Podcast appearances and mentions of Charlie Haden

Pianist, organist, composer, and bandleader Carla Bley (born May 11, 1936) considered herself primarily a composer, saying she was 99% composer and 1% pianist. She associated herself with the avant guard movement, allying herself with musicians like Charlie Haden, Michael Mantler, and others in her cutting edge ensembles, she organized the Jazz Composers Guild in the 1960s featuring many of the most innovative musicians in NYC at the time, and her record label released recordings of Don Cherry, Roswell Rudd and Clifford Thornton.

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Throw away the map.  Now, how are you going to find your way to your destination?  You will probably find many more answers than you may have thought you'd find when you were looking at that folded-up piece of paper.     The band Old and New Dreams didn't have to follow chord changes, disregarded time signatures, but their music was full of story-songs, each with a beginning, a middle, and an end.  It's four members-- saxophonist Dewey Redman, trumpeter Don Cherry, bassist Charlie Haden, and drummer Ed Blackwell-- each sang his song in full voice.  And when you heard them together, you never wondered if or when you would arrive.  You just hoped the journey wouldn't end too soon, even if you knew that it would.    Sonic navigator/drummer William Hooker has chosen Old and New Dreams for this week's episode of Mitch Goldman's Deep Focus, and Ahmed Abdullah as his surprise guest.  Will Mitch find live, unreleased recordings of the band in the WKCR archives?  The day will come when his spotless record is going to get besmirched.  Oh, let's just hope it's not this week!  I guess there's only one way to find out.   Tune in this Monday (3/16) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 400 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no known publishing information.   #WKCR #DeepFocus #WilliamHooker #OldandNewDreams #DeweyRedman #DonCherry #CharlieHaden #EdBlackwell #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #AhmedAbdullah

El 8 de mayo de 1945, en Allentown, población del estado de Pensilvania, nacía Keith Jarrett. Escuchamos al pianista en solitario en un estudio tocando 'Be my love', 'I´m through with love' y 'I loves you Porgy' de su disco 'The melody at night with you' (1999), a dúo con el contrabajista Charlie Haden en 'Don´t ever leave me', 'No moon at all' y 'One day I´ll fly away'' del disco 'Jasmine (2010), en concierto en el Musikverein de Viena en julio de 2016 ('Over the rainbow', Part IX') y, también en julio de 2016, en el Palacio de Congresos de Budapest ('Part VII', 'Answer me, my love', 'It´s a lonesome old town').Escuchar audio

Throw away the map.  Now, how are you going to find your way to your destination?  You will probably find many more answers than you may have thought you'd find when you were looking at that folded-up piece of paper.     The band Old and New Dreams didn't have to follow chord changes, disregarded time signatures, but their music was full of story-songs, each with a beginning, a middle, and an end.  It's four members-- saxophonist Dewey Redman, trumpeter Don Cherry, bassist Charlie Haden, and drummer Ed Blackwell-- each sang his song in full voice.  And when you heard them together, you never wondered if or when you would arrive.  You just hoped the journey wouldn't end too soon, even if you knew that it would.    Sonic navigator/drummer William Hooker has chosen Old and New Dreams for this week's episode of Mitch Goldman's Deep Focus, and Ahmed Abdullah as his surprise guest.  Will Mitch find live, unreleased recordings of the band in the WKCR archives?  The day will come when his spotless record is going to get besmirched.  Oh, let's just hope it's not this week!  I guess there's only one way to find out.   Tune in this Monday (3/16) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 400 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no known publishing information.   #WKCR #DeepFocus #WilliamHooker #OldandNewDreams #DeweyRedman #DonCherry #CharlieHaden #EdBlackwell #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #AhmedAbdullah

Dan Tyminski was six years old when his parents began taking him to fiddle contests, square dances, and bluegrass festivals across New England. For a young musician who would later become one of the biggest names in modern-day bluegrass, those early experiences were life changing.“Watching live music always spoke to me much louder than sitting in front of my record player,” he remembers. “I loved it. Wherever music was being played, I wanted to go watch. Years later, I still feel that way.”Throughout his 30+ year career, Tyminski has left his mark in every corner of modern music. His voice famously accompanies George Clooney's performance of the Stanley Brothers' classic song, “I Am A Man of Constant Sorrow,” in the film, Oh Brother, Where Art Thou? and his vocal collaboration with Swedish DJ Avicii on the song “Hey Brother” was a global smash, having been streamed more than a billion times to date. His diverse solo projects and years of work with Alison Krauss and Union Station have yielded troves of award-winning music. In recent years, Tyminski's live shows with the Dan Tyminski Band have become bluegrass fan favorites and are regularly on the must-see lists among music fans of any genre. With his newest album release – the Grammy-nominated 2024 concert album Dan Tyminski: Live From The Ryman – he captures the magic of those live shows, while also proving that he still has the same passion for live music as he did when he was growing up.  His earliest touring and recording work was as a part of the band, Green Mountain Bluegrass. He later joined the influential bluegrass group, Lonesome River Band, before embarking on his three decades of work with Alison Krauss and Union Station. The first album that Tyminski recorded as a solo artist was the soul-stirring Carry Me Across the Mountain (2000), followed by the Grammy-nominated Wheels (2008) which was named the 2009 Album of the Year by the International Bluegrass Music Association.  His work with the EDM artist, Avicii, inspired Dan to create the genre-defying Southern Gothic album, released in 2017 to much critical acclaim. Tyminski would then showcase again his heart for bluegrass with the 2022 EP tribute to Tony Rice, One More Time Before You Go, which included guest performances by Molly Tuttle, Sam Bush, Dailey & Vincent, and Billy Strings. The following year saw the release of the full-length bluegrass album, God Fearing Heathen, which quickly hit #1 on Billboard's Bluegrass Albums chart.  Over the course of his career, Tyminski has also evolved into a prolific songwriter, penning songs with Monty Criswell, Phillip Lammonds, Kristian Bush, Ashley Monroe, Chris Stapleton and many others. Dan has been honored with 14 Grammy Awards and is a four-time Male Vocalist of the Year honoree by the International Bluegrass Music Association. He has also recorded instrumental or vocal harmony contributions for projects by Martina McBride, Reba McEntire, Brad Paisley, Dolly Parton, Willie Nelson, Joan Osborne, Charlie Daniels, Kenny Chesney, LeAnn Rimes, Rob Thomas, and Charlie Haden, to name a few. Tyminski certainly represents the pinnacle of modern bluegrass music. While Dan enjoys a good conversation and a good cigar, he can often be found participating in charitable Pro-Am golf tournaments, as well as competing regularly in the Foosball tournament circuit.

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Throw away the map.  Now, how are you going to find your way to your destination?  You will probably find many more answers than you may have thought you'd find when you were looking at that folded-up piece of paper.     The band Old and New Dreams didn't have to follow chord changes, disregarded time signatures, but their music was full of story-songs, each with a beginning, a middle, and an end.  It's four members-- saxophonist Dewey Redman, trumpeter Don Cherry, bassist Charlie Haden, and drummer Ed Blackwell-- each sang his song in full voice.  And when you heard them together, you never wondered if or when you would arrive.  You just hoped the journey wouldn't end too soon, even if you knew that it would.    Sonic navigator/drummer William Hooker has chosen Old and New Dreams for this week's episode of Mitch Goldman's Deep Focus, and Ahmed Abdullah as his surprise guest.  Will Mitch find live, unreleased recordings of the band in the WKCR archives?  The day will come when his spotless record is going to get besmirched.  Oh, let's just hope it's not this week!  I guess there's only one way to find out.   Tune in this Monday (3/16) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 400 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no known publishing information.   #WKCR #DeepFocus #WilliamHooker #OldandNewDreams #DeweyRedman #DonCherry #CharlieHaden #EdBlackwell #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #AhmedAbdullah

breve comentário aos textos bíblicos lidos em comunidade | Domingo IV da Páscoa A | Hospital de Santa Marta, Lisboa, 25 de Abril de 2026.Actos 2,14-41; 1 Pedro 2,20-25 e João 10,1-10.Instagram© Keith Jarrett e Charlie Haden, Jasmine (ECM Records, 2010) – Where Can I Go Without You© Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near FarAntónio Pedro Monteiro

Nos guste o no, la vida está en la ciudad. Esto no es algo nuevo. Los grandes movimientos de población se han dirigido siempre a los grandes centros urbanos. En el libro de los Hechos el Evangelio se extiende por las ciudades. En el capítulo 18 llega a Corinto desde Antioquía, siguiendo hasta Efeso, la ciudad comercial más importante del Asia Menor. Stevie Wonder creció en una de esas familias bautistas afroamericanas que se traslada a Detroit a mediados del siglo pasado, buscando trabajo. En 1973 contó la experiencia del chico negro que deja la pobreza y la discriminación de Mississippi en la Segunda Gran Migración, para ir a Nueva York. Allí se encuentra la droga y el abuso policial que le lleva injustamente a la cárcel, "Viviendo para la ciudad" (Living For The City). En la soledad de la ciudad nace también la canción de Gustavo Cerati (1959-2014), que como un nuevo Icaro vuela sobre Buenos Aires contemplando el malestar urbano. Es "En la ciudad de la furia" (1996), donde el trío de Soda Stereo traslada el sonido de grupos británicos de los 80 como The Police o The Cure al ámbito latinoamericano, convirtiéndose en la banda más popular e importante del rock en español en ese continente. Una de las canciones que quedó fuera del mítico álbum de Bruce Springsteen, "The River" (1980), nos invita a encontrarle en la ciudad (Meet Me In The City). Para este monaguillo de Nueva Jersey, esa es la tentación de la Gran Manzana, un lugar para huir, pero también para descubrir "la oscuridad al borde de la ciudad". El cine del catalán Cesc Gay muestra desde principios de este siglo los engaños y mentiras de la vida, "En la ciudad" (2003). En una época obsesionada por la visibilidad y la transparencia de "salir del armario", el cine de Gay nos enfrenta al hecho de que todos tenemos secretos. Nos escondemos detrás de tantas máscaras como el personaje de la actriz de origen guineano Vicenta Ndongo, cuando engaña al marido que hace Eduard Fernández y él prefiere no decirle que lo sabe. Es el delito del profesor que hace el actor de origen alemán Àlex Brendemühl, cuando tiene relaciones sexuales con una alumna menor de edad, sobrina de un amigo suyo. O las relaciones lesbianas que esconde la madre que hace Mónica López, sin que lo sepa su marido. Escuchamos algunos diálogos de la película, comentados por José de Segovia a la luz del texto de Hechos, sobre la música del cuarteto de Charlie Haden (1937-2014). "Atrapados entre estas voces de sirena / uno tiene demasiadas opciones", cantaba Mark Heard (1951-1992) a las "Victimas de este tiempo" (Victims Of The Age 1982) El cantautor de Macon (Georgia) se dio a conocer con su primer disco en plena Revolución por Jesús en 1970. Está en la comunidad del pensador cristiano Francis Schaeffer en Suiza de L´Abri, donde conoce a Larry Norman, grabando luego para su sello en California. Murió de un ataque al corazón en el escenario del festival de la Gente de Jesús de Chicago llamado Cornerstone, cuando había aparecido en un disco con Windham Hill e iba a grabar con la casa de Bruce Cockburn en Canadá, distribuida por Columbia de Sony en Estados Unidos, pero Dios tenía otros planes para él. Acabamos el programa con la esperanza de la ciudad, "Donde las calles no tienen nombre" (Where The Streets Have No Name), grabada en vivo por la banda irlandesa U2 en el estadio del Diablo del Sol en Tempe (Arizona) a finales de 1987, como aparece en la película "Rattle & Hum". El periodista musical evangélico Steve Turner escribió el libro oficial que acompaña al filme, a la vez que proporcionaba muchas lecturas a Bono, para profundizar en la fe cristiana que había conocido de adolescente en una comunidad de Dublin con otros dos de los cuatro miembros del grupo, The Edge y Larry.

breve comentário aos textos bíblicos lidos em comunidade | Domingo II da Páscoa A | Hospital de Santa Marta, Lisboa, 11 de Abril de 2026.Actos 2,42-47; 1 Pedro 1,3-9 e João 20,19-31.Instagram© Keith Jarrett e Charlie Haden, Jasmine (ECM Records, 2010) – Where Can I Go Without You© Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near FarAntónio Pedro Monteiro

De 'In my dreams', último disco del guitarrista Bill Frisell, la pieza que le da título inspirada por Bernard Herman e 'Isfahan' de Billly Strayhorn; del disco del también guitarrista Julian Lage, 'Scenes from above', 'Havens' -por Richie Havens- y 'Night shade'. Y dos canciones del disco de los hermanos Mario y Chico Adnet 'Falso antigo': 'Falso baiano'- con la voz de Roberta Sá- y 'Fred Astaire do samba' -con Pedro Miranda-. Abre el cuarteto de Ken Peplowski con 'Like a lover', antigua composición de Dori Caymmi al que podemos escuchar en su nuevo disco 'Utopia' ('Pelas mãos de algum poeta', 'Sozinho de nascença', 'Navegação', 'Ninho de vespa'). Cierra el Quartet West de Charlie Haden con 'Always say goodbye'. Escuchar audio

Clayton and Shaddock record LIVE during SAFC's US Open Cup game against FC Tulsa… and we bring in Charlie Haden to talk about Sunday's 2-0 home victory over Lexington on SAFC's first Kids Day. Coach and the guys are undefeated in March, and we discuss why with special guest Charlie. Then, we preview the upcoming road trip to California, look around the league, and at look at the first Puro Pick Four standings of the year. Finally, free kicks about the World Cup, soccer playoffs, and the USA. Enjoy!

The music, the people playing it, and the audience are all in a state of total oneness.  It's a spontaneous improvisation as delicate as an eggshell.  You're almost afraid to breathe lest this moment dissolve, and we are all dropped back to the cold earth.  Then you open your eyes to see that the bassist is Charlie Haden, and you know that this moment will not end until its time has come, because Charlie Haden practically discovered this sense of the sublime in music for us. He seems to create it at will.     Steve Slagle knows this experience well. He played in Charlie Haden's Liberation Music Orchestra.  Steve searches the WKCR archives for live, unreleased recordings of Charlie Haden with host Mitch Goldman, this Monday (2/2) on Deep Focus.  Tune in Monday (Feb 2) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD, or wkcr.org.   Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  You can also uncover over 400 episodes of Deep Focus.  Just like WKCR, it's ad-free, sponsor-free, all free, totally non-commercial.  We won't even ask for your contact info.   Learn more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Charlie Haden 1981 by Brianmcmillen CC BY-SA 3.0 creativecommons.org-licenses-by-sa-0-3.0.   #WKCR #DeepFocus #CharlieHaden #SteveSlagle #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman   Deep Focus is a production of Small Media Large. 

The music, the people playing it, and the audience are all in a state of total oneness.  It's a spontaneous improvisation as delicate as an eggshell.  You're almost afraid to breathe lest this moment dissolve, and we are all dropped back to the cold earth.  Then you open your eyes to see that the bassist is Charlie Haden, and you know that this moment will not end until its time has come, because Charlie Haden practically discovered this sense of the sublime in music for us. He seems to create it at will.     Steve Slagle knows this experience well. He played in Charlie Haden's Liberation Music Orchestra.  Steve searches the WKCR archives for live, unreleased recordings of Charlie Haden with host Mitch Goldman, this Monday (2/2) on Deep Focus.  Tune in Monday (Feb 2) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD, or wkcr.org.   Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  You can also uncover over 400 episodes of Deep Focus.  Just like WKCR, it's ad-free, sponsor-free, all free, totally non-commercial.  We won't even ask for your contact info.   Learn more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Charlie Haden 1981 by Brianmcmillen CC BY-SA 3.0 creativecommons.org-licenses-by-sa-0-3.0.   #WKCR #DeepFocus #CharlieHaden #SteveSlagle #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman   Deep Focus is a production of Small Media Large. 

The music, the people playing it, and the audience are all in a state of total oneness.  It's a spontaneous improvisation as delicate as an eggshell.  You're almost afraid to breathe lest this moment dissolve, and we are all dropped back to the cold earth.  Then you open your eyes to see that the bassist is Charlie Haden, and you know that this moment will not end until its time has come, because Charlie Haden practically discovered this sense of the sublime in music for us. He seems to create it at will.     Steve Slagle knows this experience well. He played in Charlie Haden's Liberation Music Orchestra.  Steve searches the WKCR archives for live, unreleased recordings of Charlie Haden with host Mitch Goldman, this Monday (2/2) on Deep Focus.  Tune in Monday (Feb 2) from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD, or wkcr.org.   Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  You can also uncover over 400 episodes of Deep Focus.  Just like WKCR, it's ad-free, sponsor-free, all free, totally non-commercial.  We won't even ask for your contact info.   Learn more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Charlie Haden 1981 by Brianmcmillen CC BY-SA 3.0 creativecommons.org-licenses-by-sa-0-3.0.   #WKCR #DeepFocus #CharlieHaden #SteveSlagle #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman   Deep Focus is a production of Small Media Large. 

Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Max Roach punched him in the mouth. Dizzy Gillespie said Ornette's music wasn't even jazz. Meanwhile, Leonard Berstein and John Coltrane celebrated him.So what exactly is The Shape of Jazz to Come, and why was it so radical? Jazz pianists Peter Martin and Adam Maness break down every track, from "Lonely Woman" to "Chronology". They dig into harmolodics, free jazz, and how Ornette shaped everyone from Miles Davis (who eventually came around) to the '80s burnout crew, including Wynton Marsalis, who personally recommended this record to Peter.Dig into The Shape of Jazz to Come with us, and learn why this soft spoken saxophonist inspired both criticism and awe.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Mingus Ah Um: https://youtu.be/XYeRZ0Awui4Giant Steps: https://youtu.be/8umC2yZlPHcKind of Blue: https://youtu.be/ShzSnjP8bSgTime Out: https://youtu.be/-_qPhFSJeQUNina Simone at Town Hall: https://youtu.be/2PDjN5_2y5Q-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love:https://youllhearit.com/newsletter-------------------------------0:00:00 - Ornette Coleman's The Shape of Jazz to Come0:01:42 - 1959: A Pivotal Year0:03:06 - Ornette Coleman: The Backstory0:04:44 - Ornette's Earlier Sound0:06:18 - Lore of the Five Spot0:07:00 - "Lonely Woman"0:12:27 - Harmolodics Explained (Charlie Haden + Don Cherry)0:13:27 - "Eventually"0:14:42 - The '80s Jazz Connection (Wynton, Branford, Kirkland)0:17:21 - "Peace"0:23:50 - Ad: Open Studio0:24:57 - Mingus Said THIS About Coleman0:27:47 - "Focus on Sanity"0:29:40 - When Peter Played with Charlie Haden0:32:43 - Don Cherry's Kids: Neneh Cherry + Eagle-Eye Cherry0:34:22 - "Congeniality"0:36:28 - "Chronology"0:37:23 - Technical Technique vs. Artistic Vision0:42:13 - Categories: Desert Island Tracks, Apex Moments0:48:55 - You'll Read It Newsletter + Ambies

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breve comentário aos textos bíblicos lidos em comunidade | Domingo III da Quaresma A | Hospital de Santa Marta, Lisboa, 7 de Março de 2026.Êxodo 17,3-7; Romanos 5,1-8 e João 4,5-42.Instagram© Keith Jarrett e Charlie Haden, Jasmine (ECM Records, 2010) – Where Can I Go Without You© Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near FarAntónio Pedro Monteiro

breve comentário aos textos bíblicos lidos em comunidade | Domingo II da Quaresma A | Hospital de Santa Marta, Lisboa, 28 de Fevereiro de 2026.Génesis 12,1-4; 2 Timóteo 1,8-10 e Mateus 17,1-9.Instagram© Keith Jarrett e Charlie Haden, Jasmine (ECM Records, 2010) – Where Can I Go Without You© Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near FarAntónio Pedro Monteiro

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breve comentário aos textos bíblicos lidos em comunidade | Domingo I da Quaresma A | Hospital de Santa Marta, Lisboa, 21 de Fevereiro de 2026.Génesis 2,7-9 – 3,1-7; Romanos 5,12-19 e Mateus 4,1-11.Instagram© Keith Jarrett e Charlie Haden, Jasmine (ECM Records, 2010) – Where Can I Go Without You© Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near FarAntónio Pedro Monteiro

Send a textMusician, songwriter, producer, engineer and ethnomusicologist Alan Williams (solo, Birdsong at Morning, Knots and Crosses) joins Al to talk about Carla Bley and Paul Haines' 1971 album Escalator over the Hill. Alan discusses why he decided to explore EOTH during his high school years, what his favorite parts of the album are, why it has stuck with him over the years and how much he actually likes the album. Alan explores the challenges the album presents to the genrefication of music and talks about several of the artists involved, including Linda Ronstadt, Jack Bruce and Charlie Haden. He also shares details about the making of his soon-to-be-released solo album Floating on the Dreamline (out on March 6) and his experiences with directing the Album Ensembles at the University of Massachusetts-Lowell, where he is a Professor of Music.You can watch videos of the Album Ensembles' live performances from Alan's website:https://www.alanwilliamsevidence.com/musings/an-incredible-simulation-the-umass-lowell-album-ensemble-projectsYou can follow Alan on Instagram, Facebook and YouTube at @alanwilliamsevidence.Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. The first seven episodes of Bonus Tracks—YMAAA's subscriber-only podcast series—are now available at patreon.com/youmealbum. More monthly episodes and other good stuff are soon to come. Please consider subscribing! Your support will make it possible for Al to keep this podcast going.To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum1:16 Alan's introduction2:27 Alan explains why he got interested in Escalator over the Hill3:55 Alan describes his initial experience with listening to the album7:17 Alan and Al talk about the album's lack of a story11:01 Alan talks about the blending of the jazz and rock worlds on EOTH16:29 Alan explains why EOTH made a big impact on him19:47 Is it best to listen to all six sides of the album all the way through?22:24 Alan picks out some of his favorite parts of the album27:27 Linda Ronstadt's involvement with this album puts the rest of her career in perspective30:53 Alan is impressed that Bley got the project completed in spite of the obstacles32:50 Bley continued to collaborate with rock musicians after EOTH34:38 Does Alan actually like EOTH?39:45 Alan explains why he finds EOTH inspirational42:45 Alan recounts a personal encounter he had related to EOTH44:20 Alan talks about artists who influenced the sound of Floating on the Dreamline47:49 Alan discusses how “Feel No Pain” came together51:16 Al hears FOTD as sonically cohesive53:06 Alan talks about his students' eclectic musical tastes53:56 Alan discusses the Album Ensembles at University of Massachusetts-Lowell1:06:37 Alan talks about his imminent retirement and upcoming eventsOutro music is from “Before My Eyes” by Alan Williams.Support the show

breve comentário aos textos bíblicos lidos em comunidade | Quaresma – Quarta-feira com Cinzas | Lisboa, 18 de Fevereiro de 2026.Joel 2,12-18; 2 Coríntios 5,20 – 6,2 e Mateus 6,1-6.16-18.Instagram© Keith Jarrett e Charlie Haden, Jasmine (ECM Records, 2010) – Where Can I Go Without You© Mammal Hands, Shadow Work (Gondwana Records, 2017) – Near FarAntónio Pedro Monteiro

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Enjoy a playlist that showcases a series of tributes connecting today's European scene with the legacy of American jazz masters—from Don Cherry to Charlie Haden and Steve Lacy—alongside the remarkable work of established and up-and-coming composer-arrangers such as Michael Leonhart and Rebecca Trescher. The playlist features Shake Stew; Michael Leonhart; Rebecca Trescher; Stéphane Kerecki [pictured]; Matthieu Donarier. Detailed playlist at https://spinitron.com/RFB/pl/21891572/Mondo-Jazz [from "Cherry Pie" to "Peebles"] Happy listening! Photo: Eric Garault

让我们闪聚一次，在告别2025之际。和两位爵士乐传奇轻轻挥手，获得新一年的好运和勇气。- 片头曲 -少白 - Fugue on a theme of Charlie Parker ‘Anthropology'（超人cut版）- 音乐 -Pat Metheny, Charlie Haden, Jack DeJohnette - The BatJack DeJohnette - Quiet NowSheila Jordan - The Very Thought of You- 聊天的人 -顾超（公众号“天方乐谈Intermezzo”，小红书“超人”）- 互动方式 -节目微信公众号：天方乐谈Intermezzo听友群管理员微信号：guchaodemajia

New York-based drummer and educator Matt Wilson has performed with and/or played on many recordings by other musicians - Joe Lovano, John Scofield, Charlie Haden, Lee Konitz, among others - and leads ensembles of his own, but at this time of year, the thing he might be best known for is his Christmas Tree-O. And yes, he went there – putting a pun right in the band's name. The trio, featuring multi-reed player Jeff Lederer and bassist Paul Sikivie, takes holiday tunes as a whimsical jumping off point for a variety of jazz styles, from swing to free improv. Their recent album is called Tree Jazz – The Shape Of Christmas To Come, and they're here to play their gleeful, irreverent, and sometimes nerdy takes on music of the season, in-studio.Set list: 1. Up on the Rooftop 2. Good King Wenceslas 3. Shine Your Light

Antonio Sanchez has become one of the most sought-after drummers in the international jazz scene. Following 18 years and 9 albums as one of the most revered collaborators with guitarist/composer Pat Metheny, he also has recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielemans. In 2014 Sanchez popularity soared when he scored Alejandro González Iñárritu's Birdman which ended up winning 4 Academy awards (including best picture) and for which Antonio won a Grammy award. He currently has many recordings as a leader and solo artist. Some recent recordings include Beatrio w/ Bela Fleck, Edmar Castaneda as well as his own group Migration. You can hear Anotino's masterful compositions and drumming on the award winning show The Studio on Apple TV In this episode, Antonio talks about  Why he calls Barcelona, Spain his home Creating a strong reputation The realities a seasoned pro has to contend with Antonio's journey into jazz and notoriety  Staying artistically and creatively curious  Using your own voice when making music Composing for the movie Birdman & the TV series The Studio Creating a counter culture to social media ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Listen to a conversation with the virtuoso multi-instrumentalist, vocalist, and bandleader, Ricky Skaggs. Born in Kentucky in 1954, Skaggs has played a central role in shaping modern bluegrass and country music. A child prodigy, he first performed on stage with Bill Monroe at age six, and at age seven he appeared on national television with Lester Flatt and Earl Scruggs.  Before turning 18, Skaggs had already performed with many of the greatest legends in bluegrass. At age 15, he and his childhood friend Keith Whitley joined Ralph Stanley's Clinch Mountain Boys. In the 1970s, Skaggs' musicianship helped redefine progressive bluegrass through his work with the Country Gentlemen, J.D. Crowe & the New South, and Emmylou Harris' Hot Band. He launched his solo career in the early 1980s and became a leading figure in the neotraditional country movement. His string of #1 hits — including “Crying My Heart Out Over You,” “Highway 40 Blues,” and “Heartbroke” — made him one of the decade's most influential artists. During this period he earned multiple CMA Awards, including Entertainer of the Year in 1985, as well as several Grammy Awards. In the 1990s, Skaggs returned his focus to bluegrass, forming his acclaimed band Kentucky Thunder. In 2018, Skaggs was inducted into both the Country Music Hall of Fame and the Bluegrass Music Hall of Fame—one of the few artists to receive both honors. He is also a member of the Grand Ole Opry. Skaggs has performed and recorded with a wide range of legendary artists across many genres, including Jack White, Ray Charles, Johnny Cash, Dolly Parton, Charlie Haden, Bruce Hornsby, Béla Fleck, John Fogerty, and Dionne Warwick, among many others. Across his decades-long career, Ricky Skaggs' contributions as a singer, mandolinist, fiddler, bandleader, and tradition-bearer have secured his legacy as one of the most important figures in American roots music. Ricky Skaggs and Kentucky Thunder will present a special Christmas concert at the Brown County Music Center on December 11.

This week on Jazz After Dinner Joe features Bassist Charlie Haden from his 1991, Verve Records recording, titled “Haunted Heart.”

This show is a digitized cassette of a concert from September 23, 1980.Recorded Live at Ryles, Boston, MAThe only time this group played together: Paul Motian drums, Charlie Haden bass, Pat Metheney guitar, Julius Hemphill saxophoneSet List: https://jazzcloset.blogspot.com/2025/11/1980-live-at-ryles-112325.htmlPhoto: Pat Metheney 1980 © Paul Motian

durée : 00:59:08 - Stéphane Kerecki "Liberation Songs" - par : Nicolas Pommaret - Avec “Liberation Songs”, le contrebassiste et compositeur Stéphane Kerecki inscrit son travail dans la continuité d'un jazz engagé, héritier du Liberation Music Orchestra de Charlie Haden. Parution chez Self Two Music / Hello Outhere. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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Episode 92: Joe Lovano. Joe Lovano is one of the greatest musicians of all time. A Grammy-winning saxophonist who's been on the cover of DownBeat magazine multiple times (as well as many others), a Blue Note Records legend with 25 releases, a Berklee alum, and he holds the Gary Burton Chair in Jazz Performance at Berklee College of Music, which he's had since 2001. He also happens to be my cousin and one of the biggest inspirations and mentors in my life. This was our first time ever doing something like this together. A 3-hour deep dive interview that covers (nearly) his entire career. We go into our family history, growing up in Cleveland, our Sicilian roots, his father Tony “Big T” Lovano, and how that shaped his sound and spirit. We talk about his time with Elvin Jones, Jack DeJohnette, John Scofield, Charlie Haden, Esperanza Spalding, Michael Brecker, McCoy Tyner, Paul Motian, Bill Frisell, Hank Jones, Dave Holland, Joshua Redman, Al Foster, and many more. Joe shares lessons from decades of leading bands, developing tone, mentoring young players, and living a full creative life with his wife of 50 years, Judi Silvano. Joe is one of the greatest musicians alive, a music historian, and an incredible educator and mentor. Here is my interview with one of my favorite people, Joe Lovano.The Music Settlement Scholarship Donation: https://www.themusicsettlement.org/donate?utm_source=Master+List&utm_campaign=a5cff9ca09-EMAIL_CAMPAIGN_JoeLovano2025&utm_medium=email&utm_term=0_1bd2f9c4a7-a5cff9ca09-434756824 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Joe: https://www.instagram.com/joelovanojazz/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:00:04 - On arrive - par : Nathalie Piolé -

CHARLIE HADEN, uno de los mejores virtuosos del contrabajo del siglo pasado, falleció en el año 2014 y dejó para la posteridad, creo que como herencia creativa, dos discos que han sido considerados dos joyas de este siglo XXI. Uno dedicado a recrear los boleros más populares, otro como antología de aquellas canciones sofisticadas de los años cincuenta en la que quiso que cantaran, hablando de sofisticaciones, algunas de las cantantes más sofisticadas de la discografía actual. A esas dos joyas discográficas dedicaremos el programa.

The first set of this podcast reviews some of the music represented at the 2nd annual San Diego-Tijuana (SDTJ) International Jazz Festival. This unique festival features artists from both sides of the US Mexico boarder. We begin with a tribute to the late James Moody, a resident of San Diego, celebrating his 100th Centennial of his birth. Also featured is a young singer from Veracruz Mx, Lucia and pianist-composer Irving Flores with his brand new album. We keep to the Latin jazz theme with a reading of Tres Palabras from Charlie Haden. More music concludes with an extended selection from Dexter's homecoming concert. Playlist Artist ~ Name ~ Album James Moody ~ Darben, the Redd Foxx ~ 80 Years Young: Live at the Blue Note Lucía ~ Veracruz ~ Lucía Irving Flores ~ With Amanda in Favignana ~ Armando Mi Conga Charlie Haden ~ Tres Palabras ~ Nocturne Tony Davis ~ Trinkets From Mars ~ Jessamine Les McCann ~ Poo Pye McGoochie (And His Friends) ~ Invitation to Openness Dexter Gordon ~ In Case You Haven't Heard ~ Homecoming - Live At the Village Vanguard

Painting With John (New Opening) — JOHN LURIE, Painting with JohnRitual — CANBERK ULAŞ, ARVE HENRIKSEN, Echoes of BecomingSoftly as in a Morning Sunrise — FRED HERSCH, Silent Listening'Round Midnight — CHARLIE HADEN, CHET BAKER, ENRICO PIERANUNZI, BILLY HIGGINS, SilenceThe World Begins Today — TIGRAN HAMASYAN, OLIVIER BOGÉ, SAM MINAIE, JEFF BALLARD, The World Begins TodayDo Not Go Gentle Into That Good Night — JOHN ZORN, BILL FRISELL, JULIAN LAGE, GYAN RILEY, LamentationsNessun Dorma — ADAM NEELY, LAU NOAH, The Way UnderLove for Sale — AHMAD JAMAL, Black BeautyJasmine — BUD SHANK, SHORTY ROGERS, BILL PERKINS, NoctambulismEscuchar audio

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Gonzalo Rubalcaba is a Grammy-winning Cuban pianist and composer celebrated as one of the most innovative voices in modern jazz. He'll be performing at Indy Jazz Fest on September 19. Born in Havana in 1963 to a musical family, Rubalcaba was classically trained before emerging as a prodigy of the city's vibrant jazz scene. His virtuosic technique quickly drew international attention, leading to collaborations with legends like Dizzy Gillespie, Charlie Haden, and Herbie Hancock. In his conversation with WFYI's Kyle Long, Rubalcaba discusses his connection to Dizzy Gillespie and his latest album, “A Tribute to Benny Moré and Nat King Cole.”

Intro: One More Night – Can Jackie Wilson Said (I'm In Heaven When You Smile) – Van Morrison (2:59) Melao Para El Sapo – Eddie Palmieri & his Orchestra (5:00) Chasser Les Sachets – Baba Commandant (5:42) Prayer Meeting – Jimmy Smith (5:44) Si Tu Reviens Chez Moi – Les 5 Gentlemen (2:24) Je Mitsiko Ro Mokotse – Mamehy (5:29) The Art of Stopping – Wire (3:34)  Why Are We Sleeping? – Soft Machine (5:34)  She Comes In Colors – Love (2:46) She Comes Running – Lee Hazlewood (2:11) Allegro Non Troppo from the Sonata in G Major for Viola da Gamba & Harpsichord BWV1027  - J.S. Bach, Mieneke van der Velden/Emmanuel Frankenburg (3:44) Maxine's Parlour – Bill Fay (2:52)  Painting Box – Incredible String Band (4:05)   Personality Crisis – New York Dolls (3:40)  Before I Grow Too Old – Tommy McClain (2:30) Amarcord – Enrico Pieranunzi, Kenny Wheeler, Chris Potter, Charlie Haden, & Paul Motian (6:46) Ramble in the Brambles – Thorn Wych (6:43) The River – Terry Reid (5:45) Straumen Forbi – Erlend Apneseth (7:04) Slurf Song – Michael Hurley (3:15) Will the Circle be Unbroken? – Staple Singers (2:48) The First Time Ever I Saw Your Face – Roberta Flack (4:20) To Die in the Country – Yara Asmar (2:05) Hard Time Killin' Floor – Stefan Grossman, with Jo-Ann Kelly (4:02) Blue Railroad Train – Delmore Brothers (2:56) Nafwaya Fwaya – Alick Nkhata & Shadrack Soko (2:23) Brownskin Gal – Joseph Spence (5:16) Outro: Pogles Walk – Vernon Elliott Ensemble

Composiciones para el cine de Ennio Morricone, que nos dejó hace ya 5 años, grabadas por Kyle Eastwood ('Per le antiche scale'), Charlie Haden y Pat Metheny ('Cinema Paradiso love them', 'Cinema Paradiso main theme'), George Mraz ('Cinema Paradiso'), Yo-Yo Ma (Gabriel's oboe', 'The falls', 'Once upon a time in America: Deborah´s theme', 'Cockeyes song', 'Main theme') o el propio Morricone. Y trabajos suyos para películas menos conocidas, de los años 60 y 70, con piezas influenciadas por el samba jazz y la bossa como 'Waltzer bossa nova', 'Ritratto d´autore', 'Alla serenità', 'Metti una sera cena' o 'Samba in tribunale'. Escuchar audio

Unos elefantes muy cinematográficos con la cantante Petra Haden ('Cinema Paradiso', 'A fistful of dollars theme', 'Psycho main title', 'Goldfinger', 'This is not America'), su padre el contrabajista Charlie Haden a dúo con el guitarrista Pat Metheny ('Two for the road'), el guitarrista Bill Frisell ('To kill a mockingbird', 'The shadow of your smile' -con Petra Haden-, 'Once upòn a time in the west -con Petra Haden-), el pianista Brad Mehldau ('Marcello´s box', 'Cécile I', 'Peace', 'Henri´s lament' y 'Fait chier Paris' de la película francesa 'Mon chien stupide') y el contrabajista Kyle Eastwood ('The Pink panther theme').Escuchar audio

ERIC PERSON “RHYTHM EDGE” Brooklyn, NY, February 19 & 20 & March, 2007The multitudes, It's time again Eric Person (as,sop,ts,fl) Ingrid Jensen (tp) Robin Eubanks (tb). Jerod Kashkin (p,keyboards) Cary Denigris (g) Adam Armstrong (b) Peter O'Brien (d) Daniel Sadownick (cga,perc) TERELL STAFFORD “BETWEEN TWO WORLDS” Las Vegas, NV, c. 2023Between two worlds, Two hearts as one (1), BloodcountTerell Stafford (tp,flhrn) Tim Warfield (ts,sop) Bruce Barth (p) David Wong (b) Johnathan Blake (d) Alex Acuna (perc-1) KEITH JARRETT “EL JUICIO (THE JUDGEMENT)” julio, 1971 Gypsy Moth, El JuicioDewey Redman (ts) Keith Jarrett (p,sop,steel-d,cga-1) Charlie Haden (b,steel-d) Paul Motian (d,steel-d,cga-2) Continue reading Puro Jazz 18 de agosto, 2025 at PuroJazz.

Featuring all improvised tunes with Charlie Haden, Paul Bley, Masabumi Kikuchi, Thomas morgan, Enrico Pieranunzi, Marilyn Crispell, Gary Peacock, Stephan Oliver, Bruno Chevron and Paul Motian. With readings from the liner notes of Masabumi Kikuchi Trio 2012 album Sunrise on ECM.Set List: https://jazzcloset.blogspot.com/2025/07/improvised-by-paul-motian-friends-021017.htmlPhoto: Paul Motian © Pierluigi Bumba 1994

In the 55th episode of the ECM podcast we're joined by pianist and composer Fred Hersch, whose new trio date "The Surrounding Green" was produced by Manfred Eicher. Fred talks about nature, mental health, the art of the trio and more.

Greetings All You Young Jazz Lovers! Another episode of the best damn Jazz music podcast on the internet has dropped, and this episode has drawn its inspiration from the world of film. A cinema masterpiece entitled "Sinners" hit theaters back in April of this year and ever since I can't seem to quench my desire for the blues (I also avoid the sunlight...strange). It's as if I have been seduced and placed under a spell! I wonder, is there such a thing as a Blues Vampire? If so...one must have bit me when I attended the Keb' Mo - Taj Mahal concert in June. Well, in any case... here it is y'all a bit of that voodoo that the Blues do so well. Enjoy!  Brian "Katzpheno" Phoenix featuring: Abbey Lincoln - The Music Is The Magic (2007) Mike Stern - Coupe De Ville (2009) Warren Wolf - Frankie & Johnny (2013) Herlin Riley - Wang, Dang, Doodle (2019) Charlie Hunter - We Don't Nobody Nobody Sent ( 2016) Jimmy Greene - No Words (2020) Randy Crawford & Joe Sample - Everyday I Have The Blues (2012) Charlie Haden, Paul Motain & Geri Allen - Blues In Motain (1987) Billy Cobham - Red Baron (1973) Allen Toussaint - Singin' The Blues (2009) Mack Avenue Superband - Test Of Time (2015) Joe Williams & Marlena Shaw - Is You Is Or Is You Ain't My Baby (1989)

Del segundo disco del cantante, compositor y guitarrista carioca Zé Ibarra, 'Afim', las canciones 'Infinito em nós', 'Segredo', 'Da menor importância', 'Morena' y 'Essa confusão'. Del nuevo disco del pianista estadounidense Fred Hersch, 'The surrounding green', en trío con el bajsita Drew Gress y el baterista Joey Baron, 'Palhaço', de Egberto Gismonti, y 'First song' de Charlie Haden. El pianista Giovanni Ceccarelli y el bajista Ferruccio Spinetti firman 'Le grand Michel', disco homenaje a Michel Legrand, con canciones como 'The summer knows', 'The windmills of your mind' -con la voz de Cristina Renzetti- o 'What are you doing the rest of your life?' -con la voz de Camille Bertault-. Despedida a dos pianos con los antillanos Alain Jean-Marie y Mario Canonge tocando 'Morena´s rêverie' en su disco 'Con alma'. Escuchar audio