Podcasts about Modern Drummer

In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

Today we released part two of our interview with Zoro. Known by musicians around the world as the “Minister of Groove,” he's one of the world's most respected and award-winning drummers. For more than thirty years,  Zoro has been consistently voted the #1 R&B drummer and clinician by music industry publications such as Modern Drummer, Drum! Magazine, and Rhythm Magazine.He's toured and recorded with celebrated musicians, including Lenny Kravitz, Bobby Brown, Frankie Valli, New Edition, and Jody Watley. In addition to performing, he's a teacher, author, and an inspirational speaker who's worked with organizations such as Compassion International, Big Brothers Big Sisters of America, and the Head Start Organization.You won't want to miss this uplifting story of a teen on the edge of homelessness who overcame adversity to become a performing artist who uses his experiences to help others reach their goals!  https://zorothedrummer.com/ and https://www.zoroministries.org/about-zoro/ 

On this week's episode we have a great in depth conversation with drummer extraordinaire David Jarnstrom. David has had quite the drumming career, playing with bands such as GRATITUDE, ALIGN, BNLX, RAD OWL, DEAD HISTORY, and most recently SKINNY LISTER. David is also an accomplished writer and marketer. While still in school, David found himself writing for magazines like Delta SKY, Twin Cities METRO and his childhood fave, Modern Drummer. Further marrying his love for music and writing, he spent a half-decade on the creative team at McNally Smith College of Music—first as Copywriter and Webmaster, and later as Marketing Manager—where he wrote hundreds of press releases and blog posts; copy for websites, brochures, catalogs, radio spots and banner ads; and managed a social media community of over 50,000. Join us for our great conversation about all things music. Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

Today we released part one of our interview with Zoro. Known by musicians around the world as the “Minister of Groove,” he's one of the world's most respected and award-winning drummers. For more than thirty years,  Zoro has been consistently voted the #1 R&B drummer and clinician by music industry publications such as Modern Drummer, Drum! Magazine, and Rhythm Magazine.He's toured and recorded with celebrated musicians, including Lenny Kravitz, Bobby Brown, Frankie Valli, New Edition, and Jody Watley. In addition to performing, he's a teacher, author, and an inspirational speaker who's worked with organizations such as Compassion International, Big Brothers Big Sisters of America, and the Head Start Organization.You won't want to miss this uplifting story of a teen on the edge of homelessness who overcame adversity to become a performing artist who uses his experiences to help others reach their goals!  https://zorothedrummer.com/ and https://www.zoroministries.org/about-zoro/ 

The Remarkable Mr. Glass (S5 | E224) Daniel contributes regularly to publications like Modern Drummer, DRUM and Classic Drummer.

In this episode, we celebrate Alex Van Halen being inducted into the Modern Drummer Hall of Fame!

The Remarkable Mr. Glass (S5 | E224) Daniel contributes regularly to publications like Modern Drummer, DRUM and Classic Drummer.

This episode features my conversation with drummer Mike Dawson. Based out of Pittsburgh, Pennsylvania, Mike is the Chief Creative Officer for Drum Factory Direct and also the host of the popular Drum Candy podcast. Prior to his current role with Drum Factory Direct, Mike was the Managing Editor for Modern Drummer magazine from 2004 - 2020, and along with Mike Johnston, was the co-host of the popular Modern Drummer Podcast. Mike maintains an active online presence and is highly regarded for his expertise in everything from drum gear to education. In our conversation, we talk about the importance of versatility, the essential characteristics of professionalism required to navigate a career in the music industry, and Mike's passion for creative explorations. Photo by Jordan Bellotti Follow Mike: https://www.instagram.com/mikedawsondrums/ https://www.youtube.com/@MikeDawsonDrums https://www.facebook.com/mike.dawson.545 Drum Candy Podcast https://www.drumfactorydirect.com

Send us a textMy guest is drummer and multi-instrumentalist, composer, producer and author, Ilan Rubin. In this episode we talk about Ilan's incredible career including being the youngest musician to be inducted into the Rock and Roll Hall of Fame with Nine Inch Nails, performing at Woodstock '99 at age 10, winning Modern Drummer's Best Undiscovered Drummer Award in 2001 and performing at the Modern Drummer Festival at age 12. We do a deep dive into Ilan's solo track "24HR Fix" and much more! We also discuss his new drum book, "Start Somewhere To Go Somewhere" available through Hudson Music. https://hudsonmusic.com/product/start-somewhere-to-go-somewhere/?wcacra=7170590 So come along for the ride and please subscribe! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Roy Burns was an American born drummer and percussion manufacturer who sadly passed away back in 2018. He would have been 89 years old this week, so to celebrate all things Roy and thank him for years of personal inspiration I decided to use an unpublished/archived interview that I had done with him many years ago for episode #58 of the podcast. Roy was the second person to grace the cover of the world famous Modern Drummer magazine and rose to fame playing with artists like Benny Goodman and Woody Herman before eventually becoming the house drummer for television standards like the Tonight show and the Merv Griffin Show. Eventually (in 1980) after leaving the Tonight show, he went on to start the Aquarian drum head company alongside Ron Marquez. A true inspiration to myself and many others throughout the years, I hope that you enjoy this episode. And, if you do, please leave us a rating, review, follow and/or share, thank you. For all things Roy Burns please search Roy Burns across google and other social platforms. For all things Aquarian related, please visit - www.aquariandrumheads.com For all things Travis Marc and/or Musicians-Mentor related, please visit - www.musicians-mentor.com For information on Soundbrenner products and discounted prices across their website please visit - https://www.soundbrenner.com/pages/affiliate-travis-marc?srsltid=AfmBOoqNWAxEbCUsvFspJwHdoUuQAdejYfVf-uSGEzrg0yk03GpcBgkA --- Support this podcast: https://podcasters.spotify.com/pod/show/musiciansmentor/support

Modern Drummer: What better way to legitimize your serious drummer podcast than have Corey Feldman, renowned terrible drummer, as a guest. Quizno's Rats: Do you remember the Quizno's Rats? Otherwise known as the SPONGMONKEYS. Box Set Hack: We stumble upon parts of the box set that are available on Corey Feldman's web store that are being sold piecemeal. COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, FIGHT NIGHT!, TYSON FIGHT!, JAKE PAUL!, COREY FELDMAN!, JAMZ IN STUDIO!, LONGBOYS!, WHO CARES!, MEREDITH BROOKES!, MODERN DRUMMER PODCAST!, MODERN DRUMMER MAGAZINE!, LO SERV ILL!, ACTOR!, MUSICIAN!, CAREER!, START!, FIRST!, DAVID FRANGIONI!, CASTING COUCH!, MASTURBATE!, CREDIBILITY!, VISUAL FLAIRS!, SLOW FADES!, FRED DURST!, JOHN OTTO!, LOSERVILLE!, XENOMORPH!, BELT BUCKLE!, PATREON!, CALLBACKS!, COREY'S PARENTS!, STRAWBERRY ALARM CLOCK!, INCENSE!, PEPPERMINTS!, MICHAEL JACKSON!, FLIPPED A SWITCH!, FROZE!, THE JOKE!, LYRICS!, BEATS!, PROG ROCK!, QUIZNO'S RATS!, SPONGMONKEYS!, CAN HAZ!, FAST FOOD'S MOST UNHINGED MASCOTS!, LAZY EYE!, ANTHONY CUMIA!, COLLATERAL DAMAGE!, WIZARD OF OZ!, THE WITCH!, MELTING!, HATERS!, PRINT LYRICS!, DREAM A LITTLE DREAM!, ENTERTAINERS!, PANDERING!, PASSION!, QR CODE!, HOLOGRAM!, GOOGLY EYES!, THE BURBS!, HDM!, YOUTUBE PLAQUE!, 100,000 SUBSCRIBERS!, HEATHER!, ASS PICS!  You can find the videos from this episode at our Discord RIGHT HERE!

Esta semana salió la encuesta anual de la prestigiosa revista Modern Drummer y Paulina Villarreal de The Warning salió nominada como mejor baterista de rock a lo cual Chino trajo este pequeño informe de bateristas cantantes.

A special episode of the Broadway Drumming 101 podcast is on the way, featuring Andrés Forero and a talented lineup of subs currently playing in Hamilton.I chatted with Andrés, Alex Giosa, Juan Felipe Mayorga, Dena Tauriello, and Ryan McCausland about the behind-the-scenes experience and challenges of being a sub on such a challenging show. In this clip, Alex shares a great story about the show.This episode is a must-listen, so don't miss out!Andrés Forero is a highly acclaimed drummer and percussionist recognized for his outstanding talent and versatility in the music industry. Forero has established himself as a prominent figure in the world of drumming and Broadway performances with a string of prestigious awards to his name, including TONY, GRAMMY, and EMMY accolades.Known for his exceptional skills as a "Crossover" Drummer/Percussionist, Forero has made significant contributions to some of the most successful Broadway productions. He notably played drums in the groundbreaking musicals 'Hamilton,' 'In the Heights,' and 'Bring It On!' His rhythmic prowess and ability to blend different musical genres have garnered widespread acclaim.In May 2016, Forero was featured on the cover of Modern Drummer magazine, highlighting his remarkable talent and contributions to the music industry. He has also collaborated with renowned artists and bands, such as U2, featuring on their album 'Songs of Surrender,' and Phish, playing on all tracks of their 2016 release 'Big Boat.'Forero is not only dedicated to his craft but also to using his musical talent for charitable endeavors. He has provided music for Rochester's fashion week to benefit the Center for Youth and Parkeigh's Safe Harbor program, showcasing his commitment to making a positive impact through his music.In February 2017, Forero was the guest drummer on NBC's Late Night with Seth Meyers for an entire week, further solidifying his reputation as a highly sought-after musician. He has also conducted drum clinics at high schools and music stores, where he shares his knowledge and passion for music, specifically enlightening students and fellow musicians about the demands and intricacies of being a Broadway performer and touring musician.Forero is set to debut his upcoming documentary titled "A Day in the Life of a Pit Musician," which will offer a glimpse into the lives of Broadway musicians, highlighting the dedication and skills required.Andres proudly endorses Sonor Drums, Remo Drum Heads, Zildjian Cymbals, Vic Firth drumsticks, LP Percussion, Cymbolt, Cympad, Big Fat Snare Drums, Earthworks microphones, Randy May Systems, Lowboy beater, A&F custom snare drum, Yamaha electronics, and TAMA hardware.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

International Recorded artist, composer, educator, and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Jennifer Holiday, Harold Mabern, Steve Davis, J.D. Allen, The Brooklyn Philharmonic and many more. In addition to his first-call status as a sideman, Barber has recently stepped forth as a composer and leader with his Vision Ahead band. Even with Barber's history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars. Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that's been making waves on the modern jazz scene. Barber's blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber's broad stylistic range as a drummer, performer, and composer. Jonathan Barber & Vision Ahead was featured and headlined the 2018 Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, 2019 Hartford Jazz Festival, and the 2020 Clifford Brown Jazz Festival. During Spring 2020, Jonathan Barber & Vision Ahead completed their first national tour performing throughout the West-Coast. Being an independent artist Jonathan Barber just released his third album with Vision Ahead entitled “Live at Jazz Standard” which is exclusively on Bandcamp. Also stepping into the role as a Drum Clinician, Barber toured as a solo clinician in Latin America (Mexico, Guatemala, Ecuador, Colombia, Argentina) and China (Kumming, Loyung, Hefei, Nanjing, Beijing). Barber endorses Ludwig Drums, Istanbul Agop Cymbals, Evans Drumheads, Promark Drumsticks, and Sunhouse Percussion. In this episode, Jonathan shares his background, education, and musical journey.

Send us a Text!Today we welcome Artist, Drummer, Musical Director, Producer, Multi-Instrumentalist, and Educator, Garrett Tyler to the podcast! Garrett is currently the Bandleader & Drummer for multi grammy award-winning pop duo, For King & Country. Garrett shares his inspiring journey from a small town in Arkansas to performing with the prestigious Blue Devils Drum and Bugle Corps, and eventually gracing the cover of Modern Drummer magazine. We explore the impact of relationships and community on his career, his diverse musical influences, and his disciplined approach to drumming. We touch on Garrett's meaningful tattoos, his debut solo album 'New Normal', and reflections on growth, creativity, and the dynamic changes in Nashville. A rich and heartfelt conversation about dedication, growth, creativity, and the love of music. We hope you enjoy!Chapters:00:00 Intro2:36 Welcome, Garrett! 3:19 Discovering Golf and Parallels to Drumming 9:43 Warm-Up Routines and Techniques 14:42 Growing Up in Arkansas 22:19 Joining the Blue Devils Drum & Bugle Corps 27:14 Blue Devils International and Representing the U.S. 38:35 Low Boy Beaters (Sponsor) 39:18 Music School and Mentorship at Belmont 55:40 Gospel Influences 1:02:13 Drum Supply (Sponsor) 1:03:17 For King & Country 1:08:46 Modern Drummer Feature 1:15:03 Nashville's Changing Landscape 1:15:55 Drum Box (Sponsor) 1:16:36 Garrett's Tattoos 1:25:15 Music City Audiology (Sponsor) 1:25:57 'New Normal' and Collaborative Projects 1:41:54 Sonique Drums (Sponsor) 1:43:37 Closing Questions 1:47:09 OutroThank you to our Episode Sponsors:Low Boy Beatershttps://lowboybeaters.comDrum Supplyhttps://www.drumsupply.comDrum Boxhttps://drumbox.spaceMusic City Audiologyhttps://www.musiccityaudiology.comSonique Drumshttps://soniquedrums.comConnect with Garrett:Instagram: https://www.instagram.com/garrettptylerWebsite: https://www.garrettptyler.comMusic Featured in this Episode:"The Moment" - Garrett Tyler"Think Less" - Garrett Tyler"In My Opinion" - Garrett TylerIntro Drum GrooveRecorded by Taylor Friesth at Garden Groove Studios in Nashville, TNhttp://www.garden-groove.comMixed by Jackson Maddox------Interview by: Dan Ainspan, Nathan SletnerRecorded June 2024 in Nashville, TNConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2024 Nashville Drummers Podcast, LLC

Ducking out the Bullets and Octane rehearsal studio to guest host this episode, Gene Louis spills his passion for drumming with Modern Drummer founder and CEO, David Frangioni.

Jordan Burns played drums in Strung Out until 2018. He was part of the OG group that formed Pulley and played with them til 2000. He's been featured in DRUM! and Modern Drummer magazine. He owns a long time running motocross company called Moto XXX and has been featured in Racer X, Dirt Rider, Motocross Action, Freerider, Cycle News, etc.  I got him on the Skype and this is what we chat about: MotoXXX Learning how to play the kick with his left foot The intensity of the LA scene What he thought of Strung Out when he first saw them play Propaghandi His relationship with Jim Cherry Twisted by Design The formation of Pulley What lead to him leaving Pulley Which band did he like being in more And a ton more Feel free to support  the podcast for as little as $1 a month through Patreon

Kris Myers was born on April 5, 1977. Receiving a drum kit at the age of 8, he took an early interest in jazz, rock and punk music. During high school Myers co-started his first musical outfit, a ska/punk band called the Skalawags. The group received a decent amount of success but denied an offer to tour Japan to instead pursue college degrees. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. In 2001 Myers enrolled in DePaul University where he earned his master's degree in jazz drumming and was a member of the Rob Parton Orchestra.  In addition to his involvement in school bands, Myers was playing in festivals with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local musicians Mark Colby and John McLean.  Myers also was a member of Chicago jazz fusion band Kick the Cat.  Myers began playing drums for progressive-rock band Umphrey's McGee in 2003 following the departure of original drummer Mike Mirro. With Myers at the helm, Umphrey's has released ten albums and maintains a rigorous touring schedule of over 100 live shows per year.  Umphrey's has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks, The Ryman Theatre, The Beacon Theatre and more. With Umphrey's, Myers has shared the stage with countless notable musicians such as Buddy Guy, Huey Lewis, Ivan Neville, Les Claypool, Stephen Perkins, Mike Keneally, Joshua Redman, Bela Fleck, Taj Mahal, Victor Wooten, Adrian Belew, Stanley Jordan, Gene Ween, Derek Trucks and Jason Bonham. In 2011 Myers was honored with the title of Best Jam Band Drummer by DRUM Magazine, beating jamband stalwarts such as Butch Trucks (The Allman Brothers) and Jon Fishman (Phish). In 2018, Myers was featured on the cover of Modern Drummer's July issue. Myers placed second in the Experimental Rock category of the publication's “Readers Poll Awards” behind St. Vincent drummer Matt Johnson. When he's not behind the drum kit, Myers enjoys playing golf, attending concerts, hiking and collecting art.    Some Things That Came Up:  -2:30 Kris's multi genre style  -3:00 Rabid fans  -4:45 The Umphrey's McGee audition turned into a 21 year gig and counting -6:30 Kris's previous band was Kick The Cat  -11:00 Maintaining a list of all the venues the band has played  -11:30 Red Rocks is fave venue as well as The Fox Theater in Oakland and The Ryman in Nashville -14:00 Vic Salazar !!! The ambassador of the drum community -16:40 The rider!  The love of milk chocolate!  -18:00 Stretching, fitness center, yoga -19:40 The documentary “Frame By Frame” -21:20 The Grateful Dead's Mickey Hart.. “most impressive” -23:40 The cover of Modern Drummer magazine in 2018!  -24:30 Dauz pads! Used by Rush and Nine Inch Nails  -26:45 Writing material together as a band  -27:40 Producer Greg Majors and Manny Sanchez -30:30 Different sets every night. Choosing from 14 studio albums. Responsible for all songs at all times  -35:40 collaboration with Huey Lewis. Met at The Jammy Awards in 2006. -43:00 Kris loves practicing impressions  -44:30 Stewart Copeland, Buddy Rich, Vinnie Colaiuta, Keith Carlock, Steve Gadd 49:50 The art of mashups, inspired by DJ culture  -50:15 Kris songs background vocals while playing insane music  -52:00 Rotator Cuff repair surgery. 6 month rehab, but ready after 4 months  -54:00 Local gigs and charity work  -54:50 Getting to do the “Boom Smack” -55:50 “David's Den” for mental health  -56:15 Wedding preparation  -57:20 “The Fave 5”   Follow: www.umphreys.com www.krismyersdrums.com  FB: @krismyers IG: @krismyersdrums YouTube: @krismyersdrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Kenneth D. Aronoff Is a drummer who has played in backing bands for singers such as John Mellencamp, John Fogerty, plus session work on many albums and TV shows.[3] He owns a recording studio as well, & His drumming skills have been recognized by magazines such as Rolling Stone & Modern Drummer.Deborah Smerecnik- Is a screenwriter, producer, & director known for her work on several projects. She has been involved in the production of films such as “Bau, Artist at War” (2024) &“Wake Up”.Movie Reviews and More is broadcast live Tuesdays at 5PM PT on K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Movie Reviews and More TV Show is viewed on Talk 4 TV (www.talk4tv.com).Movie Reviews and More Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

Aaron Comess is living the dream. His band, the Spin Doctors, has sold millions of records, and he's explored his musicality with hundreds more artists and collaborators around the world. And he's been on the cover of Rolling Stone and Modern Drummer! We had a great conversation about building a career, joining a music scene, and continual growth as a musician. I hope you enjoy it as much as I did. Check out Aaron's website and keep up to date on the Spin Doctors Hear my music and groove with the project on the different platforms at: ⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠ Dig into the weekly Substack and subscribe⁠⁠⁠ to receive new companion pod posts regularly! Click this discount link to sign up and receive 30% off your first year with DistroKid and share your music with the world: ⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠ To pick up a pair of Minuendo's lossless earplugs visit: ⁠Minuendo.com Nothing beats that feeling of when you're in it, and that feeling you have afterwards. It's just so gratifying. It almost becomes like a meditation after a while.

With guest Michael Bettine, exploring his new books, ‘The Way of the Gong – Explorations and Observations in Sound', and ‘Art As A Spiritual Practice'. Michael Bettine was born in Frankfurt, Germany. Besides being an active musician for over 50 years, he has also run drum shops, worked with musical instrument manufacturers, taught music and been a music journalist. He has contributed hundreds of articles to such magazines as: Modern Drummer, Down Beat, Rhythm, and many others. Since 2002, Michael has worked under the name, GONGTOPIA, presenting sound sessions and workshops, using gongs, singing bowls, bells and other percussion. Including his two new books, he is the author of ten books. Michael is also devoted to music education. Besides teaching privately, he has presented workshops on gongs at the prestigious Percussive Arts Society International Convention (PASIC) in 2005 & 2012; at the 1st Gong Summit in 2019 and the online Gong Summits in 2020 & 21, at Gong Camp in 2021–23, at ‘Focus on sound therapy' in Italy in 2021–23, and at Gong Camp Europe 2024. He also maintains a long running YouTube™ educational channel. August 2019 interview with Michael Bettine: https://youtu.be/rg3fF-tg83k https://gongtopia.com https://www.youtube.com/@Gongtopia https://www.patreon.com/GONGTOPIA Natalie Brown: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio.com http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA This episode is sponsored by The Om Shoppe. The OM Shoppe & Spa offers a vast array of Sound Healing and Vibrational Medicine tools for serious professionals and for those ready to make sound and vibration part of their ongoing lifestyle. More and more we are coming to understand that our individual wellness is a direct reflection of our personal vibration. How we care for ourselves, our physical bodies, our minds and our spirits. The OM Shoppe is ready to help you today in a variety of ways. They offer the countries largest showroom of Quartz Crystal Singing bowls, sound healing instruments and vibrational medicine tools. If you are ready to uplevel your sound healing practice The OM Shoppe is a great place to get guidance and direction. They are available to consult with you directly by phone or you can shop online. They really enjoy getting to know their clients and customers one on one to better help recommend the right sound healing tools in the right tones for you. Call them today or visit them at http://www.theomshoppe.com. If you are ever near Sarasota, Florida, do consider stopping in and visiting with them or enjoy a luxury spa treatment such as sound healing, energy work, massage, vibroacoustics or hypnotherapy. They truly offer a full holistic experience for practitioners and those seeking healing through natural means.

Drummer for Geoff Tate (founding member/vocalist of Queensrÿche) as well as Mark Daly & The Ravens — Danny Laverde is my guest this week! Danny has toured and performed across multiple countries. He gained early recognition from Modern Drummer magazine as an up-and-coming drummer in 2019 while touring with Mick Blankenship. Danny is Colombian-American, born in Los Angeles and raised in Cincinnati, OH. He is experienced in rock, prog metal, jazz fusion and Afro Cuban drumming. Danny met me in downtown Cincy during a rare break from the road. We talk about life on the road, his playing style & setup, influences & much more. Enjoy this conversation — and be sure to follow Danny on social media for all touring updates w/Geoff Tate & Mark Daly!@dannylaverdedrums on Instagram & YouTube (Facebook - Danny Laverde Drums)www.geofftate.com@geofftateomc (Instagram)www.markdalyofficial.com@markdalymusic (Instagram)dantimepod@gmail.com-Special Thanks to Boyd Crews, Tour Operations, Geoff Tate.

On this episode of The Bandwich Tapes, I had the honor of chatting with the incredible Stanton Moore. Stanton Moore is a GRAMMY award-winning artist, teacher, and performer. Born and raised in New Orleans, he is a dedicated drummer, performer, and educator who is especially connected to the city, its culture, and its collaborative spirit. In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic, which continues to amass a worldwide audience via recording and touring globally. Moore launched his solo career in 1998 and has nine records under his own name, with the most recent being "With You In Mind: The Songs of Allen Toussaint." Throughout his 25-year career, Moore has played and/or recorded with a diverse group of artists, including Maceo Parker, Joss Stone, Irma Thomas, Leo Nocentelli and George Porter (of the Meters), Tom Morello (of Rage Against the Machine), Corrosion of Conformity, Donald Harrison Jr., Nicholas Payton, Trombone Shorty, Skerik, Charlie Hunter, Robert Walter, Will Bernard, Ivan Neville, Anders Osborne, and the Preservation Hall Jazz Band. He has also made numerous appearances on the Jimmy Kimmel, Conan O'Brien, and Seth Meyers late-night TV shows. With a bachelor's degree in music and business from Loyola University, Moore stays involved in education by constantly presenting clinics and teaching master classes and private lessons worldwide. He has released two books and three video projects. His book "Groove Alchemy" was picked by Modern Drummer as one of the top 25 instructional drum books of all time. To continue his passion for teaching and become more closely connected with his students, he recently launched his own online drum academy, StantonMooreDrumAcademy.com. On a personal note, my son, Skyler, was able to study drumset with Stanton while he was artist-in-residence at Louisiana State University. I encourage you to check out Stanton's music and schedule at stantonmoore.com.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. Please tell your friends about the show.The theme song, "Playcation", was written by Mark Mundy.

Peter Erskine is a Superstar Drummer. He's a two-time Grammy winner who has played on over 700 albums and film scores. He rose to worldwide fame with Weather Report, perhaps the greatest band of the 1970s Jazz Fusion era. He has also played with Stan Kenton, Maynard Ferguson, Steps Ahead, Joni Mitchell, Steely Dan and many more. He was voted Best Jazz Drummer of the Year 10 times by the readers of Modern Drummer. And he's an author too with several books to his credit including “No Beethoven”, which chronicles his career including his time with Weather Report.My featured song is “Joe Z”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Peter at:www.petererskine.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Justin Amaral first made a name for himself touring the country in the jam band scene, leading to shows with Mike Gordon of Phish and a profile in Modern Drummer's (April, 2004) “On The Move” column. After world tours with alt-country guit-steel legend Junior Brown, Justin relocated to Nashville and quickly became first call for many of Nashville's finest players and songwriters including Paul Burch, Tim Carroll, Fats Kaplin, Jon Byrd, Charles Butler and the late, great David Olney. In addition, Justin has performed and recorded with Jim Lauderdale (Late Night with Conan O'Brien), Laura Cantrell, Michelle Wright, The Wild Iris Brass Band feat. Jeff Coffin, Dennis Crouch, Milan Miller, Mike Farris, Layton Howerton, Tommy Womack, Chris West and many more. Justin maintains an active performing and recording schedule working at some of Nashville's most prestigious studios like Blackbird, Creative Workshop and the Hen House as well as venues like The Bluebird, The 5Spot, The Exit/In and Roberts Western World.  In 2024 Justin released a collection of traditional hymns re-imagined as world beat instrumental duets called LIFE IN GROOVELAND - The Hymnal. Each track features a different instrumentalist. In this episode, Justin talks about:    Heeding the call to do your own thing    The origin of his new record: LIFE IN GROOVELAND - The Hymnal    Creating your own opportunities    Jump starting the creative process    The inspiration of Drum and Fife    Practicing movement and visualization as a technique

https://podcasts.apple.com/us/podcast/drums-and-rums/id1503281559?uo=4I have arguable country music's number one drummer, Rich Redmond. He has been the touring and recording drummer with multi platinum country rocker Jason Aldean for 24 years. Rich and I discuss how he got started in music and drums, the many other things he's working on outside of music including motivational speaking events based on his Amazon bestseller book, "CRASH Course For Success: 5 Ways To Supercharge Your Personal and Professional Life". Also I give Rich a quick run down on how rum isn't just about Malibu and Captain.Scroll down for more about RichWe also put him through, In Four Beats or Less:1. Who's on your Mt Rushmore of drummers?2. Favorite venue you've played?3. What other project could you give up?4. Craziest thing that happened at a gig?Check out Rich's links:www.youtube.com/richredmondwww.richredmond.comwww.drumminginthemodernworld.comDon't forget to LIKE this video and SUBSCRIBE to our channelHELP SUPPORT the podcast.https://www.patreon.com/drumsandrums/postshttps://cash.app/$drumsandrumsCHECK out  https://www.drumsandrums.com/FOLLOW us :https://www.instagram.com/drumsandrumhttps://www.facebook.com/drumsandrums/https://www.tiktok.com/@drumsandrumshttps://twitter.com/drumsandrumsRich Redmond has been the touring/recording drummer with multi-platinum country rocker Jason Aldean for over two decades. With Aldean, Rich has recorded 31 #1 hits and plays to millions of fans per year in iconic venues around the globe. Rich has also performed with: Garth Brooks, Ludacris, Kelly Clarkson, Carrie Underwood, Bryan Adams, Bob Seger, Chris Cornell, Joe Perry, Jewel, Miranda Lambert, Luke Bryan, Keith Urban, and many other top performers. Rich has appeared on Saturday Night Live, The Voice, American Idol, The Grammy Awards, The Tonight Show, Good Morning America, Ellen, The CMA Awards, ACM Awards, CMT Awards, etc. Rich was voted "Country Drummer of the Year" many years in a row by Modern Drummer magazine and DRUM! Magazine voted Rich one of the "Top 60 Rock Drummers of All Time." Rich is also a busy speaker, host, educator, author and actor. Support the Show.

A listener letter sends the guys on the first of what could be many explorations into the backstories of some of the session musicians who made up the collective who would come to be known as “The Wrecking Crew.” Hear the story of the drummer who happened to be next door just in time to step into a powerful and historic musical moment. Support the show on Patreon See the show on YouTube Visit the show on Instagram Visit the show on Facebook   SHOW NOTES: https://en.wikipedia.org/wiki/Earl_Palmer “I Hate My Generation” music video: https://www.youtube.com/watch?v=XOsNsOhyG8I https://en.wikipedia.org/wiki/Cosimo_Matassa https://en.wikipedia.org/wiki/Aladdin_Records Backbeat, the book: https://www.louisianamusicfactory.com/product/tony-scherman-backbeat-earl-palmers-story-book/ Modern Drummer feature: https://www.moderndrummer.com/wp-content/uploads/2017/06/md352cs.pdf https://en.wikipedia.org/wiki/Shelly_Manne https://www.rollingstone.com/music/music-news/rock-hall-of-fame-drummer-earl-palmer-dead-at-84-254915/ https://www.adioslounge.com/sideman-spotlight-earl-palmer/ https://scottkfish.com/2016/01/23/earl-palmer-i-wasnt-quite-sure-what-i-wanted-to-do-with-my-life/ https://www.newyorker.com/culture/culture-desk/the-unlikely-story-of-a-change-is-gonna-come https://www.filmscoremonthly.com/board/posts.cfm?threadID=100689&forumID=1&archive=0&pageID=1&r=954#bottom https://www.nytimes.com/1958/06/13/archives/musicians-strike-spreads-on-coast-independents-hit-by-afm-film.html Avelo's “The Strike that Changed Disney Music”: https://www.youtube.com/watch?v=eBsGwNJ54-M https://en.wikipedia.org/wiki/John_Boudreaux https://www.npr.org/2014/02/01/268995033/sam-cooke-and-the-song-that-almost-scared-him https://blogs.loc.gov/now-see-hear/2021/02/on-the-recording-registry-a-change-is-gonna-come-1964/ https://pan-african-music.com/en/a-change-is-gonna-come-a-hymn-for-civil-rights/ https://en.wikipedia.org/wiki/AFO_Records

A listener letter sends the guys on the first of what could be many explorations into the backstories of some of the session musicians who made up the collective who would come to be known as “The Wrecking Crew.” Hear the story of the drummer who happened to be next door just in time to step into a powerful and historic musical moment. SHOW NOTES: https://en.wikipedia.org/wiki/Earl_Palmer “I Hate My Generation” music video: https://www.youtube.com/watch?v=XOsNsOhyG8I https://en.wikipedia.org/wiki/Cosimo_Matassa https://en.wikipedia.org/wiki/Aladdin_Records Backbeat, the book: https://www.louisianamusicfactory.com/product/tony-scherman-backbeat-earl-palmers-story-book/ Modern Drummer feature: https://www.moderndrummer.com/wp-content/uploads/2017/06/md352cs.pdf https://en.wikipedia.org/wiki/Shelly_Manne https://www.rollingstone.com/music/music-news/rock-hall-of-fame-drummer-earl-palmer-dead-at-84-254915/ https://www.adioslounge.com/sideman-spotlight-earl-palmer/ https://scottkfish.com/2016/01/23/earl-palmer-i-wasnt-quite-sure-what-i-wanted-to-do-with-my-life/ https://www.newyorker.com/culture/culture-desk/the-unlikely-story-of-a-change-is-gonna-come https://www.filmscoremonthly.com/board/posts.cfm?threadID=100689&forumID=1&archive=0&pageID=1&r=954#bottom https://www.nytimes.com/1958/06/13/archives/musicians-strike-spreads-on-coast-independents-hit-by-afm-film.html Avelo's “The Strike that Changed Disney Music”: https://www.youtube.com/watch?v=eBsGwNJ54-M https://en.wikipedia.org/wiki/John_Boudreaux https://www.npr.org/2014/02/01/268995033/sam-cooke-and-the-song-that-almost-scared-him https://blogs.loc.gov/now-see-hear/2021/02/on-the-recording-registry-a-change-is-gonna-come-1964/ https://pan-african-music.com/en/a-change-is-gonna-come-a-hymn-for-civil-rights/ https://en.wikipedia.org/wiki/AFO_Records https://www.facebook.com/WreckingCrewFilm/posts/on-this-date-june-3-1967-the-instrumental-tracks-for-never-my-love-by-the-associ/10157450423118023/

Episode 38 - Adam Deitch has built an incredible name for himself in the drumming, funk and hip hop world. From leading his bands Lettuce, Break Science, and the Adam Deitch Quartet, to producing for 50 Cent and MF Doom, to even touring with John Scofield, Pretty Lights and Wyclef Jean. Adam's incredible groove powers so much of the worlds funk and hip hop. We talk about how Adam built his career and his approach to still being extremely proficient today. Of course we have a bunch of laughs and tell fun stories too. Let's go! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://rss.com/podcasts/gowithelmoFollow Adam Deitch:https://www.instagram.com/deitchadam/Follow Elmo Lovano:https://Instagram.com/elmolovanohttps://Twitter.com/elmolovanoFollow Go With Elmo: https://Instagram.com/gowithelmohttps://twitter.com/gowithelmopodGo With Elmo Lovano on YouTube: https://youtube.com/@gowithelmoFollow Jammcard:https://Instagram.com/Jammcardhttps://TikTok.com/Jammcardhttps://Twitter.com/JammcardJammcard is the Music Professionals Network - https://jammcard.comThe Jammcard app is an invite only social network for vetted music professionals. You can apply to join at https://jammcard.typeform.com/to/g58t0g

Neil is a renowned percussionist, accomplished music educator, imaginative product innovator, and successful entrepreneur. He is the founder and president of Grover Pro Percussion Inc., a market leader in the design, manufacture, and distribution of world-class percussion instruments.  At the young age of 23, Neil was appointed Principal Percussionist of the Opera Company of Boston, a position he held for seven seasons.  As his career progressed, he found himself in demand for all musical genres, including symphony, chamber music, ballet, opera, and commercial recordings.  Highlights of his collaborations include the Royal Ballet, Bolshoi Ballet, American Ballet Theatre, Dance Theatre of Harlem, Music from Marlboro, Indianapolis Symphony, Boston Musica Viva, and the Empire Brass. He was chosen to record the percussion tracks for Phillip Glass' film soundtrack for Mishima. In addition, Neil appears as a Boston Pops percussionist in the hit movie Blown Away, starring Jeff Bridges and Tommy Lee Jones.  He has toured with Music From Marlboro, Boston Symphony, Henry Mancini, Boston Symphony Chamber Players, and the Broadway production of The Pirates of Penzance.  Since 1977, he has performed, recorded, and toured with the world-famous Boston Pops, where he has made music under the batons of Maestros Arthur Fiedler, John Williams, and Keith Lockhart.  Having performed regularly in the percussion section of the Boston Symphony for over 35 years, he has worked with Maestros Seiji Ozawa, James Levine, Leonard Bernstein, Aaron Copland, Colin Davis, Charles Dutoit, Colin Davis, Neemi Jaarvi, Rafael Fruhbeck de Burgos, Mstislav Rostropovich, and Bernard Haitink. It is noteworthy that Neil has performed in over 1,500 concerts as a percussionist with the BSO & Boston Pops. Neil's percussive talents have been heard by thousands at renowned venues, such as Boston's Symphony Hall, Carnegie Hall, Chicago's Orchestra Hall, and festivals at Tanglewood, Hollywood Bowl, Wolf Trap, Blossom, and Ravinia.  In addition, he has performed for millions of listeners through television and radio broadcasts on the NBC, CBS, NHK, PBS, A&E and NPR networks.  At the request of composer John Williams, Neil joined the multi-media musical extravaganza, “Star Wars in Concert”, serving as Principal Percussionist on two legs of their North American Tour.   Neil Grover has written/co-authored five publications: Four Mallet Primer, Four Mallet Fundamentals, Art of Triangle & Tambourine Playing, Percussionist's Cookbook, and The Art of Percussion Playing, all published by Meredith Music.  Neil's innovative designs and cutting edge manufacturing techniques have set a new standard for the ergonometric functionality of modern day percussion instruments. Neil and his company have been featured in many publications, including: Percussive Notes, Modern Drummer, School Band & Orchestra, Musical Merchandise Review and on two episodes of the Discovery Channel's series How It's Made. Formerly the Chair of the Percussion Programs at both The Boston Conservatory and the University of Massachusetts-Lowell, today, Neil's students occupy leading positions in many top performing, educational and music business organizations. Things That Came Up:  -1:45 Owning ALL the percussion instruments -3:50 The magic of Zelda -6:00 Studied with the same teacher as Dom Famularo -7:00 Studying with Vic Firth  -11:10 “Classical musicians play with their eyes and jazz musicians play with their ears” -12:10 “Talent got you this far, perseverance will carry you through.” -12:45 Took AFM pension at age 65  -13:50 Contracting, composing and arranging as a new life chapter -15:10 Bradley Cooper's “Maestro” -16:35 Being a frustrated stand-up -17:40 Fred Buda: “Playing drum set in an orchestra is like swinging an elephant” -19:40 How union pensions work -26:05 At Tanglewood at the same time as Kenny Aronoff, with Leonard Bernstein conducting! -27:40 Playing bongos for Bernstein's “West Side Story” -30:50 Star Wars Tour: Drum Tech, 7 percussionists, 3 conductors and music from all 6 Star Wars films -38:00 Follow your dreams, no matter what!  -40:00 “The Accidental Entrepreneur” -41:00 The FIRST Grover Triangle  -48:20 Allowing Redmond to help develop the “Studio Pro Series” pop tambourines -54:00 Selling Grover Percussion to RBI Music  -60:40 On screen percussionist in the “Blown Away” film, starring Tommy Lee Jones  -61:30 Authoring Books  -63:30 Aerosmith! Glocks!  -69:30 Neil's favorite axe is the piatti (cymbals)  -74:00 “The Fave 5”  Follow:  www.groverpro.com Email: ngrover@groverpro.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits.  Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:     https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Richard Martinez grew up in Los Angeles, CA and has performed around the world. He has studied privately with Chuck Flores, Larry Troxel, and for 12 years with Richard Wilson. Richard's television credits include The Dolly Parton Show, Baywatch Nights, The Joan Rivers Show, and Seinfeld. He has performed with Sam Harris, Keb' Mo, Allen Frew and with Tony Award winners Linda Hopkins, Betty Buckley, Bebe Neuwirth & Roger Rees. He has recorded with Julian Lennon, Mighty Mo Rodgers, Christoph Bull and with Grammy Award winners Dan Hill, John Jones, and Rick Nowels. He has also written four articles for Modern Drummer's Strictly Technique section. In this episode, Richard talks about:    Working with a conductor    Opportunities for performance in the non-profit world    Adapting to the ever changing L.A. scene    How Richard Wilson changed his life    The Wilson/Spivack method    The practice pad: a rarified environment https://www.youtube.com/channel/UCHg598jGIStR8y5gDV_w4ZQ

Episode 733 - Zoro the Drummer is a First Class Father and Legendary Musician. He has toured and recorded with Lenny Kravitz, Bobby Brown, Frankie Valli and the Four Seasons, The New Edition, Jody Watley, Philip Bailey of Earth Wind & Fire and many more.  He is an award-winning, in-demand drummer, educator, motivational speaker and author.  Zoro is known as The Minister of Grove to his fans. He was named the number one R&B drummer and clinician in industry magazines including Modern Drummer and ‘Drum! In this Episode, Zoro shares his Fatherhood journey which includes two children. He discusses his childhood growing up without a father and how it motivated him to become a First Class Father.  He describes the balance of being a professional drummer while being a dad.  He talks about the importance of his faith and the values he has instilled in his children.  He tells us about his forthcoming memoir;  Maria's Scarf: A Memoir of a Mother's Love, a Son's Perseverance, and Dreaming Big.  He offers some great advice for new or soon-to-be dads and more! Maria's Scarf: A Memoir of a Mother's Love, a Son's Perseverance, and Dreaming Big - https://a.co/d/0FKcxhO First Class Fatherhood: Advice and Wisdom from High-Profile Dads - https://bit.ly/36XpXNp Watch First Class Fatherhood on YouTube - https://www.youtube.com/channel/UCCD6cjYptutjJWYlM0Kk6cQ?sub_confirmation=1 More Ways To Listen - https://linktr.ee/alec_lace Follow me on instagram - https://instagram.com/alec_lace?igshid=ebfecg0yvbap For information about becoming a Sponsor of First Class Fatherhood please hit me with an email: AlecLace@FirstClassFatherhood.com

Big in the '70s and '80s, rototoms seemed to all but disappear in the '90s. They have seen a resurgence in the past few years, showing up on drum-sets everywhere. Today on The Drum Department we learn all about the mighty rototom and check out how versatile they can be with the help of a kit we built entirely out of them.

Our 15th episode features the great Bernie Dresel!   One of LA's busiest session and live drummers, Bernie is a multiple recipient of Modern Drummer and Drum magazine's ‘Best Big Band Drummer' award and is influential to thousands of drummers around the world.   His 15 years as the drummer for the Brian Setzer Orchestra inspired a wave of other swing band drummers and his band, The BBB Featuring Bernie Dresel is one of LA's most exciting large jazz ensembles, releasing 2 albums, Bern Bern Bern and The Pugilist.  In this interview, we'll be featuring songs from both albums, including, in this order of play, “Zuit Soot”, “Bern Bern Bern”, “The Pugilist”, “Lulu's Back In Town” and “Suite B”.  Bernie is also one of TV & Film industry's most in-demand session percussionists, playing on top film and TV soundtracks, using various Gon Bops instruments on his sessions.  More info can be found on his website -  berniedresel.com. 

Discover what's possible when students lead the beat.  Stephen Flinn has been teaching music for over three decades. As a master trainer of the Rhythmic Arts Project curriculum, Stephen facilitates percussion-ensemble classes to students of all diagnoses. He has been featured in many international publications, including the Modern Drummer and DownBeat magazines, and published his first book, Contemporary Urban Percussion, in 2016. Stephen has also appeared on over 40 commercial releases of creative music and has toured extensively throughout Europe, Japan, and the United States.  In this conversation, we discuss: The benefits of learning a musical instrument, such as increased focus, listening, communication, confidence, motor strength, stress management, and cognitive development Generalizing skills outside music class Stephen's alternative notation system on piano How to use drums to communicate with non-speakers What Stephen has learned from working with autistic students  Why he decided to spend 6 months as a monk in Thailand and how that experience influenced his teaching The biggest mistake many musicians make To learn more about Stephen Flinn, please visit specialneedsmusic.com.  ----more---- We appreciate your time. If you enjoy this podcast and you'd like to support our mission, please take just a few seconds to share it with one person who you think will find value in it too. Follow us on Instagram: @autismpodcast Join our community on Mighty Networks: Global Autism Community Subscribe to our YouTube channel: Global Autism Project We would love to hear your feedback about the show. Please fill out this short survey to let us know your thoughts: Listener Survey 

This week's guest is the one…the only Stanton Moore. Stanton is GRAMMY award-winning drummer, educator and performer born and raised in New Orleans. His pride for his hometown is pretty unmatched.  In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic who continue to amass a worldwide audience via recording and touring globally. The band has averaged 100 shows a year for the last 25 years. Moore launched his solo career in 1998. He has 8 records under his own name. In 2022 Moore started a new project with Grammy award winning guitarist and producer Eric Krasno. The Krasno / Moore Project's current record is “Book of Queens”. Throughout his 25 year career, Moore has played and or recorded with a diverse group of artists including Maceo Parker, Joss Stone, Irma Thomas, Leo Nocentelli and George Porter (of the Meters),Tom Morello (of Rage Against the Machine), Corrosion of Conformity, Donald Harrison Jr., Nicholas Payton, Trombone Shorty, Skerik, Charlie Hunter, Robert Walter, Will Bernard, Ivan Neville, Anders Osborne and the Preservation Hall Jazz Band and Les Claypool (Primus) to name a few. With a bachelor's degree in music and business from Loyola University, Moore stays involved in education by constantly presenting clinics and teaching master classes and private lessons all over the world. He has released two books and three video projects. His book Groove Alchemy was picked by Modern Drummer as one of the top 25 instructional drum books of all time. To continue with his passion for teaching and to become more closely connected with his students, he recently launched his own online drum academy, StantonMooreDrumAcademy.com. He's the man and this is one for the books. I hope you enjoy the 5 records that shaped Stanton Moore into the drummer he is today. Cheers! SUBMIT YOUR LISTENER PICKS HERE STANTON'S BIG FAT FIVE

DMB pulled out all the stops at SPAC and Matt Norlander was there to help us recap an epic weekend, which featured the legend Béla Fleck back on stage. Matt takes us behind the scenes of his 99th and 100th shows, where he got an exclusive interview with the GOAT, Carter Beauford, for an upcoming feature article in "Modern Drummer." Plenty of Carter and backstage stories that you don't want to miss in this episode! And we can't forget Warren Haynes showing up for the Holmdel and Jones Beach shows this week with some all-time performances. What a run for the Dave Matthews Band and its fans!

Pat Petrillo shares tons of great info including what it is like to be featured on the cover of Modern Drummer, his Instagram series about breaking down actual sticking of Ringo's parts, and we discuss his great new album, "The Power Station Sessions". Pat also gives us a history lesson on the nuances and differences between R&B and Funk drumming and we discuss some of the great products that he has developed for our industry over the years! Keep up with Pat and check out his album at https://patpdrummer.com/ and on all streaming platforms and follow him on social media @patpdrummer and on YouTube at  @patpetrillobigrhythmband8770  Thanks to the Rogers Drums USA group for sponsoring this episode. Join the group here: https://www.facebook.com/groups/1665871023670039 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. Here is my affiliate link: https://riverside.fm/?via=bart-vanderzee

I met Kenny Aronoff through LinkedIn and thought he would be a fairly interesting podcast guest. Boy, was I wrong! Not fairly interesting, but incredibly interesting and fascinating.   As you will learn, Kenny was named by Rolling Stone Magazine as one of the top 100 drummers of all time. In his biography, you will see a partial list of the people and bands that have benefited from his talents.   You will get to hear how he eventually decided to start playing modern music. This story is one in a million and it, I must say, captivated me right from the outset. I hope it will do the same for you. I do hope you enjoy it. I'm not going to give it away. Listen and see for yourself.     About the Guest:   Kenny Aronoff is one of the world's most influential and in demand session and live drummers. Rolling Stone Magazine, in fact, cited him as one of the “100 Greatest Drummers of All Time” and Modern Drummer named him #1 Pop/Rock Drummer and #1 Studio Drummer for five consecutive years. The list of artists he's worked with on the road and/or in the studio reads like a who's who of the music industry, and includes:    John Mellencamp, The Rolling Stones, Bruce Springsteen, Paul McCartney, Ringo Starr, Tom Petty, Sting, The Smashing Pumpkins, Billy Gibbons, Lady Gaga, Bruno Mars, Bob Seger, Bob Dylan, John Fogerty, Jon Bon Jovi, Elton John, Rod Stewart, Eric Clapton, Willie Nelson, Waylon Jennings, Johnny Cash, Kris Kristofferson, Jerry Lee Lewis, Little Richard, Ray Charles, B.B. King, Joe Cocker, Steven Tyler, Dave Grohl, Chris Cornell, Garth Brooks, Don Henley, Melissa Etheridge, Keith Urban, Lynyrd Skynyrd, Stevie Wonder, Alicia Keys, John Legend, Beyonce, Mick Jagger, Slash, Bonnie Raitt, Ricky Martin, Santana, Crosby Stills and Nash, Celine Dion, Lenny Kravitz, Vince Gill, The Buddy Rich Big Band, Leonard Bernstein, Aaron Copeland, Hans Zimmer and many others.    With a style of playing that combines power and finesse, his unique and versatile sound has been instrumental on over 60 Grammy-nominated or awarded recordings representing over 300 million in sales, with more than 1300 that were RIAA certified Gold, Platinum or Diamond.    Kenny's winning approach to drumming and to life has given him the ability to sustain a successful career for over four decades.                                                                                                                                     In addition to performing and creating amazing music, Kenny is an inspirational speaker.He talks about Living Your Life by Your Purpose, Teamwork Skills, Innovation, Creativity, Hard Work, Self Discipline, Perseverance, and staying Relevant in your career and life.  Striving to always be better have been the tools that have kept Kenny at the top of his game for over four decades.     Author is the most recent addition to his long line of credits.  Sex, Drums, Rock ‘n' Roll! The Hardest Hitting Man in Show Business (Backbeat Books, November 15, 2016). This is not about sex; it is about the same passion that drives us all to be the best we can be doing what we love with those with whom we want to share our talents.    How to Connect with Kenny:   IG   https://www.instagram.com/kennyaronoff/   Facebook https://www.facebook.com/KennyAronoffOfficial   Twitter  https://twitter.com/AronoffOFFICIAL   Linkedin   https://www.linkedin.com/in/kennyaronoff/   TicTok  https://www.tiktok.com/search?q=kennyaronoffofficial&t=1660858209914   Website    https://kennyaronoff.com   Youtube https://www.youtube.com/kennyaronoffofficial   Uncommon Studios LA  https://uncommonstudiosla.com         About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.   Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.     Transcription Notes Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson  01:20 Welcome once again to unstoppable mindset. I get to do something today. I have not done on this podcast before. But I've been looking forward to it for quite a while. I get to talk to a real live still absolutely functioning incredible man who is also a musician Kenny Aronoff has been a drummer for four decades he has played with basically anyone that you can imagine, although I'm going to try to stump him with one in a second here. But he's played with all of the people in the who's who have music no matter who they are. And and I'm so really excited to have the chance to talk with with him today. So Kenny, welcome to unstoppable mindset.   Kenny Aronoff  02:08 Thank you for having me. It's great to be here.   Michael Hingson  02:11 All while stump you right at the outset. Have you ever played with George Shearing   Kenny Aronoff  02:14 is that the guitar player who   Michael Hingson  02:16 does know George Shearing was a blind jazz pianist? He died?   Kenny Aronoff  02:20 Okay, I know. I'm thinking is that your is another guy had a close name? No, I never did. Well, there   Michael Hingson  02:25 you go. Oh, well, I found one. Well, I don't know he had a trio that he worked with. But I don't know how much he worked with a number of people primarily he played on his own. So it's not too surprising. But that's okay. But Stevie Wonder John Mellencamp Mellencamp. And have you ever. Oh, I gotta ask Have you ever played with Michael Buble? A.   Kenny Aronoff  02:51 Singer, I think he came onstage for one of these big events. Well, I play with everybody. I think I did play with Michael Boulais. He was one of the guests shows we were honoring whoever was, you know, I'll play with 25 artists in one show. Yeah. Might have. He may have been paired up with somebody else singing. Yeah. So I think I did.   Michael Hingson  03:11 Well, you know, we finally got to see him in Las Vegas. He's been my wife's idol for a long time. And I don't I enjoy him too. He's He's a singer who is saying the Great American Songbook, a lot of the old songs and all that. And he was in Vegas earlier this year. And so we got to go see him. And we actually really were very fortunate because we, we were escorted in early because my wife was in a wheelchair. And so they brought us in. And then the Azure came about five minutes before the show started and said, I've got two tickets that haven't been used down in the orchestra pit and they said I could give them to someone. Would you guys like them if the seats accessible? So of course, we said, Sure. Well, it was and we ended up being 18 rows from the stage, actually two rows in front of his family. And we got to see it was it was great. It was a wonderful concert. So   Kenny Aronoff  04:04 yeah, he's very, very talented. He's created his own niche in his own style. And that's a hard thing to do.   Michael Hingson  04:09 It is. But but he has done it. Well with you. Let's start like I love to start. Tell me a little bit about growing up and where you came from, and all that kind of stuff. Well, I   Kenny Aronoff  04:19 grew up in a very unique little town in western Mass, a group and like an old country farmhouse in the hills of Western Massachusetts to be whatever town was Stockbridge, Massachusetts. Maybe 3000 people but what was unique about that town, it was basically a slice of New York City. I mean, New York City was three hours away. Boston was two hours away. And there was a lot of arts. A lot of you know you had theater people there you had the Boston Symphony Orchestra in the next town over Atlanta, Lenox mass, which is three miles away. You had, you know, Sigmund Freud's protege, Erik Erikson, the wintertime Norman Rockwell, the illustrator lived in our town and he I used to go over to his house and me my twin brother. We I think we were in second grade. We should still cigarettes from him. We had a, you know, let's see. Norman Mailer was the next house down for me when you couldn't see anybody's houses where I lived. It was all woods and fields. But Norman Mailer, the great writer was right down the street from me. Another eighth of a mile was a Patty Hearst used to live in the house which they she had rented from the Sedgwick family, which is where Edie Edie Sedgwick came from that family. Down the bottom of the hill was a summer stock theatre where a lot of actors would come up from New York to get out of the city. So I met like, you know, people like Franklin Joe of Faye Dunaway and Bancroft, Arthur Penn, the movie director lived in our town, and so he would direct some place there. Goldie Hawn, which Dreyfus, they went on and on it. And this, this seemed normal to me. I didn't realize Daniel Chester French, who, whose was the sculptor, who did you know, the Washington Monument and Lincoln Memorial, he he at one point did our area. And when I went to Tanglewood, which is the most elite student orchestra in the country, if not the world, took me four years to get in there. But it's won by the Boston Symphony Orchestra. They only take seven percussionist in the whole world, when you when you audition, I literally failed three years in a row. And in my fourth attempt, I got in, but on that property is Nathaniel Hawthornes house. And he wrote The Scarlet Letter. I mean, I can just go on and on this area was just an extraordinarily extraordinary place to grow up with it was so many arts and intellectual people. But the thing that was amazing about this town was that it didn't matter. If you had money or had lots of money, everybody, you know, houses one locked keys were left in cars. It was a community. It was a it was a community where people support each other. So it's a great place to grow up.   Michael Hingson  07:13 That's one of the things I've always liked about Massachusetts. I lived in Winthrop for three years back in the well, late 1970s, early 1980s. But I always enjoyed the camaraderie and it was really hard to break into the community. If you were from the outside and I was viewed as an as an outsider, though I worked as hard as I could to, you know, to try to be involved. But if you weren't from there, it was really tough. By the same token, people were very kind to me, so I can't complain a whole lot. Yeah. Yeah. It was pretty good. And I was you actually beat me to the question I was going to ask you if you had ever made it over to Tanglewood. I never got to go up in here the symphony in in the winter in the summer. But I did needless to say get over to hear the pops on several occasions and and that was fun. And there's nothing like the Boston Pops. There's other than a Boston Symphony for that matter, either.   Kenny Aronoff  08:13 Well, I got to perform timpani on that stage. And with Leonard Bernstein, conducting Sibelius Fifth Symphony Orchestra, which is a feature of the timpani in and it's, it was incredible. So you know, my parents saw Easter dragged me to the concerts I didn't really want to go. And I ended up then being in we actually did Fourth of July with Arthur Fiedler. And apart from mingled in with   Michael Hingson  08:40 the half shell. Yeah. So you went to school, went to high school and all that, how long did you live there?   Kenny Aronoff  08:48 Well, I lived in non stop until I was 18. After 18, I went to one year at University of Massachusetts at Amherst, which is about an hour down the road. And then I transferred Well, what I did was I got into the Aspen School of Music, one by Julliard after my freshman year. And that's where George gave me the professor of Indiana University School of Music, now called the Jacobs School of Music. He was a he went to the percussion department at the school and this is the number one school of music in the country, if not the world. Yeah. And I wanted then I liked this guy. He was so deep. He was more than just a percussionist. He's a philosopher and a well rounded man. Anyway, I wanted to follow him and go to Indiana University. You have to realize I mean, Indiana was the best school and so I wanted to be in that school. And I demanded an audition up there and he tried to talk me out of it. Try to come back in January and will audition then. Then I said, Absolutely not. I want to audition. Now. I don't want to come to Indiana University, from the Aspen School of Music. It was a summer program. I convinced him I did audition, you had to audition for four different departments to get in. And it just so happened that they had people from four different departments that are you teaching up there like brass, woodwinds, violin percussion. And I auditioned, got in and spent four years at Indiana University. Now, that's when I started to spend more time away from home. Because you know, I was gone. You know, I come home for Christmas and summer, but that was pretty much it. Yeah. And it was an incredible education.   Michael Hingson  10:35 What? So, you, as you said, were dragged kicking and screaming to concerts and so on What changed your mind?   Kenny Aronoff  10:46 When I started to actually study classical music and start to perform in orchestras, I, I appreciate every style of music, and especially if it's done, right. And I've really, really enjoyed classical music. I mean, it was even though when I was a kid, and once rock'n'roll came out, it was like, you know, how was the classical music, but it was still on the soundtrack. To my upbringing, my parents had classical music and jazz on the turntable. They were from New York City. And that was very popular in that that time for them. So I didn't most keep the kid I had too much energy to sit and watch a concert, but performing it, you know, it was a different story. And then I became really good, eventually got into the Jerusalem Symphony Orchestra after I graduated Indiana University. And I actually turned it down, which was a shock to everybody. Because I'd spent five years becoming great at classical music. And I turned it down. Because I mean, and thank God I did is because I was following my heart, my deepest desires, my bliss, or your, you know, whatever you want to call it, I wanted to still be in rock bottom open. Now, let me back up a little bit when I was 10 years old, playing outside of that country farmhouse. And there was nothing to watch on TV back then. There was no case not   Michael Hingson  12:12 much more now, either. But yeah, with the so what year was that?   Kenny Aronoff  12:17 That was 19. I want to say 1950 1963 or 64. And maybe mom yelled at me, my twin brother come in the house. And we were like, Oh my God, what do we do wrong? You know, like, we thought we'd done something wrong. And what it was that we come running across the lawn, and we'll get to the family room, she's pointed a black and white RCA TV set with the rabbit ears to get better reception. And on TV. Also never, you know, for guys playing rock and roll music, you know, electric cars and bass, that long hair, and I don't know who they are. But I heard rock and roll on radio, but I'd never seen it live. And I. I mean, I was at that very split second, I realized what my purpose in life was before I even knew what those words meant. And I just knew I wanted to be doing that. I wanted to be part of that. I want to be part of a team of guys that's playing music, like they are and I said to my mom, who are these guys said, Well, they're the Beatles, The Beatles, I want to be in the Beatles call him up, get me in the band. And give me a drum set. I don't want to play piano anymore. Anyway, she obviously didn't call the Beatles up and didn't get me a drum set. So that was where I was really blown away and realize this is what I want to do. So when I turned on the Jews from Symphony Orchestra, I turned out certainty for possibility or turns down certainty for you know, complete uncertainty. And that was that one we wanted to it's what Yeah, to do. Exactly. And thank God, I followed my heart because obviously it paid off. But it was a struggle, man, it was like took a long time for me to eventually run into a guy like John Mellencamp, who he took a chance with me, and then took a long time for me to, you know, plan a song, play a drums on a song that got on the record, you know, when I first got in the band that I had only and the reason why I got in the middle of combat is because I got the last record that they had, and they were looking for a drummer, and I just memorized everything that all these other drummers did on the record. And well, in that case, it was just wondering what but they I memorize him he played in so I won the audition. And five weeks later, we were making a record in Los Angeles. And I realized that you know, or the producer basically fired me after two days, because I had no experience with making records, you know, to get songs on the radio to be number one hits, and I was devastated. You know, I was like hey, but I played with Bernstein and Bernstein and didn't matter. I had No experience. I didn't understand the value of teamwork the level of it's not about me it's about we it's not about what I'm playing. It's about what can I play to make that song getting the right record that will eventually be played on radio and become a one hit single.   Michael Hingson  15:18 Usually got to add value.   Kenny Aronoff  15:21 Well value to the team   Michael Hingson  15:22 that was the most that's what I mean by adding Yeah,   Kenny Aronoff  15:25 yeah. Because you know, when you try to be great at anything, it's all about you. It's all about me. But to be Tom Brady are a great you know, a leader and be a great you know, do something great for the team. It is about the team. It's not about you serve the band, serve the song serve, whoever's in there. You know, serve, what can I do to get that song to be elevated to be a number one hit single? Because if you if you become an if you have a number one hits, surely you're gonna make millions dollars. It's the way it was when I was a kid.   Michael Hingson  16:00 So for you starting out more doing the I oriented kinds of things, but then moving to the we mentality, which is essentially what I hear you say, how did your style change? How did you change? How did it affect what you did?   Kenny Aronoff  16:17 Well, I wasn't thinking about just what I want to play. I was thinking about what can I do to get this song on the radio so in and I had to think about how I can be the greatest drummer I can be for John Cougar Mellencamp songs. So I started don't my plane down and made it simple and started to simplify what I was doing. And that really worked. I started this into Rolling Stones, Creedence Clearwater, Bad Company, groups, where the drummers were playing with authority. They had they pick the right beat, they kept time, they made it groove. But ultimately, it was to make those songs that song better, you know, and that's what I started changing. I simplified my playing. And I remember thinking, Man, I gotta learn to love this. Because if I don't love this, I'm gonna suck at this. If I suck it this, this, just get another drummer. And so I had to learn how to pivot into serving songs serving the artists.   Michael Hingson  17:15 Did you ever meet Buddy Rich? Absolutely. I've kind of figured, or that other great drummer Johnny Carson.   Kenny Aronoff  17:23 And never met Johnny Carson.   Michael Hingson  17:25 I remember I remember watching a Tonight Show where the two of them Oh, yeah. Did drums together?   Kenny Aronoff  17:32 Oh, it was incredible. But he was tribute record. And that was an such an honor. Playing you know, to to blazing. Well, one was the medium tempo song, big swing face, which was title of an album, and the other was straight, no chaser blazing fast. And it was it was a very meaningful experience for me.   Michael Hingson  17:54 You know, and clearly, you respect that and just listening to you. You, you respect that, that whole mentality and you're approaching it with a humility as opposed to just being conceited, which is, which is great, because that really is what makes for a good team person.   Kenny Aronoff  18:15 Yeah, I mean, yeah, I mean, once again, at that point, I understand a student serving, you know, serving the song serving the artist, serving you know, whoever, whatever it is, what can I do to be great?   Michael Hingson  18:28 That's cool. So you know, you, you've done that you say you started playing, so was your first maybe big break in the whole rock world with John Mellencamp, or Yeah, it happened after you turn down the Jerusalem symphony.   Kenny Aronoff  18:45 Well, after a turn on juicing shift and went home, I started practicing eight hours a day, seven days a week at my parents house, I humbly moved back home, and still didn't know how I was going to break into the Rock and Roll scene. And after a year, I after a year, I decided to move to Indiana and start a band with a bunch of guys and somebody and one of their dads invested a lot of money into getting as a band truck lights, PA, and the business model was to write songs, get a record deal, record those songs, and then go on tour. And after three years, we didn't get a record deal. And I was like, Man, I don't know what what I'm going to do. So I decided I was going to move to New York City, which is one of the top three centers of the music business. And I ended up a week before moving to New York City. I have lunch with the singer songwriter, woman Bootsy Allen, who asked me what I was doing. I said you have gone to New York. Are you going to crush it good luck. And they said you know there's a guy in town I don't know if you've heard of him is John Coogan guy. He's on MTV, this new network and he's made records, you know, who is this? Yeah, for whatever. I wasn't a big fan of his music. It was very basic. And at that point, I was born to technique and chops, which is something you know, usually when you're young, you're like, you want to do more as more. But she said, yeah, man, he's they just got off tour, they were opening up for kiss. And he fired his drummer last night. And I was like, what, and I was in my head of going thinking the meaning of a god, that's records touring, MTV, oh, my God, this this is like being in the Beatles. This is what I dreamed about. I went running out of the restaurant, went to a payphone and called up books, there was no cell phones, and I call up my buddy Mike, and in the band and said, Look, I hear you might be looking for a drummer that got audition. He said, Call me back in two weeks, and we're going to try to sort some things out. And eventually, I do get a call, oh, he called me back. And I did audition. And long and short of it is I, I won the audition, because I prepared intensely practicing six, eight hours a day, trying to learn all the drum parts that were on the last record, a winning audition. And five, we say well, now Nellie making the record which I got fired on, as I mentioned,   Michael Hingson  21:20 then what happened after you got fired?   Kenny Aronoff  21:23 Well, that was crucial. That was a life changing moment, when John said, with a producer, I thought it was John, but it was a producer wanted to get this record done. And I had no experience making records. So he wanted to get it done in eight weeks, which is not a very long time to go toward a new band and do overdubs, get vocals and mix and master. So he wanted to bring in his drummers. And when we had a band meeting, and I kind of knew I could tell something wasn't right, my my spidey sense that something's not right. We had a band meeting and John told me I'm not playing on the record. And the words came out of my mouth and life changing. And he said, You go home at the end of the week, I said, No friggin way. Am I going home. And I remember the band looking like Oh, my God. Can't believe K Dick. Because you know, John was pretty tough guy is pretty tough. And so they felt what's gonna happen next. See what happened was happening there. As I was overwhelmed. I felt like a loser. I felt like a piece of crap. I felt like just I was every negative thing sad, you know, depressed, and I was bummed. He was stealing my purpose, my whole deepest desires. My whole reason that I'm alive. He was taking that for me. I just said, There's no way and I told them, I'm not going home. And that'd be like me telling you, you're fired. And you go, No, I'm not. I'm like, Dude, you're fired. And like, No, I'm not. And What don't you understand about the words you're fired? So I just, I mean, I am. I said, Well, due to my studio drummer, what? And he goes, Well, yeah, but you're not playing on the record. And I started scrambling, I said, Well, I'll go in the studio and watch these other drummers play my drum parts on your record, and I'll learn from them and I'll get better. And that's good. Fuchs, I'm your drummer. He was silent, didn't say a word. Shit. We're okay. You don't have to pay me, I'll sleep on the couch. And then he said, perfect. And that's what happened. And that was a life changing moment. Because if I had gone home, who knows what would have happened, maybe you've gotten another drummer. So that was a jaunt. To me in my autobiography, sex, drugs, rock and roll, he was saying, Wow, he really respected me for that, at that moment, he didn't realize I had that, you know, that I cared that much. And I would, you know, stand up to him and demand to be there. And he respected me for that. So how, yeah,   Michael Hingson  24:02 how much of it was ego and how much of it was really following your heart at that moment?   Kenny Aronoff  24:07 It was more about fear. And about following my heart, okay. No, I was like, I see what you mean about ego. I didn't want to go back home and I would have been ashamed to go back home and, and but but the fear of losing this gig and the fear of the unknown and what comes next was making me want to fight for what I had.   Michael Hingson  24:31 Yeah, um, you know, when there are a lot of people who are excellent in their fields, and they think very highly of themselves, which is fine, except that really detracts from the the team orientation which I know you understand full well. And so, it it's great to hear that it was really more following your heart and really you wanting to do the right thing. and having the courage of your convictions?   Kenny Aronoff  25:03 Well, yeah, I mean, I didn't see any other way out. And I've been banging my head trying to make it for four years after turning down the Jerusalem symphony orchestra. And I was 27. And I thought, Man, I don't know any options. So I want to do this, if I'm going to make this happen. And, you know, if I look back at my life, when I'm passionate about something, I make it happen, you know, it's easy to get along with me, I'm a great team player. But there is definitely a point where I will like, draw a line in the sand. And I might be very nice about it. But um, you know, I this is, I will fight for what I want. And it's usually backed by passion, and desire, and when anything is backed by passion, desire, or purpose, or bliss, or whatever you want to call it, you know, you're gonna, you know, you're gonna get what you want, and it's gonna be hard for people to convince you otherwise. And so yeah, that's pretty much, you know, when John was taking away my, my job, I saw no other options, and I'm seeing torn MTV, regular TV, and making records. And being part of a band that I truly believe was gonna make it and I was like, that, there's no way I was going to just lay down, you know?   Michael Hingson  26:29 Are you a person who reacts to things knee jerk reaction, although they may very right, or would you say that somehow you've internalized and when you make a decision, is because you've really thought it through, which doesn't mean that you have to take a long time to do it. But do you? Do you think that you are the kind of person who when you say, I'm going to do this, it's the right thing to do, is because you've really thought it through?   Kenny Aronoff  26:55 Well, it's both I mean, there's a lot of things I do, because I have thought it through. But there's no question that at any given moment, if something comes across my table, and it strikes me from a place of my heart, not my brain, but my heart, and my passion, I will react. And that's when I'll use my brain to maybe observe and ask questions. But many times I've said Yes, before even, you know, get deep into asking questions when something blows me away, and I'm excited. Paul McCartney called me up and said, I want to make a record with you. I mean, it would just be a mad automatic. Yes. You know, it before it find out no, we're gonna make it in Siberia. And there's no heat in the building or something. And I mean, I'm just gonna say Yes, right away, because it's Paul McCartney. And now Yeah, yeah.   Michael Hingson  27:53 Yeah. I mean, that would make sense. But you've also, you've met him, you know, him, you've learned to trust too. So it's not like it is an unintelligent decision to just immediately say, yes.   Kenny Aronoff  28:07 Yeah, I guess with pa Yeah, of course. But I mean, you know, take somebody else, you know, I don't know. Somebody. That I don't really know that well. Sure. You know, and I would if it's the right person, I'm gonna go Yeah, right away.   Michael Hingson  28:23 Yeah, well, yeah, exactly. But still, and the if it's the right person, part of it is very relevant, it still means that you've done some thinking about it. One of the things I love in listening to you tell the stories is like with John Mellencamp, you really said look, I want to learn now, if I'm if I'm your drummer, and there's a problem with this record, and all that, then I want to learn what I need to do. So it will happen again. And the real great part about it is that you say I want to learn, I love people who are always interested in learning and becoming better and don't think so highly of themselves that they don't have anything else to learn.   Kenny Aronoff  29:03 Well, no, that's true. You know, I've I won't mention names, but I remember going up to a very, very famous singer. And I remember saying I could see he was frustrated, trying to explain what he wanted me to do. I got off the drumset when went up to him, I said, Listen to there's nothing I can do. You know, uh, you just have to be very specific about what you want me to do. And I will do it. Because I can do it. And I want to learn I want to be great. I want to and when you're working for an artist, you're in a place of service. So I want to get it I know I can get it. There was just a disconnect for for for the explanation. And that took took a while to work out but the bottom I saw his frustration, but I was trying to let him know dude, I can do anything you want. I'm capable. And I meant.   Michael Hingson  29:55 Again, the operative part is it sounds like you worked it out.   Kenny Aronoff  30:00 Well, I've worked out enough, you know, I've done so many big show. I mean   Michael Hingson  30:03 with with that person, you're able to work it out. Oh, that person? Absolutely. Yep. Yeah, that's my point. And so you do, you do explore. And that is, that's a wonderful trading characteristic that more of us should develop. And we should have confidence in ourselves to know what we're capable of and know what we're capable of learning, and then go forward, which is what I'm hearing from you.   Kenny Aronoff  30:32 Yeah, absolutely.   Michael Hingson  30:35 The first time I did a speech in public after September 11, I got a call from a pastor of a church and he said, I want you to come and tell your story he had then I'd been on Larry King Live two weeks before first time I'd ever been on CNN and Larry King Live, but it was again after September 11. And I was used to being in a in a public setting. So it didn't bother me a lot. But this guy calls up and he says, I want you to come and tell your story. We're going to be doing a service to honor all the people who were lost from New Jersey in the World Trade Center. And I said, Okay, I'm glad to do that. And then I said, just out of curiosity, any idea how large the service will be? How many people will be there? And he said, Well, it's going to be outside probably about 6000. You know, I've never done a speech before. And my immediate reaction was, it didn't bother me. Okay, great. Just wanted to know, and I've done some things in church before, and I've, I've talked in some public settings, but not to do a real speech like that. Yeah. But, you know, I knew that it didn't matter to me if it was 6000 or six, four, for me. There were techniques to learn. And over time, I learned that good speakers don't talk to audiences, they talk with audiences, and they work to engage people and, and when the in their speeches in various ways, and it's so much fun to do that. But 6000 It really just worked out really well. And there were other people there. Lisa beamer was there, her husband was Todd Beamer, the guy on flight 93, who said let's roll and, you know, it's a pretty incredible night and I'll never forget it. But you know, you know what you can do and when you really know your capability, but are willing to share it and grow and learn. What more can somebody ask for?   Kenny Aronoff  32:30 Yeah, I mean, I, my thing about being alive on this planet is to get the most value out of this life. I'm not I hope there's something after this, but whether there is or not, the point is to get the most value out of this life when it's very short. So I'm not wanting to sit, I'm just wired that way. I'm not sitting sitting on a couch, just you know, hanging out on a daily basis. You know, I I've played on 300 million records sold. I've toured with some of the greatest bands in the day, as diverse as you know, the highwomen, which is Johnny Cash, and Kris Kristofferson whether James will Richard to Jerry Lee Lewis to the Smashing Pumpkins and Tony Iommi, from Sabbath to Boston Symphony Orchestra and Ray Charles and BB King to sting to The Beatles and The stones. And I feel fortunate that I get to play with so many different people because you get pigeonholed in my business. You're a rock drummer, you're a country drummer, you're this, you're that drummer. So and that that definitely ties into the ability to be able to connect, communicate and collaborate with people because who they want in the room with them. It's not just the most talented musician, it's somebody they want to hang out with. Mellencamp is to say, look at, I need people I get along with, I'm lonely on stage for two and a half hours. While the rest of the time I got to hang out with you guys. So I want people like get along with you. Right? You know, and I get I totally got that. Because the thing is, is that to get what I like about getting the most value out of life is that I'm wired to grow and learn. And the beauty it's a building, you know, a skyscraper, you know, the top only exists because you built the foundation from the bottom, you work your way up and you get, you have to be strong and you build and I don't believe in mistakes or failures. They're just events that get you to the top. And if the words mistakes and failures, bring in negative energy to your body, so I don't even use those words anymore. Everything's an event. Something that doesn't work out the way you want is a learning experience. It's a gift. And I'm like, basically Tom Brady, you know, you're always trying to get into the endzone. If you get if you fumble, you get sacked or whatever. Whatever life is filled with sacks and dropping the ball. He said where are you trying to go? What you Northstar or my North Star is the end zone. So that happened, what did I learn from it? How are we getting in the end zone? And that's where I look at life.   Michael Hingson  35:08 Yeah. Well, and, you know, to to extend your, your thought, I agree about the whole concept of mistakes and failures for me. And people have said it. And I and I firmly agree with, like Zig Ziglar, and others who say that there's no such thing as a mistake. It's a learning experience. And the question is, do you learn from it? And that's the real issue, do you learn from it, and I, I, where, after September 11, I started speaking to people and traveling the country and still do, and enjoy it immensely. But one of the things that I realized over the last three years with the pandemic is that I've never taught people some of the techniques that I learned along the way and used just because they came along, to not be afraid. On September 11, I had developed a mindset that told me that I can observe, I can focus and I don't need to be afraid. So we're starting to actually we're, we just submitted the first draft of a book about learning to control your fear so that you don't be an individual who when something unexpected happens, you let fear as I put it, blind you, you learn how to use that fear to help heighten your senses and direct you. And one of the things that I talk about is the whole concept of how much do you at night take time just to be introspective and look at the day? And what happened today? What what do I learn from this? How could I have done this? I was successful with this, but how could I have been even better? Or this didn't go? Well? Why? And what can I do about it and really think about it, you know,   Kenny Aronoff  37:01 that's good stuff that's very valuable, that says, that's a good way to learn, because you can learn from yourself. And, and, and sometimes we have to repeat things, many, many, many times to finally get the lesson. But if you do what you just said, and you take inventory and what went on that day, you could possibly learn that lesson way quicker.   Michael Hingson  37:24 And I've changed my language a little bit, I used to say that you are you're always going to be your own worst critic. And I realized that's negative. I'd rather say I'm my best teacher, if I allow myself to do it. And that is so true, isn't it?   Kenny Aronoff  37:39 Absolutely. That anything negative, you should throw out the window and pivot it, flip it to the it's always positive. And there's definitely always another narrative. And the positive narrative is always going to serve you better than the negative   Michael Hingson  37:55 always will. There's no great value in being negative and putting yourself down. You can be frustrated by something that didn't go the way you thought, Well, why didn't it? It may very well be that there's a legitimate reason why it didn't work out. But if you figure that out, and you allow yourself to teach you about it, you want to make you won't make the same scenario happen again. You will be successful the next time.   Kenny Aronoff  38:22 Yeah, absolutely. Yep. I totally agree with you on that.   Michael Hingson  38:26 So have you done anything in the music world dealing with rap?   Kenny Aronoff  38:34 I've never been on a rap record. But when you know, I remember being in the Mellencamp band. And that was a long time ago, I left in 96. I remember I was listening to some Snoop Dogg and I was grabbing ideas from those records and bringing it to melachim. That's what we were always encouraged to do. Back then they were budgets long we could make spend nine months making a record. And you could do a whole record sort of way and start from scratch. But I was getting ideas with ideas, loop ideas. I remember making sleigh bells on a song. Super I played sleigh bells on a whole bunch bunch of songs on early records in the 90s. And I copy that and John loved it. It's a different thing. And so yeah, in that regard, I did learn a lot from the rap music.   Michael Hingson  39:22 I've I don't know my my view of rap has always been I think it's a great art form. I'm not sure that I view it in the same musical way that that some people do because it's not so melodic, as it is certainly a lot of poetry and they kind of put poetry and words to to music in the background. But I also believe it's an incredible art form listening to some of the people who do rap. They're clearly incredibly intelligent and they're, they're pouring their hearts out about what they've experienced and what they see sometimes in ways that you don't even hear on regular mute. Music?   Kenny Aronoff  40:01 Oh, yeah. I mean, there's no question that it's, it's a, it's a form of music. It's a reflection of, you know, we're societies that you know, I mean, the arts will always reflect where people are at, and is a huge audience of there's a lot of people that can relate to this whole style of, of music or what rap is. It's a lyrics are very powerful in that they it's mostly centered around a beat and lyrics. And yet a lot of attention is drawn to that, as opposed to just take a band where they have, you know, two guitar players playing melodic lines and the keyboard player melodic line. And there's none of that really going on not not to the extent of of that in rap music. And although some people have added Dr. Dre at a lot of stuff, to the people he's worked with, like Eminem, but still, it's more centered around the voice the person.   Michael Hingson  41:04 And message and the message.   Kenny Aronoff  41:06 Oh, absolutely. The message. But you know, the thing is, is it's you, I guess it's up to everybody decide. You can call it whatever you want. And then it doesn't matter. If somebody's digging it. They did. They don't they don't is that?   Michael Hingson  41:23 Well, it is absolutely an art form. And it's an art form that should be as respected as any. In certainly it is to pardon the pun struck a chord with a lot of people and that's fine. And it's in it's great that there's so much of it going on. So what kind of tours have you been on lately? What kind of music have you done or what's coming up?   Kenny Aronoff  41:46 But I just finished the Joe Satriani tour. He was one of the greatest guitar players on the planet. Because it was just an evening with Joe Satriani. It's a very tech the music is very technical. It was, it was great for me because I was, you know, my, my technique excelled tremendously to play those types of songs. I'm going to Europe with him. See, April, May and how to June for nine weeks doing a thing called G four, which is a camp that he does in Vegas, which will feature the guitar players Eric Carroll, Steve Luthor, Steve Morse, C, Peter Frampton, and a bunch of other people. Basically, when I finished the Joe Satriani tour, I had 85 songs waiting for me to learn. Some of which I recorded my studio, I have a studio called uncommon studios. I tried to push back all the records I was going to make while I was on tour to when I got off tour. I did that and then I just finished doing a show maybe three nights ago with Jim Mercer and the owner of the Indianapolis Colts, who's showing his museum is so American collect collectibles as he calls it, a collection snatches musical instruments but it could be like, you know, American cultural type stuff like Abraham Lincoln's handwritten letters, you know, eases Wharton's writings, Muhammad Ali's gloves and belt from the thriller from Manila fight. I mean, it just goes on and on. And so I did a concert with him, but that featured like Kenny, Wayne Shepherd and Wilson from heart, John Fogarty, Buddy Guy, and Stephen Stills, and that was 30 songs. I had to learn and perfect. I write everything out. I know every tempo, I know all the song structure. So my goal is not just a drummer, but it's also to kind of keep everybody in it straight. And in line. We only have 112 hour rehearsal night before and the next day. It's, it's the show, so it's massive preparation. And next week, I'm going to do Billy Gibbons. So this week, on Thursday, I'm gonna do Billy Gibbons, a birthday party at The Troubadour and Swidler no songs, I'm finishing I'm starting to edit my second book. It's a self help book. It's about you know, living your life loud and how important time is in the short life we live. That goes into my speaking world. I have an agent and I do inspirational speaking, I'm mostly corporations. And so that book is kind of like, as a lot of the stuff that's in that speech, but a lot more with a lot of action items and takeaways. I'm just, I just put out a drum book. During the pandemic, a transition to my studio where people send me files, I make records for them, or I play drums on the records. I turned it into a place where new virtual speaking and now I may be launching a very a podcast with I have a whole team that will be you know produced to a director and everything, and I can do that from my studio, I have a wine that just came out. Uncommon wines just won an award. It's a cab serraj. Limited Edition. But yeah, I got a lot going on.   Michael Hingson  45:15 Well, and that keeps you busy. And it's obviously something that sounds like a lot of fun for you.   Kenny Aronoff  45:21 Absolutely. That this point, it's like, if it's not fun, I ain't doing it.   Michael Hingson  45:25 Yeah. Yeah, if you can't have fun, then what good is the world anyway?   Kenny Aronoff  45:32 It's up to you, man. It's up to you. You know, this, you know? We everybody has? Well, most people have options. So, you know, some people, you know, maybe less than others. But, you know, I just said, it's all in your mind. It's a mindset, you know, you can make things better, or more difficult. It is up to you.   Michael Hingson  45:58 And I think you really hit the nail on the head, if you will. Everyone does have options. And a lot of times we have more options. And we think we do we undersell ourselves, we underestimate ourselves, which is why I love doing unstoppable mindset. Because my goal is to help people recognize that, in reality, they probably are a whole lot more unstoppable than they think they are.   Kenny Aronoff  46:20 Yeah, well, exactly. But only you can figure out your power. It's up to the individual. And this is not a mental thing. This is an emotional thing. You have to feel your power. And and I think that's like a thing I call RPS repetition is the preparation for success. And that could be anything, anything you do over and over again, you get better at because you're doing it over and over again. And sometimes it takes longer to get somewhere with one thing then other things, but it's you can't just set it and forget it. You can't just like be successful one day and think that's it for life. No. I used to practice on the Joe Satriani tour, a song called Satch Boogie twice a day. And people go, why may you play that greatest said, because I played every day. And preparing every day? Yeah, playing it at night. That's why it sounds so good at night. And when I don't, then I usually learn a lesson that I need to do that I'm talking about the more technical things, you know.   Michael Hingson  47:24 Sure. Well, and that brings up the question of like, you're preparing to do the event at The Troubadour and so on, how do you prepare? What is it you do to learn the songs? How does all that work?   Kenny Aronoff  47:36 I've read every single note out that I'm going to play. Check out the church right here. For the viewers, I can hold up one sheet of music, very detailed. I write every single note out I got the tempo, and know exactly what to do, then I just drill it. I run through it. I practice the songs. When we're done. I'm going to practice that whole show tonight. Tomorrow, I'll practice it twice. And then Thursday, I'll practice it and then do the show.   Michael Hingson  48:05 Do you record your practice sessions? So you can listen to them? Or do you   Kenny Aronoff  48:10 know that that would be a real? That's a good thing to do? No, I don't. And it's no. That's a good, that's a great way to learn. But it's also time consuming?   Michael Hingson  48:24 Well, it well, it is a but you then get to hear it in a sense from the perspective of listeners.   Kenny Aronoff  48:32 So I do but I will I'm playing I'm listening to Yeah,   Michael Hingson  48:36 I understand. Yeah. And that's why for you, it may or may not be the best thing to do. I know for me, when I do a podcast interview, I will go back and listen to it again. And I do that because I want to see how I can improve it and see easiest way for me to do it. I listened to myself when I'm talking. And I listened to the person who I'm talking with. And I do my best to interpret their reactions and so on. But still, for something like this, I get to learn a lot by going back and listening to it. And as I as I tell everyone I talked with about this, if I'm not learning and it's the same thing with speaking if I'm not learning at least as much as my audience or my guest. I'm not doing my job. Well. Yeah.   Kenny Aronoff  49:27 Well, you don't I mean, there's no question listening to what you do is great. Great way to learn. I'm using is moving so fast and doing so much that just Yeah, I don't have time. But that's no question. I think that's a great way to learn. You know, and when I see myself I feel myself speaking. Oh my god, that's so humbling, right? Yeah. Oh my god. And   Michael Hingson  49:51 it's such a when you're speaking and you're doing an auditory thing like that it probably is best to go back and listen to it. I remember when I was are at the UC Irvine radio station que UCI and was program director. I worked to get people to listen to themselves. And they they would record their shows. So we actually put a tape recorder in a locked cabinet, a cassette machine, and we wired it. So whenever the mic was live, the voice was recorded. And then we would give people cassettes and we would say that you got to listen to it before the next show. Yeah, it was really amazing how much better people were. At the end of the year, some people ended up going into radio because they were well enough. They were good enough that they could be hired and went on to other things. Yeah, and it was just all about, they really started listening to themselves and they realized what other people were hearing. Yeah, no, that's,   Kenny Aronoff  50:51 that's, that's a great, I think that's brilliant. You know,   Michael Hingson  50:56 it's a it's always a challenge. So, so for you. What was the scariest or the, the weirdest show that you ever did or performance you ever did?   Kenny Aronoff  51:10 Well, probably the most one of the more scary moments in my life was when I was 20. Barely 23 And maybe I was still 22 I for my senior recital at Indiana University. You know, I was a performance major. I got you the way we learned how to play melodies and have that type of education because we play violin music or cello music on marimbas. Well, for my seniors I pick the virtuoso Violin Concerto that Itzhak Perlman played as his encore, in his concert I saw when I was a freshman, and so beautiful, but highly technical. And I spent one year, two or three hours a day, learning that one piece one of four pieces on my senior recital. And it was I learned it so well, that my professor won me to audition for concerto competition, and I won, which meant that I performed that piece with the 60 piece orchestra in an opera Hall bigger than the New York met, which is an Indiana University. Now granted, this is the number one school music in the country for classical music. So this is there's no handholding. There's no coddling, there's no trophies. This is like being I want to almost say like being a Navy Seal, especially with my teacher. But that guy helped make me and I was the right student for him become who I am. And the discipline that I learned from was extraordinary. But anyway, I've never, you know, usually when you're a percussionist, you're in the back the orchestra. So this was the hear the rolling the marimba out in front of the this big concert hall. And I'm in the wings, you know, with a tuxedo and I walk out like the solo violinists. And I was crapping my pants in the whole thing was memorized. And oh, man, I was terrified, but I crushed it.   Michael Hingson  53:14 Well, you took control of your fear.   Kenny Aronoff  53:18 I do well, I tend to I tend to take fear and use it as as a not a weapon, but I use it. It'll alternative the power, it is power. But on the other hand, we do have the ability to sabotage ourselves. And that's something is a child would do. Because you have self doubt you're small. everybody around you is big. You've got parents, teachers, coaches, whoever telling you, Kenny, that's wrong, bad, bad, bad. And as a little guy, you know, you're trying to please everybody. Then maybe my teachers saying to me, sometimes when I make a mistake, he'd look at me go, Kenny, are you afraid of success? And I'm like, What is he talking about? But realize that when you're younger, you start to think you're gonna make I'm gonna mess this up. Oh, here it comes. And you do and you do. But now that I'm older, I realize from this, this I hate that so much that I want to be successful so much. I overpower any of those feelings. I'm like, it's more like I got this and I'm gonna get it. And I meet believe it. But I can't tell anybody listening. There's a quick remedy for that. You don't take a pill and all sudden you become that? That's a long talk because I used to think how long am I going to end up being like this why sabotaging myself where your fear takes over. Now, I use my fear as my strength. I don't even know if I want to call it fear. Somebody says you get nervous when you do Kennedy Center Honors or any of these shows. At this point. Hell no. I don't get fearful As I get serious, I'm like in the Superbowl, and I know I can win. But I also know that things will not necessarily go the way you want. Because you're not the only one on that stage. Right? People, it's my job at any moment to be able to adapt, or die. You adapt immediately. You fix it, or you die, and I'm not about dying.   Michael Hingson  55:25 Have you ever had any experiences when you were on stage? And in a sense, you blew it? But then you recovered or anything?   Kenny Aronoff  55:34 Oh, yeah. Okay. Well, what you want to call blow it blowing, to me would be just one note in the wrong places. To me. It's nothing I don't like but the huge. The place I'm in now is I know very, very, very. I know how important is to forget about that. And to stay focused and stay in the game. It's like Tom Brady getting sacked. And his two minute drill to win the game. He gets sacked. He's got to be you can be pissed off for a second but he's immediately focuses on endzone, touchdown, endzone touchdown. One thing I learned from that experience, we aren't run in place that direction, the more we're doing this, you take it and you flip it, it becomes your power. So when something goes wrong, there's a part of me Of course, it's like really pissed off. But I also understand deeply in my gut, that you've got to blow that off and focus on how you're going to be a bad mofo. And I don't talk about my mistakes. A No, I don't have mistakes, I don't talk about the things that don't work out. Because you don't want to talk about them, you're giving it too much power, you just move past it. If somebody brings it up to you, you then can have a discussion. But unless somebody brings it up to you, you just move on, you don't think about it, and you don't dwell on it, because that will weaken you   Michael Hingson  57:00 every time. Absolutely every time. And you know, it's as we said, it isn't No, it isn't a mistake, you you did something, you played a wrong note, but you really spend so much time practicing, you do get it to be and I don't use this as a way to negate it, it becomes very rote. By the time you're playing in the actual performance, you have really worked to make sure that you truly understand what the event is, what the music is that you're supposed to be playing. And you're used to it. I would also wager that no matter how much you practice, when you get up on stage, now you're in a dynamic where you have the whole orchestra or the band or whatever. I wouldn't be surprised if there are times that you adapt on the fly as well.   Kenny Aronoff  57:54 Absolutely you do. I mean thing is, like this concert I just did with all these great artists, they were, you know, people, I have everything written out. But people would drop in courses are dropping parts. And I adapt and I direct, I help people, you know, or if I if I, if there's something I space out or something, I'm very quick at self correcting. And, you know, making it work out.   Michael Hingson  58:22 That's what it should be.   Kenny Aronoff  58:24 That's what exactly that's what it should be. Yeah. And and you, you you will let yourself down, if you get sucked into this bloody ego in, in getting drawn into Oh, woe is me and failure and all that. You got to push that aside, you got to be centered, like, like a Navy Seal or a warrior king, you know, or warrior queen, where you people are looking to lead and looking to you for strength and wisdom. And I want to be that person, I am that person.   Michael Hingson  59:03 And at the same time you also know when you're leading, if you're a good leader, you know when to let somebody else take the lead because they have a skill that works in that particular moment.   Kenny Aronoff  59:15 Absolutely. I call it lead them to lead. Hmm. Help them lead assist them to lead without saying anything. You do this your job to help them feel like they can lead.   Michael Hingson  59:30 So how did you get involved now in starting to do public speaking kinds of things and travel around and do some of that?   Kenny Aronoff  59:38 Well, I wrote an autobiography called Sex, Drugs, rock and roll and people were asking me to speak a little bit. I had done about 30 years of drunk, drunk clinics masterclasses where I would speak it was a show so but to speak. Like we're talking about I had to really work develop a craft it wasn't you know, I I worked to some writers, I built websites and got rid of them got different ones, I went and spoke to an agent and he told me what it really means to be a speaker what you need to do, I did what he told me doing, came back to him two years later, and showed him what I had done. And he was blown away. He said, I want to work with you. So he started, we started working together, and he started telling mentoring me and I started to put together a show. So filmed, you know, and I kept developing it and honing it down. And, and now you know, I've got, you know, teamwork, leadership, innovation, creativity, connecting communication, collaboration, realize your purpose, staying relevant speech. And it's I do perform. During the speech, I have a set of drums there, that's the entertainment part. People want to see me perform, because I'm a drama. But the the message is very powerful. And it's it. It's not just, I mean, I've done this, my success in the music business is a proof of, you know, how to go from this little kid from a town of 3000 to 40 years. Well, not 40 years later, it's a lot years later. And after that, at this point, it's 60 years later, how I became what I had, how they became successful, successful, and they've stayed successful. And a lot of those skill sets. And what I learned in the music business applies to these other businesses I do, which also applies to other people's businesses. So I speak about that. And just to answer your question a little bit more specifically, I just, I put together a show I have an agent, and we've been building off of that. And I just am doing more and more of that.   Michael Hingson  1:01:48 Tell me about your book a little bit.   Kenny Aronoff  1:01:50 Well, sex One immediate the autobiography, the one one,   Michael Hingson  1:01:53 now the firt. Right now, the autobiography The first one.   Kenny Aronoff  1:01:57 Yeah, that's basically my life story. It's about how I came from that middle town of Western Mass Stockbridge and how I went to, you know, how I went from there to where I am now, basically, in a nutshell, and there's all kinds of stories, you know, Smashing Pumpkins, Bob Seger, John Mellencamp Bon Jovi, The Rolling Stones, meeting Bill Clinton, you know, there's a little bit of funny stuff, there's little bit of drama, is a little bit of rock and roll wildness. But the bottom line is the big message that the thread through the whole book is, I've worked my ass off and still working my ass off.   Michael Hingson  1:02:36 And I hear you stay in great shape. I must be from all those beating of the drums.   Kenny Aronoff  1:02:41 It is. But it's also I in my new book, I have the healthy life as a wealthy life, which is a basic eight step program on how to stay healthy, which affects you mentally, physically, emotionally, spiritually, you know, I won't go through all the details of it. But it's, it's definitely a setup. And you know, I'm aware of what I'm eating. And you know, I'm not perfect, but I'm aware of everything I put on me. So in other words, if I have a day one, eating not as well, as I, as I usually choose to, then I know how to make up for it the next day, and I do exercise every day. And of course, playing the drums. I mean, you're doing a three hour show. You're burning 1000s calories. Yeah. So there's that, you know,   Michael Hingson  1:03:24 which is, which is really pretty cool. And so you're, you're in a profession that keeps you active anyway, which is which is good. You cannot it's hard to tough to, to argue with that, isn't it?   Kenny Aronoff  1:03:38 Yeah. It's great. It's phenomenal. I love that unit.   Michael Hingson  1:03:42 Did you self published the first book? Or did you have a publisher,   Kenny Aronoff  1:03:45 I have a publisher for that was a hell, Leonard backbeats, which is now there now is Rowan and Littlefield did an audio version, this new book I have is is going to be self published. I am working in writing it for the second time. And it will be they have a marketing team. And but I own the book. And I may possibly look for a publisher after that. But this new book is more self help book. It's basically as I think I mentioned earlier, it's taking what I'm seeing in my speech, but with a lot more information, extending you know that information. So people can you know, if they want to hear more about what my my philosop

The list of legendary drummers that played with the late Wayne Shorter is absolutely incredible. Mark Griffith takes us through each album and stage in Waynes career and which iconic drummer was involved at any given time. Just to name a few, he played with people such as Art Blakey, Tony Williams, Jack DeJohnette, Elvin Jones, Ndugu Chancler, Peter Erskine, Bryan Blade, Jeff Porcaro and that is just barely scratching the surface. Mark is the Editor in Chief and Director of Content/Education for Modern Drummer and he has tons of great first hand experiences with many of these drummers who all held Wayne Shorter in the highest regard possible. Keep up with everything Mark does for MD by subscribing to the Magazine via www.moderndrummer.com *The Questlove documentary I was talking about is called "Summer of Soul" from 2021 **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast

Bruce Becker has written a brand new book that takes the iconic "Progressive Steps to Syncopation for the Modern Drummer" by Ted Reed to the next level and gives Bruce's signature teaching approach to one of the top selling drum books of all time. Bruce's new book is called "The Ultimate Guide to Syncopation: Concepts for the Development of Motion, Melody, and Independence. Bruce starts the conversation by reminiscing about his former teacher Freddie Gruber, and then we dig into the Why, What and How of creating his book and accompanying videos. Checkout everything at www.brucebecker.com and keep up with him on social media by searching for Bruce Becker. Here is Bruce's previous episode all about Freddie Gruber: https://megaphone.link/GS4119073557 **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast

John's guest is Abe Cunningham of the Deftones. In this episode, Abe and John chat about a variety of subjects, including Abe's drumming influences, forming the Deftones and building their huge following through hard work, touring, the band's songwriting and recording process, e-drums and hybrid drumming, and much more! Throughout it all, there's no mistaking that Abe loves playing drums and is one of the coolest and most down to earth guys you'll ever meet. Check out this episode! Subscribe to Live From My Drum Room! www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoomhttps://linktr.ee/live_from_my_drum_roomhttps://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Denny Fongheiser grew up in the East Bay of San Francisco in San Leandro. Playing drums at a young age. He was influenced by the East Bay Funk and Soul scene of Oakland. His dream was to move to Los Angeles to play on records and tour with recording artists. Denny moved to LA at the age of 19 and not only achieved that dream, he became one of the most in-demand session and live drummers in the business.   Whether playing, producing, writing or arranging, Denny Fongheiser focuses on embracing a great song and bringing out the best in each artist. He can be heard on countless multi-Platinum, Grammy, Oscar and Emmy winning recordings, traveling extensively between Los Angeles, New York, London and Tokyo. He's toured the world many times over with top Domestic and International Artists. Denny's written and arranged for countless National TV & Radio Spots as well as creating remixes for various artists. Recently was a producer/musical director for a new rock opera. He co-founded “Sonic Bliss Productions” with his partner Kimberly Adamis. The company focuses on creating, developing and producing music, photography & other media art on an international level.   Just a few of Denny's credits include Heart, Tracy Chapman (including her mega hit Fast Car), Counting Crows (including the hit Mr. Jones), Seal, Peter Frampton, John Paul Jones, Bruce Springsteen, Roger Waters, Boy Meets Girl, Shawn Colvin, Freddy Mercury, The Lion King soundtrack, Tom Cochrane, B'z, Maeda Nobuteru, T-Bone Burnett and was the drummer on I'll Be There For You, the mega-hit theme for the hit TV show Friends. The list goes on.          Some Things That Came Up:  2:20 Moving to LA in 1980 and the power of MTV 3:30 Change is good and diversity is king  5:15 Producing and Writing  7:00 Technology Evolution and never stop learning  8:20 Synares, Clicks, Linn Drum, Simmons 12:40 Sequencers following the drummer's time 14:00 Recording in London, NY and using house gear.  16:00 Eliminating old gear.  18:20 Using pro tools to achieve results as opposed to HAVING to get the take in years past.  18:50 Good “Out of Time” vs. Bad “Out of Time”. 22:20 Using Percussion hyper-creatively. 24:50 Changing setups to motivate creativity. 27:20 Tuning hand drums to the track  29:00 Analog sounds for digital effects 31:50 REMO Mondo snares and Spoke. 32:40 Tracy Chapman debut record. 34:30 Hal Blaine advice: Dark chords=use toms, not cymbals. 37:20 AUDITIONING to play on the Tracy Chapman record. 38:20 Moving to LA at 19 years old.  42:10 Triggering on the Cock Robin record.  48:00 Keltner's advice to play live.  50:30 Do what you are supposed to do and the money will come.  52:50 Counting Crowe's “August and Everything” … 61:30 Modern Drummer cover issue with the LA session drumming round table…circa 91'.  64:00 Be your authentic self. We are the best at being OURSELVES.  67:00 Recording songs for the film “Thing Called Love” at Capitol. 68:50 Recording Brian Setzer's “Live Nude Guitars” at age 25.  69:40 CASTING  the right musicians for every project.  70:30 Opportunities coming through the least expected paths. 74:40 Introverts: GET OUT!  77:00 Small union gig led to a 3 month tour.  79:00 Being open to the signs from the Universe. 83:40 Playing on the theme song to FRIENDS  91:30 TV/Film work vs. records and payments  94:40 Producing the rock opera “Staring Into Nothing” 100:45 The DW 50th Anniversary Party         Follow:  www.dennyfongheiser.com IG: @dennyfonghesier FB: @dennyfonghesier     The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com RICH REDMOND  Drummer, Speaker, Author, Host, Actor www.richredmond.com

David Frangioni, CEO of Modern Drummer, makes an exclusive announcement about the future of Modern Drummer right here on Drum History! Not only do we learn about the exciting news, we also get an update on what has been happening with the magazine since the Frangioni family took things over in February 2020, just weeks before the pandemic changed the world forever, and how this has shaped the exciting new plans for the magazine. David then takes us through his life which began with eye cancer as a child and his persistent rise to the top in the fields of music, technology, and collecting. This is a really good one that is full of great information! *Join the Drum History Patreon to hear a bonus question where we discuss David's involvement in the development of Pro Tools and the development digital recording* https://www.patreon.com/drumhistorypodcast Here are the Davids links: www.moderndrummer.com www.consequence.net www.davidfrangioni.com www.frangionifoundation.com www.allaccessida.com www.frangionimedia.com and here is the link for The Quiet Riders new album with Josh Kanusky on drums. This is available on all platforms - here is spotify: https://open.spotify.com/album/5IuDANYE4MlGC5rCM6aDUw?si=Zq_PpDj9T064qcnutllaRA **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast

Earl Bennett has been a collector and enthusiast of US drum magazines for the last 40+ years and he shares his vast knowledge of known magazines like Modern Drummer, Drum!, and Rhythm plus other lesser known ones like Traps, Classic Drummer, and Talking Drum. We discuss the many different styles and variations of magazines through the years and how they had to pivot in the digital age to stay alive as long as they could. As of 2023, physical drum magazines have become few and far between but will always be an important part of drum history. Earl has a great YouTube channel where he hosts interviews, plays covers, and discusses this collection. Check him out and be sure to subscribe to keep up with Earl. Check him out here: https://www.youtube.com/@earldrum Here is his the video that Earl originally made that prompted this episode: https://youtu.be/7C1P883X6LE ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN **JOIN PATREON** https://www.patreon.com/drumhistorypodcast

When drummer Antonio Sanchez released his album Bad Hombre back in 2017, he was responding to a few events that took place in his world at the same time.  On a political level, the music was a response to the racism of the Trump campaign against Mexicans. In fact the title of the record Bad Hombre seemed to be an answer to Trump's assertion that a wall needed to be built at the US Mexican border in order to get the “bad hombres” out of the US.  An immigrant from Mexico himself, Sanchez reappropriated the phrase. Itseemed, in fact, to be a perfect fit for him because not only did it work as a form of resistance - by using the term he made his feelings clear without having to say too much about it - but it also borrowed from the jazz vernacular. You know, when musicians really respect someone, they will often refer to them as “bad”. And in that context, Antonio Sanchez is definitely a bad hombre. Sanchez moved to the US in his early 20s from his native Mexico to go to music school. One of his first teachers, the Panamanian born Danilo Perez, was a supporter, and their work together was one of the early launchpads for Antonio.  While he was playing with Danilo, the guitarist Pat Metheny heard him, and that led to a musical relationship that has been at the center of his life for 20 years. Sanchez went on to become one of the most sought-after drummers on the international jazz scene. Has won four Grammys, and has been named Modern Drummer's "Jazz Drummer of the Year” three times, and appeared on the covers of all the big jazz magazines.  From early on he thought about drumming, and particularly soloing, as a form of storytelling. He says “I'm a sucker for a good story.” So it was only a matter of time before some great storyteller would find a way to use Antonio Sanchez's drums to help tell a story. And that was exactly what happened when the Mexican film director Alejandro González Iñárritu asked Antonio to do an all drum score for his film Birdman in 2014.  The film went on to win three academy awards and the score earned Antonio awards (including a Grammy for Best Score Soundtrack for Visual Media) and nominations at the Golden Globe and BAFTA Awards. As significant as the awards and accolades were, maybe more significant was that the sound of Antonio's drumming truly entered the zeitgeist after Birdman. And though he hadn't planned for it to turn out that way, he realized that the level of expectation, curiosity, and even pressure on him to follow up that success with something equally resonant had risen.  So when in 2017 Antonio went into his newly built home studio to record Bad Hombre, he had a lot of psychic energy stored up and ready to use. He made an entirely instrumental solo record, he played all the instruments and did what has become his trademark production work of mixing drones, samples, programming and live drumming. In fact the only collaborator on the record was his nonagenarian grandfather, the Mexican actor Ignacio López Tarso who appears on the first track.  Five years, one pandemic, a few political cycles, and a handful of other projects later, he's back this year with Shift: Bad Hombre Vol. II. This time the list of collaborators is a bit longer.  Somewhere in the dense fog of the pandemic, Sanchez decided to ask some of his favorite singers and songwriters — for material he could deconstruct and reimagine. The result sees Dave Matthews & Pat Metheny, Trent Reznor & Atticus Ross, Meshell Ndegeocello, Lila Downs, Rodrigo y Gabriela, Kimbra, Ana Tijoux, Becca Stevens, Silvana Estrada, MARO, Thana Alexa (who is his wife)  & SONICA sitting in on their own tunes — or ideas co written by Sánchez. The idea of “shifting” might not only apply to the songs on Bad Hombre Vol. II, but also to a change in Antonio's approach - In the first Bad Hombre release, he was extremely political. Over the years, his outrage and fury with Trump and the turmoil at the US–Mexican border muted – and Sánchez himself “shifted” how he thinks about what he does, and where he wants to go next.  We talked recently about that search, the same one that started back in Mexico when he was a competitive gymnast, classical pianist and aspiring rock drummer and brought him all the way to where he is today, the Bad Hombre. www.third-story.com www.patreon.com/thirdstorypodcast https://www.wbgo.org/podcast/the-third-story

In this week's episode, John talks with drummer, educator and product designer, Pat Petrillo. John and Pat do a deep dive into Pat's latest and critically acclaimed record, "The Power Station Sessions” which features Nile Rodgers, John Popper, Oz Noy, Lenny Pickett, Felecia Collins and Glen Burtnik. Pat takes us into the recording process, his instrument choices, and song material. Pat also talks about drummers that influenced him, his years in drum corps and developing technique, and much more! Pat will be featured in an upcoming issue of Modern Drummer! Please subscribe to: https://www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Mike and I start by discussing the DW/Roland acquisition that has been on everyones mind since it was recently announced. He uses his industry experience and knowledge to shine some light on what might be happening with this shocking announcement that took the drum world by storm. We then go through some historical examples of what happened to the big four drum brands (Gretsch, Ludwig, Slingerland, and Ludwig) and hear about the ups and many downs of those acquisitions. Mike was the managing editor of Modern Drummer for many years and is now the Chief Creative Officer at Drum Factory Direct. Drum Factory Direct site: https://www.drumfactorydirect.com/ DFD YouTube Channel: https://www.youtube.com/channel/UCqTrh62hAxjR2TuexdJS13A/featured Drum Click Podcast Network: https://www.thedrumclick.com ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/LP6mJ3 ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652

John's guest is the legendary Jeff Hamilton! In this episode Jeff talks about his early drumming influences, attending Indiana University and studying with the great John Von Ohlen, joining Woody Herman's band in 1977 at age 23, and being invited by Ray Brown to join The L.A. Four in 1978 and relocating to Los Angeles, where Jeff established himself as one of the most versatile and sought after drummers. Jeff shared insights on his ride cymbal beat, brush playing, his approach to achieving his organic drum sound, his equipment and developing the products he uses and endorses. John and Jeff also talked about their history going back over 30 years, with lots of great and funny stories.

John's guest was Mike Dolbear, well known drummer, teacher and Drum Industry figure. Mike talks about writing his book, “Rhythm and Fills,” launching www.mikedolbear.com, his love of teaching and some of his students who have gone on to being successful, as well as him studying with the great Kenny Clare. He also talks about his role in the global Drum Community organizing and promoting clinic tours, creating the "Young Drummer of the Year" competition, "The Ultimate Drum Experience” organizing 1,000 drummers for the opening ceremony of 2012 Summer Olympics in London, and much more!