Podcast appearances and mentions of shellie morris

Shellie Morris, the powerhouse Indigenous singer-songwriter, effortlessly blends tradition with innovation, creating a sonic journey through her ancestral roots. Hailing from the Yanyuwa, Garrwa, and Gurdanji communities, Morris’ soulful melodies carry the weight of Indigenous stories, bridging the past and present. In the run up to, and immediately after Australia Day, Shellie and Elliott discussed [...]Read More... from Indigenous Singer-Songwriter, Shellie Morris Speaks with Elliott Wallace: Waralungku by Arrkula Yinbayarra

Jodie and Jim are in the studio today! Chatting to three amazing and powerful women. They start off with Brenda Mathews discussing The Last Daughter Brenda's story which mentions stolen generation, being torn away from two different families. Then Jim and Jodie are joined by Shellie Morris a singer/songwriter who recently was awarded the AO General Division honours. Their last guest for the morning is Irene Stainton, a strong woman who was the first Aboriginal person appointed to a national Trust council. Moorditj Mag airs live every Thursday on RTRFM 92.1 at 11am.   You can also catch Moorditj Mag on 100.9fm Noongar Radio and Great Southern FM on Fridays. https://www.thelastdaughter.com.au/

Shellie Morris AO talks to NITV's Guy McLean about being included in the King's Birthday Honours list, about her upbringing as an adopted person in South Sydney, about her adopted family and her birth family and about her life and work to improve the lives of Indigenous Australians and youth through music and education. She also gives a preview of a song from her latest album, featuring the Anindiliakwa language of Groote Eylandt.

On this week's episode of Moorditj Mag, hosts Jim Morrison and Nick Abraham yarn with Jessie Lloyd and Shellie Morris about the 15th Anniversary of National Apology Day. Moorditj Mag airs live every Thursday on RTRFM 92.1 at 11am. It is replayed on 100.9fm Noongar Radio and Great Southern FM on Fridays.

Ben Lee and Ione Skye join this episode of LaunchLeft. They discuss how a couple can work together and thrive, activism, and quantifying success. Later in the show, Ben and Ione Skye launch Emily Wurramara, an Australian songwriter who composes her music in English and her native indigenous language. She performs her song “Stay the Fuck Away from Me” acoustic to close this genuinely inspiring episode.  -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [01:34] Rain, Ben, and Ione catch up on New Year's activities and how going through the pandemic has made them appreciate being able to socialize once more.  [05:32] Ben and Ione discuss how they decided to make their podcast called Weirder Together.  [15:03] The couple shares their beliefs on what success looks like.  [27:20] What brought Ben and Ione together as a couple, and with what topics are they socially active? How can those topics impact you negatively on social media?  [36:41] Why Ben feels responsible for young artists giving them a hand up, as was done for him.  40:05] Ben introduces Emily Wurramara. Emily performs a song at the end of the episode.  KEY TAKEAWAYS:  LaunchLeft's mission is to highlight and empower artists and give them a platform to launch their careers. There is a cultural brainwashing that holds to the tenant that if you are rich, you are successful.  However, the flip side of that coin is, are you happy and enjoying life?  Shouldn't you enjoy the process and not only concentrate on the reward? Collaboration can be painful, but it can produce a better product when people from diverse situations and ideas come together to form an exciting product better than one person could do alone.  RESOURCE LINKS Podcast - LaunchLeft Website - Emily Wurramara Facebook - Emily Wurramara Instagram - Emily Wurramara BIO:  Originating from Groote Eylandt in the Northern Territory, the AIR award-winning and ARIA-nominated artist released an 11-track album Milyakburra, educating and informing in both English and Anindilyakwa languages. The critically acclaimed 2018 album features the emotive Lady Blue (over 6.5 million Spotify streams) and Black Smoke, amassing over 1.2 million Spotify streams and rotation on Triple J, ABC Local, and ten weeks in the AMRAP charts. Emily has performed on many global stages, including Woodford Folk Festival, Bluesfest, TEDX Sydney, GARMA, Port Fairy Folk Festival, BIGSOUND, and International Folk Alliance showcase in Kansas, Canada, and New Orleans, as well as shows in Chicago, New York, Paris and across so-called Australia. She has toured and played with iconic artists, including Archie Roach, Mavis Staples, John Farnham, Busby Marou, Coloured Stones, Missy Higgins, Shellie Morris, Jessica Mauboy, Cat empire, and John butler, just to name a few! Emily is a six-time Queensland Music Award winner; she was selected for the AMP Tomorrow Maker Award and won the AIR Awards Best Blues and Roots Album of the Year. What's next? Emily recently signed to the record label ABC Music and is currently in the studio working on her new album, set for release in 2022.See omnystudio.com/listener for privacy information.

In this final ‘Best Of' episode for 2022, Naomi looks back on some more highlights from the last 12 months, including her yarns with Shellie Morris, Djanaba, Ripple Effect Band, and comedian Andy Saunders.See omnystudio.com/listener for privacy information.

In this episode of Jam Pakt, Naomi's sharing music and stories from Auntie Shellie Morris - someone who could almost be declared a ‘national living treasure'. Shellie's spent the past 25 years honing her skills as a storyteller and musician, delivering music workshops in more than 80 Indigenous communities across the country, and works tirelessly to improve the lives of First Nations Australians, especially in the NT. As well as being a multi Deadly Award winner, the 2014 NT Australian of the Year and the 2014 NAIDOC National Artist of the Year, as of last year, Shellie is now also known as... Doctor Shellie Morris. This is an open and honest yarn from one of this country's finest voices.See omnystudio.com/listener for privacy information.

Singer-songwriter Shellie Morris still remembers the first time she heard Yothu Yindi's Treaty. She had left her adopted white family in Sydney when "Treaty yeah, Treaty now" blared through her car radio, and changed her forever.  The song would become part of the soundtrack of her incredible journey to find her Aboriginal birth family in the Northern Territory and to work out where, and what, home really is.

Singer-songwriter Shellie Morris still remembers the first time she heard Yothu Yindi's Treaty. She had left her adopted white family in Sydney when "Treaty yeah, Treaty now" blared through her car radio, and changed her forever.  The song would become part of the soundtrack of her incredible journey to find her Aboriginal birth family in the Northern Territory and to work out where, and what, home really is.

Singer-songwriter Shellie Morris still remembers the first time she heard Yothu Yindi's Treaty. She had left home and stopped speaking to her adopted white family in Sydney, when "Treaty yeah, Treaty now" blared through her car radio, and changed her forever. The song would become part of the soundtrack of her incredible journey to find her Aboriginal birth family in the Northern Territory and to work out where, and what, home really is.

Singer-songwriter Shellie Morris still remembers the first time she heard Yothu Yindi's Treaty. She had left her adopted white family in Sydney when "Treaty yeah, Treaty now" blared through her car radio, and changed her forever.  The song would become part of the soundtrack of her incredible journey to find her Aboriginal birth family in the Northern Territory and to work out where, and what, home really is.

Singer-songwriter Shellie Morris still remembers the first time she heard Yothu Yindi's Treaty. She had left home and stopped speaking to her adopted white family in Sydney, when "Treaty yeah, Treaty now" blared through her car radio, and changed her forever. The song would become part of the soundtrack of her incredible journey to find her Aboriginal birth family in the Northern Territory and to work out where, and what, home really is.

“I got put in the back of the paddy wagon and I remember sitting there, cross-legged in the back, thinking ‘Oh fuck’.” Welcome to BIRDS EYE VIEW, a podcast made in the Darwin Correctional Centre. In this episode, you’ll meet the women of Sector Four and a bunch of birds, but first, we need to get you inside the prison. Making HERstory is the first episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storyteller: Renae Poetry: Bianca Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Shellie Morris, Soorkia, Eleanor Dixon, Emily Wurramara, Sietta and Serina Pech (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.

For NAIDOC Week 2018, USQ and Phoenix Radio have brought together four strong young Aboriginal women to create a radio show and podcast around this year's theme "Because of Her, We Can".Who are The LATE Crew? Lelani, Asha, Tamika and Emily (LATE) are all high school students from Ipswich, Springfield and Laidley. They spent four afternoons at USQ learning all about radio from the likes of Spencer Howson (USQ/ABC), Clay Cassar-Daley (98.9 The Best Country) and Molly Hunt (ABC Kimberley). Then they set to work constructing their debut radio show and podcast.Topics discussed by The LATE Crew and their special guests Shellie Morris, Boneta-Marie Mabo and Molly Hunt include: racism and stereotypes, mental illness, strong women and preserving cultures and languages.For copyright reasons, this podcast doesn’t contain all the music from the original radio show. The LATE Crew also featured Beyoncé “Rule the World”, Baker Boy “Cloud 9”, Troy Cassar-Daley “Good Things in Life”, The Sapphires “Ngarra Burra Ferra” and Ernie Dingo “Listen to the News”.

Acclaimed singer songwriter Shellie Morris speaks to Serge Negus about finding her long lost heritage after being adopted out as a baby.

Prison Songs is an award-winning documentary musical made by WA filmmakers Kelrick Martin and Harry Bardwell, working in association with Indigenous singer/songwriter Shellie Morris and acclaimed British documentary maker, and pioneer of the documentary musical form, Brian Hill. It is a real musical set in a very real situation, and like any musical it uses the expressive qualities of music, songs and dance to communicate intimacy and conviction, giving it an emotional resonance unfamiliar to conventional documentary forms. In this session, Prison Songs forms the basis of a case study in documentary musicals, acting as a launching point to illuminate elements like structure, casting, musical composition and intended impact. Speakers: Kelrick Martin (Director), Harry Bardwell (Producer) and Shellie Morris and Casey Bennetto (Composers) Host: Leanne Pooley

Its Ben Sorensen here with a little more from the Tamworth Country music festival... This time it's some of my favourite discoveries and re-discoveries of artists and music! Featuring in no particular order Lee Kernaghan, Shellie Morris, Ben Ransom, Starmaker winner Kaylee Bell, Allan Caswell, the Hillbilly Goats, Peter McWhirter, Colin Buchanan and Amber Lawrence.... It's jam packed and somehow we managed to fit it all into REAL Country this week! REAL Country is interactive! So comment, view, share, rate and SUBSCRIBE!!! Call our REQUEST LINE, ANYTIME 1300 929 516 Get the podcast on iTunes: http://bit.ly/RealCountryPodcast CONNECT WITH REAL COUNTRY: http://www.facebook.com/RealCountry http://www.twitter.com/RealCountryMix http://www.RealCountryMix.com http://www.youtube.com/bseaustralia Ben Sorensen's OFFICIAL pages: http://www.BenSorensen.com http://www.twitter.com/bensorensen1 http://www.facebook.com/BenSorensenFanPage For live event bookings and advertising opportunities please email info@bseaustralia.com Get your ad in this podcast: http://bit.ly/podcastads