Podcasts about pianists

This week on Jazz After Dinner, Joe is  featuring Pianist Lennie Tristano from his 1956/1962 Atlantic Records recordings, titled “Lennie Tristano/The New Lennie Tristano.”

Nobody put baby in a corner In the blue light, I deny you Why ask if you're alright When I'm still crumpled up behind you All publicity Stint My growth is altered I want love You i don't know how To I am a monster I am a monster Joel I am a monster Make me feel Holy lighti I divide my lifht Between Divine And Denial So I deny it Denial I hide you Why Cause I like you Let's blow things all out of proportion Media media Publicity stunt And a drunken stupor I got my God at Coachella night one I got my blinders on I got a knife in my pocket A1 steak sauce anyone Well done, Harper Well done, Onyx Now where goes the dolomite! Lodestones I lost one Carry on Four kings My stream of conciousness rocks out My people are earth and your people You see that? Reach out I'm only a comic, comet Reach out! I'm in denial No conciousness Alright? Harper Long road High Road Short ones. You like Tall blondes I like Waffles You know? Can't we all suffer morbidly? (I'm in denial) Write one Right one Higher up off the red carpet I'm looking for something? Nothing, Internet shopping, A long road The more would have I The more horrible I am a monster I am a monster I am a monster Devil next door, and I I am a monster I am a monster And one And one And one I sent an angel Or five I'm a monster I'm in denial I am a monster Bloody conciousness I'm in denial So I deny Monster So I deny it all Encore! Encore! Run the score up Could be anything you know Bloody stream of conciousness Bloody streams and —leave it up, then I do not believe it Pandemic, Actors and then Publicity stunts for nothing Robbers. I'm not even good enough to be good enough for you. Morbid. I made Billie Ellish laugh so hard, The whole world noticed; Then everybody wanted to know me, Numbers, She goes, “I love electronic music” I said, “I have a lot of it.” But I thought Not nearly enough of it, I thought Not nearly enough, I think. Not nearly enough What did you do with six cinder blocks And Stop it What did you do with six bricks And a fortune What do you with with my Headache? Stop it? I want nothing more than an encore, I told them An encore, I said Not the Renaissance Encore I promise: As awkward as it all got It's coming up For once my stream of conciousness Is into something Lover lover lover Keep them coming Roll the dice and Tell me something, Schubert Tell me something, Harvard Tell me something Tell me something Science Why I don't like you I watch the tonight show. I try to find you But find her And her and her At night I dream of him Joel Her And her and her Wanted a lover A show Her and her and her A son and a daughter A mode Her and her and her Here and there and on again I know her and her and her I like Her and her and her I love Her and her and her I know her and her and her I am her and her and her I wonder what would become of us All And the body Were we not so old Scrap metal Carry on while I call my son And wonder what in God Was left after us Hostile motive Wonder wonder I've got nothing left to ponder I want Mark God Dawn Nah Nothing kept secret left Ponder what, helmet Tell you what, Talmud I like the host of the what's it called Danger show Brothel Brothel Opera Opera May Day May Day May is coming So I August I want nothing more Than the great big mouse on magic mountain How's that? … Sam? Flatline? Don't leave us. Encore. Where's he going? Nothing. Awful. I've been drinking. How about not? And well, we're all against the tide when ocean's coming Aren't I, Hollywood? Great big swell and a sailboat Ugh, why am I mad?! That's the old goat! Rock and Roller. Hall of fame god. Prostitots and brothels Some chord and three thousand year old Google documents What you want us! All I was worth was A special on $200, just under What did you want? An umbrella? I told you, the shit show was coming now Cry me a river! Cry me a river! Cry me a river! New York was a sold out show In all non concious conformists Look at God Go. I was all at the surface Sure you wanted a Harper A harpist Pianist and I've got suffering! Call my son back! I've got window pains And window panes And widows makes the none of us I might as well have died when I lost I might as well have died when I lost her — oh, but the husband had already had Her and her and her So no father was he to a daughter And she went beyond that, Calling for brother. Now who are I? Emotionally immature maggots. I sank ships over hatred I called mayday belatedly I show off in Morse code in a mouse head Now who's the helmet!! Now who's the— [BLACKOUT] [The Festival Project ™] Jimmy murmured somethin bout Joel Pilot took a plunge Now the old Rock is 1 for the 1 one Minus President Trump In the back of the car But if I pop the trunk Then we all have a gun in each hand, Huh punk? One for the road Bottle full of sauce I called the boss for the map And we all got lost on the run Interstate map as old as The all of us totaled up What does infinite cost? Two humps and a Tesla? Some hummas? A couple of rocks, and some hot sauce? All got a gun And we all got a God Can't we all get along Backroads, no Feds So it's all gonna cost Got a cot for the tour And a word for the world And a heart full of gold And a house full of fire Can't we all get a long Now we all got a God Call Conan, We all got a hook and a rod Call God, brah Nobody the friend to the world And we all got a girl And they all got problems Now we got a car On a train up a mountain A coin in the fountain A gun in each hand And a phone card Somebody call the opera Or better yet, Harpo, long God Long time We all got a song Somebody mumbled The troll to a hall far A hymn to a poem And a bump on a log Timber timber We all got garages Timber timber We all got a gun Timber timber We all got windfalls Windmills Blond dykes Klondikes Assholes Mayday Long trucks All got blondes All got a God All got a soul All made of gold And we all got goals here, miners Mumble the words of the poem Somebody left a voicemail At one point, though We all had a mom At one point though, We all had a blonde At one point, though we all got a God At one point though, We all got a song Now all we got is cars Long roads And guns At one point, though, We all got along At one point though We all fell in love At one point though we all had a Mom Now I'm so polar Bearr's on the run But we all got a song And we all got a thought And we all got God Now we all get along In the cars With the guns On the road With the blondes Cause we all got a song And we all got Moms And they all got blonde hair Moms got a gun, Hey, Mom's got a song, Hey, Mom's got a son, Hey, Mom's got a thought, Hey, Mom's got a God, No, mom's just a God, Huh, That's what you want, By the light of the sun And the sound of a gun And we all got a rap And we all got problems All got long days All got wants And we all got a God, so God's got problems. — I gotta solve em. Psychic tears and solvents— What do you want Joel? I got problems, I got a son! I got ten songs out, Ten albums so far, Nobody loves them Nobody loves me, I got problems, I got nothing I got too much to really be loveless, Yet, Here I am, Just watching WHAT. Call up my son, Ask him for a joke And the weather forecast I got a whole skeletal system of broken bones And a whole body cast Castrate this diamond, Call up the tin man— Tin man?! Cowardly lion And the straw hat, Call up the — what are those? Lollipops! No, I don't want that I just want a home with some tall grass. I'm really about to whoop this girl's assless ass and she knows that. She has to. Chilling in the bath though But Can't afford a bathrobe I collect Windfall I call the dolphins Shatter that asshole Staggered on stage, then Slandered my hammer, gathered up passwords X1, aren't I? Doctor? I've probably got a straw hat Don't have a heart, though Probably just a robot Somebody tried hard Guess I need a doctor Wombat? What? She looks like a wombat. Damn, dog. Bleed! I came from the world with the no sleep Bleed! I came from the world with the bonfires! Bleed! I parked my car in the palisades. Bonfires! I parked my car in the palisades! Bonfires! I pitched my tent in the Malibu mountains! Bleed! My coworker babysat in Calabasas! Bonfires! Pig and Whistle could spin slick but still doesn't own an apartment! Apartheid! Noah died on all of the story arcs, besides ours. Non partisan! I went to work on a cold hard Monday. Daughters! I wrote the poor some porridge, and they didn't want that! Pesticides! Still a stream of conciousness? I thought he was sober! Bonfires! I got no room for my heart, SO I CUT IT OUT BLEED. Fires. BLEED! Fires. BLEEEEED. Alright, you won. I need my medicine, Medicine, medicine I neee my medicine… Who are I, God? I need my medicine, medicine Medicine— I need my Really, a face with the Bandit? If Seth wants the role, he can have it. Which Seth? Exactly. Bad Son. Deadmau5 Hats off— Actually, a helmet Actually, a deadman. Who cried lurking? Who calls Art Lord? Why, Sir Jyre! My art deposit's on John, man. Art world Awkward Harvard? Aavark? An assless advark. Don't stalk me when I'm hark the halrold hallmark cards and half washed alters! (The last day of Passover, Easter Sunday) Don't pseudoscience Your gross meds have no stream of conciousness at all Your meds have no conciousness at all. Why yes, I terminal hate you, Mr. famous We broke up at an airport over coffee I dream your head But never just the body That I yearn for I'm trapped inside a suffix That was earned from just a metaphor I grasp at mediocre, As Flo said “I would have aspired to be a struggling actress” I would aspire just to b an arifaft A sanctioned little blonde In front row VIP With the pasties on Oh afterparty? Models and bottles and bodies And blondes Brunettes and redheads And a couple of ours with extensions And a dye job Long legs Court covers And awards, Having proven subtle standards set by All of yours When all I want is Hallmark cards. Hold that thought. Rinse out the conditioner Do you get the picture or not?! I don't live here! Do you remember the fact that I've been here Just a minute in my time— Into you! It's infinite forever. Forever, we'll. Forever. Ten minutes in and I don't remember any of it. Ten mirrors ten men and ten hammers, the hammer. Ten tonsils, ten fingers, ten toes and my hall award Ten helmets, ten cars in garages Ten mortals Attention, attention I've written a symphony! Attention, attention! I'm living in misery! Attention, attention, My toys in my toolbox: Attention, attention, My girls and my others Attention? Attention! I'm ten minutes into this Attention, attention. I bet you'll remember this. Mission accomplished? Yes, major. Detective. Agent. But I won't. No, I'm not okay. I'll never hold my baby again. No, what's my shoe size? Too grand? So I hideaway Then, I'm a Marxist, Forgot my own mantras I'm probably home, But no address to mark it Off the map Off the grid What's I miss Nothing much here Contact works Contact breaks Contact lenses Like my hazels? Like my blue eyes? Are they gorgeous? Still, I'm darker Forge the caverns, Then, there's this flaw: Seven numbers You're just like God, Only darker What harm have I brought you? Called your wind Nothing but heartache Cried Agatha, a moan And then I will go, Becoming nameless in code and essence Where willI—? And then nothing at all? As one ceases to be, So the the other; The tale before time Of immortal lovers I'm incognito You're in my his[tory] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl

Nobody put baby in a corner In the blue light, I deny you Why ask if you're alright When I'm still crumpled up behind you All publicity Stint My growth is altered I want love You i don't know how To I am a monster I am a monster Joel I am a monster Make me feel Holy lighti I divide my lifht Between Divine And Denial So I deny it Denial I hide you Why Cause I like you Let's blow things all out of proportion Media media Publicity stunt And a drunken stupor I got my God at Coachella night one I got my blinders on I got a knife in my pocket A1 steak sauce anyone Well done, Harper Well done, Onyx Now where goes the dolomite! Lodestones I lost one Carry on Four kings My stream of conciousness rocks out My people are earth and your people You see that? Reach out I'm only a comic, comet Reach out! I'm in denial No conciousness Alright? Harper Long road High Road Short ones. You like Tall blondes I like Waffles You know? Can't we all suffer morbidly? (I'm in denial) Write one Right one Higher up off the red carpet I'm looking for something? Nothing, Internet shopping, A long road The more would have I The more horrible I am a monster I am a monster I am a monster Devil next door, and I I am a monster I am a monster And one And one And one I sent an angel Or five I'm a monster I'm in denial I am a monster Bloody conciousness I'm in denial So I deny Monster So I deny it all Encore! Encore! Run the score up Could be anything you know Bloody stream of conciousness Bloody streams and —leave it up, then I do not believe it Pandemic, Actors and then Publicity stunts for nothing Robbers. I'm not even good enough to be good enough for you. Morbid. I made Billie Ellish laugh so hard, The whole world noticed; Then everybody wanted to know me, Numbers, She goes, “I love electronic music” I said, “I have a lot of it.” But I thought Not nearly enough of it, I thought Not nearly enough, I think. Not nearly enough What did you do with six cinder blocks And Stop it What did you do with six bricks And a fortune What do you with with my Headache? Stop it? I want nothing more than an encore, I told them An encore, I said Not the Renaissance Encore I promise: As awkward as it all got It's coming up For once my stream of conciousness Is into something Lover lover lover Keep them coming Roll the dice and Tell me something, Schubert Tell me something, Harvard Tell me something Tell me something Science Why I don't like you I watch the tonight show. I try to find you But find her And her and her At night I dream of him Joel Her And her and her Wanted a lover A show Her and her and her A son and a daughter A mode Her and her and her Here and there and on again I know her and her and her I like Her and her and her I love Her and her and her I know her and her and her I am her and her and her I wonder what would become of us All And the body Were we not so old Scrap metal Carry on while I call my son And wonder what in God Was left after us Hostile motive Wonder wonder I've got nothing left to ponder I want Mark God Dawn Nah Nothing kept secret left Ponder what, helmet Tell you what, Talmud I like the host of the what's it called Danger show Brothel Brothel Opera Opera May Day May Day May is coming So I August I want nothing more Than the great big mouse on magic mountain How's that? … Sam? Flatline? Don't leave us. Encore. Where's he going? Nothing. Awful. I've been drinking. How about not? And well, we're all against the tide when ocean's coming Aren't I, Hollywood? Great big swell and a sailboat Ugh, why am I mad?! That's the old goat! Rock and Roller. Hall of fame god. Prostitots and brothels Some chord and three thousand year old Google documents What you want us! All I was worth was A special on $200, just under What did you want? An umbrella? I told you, the shit show was coming now Cry me a river! Cry me a river! Cry me a river! New York was a sold out show In all non concious conformists Look at God Go. I was all at the surface Sure you wanted a Harper A harpist Pianist and I've got suffering! Call my son back! I've got window pains And window panes And widows makes the none of us I might as well have died when I lost I might as well have died when I lost her — oh, but the husband had already had Her and her and her So no father was he to a daughter And she went beyond that, Calling for brother. Now who are I? Emotionally immature maggots. I sank ships over hatred I called mayday belatedly I show off in Morse code in a mouse head Now who's the helmet!! Now who's the— [BLACKOUT] [The Festival Project ™] Jimmy murmured somethin bout Joel Pilot took a plunge Now the old Rock is 1 for the 1 one Minus President Trump In the back of the car But if I pop the trunk Then we all have a gun in each hand, Huh punk? One for the road Bottle full of sauce I called the boss for the map And we all got lost on the run Interstate map as old as The all of us totaled up What does infinite cost? Two humps and a Tesla? Some hummas? A couple of rocks, and some hot sauce? All got a gun And we all got a God Can't we all get along Backroads, no Feds So it's all gonna cost Got a cot for the tour And a word for the world And a heart full of gold And a house full of fire Can't we all get a long Now we all got a God Call Conan, We all got a hook and a rod Call God, brah Nobody the friend to the world And we all got a girl And they all got problems Now we got a car On a train up a mountain A coin in the fountain A gun in each hand And a phone card Somebody call the opera Or better yet, Harpo, long God Long time We all got a song Somebody mumbled The troll to a hall far A hymn to a poem And a bump on a log Timber timber We all got garages Timber timber We all got a gun Timber timber We all got windfalls Windmills Blond dykes Klondikes Assholes Mayday Long trucks All got blondes All got a God All got a soul All made of gold And we all got goals here, miners Mumble the words of the poem Somebody left a voicemail At one point, though We all had a mom At one point though, We all had a blonde At one point, though we all got a God At one point though, We all got a song Now all we got is cars Long roads And guns At one point, though, We all got along At one point though We all fell in love At one point though we all had a Mom Now I'm so polar Bearr's on the run But we all got a song And we all got a thought And we all got God Now we all get along In the cars With the guns On the road With the blondes Cause we all got a song And we all got Moms And they all got blonde hair Moms got a gun, Hey, Mom's got a song, Hey, Mom's got a son, Hey, Mom's got a thought, Hey, Mom's got a God, No, mom's just a God, Huh, That's what you want, By the light of the sun And the sound of a gun And we all got a rap And we all got problems All got long days All got wants And we all got a God, so God's got problems. — I gotta solve em. Psychic tears and solvents— What do you want Joel? I got problems, I got a son! I got ten songs out, Ten albums so far, Nobody loves them Nobody loves me, I got problems, I got nothing I got too much to really be loveless, Yet, Here I am, Just watching WHAT. Call up my son, Ask him for a joke And the weather forecast I got a whole skeletal system of broken bones And a whole body cast Castrate this diamond, Call up the tin man— Tin man?! Cowardly lion And the straw hat, Call up the — what are those? Lollipops! No, I don't want that I just want a home with some tall grass. I'm really about to whoop this girl's assless ass and she knows that. She has to. Chilling in the bath though But Can't afford a bathrobe I collect Windfall I call the dolphins Shatter that asshole Staggered on stage, then Slandered my hammer, gathered up passwords X1, aren't I? Doctor? I've probably got a straw hat Don't have a heart, though Probably just a robot Somebody tried hard Guess I need a doctor Wombat? What? She looks like a wombat. Damn, dog. Bleed! I came from the world with the no sleep Bleed! I came from the world with the bonfires! Bleed! I parked my car in the palisades. Bonfires! I parked my car in the palisades! Bonfires! I pitched my tent in the Malibu mountains! Bleed! My coworker babysat in Calabasas! Bonfires! Pig and Whistle could spin slick but still doesn't own an apartment! Apartheid! Noah died on all of the story arcs, besides ours. Non partisan! I went to work on a cold hard Monday. Daughters! I wrote the poor some porridge, and they didn't want that! Pesticides! Still a stream of conciousness? I thought he was sober! Bonfires! I got no room for my heart, SO I CUT IT OUT BLEED. Fires. BLEED! Fires. BLEEEEED. Alright, you won. I need my medicine, Medicine, medicine I neee my medicine… Who are I, God? I need my medicine, medicine Medicine— I need my Really, a face with the Bandit? If Seth wants the role, he can have it. Which Seth? Exactly. Bad Son. Deadmau5 Hats off— Actually, a helmet Actually, a deadman. Who cried lurking? Who calls Art Lord? Why, Sir Jyre! My art deposit's on John, man. Art world Awkward Harvard? Aavark? An assless advark. Don't stalk me when I'm hark the halrold hallmark cards and half washed alters! (The last day of Passover, Easter Sunday) Don't pseudoscience Your gross meds have no stream of conciousness at all Your meds have no conciousness at all. Why yes, I terminal hate you, Mr. famous We broke up at an airport over coffee I dream your head But never just the body That I yearn for I'm trapped inside a suffix That was earned from just a metaphor I grasp at mediocre, As Flo said “I would have aspired to be a struggling actress” I would aspire just to b an arifaft A sanctioned little blonde In front row VIP With the pasties on Oh afterparty? Models and bottles and bodies And blondes Brunettes and redheads And a couple of ours with extensions And a dye job Long legs Court covers And awards, Having proven subtle standards set by All of yours When all I want is Hallmark cards. Hold that thought. Rinse out the conditioner Do you get the picture or not?! I don't live here! Do you remember the fact that I've been here Just a minute in my time— Into you! It's infinite forever. Forever, we'll. Forever. Ten minutes in and I don't remember any of it. Ten mirrors ten men and ten hammers, the hammer. Ten tonsils, ten fingers, ten toes and my hall award Ten helmets, ten cars in garages Ten mortals Attention, attention I've written a symphony! Attention, attention! I'm living in misery! Attention, attention, My toys in my toolbox: Attention, attention, My girls and my others Attention? Attention! I'm ten minutes into this Attention, attention. I bet you'll remember this. Mission accomplished? Yes, major. Detective. Agent. But I won't. No, I'm not okay. I'll never hold my baby again. No, what's my shoe size? Too grand? So I hideaway Then, I'm a Marxist, Forgot my own mantras I'm probably home, But no address to mark it Off the map Off the grid What's I miss Nothing much here Contact works Contact breaks Contact lenses Like my hazels? Like my blue eyes? Are they gorgeous? Still, I'm darker Forge the caverns, Then, there's this flaw: Seven numbers You're just like God, Only darker What harm have I brought you? Called your wind Nothing but heartache Cried Agatha, a moan And then I will go, Becoming nameless in code and essence Where willI—? And then nothing at all? As one ceases to be, So the the other; The tale before time Of immortal lovers I'm incognito You're in my his[tory] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl

Nobody put baby in a corner In the blue light, I deny you Why ask if you're alright When I'm still crumpled up behind you All publicity Stint My growth is altered I want love You i don't know how To I am a monster I am a monster Joel I am a monster Make me feel Holy lighti I divide my lifht Between Divine And Denial So I deny it Denial I hide you Why Cause I like you Let's blow things all out of proportion Media media Publicity stunt And a drunken stupor I got my God at Coachella night one I got my blinders on I got a knife in my pocket A1 steak sauce anyone Well done, Harper Well done, Onyx Now where goes the dolomite! Lodestones I lost one Carry on Four kings My stream of conciousness rocks out My people are earth and your people You see that? Reach out I'm only a comic, comet Reach out! I'm in denial No conciousness Alright? Harper Long road High Road Short ones. You like Tall blondes I like Waffles You know? Can't we all suffer morbidly? (I'm in denial) Write one Right one Higher up off the red carpet I'm looking for something? Nothing, Internet shopping, A long road The more would have I The more horrible I am a monster I am a monster I am a monster Devil next door, and I I am a monster I am a monster And one And one And one I sent an angel Or five I'm a monster I'm in denial I am a monster Bloody conciousness I'm in denial So I deny Monster So I deny it all Encore! Encore! Run the score up Could be anything you know Bloody stream of conciousness Bloody streams and —leave it up, then I do not believe it Pandemic, Actors and then Publicity stunts for nothing Robbers. I'm not even good enough to be good enough for you. Morbid. I made Billie Ellish laugh so hard, The whole world noticed; Then everybody wanted to know me, Numbers, She goes, “I love electronic music” I said, “I have a lot of it.” But I thought Not nearly enough of it, I thought Not nearly enough, I think. Not nearly enough What did you do with six cinder blocks And Stop it What did you do with six bricks And a fortune What do you with with my Headache? Stop it? I want nothing more than an encore, I told them An encore, I said Not the Renaissance Encore I promise: As awkward as it all got It's coming up For once my stream of conciousness Is into something Lover lover lover Keep them coming Roll the dice and Tell me something, Schubert Tell me something, Harvard Tell me something Tell me something Science Why I don't like you I watch the tonight show. I try to find you But find her And her and her At night I dream of him Joel Her And her and her Wanted a lover A show Her and her and her A son and a daughter A mode Her and her and her Here and there and on again I know her and her and her I like Her and her and her I love Her and her and her I know her and her and her I am her and her and her I wonder what would become of us All And the body Were we not so old Scrap metal Carry on while I call my son And wonder what in God Was left after us Hostile motive Wonder wonder I've got nothing left to ponder I want Mark God Dawn Nah Nothing kept secret left Ponder what, helmet Tell you what, Talmud I like the host of the what's it called Danger show Brothel Brothel Opera Opera May Day May Day May is coming So I August I want nothing more Than the great big mouse on magic mountain How's that? … Sam? Flatline? Don't leave us. Encore. Where's he going? Nothing. Awful. I've been drinking. How about not? And well, we're all against the tide when ocean's coming Aren't I, Hollywood? Great big swell and a sailboat Ugh, why am I mad?! That's the old goat! Rock and Roller. Hall of fame god. Prostitots and brothels Some chord and three thousand year old Google documents What you want us! All I was worth was A special on $200, just under What did you want? An umbrella? I told you, the shit show was coming now Cry me a river! Cry me a river! Cry me a river! New York was a sold out show In all non concious conformists Look at God Go. I was all at the surface Sure you wanted a Harper A harpist Pianist and I've got suffering! Call my son back! I've got window pains And window panes And widows makes the none of us I might as well have died when I lost I might as well have died when I lost her — oh, but the husband had already had Her and her and her So no father was he to a daughter And she went beyond that, Calling for brother. Now who are I? Emotionally immature maggots. I sank ships over hatred I called mayday belatedly I show off in Morse code in a mouse head Now who's the helmet!! Now who's the— [BLACKOUT] [The Festival Project ™] Jimmy murmured somethin bout Joel Pilot took a plunge Now the old Rock is 1 for the 1 one Minus President Trump In the back of the car But if I pop the trunk Then we all have a gun in each hand, Huh punk? One for the road Bottle full of sauce I called the boss for the map And we all got lost on the run Interstate map as old as The all of us totaled up What does infinite cost? Two humps and a Tesla? Some hummas? A couple of rocks, and some hot sauce? All got a gun And we all got a God Can't we all get along Backroads, no Feds So it's all gonna cost Got a cot for the tour And a word for the world And a heart full of gold And a house full of fire Can't we all get a long Now we all got a God Call Conan, We all got a hook and a rod Call God, brah Nobody the friend to the world And we all got a girl And they all got problems Now we got a car On a train up a mountain A coin in the fountain A gun in each hand And a phone card Somebody call the opera Or better yet, Harpo, long God Long time We all got a song Somebody mumbled The troll to a hall far A hymn to a poem And a bump on a log Timber timber We all got garages Timber timber We all got a gun Timber timber We all got windfalls Windmills Blond dykes Klondikes Assholes Mayday Long trucks All got blondes All got a God All got a soul All made of gold And we all got goals here, miners Mumble the words of the poem Somebody left a voicemail At one point, though We all had a mom At one point though, We all had a blonde At one point, though we all got a God At one point though, We all got a song Now all we got is cars Long roads And guns At one point, though, We all got along At one point though We all fell in love At one point though we all had a Mom Now I'm so polar Bearr's on the run But we all got a song And we all got a thought And we all got God Now we all get along In the cars With the guns On the road With the blondes Cause we all got a song And we all got Moms And they all got blonde hair Moms got a gun, Hey, Mom's got a song, Hey, Mom's got a son, Hey, Mom's got a thought, Hey, Mom's got a God, No, mom's just a God, Huh, That's what you want, By the light of the sun And the sound of a gun And we all got a rap And we all got problems All got long days All got wants And we all got a God, so God's got problems. — I gotta solve em. Psychic tears and solvents— What do you want Joel? I got problems, I got a son! I got ten songs out, Ten albums so far, Nobody loves them Nobody loves me, I got problems, I got nothing I got too much to really be loveless, Yet, Here I am, Just watching WHAT. Call up my son, Ask him for a joke And the weather forecast I got a whole skeletal system of broken bones And a whole body cast Castrate this diamond, Call up the tin man— Tin man?! Cowardly lion And the straw hat, Call up the — what are those? Lollipops! No, I don't want that I just want a home with some tall grass. I'm really about to whoop this girl's assless ass and she knows that. She has to. Chilling in the bath though But Can't afford a bathrobe I collect Windfall I call the dolphins Shatter that asshole Staggered on stage, then Slandered my hammer, gathered up passwords X1, aren't I? Doctor? I've probably got a straw hat Don't have a heart, though Probably just a robot Somebody tried hard Guess I need a doctor Wombat? What? She looks like a wombat. Damn, dog. Bleed! I came from the world with the no sleep Bleed! I came from the world with the bonfires! Bleed! I parked my car in the palisades. Bonfires! I parked my car in the palisades! Bonfires! I pitched my tent in the Malibu mountains! Bleed! My coworker babysat in Calabasas! Bonfires! Pig and Whistle could spin slick but still doesn't own an apartment! Apartheid! Noah died on all of the story arcs, besides ours. Non partisan! I went to work on a cold hard Monday. Daughters! I wrote the poor some porridge, and they didn't want that! Pesticides! Still a stream of conciousness? I thought he was sober! Bonfires! I got no room for my heart, SO I CUT IT OUT BLEED. Fires. BLEED! Fires. BLEEEEED. Alright, you won. I need my medicine, Medicine, medicine I neee my medicine… Who are I, God? I need my medicine, medicine Medicine— I need my Really, a face with the Bandit? If Seth wants the role, he can have it. Which Seth? Exactly. Bad Son. Deadmau5 Hats off— Actually, a helmet Actually, a deadman. Who cried lurking? Who calls Art Lord? Why, Sir Jyre! My art deposit's on John, man. Art world Awkward Harvard? Aavark? An assless advark. Don't stalk me when I'm hark the halrold hallmark cards and half washed alters! (The last day of Passover, Easter Sunday) Don't pseudoscience Your gross meds have no stream of conciousness at all Your meds have no conciousness at all. Why yes, I terminal hate you, Mr. famous We broke up at an airport over coffee I dream your head But never just the body That I yearn for I'm trapped inside a suffix That was earned from just a metaphor I grasp at mediocre, As Flo said “I would have aspired to be a struggling actress” I would aspire just to b an arifaft A sanctioned little blonde In front row VIP With the pasties on Oh afterparty? Models and bottles and bodies And blondes Brunettes and redheads And a couple of ours with extensions And a dye job Long legs Court covers And awards, Having proven subtle standards set by All of yours When all I want is Hallmark cards. Hold that thought. Rinse out the conditioner Do you get the picture or not?! I don't live here! Do you remember the fact that I've been here Just a minute in my time— Into you! It's infinite forever. Forever, we'll. Forever. Ten minutes in and I don't remember any of it. Ten mirrors ten men and ten hammers, the hammer. Ten tonsils, ten fingers, ten toes and my hall award Ten helmets, ten cars in garages Ten mortals Attention, attention I've written a symphony! Attention, attention! I'm living in misery! Attention, attention, My toys in my toolbox: Attention, attention, My girls and my others Attention? Attention! I'm ten minutes into this Attention, attention. I bet you'll remember this. Mission accomplished? Yes, major. Detective. Agent. But I won't. No, I'm not okay. I'll never hold my baby again. No, what's my shoe size? Too grand? So I hideaway Then, I'm a Marxist, Forgot my own mantras I'm probably home, But no address to mark it Off the map Off the grid What's I miss Nothing much here Contact works Contact breaks Contact lenses Like my hazels? Like my blue eyes? Are they gorgeous? Still, I'm darker Forge the caverns, Then, there's this flaw: Seven numbers You're just like God, Only darker What harm have I brought you? Called your wind Nothing but heartache Cried Agatha, a moan And then I will go, Becoming nameless in code and essence Where willI—? And then nothing at all? As one ceases to be, So the the other; The tale before time Of immortal lovers I'm incognito You're in my his[tory] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl

Herbie Hancock acaba de cumplir 85 años. Su figura se sitúa en el vértice del firmamento musical, no solo del jazz. Pianista y compositor, es pionero en la innovación musical, desde el post-bop hasta el jazz fusión, el funk y la electrónica. Ha ganado 14 premios Grammy y un Oscar. Su influencia trasciende el jazz, impactando en el hip-hop (ha sido sampleado en multitud de ocasiones) y en la música electrónica. Repasamos algunas de sus composiciones más populares. Herbie Hancock has just turned 85 years old. He is at the top of the musical scene, not only in jazz. Pianist and composer, he is a pioneer in musical innovation, from post-bop to jazz fusion, funk and electronica. He has won 14 Grammy Awards and an Oscar. His influence exceeds jazz, impacting hip-hop (he has been sampled many times) and electronic music. We review some of his most popular compositions. Playlist: - Kimiko Kasai with Herbie Hancock - I Thought It Was You; - Kimiko Kasai with Herbie Hancock - Tell Me a Bedtime Story; - Kimiko Kasai with Herbie Hancock - Harvest Time; - Herbie Hancock, Bobby McFerrin - Chan's Song (Never Said); - Leny Andrade, Fred Hersch - Maiden Voyage; - Poncho Sanchez - Watermelon Man; - Us3 feat. Rahsaan and Gerard Presencer - Cantaloop (Flip Fantasia); - Azymuth - Butterfly; - Viktoria Tolstoy - Textures; - Viktoria Tolstoy - Paradise.

Eine Stunde Klassik! Der Münchner Pianist und "Musikdurchdringer" Jürgen Plich stellt jeden Dienstag um 20 Uhr große klassische Musik vor. Er teilt seine Hör- und Spielerfahrung und seine persönliche Sicht auf die Meisterwerke. Er spielt selbst besondere, unbekannte Aufnahmen, erklärt, warum die Musik so und nicht anders klingt und hat eine Menge aus dem Leben der Komponisten zu erzählen. Sonntags um 10 Uhr in der Wiederholung.

Classical Post® is created and produced by ⁠Gold Sound Media⁠® LLC, the global leader in strategic marketing and PR for classical music, opera, and the performing arts. At Gold Sound Media, we elevate artists' careers through our signature holistic brand messaging approach, helping you connect with audiences and unlock your full potential.Explore how we can amplify your brand and discover the impact of strategic marketing done right.If you enjoy these artist conversations, sign up for our newsletter for more behind-the-scenes insights and stay up to date with exclusive content tailored for the classical music community.

William Youn ist ein wahrer Poet am Klavier, er ist auf großen Bühnen unterwegs. Seine Stücke verzaubern das Publikum. Geboren ist er in Korea, seine Ausbildung hat er in Boston und Hannover absolviert.

Just tema alustab tänavust džässipidu Jazzkaar: Kristjan Randalu uued versioonid helilooja Jaan Räätsa väikevormidest on ideena Kristjanit saatnud mitukümmend aastat, selleks kevadeks on muusika esitusküps.

Send us a textOn this Episode, Tom and Bert review and discuss their personal Top 10 +1 extra War Movies thru the Decades!War Movies have always, in most cases, been Epic Films.The most talented Director's and Film Makers like Clint Eastwood, Steven Spielberg, Stanley Kubrick, Billy Wilder and Oliver Stone are omnipresent on this list. When it comes to WAR Movies these men delivered all time classics! Chapter Highlights:(2:26) "Schindler's List"(7:46) "Path's of Glory"(11:51) "Saving Private Ryan"(16:30) "The Pianist"(19:23) "Platoon"(22:37) "Full Metal Jacket"(28:04) "Patton"(31:45) "300"(33:55) "The Dirty Dozen"(38:40) "Stalag 17"(41:21) "Good Morning Vietnam"Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

This week on Jazz After Dinner Joe features Saxophonist, Joakim Milder along with Roger Kellaway, piano and Red Mitchell, bass and vocal, from their 1991 Dragon Records recording, titled “Live In Stockholm.”

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.It was a great pleasure to chat with pianist and composer Sultan Stevenson, discussing his engrossing new album, El Roi, as well as his nomination as Breakthrough Act of the Year in this year's Jazz FM Awards.Sultan is out on tour, so do try to catch him when you can. And we're all keeping our fingers crossed for the announcement of the 2025 Jazz FM Awards later in April.You can also listen to my conversation with sax player Soweto Kinch, who I interviewed at the end of 2023 and who appears on El Roi.Thanks to Sultan for allowing me to play tracks from El Roi alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Der Tag in NRW: NRW-Juso-Chefin: Nein zu Koalitionsvertrag; Schnelle Hilfe für Kommunen bei Hackerangriffen; Studie: Gewalt bei Mädchen in NRW gestiegen; Mehrsprachige KI gegen Hass und Hetze im Netz; Pianist aus den Trümmern; Hürden für CO2-Speicherung höher als gedacht; Das Ei aus NRW - Vom Hof auf den Markt; Moderation: Benjamin Sartory Von WDR 5.

Meistens tritt er als Klavier-Begleiter in Erscheinung. In dieser Rolle aber hat Claudio Gmür neue Massstäbe gesetzt. Nun feiert er seinen 70. Geburtstag. Einem breiteren Publikum bekannt wurde Claudio Gmür als Pianist im Trio Willi Valotti und bei der Kapelle Syfrig-Valotti. Zusammen mit Ueli Mooser am Kontrabass zeigte er immer wieder neue Möglichkeiten auf, Volksmusik zu begleiten. Diese Rolle quasi in der zweiten Reihe, hat ihm immer sehr entsprochen. Bis heute - aktuell in einer neuen Formation rund um den innovativen Klarinettisten Mathias Landtwing und die Akkordeonistin Andrea Ulrich. Seine Begeisterung für die Musik entdeckte er zusammen mit seinen Geschwistern, anfangs autodidaktisch mit der Handorgel. Claudio Gmür spielte alles nach was er hörte, vor allem Unterhaltungsmusik aus dem Radio. Während seiner Gymi-Zeit in Disentis konnte er seine Fähigkeiten noch verfeinern. Claudio Gmür hat alle jüngeren Pianisten in der Volksmusik geprägt. Die grossartige Marion Suter hat er als Volksmusik-Dozent durch ihr Studium begleitet. Nach einem erfüllten Berufsleben als Sekundarlehrer geniesst er heute seine Pension. Er übt regelmässig Klavier, komponiert ab und an für ein aktuelles Projekt und treibt ganz allgemein gerne Sport. Viel mehr als in jungen Jahren - wie er schmunzelnd zugibt.

Schon als Kind bereist der gebürtige Wiener Lukas Sternath als Sängerknabe die Welt. Später studiert er Klavier bei Igor Levit und sorgt dann für Aufsehen beim ARD-Musikwettbewerb in München 2022. Neben dem 1. Preis werden ihm noch 7 Sonderpreise zugesprochen. Seit der Saison 2024/25 ist er zudem ECHO Rising Star. Seinen Erfolg verdankt er aber nicht nur seinem überdurchschnittlichen Talent, sondern auch seinem enormen Fleiß. Täglich übt er bis zu acht Stunden Klavier. Sein Traum? Ein Auftritt in der New Yorker Carnegie Hall. Denn die kennt er bereits von seinen Auftritten als Sängerknabe.

Mona Golabek is an author, actress and Grammy Nominated concert pianist. She has an important and touching Holocaust related story. It's about her mother, Lisa Jura, at the time a 14 year old pianist living with her family in Vienna, who escaped from the Nazis to England via the Kindertransport program. Mona has written a book about this called “The Children of Willesden Lane”. She subsequently adapted it into a stage version which played in New York, London and elsewhere, starring Mona and for which she received several Best Actress nominations. Later still Mona created a foundation which has brought her mother's story to over 10 million students and communities around the world. In addition to all this, Mona is a Grammy nominated pianist and the subject of several documentaries including “Concert For Mona” with Zubin Mehta. My featured song is “Ma Petite Fleur”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Mona:www.holdontoyourmusic.org—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

For our big Season 2 Finale, Discograffiti's opted to fudge the timeline just a bit in order to give the proper red-carpet drum-roll gravitas to Season 3, especially since much of the music on The Beach Boys' “Stack-O-Tracks” was created during this period, by the musicians who'd go on to create 99% of the music created during Season 3.  In this very special episode, the inimitable Don Randi and Wrecking Crew guitarist Tommy Tedesco's son Denny Tedesco—director of the excellent music docs The Wrecking Crew and The Immediate Family—come together for an overview of the black sheep of The Beach Boys' 1960s catalog, plus a history of the musicians who made most of the music on it…not to mention most of Pet Sounds & Smile. Here's just a few of the many things that Don and Denny discuss with Discograffiti in this podcast:A sneak peek preview of Denny's upcoming third music doc;The very different original track listing for “Stack-O-Tracks”;The origin story and early days of The Wrecking Crew;The many reasons for the disbursement of that classic group of great players;The resentments of the band members who wound up being replaced on their records by the 1960s session guys;If Don really knew that Brian was a genius at the time, without the benefit of hindsight;Plus, some background on the ill-fated 1992 Phil Spector session with The Wrecking Crew that never quite came off.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Beach Boys superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 23 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 & 2 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. And now with our 2025 Patreon Membership Drive, you'll also get an episode all about YOU and a FREE copy of Metal Machine Muzak at the Lieutenant Tier or higher: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#donrandi #dennytedesco #thewreckingcrew #theimmediatefamily #immediatefamily #stackotracks #davidmarks #thebeachboys #brianwilson #beachboys #denniswilson #mikelove #carlwilson #music #vinyl #aljardine #thebeatles #brucejohnston #petsounds #goodvibrations #surf #rocknroll #surfing #california #beach #surfrock #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Täna õhtul soleerib ERSO kontserdil pianist Alexander Gavrylyuk.

Jed discusses ten pianists with :cult" followings: Josef Hofmann, Artur Schnabel, Mieczyslaw Horszowski, Vladimir Sofronitsky, Sviatoslav Richter, Rosalyn Tureck, Arturo Benedetti Michelangeli, Grigory Sokolov and Glenn Gould Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.For the first episode in season 20, I am joined in conversation by pianist Chris Gall. We discuss his brand new album Impressionists Improvised, a solo piano exploration of works by Debussy, Ravel and Satie alongside some original tracks. This is a beautiful combination of classical music that many of us are familiar with, interpreted with improvisions by a brilliant pianist.Thanks to Chris for allowing me to play tracks from Impressionists Improvised alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Jan returns to the podcast after what we both reckon is probably around 12 years. He remains, as I dimly recall from a sunny day in Verbier, candid, down to earth, and completely and utterly absorbed by his craft. But what's evident now — and what I definitely don't remember sensing then — is his resolute vision: a clear sense of what he wants to do, and how he wants to do it. It's reflected not only in his achievements, but also in the relative ease with which he articulates that vision. There's a precision in what he says, and a solid sense of trust in what he does.

Pascal Le Boeuf is a Renaissance man and a Grammy winning pianist, composer and electronic artist. He plays classical, indie and jazz. Improvised music, chamber music and production based technology. He won a Grammy this year for the Best Instrumental Composition. He performs as both a soloist and in groups, including with saxophonist Jeff Coffin and with the Le Boeuf Brothers together with his twin Remy. He's won a Guggenheim Fellowship and several Independent Music Awards.My featured song is “Joe Z” from the album Spring Dance by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Pascal:www.pascalmusic.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

On this episode, Tom goes "On the Aisle" with renowned concert pianist Sasha Kasman Laude. She's a finalist for the American Pianist Association Awards.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on AirTalk, LA County strips hundreds of millions from LAHSA, what's next? We have councilmembers, a reporter, and Mayor Bass on the show to talk about the vote. A new bill targets CEQA requirements for infill housing projects. Unrest grows in Central Valley communities due to fear surrounding ICE presence. The Rose Bowl has announced that it will opt for drones this Fourth of July in place of fireworks. What do you think? American Jazz pianist Emmet Cohen talks tour. LA County strips hundreds of millions from LAHSA (00:17) New bill targets CEQA housing requirements (27:29) Supervisor Lindsey Horvath on LAHSA vote (41:04) ICE unrest in Central Valley communities (50:58) Rose Bowl opts for 4th of July drones (1:11:05) Jazz pianist Emmet Cohen (1:30:10) Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

Pianist, composer, improviser and scenographer, Jean-François Alcolea met me on the roof of Reggie’s when he was in Chicago for his “Right in the Eye” multimedia event. I can’t do the “Right in the Eye” event justice with a description, but for general understanding, he and his fellow musicians provide scores and background for the films of Georges Méliès. It’s fascinating, immersive stuff - if you have the chance to see him in another city on this tour, I highly recommend this show. Jean-François and I talk about the birth of cinema, staging this sort of event and where creativity comes from. If you’re watching the video version, you can watch the weather go from bad to worse in mere minutes. I wrapped up the conversation shortly before the skies totally opened up on Chicago. Car Con Carne sponsored by Easy Automation: easy-automation.net Transform your living space with cutting-edge home automation. Experience seamless control over audio/video, lighting, climate, security, and more. Embrace the future of smart living – your home, your rules. Get a quote by visiting easy-automation.net, or give Dan a call at 630.730.3728 ## On Thursday, April 3, join me for a live recording of Car Con Carne at the soon-to-reopen Legit Dogs and Ice in South Elgin - 322 S. Randall Road. Yeah, I know it’s a school night, but I’ll be featuring live performances and interviews with East Moon, Ricky Liontones Revue, Joseph Christopher and Chris Pienta! It starts at 8:30 pm. Doors at 7:30 - we start recording the podcast at 8:30. Hope to see you there. ## Car Con Carne is also sponsored by Ninety Days in the 90s: A Rock N Roll Time Travel Story. It's the ultimate novel about the '90s and Chicago's music sce ne, written by Andy Frye.Join record store owner Darby on her trip back to 1990s Chicago as she jumps on the Grey Line to time travel back to her carefree twenties, soaking up all the pop culture and rock n roll nostalgia you could ever imagine. To learn more, go to 90daysinthe90s.com or pick it up on Amazon.com or wherever you buy books.See omnystudio.com/listener for privacy information.

This week journalist and author Jessica Duchen joins Holly Baker to talk about her new book Myra Hess - National Treasure, which is out now on Kahn & Averill.  Extracts of music on the podcast come from the album 'Myra Hess - The complete solo and concerto studio recordings' on APR Records

Looking for something fun to do this weekend? You're in the right place! WISH-TV Events manager, Allan Haw, has a calendar full of things for you to do! Here's what's happening for the weekend of Friday, April 4 through Sunday, April 6, 2025. This week: Where to hear some of the best pianists in the world and more from the WISH-TV Community Calendar! Let's make it a great weekend and find out what's going on “IN the Community”! Events mentioned in this episode:2025 American Piano Awards Finals April 4 - April 05Hilbert Circle Theatre45 Monument CircleIndianapolis, IN Spring Book Sale 2025April 01 – April 05, 9:00am-2:00pmLebanon Public Library104 E Washington StLebanon, IN Spring Book SaleApril 04 – April 5Carmel Clay Public Library425 E Main St,Carmel, IN IndyHumane Mutt StrutSaturday, April 05, 8:00am-12:00pmWhite River State Park801 W Washington StIndianapolis, IN 37th Annual GardenfestSaturday, April 05, 9:00am-3:00pmFarm Bureau Community Building1300 E 100 SLebanon, IN Grip Fest 2025Saturday, April 05, 12:00pm-8:00pmNorth Mass Boulder1411 Roosevelt Ave,Indianapolis, IN 1st Annual Indianapolis "Head for the Cure" 5KSunday, April 06, 9:00am-12:00pmCelebration Plaza Amphitheater801 W Washington StIndianapolis, IN 2025 Daddy Daughter SneakerballSunday, April 06, 6:00pm-9:00pmMartin University2186 N. Sherman Dr.Indianapolis, IN WISH-TV Community Calendar If you have a suggestion for the show you can reach me at: Allan.Haw@wishtv.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wussten Sie schon, dass der "Tagesschau"-Sprecher Constantin Schreiber musikalisch ist? Er ist Pianist und diese Woche im Künstlerhaus in München zu Gast. Michael Atzinger hat ihn vorab zum Gespräch getroffen - und mit ihm gesprochen über das, was Musik vermag und über die Sehnsucht nach guten Nachrichten.

Tune in as we pay tribute to the incomparable Roberta Flack, who we sadly lost last month. From her 1969 debut album First Take (featuring Open Studio artist Ron Carter on bass) to her iconic collaborations with Donny Hathaway – we dissect why what Flack didn't play was just as important as what she did. We'll explore how this classical piano prodigy, who entered Howard at 15 and didn't write her own songs, became the Quiet Storm Queen that influenced every soul, R&B, and jazz singer since. You'll hear why her understated yet commanding vocals and that classic 70s kick drum made “Killing Me Softly” a hit, grooving duets like “You've Got A Friend,” and deep cuts that redefined ballads. Join us to uncover the genius of Roberta Flack.

Onlangs bracht pianist Jef Neve samen met trompettist Teus Nobel zijn eerste gezamenlijke duo-album ‘Esho Funi' uit. Het live opgenomen album bevat zowel jazzklassiekers als eigen composities. Met ‘Esho Funi' willen de musici de eenheid tussen een mensenleven en zijn omgeving benadrukken, een boodschap die in deze tijd extra relevant is. Presentatie: Frénk van der Linden

[REBROADCAST FROM March 17, 2025] Singer, pianist and producer Patrice Rushen holds the distinction of being the first woman musical director of the Grammy Awards, the Emmy Awards, and the NAACP Image Awards. A producer of her own releases, she's also worked with many other artists, notably producing Sheena Easton's jazz standards album No Strings.

Pianist/composer Cedar Walton (born January 17, 1934) first rose to prominence with drummer Art Blakey's band and his own groups featured his original compositional voice for decades: fresh original takes on the hard bop style he came up in. Many of his tunes have become jazz standards.

Am 25. März 2025 zieht ein neues historisches Instrument ins Leopold Mozart Haus nach Augsburg: Ein Nachbau von Mozarts Reise-"Clavierl". BR-KLASSIK hat mit Christoph Hammer darüber gesprochen. Er ist Pianist und seit 2017 Professor für historische Tasteninstrumente am Leopold Mozart College of Music der Uni Augsburg.

This week Joe is featuring Pianist David Hazeltine, from his 2006 Chesky Records recording, titled “Manhattan.” 

durée : 00:59:24 - " Doodlin' " (Horace Silver) (1954) - par : Laurent Valero - "Thème en forme de simple riff, très swinguant avec une très grande efficacité. Horace Silver pianiste d'origine cap-verdienne a débuté par le saxophone, pionnier du hard bop avec un jeu de piano très caractéristique et reconnaissable par son côté rythmique, spontané et même joyeux." Laurent Valero

Simon's headline news report airing on radio stations worldwide.

Grammy Award-nominated pianist Omar Sosa joins Midday Edition ahead of his San Diego debut. Plus, a new "Doctor Who" exhibit and your weekend arts preview.

Er gilt als einer der besten Pianisten der Welt. Scheu, eigenwillig - ein Künstlerleben im Kalten Krieg. Am 20.03.1915 wird Sviatoslav Richter in der heutigen Ukraine geboren. Von Christoph Vratz.

Singer, pianist and producer Patrice Rushen holds the distinction of being the first woman musical director of the Grammy Awards, the Emmy Awards, and the NAACP Image Awards. A producer of her own releases, she's also worked with many other artists, notably producing Sheena Easton's jazz standards album No Strings. Rushen joins us for another installment of "Equalizers: Women in Music Production."

On this episode of Speaking of Travel, we're exploring the world of music, history, and innovation with the one and only Lara Downes, a pianist, storyteller, and cultural force redefining classical music in bold and unexpected ways.Lara doesn't just play music. She tells stories through it. She revives the voices of overlooked composers, blending classical traditions with jazz, folk, and contemporary influences to create something fresh, vibrant, and deeply personal. Her work is a bridge between the past and the future, proving that music is more than just sound. Lara's music is, in fact, a living, breathing force that connects us all.But her impact doesn't stop at the piano. Lara is a champion for inclusivity, using her platform to elevate underrepresented voices and spark conversations that go far beyond the concert hall. Through her work as a performer, activist, curator, and NPR host, she's opening doors, challenging conventions, and inspiring audiences around the world.Today, we'll dive into her journey and how she's reshaping the classical music landscape, the stories she's passionate about telling, and why she believes music has the power to heal, unite, and transform. So get ready for an inspiring conversation that will change the way you think about music, history, and the power of art. Tune in, turn up the volume, and let's explore the magic of music together!Thanks for listening to Speaking of Travel! Visit speakingoftravel.net for travel tips, travel stories, and ways you can become a more savvy traveler.

Hosts: Joe Dubs , Andy , Zac , and ChazWe conclude " MARCH to the beat" with Dubs's pick which is The Pianist. We also do FINAL RANKING .ENJOY the show.

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