Mehr unter clockodo.com/digdeep

This is history people; this is not just the announcement of new Single Cask Nation packaging, this is Single Cask Nation putting The Nation front and center because, truly, it's always been about The Nation. It's always been you. What does this all mean? Well, you'll have to listen (or watch) to find out! Also, three new, exciting, and totally different Online Exclusive bottlings are being released Oct 23rd @ 12noon EST at singlecasknation.com . What are the casks? Again you've got to watch to find out, so... ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Tonight we unseal the eighth vault in our 31 Nights of Lovecraft with Poetry and the Gods—where dreams summon ancient entities. The modern world hums with forgetful haste, yet beneath its clamor, ancient voices stir. A young woman listens—not to noise, but to rhythm. And in that rhythm, Olympus breathes. Ascend beyond the veil of sleep, where gods speak in verse and memory returns in meter. This is no mortal's escape—it is a chosen invocation, where poetry becomes portal, and the divine does not descend in thunder, but in song.ASMR soft-spoken reading of Poetry and the Gods by HP Lovecraft, featuring light rain on a tin roof as background ambiance. Poetry and the Gods was written in 1920 and published in the March 1921 issue of The United Amateur, a small amateur press magazine. At the time, Lovecraft was deeply immersed in the world of amateur journalism, still years away from the cosmic horror that would define his legacy. This story stands apart—less dread, more dream. It reflects Lovecraft's early fascination with classical mythology and poetic exaltation, written during a period when he saw himself as a guardian of ancient ideals in a rapidly modernizing world.

Anthony, Daniel, Skyler, Ray, and I discussed the SERIES FINALE OF Batman: The Animated Series Season 3, episodes 21 through 24.21/101. "Chemistry"22/102. "The Creeper"23/103. "Judgement Day" 24/104. "Legends of the Dark Knight" Follow us! Abrar: @brownboywonderpodcast, Brownboywonders Skyler: @skyler8bit, @RSR_PodcastDaniel: @RSR_Podcast, DanielMCGAnthony: @AnthonyLantern, @AnthonyReviews, The Grud PodcastRay: @TheRaySketchesFULL BATMAN TAS SCHEDULESEASON 11. "On Leather Wings"2. "The Cat and the Claw: Part I"3. "The Cat and the Claw: Part II"4. "The Last Laugh"5. "Nothing to Fear"6. "Pretty Poison"7. "The Underdwellers"8. "P.O.V."9. "The Forgotten"10. "Be a Clown"11. "Heart of Ice"12. "Two-Face: Part I"13. "Two-Face: Part II"14. "It's Never Too Late"15. "I've Got Batman in My Basement"16. "Christmas with the Joker"17. "See No Evil"18. "Beware the Gray Ghost"19. "Feat of Clay: Part I"20. "Feat of Clay: Part II"21. "Prophecy of Doom"22. "Joker's Favor"23. "Vendetta"24. "Fear of Victory"25. "The Clock King"26. "Appointment in Crime Alley"27. "Mad as a Hatter"28. "Dreams in Darkness"29. "Eternal Youth"30. "Perchance to Dream"31. "The Cape and Cowl Conspiracy"32. "Robin's Reckoning: Part I"33. "Robin's Reckoning: Part II"34. "The Laughing Fish"35. "Night of the Ninja"36. "Cat Scratch Fever"37. "The Strange Secret of Bruce Wayne"38. "Heart of Steel: Part I"39. "Heart of Steel: Part II"40. "If You're So Smart, Why Aren't You Rich?"41. "Tyger, Tyger"42. "Joker's Wild"43. "Moon of the Wolf"44. "Day of the Samurai"45. "Terror in the Sky"46. "Almost Got 'Im"47. "Birds of a Feather"48. "What Is Reality?"49. "I Am the Night"50. "Off Balance"51. "The Man Who Killed Batman"52. "Mudslide"53. "Zatanna"54. "The Mechanic"55. "Harley and Ivy"56. "Blind as a Bat"57. "His Silicon Soul"58. "Shadow of the Bat: Part I"59. "Shadow of the Bat: Part II"60. "Fire from Olympus"61. "The Demon's Quest: Part I"62. "The Demon's Quest: Part II"63. "Read My Lips"64. "The Worry Men"65. "Paging the Crime Doctor"Batman of the Phantasm (1993) SEASON 266. "Sideshow"67. "A Bullet for Bullock"68. "Trial"69. "Avatar"70. "House & Garden"71. "The Terrible Trio"72. "Harlequinade"73. "Time Out of Joint"74. "Catwalk"75. "Bane"76. "Baby-Doll"77. "The Lion and the Unicorn"78. "Showdown"79. "Riddler's Reform"80. "Second Chance"81. "Harley's Holiday"82. "Lock-Up"83. "Make 'Em Laugh"84. "Deep Freeze"85. "Batgirl Returns"Batman & Mr. Freeze: SubZero SEASON 386. "Holiday Knights"87. "Sins of the Father"88. "Cold Comfort"89. "Double Talk"90. "You Scratch My Back"91. "Never Fear"92. "Joker's Millions"93. "Growing Pains"94. "Love Is a Croc"95. "Torch Song"96. "The Ultimate Thrill"97. "Over the Edge"98. "Mean Seasons"99. "Critters"100. "Cult of the Cat"101. "Animal Act"102. "Old Wounds"103. "The Demon Within"104. "Girl's Night Out"105. "Mad Love"106. "Chemistry"107. "Beware the Creeper"108. "Judgment Day"109. "Legends of the Dark Knight"Batman: Mystery of the Batwoman 2003

The 1952s finally learn where Bonzy has been sneaking off to. Martha and Credence uncover the truth about the traitor. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Aria Love Jackson as Doctor Credence Brown, Danor Gerald as Captain Dolittle, Isaac Akers as Corporal Clayton Coldpepper, Kaylin Jones as Olympia, and Joel Bishop as Pastor Dan Anders. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with dialogue editing by Lauren Sandberg, sound design by Lauren Sandberg and Kiplin Merrill, and music editing and mixing by Kiplin Merrill. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

The 1952s reconvene at the Smith home to make future plans. Martha and Credence continue their investigation. | Olympus Dale was created, written, and directed by Tom Durham. CAST: Madeline Jayne as Valkyrie Smith, Jefferson Hunter as Niels Newton Smith, Mia Bagley as Reina Galadriel Gomez, K-ets Yah Khai as Alastair "Skinny" Bones, Eric Villasmil as Chesterton "Chess" Wardle, Ali Durham as Martha Smith, Crystal Buras as Bonnet "Bonzy" Smith, Aria Love Jackson as Doctor Credence Brown, Sila Agavale as Major John Howling Wolf, Danor Gerald as Captain Dolittle, Isaac Akers as Corporal Clayton Coldpepper, Chris Miller as Bet Lee, Ali Durham as Annie Lee, Luiz Laffey as Dr. Hector Gomez, Ana Yslas as Dr. Ana Gomez, Emily Tucker Latham as Trooper Alice Bones, and Joe Rising as Trooper David Bones. | The sound team was led by Trent Reimschussel, Cayson Renshaw, and Dan Carlisle, with dialogue editing by Hannah Evans, sound design and music editing by Branden Haynie, and mixing by Hannah Evans and Luke Gunnerson. The Olympus Dale theme is by Daniel Davis. | Olympus Dale is produced by Brian Tanner, Sam Payne, Wendy Folsom, and Heather Bigley, with production coordination by Trent Hortin, Evie Hendrix, and Hannah Harlan. | For more exciting audio adventures for the whole family, subscribe to Kaboom: An Audio Adventure Podcast wherever you're listening to this podcast. Olympus Dale comes from the Kaboom: An Audio Adventure Podcast team, and is a production of BYUradio.

It's always lovely having Scott Harris of Catoctin Creek Distilling Company return to the podcast. In today's episode he and Jason discuss the state of the whisky industry writ large (and the fact that Scott feels we're coming out of some difficult times), an investment opportunity in the distillery, potential expansion of the distillery, and just for funsies, Scott makes them both a couple of Toronto cocktails using the newest Catoctin Creek Maple Cask Rye.  ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

We journey to ancient Greece and Rome to uncover the cornerstones of Western literature. From the epic poems of Homer and the tragedies of Sophocles to the philosophical dialogues of Plato and the poetry of Virgil, this episode explores how these classical works shaped our ideas of heroism, democracy, drama, and rhetoric. To unlock full access to all our episodes, consider becoming a premium subscriber on Apple Podcasts or Patreon. And don't forget to visit englishpluspodcast.com for even more content, including articles, in-depth studies, and our brand-new audio series and courses now available in our Patreon Shop!

Today, we take a peak at how the other side lives. Show Notes Super NPC Radio – Patreon - Discord-  Bluesky – Instagram – Twitch Jeremy Schmidt: Video Games: a Comedy Show - BlueSky July Diaz: Bluesky Nick Costanza: Bluesky Mikey McCollor: YouTube Roxy Polk: BlueSky - Twitch

Mason Morfit and Rob Hale are the co-CEOs of ValueAct Capital, which manages $11 billion in public equities focused on the US and Japan. Since its founding in 2000, ValueAct has charted a distinctive path in activist investing, eschewing confrontation and publicity in favor of quiet, meaningful partnerships with management teams. But they agreed to join me to reflect as they celebrate the firm's 25th anniversary this year. Mason helped launch the firm and has driven many of its successful investments, including the turnaround of Microsoft in 2013. Rob joined fifteen years ago and leads the firm's investing in Japan. He joined the Board of Olympus in 2019 and helped usher in a new era of engagement between global investors and Japanese companies. Our conversation covers their paths to ValueAct, the firm's history and evolution, and the challenges that great companies face. We cover their philosophy of working with management teams, investment process, governance, long-term value creation, lessons from mistakes, application of their approach to Japan, and the adoption of their principles internally at ValueAct. From our sponsor, Morningstar Embrace the global language of investment data Learn More Follow Ted on Twitter at @tseides or LinkedIn Subscribe to the mailing list Access Transcript with Premium Membership   Editing and post-production work for this episode was provided by The Podcast Consultant (⁠https://thepodcastconsultant.com⁠)

Olympus Dale is returning for a second season on October 3! The new season is called "Olympus Dale: The Bent Man," and if you're wonder who this Bent Man is, then you better catch up on season 1 first. Lucky for you, the full first season is streaming now. Make sure you're subscribed to this feed so you don't miss an episode, and we'll see you back here on October 3!

The lovely team at Waiheke Island Distillery in New Zealand were kind enough to send Joshua and Jason their latest range of whiskies including a cask sample that shows the direction their spirit is going with some new stills the Distillery has installed. Along with the whisky samples came full information including: Barley types Yeast types Fermentation times Fermentation ABV Spirit cut points Cask type ...and more! A true whisky geeks delight! Listen in as J&J taste through three cracking Single Malts from New Zealand's Waiheke Distillery as well as some of their 14 month old peated spirit! ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

This week, we're brainstorming and developing one-shot outlines inspired by the works of J.R.R. Tolkien, in preparation for a game at a library event celebrating the publication of The Hobbit (not Tolkien's birthday - sorry, got that bit of info wrong). Join us as we figure out how to put the Nazgul on Bikes, how to steal treasure from a dragon, and just how far we can stretch the trope of three kobolds in a trench coat.   Once again, friend of the show Danny Mendoza (from our The Lost Bay game last Halloween) is a player in the newly-launched Fabula Ultima actual play show Olympus, on the Streaming Rainbow YouTube channel. Episode 2 is now out (it looks like they're releasing on a weekly basis), and you can find it here: https://www.youtube.com/watch?v=YAaPEh7_A44   Our website is live! Head on over to undercommontaste.com to find links to all of our social media, streaming sites, Patreon, Itch store, and Discord. Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.

In this episode Chris engages with the ideas of author--Brian Cranely, in his book The Call of Wonder. He discusses the importance of the human experience of wonder and awe as a catalyst for opening one's mind to realities greater than oneself. He then moves to the Western philosophical tradition to trace how we have wrestled with the idea of 'greater realities,' leading to Plato's idea of forms and eventually to the realm of spirit as formulated in our religious traditions. Next, we trace the pedigree of the idea of God with a capital 'G,' beginning with Plato's idea of the Form of the Good in distinction to the gods of Olympus. From there we arrive at Aristotle's First Cause and start to pin down the qualities that such a thing must necessarily have--Unity, Eternity and Unknowability. From this basic pattern we arrive at the religious idea of the Image of God and describe how it is reflected in cosmology, biology and consciousness. Enjoy ;)

Dive into this mind-bending episode of Nephilim Death Squad as we sit down with BlaqLabs Rob to unravel the mysteries of Garden of the Gods, deep underground military bases (DUMBs), Egyptian artifacts in Illinois, cryptid sightings, and suppressed ancient history. From sarcophagi said to stand over 12 feet tall, to strange encounters with armed personnel in national forests, to hidden Mormon-Egyptian connections and even Putin's DNA games—this one's a rabbit hole feast.We also explore:Why national forests are hotspots for disappearances and cryptid sightings.The possibility of cities in the sky (Vimanas, Olympus, floating fortresses).How contractors—not the military—run DUMBs to keep secrets compartmentalized.The overlap between Mormon lore, Egyptian artifacts, and North American pyramids.What the Smithsonian might have really been hiding before the Civil War. Follow BlaqLabs Rob:Twitter/X: @BlaqLabs (returning soon)YouTube: BlaqLabs ChannelInstagram: @BlaqLabs☠️ NEPHILIM DEATH SQUAD   Skip the ads. Get early access. Tap into the hive mind of dangerous RTRDs in our private Telegram channel — only on Patreon:

Ok, whisky geeks, this is why you subscribe the One Nation Under Whisky Padcost. It's in depth whisky conversation like this. Jason and Ewan go so far down the Clynelish rabbit hole, discussing science, flavor, and even mythology, that as they venture down the rabbit hole they bypass Alice and all the inhabitants of Wonderland. It's wonderful.  If you love Clynelish get ready to understand why you love it so much (and then start to love it even more). All Hail the Duke of Sutherland, Ewan Morgan! ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Anthony, Daniel, Ray and I discussed Batman: The Animated Series Season 3, episodes 16 through 20.16/101. "Animal Act" 17/102. "Old Wounds"18/103. "The Demon Within" 19/104. "Girl's Night Out" 20/105 " Mad Love"Follow us! Abrar: @brownboywonderpodcast, Brownboywonders Skyler: @skyler8bit, @RSR_PodcastDaniel: @RSR_Podcast, DanielMCGAnthony: @AnthonyLantern, @AnthonyReviews, The Grud PodcastRay: @TheRaySketchesFULL BATMAN TAS SCHEDULESEASON 11. "On Leather Wings"2. "The Cat and the Claw: Part I"3. "The Cat and the Claw: Part II"4. "The Last Laugh"5. "Nothing to Fear"6. "Pretty Poison"7. "The Underdwellers"8. "P.O.V."9. "The Forgotten"10. "Be a Clown"11. "Heart of Ice"12. "Two-Face: Part I"13. "Two-Face: Part II"14. "It's Never Too Late"15. "I've Got Batman in My Basement"16. "Christmas with the Joker"17. "See No Evil"18. "Beware the Gray Ghost"19. "Feat of Clay: Part I"20. "Feat of Clay: Part II"21. "Prophecy of Doom"22. "Joker's Favor"23. "Vendetta"24. "Fear of Victory"25. "The Clock King"26. "Appointment in Crime Alley"27. "Mad as a Hatter"28. "Dreams in Darkness"29. "Eternal Youth"30. "Perchance to Dream"31. "The Cape and Cowl Conspiracy"32. "Robin's Reckoning: Part I"33. "Robin's Reckoning: Part II"34. "The Laughing Fish"35. "Night of the Ninja"36. "Cat Scratch Fever"37. "The Strange Secret of Bruce Wayne"38. "Heart of Steel: Part I"39. "Heart of Steel: Part II"40. "If You're So Smart, Why Aren't You Rich?"41. "Tyger, Tyger"42. "Joker's Wild"43. "Moon of the Wolf"44. "Day of the Samurai"45. "Terror in the Sky"46. "Almost Got 'Im"47. "Birds of a Feather"48. "What Is Reality?"49. "I Am the Night"50. "Off Balance"51. "The Man Who Killed Batman"52. "Mudslide"53. "Zatanna"54. "The Mechanic"55. "Harley and Ivy"56. "Blind as a Bat"57. "His Silicon Soul"58. "Shadow of the Bat: Part I"59. "Shadow of the Bat: Part II"60. "Fire from Olympus"61. "The Demon's Quest: Part I"62. "The Demon's Quest: Part II"63. "Read My Lips"64. "The Worry Men"65. "Paging the Crime Doctor"Batman of the Phantasm (1993) SEASON 266. "Sideshow"67. "A Bullet for Bullock"68. "Trial"69. "Avatar"70. "House & Garden"71. "The Terrible Trio"72. "Harlequinade"73. "Time Out of Joint"74. "Catwalk"75. "Bane"76. "Baby-Doll"77. "The Lion and the Unicorn"78. "Showdown"79. "Riddler's Reform"80. "Second Chance"81. "Harley's Holiday"82. "Lock-Up"83. "Make 'Em Laugh"84. "Deep Freeze"85. "Batgirl Returns"Batman & Mr. Freeze: SubZero SEASON 386. "Holiday Knights"87. "Sins of the Father"88. "Cold Comfort"89. "Double Talk"90. "You Scratch My Back"91. "Never Fear"92. "Joker's Millions"93. "Growing Pains"94. "Love Is a Croc"95. "Torch Song"96. "The Ultimate Thrill"97. "Over the Edge"98. "Mean Seasons"99. "Critters"100. "Cult of the Cat"101. "Animal Act"102. "Old Wounds"103. "The Demon Within"104. "Girl's Night Out"105. "Mad Love"106. "Chemistry"107. "Beware the Creeper"108. "Judgment Day"109. "Legends of the Dark Knight"Batman: Mystery of the Batwoman 2003

Joshua and Jason have a proper sit down with the Tormore Blueprint range of whiskies. Listen as the pair break down the whiskies from nose, to palate, to finish. An uber geeky tasting, to be sure! ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

This week, we're celebrating our fifth anniversary (and Tarrasquemas) with Spencer Campbell's solo souls-like necromancer RPG, REAP. Join us as James reaps his way across the realm of Kyrie, Ian gets *most* of the rules right, and we find out if Petrov the Necromancer can defeat the Horror at the end of the game.   You can find REAP, and Spencer Campbell's many other games, through his website gilarpgs.com or his Itch store at gilarpgs.itch.io.  This playthrough was inspired by the playthrough by Rene Plays Games; you can find that episode here: https://open.spotify.com/episode/1CM4eekNECATMcLBGLAJNN?si=df50b6a8418847d7 Finally, friend of the show Danny Mendoza (from our The Lost Bay game last Halloween) is a player in the newly-launched Fabula Ultima actual play show Olympus, on the Streaming Rainbow YouTube channel. Their first episode dropped yesterday (on our actual anniversary), so you should go check it out: https://youtu.be/gQwifTUtSTs?si=AqT8BHwf-uPdxCbL   Our website is live! Head on over to undercommontaste.com to find links to all of our social media, streaming sites, Patreon, Itch store, and Discord. Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.

Thunderstorms were raging across southern Germany as Elliot Williams was joined by Jenny List for this week's podcast. The deluge outside didn't stop the hacks coming though, and we've got a healthy smorgasbord for you to snack from. There's the cutest ever data cassette recorder taking a tiny Olympus dictation machine and re-engineering it with a beautiful case for the Commodore 64, a vastly overcomplex machine for perfectly cracking an egg, the best lightning talk timer Hackaday has ever seen, and a demoscene challenge that eschews a CPU. Then in Quick Hacks we've got a QWERTY slider phone, and a self-rowing canoe that comes straight out of Disney's The Sorcerer's Apprentice sequence. For a long time we've had a Field guide series covering tech in infrastructure and other public plain sight, and this week's one dealt with pivot irrigation. A new subject for Jenny who grew up on a farm in a wet country. Then both editors are for once in agreement, over using self-tapping screws to assemble 3D-printed structures. Sit back and enjoy the show!  

A wonderfully geeky conversation is had between Joshua, Yoni Miller (SCN's in-house Cigar Czar/Tobacco Trouble-Maker/Meme-Meiser) and Terence Reilly of Aganorsa Leaf surrounding the ins and outs of cigar production, Aganorsa Leaf, and the next SCN cigar project with them using the Single Cask Nation ex-Balcones peated cask. Lots of fun conversation to be had! NOTE: Sadly, the video file from the conversation was lost in transfer so you won't be able to see any of the beautiful faces for this episode. Apologies! ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Are you paying for leads that don't convert? Join us for the latest episode of The I Do Wedding Marketing Podcast, where we take a hard look at paid wedding directories like The Knot and WeddingWire, and why so many pros are rethinking their value.Guest expert Anthony Grant shares how to spot the pitfalls (fake leads, tough contracts, lost reviews) and where to reinvest your advertising budget for better results. From moving reviews to Google to building a trackable ad strategy, this episode gives you practical steps to take back control of your marketing.About Anthony:Anthony Grant is a former Meta Ads employee turned wedding business analyst and consultant. As the founder of Olympus Insights, he helps wedding pros cut waste, track results, and scale with strategies that actually work. Known for his no-fluff, numbers-first approach, Anthony has helped businesses turn around struggling marketing efforts and generate consistent, quality leads.

Skyler, Anthony, and I discussed Batman: The Animated Series Season 3, episodes 11 through 15.11/96. "The Ultimate Thrill" 12/97. "Over The Edge"13/98. "Mean Seasons" 14/99. "Critters" 15/100 " Cult of the Cat"Follow us! Abrar: @brownboywonderpodcast, Brownboywonders Skyler: @skyler8bit, @RSR_PodcastDaniel: @RSR_Podcast, DanielMCGAnthony: @AnthonyLantern, @AnthonyReviews, The Grud PodcastRay: @TheRaySketchesFULL BATMAN TAS SCHEDULESEASON 11. "On Leather Wings"2. "The Cat and the Claw: Part I"3. "The Cat and the Claw: Part II"4. "The Last Laugh"5. "Nothing to Fear"6. "Pretty Poison"7. "The Underdwellers"8. "P.O.V."9. "The Forgotten"10. "Be a Clown"11. "Heart of Ice"12. "Two-Face: Part I"13. "Two-Face: Part II"14. "It's Never Too Late"15. "I've Got Batman in My Basement"16. "Christmas with the Joker"17. "See No Evil"18. "Beware the Gray Ghost"19. "Feat of Clay: Part I"20. "Feat of Clay: Part II"21. "Prophecy of Doom"22. "Joker's Favor"23. "Vendetta"24. "Fear of Victory"25. "The Clock King"26. "Appointment in Crime Alley"27. "Mad as a Hatter"28. "Dreams in Darkness"29. "Eternal Youth"30. "Perchance to Dream"31. "The Cape and Cowl Conspiracy"32. "Robin's Reckoning: Part I"33. "Robin's Reckoning: Part II"34. "The Laughing Fish"35. "Night of the Ninja"36. "Cat Scratch Fever"37. "The Strange Secret of Bruce Wayne"38. "Heart of Steel: Part I"39. "Heart of Steel: Part II"40. "If You're So Smart, Why Aren't You Rich?"41. "Tyger, Tyger"42. "Joker's Wild"43. "Moon of the Wolf"44. "Day of the Samurai"45. "Terror in the Sky"46. "Almost Got 'Im"47. "Birds of a Feather"48. "What Is Reality?"49. "I Am the Night"50. "Off Balance"51. "The Man Who Killed Batman"52. "Mudslide"53. "Zatanna"54. "The Mechanic"55. "Harley and Ivy"56. "Blind as a Bat"57. "His Silicon Soul"58. "Shadow of the Bat: Part I"59. "Shadow of the Bat: Part II"60. "Fire from Olympus"61. "The Demon's Quest: Part I"62. "The Demon's Quest: Part II"63. "Read My Lips"64. "The Worry Men"65. "Paging the Crime Doctor"Batman of the Phantasm (1993) SEASON 266. "Sideshow"67. "A Bullet for Bullock"68. "Trial"69. "Avatar"70. "House & Garden"71. "The Terrible Trio"72. "Harlequinade"73. "Time Out of Joint"74. "Catwalk"75. "Bane"76. "Baby-Doll"77. "The Lion and the Unicorn"78. "Showdown"79. "Riddler's Reform"80. "Second Chance"81. "Harley's Holiday"82. "Lock-Up"83. "Make 'Em Laugh"84. "Deep Freeze"85. "Batgirl Returns"Batman & Mr. Freeze: SubZero SEASON 386. "Holiday Knights"87. "Sins of the Father"88. "Cold Comfort"89. "Double Talk"90. "You Scratch My Back"91. "Never Fear"92. "Joker's Millions"93. "Growing Pains"94. "Love Is a Croc"95. "Torch Song"96. "The Ultimate Thrill"97. "Over the Edge"98. "Mean Seasons"99. "Critters"100. "Cult of the Cat"101. "Animal Act"102. "Old Wounds"103. "The Demon Within"104. "Girl's Night Out"105. "Mad Love"106. "Chemistry"107. "Beware the Creeper"108. "Judgment Day"109. "Legends of the Dark Knight"Batman: Mystery of the Batwoman 2003

Joshua and Jason have a proper sit down with the Tormore Blueprint range of whiskies. Listen as the pair break down the whiskies from nose, to palate, to finish. An uber geeky tasting, to be sure! ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

On this episode, we're going from the heights of Mt. Olympus to the depths of the soul. This episode was hosted by Chloe Salmon. Storytellers: Caroline Connolly goes hiking and discovers something about herself. Kristina Nasi makes an important confession. Podcast # 933 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Joshua and Jason have a sit down with Murphy Quint, Master Distiller and Director of Operations at Cedar Ridge Distillery. If you're new to One Nation Under Whisky, get ready for a super fun, super in-depth geeky whisky conversation. If you're a long-time padcost listener, you know why you're here (and thanks, as always, for listening!)... ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

Joshua and Jason discuss the details of Single Cask Nation's August 2025 US Online Exclusive Releases along with the various whisky bundles coming with them. They also swear quite a lot at one another. Is it more so than usual? There's only one way to find out... ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

This week on Thumb Cramps, playing video games on the bus is back as they continue to celebrate Handhelgust this time joined by Scaredy Boys' very own Tom Reed to look at God of War: Chains of Olympus for the PSP, Mario Paint for the SNES for the Nintendo Switch 2 and Caravan Sandwitch for the Nintendo Switch. Plus, a pitch for a legacy sequel to Mad Men, news of uploading photos in a brand new way and a special guest appearance from one of the greatest songwriters of all time.Buy tickets to Thumb Cramps live from Cheerful Earful hereThumb Cramps+ has launched! Ad-free podcasts and a bonus monthly episode of Speedrunning Television; a brand new podcast that innovates how to watch television as gamers. Subscribe now on Sanspants Plus OR Apple Podcasts! Email us at ThumbCrampsPod@gmail.com Find us on Instagram;Jackson | Duscher | Thumb Cramps | Tom | Scaredy BoysWatch us on Twitch;Jackson | Duscher | Sanspants RadioYou can physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Join our facebook group here or join our Discord here.Theme music by Benny Davis! You can find all his stuff at his website or check out his YouTube channel. Hosted on Acast. See acast.com/privacy for more information.

Agility requires that brands have a fundamental understanding of why they're doing things, and what customer expectations are, rather than chasing trends and implementing the latest tech. Without this, customer satisfaction will continue to slide, and brands won't be any closer to knowing what to do to solve for that. I am here in Edinburgh with my guest today, who has worked with some of the world's largest brands, written several books, and hosts a great podcast of his own. To talk about a few things today, I'd like to welcome Adrian Swinscoe, Host of the Punk CX Podcast. About Adrian Swinscoe Described as an experimental CX thought leader and visionary, Adrian Swinscoe is a best-selling author, Forbes contributor, speaker, investor, advisor and aspirant CX Punk. He has been growing and helping develop customer-focused large and small businesses for over 25 years now. His clients have included brands such as Adobe, Apple, Cancer Research UK, Costa Coffee, the UKGov's Crown Commercial Service, ING, Intercontinental Hotel Group, KFC, KPMG, ING, Kramp, Lloyds, Harper Collins, Médecins Sans Frontières, Megger, Microsoft, Nespresso, NowTV, Olympus, Pearson,Philips, Sky, Talk Talk, and Zoom as well as numerous tech vendors and many smaller and medium-sized businesses.Adrian is a frequent writer, podcaster and speaker on all things related to customer service and experience. He published a best-selling book in 2016 called How to Wow: 68 Effortless Ways to Make Every Customer Experience Amazing (Pearson), published a genre-busting book: Punk CX in 2019and published an exciting follow-up: Punk XL at the end of 2021. Adrian Swinscoe on LinkedIn: https://www.linkedin.com/in/adrianswinscoe/ Resources Punk CX Podcast: https://www.adrianswinscoe.com/ https://www.adrianswinscoe.com/ The Agile Brand podcast is brought to you by TEKsystems. Learn more here: https://www.teksystems.com/versionnextnow Catch the future of e-commerce at eTail Boston, August 11-14, 2025. Register now: https://bit.ly/etailboston and use code PARTNER20 for 20% off for retailers and brandsDon't Miss MAICON 2025, October 14-16 in Cleveland - the event bringing together the brights minds and leading voices in AI. Use Code AGILE150 for $150 off registration. Go here to register: https://bit.ly/agile150" Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstromDon't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.showCheck out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company