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9 episodes with Jimmy Giuffre
3 episodes with Jimmy Giuffre
4 episodes with Jimmy Giuffre
3 episodes with Jimmy Giuffre
5 episodes with Jimmy Giuffre
2 episodes with Jimmy Giuffre
2 episodes with Jimmy Giuffre
2 episodes with Jimmy Giuffre
3 episodes with Jimmy Giuffre
In the 53rd episode of the ECM podcast the great saxophonist and composer Joe Lovano joins us to discuss his second recording alongside the Marcin Wasilewski trio “Homage”, which was produced by Manfred Eicher. Joe talks about the evolution of his work with the trio, about the heritage that this new album falls in line with. He also talks about ballads – how to not play something the way it looks – and much more.
Tonight's Jazz Feature spotlights a unique talent who explored various styles of Jazz throughout a long career. Jimmy Giuffre played all the saxophones and most famously, the clarinet. In his early years his clarinet style in which he focused on the lower register of the clarinet (the chalumeau register) was his unique achievement and hallmark. He later explored the clarinet's full register when he turned to more free form Jazz. Of the many styles he performed, tonight's Jazz Feature focuses on his first trio called The Jimmy Giuffre Three. It had Giuffre on tenor and baritone saxophones plus his low register clarinet with the great Jim Hall on guitar and bassist Ralph Pena. This living room sized band explored Giuffre's compositions and dipped into blues and folk music. It's first recording done in Los Angeles on December 3 & 4 1956 was an early masterpiece and issued by Atlantic Records. There was really nothing on the Jazz horizon like this music at this time and this album was greeted warmly by the critics and fans. Enjoy The Jimmy Giuffre Three as tonight's Jazz Feature.
durée : 00:59:30 - Um, Um, Um - par : Nathalie Piolé -
Sintonía: Brother Jack McDuff"The Quiet Time" y "The Crab", extraídas del álbum "In Person" (Verve Records, 1960) del saxofonista/clarinetista Jimmy Giuffre con su cuarteto"Hampton´s Pulpit", "Blues # 3", "Blues # 4" y "Groovin´ High" (Cortada), extraídas de los discos "All Night Session! Vol. 1" y "All Night Session! Vol. 2" (Contemporary Records, 1956) del pianista Hampton Hawes con su cuartetoEscuchar audio
The Jazz Session No.395 from RaidersBroadcast.com as aired in December 2024, featuring Frank Zappa's tremendous 1972 album “Waka/Jawaka”, in celebration of his birth date on 21st Dec. TRACK LISTING: Cheryl - Charlie Parker; Stop Over - Hideto Sasaki, Toshiyuki Sekine Quartet; Temptation Rag - Kenny Ball; Kansas City Stomp - Jelly Roll Morton; Big Swifty - Frank Zappa; Your Mouth - Frank Zappa; Straighten Up and Fly Right - Nat King Cole; Here, There and Everywhere - Brad Mehldau; Vashkar - The Tony Williams Lifetime; Para los Rumberos - Santana; A Country Boy - Herb Ellis and Jimmy Giuffre; The Changing World - George Benson; I Kiss Your Hand, Madame - Ray McKinley; Estrellia (Little Star) - Harry James & His Orchestra; It Just Might Be a One-Shot Deal - Frank Zappa; Waka/Jawaka - Frank Zappa; Don No More - Kenny Wheeler, w. John Dankworth; Brasilia (Lyric Suite for Sextet) - Chick Corea & Gary Burton; Dreams Come and Go Away - Lenny White; Don't Let the World Pass You By - Jean-Luc Ponty.
GERRY MULLIGAN “QUARTET WITH CHET BAKER” Los Angeles, August 29, 1952Bernie's tune, Lullaby of the leaves, Line for Lyons, My Funny ValentineChet Baker (tp) Gerry Mulligan (bar,arr) Bob Whitlock (b) Chico Hamilton (d) THE LIGHTHOUSE ALL-STARS “SUNDAY JAZZ AT THE LIGHTHOUSE” Hermosa Beach, CA, February 21, 1953Four others, Viva ZapataMaynard Ferguson, Shorty Rogers (tp) Milt Bernhart (tb) Bob Cooper, Jimmy Giuffre (ts) Frank Patchen (p) Howard Rumsey (b) Shelly Manne (d) Carlos Vidal (cga-1) CHICO HAMILTON “THE ORIGINAL QUINTET WITH BUDDY COLLETTE” Live “Strollers”, Long Beach, CA, November 11, 1955Tea for two, Fast fluteBuddy Collette (fl,as,ts,cl) Fred Katz (cello) Jim Hall (g) Carson Smith (b) Chico Hamilton (d) SHELLY MANNE “BOSS SOUNDS LIVE SHELLY'S MANNE-HOLE” Hollywood, CA, June 20, 1966Margie, The breeze and IConte Candoli (tp) Frank Strozier (as) Russ Freeman (p) Monty Budwig (b) Shelly Manne (d) Continue reading Puro Jazz 18 de noviembre, 2024 at PuroJazz.
GERRY MULLIGAN “QUARTET WITH CHET BAKER” Los Angeles, August 29, 1952Bernie's tune, Lullaby of the leaves, Line for Lyons, My Funny ValentineChet Baker (tp) Gerry Mulligan (bar,arr) Bob Whitlock (b) Chico Hamilton (d) THE LIGHTHOUSE ALL-STARS “SUNDAY JAZZ AT THE LIGHTHOUSE” Hermosa Beach, CA, February 21, 1953Four others, Viva ZapataMaynard Ferguson, Shorty Rogers (tp) Milt Bernhart (tb) Bob Cooper, Jimmy Giuffre (ts) Frank Patchen (p) Howard Rumsey (b) Shelly Manne (d) Carlos Vidal (cga-1) CHICO HAMILTON “THE ORIGINAL QUINTET WITH BUDDY COLLETTE” Live “Strollers”, Long Beach, CA, November 11, 1955Tea for two, Fast fluteBuddy Collette (fl,as,ts,cl) Fred Katz (cello) Jim Hall (g) Carson Smith (b) Chico Hamilton (d) SHELLY MANNE “BOSS SOUNDS LIVE SHELLY'S MANNE-HOLE” Hollywood, CA, June 20, 1966Margie, The breeze and IConte Candoli (tp) Frank Strozier (as) Russ Freeman (p) Monty Budwig (b) Shelly Manne (d) Continue reading Puro Jazz 18 de noviembre, 2024 at PuroJazz.
Tonight's Jazz Feature is an atypical recording by multi-instrumentalist/composer Jimmy Giuffre. He had been mostly associated with "West Coast Jazz" or "Cool Jazz", a style prominent in the 1950's that combined tight arrangements with Jazz solos. Giuffre in 1958 had gigged with his "folk Jazz" trio in New York and while there he was impressed with the harder, more emotionally outgoing Jazz of Thelonious Monk, Sonny Rollins and Art Blakey's Jazz Messengers and returned to L.A. where he was based a bit of a changed man as he wanted to be more outgoing and emotional in his playing. He had great technique on his horns, clarinet and tenor saxophone and changed his approach. Hence tonight's recording which is a quartet date with minimal arrangements and featuring Giuffre on his two horns backed by a solid rhythm section with the great Jimmy Rowles on piano, Red Mitchell on bass and Lawrence aka Larence Marable on drums. The album is a mix of standards and original simple compositions by Giuffre. It all adds up to a fine date representing a different approach to the music by a very talented man who left an amazing legacy of music of many styles. The Jimmy Giuffre Four: "Ad Lib" should be a treat for your ears.
Número 09.2024 de La Montaña Rusa que abrimos con el estupendo Dancing Together, nuevo trabajo del guitarrista Rami Atassi, publicado en 2023. Descubriremos juntos la música del pianista Dahveed Behroozi, a través de Echos, publicado en 2021. Nuestro Clásico de la Semana fue el gran Jimmy Giuffre junto a sus 3, en este inolvidable e icónico 1961, que recoge los álbumes Thesis y Fusion, publicados ese mismo año, junto a Paul Bley y Steve Swallow. Seguir leyendo La Montaña Rusa 09.2024. Rami Atassi. Davheed Behroozi. The Jimmy Giuffre 3. Mark Wade. Bévort 3. Luca Pincini & Gilda Butta. en La Montaña Rusa Radio Jazz.
MIKI YAMANAKA – SHADES OF RAINBOW Vancouver, BC, Canada, February 6, 2023That ain't Betty, Shades of rainbowMark Turner (ts) Miki Yamanaka (p,el-p,comp) Tyrone Allen (b) Jimmy Macbride (d) HERB ELLIS – MEETS JIMMY GUIFFREI Los Angeles, March 26, 1959Goose grease, When your lover has gone, Remember, You knowArt Pepper, Bud Shank (as) Richie Kamuca, Jimmy Giuffre (ts) Lou Levy (p) Herb Ellis (g) Jim Hall (rhythm-g) Joe Mondragon (b) Stan Levey (d) BAD PLUS & JOSHUA REDMAN – THE BAD PLUS/JOSHUA REDMAN Brooklyn, NY, July, 2012Dirty blonde, Silence is the question Joshua Redman (ts) Ethan Iverson (p) Reid Anderson (b) David King (d) Continue reading Puro Jazz 14 diciembre 2023 at PuroJazz.
Artistically ambitious, a rare woman in a male dominated scene, taking the road less travelled, or even the road never travelled, and with her feet well on the ground business-wise side to ensure her artistic independence, Carla Bley played a key role in giving today's music scene the shape we know. This week we concentrate on some of her signature compositions, focusing on her Church side, her Big Band side, her catchy side, her electric side, and some of the musicians that embraced her work early on. The playlist features Conjure, Kip Hanrahan; Orrin Evans; Howard Tate; Masabumi Kikuchi, Gil Evans; Espoo Big Band; George Russell; Jimmy Giuffre, Paul Bley, Steve Swallow; Jaco Pastorius, Pat Metheny, Paul Bley, Bruce Ditmas; and John McLaughlin. Detailed playlist at https://spinitron.com/RFB/pl/18060273/Mondo-Jazz [from "The Wardrobe Master of Paradise" onwards]
Feiern ja, aber keineswegs nur aus Nostalgie: die Basler Klezmerband Bait Jaffe weitet im 30. Jubiläumsjahr ihr Repertoire auf sephardische Lieder aus und geht so neue Wege. Auch der US-Saxofonist Joshua Redman ist daran, sich neu zu erfinden. Auf seiner ersten Blue Note-Platte hat er mit Gabrielle Cavassa zum ersten Mal eine Sängerin dabei. Und: für sie habe er – auch das eine Première – einen Songtext geschrieben, erzählt Joshua Redman bei uns - live zu hören ist die gelungene Zusammenarbeit am diesjährigen Jazznojazz Festival. Ausserdem gibt in Jazz und World Aktuell das «Fee Fi Fo Fum Festival» am rechten Zürichseeufer zu reden. Und: wir nehmen Abschied von der grossen Pianistin und Komponistin Carla Bley. (00:00:44) Samara Joy (00:02:50) Joshua Redman Group («Where Are We») (00:21:55) FFFF Festival: Driftwood Quartett (00:26:30) FFFF Festival: Lukas Mantel Quintett+ (00:35:00) 30 Jahre Bait Jaffe & «Sephardim» (00:51:18) RIP Carla Bley Vorgestellte CDs: * Samara Joy: Linger Awhile | Label: UMI/Verve (2023) * Joshua Redman Group feat. Gabrielle Cavassa: Where Are We | Label: Blue Note (2023) * Driftwood Quartet: Litha | Label: Double Moon Records (2023) * Lukas Mantel Quintet feat. Joke Lanz and Isa Wiss: Happy Parasite | Label: Rabbit Hill Records (2023) * Bait Jaffe Klezmer Orchestra feat. Ana María Pérez Jiménez: Sephardim | Label: Jetfire Records (2023) * Jimmy Giuffre 3: 1961 | Label: ECM (1992) * Carla Bley Orchestra: Escalator Over the Hill | Label: ECM (1998) * Carla Bley and Steve Swallow: Are We There Yet? | Label: Watt Works (1999)
Selections from two great LPs featuring Brookmeyer playing valve trombone with a rhythm section (including future composer John Williams on piano!) and a blended group using some of Jimmy Giuffre's musicians - Jimmy Raney, Jim Hall, Bill Crow and Osie Johnson --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Live and studio recordings by the Second Herd, 2.0....Getz, Sims and Steward were gone, replaced by Gene Ammons, Jimmy Giuffre and Buddy Savitt, but Serge Chaloff is still there, along with Ernie Royal, Earl Swope, Lou Levy, Terry Gibbs, Shorty Rogers and a guest appearance by Nat "King" Cole - progressive 1949 big band music! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
A cura di Gigi Longo. Musiche: Ahmad Jamal, Stanley Cowell Trio, Charles Rouse, The Jimmy Giuffre 3,Shamek Farrah, Keith Jarrett, Gary Burton Quartet, Freddie Hubbard.
Live and studio recordings by the Second Herd, 2.0....Getz, Sims and Steward were gone, replaced by Gene Ammons, Jimmy Giuffre and Buddy Savitt, but Serge Chaloff is still there, along with Ernie Royal, Earl Swope, Lou Levy, Terry Gibbs, Shorty Rogers and a guest appearance by Nat "King" Cole - progressive 1949 big band music! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Tonight's show: Horace Henderson, Benny Carter with Cootie Williams, Bob Gordon & Jack Montrose, The Jimmy Giuffre 3, Bill Evans with Scott LaFaro & Paul Motian, Ella Fitzgerald, Duke Ellington, Ben Webster, Jimmy McGriff, Count Basie, Jack Sheldon, Gerry Mulligan with Dave Brubeck, Larry McKenna, and Birelli Lagrene.
Here's an interesting album in my dad's collection. It is filled with stars of the jazz era. It's from a special recording session for a TV show that went live a couple days later. As we'll find out, that show was groundbreaking. So get ready to hear an all-star list of who's who of jazz in the late 1950s with Volume 121: Jazz Sounds. Credits and copyrights Various – The Sound Of Jazz Label: Columbia – CL 1098 Format: Vinyl, LP, Album, Promo, Mono Released: 1958 Genre: Jazz Style: Big Band, Swing Red Allen All-Stars – Wild Man Blues Written-By – Jelly Roll Morton and Louis Armstrong Billie Holiday With Mal Waldron And All-Stars–Fine And Mellow Written-By – Billie Holiday Pee Wee Russell, Jimmy Giuffre, Danny Barker, Jo Jones – Blues Written by those musicians Count Basie With All-Stars – I Left My Baby Written-By – Andy Gibson, Count Basie, and Jimmy Rushing The Jimmy Giuffre Trio – The Train And The River Written-By – Jimmy Giuffre Count Basie All-Stars – Dickie's Dream Written-By – Count Basie, Lester Young I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.
Cool jazz and some bossa nova tonight: Miles Davis, the Jimmy Giuffre 3, Ella Fitzgerald, Chet Baker, Miles Davis, John Coltrane, Clare Fischer, Paul Desmond, Duke Ellington and His Orchestra & Johnny Hodges, Charlie Rouse, and Dave Brubeck.
Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, and play Jimmy Giuffre's "Four Brothers." In this Jazz Piano Lesson, you will:DiscoverThe Jimmy Giuffre Bebop Tune "Four Brothers"LearnChords Changes, Harmonic Function, Melody, and Fingerings for "Four Brothers"PlayMultiple patterns extracted from "Four Brothers" for developing classic jazz language to use when improvisingUse the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play Four Brothers.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to donate to JazzPianoSkills, you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show
Comenzamos con dos grandes clarinetistas de jazz tradicional como Buster Bailey y Edmond Hall. El clarinete se adapta mal al bebop hasta que llega Buddy de Franco. Y otros lo siguen en el jazz moderno, Jimmy Giuffre, Tony Scott y Eric Dolphy quien amplia el vocabulario del clarinete bajo. Hosted on Acast. See acast.com/privacy for more information.
Vi är tillbaka i grått igen! Denna gång med sällskap av en utbildad kompositör och "friend of the pod", nämligen Corinne Dominique. Vi hör såklart på hennes egen musik och diskuterar livets stora frågor, såsom "vad har musikbranschen för roll idag?" och "finns det egentligen något fetare än en fjompig synt och en koskälla i exakt rätt ögonblick?" Eftersom en hel sommar har förflutit, går vi också igenom våra respektive musiksomrar; Robert har varit på Gefle Metal och sett såväl den forne poddgästen Uffe Cederlund som diverse rutinerade black metal-farbröder, Corinne har sett Mitski och Sungazer och Loves sommar har - lämpligt nog - gått i trädgårdarnas tecken. Vi hör dessutom Franska Trion och Joanna Newsom samt spårar in på laidback frijazz med Jimmy Giuffre och "är detta verkligen en symfoni??"-musik med Glenn Branca. Nu undrar förstås somliga: "Men är inte Corinne känd som Sveriges största Pugh-fan?" En del kalenderbitare kanske också lägger till: "Vad har hänt med de stående inslagen 'Love har gjort en låt' och 'Bisarra hörnan'?" Och som svar på dessa mycket berättigade frågor kan vi bara säga: vänta till nästa avsnitt! Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt
Vi är tillbaka i grått igen! Denna gång med sällskap av en utbildad kompositör och "friend of the pod", nämligen Corinne Dominique. Vi hör såklart på hennes egen musik och diskuterar livets stora frågor, såsom "vad har musikbranschen för roll idag?" och "finns det egentligen något fetare än en fjompig synt och en koskälla i exakt rätt ögonblick?" Eftersom en hel sommar har förflutit, går vi också igenom våra respektive musiksomrar; Robert har varit på Gefle Metal och sett såväl den forne poddgästen Uffe Cederlund som diverse rutinerade black metal-farbröder, Corinne har sett Mitski och Sungazer och Loves sommar har - lämpligt nog - gått i trädgårdarnas tecken. Vi hör dessutom Franska Trion och Joanna Newsom samt spårar in på laidback frijazz med Jimmy Giuffre och "är detta verkligen en symfoni??"-musik med Glenn Branca. Nu undrar förstås somliga: "Men är inte Corinne känd som Sveriges största Pugh-fan?" En del kalenderbitare kanske också lägger till: "Vad har hänt med de stående inslagen 'Love har gjort en låt' och 'Bisarra hörnan'?" Och som svar på dessa mycket berättigade frågor kan vi bara säga: vänta till nästa avsnitt!
The Retrogressive . . Bob Brookmeyer's albums Traditionalism Revisited and Kansas City Revisited from 1958 and 1959, featuring tunes associated with Louis Armstrong, King Oliver, Bix Beiderbecke, Jelly Roll Morton, Count Basie and Billie Holiday . .with Jimmy Giuffre, Jim Hall, Zoot Sims, Al Cohn, Paul Quinichette, Harry "Sweets" Edison, Hank Jones, Nat Pierce, Charlie Persip, Eddie Jones, Freddie Green and Big Miller --- Support this podcast: https://anchor.fm/john-clark49/support
The Jazz Session No.259 from RaidersBroadcast.com as aired in May 2022, featuring the classic 1965 Miles Davis album E.S.P. TRACK LISTING: Twisted Blues - Wes Montgomery; Remember - Herb Ellis & Jimmy Giuffre; Good Egg - Beyond Albedo [Sarah Heneghan]; Nothing Personal - Abbie Finn Trio; Eighty - One - Miles Davis; Iris - Miles Davis; Tomara - Paula Morelenbaum; Desafinado - Quincy Jones & His Orchestra; Tell It Like It Is - Art Blakey; Moanin' - Art Farmer; Nobody's Sweetheart - Fred Elizalde; Emperor Norton's Hunch - Merseysippi Jazz Band; Dreams Wide Awake - National Health; Pigling Bland - Soft Machine; E.S.P. - Miles Davis; Mood - Miles Davis; What a Little Moonlight Can Do - Ben Webster, Billie Holliday, w.Teddy Wilson Orch.; Rhythm and Romance - Ella Fitzgerald, Chick Webb & His Orchestra; Creation - Yaatri, ft. Beth Hetherington; Movement 1 - Floating Points & Pharoah Sanders, w. LSO.
Y llegamos, en este tercer episodio sobre el saxo tenor, al "sonido 4 hermanos" y al jazz de Costa Oeste. Esos años 50 y 60 y los grandes saxofonistas blancos. Allen Eager, Stan Getz, Zoot Sims, Al Cohn, Jimmy Giuffre. Y terminamos con un repaso del gigante Sonny Rollins.
Dieser Podcast ist online bis Montag. George Russell Sextet: Ezz-thetics (Riverside, Titel 1) John Coltrane: Chasin’ the Trane revisited (ezz-thetics, 4) Jimmy Giuffre 3: Graz live 1961 (ezz-thetics, 4) Paul Bley Trios: Touching & blood revisited (ezzthetics, 8) John Coltrane Quartet: Newport, New York, Alabama 1963 revisited (ezz-thetics, 4) Cecil Taylor: Mixed to unit structures… Read more (* Lumiere Time vom 17. April 2022
"Gruff" Jove Big Band Sedajazz: Eclèctic (Sedajazz Records, 2022) Fco. Blanco “Latino”, Juanito Saus, Roque Garcia, Xavi Maldonado, Angela Blanco, Aurora Blanco, Nino Villanueva, Jose Luis Rodrigo, Josep Peiró, Oscar Lujan, Laura Martí, Nur El Manchoud, David Martí, Juan Martí, Angel Ballester, Joan Fernandezm Albert Climent, Hadriel Benedito, Eva Serrano, Bernat Cucarella, Hugo Barrio, Mika Gimenez, Amin El Manchoud, Ximo Reillo, Jose Reillo. El tema es una composición de Perico Sambeat. ¿Sabías que? Jove Big Band Sedajazz es una formación que se crea a partir de la Sedajazz Kids Band. Es una formación de Big Band con veintitrés músicos, entre los que hay chicos y chicas de distintas edades. El grupo está dirigido, y muy bien, por Francisco Blanco Latino. En la grabación hay, además del tema de Perico Sambeat, versiones de temas de Charles Mingus, Oliver Nelson, Jimmy Giuffre (el clásico "Four Brothers"), Duke Ellington (el inmortal "Caravan"), Horace Silver o del director del grupo. El disco se grabó en las alquerías de Sedajazz los días 8 y 9 de mayo de 2021. El tema aparece en el disco con el título "Gruff". No obstante, en la tienda de Sedajazz se pueden comprar los arreglos para Big Band y en los vídeos disponibles en la web de la Jove Big Band Sedajazz: ambos se refieren al tema como "Gruf". En la tienda de Sedajazz refiriéndose a la partitura de "Gruf" se indica: es un tema de ritmo funk con subdivisión ternaria, con solos monocordes y reminiscencias del Soul y el hip hop. Es imprescindible que la sección rítmica se mueva fluida en el estilo. Profundamente enraizada en la más pura tradición de la big band, abre nuevos caminos hacia estilos más contemporáneos y funciona como fusión de estilos y puente entre generaciones. Sólo se me ocurre añadir: amén, porque el grupo a lo largo de todo el disco suena magníficamente. © Pachi Tapiz, 2022 Ver y escuchar Jove Big Band Sedajazz Eclèctic: "Nocturnal Flight" https://youtu.be/0imeDXZmlKE En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=61176 Más información sobre Jove Big Band Sedajazz https://www.jovebigbandsedajazz.com/en/home/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
Joe Rogan's fans, critics, and everyone in between have spent weeks hearing his name plastered on the news. On this week's On the Media, a look at the real lessons emerging from the debate about the debate. Plus, what Putin's attack on Russia's past might tell us about Ukraine's future. 1. Greg Bensinger [@GregBensinger], member of New York Times editorial board, Peter Kafka [@pkafka], host of the Vox podcast Recode Media, Andy Campbell [@AndyBCampbell], senior editor at HuffPost, and Tom Webster [@webby2001], senior vice president at Edison Research, on why we're all talking about Joe Rogan. Listen. 2. Jill Filipovic [@JillFilipovic], attorney and writer, on who holds responsibility for misinformation. Listen. 3. Gita Jackson [@xoxogossipgita], on the misguided defenses of Joe Rogan's racist comments. Listen. 4. OTM producer Molly Schwartz [@mollyfication], on Russia's newest effort to erase the past. Listen. Music: Blue Monk by Jimmy GiuffreAin't Misbehavin' by Hank JonesInvestigations by Kevin MacLeodI Am by India Arie Breathe by India ArieString Quartet No.5 (Philip Glass) by Kronos QuartetPeace Piece (Bill Evans) by Kronos Quartet
Tonight on Jazz After Dark: Billie Holiday, Benny Goodman, Ella Fitzgerald, Frank Sinatra with Harry James, all from 1938-9. Then Phineas Newborn Jr. and the All Stars, some soul jazz from The Jimmy Giuffre 3. Horace Silver, Art Pepper & George Cables, Dave Turner with Guido Basso, Stanley Jordan, Buddy DeFranco with Terry Gibbs, and The Duke Robillard Jazz Trio.
Avec le guitariste Jim Hall et le contrebassiste Ralph Pena, Jimmy Giuffre créa le trio le plus original des années 1950, revalorisant, selon le journaliste Philippe Carles, "les moeurs des péquenots américains et pauvres blancs du sud, ceux qu'on a découvert dans les récits de Steinbeck ou Saroyan". Retour sur ce jazz archaïque et totalement moderne via The Jimmy Giuffre Three et Western Suite, qui sonnèrent la révolution tout en douceur.
This episode kicks off a short series on unconventional trios, beginning with the Jimmy Guiffre 3, which had no drummer. Sounds Out of Time playlists and edited transcripts are available at: https://soundsoutoftime.substack.com.
The Jimmy Giuffre 3. The Easy Way, 1959. Portico Quartet. We Welcome Tomorrow, 2020. Juan Cortés. Jurepén, 2003. Rino Arbore. Temporary Life? 2021 Frank Martino. Ego Boost, 2020.
The Jimmy Giuffre 3. The Easy Way, 1959. Portico Quartet. We Welcome Tomorrow, 2020. Juan Cortés. Jurepén, 2003. Rino Arbore. Temporary Life? 2021 Frank Martino. Ego Boost, 2020.
The Jimmy Giuffre 3. The Easy Way, 1959. Portico Quartet. We Welcome Tomorrow, 2020. Juan Cortés. Jurepén, 2003. Rino Arbore. Temporary Life? 2021 Frank Martino. Ego Boost, 2020.
The Jimmy Giuffre 3. The Easy Way, 1959. Portico Quartet. We Welcome Tomorrow, 2020. Juan Cortés. Jurepén, 2003. Rino Arbore. Temporary Life? 2021 Frank Martino. Ego Boost, 2020.
Discópolis se convierte hoy en Discópolis jazz para ver cómo influyó el blues en el jazz moderno. Rescatamos un vinilo del sello Atlantic de 1961, que ha recibido numerosas reediciones. Se publicó en mono, se reconvirtió al estéreo seis años después, nos llegó a España en 1967, pasó sin pena ni gloria, pero en 1969 se relanzó en Europa y aquí volvimos a editarlo manteniendo el anterior número del Depósito Legal (M.5334-1967). El disco es más que sobresaliente, por eso lo pongo. En todas las ediciones se mantuvieron las notas de carpeta escritas por Gunther Schuller y la portada de Picasso. Sin embargo, los créditos detallados nunca se dieron a conocer en España. Aquí los tenéis en inglés. V.A. – The Blues in Modern Jazz: El Blues en el Jazz Moderno. Atlantic – HAT 421-03, Hispavox. España 1967. Portada de Pablo Picasso. Lista de Títulos: A1 Dizzy Gillespie– Just Blues Bass – Joe Benjamin Drums – Bill Clark Piano – Art Simmons Tenor Saxophone – Don Byas Written-By, Trumpet – Dizzy Gillespie Bass – Joe Benjamin Drums – Bill Clark Piano – Art Simmons Tenor Saxophone – Don Byas Written-By, Trumpet – Dizzy Gillespie 2:56 A2 Art Blakey's Jazz Messengers With Thelonious Monk– Blue Monk Bass – Spanky DeBrest Drums – Art Blakey Tenor Saxophone – Johnny Griffin Trumpet – Bill Hardman Written-By, Piano – Thelonious Monk Bass – Spanky DeBrest Drums – Art Blakey Tenor Saxophone – Johnny Griffin Trumpet – Bill Hardman Written-By, Piano – Thelonious Monk 7:49 A3 Lennie Tristano– Requiem Written-By, Piano – Lennie Tristano Written-By, Piano – Lennie Tristano 4:51 A4 Charles Mingus– Haitian Fight Song Alto Saxophone, Tenor Saxophone – Curtis Porter Drums – Dannie Richmond Piano – Wade Legge Trombone – Jimmy Knepper Written-By, Bass – Charles Mingus Alto Saxophone, Tenor Saxophone – Curtis Porter Drums – Dannie Richmond Piano – Wade Legge Trombone – Jimmy Knepper Written-By, Bass – Charles Mingus 7:09 B1 Milt Jackson– Blues At Twilight Bass – Oscar Pettiford Drums – Connie Kay Piano – Horace Silver Tenor Saxophone – Lucky Thompson Trumpet – Joe Newman Vibraphone [Vibraharp] – Milt Jackson Written-By – Quincy Jones Bass – Oscar Pettiford Drums – Connie Kay Piano – Horace Silver Tenor Saxophone – Lucky Thompson Trumpet – Joe Newman Vibraphone [Vibraharp] – Milt Jackson Written-By – Quincy Jones 6:46 B2 Ray Charles– Sweet Sixteen Bars Bass – Roosevelt Sheffield Drums – William Peeples Written-By, Piano – Ray Charles Bass – Roosevelt Sheffield Drums – William Peeples Written-By, Piano – Ray Charles 4:04 B3 Jimmy Giuffre– Two Kinds Of Blues Bass – Ralph Pena Guitar – Jim Hall Written-By, Clarinet – Jimmy Giuffre Bass – Ralph Pena Guitar – Jim Hall Written-By, Clarinet – Jimmy Giuffre 5:10 B4 The Modern Jazz Quartet– Bluesology Bass – Percy Heath Drums – Connie Kay Piano – John Lewis Written-By, Vibraphone [Vibraharp] – Milt Jackson. 5:04 Bonus, no incluidos en aquel elepé: Mongo Santamaria: Watermelon Man Miguel Rios: Blues de la soledad. Escuchar audio
Discópolis se convierte hoy en Discópolis jazz para ver cómo influyó el blues en el jazz moderno. Rescatamos un vinilo del sello Atlantic de 1961, que ha recibido numerosas reediciones. Se publicó en mono, se reconvirtió al estéreo seis años después, nos llegó a España en 1967, pasó sin pena ni gloria, pero en 1969 se relanzó en Europa y aquí volvimos a editarlo manteniendo el anterior número del Depósito Legal (M.5334-1967). El disco es más que sobresaliente, por eso lo pongo. En todas las ediciones se mantuvieron las notas de carpeta escritas por Gunther Schuller y la portada de Picasso. Sin embargo, los créditos detallados nunca se dieron a conocer en España. Aquí los tenéis en inglés. V.A. – The Blues in Modern Jazz: El Blues en el Jazz Moderno. Atlantic – HAT 421-03, Hispavox. España 1967. Portada de Pablo Picasso. Lista de Títulos: A1 Dizzy Gillespie– Just Blues Bass – Joe Benjamin Drums – Bill Clark Piano – Art Simmons Tenor Saxophone – Don Byas Written-By, Trumpet – Dizzy Gillespie Bass – Joe Benjamin Drums – Bill Clark Piano – Art Simmons Tenor Saxophone – Don Byas Written-By, Trumpet – Dizzy Gillespie 2:56 A2 Art Blakey's Jazz Messengers With Thelonious Monk– Blue Monk Bass – Spanky DeBrest Drums – Art Blakey Tenor Saxophone – Johnny Griffin Trumpet – Bill Hardman Written-By, Piano – Thelonious Monk Bass – Spanky DeBrest Drums – Art Blakey Tenor Saxophone – Johnny Griffin Trumpet – Bill Hardman Written-By, Piano – Thelonious Monk 7:49 A3 Lennie Tristano– Requiem Written-By, Piano – Lennie Tristano Written-By, Piano – Lennie Tristano 4:51 A4 Charles Mingus– Haitian Fight Song Alto Saxophone, Tenor Saxophone – Curtis Porter Drums – Dannie Richmond Piano – Wade Legge Trombone – Jimmy Knepper Written-By, Bass – Charles Mingus Alto Saxophone, Tenor Saxophone – Curtis Porter Drums – Dannie Richmond Piano – Wade Legge Trombone – Jimmy Knepper Written-By, Bass – Charles Mingus 7:09 B1 Milt Jackson– Blues At Twilight Bass – Oscar Pettiford Drums – Connie Kay Piano – Horace Silver Tenor Saxophone – Lucky Thompson Trumpet – Joe Newman Vibraphone [Vibraharp] – Milt Jackson Written-By – Quincy Jones Bass – Oscar Pettiford Drums – Connie Kay Piano – Horace Silver Tenor Saxophone – Lucky Thompson Trumpet – Joe Newman Vibraphone [Vibraharp] – Milt Jackson Written-By – Quincy Jones 6:46 B2 Ray Charles– Sweet Sixteen Bars Bass – Roosevelt Sheffield Drums – William Peeples Written-By, Piano – Ray Charles Bass – Roosevelt Sheffield Drums – William Peeples Written-By, Piano – Ray Charles 4:04 B3 Jimmy Giuffre– Two Kinds Of Blues Bass – Ralph Pena Guitar – Jim Hall Written-By, Clarinet – Jimmy Giuffre Bass – Ralph Pena Guitar – Jim Hall Written-By, Clarinet – Jimmy Giuffre 5:10 B4 The Modern Jazz Quartet– Bluesology Bass – Percy Heath Drums – Connie Kay Piano – John Lewis Written-By, Vibraphone [Vibraharp] – Milt Jackson. 5:04 Bonus, no incluidos en aquel elepé: Mongo Santamaria: Watermelon Man Miguel Rios: Blues de la soledad. Escuchar audio
Gli altri tre musicisti considerati sono tutti statunitensi. Bill Connors (1949) si è distinto per una musica che mescola a suo modo elementi acustici ed elettrici. Ha fatto parte dei Return to Forever, ha registrato per la ECM e lavorato con gente diversa quale Paul Bley, Jimmy Giuffre, Jan Garbarek, Stanley Clarke. Nel 2004, dopo lungo silenzio, ha pubblicato un nuovo album a suo nome.
1921 metų balandžio 26 dieną gimė amerikietis džiazo klarnetistas, saksofonininkas, fleitistas, kompozitorius, aranžuotojas ir vienas džiazo muzikos inovatorių Jimmy Giuffre. Per savo ilgą karjerą jis išbandė daugybę žanrų, nuo „coo“ iki laisvojo džiazo ir visuose juose buvo itin savitas. Jis pasiūlė naujus improvizacijos būdus, formas, kurios iš pradžių tapo įprastomis Europoje ir labai lėtai skynėsi kelią JAV. Jis subūrė legendinį trio su Steve‘u Swallow ir Paulu Bley, jis buvo pirmasis muzikantas, kurio įrašą prodiusavo, kurį pastebėjo būsimasis ECM kompanijos įkūrėjas ir vadovas Manfredas Eicheris. Deja, istorija Jimmy Giuffre primiršo. Antroje laidos dalyje – In memoriam vienam garsiausių XX amžiaus mecosopranų Christai Ludwig. Ved. Domantas Razauskas
durée : 00:55:15 - Jimmy Giuffre - par : Alex Dutilh - Le clarinettiste, flûtiste, saxophoniste et compositeur Jimmy Giuffre aurait eu 100 ans aujourd’hui (26 avril 1921). - réalisé par : Olivier Guérin
Sein moderner Jazz war cool und leise. Country, Blues und Kammermusik schwangen darin mit. Der amerikanische Klarinettist Jimmy Giuffre schuf eine eigene, fein verzahnte Klangwelt, oft ohne Schlagzeug, und trotzdem mit Groove. Ein Porträt zum 100. Geburtstag.
durée : 00:55:15 - Jimmy Giuffre - par : Alex Dutilh - Le clarinettiste, flûtiste, saxophoniste et compositeur Jimmy Giuffre aurait eu 100 ans aujourd’hui (26 avril 1921). - réalisé par : Olivier Guérin
Sintonía: "California Here I Come" - Jimmy Giuffree 3 "Trav´ Lin´ Light", "The Swamp People", "The Green Country (New England Mood)", "Pickin´ Em Up and Layin E" y "The Lonely Time", extraídas del álbum "Trav´ Lin´ Light" de Jimmy Giuffre 3 (1958) "Recado Bossa Nova Pt. 2", "Cano Canoe", "Contando a Orchestra", "Ciume", "Maria Ninguem" y "Barquinho de papel", extraídas del álbum "New Beat Bossa Nova" del saxofonista Zoot Sims (1962) Escuchar audio
Jazz pevka Ajda Stina Turek in vibrafonist Vid Jamnik sta diplomanta znamenite bostonske univerze Berklee College of Music. Sodelujeta v različnih zasedbah, doslej sta koncertirala tako na slovenskih odrih kot na Hrvaškem, v Bostonu in New Yorku, kjer sta nekaj časa tudi živela in ustvarjala. V studiu 13 sta predstavila naslednje skladbe: Strange Meadow Lark (Dave Brubeck, Iola Brubeck), Kostanjev drevored (Gašper Kržmanc, Matjaž Turek), Four brothers (Jimmy Giuffre), V melodiji večnega dueta (Ajda Stina Turek) in Rajska ptica (Boris Kovačič, Gregor Strniša).
The New Year is here and even bastards need a break now and then. So while Mike crosses the nation and gets back to laboring in education, Pat takes the baton to talk about some jazz releases from last year's three-part Record Store Day extravaganza, and to muse on jazz vinyl in general. Hate the black stuff? Don't worry - next episode the boys will be back in the saddle doing what they do best. Don Cherry – CHERRY JAM; Marion Brown – PORTO NORVO; Jimmy Giuffre – 3&4 THE NEW YORK CONCERTS; Jazz Sabbath – JAZZ SABBATH.
Don’t Give Me No Sugar Cubes When I started touring, Bill Cosby took over my room above the Gaslight. I was at The Village Gate opening up for Coleman Hawkins doing standup. Bob Dylan said, “You gotta come to the Gaslight.” He kicked Cosby out of the room to give it back to me. Cosby thought anytime I would offer him a drink it was filled with LSD. He was certain that everything that I touched turned into LSD. Who else thought that was Jose Feliciano. “Don’t give me no sugar cubes,” he used to say. The Golden Lion Once I got to New York, I established a gig at The Golden Lion in Hartford, Connecticut doing jazz and poetry. It was a hit; it was huge. Every Monday for years, Beatniks would line up around the block. I brought in people like Don Ellis, Jaki Byard, and Jimmy Giuffre. We got paid: that’s how I got these guys to come out. Every Monday was a payday. We would leave New York City and drive to Hartford and do it. I’m just a hippie poet in an altered space. “Space is the place,” said Sun Ra. --- Support this podcast: https://anchor.fm/jake-feinberg/support
Notes? There's only 12 of 'em! How much can you do with that? More to the point, is there a way to approach them that hasn't been worked to death already? Of course there is; there always is. But can you do it in a way that's passionate and sincere? Can you tell a story that's new and fascinating? Can you initiate a conversation that is cultivated and revealing? You can if your name is Matthew Shipp; he does that again and again and again. And who does Matt look to as one of his musical forebears? The names of Paul Bley, Steve Swallow and Jimmy Giuffre may not be household names these days (if they ever were) but they should be. I mean, they are in Matt's house, maybe yours too.
Sintonía: "Swing Shift" - Jimmy Giuffre "Lover Come Back to Me" - Lester Young; "Lestorian Mode" - Brew Moore; "Concentration" - Gene Ammons; "These Foolish Things" - Stan Getz; "One for Prez" - Wardell Gray; "Jane´s Bounce" - Allen Eager; "Coop´s Solo" - Bob Cooper; "Port of Rico" - Illinois Jacquet; "Passport to Pimlico" - Herbie Steward; "Ain´t Nothin´ Much" - Budd Johnson; "Sweet and Lovely" - Dexter Gordon; "Let´s Get Away From It" - Al Cohn; "Don´t Worry About Me" - Zoot Sims; "Out of Nowhere" - Henri Renaud; "I´m Shooting High" - Warne Marsh; "Fine and Dandy" - Sonny Stitt Escuchar audio
Notes? There's only 12 of 'em! How much can you do with that? More to the point, is there a way to approach them that hasn't been worked to death already? Of course there is; there always is. But can you do it in a way that's passionate and sincere? Can you tell a story that's new and fascinating? Can you initiate a conversation that is cultivated and revealing? You can if your name is Matthew Shipp; he does that again and again and again. And who does Matt look to as one of his musical forebears? The names of Paul Bley, Steve Swallow and Jimmy Giuffre may not be household names these days (if they ever were) but they should be. I mean, they are in Matt's house, maybe yours too.
Notes? There's only 12 of 'em! How much can you do with that? More to the point, is there a way to approach them that hasn't been worked to death already? Of course there is; there always is. But can you do it in a way that's passionate and sincere? Can you tell a story that's new and fascinating? Can you initiate a conversation that is cultivated and revealing? You can if your name is Matthew Shipp; he does that again and again and again. And who does Matt look to as one of his musical forebears? The names of Paul Bley, Steve Swallow and Jimmy Giuffre may not be household names these days (if they ever were) but they should be. I mean, they are in Matt's house, maybe yours too.
Notes? There's only 12 of 'em! How much can you do with that? More to the point, is there a way to approach them that hasn't been worked to death already? Of course there is; there always is. But can you do it in a way that's passionate and sincere? Can you tell a story that's new and fascinating? Can you initiate a conversation that is cultivated and revealing? You can if your name is Matthew Shipp; he does that again and again and again. And who does Matt look to as one of his musical forebears? The names of Paul Bley, Steve Swallow and Jimmy Giuffre may not be household names these days (if they ever were) but they should be. I mean, they are in Matt's house, maybe yours too.
Notes? There's only 12 of 'em! How much can you do with that? More to the point, is there a way to approach them that hasn't been worked to death already? Of course there is; there always is. But can you do it in a way that's passionate and sincere? Can you tell a story that's new and fascinating? Can you initiate a conversation that is cultivated and revealing? You can if your name is Matthew Shipp; he does that again and again and again. And who does Matt look to as one of his musical forebears? The names of Paul Bley, Steve Swallow and Jimmy Giuffre may not be household names these days (if they ever were) but they should be. I mean, they are in Matt's house, maybe yours too.
Notes? There's only 12 of 'em! How much can you do with that? More to the point, is there a way to approach them that hasn't been worked to death already? Of course there is; there always is. But can you do it in a way that's passionate and sincere? Can you tell a story that's new and fascinating? Can you initiate a conversation that is cultivated and revealing? You can if your name is Matthew Shipp; he does that again and again and again. And who does Matt look to as one of his musical forebears? The names of Paul Bley, Steve Swallow and Jimmy Giuffre may not be household names these days (if they ever were) but they should be. I mean, they are in Matt's house, maybe yours too.
Emmelyne Kemp was born in Chicago. She is a pianist, vocalist, bandleader, Broadway composer, actress, lecturer, and an American music researcher. She is a protégé of Eubie Blake. She is best known as a Broadway composer and actor for Bubbling Brown Sugar. Eubie Blake chose her to record his music on his EBM label. She performed her original songs on THE GUIDING LIGHT and CAPTAIN KANGAROO, appeared on ENTERTAINMENT TONIGHT and OH BOY, BABIES! on NBC. In Woody Allen's film, SWEET AND LOWDOWN, Emme is shown in jam session scenes with Sean Penn. She has appeared in Dick Hyman's Jazz in July series at the 92nd Street Y, the Schomberg Center's Women in Jazz Festival, and received an Audelco Pioneer Award for her theatre contributions. This former piano prodigy, three-year military woman and international artist was commissioned through the Chicago Defender to create her Echoes Out of Time theatre piece, received a National Endowment for the Arts award as well as awards from IWJ and the NAB&P Women. An American music researcher, Ms. Kemp studied at Northwestern University, Berklee College of Music and New York University. She played at Carnegie Hall with the NYU Jazz Ensemble under Jimmy Giuffre and has appeared on numerous college campuses and at festivals. Emme's lectures and writings form a significant overview of popular culture. "...one of the most accomplished female multitalented artists in the business." - BALTIMORE SUN http://wijsf.org Emme Kemp
Jimmy Giuffre, Lee Konitz – Cork ‘N Bib – 9:54 Tineke Postma – Heart to Heart – 8:00 Jimmy McGriff
Sydney based Guitarist, Composer and Educator, Dave De Vries, spoke with David Moyle about his Debut Album – Short Stories. Avant-Guarde Jazz pioneer Jimmy Giuffre was a musician who Dave was enthused with – so […] http://media.rawvoice.com/joy_bentnotes/p/joy.org.au/bentnotes/wp-content/uploads/sites/107/2020/01/Dave-de-Vries-20200112.mp3 Podcast: Play in new window | Download (Duration: 12:13 — 16.8MB) | Embed Subscribe or Follow Us: Apple Podcasts | Android | Email | Google Podcasts | Spotify | RSS The post Dave De Vries’ Short Stories appeared first on Bent Notes.
Iniciamos un nuevo monográfico y en esta ocasión dedicado a una de las mas geniales compositoras del siglo XX: Carla Bley Una mujer genial, trabajadora y muy inteligente que supo lidiar con todas las dificultades que suponia en el pasado siglo XX estar al frente de grandes bandas con mayoría de hombres. Compositora destacada - además de pianista y organista -, ya en sus inicios cedió a su primer marido, el fabuloso pianista Paul Bley, un buen numero de composiciones, así como a otros colegas de su misma generacion. En esta primera parte dedicaremos atención a esos primeras composiciones, interpretadas por otros músicos, como Paul Bley, George Russell o Jimmy Giuffre, para despues adentrarnos ya en su faceta como lider de todo tipo de ensembles, prestando una especial atención a su album debut, Escalator over the hill, toda una ópera jazz en la que contó con un buen número de instrumentistas llegados tanto del jazz como del rock. En esta parte hemos contado con la inestimable participación del miembro del equipo de Subterranea Carles Pinós. En la última sección del programa hemos continuado repasando algunos de sus mejores discos de la década de los 70, trabajos como 'Tropic Apettites' , 'Dinner Music' o 'Musique Mecanique'.
In this episode, we bring you Jim Hall, Jimmy Giuffre, and Jimmy Cleveland.
"The Teddy Charles Tentet" is a seminal recording by a short-lived group led by vibist/composer Teddy Charles. This band stole the show at the 1955 Newport Jazz Festival and went onto several gigs and concerts in the Fall of 1955. Teddy Charles signed with Atlantic Records and took the band into the studio to make this recording in January 1956. The idea of the band was to combine writing and improvising and it worked! The people involved are Art Farmer on trumpet, Gigi Gryce on alto saxophone, J.R.Monterose on tenor saxophone, and either Saul Schlinger or George Barrow on baritone saxophone, Don Butterfield on tuba, Mal Waldron on piano, Jimmy Raney on guitar, Teddy Kotick on bass and Joe Harris on drums and of course Teddy Charles on vibes. We'll hear compositions by Teddy Charles, Mal Waldron, Jimmy Giuffre and George Russell and an arrangement of a standard by Gil Evans. Rich and varied and classic. This album is listed in the 100 Essential Jazz Albums. It's our Jazz feature this evening.
A cavallo fra anni cinquanta e sessanta la rete di rapporti e di collaborazoni di Steve Lacy è sorprendentemente estesa e qualificata: Gil Evans, Cecil Taylor, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Monk, Roswell Rudd, Don Cherry. Nel '60 Lacy fa parte del quartetto di Jimmy Giuffre: molta parte del repertorio è costituita da composizioni di Monk. Ha occasione di ascoltarli lo stesso Monk, che quando poi decide di allargare il suo gruppo chiama Lacy a farne parte. Lacy stringe amicizia - come quello con Waldron un rapporto destinato a durare nei decenni - con il trombonista Roswell Rudd: con lui nel '61 Lacy monta un quartetto che si focalizza su Monk. Nel gennaio del '61 Lacy e Rudd sono chiamati da Buell Neidlinger a partecipare alla seduta di incisione da cui nasce l'album New York City R'n'B, con Taylor al pianoforte. Nel novembre, in quartetto con Don Cherry alla tromba, Lacy incide un album dal titolo monkiano, Evidence.
A cavallo fra anni cinquanta e sessanta la rete di rapporti e di collaborazoni di Steve Lacy è sorprendentemente estesa e qualificata: Gil Evans, Cecil Taylor, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Monk, Roswell Rudd, Don Cherry. Nel '60 Lacy fa parte del quartetto di Jimmy Giuffre: molta parte del repertorio è costituita da composizioni di Monk. Ha occasione di ascoltarli lo stesso Monk, che quando poi decide di allargare il suo gruppo chiama Lacy a farne parte. Lacy stringe amicizia - come quello con Waldron un rapporto destinato a durare nei decenni - con il trombonista Roswell Rudd: con lui nel '61 Lacy monta un quartetto che si focalizza su Monk. Nel gennaio del '61 Lacy e Rudd sono chiamati da Buell Neidlinger a partecipare alla seduta di incisione da cui nasce l'album New York City R'n'B, con Taylor al pianoforte. Nel novembre, in quartetto con Don Cherry alla tromba, Lacy incide un album dal titolo monkiano, Evidence.
A cavallo fra anni cinquanta e sessanta la rete di rapporti e di collaborazoni di Steve Lacy è sorprendentemente estesa e qualificata: Gil Evans, Cecil Taylor, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Monk, Roswell Rudd, Don Cherry. Nel '60 Lacy fa parte del quartetto di Jimmy Giuffre: molta parte del repertorio è costituita da composizioni di Monk. Ha occasione di ascoltarli lo stesso Monk, che quando poi decide di allargare il suo gruppo chiama Lacy a farne parte. Lacy stringe amicizia - come quello con Waldron un rapporto destinato a durare nei decenni - con il trombonista Roswell Rudd: con lui nel '61 Lacy monta un quartetto che si focalizza su Monk. Nel gennaio del '61 Lacy e Rudd sono chiamati da Buell Neidlinger a partecipare alla seduta di incisione da cui nasce l'album New York City R'n'B, con Taylor al pianoforte. Nel novembre, in quartetto con Don Cherry alla tromba, Lacy incide un album dal titolo monkiano, Evidence.
At the end of 2017 ECM Records, long a holdout against streaming, finally released its entire catalog online. Two ECM artists, guitarist Young and clarinetist Rothenberg, picked ten lesser-known tracks from the vast assembly of jazz, improvisation, and world music releases on the label to share with listeners and to discuss. Is there a definite ECM sound? Is that a myth? How does this music fit into our contemporary oversaturated landscape?
Eines Abends hörte Christian Brückner im Radio den Song "The Green Country" von Jimmy Giuffre. Beeindruckt von der Intimität und Intensität der Musik fing er an, sich mit Jazz zu beschäftigen.
It’s the first episode, the first steps of Mondo Jazz. So let’s start this show with some music about walking and moving forward, strolling and strutting, leaping and loping, going through life and death? PLAYLIST INCLUDES Herbie Nichols, Joe Harriott, Honi Gordon, Clusone Trio, Michael Blake, Benny Carter, Leo Parker, Jimmy Giuffre, Louis Armstrong, The Meters, Frank Zappa, Jackie McLean, Danilo Perez, Lack of Afro, Soul Coughing, Raymond Scott, Wynton Marsalis, Donald Byrd, Ted Nash, The Harlem Experiment, Guillaume Perret, Tuatara Full playlist at https://spinitron.com/radio/playlist.php?station=rfb&sv=l&playlist=5313#here
En HDO 145 suenan temas de Paul Bley: Four Classic Albums (AvidJazz, 2016; 2CD). Este doble CD incluye las siguientes grabaciones en las que participó este gigante de las 88 teclas que nos dejó a principios de 2016: Paul Bley Trio: Introducing (1953) / Paul Bley: Paul Bley (1954) / The Paul Bley Quartet featuring Dave Pikes, vibes: Solemn Meditation (1957) / Jimmy Giuffre 3: Fusion (1961). Pachi Tapiz, 2016. HDO es un podcast editado, producido y presentado por Pachi Tapiz. Toda la información de HDO 145 en http://www.tomajazz.com/web/?p=25342. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298
Tonight The Jazz Show celebrates the birthday of Theodore Charles Cohen better known as Teddy Charles. Teddy began his career as a drummer but became and accomplished pianist and writer and perfected what was to become his main instrument, the vibraphone (vibes). Teddy formed this band called simply "The Teddy Charles Tentet" in mid 1955. They triumphed at the Newport Jazz Festival in that year and Teddy was able to keep the band working with very few personnel changes. They went into Atlantic Record's studio in January of 1956 and recorded what is arguably Teddy's most important album and non-arguably a "desert Island" Jazz classic. The Tentet is made up of Art Farmer on trumpet, Gigi Gryce on alto, J.R.Monterose on tenor and George Barrow or Sol Schlinger on baritone. Don Butterfield on tuba, Jimmy Raney on guitar, Mal Waldron on piano, Teddy Kotick on bass and Joe Harris on drums and of course Mr. Teddy Charles on vibes. There are two compositions and one arrangement of a standard by Teddy and one composition each by Mal Waldron, Jimmy Giuffre, Gil Evans and George Russell. All in all one of the essential Modern Jazz recordings and a good way to say Happy Birthday to Teddy Charles!
A un anno dalla sua scomparsa, dedichiamo la sesta puntata al grande chitarrista Jim Hall, spaziando dal celebre concerto di Ella Fitzgerald a Berlino nel 1960 ai duetti registrati con Bill Frisell nel 2008. Ci sono Ron Carter, Jimmy Giuffre, Itzhak Perlman e ovviamente Bill Evans, di cui riveliamo le capacità culinarie.
El trompetista Dave Douglas forma parte del proyecto Riverside de homenaje al saxofonista y clarinetista Jimmy Giuffre. En él están igualmente los hermanos Doxas, Chet (sx) y Jim (bt), y el bajista Steve Swallow. En esta edición de "Club de Jazz" del 18 de junio de 2014 escuchamos este nuevo trabajo y aprovechamos para recuperar algunas grabaciones de Jimmy Giuffre tanto de su trío con Bob Brookmeyer (tb) y Jim Hall (gt), como del que mantuvo con Paul Bley (p) y Steve Swallow (b). Precisamente a la música de este último dedica su nuevo trabajo el baterista Gonzalo del Val junto a su Electric Quartet. En el "Jazz Porteño" de Alberto Varela, el piano de Pablo Ziegler le propone a Joe Lovano acercarse al tango. Con Jesús Moreno avanzamos "desde mi cadiera" la gira del trío MUT y una actuación de los trompetistas Pol Padrós, Iván Sánchez e Iván González, miembros del Free Art Ensemble y alguno de ellos de Avantbrass, que presenta "Filum Terminale". En los "Ritmos Latinos" de ANxo, la música de María Xosé Silvar, SES de nombre artístico. Y cerramos con Racalmuto, la banda madrileña que rinde tributo a Raymond Scott y que vuelve con "De nuevo en el infierno". Toda la información y derechos: http://www.elclubdejazz.com
El trompetista Dave Douglas forma parte del proyecto Riverside de homenaje al saxofonista y clarinetista Jimmy Giuffre. En él están igualmente los hermanos Doxas, Chet (sx) y Jim (bt), y el bajista Steve Swallow. En esta edición de "Club de Jazz" del 18 de junio de 2014 escuchamos este nuevo trabajo y aprovechamos para recuperar algunas grabaciones de Jimmy Giuffre tanto de su trío con Bob Brookmeyer (tb) y Jim Hall (gt), como del que mantuvo con Paul Bley (p) y Steve Swallow (b). Precisamente a la música de este último dedica su nuevo trabajo el baterista Gonzalo del Val junto a su Electric Quartet. En el "Jazz Porteño" de Alberto Varela, el piano de Pablo Ziegler le propone a Joe Lovano acercarse al tango. Con Jesús Moreno avanzamos "desde mi cadiera" la gira del trío MUT y una actuación de los trompetistas Pol Padrós, Iván Sánchez e Iván González, miembros del Free Art Ensemble y alguno de ellos de Avantbrass, que presenta "Filum Terminale". En los "Ritmos Latinos" de ANxo, la música de María Xosé Silvar, SES de nombre artístico. Y cerramos con Racalmuto, la banda madrileña que rinde tributo a Raymond Scott y que vuelve con "De nuevo en el infierno". Toda la información y derechos: http://www.elclubdejazz.com
A most unique ensemble...a real "living room band". The Jimmy Giuffre 3. Mr Giuffre on clarinet and tenor and baritone saxophones, Bob Brookmeyer on valve trombone and Jim Hall on guitar. This unit only made one recording and this is it. Giuffre was a wonderful musician/composer/arranger who explored every type of music from straight-ahead Jazz to the outer reaches of the avant-guard and free-form music. He wrote for large and small ensembles. This band explores Giuffre's "folk/pastoral/blues" stage and the music this little group makes is complete in itself. Four Giuffre compositions are featuredplus some unlikely "standards". The title track is perhaps the closest tune to a pop standard and it was written by Johnny Mercer. The other tunes are a couple of campfire tunes...."Show Me The Way to Go Home" and "California, Here I Come". This is a lovely band and the music could only be played by people deep into the Jazz language. "Trav'lin' Light with the Jimmy Giuffre 3 is a refreshing experience.
Musical insights? Beat poetry recitals? Leg cramps? They're all in here somewhere, as the boys discuss the early career of dream-collaborator Jim Hall. Jimmy Giuffre/Jim Hall Trio – COMPLETE RECORDINGS, VOL 1; Sonny Rollins – THE BRIDGE; Bill Evans/Jim Hall – UNDERCURRENT; Jim Hall – CONCIERTO
In 2011, trombonist, bandleader and arranger Bob Brookmeyer celebrated his 80th birthday. To mark the event, Alyn Shipton met Brookmeyer to pick the highlights of his recorded work, ranging from his pioneering small group playing with Gerry Mulligan and Stan Getz to his big band contributions to the Mulligan Concert Jazz Band. Alyn also hears about Brookmeyer's New Art Orchestra, based in continental Europe, and discusses recent reissues of Bob's classics such as Traditionalism Revisited, and his trio with Jim Hall and Jimmy Giuffre.
Bassist Steve Swallow joins Alyn Shipton in front of an audience at the Cheltenham Jazz Festival. A specialist on the electric bass, Swallow looks back at his early days on the acoustic instrument and talks about the wide variety of his work over a forty-year period. Significant partnerships include reed-player Jimmy Giuffre, trumpeter Art Farmer, the Gary Burton Quartet (with whom Swallow came to England many times) and fellow-Cheltenham Jazz Festival star John Scofield.
We're featuring music from jazz and free improvisation bassist Barre Phillips on this week's podcast episode, as well as bass news and updates. Enjoy! About Barre Phillips: Barre Phillips (born October 27, 1934 in San Francisco, California) is a jazz and free improvisation bassist. A professional musician since 1960, he migrated to New York City in 1962, then to Europe in 1967. Since 1972 he has been based in southern France where in 2014 founded the European Improvisation Center He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony During the 1960s he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as Journal Violone in the USA, Unaccompanied Barre in England, and Basse Barre in France, is generally credited as the first solo bass record. A 1971 record with Dave Holland, Music from Two Basses, was probably the first record of improvised double bass duets. In the 1970s he was a member of the well-regarded and influential group The Trio with saxophonist John Surman and drummer Stu Martin. In the 1980s and 1990s he played regularly with the London Jazz Composers Orchestra led by fellow bassist Barry Guy. He worked on soundtracks of the motion pictures Merry-Go-Round (1981), Naked Lunch (1991, together with Ornette Coleman) and Alles was baumelt, bringt Glück! (2013). As a free improviser he has worked with (among many others) bassists Peter Kowald and Joëlle Léandre, guitarist Derek Bailey, clarinetists Theo Jörgensmann and Aurélien Besnard, saxophonists Peter Brötzmann, Evan Parker and Joe Maneri, and pianist Paul Bley. Barre is the father of rock guitarist Jay Crawford from the band Bomb, of the bassist Dave Phillips and of singer Claudia Phillips, who was a one-hit wonder in France in 1987 with "Quel souci La Boétie".
Tonight's Feature is by clarinettist/tenor saxophonist Jimmy Giuffre. Giuffre was a musician who had a very wide range and was not restricted to any one style, yet everything he did was marked by a strong individual identity. This recording, done at the legendary New York club, The Five Spot, marked another change for Giuffre. Gone was the quiet, blues and folk based trio. This is a blowing date and Giuffre makes the most of it with this hand picked group of players. Jimmy's clarinet is featured on three tunes and even there the difference is apparent as Jimmy explores the instrument's full range rather than just the low register as he had done in the past. His tenor work is hard driving and intense and he obviously was listening to Rollins and Stitt. Jimmy is no slouch on tenor and he blows up a storm on three pieces. Jim Hall on guitar had just moved to New York and his fine work here foreshadows his work with Sonny Rollins the following year. Buell Neidlinger is strong on bass and shows that he can work in a "straight-ahead" context. Buell had been working with Cecil Taylor when this date was done. Billy Osborne was just one of the many fine and lesser known drummers around New York at the time. Billy played with everybody but never got on very many record dates. The same fate befell guys like Sir John Godfrey and Clarence "Scoby" Stroman and others. Billy also suffered a discographical error as he was listed as "Billy Higgins" in most books. Discographer Tom Lord corrected this .The tunes are two standards played on clarinet plus a Giuffre original called "The Quiet Time". The tenor tunes are Monk's "Wee See", Giuffre's "Two For Timbuktoo" and "The Crab". This rare date originally came out on Verve and was called "In Person". Enjoy another side of Jimmy Giuffre tonight.
Of all the bands that tenor saxophone giant Stan Getz put together, this one is the least documented. It was formed in 1953 and worked on the East Coast but Stan bought a house in Los Angeles and took the band out there to play gigs in that area. They made three recording sessions for Norman Granz in July and August 1953 and we'll hear some of the results of those. They were first issued on Granz' Clef and Norgran labels as "Interpretations #1 #2 #3 by the Stan Getz Quinttet".The group consisted of Getz, Bob Brookmeyer on valve trombone, Johnny Williams, piano, Teddy Kotick on bass and the underrated drummer Frank Isola. Getz and Brookmeyer had a unique musical chemistry that allowed them to weave lines together and improvise collectively almost like a modern Dixieland band, Pianist Johnny Williams' contributions to this band are enormous as he plays with the stabbing intensity of Horace Silver and Russ Freeman but sounds like only himself. Bassist Teddy Kotick was Charlie Parker's favourite and Bird called Teddy..."my heartbeat". Frank Isola was a subtle and swinging drummer who kept everything light and very swinging.Jimmy Giuffre said that this quintet was Stan Getz' best band and you'll hear why. It broke up in the late Fall of 1953 because of a lack of work but Getz re-united it for his legendary Shrine Auditorium concert in November 1954.
Although not exactly a household name, vibist/composer Teddy Charles was one of the most important musicians in the 1950's. He was at the forefront of cutting edge Jazz as a musician, bandleader, producer and a.& r man for various record labels. Teddy came through the last era of the big bands and in 1952 formed his New Directions Quartet and went on to working with his close friend, the mercurial bassist Charles Mingus in the Jazz Composer's Workshop. Teddy's triumph is our Feature for tonight: The Teddy Charles Tentet. This band with a few changes in personal was together for a couple of years and scored triumphs at the 1955 and 1956 Newport Jazz Festivals. The Tentet has only one instrument of it's kind so the solos are easily identifiable and some of the players are Art Farmer on trumpet, J.R.Monterose on tenor saxophone, Gigi Gryce on alto, Jimmy Raney on guitar, Mal Waldron on piano and Charles on vibes. Teddy featured not only his compositions but those of George Russell, Waldron, Jimmy Giuffre, and Gil Evans. "The Teddy Charles Tentet" is indeed a classic and a one of a kind recording that combines improvisation and composition in equal parts.
Bassist Curtis Counce was one of the first African-American musicians to be part of what was called in the 1950's "West Coast Jazz".....as part of the scene in Los Angeles, Counce worked with Shorty Rogers, Jimmy Giuffre and was for a couple of years a member of Stan Kenton's band. Counce died in 1963 at the young age of 37 of a heart attack but will be remembered for forming and recording with this band called "The Curtis Counce Group" The great Harold Land was featured on tenor saxophone, Jack Sheldon on trumpet with some of his best work, the legendary Carl Perkins, who also died young in 1958, on piano and the incredible Frank Butler on drums. They recorded during their time from late 1956 to April 1958, a whole series of albums for the Contemporary label. Their sound was not the cool "West Coast Jazz" style but "New York tough". One great band that made Jazz history.
Led by the great Canadian born trumpeter, Maynard Ferguson,this band was second to none for dynamics and excitement and creativity. Solid arrangements by members like trombonist Slide Hampton, tenor saxophonist Willie Maiden and trombonist Don Sebesky and contributors like Benny Golson, Marty Paich and Jimmy Giuffre. Great soloists like the leader and alto saxophonist Jimmy Ford, Carmen Leggio on tenor and Joe Zawinul on piano coupled with a driving rhythm section of Jimmy Rowser on bass and the great Frankie Dunlop on drums made this band one of the best.
Deuxième de la sixième session. Cette semaine, présentation de Louis Sclavis (France, 1953, clarinettiste) avec l'album entier L'imparfait des langues (2007 sur ECM). Ensuite pièces de Jimmy Giuffre, Steve Lacy et Mal Waldron Lecture de la semaine: Ultimes Paroles (Christian Bourgois Éditeur, 2001).
Deuxième de la sixième session. Cette semaine, présentation de Louis Sclavis (France, 1953, clarinettiste) avec l'album entier L'imparfait des langues (2007 sur ECM). Ensuite pièces de Jimmy Giuffre, Steve Lacy et Mal Waldron Lecture de la semaine: Ultimes Paroles (Christian Bourgois Éditeur, 2001).
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