Podcasts about buell neidlinger

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Best podcasts about buell neidlinger

Latest podcast episodes about buell neidlinger

PuroJazz
Puro Jazz 06 de septiembre, 2024

PuroJazz

Play Episode Listen Later Sep 7, 2024 58:28


HERBIE HANCOCK “FAT ALBERT ROTUNDA” Englewood Cliffs, N.J., October 4 & 16, November 26 & December 8, 1969Wiggle Waggle, Tell me a bedtime story, Fat Albert RotundaJohnny Coles (tp,flhrn) Garnett Brown (tb) Joe Henderson (ts,alto-fl) Herbie Hancock (p,el-p) Buster Williams (b,el-b) Albert “Tootie” Heath (d) STEVE LACY “SOPRANO SAX” Hackensack, N.J., November 1, 1957Day dream, Alone together, Work, Rockin' in rhythmSteve Lacy (sop) Wynton Kelly (p) Buell Neidlinger (b) Denis Charles (d) EMMA RAWICZ “CHROMA” London, England, June, 2022Xanadu, Middle ground, ViridianEmma Rawicz (ts,fl,b-cl,comp,arr) Ivo Neame (p) Ant Law (g) Conor Chaplin (b,el-b) Asaf Sirkis (d,vcl) Immy Churchill (vcl) Continue reading Puro Jazz 06 de septiembre, 2024 at PuroJazz.

PuroJazz
Puro Jazz 06 de septiembre, 2024

PuroJazz

Play Episode Listen Later Sep 7, 2024 58:28


HERBIE HANCOCK “FAT ALBERT ROTUNDA” Englewood Cliffs, N.J., October 4 & 16, November 26 & December 8, 1969Wiggle Waggle, Tell me a bedtime story, Fat Albert RotundaJohnny Coles (tp,flhrn) Garnett Brown (tb) Joe Henderson (ts,alto-fl) Herbie Hancock (p,el-p) Buster Williams (b,el-b) Albert “Tootie” Heath (d) STEVE LACY “SOPRANO SAX” Hackensack, N.J., November 1, 1957Day dream, Alone together, Work, Rockin' in rhythmSteve Lacy (sop) Wynton Kelly (p) Buell Neidlinger (b) Denis Charles (d) EMMA RAWICZ “CHROMA” London, England, June, 2022Xanadu, Middle ground, ViridianEmma Rawicz (ts,fl,b-cl,comp,arr) Ivo Neame (p) Ant Law (g) Conor Chaplin (b,el-b) Asaf Sirkis (d,vcl) Immy Churchill (vcl) Continue reading Puro Jazz 06 de septiembre, 2024 at PuroJazz.

PuroJazz
Puro Jazz 09 de agosto, 2024

PuroJazz

Play Episode Listen Later Aug 10, 2024 58:07


CECIL TAYLOR TRIO “JAZZ ADVANCE” Boston, September 14, 1956Bemsha swing, Charge 'em blues (1)Steve Lacy (sop-1) Cecil Taylor (p) Buell Neidlinger (b) Denis Charles (d) IVO PERELMAN / MATTHEW SHIPP “MAGICAL INCANTATIONS” Brooklyn, NY?, Lanzamiento mayo, 2024Thirteen, Three, Eleven Ivo Perelman (sax), Matthew Shipp (p) ILLEGAL CROWNS “UNCLOSING” New Haven, CT, June 20, 2022Crooked frame, Unclosing, Osmosis crownTaylor Ho Bynum (cnt,flhrn) Benoit Delbecq (p) Mary Halvorson (el-g) Tomas Fujiwara (d) Continue reading Puro Jazz 09 de agosto, 2024 at PuroJazz.

PuroJazz
Puro Jazz 09 de agosto, 2024

PuroJazz

Play Episode Listen Later Aug 10, 2024 58:07


CECIL TAYLOR TRIO “JAZZ ADVANCE” Boston, September 14, 1956Bemsha swing, Charge 'em blues (1)Steve Lacy (sop-1) Cecil Taylor (p) Buell Neidlinger (b) Denis Charles (d) IVO PERELMAN / MATTHEW SHIPP “MAGICAL INCANTATIONS” Brooklyn, NY?, Lanzamiento mayo, 2024Thirteen, Three, Eleven Ivo Perelman (sax), Matthew Shipp (p) ILLEGAL CROWNS “UNCLOSING” New Haven, CT, June 20, 2022Crooked frame, Unclosing, Osmosis crownTaylor Ho Bynum (cnt,flhrn) Benoit Delbecq (p) Mary Halvorson (el-g) Tomas Fujiwara (d) Continue reading Puro Jazz 09 de agosto, 2024 at PuroJazz.

PuroJazz
Puro Jazz 17 noviembre 2023

PuroJazz

Play Episode Listen Later Nov 18, 2023 59:07


CECIL TAYLOR - LOOKING AHEAD!   - New York, June 9, 1958 Luyah ! The glorious step, African violets, Of what (eg out) Cecil Taylor (p) Earl Griffith (vib) Buell Neidlinger (b) Denis Charles (d) JOANNE BRACKEEN - AFT  - New York, December 30, 1977 Aft, Charlotte's dance, Dreamers Joanne Brackeen (p) Ryo Kawasaki (g) Clint Houston (b) MIHO HAZAMA -  BEYOND ORBITS  - New York February 4, 5 & 7, 2023 Exoplanet Suite/ III. Planet Nine, From Life Comes Beauty (feat. Immanuel Wilkins) Miho Hazama: composer / conductor; Steve Wilson (sa)  Jason Rigby (st) Jeremy Powell (saxos) Andrew Gutauskas (bari)  Jonathan Powell (t) Adam Unsworth (trompa) Tomoko Akaboshi (vln)  Atsuki Yoshida (viola) Meaghan Burke (chelo) James Shipp (perc) Billy Test (p) Sam Anning (b) Jake Goldbas (dr).

PuroJazz
Puro Jazz 21 enero

PuroJazz

Play Episode Listen Later Jan 22, 2021 58:05


  STEVE LACY – SOPRANO SAX – Hackensack, N.J., November 1, 1957 Alone together, Work, Rockin’ in rhythm Steve Lacy (sop) Wynton Kelly (p) Buell Neidlinger (b) Denis Charles (d) HAMMER TRIO – SWINGING ON A STAR – Paramus, NJ, January 7, 2017 Numero uno, Swinging on a star, Ballad for very tired and sad […]

Mondo Jazz
A Herbie Nichols' Centennial [Mondo Jazz Ep. 96]

Mondo Jazz

Play Episode Listen Later Jan 7, 2020 185:29


Herbie Nichols was a master of the piano which has inspired generations of musicians after his passing, despite the little commercial success that his albums obtained when first released. 2019 marks the centennial of his birth and to remedy the lack of retrospectives that his work should have, but hasn't, received this year, this week's edition of Mondo Jazz will be looking into the impact that his memorable compositions have had on a number of contemporary artists. This episode includes both compositions that Nichols was able to record himself, as well as others that he never managed to bring to a recording studio, but other musicians after him did. As a special bonus, also never released material by the Herbie Nichols Project, one of the bands that championed Nichols' music. The playlist also includes Paul Motian, Ted Nash, Dave Douglas, Heikki Sarmanto, Simon Nabatov, Duck Baker, Roswell Rudd, Misha Mengelberg, Steve Lacy, Pietro Tonolo, Flavio Boltro, Emmanuel Bex, Joe Chambers, Lucas Gillan, Ben Allison, Mal Waldron, Buell Neidlinger, Geri Allen, Charlie Haden, Paul Motian, The Mary Lou Williams Collective, Matt Wilson, Simon Nabatov. Detailed playlist available at https://spinitron.com/RFB/pl/9934856/Mondo-Jazz (up to Duck Baker)

Team Human
Vinnie Colaiuta "Rhythm is Life"

Team Human

Play Episode Listen Later Oct 30, 2019 61:11


Playing for Team Human today, drummer and session musician, Vinnie Colaiuta.Vinnie joins Team Human to discuss the art of listening, collaborating, and celebrating the imperfection that makes music a human art. Douglas and Vinnie explore the difference between making music together, the biases of music-production technology, what Vinnie has learned from working artists like Frank Zappa, the importance of flow-state, and what it is like to be one of the most in-demand studio musicians.—Vinnie Colaiuta is an award-winning drummer based in Los Angeles. He famously worked for Frank Zappa as his principal drummer for studio and live performances. His performances on Zappa's albums Tinsel Town Rebellion, Joe's Garage and Shut Up 'n Play Yer Guitar are considered by many drummers to be among the most astounding ever recorded. Joe's Garage was named one of the top-25 drumming performances of all time in a 1993 Modern Drummer article.After leaving Zappa, Colaiuta went on to work with a long list of notable rock and pop artists, including Sting, Gino Vannelli, Joni Mitchell, Barbra Streisand, Sandy & Junior, Clannad, Wang Chung, Chaka Khan, and Jeff Beck. He has also appeared with many notable jazz musicians, including Chick Corea, Herbie Hancock, Jimmy Haslip, Quincy Jones, the Buddy Rich Big Band and Buell Neidlinger.— Find out more about Vinnie’s work at: https://breakfastwithvinnie.com/Find about all of our guests, listen to past shows & discover live events at http://teamhuman.fmYou can read written versions of Douglas Rushkoff’s show monologues at Medium: https://medium.com/@rushkoff — Support Us — Team Human is made possible thanks to the generous support of our listeners on Patreon. On Patreon: http://patreon.com/teamhuman Become a Contributing Subscriber: TeamHuman.fmReview the show on Apple Podcasts!— Follow Team Human Show —Twitter: http://twitter.com/teamhumanshowInstagram: http://instagram.com/teamhumanshow Medium: http://medium.com/teamhuman#TeamHumanShow #FindTheOthers— Follow Douglas Rushkoff — Twitter: http://twitter.com/rushkoff Medium: https://medium.com/@rushkoff Instagram: http://instagram.com/douglasrushkoff Facebook: https://facebook.com/rushkoff/ LinkedIn: https://www.linkedin.com/in/rushkoff/ — Credits — Hosted by Douglas RushkoffProduced by Josh ChapdelaineAudio Edited & Mixed by Luke Robert Mason Music by Fugazi (On this Episode you heard “Foreman’s Dog” in the intro - thanks to the kindness of the band and Dischord Records.)Special thanks to Stephen Bartolomei who is busy drumming to his own beat.Team Human is a Production of the Laboratory for Digital Humanism at Queens CUNY. See acast.com/privacy for privacy and opt-out information.

Jazz in un giorno d'estate
Verona 1980-88: Bill Dixon, Gerald Wilson, John Zorn, Buell Neidlinger

Jazz in un giorno d'estate

Play Episode Listen Later Aug 18, 2019 29:37


Jazz in un giorno d'estate del lun 19/08/19

Jazz in un giorno d'estate
Verona 1980-88: Bill Dixon, Gerald Wilson, John Zorn, Buell Neidlinger

Jazz in un giorno d'estate

Play Episode Listen Later Aug 18, 2019 29:37


Jazz in un giorno d'estate del lun 19/08

AAONTHEBEAT
Marty Krystall Interview

AAONTHEBEAT

Play Episode Listen Later Jan 25, 2019 117:21


Alexander sits down at the home of Marty Krystall to talk about his career in the L.A. scene as a season musician. Marty speaks on his work with Buell Neidlinger, Charlie Haden, Frank Zappa, and a session with Quincy Jones.

Jazz Anthology
Steve Lacy (4)

Jazz Anthology

Play Episode Listen Later Nov 5, 2018 59:34


A cavallo fra anni cinquanta e sessanta la rete di rapporti e di collaborazoni di Steve Lacy è sorprendentemente estesa e qualificata: Gil Evans, Cecil Taylor, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Monk, Roswell Rudd, Don Cherry. Nel '60 Lacy fa parte del quartetto di Jimmy Giuffre: molta parte del repertorio è costituita da composizioni di Monk. Ha occasione di ascoltarli lo stesso Monk, che quando poi decide di allargare il suo gruppo chiama Lacy a farne parte. Lacy stringe amicizia - come quello con Waldron un rapporto destinato a durare nei decenni - con il trombonista Roswell Rudd: con lui nel '61 Lacy monta un quartetto che si focalizza su Monk. Nel gennaio del '61 Lacy e Rudd sono chiamati da Buell Neidlinger a partecipare alla seduta di incisione da cui nasce l'album New York City R'n'B, con Taylor al pianoforte. Nel novembre, in quartetto con Don Cherry alla tromba, Lacy incide un album dal titolo monkiano, Evidence.

Jazz Anthology
Steve Lacy (4)

Jazz Anthology

Play Episode Listen Later Nov 4, 2018 59:34


A cavallo fra anni cinquanta e sessanta la rete di rapporti e di collaborazoni di Steve Lacy è sorprendentemente estesa e qualificata: Gil Evans, Cecil Taylor, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Monk, Roswell Rudd, Don Cherry. Nel '60 Lacy fa parte del quartetto di Jimmy Giuffre: molta parte del repertorio è costituita da composizioni di Monk. Ha occasione di ascoltarli lo stesso Monk, che quando poi decide di allargare il suo gruppo chiama Lacy a farne parte. Lacy stringe amicizia - come quello con Waldron un rapporto destinato a durare nei decenni - con il trombonista Roswell Rudd: con lui nel '61 Lacy monta un quartetto che si focalizza su Monk. Nel gennaio del '61 Lacy e Rudd sono chiamati da Buell Neidlinger a partecipare alla seduta di incisione da cui nasce l'album New York City R'n'B, con Taylor al pianoforte. Nel novembre, in quartetto con Don Cherry alla tromba, Lacy incide un album dal titolo monkiano, Evidence.

Jazz Anthology
Steve Lacy (4)

Jazz Anthology

Play Episode Listen Later Nov 4, 2018 59:34


A cavallo fra anni cinquanta e sessanta la rete di rapporti e di collaborazoni di Steve Lacy è sorprendentemente estesa e qualificata: Gil Evans, Cecil Taylor, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Monk, Roswell Rudd, Don Cherry. Nel '60 Lacy fa parte del quartetto di Jimmy Giuffre: molta parte del repertorio è costituita da composizioni di Monk. Ha occasione di ascoltarli lo stesso Monk, che quando poi decide di allargare il suo gruppo chiama Lacy a farne parte. Lacy stringe amicizia - come quello con Waldron un rapporto destinato a durare nei decenni - con il trombonista Roswell Rudd: con lui nel '61 Lacy monta un quartetto che si focalizza su Monk. Nel gennaio del '61 Lacy e Rudd sono chiamati da Buell Neidlinger a partecipare alla seduta di incisione da cui nasce l'album New York City R'n'B, con Taylor al pianoforte. Nel novembre, in quartetto con Don Cherry alla tromba, Lacy incide un album dal titolo monkiano, Evidence.

Jazz Anthology
Steve Lacy (3)

Jazz Anthology

Play Episode Listen Later Oct 29, 2018 59:50


Nell'ottobre del '58 Lacy incide il suo secondo album personale, ancora con Buell Neidlinger al contrabbasso ma con Elvin Jones alla batteria e con al pianoforte Mal Waldron, con cui Lacy ha avviato un sodalizio destinato a durare nei decenni successivi. Intitolato Reflections, l'album è interamente consacrato a composzioni di Monk, a cui Lacy è stato iniziato da Cecil Taylor: Waldron è all'epoca tra i rari pianisti a nutrire una grande passione per Monk, e questa passione cementa l'amicizia fra lui e Lacy. Nel '59 ci sono solo alcune incisioni di Lacy con due ampie formazioni di Gil Evans, all'inizio dell'anno. Per ritrovare Lacy in studio di incisione bisogna aspettare il novembre del '60 quando Lacy registra il suo terzo album personale, sempre in quartetto, ma questa volta senza pianoforte, con Charles Davis al sax baritono e con John Ore e Roy Haynes, che in quel momento sono il bassista e il batterista di Monk: l'album esce con il titolo The Straight Horn of Steve Lacy.

Jazz Anthology
Steve Lacy (3)

Jazz Anthology

Play Episode Listen Later Oct 28, 2018 59:50


Nell'ottobre del '58 Lacy incide il suo secondo album personale, ancora con Buell Neidlinger al contrabbasso ma con Elvin Jones alla batteria e con al pianoforte Mal Waldron, con cui Lacy ha avviato un sodalizio destinato a durare nei decenni successivi. Intitolato Reflections, l'album è interamente consacrato a composzioni di Monk, a cui Lacy è stato iniziato da Cecil Taylor: Waldron è all'epoca tra i rari pianisti a nutrire una grande passione per Monk, e questa passione cementa l'amicizia fra lui e Lacy. Nel '59 ci sono solo alcune incisioni di Lacy con due ampie formazioni di Gil Evans, all'inizio dell'anno. Per ritrovare Lacy in studio di incisione bisogna aspettare il novembre del '60 quando Lacy registra il suo terzo album personale, sempre in quartetto, ma questa volta senza pianoforte, con Charles Davis al sax baritono e con John Ore e Roy Haynes, che in quel momento sono il bassista e il batterista di Monk: l'album esce con il titolo The Straight Horn of Steve Lacy.

Jazz Anthology
Steve Lacy (3)

Jazz Anthology

Play Episode Listen Later Oct 28, 2018 59:50


Nell'ottobre del '58 Lacy incide il suo secondo album personale, ancora con Buell Neidlinger al contrabbasso ma con Elvin Jones alla batteria e con al pianoforte Mal Waldron, con cui Lacy ha avviato un sodalizio destinato a durare nei decenni successivi. Intitolato Reflections, l'album è interamente consacrato a composzioni di Monk, a cui Lacy è stato iniziato da Cecil Taylor: Waldron è all'epoca tra i rari pianisti a nutrire una grande passione per Monk, e questa passione cementa l'amicizia fra lui e Lacy. Nel '59 ci sono solo alcune incisioni di Lacy con due ampie formazioni di Gil Evans, all'inizio dell'anno. Per ritrovare Lacy in studio di incisione bisogna aspettare il novembre del '60 quando Lacy registra il suo terzo album personale, sempre in quartetto, ma questa volta senza pianoforte, con Charles Davis al sax baritono e con John Ore e Roy Haynes, che in quel momento sono il bassista e il batterista di Monk: l'album esce con il titolo The Straight Horn of Steve Lacy.

Jazz Anthology
Steve Lacy (2)

Jazz Anthology

Play Episode Listen Later Oct 22, 2018 59:52


Nel luglio del '57 il quartetto di Cecil Taylor con Steve Lacy viene registrato dal vivo al festival di Newport. Sempre nel '57 Lacy incide alcuni brani con una compagine guidata da Gil Evans. Nel novembre del '57 Lacy è in studio in quartetto con Wynton Kelly al piano e la ritmica del quartetto di Taylor, Buell Neidlinger al contrabbasso e Dennis Charles alla batteria, per il primo album a suo nome, che uscirà con un titolo, Soprano Today, le cui ambizioni non saranno smentite dagli sviluppi successivi della carriera del sassofonista.

Jazz Anthology
Steve Lacy (2)

Jazz Anthology

Play Episode Listen Later Oct 21, 2018 59:52


Nel luglio del '57 il quartetto di Cecil Taylor con Steve Lacy viene registrato dal vivo al festival di Newport. Sempre nel '57 Lacy incide alcuni brani con una compagine guidata da Gil Evans. Nel novembre del '57 Lacy è in studio in quartetto con Wynton Kelly al piano e la ritmica del quartetto di Taylor, Buell Neidlinger al contrabbasso e Dennis Charles alla batteria, per il primo album a suo nome, che uscirà con un titolo, Soprano Today, le cui ambizioni non saranno smentite dagli sviluppi successivi della carriera del sassofonista.

Jazz Anthology
Steve Lacy (2)

Jazz Anthology

Play Episode Listen Later Oct 21, 2018 59:52


Nel luglio del '57 il quartetto di Cecil Taylor con Steve Lacy viene registrato dal vivo al festival di Newport. Sempre nel '57 Lacy incide alcuni brani con una compagine guidata da Gil Evans. Nel novembre del '57 Lacy è in studio in quartetto con Wynton Kelly al piano e la ritmica del quartetto di Taylor, Buell Neidlinger al contrabbasso e Dennis Charles alla batteria, per il primo album a suo nome, che uscirà con un titolo, Soprano Today, le cui ambizioni non saranno smentite dagli sviluppi successivi della carriera del sassofonista.

Prospettive Musicali
Prospettive Musicali di dom 08/04 (seconda parte)

Prospettive Musicali

Play Episode Listen Later Apr 7, 2018 58:37


a cura di Alessandro Achilli. Musiche di Jean-Luc Ponty, Cecil Taylor, Erik Satie, Nimal, Nicita-Scrignoli, Tiptons, Jessica Lurie, Sue Orfield Band, AcoustiHoo, Lucas Niggli, György Ligeti (seconda parte)

Prospettive Musicali
Prospettive Musicali di dom 08/04 (seconda parte)

Prospettive Musicali

Play Episode Listen Later Apr 7, 2018 58:37


a cura di Alessandro Achilli. Musiche di Jean-Luc Ponty, Cecil Taylor, Erik Satie, Nimal, Nicita-Scrignoli, Tiptons, Jessica Lurie, Sue Orfield Band, AcoustiHoo, Lucas Niggli, György Ligeti (seconda parte)

CiTR -- The Jazz Show
Broadcast on 18-Apr-2011

CiTR -- The Jazz Show

Play Episode Listen Later Apr 19, 2011 180:37


Pianist/composer Cecil Taylor is today recognized as one of the world foremost artists and has received many accolades and honours for his work. His music has always been on the cutting edge and sometimes a great challenge for the casual Jazz listener. Taylor, like that other Jazz iconoclast, Thelonious Monk suffered at the hands of the so-called "Jazz police". He was fired from gigs and booted off more than a few bandstands until he found a group of sympathetic players to work with. This early recording gives the average Jazz listener a clearer picture of Cecil Taylor's musical aims as he was still using the bass (Buell Neidlinger) and the drums (Dennis Charles) in a traditional manner and using 4/4 swing as the basis for his improvisations. He later abandoned that concept and played one on one rhythms and his music became more dense and challenging to the listener. This recording called "Looking Ahead" features Mr. Taylor with his two regular rhythm players plus the only appearance in record by the obscure vibist, Earl Griffith. Their interplay is unique and wonderful but sadly Griffith died not long after this session was completed in June of 1958. Five of the compositions are Taylor's and the ballad is Earl Griffith's composition called "African Violets". Among Taylor's tunes, a mention should go to the title of the last opus called "Excursion On A Wobbly Rail". If you've never heard Cecil Taylor's music before or shied away from it, this is a good place to start. Looking Ahead indeed!

CiTR -- The Jazz Show
Broadcast on 28-Dec-2009

CiTR -- The Jazz Show

Play Episode Listen Later Dec 29, 2009 180:37


Tonight's Feature is by clarinettist/tenor saxophonist Jimmy Giuffre. Giuffre was a musician who had a very wide range and was not restricted to any one style, yet everything he did was marked by a strong individual identity. This recording, done at the legendary New York club, The Five Spot, marked another change for Giuffre. Gone was the quiet, blues and folk based trio. This is a blowing date and Giuffre makes the most of it with this hand picked group of players. Jimmy's clarinet is featured on three tunes and even there the difference is apparent as Jimmy explores the instrument's full range rather than just the low register as he had done in the past. His tenor work is hard driving and intense and he obviously was listening to Rollins and Stitt. Jimmy is no slouch on tenor and he blows up a storm on three pieces. Jim Hall on guitar had just moved to New York and his fine work here foreshadows his work with Sonny Rollins the following year. Buell Neidlinger is strong on bass and shows that he can work in a "straight-ahead" context. Buell had been working with Cecil Taylor when this date was done. Billy Osborne was just one of the many fine and lesser known drummers around New York at the time. Billy played with everybody but never got on very many record dates. The same fate befell guys like Sir John Godfrey and Clarence "Scoby" Stroman and others. Billy also suffered a discographical error as he was listed as "Billy Higgins" in most books. Discographer Tom Lord corrected this .The tunes are two standards played on clarinet plus a Giuffre original called "The Quiet Time". The tenor tunes are Monk's "Wee See", Giuffre's "Two For Timbuktoo" and "The Crab". This rare date originally came out on Verve and was called "In Person". Enjoy another side of Jimmy Giuffre tonight.