Podcasts about Chick Corea

durée : 00:59:28 - par : Nathalie Piolé -

Zu unserer Fusion Playlist kommt ihr hier: https://open.spotify.com/playlist/2ghPNW4d25Rmwm6g9RRcax?si=8d2995bf97f949ff Heute geht es verstärkt um die Musikrichtung: Fusion. Greg Howe, Frank Gambale, Chick Corea, Allan Holdsworth... den meisten sind die Interpreten warscheinlich ein Begriff. Aber was genau ist eigentlich Fusion? Dies und mehr erfahren wir in der heutigen Episode. Viel Spaß! **Community** Über den nachfolgenden Link werdet Ihr an Discord weitergeleitet: [https://letstalkguitar.de/discord](https://letstalkguitar.de/discord)

This week, we bow down and raise up the almighty guitar heroes! The foundation of Rock n' Punk n' Metal is the guitar and the amazing sounds that those who wield them can make. How do they make such wonderful noise with metal wires on a piece of wood? There's some kinda voodoo in their hands, and we set off on a journey to raise some of the 70s shredders that you may have forgotten! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all three. Get out your old 70's Guitar Player mags and flip the pages as we discuss some of the most amazing fingers to ever touch a fretboard! Songs this week include: Frank Marino & Mahogany Rush – “Electric Reflections Of War / The World Anthem / The Answer” from Live (1978) Rory Gallagher – “Shadow Play” from Photo-Finish (1978) Tommy Bolin – “Teaser” from Teaser (1975) Robert Fripp – “Disengage II” from Exposure (1979) Wild Horses – “The Rapist” from Wild Horses (1980) Dixie Dregs – “Punk Sandwich” from Night Of The Living Dregs (1979) Alice Cooper – “Devil's Food / The Black Widow” from The Alice Cooper Show (1977) Al Di Meola – “Race With Devil On Spanish Highway” from Elegant Gypsy (1977) Check us out on the Boneless Podcasting Network: https://bonelesspodcasting.com/ Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

My guests on the podcast this week have an astonishing 24 Grammy awards between them and they represent two musical world I love - the first is bluegrass and string band music and the second is opera.Renée Fleming and Béla Fleck join me to chat about their wonderful new collaboration The Fiddle and the Drum, a project which explores Renée's long-held love of American folk and Appalachian music. The album includes guest appearances from several musicians from in and around the string band world, including Dolly Parton, Vince Gill, Jerry Douglas, Aoife O'Donovan, Sierra Hull and Sarah Jarosz.We chat about the role folk music played in Renée's upbringing, the similarities and differences between roots music and the classical world, how the record came together, why folk songs are so powerful and what it means to be an eclectic artist over the course of a long career (plus much more).This was a wonderful conversation to get to be part of. Thanks to Renée and Béla for taking the time to chat and particular thanks to Collin Citron for helping make this happen.You can find out more about the project and order copies of the record at reneefleming.com, along with info on live dates for The Fiddle and the Drum and the project Renée mentions, Music and the Mind You'll find info on Béla at www.belafleck.com, including BEATrio and the collaborations with Toumani Diabaté, Zakir Hussain and Chick Corea mentioned in the episode. Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins and Token premium guitar picks- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates:InstagramFacebook- Review us on Apple Podcasts

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. This episode is a new installment of The Drum Panel, and it's Part TWO of TWO of diving into Chick Corea's Cheap But Good Advice For Playing Music in a Group. I'm joined by good friend of mine ⁠Rafa Vidal⁠, who also plays with the band Almost Monday, who are currently killing it, and of course ⁠Eric Somers-Urrea ⁠is back on the panel. In Part One, we covered numbers 1 through 6. Today, we're finishing the list with numbers 7 through 16, which get into some really good stuff: balance, intention, taste, space, relaxation, ego, and what it actually means to serve the music. As always with The Drum Panel, we're not pretending to have all the answers. We're just using these ideas as a jumping-off point to talk about playing music, being in bands, staying creative, and trying to become better musicians without losing our minds. ——— Chick Corea's Cheap But Good Advice For Playing Music in a Group. Play only what you hear. If you don't hear anything, don't play anything. Don't let your fingers and limbs wander. Place them intentionally. Don't improvise on endlessly. Play something with intention, develop it or not, then end off and take a break. Leave space. Create space. Intentionally create places where you don't play. Make your sound blend. Listen to your sound and adjust it to the rest of the band and the room. If you play more than one instrument at a time, like a drum kit or multiple keyboards, make sure they are balanced with one another. Don't make any of your music mechanically or just through patterns of habit. Create each sound, phrase, and piece with choice, deliberately. Guide your choice of what to play by what you like, not by what someone else will think. Use contrast and balance the elements: high/low, fast/slow, loud/soft, tense/relaxed, dense/sparse. Play to make the other musicians sound good. Play things that will make the overall music sound good. Play with a relaxed body. Always release whatever tension you create. Create space. Begin, develop, and end phrases with intention. Never beat or pound your instrument. Play it easily and gracefully. Create space, then place something in it. Use mimicry sparsely. Mostly create phrases that contrast with and develop the phrases of the other players. We also get into a Rafa's new endeavor called Touch Grooves. Check out more information on that ⁠HERE⁠ --- Get Your Copy of the Drummers on Drumming Book Today

The Jazz Session No.468 from RaidersBroadcast.com as aired in May 2026, featuring numerous brilliant and inspiring women in jazz, from legendary vocalists, to innovative band-leaders, from the 1940s to the present day. TRACK LISTING: What's New? - Billie Holiday; Don't Worry About Me - Sarah Vaughan; Give Me the Simple Life - Annie Ross, w. Gerry Mulligan; Just Another Rhumba - Ella Fitzgerald & The Nelson Riddle Orchestra; Blues for Mama - Nina Simone; Brazilian Tapestry - Astrid Gilberto, w. Stanley Turrentine; Journey in Satchidananda - Alice Coltrane; 500 Miles High - Flora Purim, w. Chick Corea & Return to Forever; Back to the Beginning - Annette Peacock, w. Bill Bruford; Cacion Sin Nombre - Barbara Thompson's Paraphernalia; Street Life - Randy Crawford, w. The Crusaders; Lawns - Carla Bley; Canto De Ossanha - Paula Morelenbaum; Curiousity - Lalo; Judas - Esperanza Spalding; La Saboteuse - Yazz Ahmed; No Game - Julia Hulsmann; Omen - Emma Rawicz; Anesthesia - Mary Halvorson; The Labyrinth - Abbie Finn Trio.

Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades. Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more. In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte's musical director, joining Joe Zawinul's Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more. Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona! Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Richard: https://www.instagram.com/richardbonaofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Harvie S is a renowned jazz bassist with a distinctive style and virtuosic technique. Throughout his illustrious career, Harvie has recorded with a plethora of jazz luminaries including Michael Brecker, Paquito D'Rivera, Chick Corea, Kenny Barron, John Scofield, Sheila Jordan, James Moody, Yusef Lateef, and the Manhattan Transfer, just to name a few, leaving an indelible mark on the global jazz scene. His dynamic bass lines and innovative approach to rhythm have earned him widespread acclaim among critics and audiences alike. He has released 21 recordings as a leader on major labels, 20 as a co-leader and over 400 as a sideman. His most recent album is Bright Dawn. During our podcast, we feature a song from that recording, Voice in the Sky. Harvie's musical versatility knows no bounds, as he effortlessly traverses various jazz sub genres, from traditional, Afro-Cuban, Brazilian to avant-garde, infusing each performance with his unique musical perspective. In addition to his prowess as a performer, Harvie is also a dedicated educator, sharing his wealth of knowledge and experience with aspiring musicians. Harvie also has a podcast, Harvie S On Tap. Click here to listen.

Las Vegas-based vocalist, songwriter, multi-instrumentalist, film composer, and music producer. Plus, he even teaches music production at UNLV. He was an original band member in the Las Vegas production of Blue Man Group, spanning 18 years and playing five instruments. Previously, he had spent seven years drumming with Wild Colonials, who were on Geffen Records, co-writing and recording three albums, and touring nationally. He has been recording artists for more than twenty years, and is the son of the late jazz legend, Chick Corea.

durée : 00:59:27 - par : Nathalie Piolé -

Performance and Works used with permission from the artist and venue. Bassist Carlo De Rosa is a veteran of both the New York and Miami jazz scenes. The Michigan native performed on Yo-Yo Ma's 2009 Grammy Award Winning Album Songs of Joy and Peace and two other Grammy nominated albums. For this trio performance, he's joined by Grammy wining Pianist Luis Perdomo, whose work with Miguel Zenon has yielded 12 albums. They're also joined by Drummer and Composer Adam Cruz. An in demand and critically acclaimed drummer, Adam's most noteworthy work to date includes recording and touring with Chick Corea and Origin. From April 4th, 2025 it's the Carlo de Rosa Trio…Live at the Bop Stop.

Chick Corea- Now He Sings, Now He Sobs (Solid State Records) Released December 1968 Now He Sings, Now He Sobs captures Chick Corea, Miroslav Vitouš, and Roy Haynes in a rare moment of complete musical connection and creative freedom. Although somewhat ignored upon release,  the album has since become one of the defining piano trio recordings in modern jazz history. Corea's compositions balance angular post-bop lines, open improvisation, rhythmic experimentation, and abstract textures, while Vitouš brings the fearless intensity of a young bass virtuoso and Haynes supplies his legendary snap-crackle rhythmic imagination. Tracks such as “Steps – What Was,” “Matrix,” and the title tune reveal a trio functioning as a single organism rather than a pianist backed by rhythm section players. The music channels the adventurous spirit of Miles Davis' Second Great Quintet and the Bill Evans Trio while pushing the piano trio format into more exploratory territory. This is not casual background jazz or music aimed at mass appeal. It demands attention, openness, and patience. For listeners willing to engage with its intensity and complexity, the album remains one of the true masterpieces of late-1960s modern jazz. (S5-EP 19)

In this episode, Carl interviews legendary Cuban-born jazz drummer Ignacio Berroa who spent over a decade alongside the great Dizzy Gillespie and has performed with icons like McCoy Tyner, Chick Corea, Clark Terry, and Jaco Pastorius. Born into a distinguished Cuban musical family, Ignacio fell in love with jazz at age 11 after his father brought home a Glenn Miller Orchestra record, and he never let go of the dream, even when the regime he lived under made loving American music a punishable offense. Ignacio opens up about what life was really like inside Castro's Cuba: the state surveillance, the religious suppression, the secret nights spent tuning his radio toward Key West to catch Willis Conover and the Voice of America Jazz Hour. He shares the heartbreak of tasting freedom on tours through Spain and knowing he had to return to a country that felt like a prison, and the impossible loyalty that kept him from defecting because two people he loved would have paid the price. When the Port of Mariel finally opened in 1980, his cousin flew from New York and waited in the harbor for a month to bring him home. The conversation moves from the personal to the prophetic as Carl and Ignacio discuss the truth about Marxist regimes that today's young Americans never learned in school, the lessons of the Berlin Wall and Checkpoint Charlie, the four and a half years Ignacio's wife and son were held in Cuba as hostages while he tried to make it in New York, and why he believes the Cuban people deserve nothing less than full freedom. With his memoir The Path I Chose: My Story now available on Amazon, Ignacio offers a powerful testimony of resilience, faith, and the unstoppable pursuit of a dream.

durée : 00:59:07 - par : Nicolas Pommaret - “Forever Yours : The Farewell Performance” de Chick Corea qui paraît chez Candid, retrace les dernières prestations du pianiste légendaire. - réalisation : Emmanuelle Lacaze, Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:00:06 - par : Nathalie Piolé - Ce soir, Kiki Williams célèbre l'amour tout neuf. Celui qui transforme les mots en chansons, et les étoiles en diamant ! - réalisation : Emmanuelle Lacaze, Stéphane Poitevin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Taylor Eigsti is a remarkable 2x Grammy Award winning and multiple Grammy nominated pianist and composer. He's released 9 albums as a bandleader and he's appeared on over 80 albums as a sideman. He won a Downbeat Magazine Critic's Poll for “Pianist of the Year”. He's played with a Who's Who in music including Dave Brubeck, Sting, Chick Corea, Snarky Puppy, Esperanza Spalding, John Mayer, Christian McBride and Joe Lovano. He's performed at major venues including Carnegie Hall, Hollywood Bowl, Red Rocks and Lincoln Center as both a soloist and with a bunch of symphony orchestras. My featured song is “Moon Shot”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TAYLOR:www.tayloreigsti.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Sam Kirmayer Cross PurposeStacey Kent, Jim Tomlinson, graham harvey, Matt Skelton, Jeremy Brown Jardin d'hiverTérez Montcalm Sweet DreamsCSAN-II Los BravosArturo Sandoval, Chick Corea, Poncho Sanchez, Pete Escovedo Bésame Mamá - Live / Jackie Gleason Theatre / Miami, FloridaPoncho Sanchez, Tito Puente Chile con SoulCraig Pady Mid Show Talk TimeJimmy McGriff Keep LooseGrover Washington, Jr. WinelightMiles Davis Decoy (2022 Remaster)Craig Pady Talk TimeSteely Dan Gaucho

Straight out of Philly is Billy "Shoes" Johnson, one of my favorite drummers of all time on today's show. He was the MAN playing with Santana during the Supernatural tour and the sound on Da Le Yaleo! Billy riffs about his favorite musicians including Stanley Clark, Chick Corea, George Howard, Herbie Hancock, Tony Williams, and Jerry Brown. We are talking music history and Billy was in the jam.  Billy pays homage to his parents, siblings and Grandparents for listening to his drumming in his early years. "Put your ego in your back pocket and serve the music"....says Billy....inspired by Steve Gad. Hear the inside story of touring with Santana and going to school off of percussionists Karl Perrazo and Raul Rekow.   Their chemistry made Supernatural .....well supernatural! Learn the lesson of creating space with your drumming, especially with Santana. Remember, when you are playing drums, you are playing time. Find space in your time. Think of the big picture and the overall sound. Pay attention and listen. And remember, don't box in your lead guitarist...or anybody....especially if his name is Carlos Santana. A special thanks to our mutual friend, Mr. Dan Ashley, world class broadcaster at ABC, musician, and mentor for connecting us. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Tornano Elodie e Marracash e con loro non potevamo che tornare anche noi con una nuova puntata di Around The Pop ! I nostri speaker Susana e Vincenzo, oltre a raccontarci le news della settimana, hanno fatto una chiacchierata con il pianista jazz Francesco Chebat sul suo ultimo album " The Wand, Chick Corea and Beyond". Non poteva mancare la recensione dell'ultimo album di Madame "Disincanto" e di "Miss Italia" di Ditonellapiaga, se volete sapere cosa ne pensiamo a proposito, non vi resta che recuperare la puntata!

durée : 00:59:28 - par : Nathalie Piolé -

This podcast episode features Chick Corea as a sideman on other artists recordings. All except the final track are Corea compositions. His contributions to these albums are significant. These tunes span a timeframe from the 1960's through the 1990's. Chick's influence on the jazz lexicon cannot be overstated.  Playlist Artist ~ Name ~ Album Stan Getz ~ Five Hundred Miles High ~ Captain Marvel Joe Farrell ~ Circle in the Square ~ Joe Farrell Quartet Bobby Hutcherson ~ Matrix ~ Total Eclipse Blue Mitchell ~ Chick's Tune ~ The Thing to Do Joe Henderson ~ Crimson Lake ~ Relaxin' At Camarillo Gary Burton ~ Straight Up and Down ~ Like Minds Chaka Khan ~ I Love You Porgy ~ Echoes of an Era

Here is the playlist for the 04/12 episode of Crosswinds. EnjoyStan Kenton Orchestra- Intermission RiffDuke Ellington and Count Basie Orchestras- Jumpin' at the WoodsideDuke Ellington and Count Basie Orchestras- Corner PocketJazz at Lincoln Center Orchestra- Exposition SwingJazz at Lincoln Center Orchestra- Rent Party BluesBuddy Rich Big Band- Channel One SuiteBirdland Big Band- StorybookWDR Big Band w/Darol Anger and Mike Marshall- In the Lion's DenDon Ellis Orchestra- Turkish BathAngine de Poitrine- SarniezzTerence Trent D'Arby- Wishing WellBootsy Collins- Wishing WellPat Metheny Group- Spring Ain't HereBill Evans Trio- You Must Believe in SpringJohn Coltrane- Lazy BirdMiles Davis- FootprintsGary Burton, Chick Corea, Pat Metheny, Dave Holland and Roy Haynes- Country RoadShawn Colvin, Billy Childs and Chris Botti- Save the CountryRobert Glasper Trio- I'm Country and That's OKJamiroqui- Space CowboyBrad Mehldau- Old ManRickie Lee Jones- Don't Let the Sun Catch You CryingBeth Hart and Joe Bonamassa- Black CoffeeHerbie Hancock and John Mayer- Stitched UpBruce Hornsby w/Bob Weir- Might as Well be Me, FlorindaBilly Cobham- Solarization

Eduardo Gudim & Noticias dum Brasil con las voces de Ilana Volcov y Selma Boragian en un disco de hace veinte años, 'Um jeito de fazer samba', con la canción que le dio título, 'O amor e eu' y 'Sensação', De 'Setembro', el primer disco que firmó con su nombre Selma Boragian en 2013, 'Fuga nº2' de Os Mutantes, 'Lágrimas negras' de Mautner y Jacobina, 'Me deixa em paz' de Monsueto y Amorim, y 'Vias de fato' de su propia autoría, Del conjunto vocal Arirê, que Selma fundó con Gabriela Rossi, Mônica Olivetti y Virgínia Rietman, 'Atenção vocal, su disco homenaje a los grandes conjuntos vocales de la historia de la música brasileña como Bando da Lua, Os Cariocas o Quarteto em Cy: 'Linha de passe', 'Inútil paisagem', 'Mangueira', 'Valsa de uma cidade', 'Samba do crioulo doido' y 'Lamento sertanejo'. Y de grabaciones de estos últimos años de Selma Boragian, 'Beija-flor'de Garoto -con Edgar Poças-, 'Crystal silence' de Chick Corea -con Stefano Andreatta- y 'Three views of a secret' de Jaco Pastorius -con Mark Egan al bajo eléctrico-. Escuchar audio

Charlie Puth joins Switched On Pop in Studio A at Power Station at Berklee NYC, live before a room of current students, ten days after performing the national anthem at Super Bowl 60 and weeks before releasing his fourth album, Whatever's Clever. The conversation is grounded in one question: how do you absorb the music you love and turn it into something that actually sounds like you? Puth traces his national anthem arrangement through a lineage running from Jose Feliciano's 1968 World Series performance to Marvin Gaye's 808-driven 1983 All-Star Game version to Whitney Houston's 1991 Super Bowl rendition. The through-line: citation is letting your influences dissolve into your hands until they become unrecognizable. That principle runs throughout the new record, from the Quincy Jones guitar tone on "Cry" to the Chick Corea quotation buried in "Boy" that Puth didn't realize was there until after writing it. Songs Discussed Bruce Springsteen – "Born in the USA" Madonna – "Like a Virgin" David Bowie – "Let's Dance" Charlie Puth ft. Wiz Khalifa – "See You Again" Charlie Puth – "We Don't Talk Anymore" Charlie Puth – "Attention" Charlie Puth – "Light Switch" Whitney Houston – "The Star-Spangled Banner" Babyface – "Whip Appeal" Jose Feliciano – "The Star-Spangled Banner" Jimi Hendrix – "The Star-Spangled Banner" Marvin Gaye – "The Star-Spangled Banner" Marvin Gaye – "Sexual Healing" Soulja Boy – "Crank That (Soulja Boy)" DeBarge – "Who's Holding Donna Now" Charlie Puth ft. Jeff Goldblum – "Until It Happens to You" Charlie Puth – "Changes" Charlie Puth – "Cry" Kenny G – "Lullaby" SOPHIE – "It's Okay to Cry" Michael Jackson – "Human Nature" Johnny Hates Jazz – "Shattered Dreams" Madonna – "Into the Groove" Joshua Redman – "St. Thomas" Charlie Puth – "Boy" Chick Corea – "Spain" Charlie Puth – "How Long (Has This Been Going On)" Bell Biv DeVoe – "Poison" Elton John – "Don't Let the Sun Go Down on Me" Prince – "When Doves Cry" Schoolly D – "PSK What Does It Mean" Rick Astley – "Never Gonna Give You Up" Charlie Puth – "Beat Yourself Up" Britney Spears – "Lucky" George Benson – "Give Me the Night" No Doubt – "Hella Good" Michael Jackson – "Beat It" Michael Jackson – "Billie Jean" Charlie Puth – "Washed Up" Charlie Puth – "I Used to Be Cringe" Richard Smallwood – "Center of My Joy" Richard Smallwood – "Total Praise" Learn more about your ad choices. Visit podcastchoices.com/adchoices

As we continue to talk with trombonist Steve Davis, we ask about some of the people that he's performed with: Chick Corea, Jimmy Heath, Freddie Hubbard, Ron Carter, Christian McBride, and pianist Harold Mabern, Jr. It's quite a list, and Steve offers insight into each of these great musicians. He also offers a few tips for young musicians. What's at the top of the list? “Be a good human being.” We conclude the show with Steve playing one of his tunes live in concert.Music: “Daylight,” composition and solo by Steve Davis. From the album, Young Lions of Jazz, recorded live at the Firehouse Stage, Johnson City, NY, December 27, 2014. Used by permission of the composer.Theme music: "All Thumbs" from Faith in a New Key, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI) Announcer: Chris Norton (c) Presbybop MusicSupport the show

An arrangement of Chick Corea's third Children's Song for mandolin (Drew Azzinaro) and banjo (Chris Gainey)

The Jazz Podcast releases its 300th episode and we celebrate with Tim Garland, chatting about his new album. Mezzo is a 2026 duo album by Tim and American pianist Geoffrey Keezer, celebrating a 25-year collaboration. The album prominently features a rare mezzo-soprano saxophone—one of only 20 in the world—played by Garland, blending classical, folk, and jazz influences. Recorded in New York, the album includes originals and a unique cover of Chick Corea's "La Fiesta", which we feature as the first track on the show. Support the show

It was like summer both inside and outside the studio, but the vibes were chill with the sounds of Cochemea, Move 78, Gerardo Frisina, Alexander IV, Anthony Joseph and Felicia Patton, plus our 50-year look back included Chick Corea, Santana, Lonnie Liston Smith and Funkadelic! Playlist: https://kxsf.fm/schedule/ Click on Tuesday's 10-noon slot> FreeFall w/David Bassin This program has been edited from the original broadcast.

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In Part 2 of our interview with Adam Holzman, we cover his longstanding work with Steven Wilson, his bands Brave New World and Trifecta, Jane Getter Premonition, Adam’s amazing solo works, his Creative Synthesizer Technique book and some amazing stories of playing with Herbie Hancock and Chick Corea (amongst many others). There’s also a great train wreck story and a funny Miles Davis anecdote to round things out. Part 1 of the interview can be found here. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Adam in action with Mona Lisa Overdrive in 1994 Adam and Brave New World at Progstock 2022 The brilliant William ‘Ju Ju’ House Adam Holzman & Brave New World – Spork Adam Holzman – Truth Decay Adam Holzman & Brave New World – The Last Gig Adam Holzman – Zombie Apocalypse The Moog DFAM Steven Wilson – Beautiful Scarecrow Forming Trifecta Trifecta – Clean Up on Aisle Five John Pritchard, Adam Holzman and Rich Damone – The Dawn (Of a New Age)  Joining Steven Wilson’s band (and being nervous about it) Steven Wilson – Raider II The Raven That Refused To Sing (And Other Stories) Discussion of Adam’s approach live and in the studio to his solo on Regret #9 Adam playing his iconic solo live on the song Regret #9 Adam’s co-write with Steven Wilson – Economies of Scale (from the album The Harmony Codex) Steven Wilson – Impossible Tightrope Adam’s keyboard rig with Steven Wilson Adam’s book – Creative Synthesizer Technique Avoiding ‘Preset Purgatory’ Getting to play with hero Jan Hammer Adam playing live with Herbie Hancock, 1988 The non-musical skills required for musical success The Fents – Back in the Saddle Brief chat on Cruise to the Edge and Jane Getter Premonition  Adam jumps into a Tony Levin-less Stick Men gig on Cruise To The Edge 2024 Desert Island Discs (Rock/Pop): Songs in the Key of Life – Stevie Wonder, Starless and Bible Black – King Crimson, Relayer – Yes, Us – Peter Gabriel, Rubber Soul – The Beatles Desert Island Discs (Jazz): Spectrum – Billy Cobham, Birds of Fire – Mahavishnu Orchestra, Tale Spinnin’ – Weather Report, Thrust – Herbie Hancock, Hymn of the Seventh Galaxy – Chick Corea / Return to Forever Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Adam Holzman, Steven Wilson / Miles Davis / Solo Artist (Part 2) appeared first on The Keyboard Chronicles.

in this episode we discuss the winners of the jazz categories of the grammy awards 2026Large ensemble-christian McBrideBest Jazz Vocal Album-Portriat Samara JoyBest Jazz instrumental album -Soouthern Nights Sullivan FortnerBest Alternative Jazz Album-LIVE-ACTION-Nate SmithBest Latin Jazz -A Tribute to Benny Moré and Nat King Cole – Gonzalo Rubalcaba, Yainer Horta & Joey Calveirobest Live album Windows – Live – Chick Corea, Christian McBride & Brian Blade Simon's Apple Music Playlist Here

durée : 00:58:54 - Mirage - par : Nathalie Piolé -

Forever Yours: The Farewell Performance captures two concerts from jazz pianist Chick Corea played only months before his passing in 2021. The album recently got a physical release. Collaborator and jazz bassist Christian McBride discusses Corea's legacy. He joined Corea in another posthumous release, Trilogy 3, which earned a Grammy Award this year. Photo courtesy Christian McBride

M1 “Idiot Bastard Son”, King Kong Jean-Luc Ponty Plays the Music of Frank Zappa, (Frank Zappa) World Pacific Jazz Records, 1970 (4:00). M2 “Twenty Small Cigars”, King Kong Jean-Luc Ponty Plays the Music of Frank Zappa, (Frank Zappa) World Pacific Jazz Records, 1970 (5:35). M3 “Bowing-Bowing”, Jean Luc Ponty-Stephane Grappelli (Jean-Luc Ponty), Inner City Records, 1976, recorded 1973, (6:28)  M4 “Valerie”, Jean-Luc Ponty-Stephane Grappelli (Jean-Luc Ponty), Inner City Records, 1976 (7:00)  M5 “Upon The Wings Of Music”, Upon The Wings of Music, (Jean-Luc Ponty), Atlantic Recording/Warner Communications, (5:24). M6 “Now I Know”, Upon The Wings of Music, (Jean-Luc Ponty), Atlantic Recording/Warner Communications, (4:25)  WELCOME TO THIS EPISODE OF VINYL VIBRATIONS – musical exploration into sounds and grooves from artists whose works are produced onto vinyl records. The Vinyl Record has stood the test of time- – Vinyl is durable and delivers stunning sound. With Vinyl Records, we capture a rich period in music history  including pop, rock, jazz, and classical genres. In each show I explore a topic in the artist's music that makes their work unique and timeless. From these podcasts, the actual vinyl LPs played in this show go back to the 1950s – I am enjoying these discs some 70+ years after their production date. Tangible music, always available great quality. …  I’m your host, Brian Frederick.  WELCOME to this episode of Vinyl …  Vibrations. ABOUT TODAY'S PROGRAM ABOUT THE ARTIST Today our featured artist is Jean-Luc Ponty – He is a French JAZZ-ROCK and JAZZ FUSION violinist and composer, born in 1942. Ponty graduated from Conservatoire National Supérieur de Musique de Paris with the PREMIER PRIX the first prize, a great accomplishment. Then he was hired by Orchestra Lamoureux. He also had a side job playing in a college jazz band and he evolved and developed a jazz interest. In his 20's, Ponty went on to play at jazz clubs in Paris as the “JAZZ FIDDLE” role. Ponty was at the right time and the right place. In 1965, the VIOLIN did not have a place in the jazz world or in the jazz sound. Ponty has a unique sound, and he has made a huge impact in JAZZ-ROCK and in JAZZ FUSION. (pause) One characteristic of Ponty's style is his spared use of vibrato. His style favors powerful long notes, with just a trace of vibrato.. Another characteristic is that he plays the electric violin, and thirdly, he uses effects processing. He is truly a modern and pioneering violinist with his jazz and fusion roots starting in the 1960s. In the1970's he collaborated as sideman with FRANK ZAPPA- and with CHICK COREA- and with the MAHAVISHNU ORCHESTRA- resulting in 18 sideman records between those three groups. Before that PONTY had many recording accomplishments – with 8 recordings as LEADER going back to 1964 when he released his premier record [JAZZ LONG PLAYING]  In 1967 he played at the MONTEREY JAZZ FESTIVAL, and this landed him a recording contract with the WORLD PACIFIC label.  In 1970, he was working with Frank Zappa on the KING KONG album, and working with Elton John on the HONKY CHATEAU album. I was lucky and thrilled to see PONTY live in 1972 at  the BROWN SHOE, a bar in the Chicago Old Town neighborhood. He played an electric violin, and had floor pedals with basic effects, and played a mind-boggling 45-minute set of ROCK FUSION music. That was during his MAHAVISHNU-ZAPPA-COREA days. I had my proof, he was the real thing. And now, let's go into the music of Jean Luc Ponty. In today's podcast I review three records of Jean Luc Ponty AS LEADER, his early years, 1970 to 1975. King Kong Jean-Luc Ponty Plays the Music of Frank Zappa 1970 Jean-Luc Ponty-Stephane Grappelli 1973 Upon The Wings of Music 1975    

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. This episode is a new installment of The Drum Panel, and it's Part One of Two diving into Chick Corea's Cheap But Good Advice For Playing Music in a Group. I'm joined by good friend of mine Rafa Vidal, who also plays with the band Almost Monday, who are currently killing it, and of course Eric Somers-Urrea is back on the panel. We start off reacting to a post from Tommy Igoe about drum education and who should really be setting the agenda in lessons. That opens the door to a bigger conversation about intention, listening, and what it actually means to function inside a band. From there, we break down the first six pieces of Chick's advice and what they look like in real life: Play only what you hear. If you don't hear anything, don't play anything. Don't let your fingers and limbs just wander—place them intentionally. Don't improvise endlessly—play something with intention, develop it or not, but then end off, take a break. Leave space—create space—intentionally create places where you don't play. Make your sound blend. Listen to your sound and adjust it to the rest of the band and the room. We also get into a Rafa's new endeavor called Touch Grooves. Check out more information on that HERE --- Get Your Copy of the Drummers on Drumming Book Today

El 9 de febrero de 2021 nos dejó Armando Anthony -más conocido como Chick- Corea. Recordamos al gran pianista con sus 'Children´s songs' nº 3, 4, 6 y 7 grabadas en solitario; en su primer disco a dúo con el vibrafonista Gary Burton ('Señor Mouse', 'What game shall we play today'); en concierto con Gary Burton y la Sidney Symphony ('Brasilia'); en cuarteto con Joe Farrell, Eddie Gómez y Steve Gadd ('Samba song', 'Sicily') y en concierto de piano solo ('Pastime paradise', 'Waltz for Debby').Escuchar audio

Bay Area keyboardist, composer, and bandleader Greg Rahn joins host Steve Roby to discuss his fascinating musical journey and his new album Side Hustle—a deeply personal project that brings together jazz, blues, fusion, New Orleans piano traditions, Cuban rhythms, and rock. Episode Highlights:The Chick Corea Moment: At age 17, Greg received life-changing advice from jazz legend Chick Corea, who encouraged him not to limit himself to one musical lane but to study with teachers who could teach him what he wanted to learn.25 Years in Video Games: Greg spent over two decades composing and producing audio for the video game industry in Silicon Valley, honing his craft across diverse musical styles while raising a family.The Long Road to Side Hustle: Started in 2017, shelved in 2018, and finally completed in 2025, the album took an unexpected detour when Greg recorded his solo piano album Rent Party (2021) to gain a fresh perspective.Honoring Lost Friends: The passing of guitarist Drew Zingg and bassist Steve Evans gave Greg renewed urgency to complete the project, making their performances on the album even more precious.Musical Diversity: From Snarky Puppy-inspired compositions to Steely Dan harmonies, the album showcases Greg's eclectic influences and collaborative spirit. Songs Featured (provided by the artist and used with permission):"Brand New Bad Idea" (featuring Drew Zingg on guitar and Steve Evans on bass)"Jam Night" (featuring Drew Zingg and Steve Evans) Upcoming Show: Greg Rahn celebrates the release of Side Hustle with an all-star lineup at the Empress Theater in Vallejo on Friday, February 6th at 8:00 PM. The show features Frank Acosta (guitar), Darrell Landers (bass), Randy Hayes (drums), Chris Kane (blues guitar), Juan Escavido (percussion), and Luke Curley (tuba/trombone). Get Tickets: https://empresstheatre.org/event/greg-rahn/ Learn More:Greg Rahn's website: https://gregrahn.netBackstage Bay Area: https://www.backstagebayarea.com Photo credit: Phil HawkinsKeeping Jazz Alive in the 415

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Host Maggie LePique & Stanley Clarke discuss the new release "Last Train to Sanity," a major project featuring new music, classic jazz-fusion remakes, and a significant autobiographical book, arriving as a 2-LP/CD set with a deluxe edition containing extra goodies, including a book called Notes From The Journey, "which is a book that goes from eight years old up until today,” Clarke says. “It has as much stuff as we could fit in there." Its available to pre-order January 26 2026, with the "4EVER" band supporting. Maggie & Stanley also discuss musicians who have had a life long and meaningful influence on the Four-time Grammy Award winner. “The 4EVER band includes drummer Jeremiah Collier, Colin Cook on guitar, Emilio Modeste on tenor sax and clarinet and Jahari Stampley on piano and keyboard. Special guest appearances throughout include a thrilling bass duet with Cameroonian bassist, Armand Sabal-Lecco, a beautiful reimagining of Clarke's piece “Tradition” with Ruslan Sirota on piano and a duet between Stanley and Salar Nader, one of the most sought-after young tabla players.”Stanley Clarke is one of the most celebrated acoustic and electric bass players in the world. He is equally gifted as a recording artist, performer, composer, conductor, arranger, producer, and film score composer. A true pioneer in jazz and jazz-fusion, Clarke is particularly known for his ferocious bass dexterity and consummate musicality. An accomplished film and TV composer of more than 70 projects, Clarke's credits include the Academy Award®-nominated Boyz N The Hood, the Tina Turner biopic What's Love Got To Do With It, and Barbershop: The Next Cut.Stanley remains as driven today as the teen prodigy from Philly with big dreams, and now, a lifetime of legendary accomplishments and contributions.Stanley Clarke and the 4EVER band will be performing Thurs. January 22-Sunday January 25, 2026 at the Blue Note Los Angeles in Hollywood. 2 shows nightly at 7pm and 9:30pm Source: https://www.bluenotejazz.com/la/shows/?calendar_viewSource: https://stanleyclarke.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Pianist/composer Aruán Ortiz, classically trained in Cuba and influenced by jazz musicians from Chick Corea to Muhal Richard Abrams, narrates his journey over excerpts from his 2025 concert at Roulette pushing the boundaries of musical Afro-diasporic traditions and storytelling. A 2024 Guggenheim Fellow, we'll hear solos and ensemble works with clarinetist Don Byron, flutist Nicole Mitchell, and percussionist Mauricio Herrera alongside strings and vocalists. Photo by Michal Novak.

De eerste TORcast in het nieuwe jaar: Happy New Year, gewenst door verschillende jazz-cats. Met een beetje melancholieke inslag, na een New Years Eve met ruim bubbels en bollen, zullen we maar zegen…. Wij wensen iedereen een fijn en jazzy 2026. Nat King Cole: Happy New Year; Ella Fitzgerald: What Are You Doing New Years Eve? Dubbelaar: Toots Thielemans: What Are You Doing The Rest Of Your Life? Frank Sinatra: What Are You Doing The Rest Of Your Life?; Dubbelaar: Mathilde Santing: You Go To My Head; Roy Hargrove: You Go To My Head; Chet Baker: When You’re Gone; Shirley Horn: Never Let Me Go; Chick Corea, Christian McBride, Brian Blade, Nino Josele, Jorge Pardo: My Foolish Heart; New Sound Jazz Machine: First Of All; Kurt Elling: Lil’ Darlin’; Patricia Barber: The New Years’ Eve Song. Beluister deze TORcast

Pianist/composer Aruán Ortiz, classically trained in Cuba and influenced by jazz musicians from Chick Corea to Muhal Richard Abrams, narrates his journey over excerpts from his 2025 concert at Roulette pushing the boundaries of musical Afro-diasporic traditions and storytelling. A 2024 Guggenheim Fellow, we'll hear solos and ensemble works with clarinetist Don Byron, flutist Nicole Mitchell, and percussionist Mauricio Herrera alongside strings and vocalists.

Antonio Sanchez has become one of the most sought-after drummers in the international jazz scene. Following 18 years and 9 albums as one of the most revered collaborators with guitarist/composer Pat Metheny, he also has recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielemans. In 2014 Sanchez popularity soared when he scored Alejandro González Iñárritu's Birdman which ended up winning 4 Academy awards (including best picture) and for which Antonio won a Grammy award. He currently has many recordings as a leader and solo artist. Some recent recordings include Beatrio w/ Bela Fleck, Edmar Castaneda as well as his own group Migration. You can hear Anotino's masterful compositions and drumming on the award winning show The Studio on Apple TV In this episode, Antonio talks about  Why he calls Barcelona, Spain his home Creating a strong reputation The realities a seasoned pro has to contend with Antonio's journey into jazz and notoriety  Staying artistically and creatively curious  Using your own voice when making music Composing for the movie Birdman & the TV series The Studio Creating a counter culture to social media ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

durée : 00:25:20 - Francesco Tristano, pianiste (2/5) - par : Judith Chaine - Dans ce 2ème épisode de nos Grands Entretiens le pianiste luxembourgeois Francesco Tristano revient sur les rencontres et révélations qui ont façonné son approche libre de la musique, de Kris Defoort à Émile Naoumoff, jusqu'à sa passion pour Chick Corea. - réalisé par : Adrien Roch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Episode 93: Christian McBride Part 2. He's back! Nine-time GRAMMY winner Christian McBride returns for Part 2 of our conversation. In this episode we pick up where he becomes a bandleader and makes his first album. From there we cover his journey through leadership, creativity, and legacy. We talk about his work with Chick Corea, his solo albums, and the moments that earned him nine GRAMMY Awards. Christian shares stories about the drummer greats he has played with including Jack DeJohnette, Tony Williams, Vinnie Colaiuta, and Brian Blade, as well as his collaboration and relationship with James Brown. It is a two-hour conversation full of stories, laughter, and insight from one of the most influential figures in jazz. Christian is an amazing storyteller and we had a blast recording this one. We hope you enjoy it as much as we did. Here's Part 2 of my interview with the legend, Christian McBride! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This show has a number of notable albums including two posthumous releases from Chick Corea. Also an alternative take of a Joni Mitchell composition. Other tracks feature Japanese trumpet player Ohno, Miles and San Diego Latin Jazz pianist Irving Flores. Playlist  Artist ~ Name ~ Album Chick Corea Elektric Band & Chick Corea ~ Trance Dance ~ The Future Is Now Chick Corea ~ Armando's Rhumba ~ Forever Yours: The Farewell Performance Joni Mitchell ~ The Wolf That Lives in Lindsey ~ Joni Mitchell Archives, Vol. 4 Shunzo Ohno ~ Musashi ~ Dreamer Miles Davis ~ Paraphernalia ~ Miles In the Sky Irving Flores ~ Dana Point ~ Armando Mi Conga

Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Joseph Alessi, principal trombone of the New York Philharmonic. About Joseph Alessi: Joseph Alessi was appointed Principal Trombone of the New York Philharmonic in the spring of 1985. He began musical studies in his native California with his father, Joseph Alessi, Sr. As a high school student in San Rafael, California, he was a soloist with the San Francisco Symphony before continuing his musical training at Philadelphia's Curtis Institute of Music. Prior to joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of L'Orchestre symphonique de Montreal for one season. In addition, he has performed as guest principal trombonist with the London Symphony Orchestra in Carnegie Hall led by Pierre Boulez. Mr. Alessi is an active soloist, recitalist, and chamber music performer. In April 1990 he made his solo debut with the New York Philharmonic, performing Creston's Fantasy for Trombone, and in 1992 premiered Christopher Rouse's Pulitzer Prize- winning Trombone Concerto with the Philharmonic, which commissioned the work for its 150th anniversary celebration. His most recent appearance with the Philharmonic as soloist was in performances of the Tan-Dun Trombone Concerto in March of 2024. Mr. Alessi also has appeared as soloist with the New York Philharmonic in performances of concerti by Kazimierz Serocki, Bramwell Tovey, William Bolcom, Chick Corea, and William Grant Still. Composed especially for Mr. Alessi, he performed the world premiere of the Chick Corea Trombone Concerto with the Säo Paulo Symphony Orchestra in August of 2021. Joseph Alessi has recorded and performed extensively with five prominent trombone quartets; The New York Trombone Quartet resulting in the only recording of Bartok's 4th String Quartet, Aries Trombone Quartet, Four of a Kind Trombone Quartet, the World Trombone Quartet, and Slide Monsters Trombone Quartet. Other solo engagements have included the New Japan Philharmonic, Nagoya Philharmonic, Gulbenkian Symphony, Costa Rica Symphony, National Symphony Orchestra of Taiwan, Tokyo Metropolitan Symphony, Orchestra of Teatro Bellini, Mannheim National Theater Orchestra, Hauge Philharmonic, Helsinki Philharmonic, and the Colorado, Nashville, Alabama, Santa Barbara, Syracuse, and Puerto Rico symphony orchestras. Mr. Alessi has also participated in numerous festivals, including the Festivale Musica di Camera in Portogruaro, Italy; Cabrillo Music Festival; Swiss Brass Week; and Lieksa Brass Week in Finland. He was featured in the 1997 International Trombone Festival in Feldkirch, Austria, and the International Meeting of Brass Instruments in Lille, France. In 2002 Mr. Alessi was awarded an International Trombone Association Award for his contributions to the world of trombone music and trombone playing, and in 2014, was elected President of that association. Mr. Alessi is currently on the faculty of The Juilliard School; his students now occupy posts with many major symphony orchestras in the U.S. and internationally. As a clinician for the Eastman-Shires Instrument Co., he has also given master classes throughout the world and has toured Europe extensively as a master teacher and recitalist. He has performed as soloist withseveral leading concert bands, including the U.S. Military Academy Band at West Point, U.S. Army Band (Pershing's Own), and the U.S. Marine Band (President's Own).  In addition, he has performed with the Maria Schneider Orchestra, the Village Vanguard Orchestra, and has recorded with jazz greats, J.J. Johnson and Steve Turre. Mr. Alessi's discography includes many releases on the Summit record label, including the Trombonastics, and a disc with New York Philharmonic Principal Trumpet Philip Smith entitled Fandango; he also recorded New York Legends on the Cala label. His live recording of the Rouse Concerto with the New York Philharmonic can be heard on Volume II of the recent release, An American Celebration, on New York Philharmonic Special Editions, the Orchestra's own recording label. Mr. Alessi was invited by the International Trombone Association to record a solo disc of newly composed works, which was distributed to the Association's membership of 5,000 trombonists. in early 1999 and is now available as Beyond the End of the Century through Summit Records. His recording of George Crumb's Starchild on the Bridge record label, featuring Mr. Alessi as soloist, won a Grammy Award for 1999– 2000. Other recordings featuring Mr. Alessi are with the Canadian Brass (Sony Classical and Philips Records). Further information about Mr. Alessi can be found on his website, www.slidearea.com. Mr. Alessi plays exclusively on a Shires- Alessi model trombone.   As a conductor, Mr. Alessi has conducted the Juilliard Trombone Choir, the Danbury Community Orchestra and the New York Concerti Sinfonietta in Carnegie Weill Recital Hall and will conduct the World Doctor's Orchestra in November of 2025.