Podcasts about Elvin Jones

On this episode of The Bandwich Tapes, I sit down in person with drummer Joe Dyson, the first in-person conversation I've recorded for the show, and it couldn't have been with a better musician or person.  Joe is currently on the road with Pat Metheny, and we talk about the experience of being inside that music night after night, how the band continues to grow, how chemistry develops on the road, and what it truly means to live inside the music.We begin at the very beginning, Joe's earliest connection to the drums, growing up in church, watching his family play, and learning through imitation long before formal instruction. That foundation, playing with purpose, listening deeply, and serving something larger than yourself, continues to shape everything he does today.  From there, we dive into the cultural impact of growing up in New Orleans and the moment Joe realized just how unique that musical environment is. His reflections on culture, identity, and the preservation of tradition are powerful and deeply personal.One of the most meaningful parts of this conversation centers around mentorship, specifically his relationships with Alvin Batiste and Donald Harrison. Joe shares incredible stories about how these mentors shaped him, not just musically, but philosophically, and how their lessons continue to reveal themselves years later.  We also spend time talking about listening, not just as a musical skill, but as a life skill. Joe makes a compelling case that listening is at the center of everything: collaboration, groove, communication, and even being a better human being.We get into his artistic philosophy, how he balances honoring the lineage of great drummers like Elvin Jones, Roy Haynes, and Philly Joe Jones while still pushing forward creatively. His perspective on imitation, emulation, and innovation is something every musician can learn from.Joe also shares the incredible (and almost missed!) story of how he connected with Pat Metheny, starting with an email he nearly ignored, and what it's like working with an artist of that level in both live and studio settings.We wrap up by talking about his debut album, Look Within, and how stepping into the role of a bandleader changed his perspective, not just musically, but also in how he approaches collaboration and supports other artists.This is a conversation about growth, humility, and the lifelong process of becoming a musician.Key TakeawaysJoe Dyson explains why listening is the most important skill a musician can develop—on and off the stage.He shares how growing up in church shaped his sense of purpose and connection to music.Joe reflects on the unique cultural identity of New Orleans and its lasting influence on his playing.He discusses the profound impact of mentorship from Alvin Batiste and Donald Harrison.Joe breaks down the process of musical growth: imitation → emulation → innovation.He tells the story of nearly ignoring the email that led to working with Pat Metheny.Leading his own band gave him a deeper respect for collaboration and the responsibilities of being a bandleader.Music from the EpisodePious Walk - Joe DysonForward - Joe DysonFleeting Faith - Joe DysonIn On It - Pat Metheny Side Eye IIINaysayers - Joe DysonAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, and the deeper musical ideas that shape their work. It's a space to explore process, perspective, and the human side of a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

Sintonía: "On The Alamo" - Elvin Jones1.- Pretty Brown2.- Four and Six3.- ShadowlandExtraídas del álbum "Elvin!" (Riverside Records, 1961/Jazz Images, 2018) del baterista Elvin Jones4.- Keepin´ Up With The Joneses (Thad Jones)5.- Three and One (Thad Jones)6.- It Had To Be YouExtraídas del álbum "Keepin´ Up With The Joneses" (1958)7.- Ray-El (Thad Jones)8.- Nice and Nasty (Thad Jones)Extraídas del disco "Elvin!" (1961)Escuchar audio

On the latest episode of Milestones: Celebrating the Culture, acclaimed trumpeter Jeremy Pelt joins host Angélika Beener for a conversation that bridges generations of jazz artistry. Pelt convenes a multi-generational ensemble of jazz voices, honoring a defining tradition of the music: the artist as a witness to, and shaper of the times. With his latest album, With Our Community Will Not Be Erased, Pelt offers a deeply felt statement grounded in love, resilience, and collective spirit, reminding us that jazz remains as much about community as it is about individual expression.The conversation also marks the 60th anniversary of Speak No Evil, the 1966 masterpiece by Wayne Shorter that stands as one of the defining works of post-bop music. Featuring an extraordinary quintet of Herbie Hancock, Freddie Hubbard, Ron Carter, and Elvin Jones, the album blends haunting lyricism with daring harmonic exploration. Separated by six decades, these two recordings are explored in equal measure as we continue to celebrate the 25th anniversary of Jazz Appreciation Month. 

Send me a text and please visit www.livefrommydrumroom.com A special episode of Live From My Drum Room! on location at Cymbal Craftsman By Paul Francis. I sit down with my old friend, former Zildjian colleague, and master cymbal smith, Paul Francis. We do a deep dive into cymbal making, his relaunched and rebranded "Cymbal Craftsman By Paul Francis," and Paul shares his knowledge and expertise of over 37 years of making cymbals. Paul and I also share stories of our time working together at Zildjian, and much more! So come along for the ride with legendary cymbal smith, Paul Francis! Contact Paul: info@cymbalcraftsmancymbals.comWebsite: https://cymbalcraftsmancymbals.comLive From My Drum Room™ T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details!     Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

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En el centenario del nacimiento de John Coltrane recordamos el disco que el saxofonista grabó en marzo de 1963 con el cantante Johnny Hartman acompañados por Mc Coy Tyner (piano), Jimmy Garrison (contrabajo) y Elvin Jones (batería): 'The say it´s wonderful', 'Dedicated to you', 'My one and only love', 'Lush life', 'You are too beautiful'' y 'Autumn serenade'. Para completar la hora, 'I just dropped to say hello', disco que Hartman grabó unos meses más tarde, con los guitarristas Kenny Burrell y Jim Hall, el pianista Hank Jones o el saxofonista Illinois Jacquet, y que contiene canciones como 'Charade', 'In the wee small hours of the morning', 'Don´t you know I care', 'Kiss and run', 'If I´m lucky', 'I just dropped to say hello', 'Stairway to the stars' y 'Don´t call it love'.Escuchar audio

On this episode of The Bandwich Tapes, I sit down with Larry Goldings—keyboardist, organist, composer, and one of the most respected musical collaborators working today. Larry has built a career that stretches across jazz, pop, film, television, and session work, but what really stands out in our conversation is his deep commitment to serving the music first.We start by talking about some of the projects currently on his plate. From a new recording with his organ trio featuring Peter Bernstein and Bill Stewart, to an unexpected and joyful children's album with tap-dance legend Melinda Sullivan, Larry's creative world is constantly expanding. Whether it's instrumental jazz, singer collaborations, or more experimental projects, his curiosity keeps pushing him into new musical spaces.A major part of the conversation centers on his long-running role in James Taylor's band. Larry shares how he first connected with James in the early 2000s and what it takes to serve those songs night after night at the highest level. Playing alongside musicians like Steve Gadd, he reflects on what he's learned about feel, restraint, and the kind of deep musical trust that makes a rhythm section truly work.From there we head down the rabbit hole into Scary Goldings and Scary Pockets, the groove-driven projects that have introduced Larry to a whole new generation of listeners online. He talks about how those sessions began, why the format encourages spontaneity, and how collaboration and curiosity remain the driving forces behind the music.For the gearheads and music nerds—myself included—we also revisit a memorable moment from the Michael Brecker “Time Is of the Essence” sessions. Larry recalls the experience of playing alongside Elvin Jones, navigating the nerves of the session, and the unforgettable moment when the music suddenly locked into place.Along the way, we also get into the craft of organ playing itself—especially Larry's approach to left-hand bass, and why bass players have influenced his musical language just as much as other organists. At the end of the day, everything comes back to the same principle: serve the feel, serve the song.Key TakeawaysLarry Goldings's current creative projects, including a new organ trio record with Peter Bernstein and Bill Stewart.The unexpected collaboration with tap-dance legend Melinda Sullivan on a children's album.How Larry joined James Taylor's band and what he's learned from years on that stage.The musical philosophy of rhythm sections built on feel, restraint, and trust, especially alongside Steve Gadd.The origins of Scary Goldings and Scary Pockets and how those sessions reached a global audience online.A behind-the-scenes story from the Michael Brecker “Time Is of the Essence” recording sessions with Elvin Jones.Why Larry's organ language is shaped as much by bass players as by other keyboardists.Music from the EpisodeThe Shakes — Scary PocketsTimeline — Michael BreckerSolid Jack — The Larry Goldings TrioDisco Pills — Scary PocketsArc of the Pendulum — Michael BreckerAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

A New-York, des agents des stups comme Jimmy Fletcher font tomber un à un les musiciens de jazz. Mais nos jazzmen et jazzwomen vont aussi faire parler d'eux loin de leurs bases. Sidney Bechet, Dexter Gordon, Chet Baker, Les McCann, Elvin Jones : tous vont connaitre les joies des geôles européennes et même japonaises ! On suivra aussi les exploits de Mezz Mezzrow, clarinettiste et dealer notoire, coffré à de nombreuses reprises, ou encore ceux de Lem Winchester, dont la trajectoire est peu commune : flic ou jazzman ? Il a choisi les deux ! Il en paiera le prix. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

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Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

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STANDARS SEMANAL.-HOT HOUSE.-VINILOSMITICOSDELJAZZ.-Tommy Flanagan-Overseas.JAZZACTUALIDAD.-CRISTINA AMILS-NOBODY ELSE Overseas es un álbum del pianista Tommy Flanagan , grabado con el bajista Wilbur Little y el baterista Elvin Jones en 1957. Fue el álbum debut de Flanagan como líder. Grabación y música El pianista Tommy Flanagan estaba de gira por Europa como parte de la banda del trombonista JJ Johnson en 1957 cuando se le dio la oportunidad de dirigir una sesión de grabación por primera vez.Del grupo de gira de Johnson, Flanagan contrató a Little y Jones para la sesión, que tuvo lugar en Estocolmo el 15 de agosto. Seis de las nueve piezas del álbum eran originales de Flanagan. Flanagan regrabó cinco de las selecciones del álbum en su álbum de trío de 1996 , Sea Changes , su última grabación de estudio como líder. Se trataba de sus composiciones originales "Beat's Up", "Delarna", "Eclypso" y "Verdandi", así como "Relaxin' at Camarillo" de Charlie Parker. CRISTINA AMILS-NOBODY ELSE Tras una larga y sólida trayectoria musical, la cantante de jazz Cristina Amils da un paso adelante y publica su primer disco al frente de su cuarteto de confianza. El álbum se presenta como un viaje musical íntimo y vibrante, fiel reflejo de la versatilidad artística y lingüística que define a Amils y su grupo. Las diez piezas del disco combinan la elegancia del jazz clásico —con estándares de referentes como Gershwin o Kern/Hammerstein— con incursiones en el blues, el bolso nuevo y la chanson francesa.

Ravi Coltrane with Marcus MillerMarcus Miller interviews Ravi Coltrane about his musical evolution and the dual legacy of his parents, Alice and John Coltrane. This insightful and candid talk, recorded live on the Journey of Jazz cruise, covers the challenges of growing up under the shadow of a jazz icon and finding one's own voice through the music.Key TakeawaysThe episode is a conversation between host Marcus Miller and guest Ravi Coltrane, focusing on Ravi's development as a jazz saxophonist.Ravi's father, John Coltrane, passed away in 1967 when Ravi was 2 years old, leaving Ravi to be raised by his mother, Alice Coltrane. Ravi notes that his father's instruments are currently in his stateroom.Ravi began his musical journey playing the clarinet throughout junior high and high school. He switched to the soprano saxophone at age 16 after his mother gave it to him for his birthday as a hint, later moving to the tenor saxophone.Ravi did not initially feel pressure from his famous last name because, during the 1970s in the San Fernando Valley where he grew up, John Coltrane was still considered "underground" or "counter culture".The death of Ravi's older brother, John Jr., in an automobile accident when Ravi was 17, caused a "void" that Ravi later filled by studying his father's music. Ravi began listening to his father's records to gain answers for questions asked at parties, and through this, the music "hit" him.Ravi worked with key members of the John Coltrane Quartet, including joining drummer Elvin Jones's band in 1991 (though he felt he was "prematurely" ready) and later working with pianist McCoy Tyner in the 2000s.Ravi and Marcus discuss the meaning of being "ready" to perform at a high level, noting that it means being "prepared to do the job properly" and recognizing that evolution and learning are continuous processes.Host and Guest InfoHost: Lee Mergner (introduction), Marcus Miller (interview).Guest: Ravi Coltrane.This talk was recorded during the Journey of Jazz cruise. Marcus Miller provided the theme music, which is a clip from his song "High Life" on his album Aphrodesia on Blue Note.The talk was captured by Brian Ratchkco and his production team.Send us a text

Episode 92: Joe Lovano. Joe Lovano is one of the greatest musicians of all time. A Grammy-winning saxophonist who's been on the cover of DownBeat magazine multiple times (as well as many others), a Blue Note Records legend with 25 releases, a Berklee alum, and he holds the Gary Burton Chair in Jazz Performance at Berklee College of Music, which he's had since 2001. He also happens to be my cousin and one of the biggest inspirations and mentors in my life. This was our first time ever doing something like this together. A 3-hour deep dive interview that covers (nearly) his entire career. We go into our family history, growing up in Cleveland, our Sicilian roots, his father Tony “Big T” Lovano, and how that shaped his sound and spirit. We talk about his time with Elvin Jones, Jack DeJohnette, John Scofield, Charlie Haden, Esperanza Spalding, Michael Brecker, McCoy Tyner, Paul Motian, Bill Frisell, Hank Jones, Dave Holland, Joshua Redman, Al Foster, and many more. Joe shares lessons from decades of leading bands, developing tone, mentoring young players, and living a full creative life with his wife of 50 years, Judi Silvano. Joe is one of the greatest musicians alive, a music historian, and an incredible educator and mentor. Here is my interview with one of my favorite people, Joe Lovano.The Music Settlement Scholarship Donation: https://www.themusicsettlement.org/donate?utm_source=Master+List&utm_campaign=a5cff9ca09-EMAIL_CAMPAIGN_JoeLovano2025&utm_medium=email&utm_term=0_1bd2f9c4a7-a5cff9ca09-434756824 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Joe: https://www.instagram.com/joelovanojazz/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

ELVIN JONES “COALITION” Englewood Cliffs, NJ, July 17, 1970Shinjitu, 5/4 thing, SimoneGeorge Coleman (ts) Frank Foster (ts-1,alto-cl-2,b-cl-2) Wilbur Little (b) Elvin Jones (d) Candido Camero (cga) KATE WYATT “MURMURATIONS” Montreal ca 2024, lanzamiento 10 de octubre, 2025.Mack The Knife, Succession, Music is BeautifulKate Wyatt (p) Adrian Vedady (b) Louis-Vincent Hamel (dr) ANNA WEBBER & ANGELA MORRIS “UNSEPARATE” Brooklyn, NY on August 15 and 16, 2024Just intonation etudes for big band, Pulse, HabitualNolan Tsang, Ryan Easter, Jake Henry, Kenny Warren (tp) Tim Vaughn, Zekkereya El-magharbel, Jen Baker, Reginald Chapman (tb) Jay Rattman (as,sop,cl,fl) Charlotte Greve (as,fl,cl) Anna Webber, Angela Morris (ts,fl,cond) Adam Schneit (ts,cl) Lisa Parrott (bar,b-cl) Yuhan Su (vib) Marta Sanchez (p) Dustin Carlson (g) Adam Hopkins (b) Jeff Davis (d) Continue reading Puro Jazz 10 de octubre, 2025 at PuroJazz.

ELVIN JONES “COALITION” Englewood Cliffs, NJ, July 17, 1970Shinjitu, 5/4 thing, SimoneGeorge Coleman (ts) Frank Foster (ts-1,alto-cl-2,b-cl-2) Wilbur Little (b) Elvin Jones (d) Candido Camero (cga) KATE WYATT “MURMURATIONS” Montreal ca 2024, lanzamiento 10 de octubre, 2025.Mack The Knife, Succession, Music is BeautifulKate Wyatt (p) Adrian Vedady (b) Louis-Vincent Hamel (dr) ANNA WEBBER & ANGELA MORRIS “UNSEPARATE” Brooklyn, NY on August 15 and 16, 2024Just intonation etudes for big band, Pulse, HabitualNolan Tsang, Ryan Easter, Jake Henry, Kenny Warren (tp) Tim Vaughn, Zekkereya El-magharbel, Jen Baker, Reginald Chapman (tb) Jay Rattman (as,sop,cl,fl) Charlotte Greve (as,fl,cl) Anna Webber, Angela Morris (ts,fl,cond) Adam Schneit (ts,cl) Lisa Parrott (bar,b-cl) Yuhan Su (vib) Marta Sanchez (p) Dustin Carlson (g) Adam Hopkins (b) Jeff Davis (d) Continue reading Puro Jazz 10 de octubre, 2025 at PuroJazz.

STANDAR SEMANAL.-BLUE MONK.-VINILOS MITICOS DEL JAZZ.-.John Coltrane - My Favorite Things (1961) .-JAZZACTUALIDAD.-JOSE PEREZ VARGASS.-ALIENACION-ACUSTICO My Favorite Things es un álbum de estudio delmúsico de jazz John Coltrane . Se lanzó en marzo de 1961 con Atlantic Records . Fue el primer álbum en el que Coltrane tocó el saxofón soprano . Una versión editada de la canción principal se convirtió en un sencillo exitoso que ganó popularidad en la radio en 1961. El disco se convirtió en un gran éxito comercial. En marzo de 1960, durante una gira por Europa, Miles Davis compró un saxofón soprano para Coltrane. Si bien el instrumento se había usado en los inicios del jazz (en particular, por Sidney Bechet ), en la década de 1950 se había vuelto poco común, con la excepción de Steve Lacy . Intrigado por sus capacidades, Coltrane comenzó a tocarlo en sus conciertos de verano. Tras dejar la banda de Davis, Coltrane, para sus primeras actuaciones regulares en la Jazz Gallery de Nueva York en el verano de 1960, formó la primera versión del John Coltrane Quartet. La formación se conformó en otoño con McCoy Tyner al piano, Steve Davis al bajo y Elvin Jones a la batería. Las sesiones de la semana anterior a Halloween en Atlantic Studios dieron como resultado el tema "Village Blues" para Coltrane Jazz y la totalidad de este álbum, junto con los temas que Atlantic posteriormente ensambló para Coltrane Plays the Blues (1962) y Coltrane's Sound (1964). Según la biografía de Lewis Porter , Coltrane describió " My Favorite Things " como "mi pieza favorita de todas las que he grabado". La canción principal es una versión modal de la canción de Rodgers y Hammerstein "My Favorite Things" de Sonrisas y Lágrimas . La melodía se escucha numerosas veces, pero en lugar de tocar solos sobre los cambios de acordes escritos , tanto Tyner como Coltrane interpretan solos extendidos sobre vamps de los dos acordes tónicos , Mi menor y Mi mayor (mientras que el original resuelve en Sol mayor ), [ 9 ] tocados en compás de vals . En el documental El mundo según John Coltrane , el narrador Ed Wheeler comenta el impacto que la popularidad de esta canción tuvo en la carrera de Coltrane: En 1960, Coltrane dejó a Miles [Davis] y formó su propio cuarteto para explorar más a fondo la interpretación modal, las direcciones más libres y la creciente influencia india. Transformaron "My Favorite Things", la alegre canción populista de 'Sonrisas y Lágrimas', en una hipnótica danza derviche oriental . La grabación fue un éxito y se convirtió en la canción más solicitada de Coltrane, además de ser un puente hacia una amplia aceptación del público. El álbum también es notable por el arreglo de Coltrane del estándar de George Gershwin " But Not for Me ", que muestra los cambios de técnica de Coltrane , como se escucha en " Giant Steps " y " Countdown ". El 3 de marzo de 1998, Rhino Records reeditó My Favorite Things como parte de su serie Atlantic 50th Anniversary Jazz Gallery. Se incluyeron como bonus tracks ambas caras del sencillo "My Favorite Things", publicado como Atlantic 5012 en 1961. Alienación" es un álbum doble del músico chileno-argentino José Pérez Vargas, lanzado en 2025, que presenta versiones acústicas y eléctricas de sus composiciones, explorando la desconexión social y emocional desde una perspectiva poética y musical, y que fue concebido como un desafío artístico para mostrar la multiplicidad del ser y la transformación de las obras. Detalles del álbum: Formato: Es un álbum doble con dos facetas de las mismas composiciones. Concepto: La idea es mostrar cómo las piezas musicales mutan al cambiar el contexto sonoro, la instrumentación y los climas, reflejando la multiplicidad de la identidad humana y la tensión entre diferentes versiones de uno mismo. Temas: El álbum es una reflexión profunda sobre la desconexión emocional, social y artística de nuestra época, convirtiendo circunstancias vitales y significativas en un paisaje musical. Estilo: A pesar de su enfoque en el jazz, que Pérez Vargas define como libertad, el disco también aborda la alienación desde un punto de vista poético y artístico. Contexto y producción: Músicos: El álbum cuenta con la colaboración de músicos locales como Carlos Michelini, Matías Formica, Lucio Balduini, entre otros. Proceso: Fue un proceso de composición largo, personal y desafiante para el artista, quien buscaba una conexión y diálogo con otros músicos y estéticas. Instrumentación: La versión eléctrica destaca el uso del bajo eléctrico, el instrumento principal de Pérez Vargas, mientras que la versión acústica permite una atmósfera más íntima y orgánica, adaptada al contrabajo. Información adicional: "Alienación" es el segundo álbum de José Pérez Vargas, quien se ha consolidado como un artista versátil y comprometido con la exploración musical. El álbum fue grabado por Mariano Miguez en el estudio Ideo, y se editó como parte de la discografía de la sello Microscopi.

Episode SummaryPianist Eric Lewis (ELEW) joins Backstage Bay Area to trace a path from a five-piano childhood in Camden, New Jersey, to the creation of Rockjazz, a career-shaping stint with {{Elvin Jones}}, and his latest project, ELEW Plays Sting. We explore how he translates songs like “Message in a Bottle” and “Walking on the Moon” for solo piano, why Sting's writing resonates with him, and what to expect from his upcoming shows at the Joe Henderson Lab at SFJAZZ.Origin story: a four-generation musical family, conservatory training, and early mentorsLessons from the bandstand with Elvin Jones, plus touring with jazz greatsRockjazz: shaping a solo-piano language with rock energy and jazz rigorWhy Sting: the harmonic/melodic DNA of the Police songbook and beyondInside the album: “piano portraiture,” left-hand counterpoint, and arranging approachesPreviewing ELEW Plays Sting live at SFJAZZ (dates below)“I am the fourth generation of classical musicians in my family.”“After winning the Monk Competition, I was not considered record label material—then Elvin called.”“It was like father and son with Elvin—absolute nectar.”“Rockjazz is mostly rock and some jazz. It is about energy—and precision.”“I think of these as piano portraits—keeping the contour and harmony while changing the canvas.”“Message in a Bottle” (The Police) — ELEW solo piano arrangement“Walking on the Moon” (The Police) — with guest alto saxophonist Immanuel Wilkins on the albumEric Lewis (ELEW) is a pianist and composer whose career spans touring with {{Wynton Marsalis}} and performing with Elvin Jones to developing Rockjazz, a high-voltage solo-piano approach that bridges rock and jazz. His new project, ELEW Plays Sting, reimagines Sting's catalog for solo piano (with select guests).ELEW — ELEW Plays StingJoe Henderson Lab (SFJAZZ), San FranciscoSaturday, Sept. 13, 2025 — 7:00 p.m. & 8:30 p.m.Sunday, Sept. 14, 2025 — 6:00 p.m. & 7:30 p.m.Tickets: Visit SFJAZZ.org and search “ELEW Plays Sting.”Host/Producer: Steven Roby — Backstage Bay AreaEditing & Post: Backstage Bay Area teamBackstage Bay Area: www.backstagebayarea.comSFJAZZ: www.sfjazz.orgFollow ELEW on social media and streaming platforms

This is a rare treat: a former subject of Deep Focus becomes the guest.  In 2016, drummer Will Calhoun was our guest for a Deep Focus on one of his heroes, Elvin Jones.  Will brought a cassette of a set of music that he had heard as a teenager at the Village Vanguard.  At the time, Elvin had an emerging guitarist with a sound entirely unlike that of anyone else who had ever picked up the instrument.  For the audience and for this young man, every note that he played brought an amazed sense of wonder and discovery.     Little did Will know that, in the years to come, the world would discover Jean-Paul Bourelly's talent, and that he would become a lifelong friend and collaborator.  Jean-Paul's music, informed by his Haitian and Chicago Blues roots, as well as hip-hop, West African traditions, and his own unbridled creative imagination, is still immediately recognizable and entirely beyond category.  What a privilege to have him on Deep Focus.   Join us Monday (7/21) when Mitch Goldman hosts Jean-Paul Bourelly on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.      Photo credit: no publishing information available.   #WKCR #DeepFocus #/Jean-PaulBourelly #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

This is a rare treat: a former subject of Deep Focus becomes the guest.  In 2016, drummer Will Calhoun was our guest for a Deep Focus on one of his heroes, Elvin Jones.  Will brought a cassette of a set of music that he had heard as a teenager at the Village Vanguard.  At the time, Elvin had an emerging guitarist with a sound entirely unlike that of anyone else who had ever picked up the instrument.  For the audience and for this young man, every note that he played brought an amazed sense of wonder and discovery.     Little did Will know that, in the years to come, the world would discover Jean-Paul Bourelly's talent, and that he would become a lifelong friend and collaborator.  Jean-Paul's music, informed by his Haitian and Chicago Blues roots, as well as hip-hop, West African traditions, and his own unbridled creative imagination, is still immediately recognizable and entirely beyond category.  What a privilege to have him on Deep Focus.   Join us Monday (7/21) when Mitch Goldman hosts Jean-Paul Bourelly on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.      Photo credit: no publishing information available.   #WKCR #DeepFocus #/Jean-PaulBourelly #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

This is a rare treat: a former subject of Deep Focus becomes the guest.  In 2016, drummer Will Calhoun was our guest for a Deep Focus on one of his heroes, Elvin Jones.  Will brought a cassette of a set of music that he had heard as a teenager at the Village Vanguard.  At the time, Elvin had an emerging guitarist with a sound entirely unlike that of anyone else who had ever picked up the instrument.  For the audience and for this young man, every note that he played brought an amazed sense of wonder and discovery.     Little did Will know that, in the years to come, the world would discover Jean-Paul Bourelly's talent, and that he would become a lifelong friend and collaborator.  Jean-Paul's music, informed by his Haitian and Chicago Blues roots, as well as hip-hop, West African traditions, and his own unbridled creative imagination, is still immediately recognizable and entirely beyond category.  What a privilege to have him on Deep Focus.   Join us Monday (7/21) when Mitch Goldman hosts Jean-Paul Bourelly on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.      Photo credit: no publishing information available.   #WKCR #DeepFocus #/Jean-PaulBourelly #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

ERIC REED “OUT LATE” New York, c. 2024Glow, Shadoboxing, Out lateNicholas Payton (tp) Eric Alexander (ts) Eric Reed (p,comp) Peter Washington (b) Joe Farnsworth (d) JOHN COLTRANE QUARTET “CRESCENT” Englewood Cliffs, NJ, April 27, 1964Crescent, Wise one, Bessie's bluesJohn Coltrane (ts) McCoy Tyner (p) Jimmy Garrison (b) Elvin Jones (d) PASQUALE GRASSO “FERVENCY” New York ?, c. 2024Sub city, Milestones, Bean and the boys, Bags' groovePasquale Grasso (g) Ari Roland (b) Keith Balla (d) Continue reading Puro Jazz 28 de mayo, 2025 at PuroJazz.

The remarkable singer and drummer, Ruby Laks. Currently studying at the Oberlin Conservatory under the guidance of Billy Hart and La Tanya Hall, Laks is already paving her own artistic path. With a voice reminiscent of Carmen McRae and a drumming style shaped by Max Roach and Elvin Jones, her artistry merges tradition with originality. She's performed everywhere from intimate jazz clubs to iconic venues like Carnegie Hall, and has shared the stage with musicians including Edmar Colon, Chico Pinheiro, Mark Mothersbaugh, and Gerald Cannon (to name a few). Learn more about your ad choices. Visit megaphone.fm/adchoices

WAYNE SHORTER “JUJU” Englewood Cliffs, N.J., August 3, 1964Juju, MahjongWayne Shorter (ts) McCoy Tyner (p) Reggie Workman (b) Elvin Jones (d) LENA BLOCH “ROSE OF LIFTA” Hampton, NJ, June 12, 2019Rose of Lifta, Old homeLena Bloch (ts) Russ Lossing (p) Cameron Brown (b) Billy Mintz (d) STEVE HOLT “IMPACT” Toronto, Canada, March 6-7, 2025Impact, Second Voyage, The Cup BearersKevin Turcotte (t/flgl) Perry White (st) Steve Holt (p/tcl) Duncan Hopkins (b) Terry Clarke (dr) Continue reading Puro Jazz 21 de mayo, 2025 at PuroJazz.

The drummer and percussionist Billy Martin, whose name many Time Sensitive listeners may recognize—he created the Time Sensitive theme song—defies any boxed-in or limiting definitions of his work. Best known as a member of the band Medeski Martin & Wood (MMW), he's spent the past three-plus decades making experimental, boundary-pushing, and uncategorizable instrumental jazz-funk-groove music, shaping sounds that feel as expansive as they are definitive and distinctive. Across all his artistic output, Martin continually, meditatively searches for harmony. He is also a composer, a teacher, a visual artist, and a builder and craftsman. His expansive creative practice comes most alive at his home in Englewood, New Jersey, where he has cultivated a bamboo garden, crafted his own Japanese-style teahouse, and constructed a music studio. Martin is someone for whom rhythm is not just something heard, but also seen and felt.On the episode, he talks about his MMW journey at length, his concept of “rhythmic harmony,” and why he views sound creation as a sacred act.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Billy Martin[7:31] Medeski Martin & Wood[7:31] John Medeski[7:31] Chris Wood[7:31] “Not Not Jazz” (2024)[10:12] Iggy Pop's “Avenue B” (1999)[10:12] Don Was[11:27] “The Lover” (1995)[11:27] “Friday Afternoon in the Universe” (1995)[11:27] “Old Angel Midnight” (1973) by Jack Kerouac[13:44] Ra-Kalam Bob Moses[13:44] John Scofield[13:44] David Baker[15:57] “Shuck It Up” (1993)[15:57] “It's a Jungle in Here” (1993)[18:12] “Latin Shuffle” (1998)[18:12] “Combustication” (1998)[18:12] Frankie Malabe[18:12] Art Blakey[33:25] Thelonious Monk[33:58] “Life on Drums” (2011)[38:32] John Bonham[38:32] Charlie Watts[38:32] Stewart Copeland[38:32] Elvin Jones[38:32] Max Roach[38:32] Danny Richmond[38:32] Charles Mingus[38:32] Jack DeJohnette[38:32] Joe Morello[38:32] Roy Haynes[38:32] Stan Getz[38:32] Airto Moreira[38:32] Naná Vasconcelos[38:32] Babatunde Olatunji[39:58] Gus Johnson[39:58] “Whatever Happened to Gus” (1998)[39:58] Steve Cannon[40:54] “Chubb Sub” (1995)[40:54] ”Uncle Chubb” (1992)[46:41] “Shack-man” (1996)[47:06] “Drumming Birds” (2004)[54:48] “Bamboo Rainsticks” (1999)[54:48] Amulet Records[1:00:23] Creative Music Studio

Join Rich Redmond and Jim McCarthy as they dive deep with Matt Nolan, Lainey Wilson's touring drummer, in an epic conversation that explores his musical journey, rise to success, and behind-the-scenes stories from the country music world. Timed Highlights: 0:10:00 - From Van Life to Grammy Success: Matt's incredible rise with Lainey Wilson 0:25:30 - Drumming Influences: Discussing jazz legends Tony Williams and Elvin Jones 0:42:15 - Recording Process: Inside Lainey Wilson's New Album 0:55:40 - Opening for the Rolling Stones: An Unexpected Career Milestone 1:10:20 - Upcoming European Tour and Career Reflections 1:20:50 - Personal Growth and Advice for Upcoming Musicians Special Moments:   Hilarious discussions about tour life Insights into the music industry Drumming techniques and musical inspirations The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jmvos.com   The Rich Redmond Show is produced by It's Your Show dot Co www.itsyourshow.co

ELVIN JONES “DEAR JOHN C” Englewood Cliffs, NJ, February 23, 1965Dear John C, Ballade, Anthropology, That five-four bagCharlie Mariano (as) Hank Jones (p) Richard Davis (b) Elvin Jones (d) TOSHIKO AKIYOSHI TRIO “GEORGE WEIN PRESENTS TOSHIKO” Boston, MA, 1954It could happen to you, Kyo-shu [Nostalgia], Homework, Manhattan addressToshiko Akiyoshi (p) Paul Chambers (b) Ed Thigpen (d) JACKIE MCLEAN “ACTION” Englewood Cliffs, NJ, September 16, 1964Action, PlightCharles Tolliver (tp) Jackie McLean (as) Bobby Hutcherson (vib) Cecil McBee (b) Billy Higgins (d) Continue reading Puro Jazz 09 de abril, 2025 at PuroJazz.

(S4 Ep18) The Real McCoy (Blue Note) with guest Steve Myerson October 1967, Recorded April 21, 1967 The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane's legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and his signature wide interval voicings. The album's compositions, all written by Tyner wrote, demonstrate his incredible range as a pianist and composer, with tracks like "Passion Dance" and "Contemplation" now regarded as jazz standards. The interplay between the musicians is dynamic, with Henderson's fluid solos, Carter's solid bass work, and Jones's explosive drumming providing a perfect backdrop for Tyner's improvisations. The album balances uptempo tracks, like "Four by Five," with slower, more meditative pieces, such as "Search for Peace," highlighting Tyner's ability to navigate diverse moods and textures. The Real McCoy is widely praised for its deep emotional resonance and technical brilliance, solidifying McCoy Tyner as one of his generation's most influential jazz pianists.Signature Tracks: "Passion Dance", "Contemplation", "Four By Five" Full Album YouTube Spotify  Playlist     YouTube  Spotify 

Hailing from Charlotte, NC, Raven Pfeiffer moved to Nashville in 2021 where she currently performs, co-writes, and tours with several artists across different genres, most notably with American folk sibling trio, Girl Named Tom. A graduate of the University of North Carolina at Charlotte, Raven studied under renowned performer, composer, and producer, Rick Dior (James Taylor, Aretha Franklin, Ray Charles), and earned a B.A. in Music with a concentration in percussion and a B.A. in German Translation. In this conversation, we discuss the importance of committing to gigs that push you to learn new skills, like mastering Ableton, and dive into an emotional discussion about physical health as Raven opens up about her intense health scare in 2017. From battling illness to thriving on stage, her story is a testament to resilience and dedication. We also explore her musical influences, from Jen Ledger of Skillet to jazz greats like Elvin Jones and Dave Weckl, and her experience in landing endorsements, including Doc Sweeney Drums and Paiste Cymbals. We hope you enjoy!Chapters:00:00 Intro2:13 Welcome, Raven! 8:39 Forensic Anthropology, Early Years 15:24 College Years and Musical Growth 20:17 Drum Box (Sponsor) 21:00 Studying German Translation 26:42 Drum Supply (Sponsor) 27:42 Choosing Nashville Over Academia 42:49 Groove MPL (Sponsor) 44:00 Musical Inspirations and Influences 55:48 Raven's Favorite Crayon 1:00:47 Endorsements and Networking 1:08:29 Marketing & Social Media for Musicians 1:13:59 Sonique Drums (Sponsor) 1:14:38 Health Journey, Diet & Lifestyle Changes 1:30:22 Music City Audiology (Sponsor)1:32:40 Learning Songs Quickly 1:38:34 Favorite Local Spots in Nashville 1:42:07 OutroThank you to our Episode Sponsors:Drum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comGroove MPLhttps://www.groovempl.comSonique Drumshttps://soniquedrums.comMusic City Audiologyhttps://www.musiccityaudiology.comConnect with Raven:Instagram: https://www.instagram.com/ravenpfeifferFacebook: https://www.facebook.com/raven.pfeiffer.7TikTok: https://www.tiktok.com/@ravenpfeifferWebsite: https://www.ravenpfeiffer.comMusic Featured in this Episode:"What A View" - Girl Named Tom"Get A Little Lost" - Girl Named Tom------Interview by: Dan Ainspan, Nathan SletnerRecorded February 2025 in Nashville, TNSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2025 Nashville Drummers Podcast, LLC

durée : 00:58:56 - Banzzaï du vendredi 21 mars 2025 : rediff Par les chemins - par : Nathalie Piolé - Ce soir, dans Banzzaï, on suit toutes les routes, sans aucun doute.

ROLAND KIRK QUARTET “THE INFLATED TEAR” “Webster Hall”, New York, November 27, 1967The black and crazy blues, The creole love call, Fly by nightRahsaan Roland Kirk (ts,fl,stritch,manzello,cl,voice) Ron Burton (p) Steve Novosel (b) Jimmy Hopps (d) JOE LOCKE “MAKRAM” New Jersey ?, c. 2022Shifting moon, Song for Vic Juris, Lush life (solo vib)Joe Locke (vib) Jim Ridl (p) Lorin Cohen (b) Samvel Sarkisyan (d) BILLY HARPER “CAPRA BLACK” New York, 1973Sir Galahad (1), Soulfully, I love you, Black spiritual of loveJimmy Owens (tp) Dick Griffin (tb-2) Julian Priester (tb) Billy Harper (ts,voice) George Cables (p) Reggie Workman (b) Elvin Jones (d-1) Billy Cobham (d-2) Warren Smith (d) Barbara Grant, Laveda Johnson, Gene McDaniels, Pat Robinson (voces) Continue reading Puro Jazz 04 de marzo, 2025 at PuroJazz.

In today's episode, we continue our Phil Merson inspired, Wine is Like Music series. Maybe our most challenging, this episode is with drummer, Kevin Olsonberg who is with Odom Corporation, one of the area's largest wine distributor. This is a fun one for sure even with the background noise that comes from a bar! #HappyFriday! #ItsWineTime! #Cheersing #PleasingAstringency #MoreBass #GiveMeMyTotsWines this episode:2019 Sauvion Sancerre ($43 at Pilgrim's Market)2020 Termes España ($41 at Pilgrim's Market)2021 Olianas Cannonau ($22 at Pilgrim's Market)A HUGE thanks to our sponsors: Terraza Waterfront Grill, Naked Wines and J. Bookwalter Wines!Terraza Waterfront Grill is serving up global-inspired dishes in a vibrant atmosphere. With a focus on fresh ingredients and unmatched culinary excellence, Terraza offers something for every taste. Come experience exceptional food, cozy ambiance and top-notch service at this stunning waterfront grill. Visit https://terrazacda.com/ for more information or call 208-758-0111.Naked Wines: Straight from the winemaker right to your door, premium wine without the premium pricing is what Naked Wines is all about. Save big on wines from the world's best winemakers! Visit https://us.nakedwines.com/winetimefridays to get $100 off your first 6 pack case. With Naked Wines, discovering new wines is truly risk-free!J. Bookwalter: Celebrating their 40th year of producing award-winning wines crafted from the finest Columbia Valley vineyards, J. Bookwalter wines bring excellence and quality to every glass. Visit https://www.bookwalterwines.com for more information or simply call or 509-627-5000.And of course, a HUGE thank you to Tod Hornby who wrote and recorded our official Wine Time Fridays theme music. Please visit https://todhornby.com to see what Tod is up to!The Elsom Cellars Wine Words of the Week - Timbre In Music: In music, timbre (pronounced "tam-ber") refers to the unique tone color or "voice" of a musical instrument or sound, including drums. In Wine: When describing wine, timbre refers to the unique tone or "voice" of a wine. It's a poetic way to capture the distinctive character or personality of a wine.At Elsom Cellars, goood times are meant to be shared and so are great wines! Since 2006, Elsom Cellars has been producing brilliant Washington wines. For more information about Elsom Wines, please visit http://www.elsomcellars.com Some wines we've enjoyed this week: Castelli del Grevepesa Clemente VII Rosso di Toscana, Tenimenti d'Alessandro Vioginer, Waterbrook Chardonnay, Krutz Chardonnay and Artesa Cabernet Sauvignon.Mentions: Moose Lounge North, Phil Mershon, Tod Hornby, Barry Aiken, Chris Cochran, Theresa Edwards Band, DeLille Cellars, Le Dessein (formally Métier), Sara Lane, John Cleese, Robert Mondavi, Rodney Strong, Michel Rolland, Vicino Pizza Neapolitan Style Pizzeria, Naomi Boutz, Elvin Jones, Daniel Glass, John Bonham, Phil Collins, Bonnie Raitt and John Freeman.Please find us on Facebook (https://www.facebook.com/WineTimeFridays), Twitter (@VintageTweets), Instagram (@WineTimeFridays) on our YouTube Channel, https://www.youtube.com/@winetimefridays and on Threads, which is @winetimefridays. You can also “Follow” Phil on Vivino. His profile name is Phil Anderson and will probably “Follow” you back! © 2025 Wine Time Fridays - All Rights Reserved

Have Giant Steps and Meditations scared you away from John Coltrane? Join us on the other side of the Trane tracks with what might be the best trio of albums ever dropped in the same year. We're talking 1963 Coltrane—at his most accessible (dare we say smooth?) yet still cutting straight to the truth. From the GRAMMY hall-of-famer Ballads to his legendary Impulse! sessions with Duke Ellington and Johnny Hartman, enter the perfect gateway into Coltrane's world. We break down his honest melodies, the masterful support from McCoy Tyner, Elvin Jones, Jimmy Garrison (and more), and quibble with certain Rudy Van Gelder… choices… Whether you're Coltrane-curious or already converted, this episode has something special for your ears.Link to Spotify playlistTry OS Membership today! → https://osjazz.link/aboutLooking to drop a question? Want to listen to the audio pod? Look no further!https://youllhearit.com/

DIZZY GILLESPIE “JAZZ FOR A SUNDAY AFTERNOON” “Village Vanguard”, New York, October 1, 1967Blues for Max (2), Lullaby of the leaves (2,3)Dizzy Gillespie (tp) Garnett Brown (tb-1) Pepper Adams (bar) Ray Nance (vln-2) Chick Corea (p) Richard Davis (b) Elvin Jones (d-3) Mel Lewis (d) RAMSEY LEWIS “SONGS FROM THE HEART – RAMSEY PLAYS RAMSEY” c. 2009 The Spark, Clouds in reverie, Sharing her journeyRamsey Lewis (p) Larry Gray (b) Leon Joyce (d) “THE TRUE STORY OF BEARS AND THE INVENTION OF THE BATTERY” Brooklyn, NY, April 20, 2024The First Question, Raise four, Oska TCaleb Wheeler Curtis (stritch,tp,sopranino-sax,ts) Sean Conly (b) Michael Sarin (d) Continue reading Puro Jazz 09 de enero, 2025 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

Bassist, composer, educator and actor John Brown teaches at Duke University and currently serves as Vice Provost for the Arts, Director of the Jazz Program and Professor of the Practice of Music. He has performed internationally with artists like Wynton Marsalis, Ellis Marsalis, Delfeayo Marsalis, Elvin Jones, Nnenna Freelon, Cyrus Chestnut, Diahann Carroll, Rosemary Clooney, Nell Carter, Lou Donaldson, Slide Hampton, Nicholas Payton, Frank Foster, Larry Coryell, Cedar Walton, Fred Wesley, Bernard Purdie and Mark Whitfield, as well as giving regular performances as a substitute with the North Carolina Symphony since 1992. He has performed for President Barack Obama, and at major national and international venues and festivals in Asia, Europe and across North and South America. John has a Grammy nomination for his performance and co-writing on Nnenna Freelon's 1996 Concord release, Shaking Free, and he has an Emmy nomination for producing the first Duke Student Arts Showcase. He has also produced and performed on recordings for Nnenna Freelon and Linda Lavin. The film One Night in Kernersville (documenting the first recording session of John's Big Band) won “Best Short Film” at the Full Frame Film Festival, “Best Cinematography” at the Charlotte Film Festival and was featured on the Documentary Channel. John has also served multiple times as a juror and as Chair for the Pulitzer Prize in Music and for various engagements with the National Endowment for the Arts. 

More than 25 years ago, I met tenor saxophonist Javon Jackson who was raised in Denver Colorado and that meeting made a wonderful memory and a deep impact that still resonates with me today.  It impressed me that he took the time out of his very busy and impressive career to offer his time in a very giving manner to help a small-town, non-profit radio station.  But that is just the kind of person he is, one who gives back and makes a difference.  He is still doing that today as the Chair of the Jackie McLean Institute of Jazz at the University of Hartford since 2013.   Besides being a dedicated educator, Javon has also been a member of Art Blakey's Jazz Messengers; he has recorded over two dozen albums as a leader and has also recorded with such jazz legends including Ron Carter, Elvin Jones, Freddie Hubbard, Louis Hayes and of course, Art Blakey and others.  It was serendipity that led to Javon forming a friendship and collaboration with the influential poet and activist Nikki Giovanni.  Giovanni was invited by Javon to lecture at the University. Discovering they had a shared love of jazz music which resulted in this duo recording an album together called ‘The Gospel According to Nikki Giovanni.' The relationship between the two has only deepened through the years, and from that, other shared passions have emerged. One of them, American cinema, is referenced in the title of their recent and much-anticipated follow-up album called ‘Javon and Nikki Go to the Movies.”  This is the subject of my conversation with Javon Jackson which begins with a reference to another one of Jackson's musical influences...Sonny Rollins.

Tonight's Jazz Feature is again a double header. First off is a regular feature for this time of year that is both educational and very entertaining and brings us into the "back to school" idea that is celebrated in the month of September. It is Maestro Leonard Bernstein's "What is Jazz". Bernstein through a whole variety of musical examples explains what Jazz is and what it isn't in a clear non technical way. Later on he analyses a standard pop song interpreted by a variety of Jazz players from various eras and breaks it down into simple parts that the lay person can understand. The recording was made in the mid-50's but is still valid and fun to listen to. Enjoy. Our second Jazz Feature is a lesser known album by tenor and soprano saxophone master John Coltrane who today, September 23 celebrates a Birthday Anniversary. The Jazz feature album is called "Ole Coltrane" and it was his final recording for Atlantic records before he switched to Impulse Records. Coltrane had already recorded his first session for Impulse and he was reminded that he owed Atlantic one more album. He assembled a group of musicians some who would become regular members of his working band. Coltrane assembled young trumpeter Freddie Hubbard and alto saxophonist/flutist Eric Dolphy who did become a regular for several months in Coltrane's band. Pianist McCoy Tyner is heard of course and two fine bassists, Art Davis and Reginald Workman who both were part of Coltrane's regular band and of course the dynamic Elvin Jones on drums. The longest and most iconic tune on this set recorded on May 25, 1961 is "Ole" a Spanish flavoured excursion. "Dahomey Dance is the second Coltrane original and is an altered blues. McCoy Tyner's tribute to his wife is the set's ballad and titled "Aisha". A final tune added to the CD issue was Billy Frasier's "To Her Ladyship", a tribute to Billie Holiday. All in all a very fine and sometimes overlooked album by the great master John Coltrane.

In this episode, Eric sits down with the talented artist Sam Pace..! They discuss his early life; having been born in Texas but raised in California and his adventures as a young man. How he first discovered his artistic talent… his educational journey, cultivating his artistic abilities and the mentors he's had along the way from William Pajaud, to Charles Dickson! His passion for and dedication to practicing and mastering Karate.. how he reconciled between his two passions and how the martial arts has shaped him as a visual artist by instilling the principles of discipline into his artistic practices. His exciting travels; from competing in a Karate tournament in Hawaii, to living in France and painting for six months… His process as an artist, the mediums he works in and other artists and musicians that have inspired and influenced him. His passion for music and how it translates into his work… and what it means as an artist to give your message to the world.  Guest Bio: Born to a mother and father from the Deep South, who followed the Great Black Migration west seeking better opportunities, Sam's talents were given the chance to flourish. Encouraged by his parents to express his creative abilities, he continued developing his skills throughout high school where he earned a Fine Arts scholarship. During high school and college, Sam expanded his energies to mastering the martial arts. He became a world ranked tournament champion who continues to share his talent through his leadership in the Black Karate Federation. ​In 1989 Sam moved to Europe where he began developing his current style, using Jazz and Blues as the subject matter. His unique interpretation co-mingles the moods and sounds of contemporary and 1920's Black Renaissance Jazz and Blues artists into a visual narrative. His works vary in several different mediums from acrylic on canvas, wood, and collage, to discarded recyclable objects. Among his credits, Sam has produced works for such notables and organizations as the president of an investment company, vice president of Blue Note Records, Los Angeles Urban League, and entertainers Nancy Wilson, Poncho Sanchez, Cassandra Wilson, and Eddie Palmarie. ​Commissioned works include famed drummer Elvin Jones for the Playboy Jazz Festival, Vancouver Wine and Jazz Festival, Los Angeles Metropolitan Transit Authority, Central Avenue Jazz Festival, and Watts Towers Jazz Festival.For more on Eric's Perspective, visit www.ericsperspective.com#ERICSPERSPECTIVE #AFRICANAMERICAN #ARTSUBSCRIBE: http://bit.ly/2vVJkDn Connect with us ONLINE:  Visit Eric's Perspective website: https://bit.ly/2ZQ41x1 Facebook: https://bit.ly/3jq5fXP Instagram: https://bit.ly/39jFZxG X: https://bit.ly/2OM TikTok: https://bit.ly/4cv8zfg

Saxophonist John Coltrane (born Sept 23, 1926), is widely regarded as one of the most important and influential musical voices of the 20th Century. His influence can't be overestimated; literally every musician who followed him has been shaped by his innovations and contributions to the music. A member of Miles Davis' first great quintet, Coltrane also played with Thelonious Monk, Dizzy Gillespie and many other jazz greats before forming his ground breaking quartet in 1960 with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. Together, this band reshaped the jazz landscape as none had before or since.

SONNY ROLLINS A NIGHT AT THE VILLAGE VANGUARD New York, (afternoon), November 3, 1957A night in Tunisia, I've Got you Under My SkinSonny Rollins (ts) Donald Bailey (b) Pete La Roca (d) New York, (evening), November 3, 1957Old devil moon, Softly, as in a morning sunrise, Striver's row, Sonnymoon for two, All the things you areSonny Rollins (ts) Wilbur Ware (b) Elvin Jones (d) Continue reading Puro Jazz 14 de junio, 2024 at PuroJazz.

The great John Scofield returns to the podcast – and this time he brought his guitar! I absolutely love talking with Sco. To get ask him about his time with Paul Bley, Miles Davis, Elvin Jones and Jaco still is like a dream come true for me. And when he then takes out his guitar … Continue reading John Scofield 2

Send us a Text Message.My guest is my old friend and legendary drummer, the great Adam Nussbaum! We played the Michael Brecker track "Suspone." Adam talks about his early influences like Mitch Mitchell, who led him to Elvin Jones, his relationship with Mel Lewis, going on the road with John Scofield, the importance of listening, his brush technique and much more! So come along for the ride, and please subscribe! Adam is also the co-host of the podcast Drummer Nation - check it out! @DrummerNationNow  Live From My Drum Room T-shirts are available now! Made of soft 60%cotton/40% polyester. Available in sizes XS-3XL$25 including shipping in the contiguous US! Payment with Venmo: @John-DeChristopher-2For orders outside the US or questions email me for more info: livefrommydrumroom@gmail.comLive From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher" gives the audience an insider's view that only John can offer. And no drummers are harmed during any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

We were joined by countercultural historian Pat Thomas, and Peter Hale, manager of the Ginsberg estate, and discover their new collaboration Material Wealth Mining the Personal Archive of Allen Ginsberg.*A prolific poet, raconteur, activist, and thinker, Allen Ginsberg was also a prolific collector, meticulously saving letters, postcards, draft notes and manuscripts, photographs and snapshots, appearance bills and rally broadsheets, not only featuring him personally, but also his fellow poets, singers, lovers, writers, journey companions, friends, and agitators. Gathered here publicly for the first time is his personal archive of events and experiences documenting his life as a young man, breakaway poet, expansive spirit, curious intellectual traveler, and relentless enthusiast of the provocative and the profane.There are hundreds of thousands of items carefully stored and archived at Stanford University's Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.*Pat Thomas is a counterculture historian and archival music producer (and liner-note writer) whose expertise and interests have helped him author such books as Listen, Whitey! The Sights & Sounds of Black Power 1965–1975 and Did It! Jerry Rubin: An American Revolutionary. He has co-curated Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980, co-edited My Week Beats Your Year: Encounters with Lou Reed, an anthology of interviews about the iconic musician, and contributed to The (Original) Adventures of Ford Fairlane: The Long Lost Rock n' Roll Detective and Kerouac on Record: A Literary Soundtrack. Thomas was a consultant on the PBS documentary The Black Panthers: Vanguard of the Revolution and compiled the 3-CD box set The Last Word on First Blues for the Allen Ginsberg Estate (1970s recordings of Ginsberg, Bob Dylan, and Arthur Russell), and the 2-CD set Songs of Innocence and Experience of Ginsberg's 1969 recordings (with Don Cherry and Elvin Jones) putting William Blake poems to music with vocals by Allen.Peter Hale grew up in Italy, Germany, and then Boulder, CO where he earned a BA in Classics, Greek & Latin, from the University of Colorado, all the while attending classes in music, poetry and meditation at Naropa University. He became part of the staff at Allen Ginsberg's office in 1992, and in 1997 helped craft his posthumous estate, which he currently manages. He studied Guitar with Dave Van Ronk & Danny Kalb, and Piano with Peter Barbieri. He currently produces his own music, and djs around NYC. He lives in Ridgewood, Queens.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

River Guerguerian is a percussionist and composer that has toured the world sharing and in search of sound. His parents observed his love of percussion early. He was the kid in school obsessed with transcribing drum solos by greats like Elvin Jones and Max Roach and would go on to study music from around the world. He is as comfortable with the limits of a single frame drum as he is with his world drum set including typical western trap kit pieces like bass and tom toms along with drums from around the world including the djembe, doumbek, and several other instruments.   If you are reading this soon after it is released you can catch him live with his group, Free Planet Radio, in Asheville at the AyurPrana Listening Room on March 16, 2024. You can also see him performing at Big Ears Music Festival with Min Xaio-Fen for a commission from the Smithsonian Institution to compose soundtracks for two Chinese historical silent films, Romance of the Fruit Peddler and Romance of the Western Chamber.  River is also the music director at Odyssey Community School in Asheville, NC and is the founder of Rhythm Asheville. Conversations with River during private music lessons were on of the inspirations for me in starting this podcast. River's websitehttps://www.guerguerian.com/Free Planet Radiohttps://www.freeplanetradio.com/Asheville Rhythmhttps://www.ashevillepercussionfestival.com/Tickets for his show at AyurPrana Listening Roomhttps://stagehoundtix.com/events/freeplanetradioBig Ears Festivalhttps://bigearsfestival.org/event/min-xiao-fen-with-river-guerguerian/

More interviews from the green room at Great American Music Hall in San Francisco during Grateful Guitars' inaugural benefit concert with members of Dark Star Orchestra (DSO). Keyboard player, Rob Baracco details his his experiences playing piano and organ on original Grateful Dead gear; drummer Dino English gives a lesson on tone and shares detail on his amazing side projects; and bass player Skip Vangelas is effusive about his appreciation for a special gift bestowed on him that evening by Grateful Guitars. Plus, close friend of DSO and incomparable guitar player, Stu Allen, offers his take on playing the benefit and has some endearing moments with the hosts; and DSO original member, John Kadlecik imparts some words of wisdom about his musical collaborations and the meaning of playing Jerry Garcia's “Alligator” guitar.  CreditsJohn Mclaughlin, Elvin Jones, Joey Defrancesco-Jazz a Juan, 1996.https://www.youtube.com/watch?v=FjPUrUI4_ekYouTube Channel: Pavel Levinhttp://www.youtube.com/@paulviolinoGrateful Dead Live at the Greek Theater, Berkeley, CA - 7/13/1984 Soundboardhttps://www.youtube.com/watch?v=P4uvsyfQSDc&t=5496sYouTube Channel: Chris From Jam Buzzhttp://www.youtube.com/@jambuzzCalifornia Kind - 8-19-23 Set 1 - Fairfax, CAKatie Skene, Barry Sless, Pete Sears, Rob Barraco, John Molohttps://www.youtube.com/watch?v=3uaGx_Q8kZ0YouTube Channel: The 11http://www.youtube.com/@The-11Alan Hertz killin ithttps://www.youtube.com/watch?v=DJDzW9lfwrUYouTube Channel: carl palileiohttp://www.youtube.com/@carlpalileo7972Hard Headed WomenFrom Shimmy Shack by Dino Englishhttps://shimmyshack.bandcamp.com/track/hard-headed-womencontinued…Grateful Dead 8-6-74 Eyes of the World: Roosevelt Stadiumhttps://www.youtube.com/watch?v=vzhqlsN2xRsYouTube Channel: Positively Garciahttp://www.youtube.com/@Catfishgarcia82MOUNTAIN - Mississippi Queen (Live on "The Show" 02-24-1970) - * RARE * remastered audiohttps://www.youtube.com/watch?v=Ss1EyyXL4GkYouTube Channel: Mountain MilSim - Private Suprohttp://www.youtube.com/@suprotwinRide Captain Ride•Skip Vangelas w Cosmic Jerry Band•Donovan's Reef•Sea Bright, NJ•06-20-2023https://www.youtube.com/watch?v=Fo2z5PQMTzgYouTube Channel: Hey Tom Banjohttp://www.youtube.com/@heytombanjo6195Stu Allen + Reflections - Money HoneyThe Junction, Mill Valley, CA  9/12/23https://www.youtube.com/watch?v=Ncg4BOT0i4IYouTube Channel: The 11http://www.youtube.com/@The-11"Cucamonga Carl" and More - Neighbor Live From Capitol Theatre | 01/13/23 | Relixhttps://www.youtube.com/watch?v=z-cSvLJI_18YouTube Channel: Relixhttp://www.youtube.com/@RelixMagI Feel Like Dynamite - Legion of Melvin at The Solano County Fairgrounds, Vallejo, CA - May 30, 2021https://www.youtube.com/watch?v=Ne_UtV7m47UYouTube Channel: Ted Silverman AKA TedToobhttp://www.youtube.com/@TedToobMountain Song HD (Furthur) - TRI Studios - 6/7/2011https://www.youtube.com/watch?v=vGmul2OXQNAYouTube Channel: pairdochttp://www.youtube.com/@pairdocFranklin's TowerThe Latin DeadProvided to  YouTube by CDBabyYouTube Channel: The Latin Dead - Topichttp://www.youtube.com/channel/UCcTGAfcR2TQ9ip0515g25yALinkshttps://www.darkstarorchestra.net/https://www.instagram.com/californiakindmusic/https://www.katieskene.com/tourhttp://dinoenglish.net/Home.htmlhttps://shimmyshack.bandcamp.com/album/shimmy-shackhttps://wallofnews.love/season02-08/dso/https://cosmicjerryband.com/homehttps://www.lylebrewermusic.com/https://www.neighbortunes.com/https://www.johnkmusic.net/https://www.latindead.com/

Ra Kalam Bob Moses spent his youth growing up in New York City and living in the same building as Art Blakey, Max Roach, Abbey Lincoln, Elvin Jones, Rahsaan Roland Kirk. This early experience had a profound effect on this young musician. Ra Kalam would go on to work with jazz luminaries such as Gary Burton, Pat Metheny, Steve Swallow, Jack DeJohnette, Tisziji Muñoz and many others.  He was also a member of the group The Free Spirits in the 1960's, considered one of the first Jazz rock bands ever.  Many were introduced to Ra Kalam's drumming by way of Pat Metheny‘s very first solo record Bright Size Life in 1976 with Jaco Pastorius on bass.  Ra Kalam is also a composer and leader on many recorded projects, going back decades. In this episode, Ra Kalam talks about:    His thoughts on the documentary being made about him    Growing up in the same building as Art Blakey, Max Roach, Abbey Lincoln, Elvin Jones, Rahsaan Roland Kirk in New York    Getting beyond your tendencies and patterns    His relationship with teacher and musical collaborator, Tisziji Muñoz    The origin of his name “Ra Kalam”    Reconciling his own legacy    Upcoming recordings

www.drumfactorydirect.com Hosts Mike Dawson, Tom Wendt, and Dave Throckmorton conclude their discussion of legendary jazz drummer Elvin Jones, Dawson shares a lesson on a cool Elvin-ish lick, and much more.

In this hilarious episode of Comes a Time, Mike and Oteil dive into stories from Oteil's recent tour, including an epic night where he dressed up as Macho Man Randy Savage. Oteil describes committing fully to the outfit, despite how hot and restrictive the costume was, and cutting promos in character as he made his way through the crowd to the stage. He even had his tour manager Jake come out as Jake "The Snake" Roberts for the full WWE experience. Mike is thrilled to hear about Oteil embracing his silly side on tour. Mike and Oteil discuss the unique acoustics and visual experience of playing the Las Vegas Sphere, a brand new, state-of-the-art immersive venue opening soon. With no on-stage amps or monitors, the venue itself becomes the sound system. They fantasize about collaborating with visual artist Jonathan Singer to create a mind-blowing psychedelic show inside the Sphere. Oteil also shares stories of combat gigs dealing with bad sound, and how veteran performers like Elvin Jones project their sound to the back of big rooms. Looking ahead, Oteil only has one gig on the books for the rest of the year - two nights opening for Bob Weir in Florida. Otherwise, he's focused on spending the holidays with his family. Mike has stand-up shows across the country leading up to the release of his new comedy special "Don't Let Me Down" on YouTube on November 9th. Please subscribe to his channel and click on the video that day to help build momentum on the platform. Thank you for your ongoing support and check out Comes a Time merch and bonus content on Patreon. Comes A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are kicking off season 5 with the first half of a "10 Reasons to Love...Elvin Jones" conversation between co-hosts Mike Dawson, David Throckmorton, and Thomas Wendt. We also share some industry news, a fun lesson based on Elvin's pattern in the classic John Coltrane track "My Favorite Things," and answer a listener question on upgrading an entry-level snare. Our warehouse pick of the week is a sweet deal on a handmade 5.5x14 8-ply maple Bucks County Prime Series snare drum, which can be purchased at: https://www.drumfactorydirect.com/index.php?main_page=product_info&cPath=1_1259&products_id=18443.