Podcast appearances and mentions of Herbie Hancock

This week Zachary Ezrin of Imperial Triumphant takes us through the inner workings of the band's latest album GOLDSTAR, the final sessions at Menegroth the Thousand Caves, Herbie Hancock, and all things the riff!IMPERIAL TRIUMPHANT - GOLDSTAR is OUT NOW via CENTURY MEDIA RECORDS: https://www.imperial-triumphant.com/Recommendations:⁠PSUDOKU - Psudoktrination⁠⁠New Skeletal Faces⁠Sly & The Family Stone⁠Blackbraid - Blackbraid III⁠⁠Kommodus / Celestial Sword - Constellations of Fatality and MetamorphosisFollow Imperial TriumphantFacebook: https://www.facebook.com/imperialtriumphantInstagram: https://www.instagram.com/imperialtriumphant/Twitter: https://x.com/imperialnycFollow Zachary EzrinInstagram: https://www.instagram.com/zacharyezrin/⁠For all updates on Riff Worship follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch Riff Worship on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch Review's from the Dylbozer's Din⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our official playlists:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riffs on Repeat (Spotify)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hits from the Crypt (Apple)

Whether you're a fan of ‘60s jazz, ‘70s funk, ‘80s electro, or things inspired by any of the above (or you just watched a lot of Sesame Street growing up), the music of Herbie Hancock has probably affected your life in some way. So Mike thought it was time to take us all on a good old fashioned head hunt. 1973's Head Hunters redefined the course of Hancock's career, was enormously influential on music as a whole, became the first jazz album to ever go platinum, and to this day remains a blast to listen to. If you're a rock fan who's long been intimidated by jazz, this warm, funky, colorful album just might be the one that captures your head.Cohosts: Mike DeFabio, John McFerrin, Dan WatkinsComplete show notes: https://discordpod.com/listen/161-herbie-hancock-head-hunters-1973Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Segmento Dispositivo • La guerra de la Oreja0:02:04 • "Orgullo Criollo" ♫ (Horacio Salgan/Ubaldo De Lío) Julio De Caro/Pedro Laurenz Segmento Humorístico • Cómo diseñar un jardín en el baño Segmento Humorístico • Cosas a tener en cuenta a la hora de consultar a una vidente Segmento Humorístico • Ayude a su hijo a triunfar en la escuela Sordo Gancé / Trío Sin Nombre • Presentación • "La Rueda Mágica" ♫ (Fito Páez) • "Madame Yvonne" ♫ (Enrique Cadícamo/Eduardo Pereyra) • "Norwegian Wood" ♫ (The Beatles) • "La Vieja Serenata" ♫ (Sandalio Gómez/Teófilo Ibáñez) • "Todo Un Palo" ♫ (Patricio Rey y sus Redonditos de Ricota) • "Insensatez" ♫ (Antônio Carlos Jobim/Vinícius de Moraes) • "Walternelson Man (Watermelon Man)" ♫ (Herbie Hancock) "...gracias porque, yo creo que entretenerse está bien; nos entretenemos los unos a los otros. Quizá nos entretenemos más nosotros que el público, y así como decía Macedonio Fernández, que los gauchos eran un entretenimiento de los caballos, a veces, el público es un entretenimiento del artista. Que viene, no solamente para hacer su número, y para cumplir con un pacto, sino para recibir al mismo tiempo, para sentir que el acto artístico se completa recién cuando hay alguien que lo escucha, lo disfruta, lo piensa y hasta lo recibe en beligerancia. Y muchas gracias por todo éso a ustedes."

Nos 1ers invités sont le duo formé par le saxophoniste Jacques Schwarz-Bart et le pianiste Grégory Privat pour la sortie de l'album 22. Grégory Privat, né le 22 décembre 1984 en Martinique, est un pianiste et compositeur de jazz. Il grandit à Saint-Joseph, en Martinique, dans une famille de musiciens. Son père, José Privat, est compositeur et pianiste du groupe martiniquais Malavoi. C'est lui qui l'encourage à apprendre le piano dès l'âge de six ans. Après dix ans de formation classique, Grégory se met à la composition et à l'improvisation, particulièrement dans le jazz.De 2004 à 2007, il mène une double vie, suivant l'enseignement d'une école d'ingénieur à Toulouse le jour, jouant dans des clubs de jazz la nuit. Il commence à écrire ses premières compositions et fait la première partie du Biguine Jazz Festival à Sainte-Marie en 2005. Il crée son propre groupe à Paris, et sort un premier album en 2011, Ki Koté. L'année suivante, âgé de 27 ans, il abandonne son emploi, pourtant confortable, pour devenir musicien professionnel et se consacrer entièrement à la musique. Bientôt, il joue avec des pointures caribéennes du jazz, comme le saxophoniste Jacques Schwarz-Bart, le trompettiste Franck Nicolas et le percussionniste Sonny Troupé, maître du Gwoka, qui devient un ami proche. Puis en 2014, paraît l'album concept Tales of Cyparis. Le nom de l'album est une référence à Cyparis, survivant de l'éruption de la Montagne Pelée en 1902. L'année suivante, il sort Luminescence avec Sonny Troupé : un album en duo reflétant un mélange de jazz et de sonorités Gwoka. Toujours en 2015, Grégory Privat est nommé aux Victoires du Jazz dans la catégorie «Révélation de l'année, prix Frank- Ténot». Son album Family Tree suit en 2016, il y présente son premier trio avec Linley Marthe et Tilo Bertholo sur le label ACT. En 2024, Grégory Privat sort Phoenix, nouvel album en trio qu'il considère comme une continuité de son album Soley et reçoit la même année le Prix Django Reinhardt de l'Académie du Jazz. En 2025 Jacques Schwarz-Bart…Artiste International, d'origine guadeloupéenne, Jacques Schwarz-Bart vit à New York depuis plus de 20 ans. Musicien, compositeur et arrangeur, il est le fils de Simone et d'André Schwarz-Bart, le célèbre couple d'écrivains.Jacques Schwarz-Bart abandonne rapidement une carrière diplomatique dans l'administration française pour se lancer dans la musique et choisit son instrument de prédilection : le saxophone ténor. Il étudie à Berklee school à Boston où il développe son identité musicale au carrefour du Jazz de la Soul et des musiques afro-caribéennes. Jacques collabore avec les plus grands de la scène Nu soul et jazz comme le trompettiste Roy Hargrove, Herbie Hancock, d'Angelo, Me'shell Ndegeocello, ErykahBadu, et d'autres.En 2004, il monte son Gwoka Project et enregistre deux albums pour UNIVERSAL, Soné Ka-La et Abyss, qui ont construit sa carrière actuelle en tant que leader reconnu au plan international.Titres interprétés dans le grand studio- The Crossing Live RFI- The Most Beautiful, extrait de l'album- Isaïah Live RFI.Line Up : Jacques Schwarz-Bart, saxophone, Grégory Privat, piano.Son : Mathias Taylor, Benoît LetirantRéalisation : Hadrien Touraud & Donatien Cahu.►  Album 22 (Buddham Jazz 2025).- Live Isaäh YouTube- Site Grégory Privat - Fb Jacques Schwarz-Bart.   Puis nous recevons JJH Potter pour la sortie de Ghosts Unveiled.Et c'est en famille que ce Strasbourgeois vient présenter son nouvel album.Auteur-compositeur-interprète né dans les années 70, basé à Strasbourg, compose des chansons aussi intimistes qu'authentiques. Ce guitariste-pianiste et chanteur se produit sous le nom de JJH Potter en hommage à sa grand-mère maternelle qui s'appelait Jeanne, Joséphine, Henriette Pottier. Il crée de la musique indie-folk intimiste depuis son adolescence et promène ses balades aux accents feutrés de café-concerts en rencontres musicales improvisées en s'inspirant des sentiments humains pour révéler des histoires sincères et touchantes. Influencé par la folk américaine et anglaise, il a pour icônes Bob Dylan, Neil Young, Nick Drake ou encore John Martyn. Et il chante avec ses filles Noan et Selma !Titres interprétés dans le grand studio- Sketches (avec Noan) Live RFI- Moth (avec Selma + piano) Live RFI- Contagious Live RFI.Line Up : Pierric L'Homme, alias JJH Potter (guitare, piano, voix), Noan L'Homme et Selma L'Homme (chœurs), Cédric Lemaire (batterie) et Sébastien Marcesche (basse).Son : Mathias Taylor, Benoît Letirant.► Album Ghosts Unveiled (Daydream 2025).- JJH Potter EPK - Bandcamp - Daydream Music. 

Nos 1ers invités sont le duo formé par le saxophoniste Jacques Schwarz-Bart et le pianiste Grégory Privat pour la sortie de l'album 22. Grégory Privat, né le 22 décembre 1984 en Martinique, est un pianiste et compositeur de jazz. Il grandit à Saint-Joseph, en Martinique, dans une famille de musiciens. Son père, José Privat, est compositeur et pianiste du groupe martiniquais Malavoi. C'est lui qui l'encourage à apprendre le piano dès l'âge de six ans. Après dix ans de formation classique, Grégory se met à la composition et à l'improvisation, particulièrement dans le jazz.De 2004 à 2007, il mène une double vie, suivant l'enseignement d'une école d'ingénieur à Toulouse le jour, jouant dans des clubs de jazz la nuit. Il commence à écrire ses premières compositions et fait la première partie du Biguine Jazz Festival à Sainte-Marie en 2005. Il crée son propre groupe à Paris, et sort un premier album en 2011, Ki Koté. L'année suivante, âgé de 27 ans, il abandonne son emploi, pourtant confortable, pour devenir musicien professionnel et se consacrer entièrement à la musique. Bientôt, il joue avec des pointures caribéennes du jazz, comme le saxophoniste Jacques Schwarz-Bart, le trompettiste Franck Nicolas et le percussionniste Sonny Troupé, maître du Gwoka, qui devient un ami proche. Puis en 2014, paraît l'album concept Tales of Cyparis. Le nom de l'album est une référence à Cyparis, survivant de l'éruption de la Montagne Pelée en 1902. L'année suivante, il sort Luminescence avec Sonny Troupé : un album en duo reflétant un mélange de jazz et de sonorités Gwoka. Toujours en 2015, Grégory Privat est nommé aux Victoires du Jazz dans la catégorie «Révélation de l'année, prix Frank- Ténot». Son album Family Tree suit en 2016, il y présente son premier trio avec Linley Marthe et Tilo Bertholo sur le label ACT. En 2024, Grégory Privat sort Phoenix, nouvel album en trio qu'il considère comme une continuité de son album Soley et reçoit la même année le Prix Django Reinhardt de l'Académie du Jazz. En 2025 Jacques Schwarz-Bart…Artiste International, d'origine guadeloupéenne, Jacques Schwarz-Bart vit à New York depuis plus de 20 ans. Musicien, compositeur et arrangeur, il est le fils de Simone et d'André Schwarz-Bart, le célèbre couple d'écrivains.Jacques Schwarz-Bart abandonne rapidement une carrière diplomatique dans l'administration française pour se lancer dans la musique et choisit son instrument de prédilection : le saxophone ténor. Il étudie à Berklee school à Boston où il développe son identité musicale au carrefour du Jazz de la Soul et des musiques afro-caribéennes. Jacques collabore avec les plus grands de la scène Nu soul et jazz comme le trompettiste Roy Hargrove, Herbie Hancock, d'Angelo, Me'shell Ndegeocello, ErykahBadu, et d'autres.En 2004, il monte son Gwoka Project et enregistre deux albums pour UNIVERSAL, Soné Ka-La et Abyss, qui ont construit sa carrière actuelle en tant que leader reconnu au plan international.Titres interprétés dans le grand studio- The Crossing Live RFI- The Most Beautiful, extrait de l'album- Isaïah Live RFI.Line Up : Jacques Schwarz-Bart, saxophone, Grégory Privat, piano.Son : Mathias Taylor, Benoît LetirantRéalisation : Hadrien Touraud & Donatien Cahu.►  Album 22 (Buddham Jazz 2025).- Live Isaäh YouTube- Site Grégory Privat - Fb Jacques Schwarz-Bart.   Puis nous recevons JJH Potter pour la sortie de Ghosts Unveiled.Et c'est en famille que ce Strasbourgeois vient présenter son nouvel album.Auteur-compositeur-interprète né dans les années 70, basé à Strasbourg, compose des chansons aussi intimistes qu'authentiques. Ce guitariste-pianiste et chanteur se produit sous le nom de JJH Potter en hommage à sa grand-mère maternelle qui s'appelait Jeanne, Joséphine, Henriette Pottier. Il crée de la musique indie-folk intimiste depuis son adolescence et promène ses balades aux accents feutrés de café-concerts en rencontres musicales improvisées en s'inspirant des sentiments humains pour révéler des histoires sincères et touchantes. Influencé par la folk américaine et anglaise, il a pour icônes Bob Dylan, Neil Young, Nick Drake ou encore John Martyn. Et il chante avec ses filles Noan et Selma !Titres interprétés dans le grand studio- Sketches (avec Noan) Live RFI- Moth (avec Selma + piano) Live RFI- Contagious Live RFI.Line Up : Pierric L'Homme, alias JJH Potter (guitare, piano, voix), Noan L'Homme et Selma L'Homme (chœurs), Cédric Lemaire (batterie) et Sébastien Marcesche (basse).Son : Mathias Taylor, Benoît Letirant.► Album Ghosts Unveiled (Daydream 2025).- JJH Potter EPK - Bandcamp - Daydream Music. 

Le groupe de metal Ghost s'apprête à rendre un vibrant hommage à Queen lors de la prestigieuse cérémonie du Polar Music Prize le 27 mai prochain au Grand Hôtel de Stockholm. Le groupe danois Volbeat a sorti un nouveau single intitulé ‘'Time will heal''. C'est la bande originale du film F1 qui se dévoile un peu plus et on apprend qu'Ed Sheeran y chantera le titre « Drive » avec Dave Grohl à la batterie et John Mayer à la guitare. ‘'J'ai toujours aimé chanter en duo avec des artistes talentueux'', a déclaré Barbra Streisand et son prochain album en sera la preuve ! Mots-clés : prix, Herbie Hancock, Barbara Hannigan, légende, rock, jazz, classique, guitariste, Fredrik Åkesson, Opeth, performance, Adam Lambert, héritage musical, optimisme, résilience, album, God Of Angels Trust, trio, tournée, Greatest Of All Tours Worldwide, Anvers, Brad Pitt, tournage, Spa-Francorchamps circuit, F1 The Album, Paul McCartney, Hozier, Bob Dylan, James Taylor, Sting, The Secret of Life : Partners, collaboration, duo, My Valentine --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From BITCHES BREW to "Feels So Good" and beyond, author Matthew Reed Baker delves into the funky, smooth, and transcendent records that resulted from the merging of jazz with R&B, pop, rock, and much much more in the 1970s. Miles Davis, Weather Report, Chuck Mangione, Herbie Hancock, Joni Mitchell, and Steely Dan are just some of the acts that are discussed in 1970s Jazz Fusion, a welcome new installment from 33 1/3's spin-off series on musical genres. Bookseller and writer Justin Remer hosts this discussion of both the book and the music.   Hosted and produced by Justin Remer. Recorded remotely via Zencastr.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Episode 172 Chapter 31, ARP Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 31, ARP Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH ARP ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Elias Tanenbaum, “Contrasts” (1971) from ARP Art. Used the ARP Odyssey. 05:03 01:40 2.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 06:19 06:46 3.     ARP demonstration. Roger Powell and Harry Coon, The ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 07:38 13:02 4.     Roger Powell, “Ictus: Primordial Pulse,” (4:57), “Lumia: Dance Of The Nebulae” (5:14), “Fourneau Cosmique: The Alchemical Furnace Of Cleopatra,” (7:42) (1973) from Cosmic Furnace. Featured the ARP 2500, ARP Soloist, ARP 2600, and ARP Odyssey. 17:50 20:40 5.     Bobbi Humphrey, “My Little Girl” (1974) from Satin Doll. Featured Larry Mizell on ARP synthesizers. 06:38 38:32 6.     Herbie Hancock, “Palm Grease” (1974) from Thrust. Featured the ARP Odyssey, ARP Soloist, ARP 2600, and ARP String synthesizer. 10:35 45:16 7.     John Keating, “Starcluster” (1975) from Space Experience 2.  Featured the ARP 2600 and Pro- Soloist. 03:44 55:50 8.     Joseph Byrd, “The Stars and Stripes Forever” (1976) from Yankee Transcendoodle. Featured the ARP Odyssey. 03:22 59:34 9.     Charles Earland, “Sons of the Gods” (1976) from Odyssey. Featured the ARP Pro- Soloist, ARP Axe, ARP String Ensemble, Clavinet and organ. 05:44 01:02:58 10.   Jean Michel Jarre, “Oxygene, Parts I, II, and III” (1976) from Oxygene. Used ARP and other synthesizers. 18:40 01:08:39 11.   Michel Magne, “Trip Psychiatrique” (1978) from Elements, La Terre(1978). Featured the ARP Odyssey, ARP Omni Polyphonique, and ARP 2600. 04:35 01:27:22 12.   Mike Mandel, “Pyramids” from Sky Music (1978). Featured the ARP Odyssey, ARP Pro Soloist, and ARP Omni II. 05:59 01:36:51 13.   Eliane Radigue, “Triptych Part 2” (1978) from Triptypch. Composed and performed on the ARP 2500 modular synthesizer. 11:56 01:37:52   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Segmento Dispositivo • La guerra de la Oreja0:01:56 • "Orgullo Criollo" ♫ (Horacio Salgan/Ubaldo De Lío) Julio De Caro/Pedro Laurenz Segmento Humorístico • Cómo diseñar un jardín en el baño0:21:35 Segmento Humorístico • Cosas a tener en cuenta a la hora de consultar a una vidente Segmento Humorístico • Ayude a su hijo a triunfar en la escuela Sordo Gancé / Trío Sin Nombre • Presentación • "La Rueda Mágica" ♫ (Fito Páez) • "Madame Yvonne" ♫ (Enrique Cadícamo/Eduardo Pereyra) • "Norwegian Wood" ♫ (The Beatles) • "La Vieja Serenata" ♫ (Sandalio Gómez/Teófilo Ibáñez) • "Todo Un Palo" ♫ (Patricio Rey y sus Redonditos de Ricota) • "Insensatez" ♫ (Antônio Carlos Jobim/Vinícius de Moraes) • "Walternelson Man (Watermelon Man)" ♫ (Herbie Hancock) "...gracias porque, yo creo que entretenerse está bien; nos entretenemos los unos a los otros. Quizá nos entretenemos más nosotros que el público, y así como decía Macedonio Fernández, que los gauchos eran un entretenimiento de los caballos, a veces, el público es un entretenimiento del artista. Que viene, no solamente para hacer su número, y para cumplir con un pacto, sino para recibir al mismo tiempo, para sentir que el acto artístico se completa recién cuando hay alguien que lo escucha, lo disfruta, lo piensa y hasta lo recibe en beligerancia. Y muchas gracias por todo éso a ustedes."

M

This is an Encore Presentation of my March 2024 interview with Eliane Elias, the extraordinary and exquisite Brazilian jazz pianist, singer and composer. She is a multiple Grammy and Latin Grammy winner. She combines Brazilian music, jazz and classical into a remarkable repertoire. Her recordings run the gamut from The Doors to Antonio Carlos Jobim to Chick Corea to Classical to Man Of La Mancha to her original compositions. She has performed with a Who's Who of musicians including Herbie Hancock, Chick Corea and Randy Brecker.My featured song is my cover of Chick Corea's “Sea Journey” from my debut 1994 album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Eliane:www.elianeelias.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

(S4 EP 21) Wayne Shorter's -Apple Apple (Blue Note)  Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter's Adam's Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock's intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam's Apple is one of the finest examples of mid-'60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter's catalog and the post-bop era..Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"Full Album: YouTube  Spotify Playlist: YouTube 

This is an Encore Presentation of my May 2024 SAXOPHONE SUMMIT featuring four of the world's best saxophone players.John Helliwell, former member of Supertramp, one of the greatest bands of the rock era. They dominated the charts in the 1970s with their album “Breakfast In America” which sold over 20 million copies. Fred Lipsius, the saxophonist and an arranger for Blood Sweat & Tears, another one of the greatest bands of the modern era, which introduced the horn section into Rock ‘n Roll. Their self-titled second album won the Grammy for Record Of The Year in 1970. Fred arranged several of their biggest hits including “Spinning Wheel” and “Hi De Ho”. Bob Reynolds, the saxophonist for Snarky Puppy, one of the great bands of this era They are a Jazz Fusion band that's won 5 Grammys. And Ada Rovatti, an Italian born saxophonist who has performed with Aretha Franklin, Joe Bonamassa, Mike Stern, Herbie Hancock and The Brecker Brothers Reunion Band.My featured song is “Metro Shuffle”, featuring Mindi Abair, from the album The PGS Experience by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Despr

durée : 01:02:45 - Club Jazzafip - A l'occasion de la Journée internationale du jazz, nous célébrons l'œuvre du pianiste et compositeur américain avec Donald Byrd, Wayne Shorter, Mark Murphy, Helen Merrill...

Space is the place_jazz e dintorni Puntata dedicata all`International Jazz Day, curiosando tra i festeggiamenti in tutto il mondo, con Herbie Hancock, Kneebody, Constant Boty, Roberto Fonseca, Luois Banks, Rosa Brunello e Isfar Sarabski. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-29-aprile-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

Damian Kulash of OK Go discusses his evolution from punk music fan, working with Dischord records, and creating boundary-pushing music, vinyl packaging and viral videos Topics Include: New album "And The Adjacent Possible" available for streaming now. Discussion about physical media's role in OK Go's output. OK Go primarily known for videos that "live in the ether." Damian was into physical record packaging during college years. First record was Herbie Hancock's "Rockit," bought at Tower Records. Young Damian damaged the record trying to scratch like DJ. Later played with Herbie Hancock at Obama's 50th birthday party. Musical journey from hip-hop through Prince, Beatles, Led Zeppelin. DC punk scene was influential, with bands playing in cafeterias. Started Level Records at age 15,with funding from Dischord Records. Ian MacKaye lent teenager Damian money to start label. Level Records produced 7-inches and compilation CDs for friends' bands. College made running a record label difficult for Damian. Studied art semiotics at Brown University. Worked as NPR radio engineer and Photoshop retoucher after college. Indifferent to Napster's rise during OK Go's early days. Band finances operated like "roadrunner off the cliff" cartoon. Discussion about gift economy model working for the band. Belief that making things you love matters most, not success. Music sometimes gets overshadowed by video's visual impact. Videos gave OK Go longevity beyond typical radio-hit bands. New album theme explores Stuart Kaufman's "adjacent possible" concept. OK Go doesn't have unified sound; band is "like a mixtape." Treadmill video was originally made for "nerdiest fans" only. Videos aim to create real events that connect with viewers. Physical pressings of OK Go albums are costly in secondary market. New vinyl features elaborate pop-up sphere in custom packaging. Hidden track on second album deliberately blocked copy-protection software. Record label "Paracadute" means parachute in Italian. Ten-year album gap wasn't intentional; life and pandemic happened. Directed "The Beanie Bubble" film with his wife for Apple. Film directing different from making music videos; less adrenaline-driven. Video production typically takes 3-6 months from concept to completion. Some video ideas abandoned when technology made them commonplace. Order the OK Go LP "And The Adjacent Possible" on vinyl here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Des gigatonnes de couleurs, de lumières et d'électrons positifs empliront vos oreilles cette semaine dans notre émission ! Nous recevons le pianiste, compositeur et arrangeur Cedric Hanriot qui viendra vous présenter « A luninous world », le second album de son projet « Time is color ». Petit prince français du jazz collaborant à de nombreux projets dans le monde, adoubé par Herbie Hancock, écouté par Barack Obama et même… plébiscité aux Grammy Awards, il poursuit sa quête musicale et spirituelle dans ce deuxième opus teinté de sons urbains et inspiré par la Physique Quantique, dans lequel des pointures comme Erik Truffaz ou encore Arthur h. ont prété leurs voix, leurs instruments et même… leurs textes. Et pour notre vidéoKITSCH de la semaine, voyez la vie en… Grease ! Film sorti de Randal Kleiser sorti le 3 octobre 1978 ! Il est une adaptation de la comédie musicale créée à Broadway 7 ans plus tôt. On pourra voir Richard Gere ou Patrick Swayze dans le rôle de Dany interprété dans le film par John Travolta. Le générique début est faut tout en animation et mis en scène par John Wilson. Il met en scène tous les personnages du film et présent l'équipe également. La chanson « Grease », même titre que le film, a été écrite par Barry Gib un des membres des Bee Gees et elle est interprété par Francky Vali ! Elle sort dans les bac le 6 mai 1978. Un succès et des titres indémodables ! Avec ou sans « chemise grease », écoutez-nous toute cette semaine dans Kitsch et Net !

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

Listen to an interview with Todd Rundgren, a pioneering musician, songwriter, and producer known for his eclectic style and innovative approach to technology in music. Rising to fame in the late 1960s with the band Nazz, Rundgren gained widespread acclaim with his 1972 solo album Something/Anything? which included the hit singles “Hello It's Me” and “I Saw the Light.” Rundgren is also a sought-after producer, working on landmark albums by the New York Dolls, Hall & Oates, XTC, Meatloaf, The Psychedelic Furs, and Patti Smith.  Rundgren has charted multiple Billboard hits and earned widespread critical acclaim. In 2021, he was inducted into the Rock and Roll Hall of Fame. Rundgren's genre-defying work spans rock, pop, soul, and experimental electronic music. He's been recognized as a visionary for his early adoption of music videos and interactive media. But his latest project looks into the past. Todd Rundgren will be performing music from the late songwriter Burt Bacharach in Indianapolis on April 18, as part of What The World Needs Now: The Burt Bacharach Songbook Live tour. Also hear an interview with Nnenna Freelon, a prolific jazz vocalist, whose career spans over three decades. She'll be performing at the Jazz Kitchen on April 18th. Freelon issued her debut LP on Columbia Records in 1992, marking the start of an accomplished recordings career. Freelon's music has attracted significant recognition, including seven Grammy nominations, and she's collaborated with numerous jazz luminaries, including Ray Charles, Ellis Marsalis, Kenny Baron, Pat Metheny, Christian McBride Al Jarreau, and Herbie Hancock. Hear music from Freelon's latest album, titled Beneath the Skin.

Þrír vendipunktar á ævi Herbie Hancock

Does it get any better than that ARP bass line on “Chameleon”? That's right, it's Herbie time! Join Peter and Adam as we explore Herbie Hancock's explosive breakout from Blue Note jazz man to platinum-selling Headhunter. Transport your ears to an afro-futuristic daydream as we dissect Herbie's funk-jazz era – and the cast of characters that helped push jazz records back onto the Pop charts. You'll hear stem breakdowns of Paul Jackson's brilliant bass grooves, the magic of Mike Clark's “Oakland sound” drums, and, of course, much geeking out over Herbie's mind-bending synth and electric keyboard experiments (excuse our stank-faces). From Fat Albert Rotunda (1969) through the slept-on Sunlight (1978), we ask: is this Herbie at his greatest?

GDP Script/ Top Stories for April 12th Publish Date: April 12th PRE-ROLL: From the BG AD Group Studio Welcome to the Gwinnett Daily Post Podcast. Today is Saturday, April 12th and Happy Birthday to Herbie Hancock ***04.112.25 - BIRTHDAY – HERBIE HANCOCK*** I’m Peyton Spurlock and here are your top stories presented by Gwinnett KIA Mall of Georgia. African lion complex now open at Zoo Atlanta Snellville Resident Wins $30K in Georgia Lottery; Sugar Hill Resident Wins $10K Piedmont Eastside Receives Donation to NICU All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: 07.14.22 KIA MOG STORY 1: African lion complex now open at Zoo Atlanta Zoo Atlanta has unveiled its newly renovated African lion complex after a $3 million, six-month project. The updated habitat adds 1,500 square feet for lions Hondo, Hatari, and Azizi, with features like a new in-habitat pool and three visitor viewing areas, including an observation deck. The 11-year-old lion brothers, part of a coalition, are known for their impressive roars. The renovation is part of the Zoo’s ongoing transformation of its African Savanna zone, which also includes expanded habitats for elephants, giraffes, rhinos, and other species, enhancing both animal wellbeing and visitor experience. STORY 2: Snellville Resident Wins $30K in Georgia Lottery; Sugar Hill Resident Wins $10K Two Georgia Lottery players each won $141,559 in the April 3 Fantasy 5 drawing, with winning tickets sold in Columbus and Marietta. The winning numbers were 07-13-29-30-35. Additionally, several players won five-figure prizes through Georgia Lottery Diggi Games, including $30,000 in Snellville and $15,000 in Atlanta. Other winners hailed from Hinesville, Cordele, Sugar Hill, and Douglasville, claiming prizes between $10,000 and $12,500. Winners have 180 days to claim their prizes, with proceeds supporting education in Georgia. STORY 3: Piedmont Eastside Receives Donation to NICU Dynika Marshall’s routine pregnancy took a life-threatening turn when she was diagnosed with preeclampsia at Piedmont Eastside, leading to the premature delivery of her baby at 27 weeks. While her newborn fought for survival in the NICU, Marshall recovered from her own complications, supported by the compassionate care of the hospital’s team. After months of recovery, both mom and baby are healthy. Grateful for the care they received, Marshall donated to the NICU to help other families in need, calling Piedmont Eastside “more than a hospital” but a place that gave her family a second chance. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: MONSTER JAM STORY 4: Everett's Music Barn in Suwanee to host Spring Festival Saturday Everett’s Music Barn in Suwanee is hosting its Spring Music Festival this Saturday from noon to 10 p.m., featuring hourly bluegrass performances by bands like The Skillet Lickers, Georgia Bound, and The Silver Valley Boys. The free, alcohol-free event is a fundraiser to support exterior renovations, with donations accepted at the entrance. Guests can enjoy barbecue, hotdogs, desserts, and raffle drawings between shows. Proceeds will help fund siding replacement and painting for the venue. STORY 5: Lawrenceville's Jordan Middle School Hosts First International Night Jordan Middle School hosted its first International Night on March 27, celebrating the school’s cultural diversity with food, fashion, and fun activities. Families shared home-cooked dishes from countries like India, Cuba, Nigeria, and Romania, while a vibrant fashion show showcased traditional attire from around the world. Attendees enjoyed interactive games like Family Feud and Russian nesting dolls. Special thanks were given to Kemper’s Cafe Caribbean Cuisine and A Taste of Jazz Catering for their support. Principal Melissa Miller praised the event’s success and looks forward to making it an annual tradition to celebrate the school’s rich cultural community. Break 3: MONSTER JAM STORY 6: GET OUT THERE: 5 things to do this weekend in Gwinnett County — April 11-13 Looking for weekend plans? Here are five local events to check out: **The Lawrenceville Boogie**: A free block party in Downtown Lawrenceville on Saturday (4-10:30 p.m.) with live music, food, drinks, and a car show benefiting Beyond The Ribbon. **Everett's Music Barn Spring Festival**: A bluegrass fundraiser in Suwanee on Saturday (noon-10 p.m.) featuring hourly band performances and raffles. **Repticon**: A reptile expo at Gwinnett County Fairgrounds, Saturday and Sunday (10 a.m.-5 p.m.), with vendors, live animal seminars, and raffles. **Dino Fest**: Ongoing at Stone Mountain Park through April 20, featuring roaming dinosaurs, a parade, and a dinosaur-themed Drone & Light Show. **Trivia at Third Rail Distillery**: Every Sunday (2-4 p.m.) in Lawrenceville, with prizes for top teams. STORY 7: Buford Grad, NFL Prospect Isaiah Bond Surrenders on 'Patently False' Sexual Assault Charge NFL Draft prospect and Buford grad Isaiah Bond turned himself in to Frisco, Texas, police on a sexual assault warrant but denies the allegations. Released on bail, Bond stated on Instagram that he is cooperating with authorities and urged the public to withhold judgment until the investigation concludes. Details of the accusation remain unknown. Bond, who transferred to Texas in 2024 after two seasons at Alabama, had a standout college career with 1,428 receiving yards and 11 total touchdowns. He is projected as a second- or third-round draft pick. We’ll have closing comments after this Break 4: Ingles Markets 3 Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com www.kiamallofga.com www.monsterjam.com/en-us/ #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

This week we take quite the journey across the textured landscapes of a jazz funk fusion legend.

Herbie Hancock, born April 12, 1940, is one of the most influential pianists and composers in jazz. He first rose to prominence with trumpeter Donald Byrd and later revolutionized jazz itself with Miles Davis, and pop music with his headhunters and rockit bands. He remains a big influence on younger players to this day, now an elder statesman of the music.

Greg and Ben discuss Herbie Hancock, the Michael Jackson biopic, Madonna/Elton John beef, HYBE/So So Def deal, the Diddy trial, Because 5 Outkast songs, and Earworms of the Week!Outkast - I'm Cool (Interlude)The Dirtbombs - Got to Give It UpBelinda Carlisle - Circle In the SandRationale - The BeginningOutkast feat. Khujo Goodie- Gasoline DreamsCheck out Ben's single “Fall Again” wherever you stream music!Follow us on Facebook: facebook.com/bythetimeuhearthisFollow us on TikTok: @bythetimeuhearthisFollow us on Instagram: @bythetimeuhearthis, @gplaysitcool, @benwattsstudios, @nbg.g.mediaEmail: bythetimeuhearthis@gmail.com Leave us a review and rating on your favorite platform!

The iconic jazz trumpet player Freddie Hubbard was born in Indianapolis on April 7th of 1938. During his extraordinary career, Hubbard made enormous contributions to hard bop and fusion music, performing on landmark albums by John Coltrane, Herbie Hancock, Quincy Jones, Sonny Rollins, Wayne Shorter and many others. Hubbard also issued many classic recordings as a bandleader. Nine of those albums appeared on the Billboard charts and his 1972 LP First Light earned a Grammy award for "Best Jazz Performance by a Group". Hubbard's technical mastery of the trumpet earned widespread critical acclaim and drew comparisons to legendary musicians like Miles Davis. Freddie  Hubbard passed away in 2008 at the age of 70, but his impact on music endures. His influence extends beyond jazz, shaping hip-hop as well. His recordings have been sampled by some of rap's most respected artists, including A Tribe Called Quest, Raekwon, Common, J Dilla, and MF DOOM. In this episode, we'll celebrate Hubbard's birthday by exploring the use of his music in hip-hop.

Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

The legendary jazz musician Roy Ayers passed away earlier this year. Born in Los Angeles, California in 1940, Ayers is widely regarded as one of the most influential figures in jazz, funk, and soul music.  Ayers released over 30 albums and performed with iconic jazz musicians including including Herbie Hancock, Ron Carter, Joe Henderson and many more. During his early career, Ayers worked extensively with Indiana musicians, including the Fort Wayne pianist Jack Wilson and the Indianapolis bassists Leroy Vinnegar and Monk Montgomery. On this episode, listen to music featuring Ayers' work with Naptown musicians.

This week, another milestone episode in our journey that is the InObscuria Podcast. We are also preparing for another visit to the Rock n Pod Expo in Nashville, TN, USA on April 12. This made your humble hosts ponder our future, and a decision was made to slightly tweak our mantra. To explore and expand the soundscape of obscure music beyond where we've gone before. Therefore, we call this episode our event horizon! A new beginning with a similar feel… Hope ya dig! What's this InObscuria thing? We're a podcast that exhumes obscure music of all genres and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. We hope we turn you on to something new and introduce to your new favorite artists!For more on Rock N Pod 2025 (April 11-13) go to https://nashvillerocknpodexpo.com/Songs this week include:The Soup Dragons – “Lovegod” from Lovegod (1990)Blueground Undergrass – “Wichita Lineman” from Barnyard Gone Wrong (1999)The Midnight – “Gloria” from Red, White, And Bruised: The Midnight Live (2023)King Plague – “Ave Plague” from Weeping Soul (2015)Lettuce – “Need To Understand” from Rage! (2008)Sonic Youth – “Superstar” from If I Were A Carpenter (1994)DOMi & JD BECK – “BOWLiNG feat. Thundercat” from NOT TiGHT (2022)a-ha – “The Sun Always Shines On T.V.” from Hunting High & Low (1985)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Oh, and BTW: April Fools

Thanks to your questions, Good Faith listeners are the guests of this episode that's meant to spark spiritual insights and challenge church norms.   From queries about navigating belief in a politically toxic climate to finding community after deconstruction, Curtis answers your questions with thoughtfulness, wisdom, and compassion. Whether you're wrestling with faith, curious about theology, or just want to know what's on Curtis' playlist, this episode delivers the answers that inquiring minds wanted to know.   Curtis addresses: How can someone who has deconstructed find meaningful, Christ-centered community? What role should the church play when professed followers of Jesus undermine the gospel? What does it mean that God "removes kings and sets up kings"? How can we love fellow church members who politically diverge from us? Is The After Party project truly nonpartisan—and how was it funded? Will artificial intelligence reshape sermon preparation? What will life be like in the new heavens and new earth? Plus: Curtis reveals his five favorite musical artists and the name of the song that opens every Good Faith episode. Send written questions or voice memos for “Ask Curtis” episodes to: askcurtis@redeemingbabel.org Send Campfire Stories to: info@redeemingbabel.org   Resources or references mentioned in this episode: Patrick Schreiner: Recovering the Forgotten Doctrine of Christ's Ascension N.T. Wright: the Ascension of Jesus and Heaven N.T. Wright's Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church The Thin Places of Fantasy The Nicene Creed The Lord's Prayer Philippians 3:18-21 (New Living Translation) Foreign Aid Is Retreating. The Church Must Not Judge: Musk and Trump's effort to disband USAID is likely unconstitutional Daniel 2:21 (English Standard Version) 33 Evil Kings of the Old Testament I Samuel 8 (Israel asks for a king) (New Living Translation) Explore The After Party with Russell Moore, David French, & Curtis Chang Answers to questions about The After Party Judah & the Lion's Beautiful Anyway (official music video) Judah & the Lion's website Wendell Kimborough's website Sandra McCraken's website Andrew Peterson's website Dave Brubeck's Time Out album (including Take Five) Dave Brubeck's Fight Against Racism Herbie Hancock's Watermelon Man Herbie Hancock's Rockit Good Faith conversations mentioned in this episode: David French: Has America's Role in the World Changed Forever? and Your Questions David French: Checks, Balances, and the New Trump Era Sandra McCracken: How Music Helps Us Make Sense of God's World  Advent with Friends: Andrew Peterson and The Way of Love Andy Crouch: How to Listen to Music Andy Crouch: Do We Need a Worship Music Reformation? Register for the Illuminate Arts & Faith Conference Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   Sign up:  Redeeming Babel Newsletter

    Offering more indelible proof that a great song can enjoy many lives and enthrall multiple generations, Ellis Hall's timeless, haunting ballad “Some Days Were Meant for Rain” is now the second single from In the World, the debut album of WHAT!!!!, the legendary vocalist and multi-instrumentalist's duo with Grammy winning keyboardist George Whitty.   The track follows fast on the heels of the release of the powerhouse, eclectic 10-track collection and the October 2024 drop of its lead single, “Die Living,”    The first song recorded for the project, “Hug Me” is an expansive anthemic power ballad that pays tribute to the tenacity and resolve of the citizens of Ukraine in the face of Russia's invasion and the ongoing war.    In addition to his years with the group Tower of Power, Hall – who has been sightless since age 18 - fronted the Ellis Hall Group in the 70s, has written over 4000 soul, gospel, blues and pop songs, performed with the likes of Stevie Wonder, James Taylor, Herbie Hancock, George Benson and Maurice White and recorded with John Klemmer, George Duke and Kenny G, among countless others. He has also written and performed on many film soundtracks including The Lion King 2, Shrek 2, Invincible and Bruce Almighty. He also sang a Louis Armstrong tune in the Steven Spielberg film Catch Me If You Can.      Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Could Miles Davis' peak performance come alongside a bunch of kids who weren't even getting paid? In this episode, Peter and Adam dive into one of the greatest live albums ever captured, My Funny Valentine: Live at the Philharmonic (1964). We explore how Miles Davis, sideman George Coleman, and a young rhythm section (Herbie Hancock, Ron Carter, and teenage Tony Williams) made jazz history in real time with their one-of-a-kind (unpaid) voter registration benefit concert. Learn how the quintet remade Miles' go-to standards (“All of You”, “Stella”, “All Blues”...) with their conversational, free-flowing, spacious playing – and hear the evolution across Davis' career. Join us as we break down these incredible performances and prove why this underappreciated live album captures Miles' greatest playing ever (at least for Peter's ears).ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Hamas officials say more than four hundred people have been killed. Does this mean that the ceasefire between Israel and Hamas is over?Also on the programme: President Trump and President Putin are to have a phone call to discuss a potential ceasefire in Ukraine. We discuss the historical parallels of this occasion; and the legendary jazz musician Herbie Hancock is one of the winners of the Polar Prize, the nearest thing that music has to a Nobel prize. He talks about his life and his extraordinary career. (Picture: Palestinians inspect the aftermath of an Israeli strike Credit: Reuters / Abed)

Plus: Canadian soprano and conductor Barbara Hannigan joins Queen and Herbie Hancock at this year's prestigious Polar Music Prize. Also: As Mark Carney begins his time as Prime Minister - the Conservative shadow minister for ethics Michael Barrett says he's being anything but transparent about his financial holdings.

By the mid-70's the Beach Boys appeared to be a band that had been left behind.  Sales had been only moderate for their previous albums, and the band was struggling to determine their direction musically.  In the summer of 1973 the movie "American Graffiti" featured several Beach Boys songs, creating nostalgia for the earlier surfing music.Between the revived interest sparked by "American Graffiti" and the success of the Beatles "Red" and "Blue" compilation albums, the Beach Boys released a collection of hits from their early 60's catalogue called Endless Summer.  This featured songs from their Capitol Records days, 1962-1965.  It was a near-instant success reaching the top of the charts in the United States four months after its release, and becoming their second number 1 album on the US charts.  After the success of Endless Summer, the Beach Boys would reposition themselves as an oldies act, continuing in this vein for many years.  Brian Wilson would pen one further Beach Boys studio album in 1977 which would meet with meager sales.  Afterwards the band would focus on their classics until seeing a resurgence in the late 80's generated from another popular film, Tom Cruise's "Cocktail" Wayne brings us this surfin' themed compilation for this week's podcast. Catch A WaveA true surfing song, this tune is about being on a surfboard, waiting for the right wave to come along.  This song was originally released on the 1963 album "Surfer Girl," and a rewritten version was recorded by Jan and Dean as "Sidewalk Surfin."Little Deuce CoupeThis track is about a 1932-vintage Ford model 18 hot rod used in drag racing on the streets of California.  "American Graffiti" had featured the deuce coupe prominently, along with the Beach Boys song.  The lyrics were written by local radio DJ Roger Christian.Shut DownAnother song about drag racing, "shut down" means you are about to beat the person in the race.  The phrase "tach it up" may have lost some meaning in the era of automatic transmission, but the tachometer would run high for a drag race.  The song is told from the perspective of the driver of a 1963 Corvette Sting Ray in a race against a 1962 Dodge Dart.Fun, Fun, FunThe inspiration for this song was a story the Beach Boys heard during a radio interview.  The station owner described his daughter "borrowing" his 1963 Thunderbird to go to a drive-in hamburger shop.  The opening riffs were inspired by Chuck Berry's "Johnny B. Goode."   ENTERTAINMENT TRACK:Uptown Saturday Night by Dobie Gray (from the motion picture “Uptown Saturday Night”)Sidney Poitier starred in and directed this action comedy which co-starred Bill Cosby, Harry Belafonte, Richard Pryor, and Flip Wilson. STAFF PICKS:The Joker by the Steve Miller BandLynch leads off the staff picks with a well known song from Steve Miller.  The names in the first line reference several of Miller's previous songs, as well as the made-up word "pompatus."  It barely cracked the top 40 in the US, hitting 40 on the Billboard Hot 100.  Miller borrowed some lyrics from the song "Lovey Dovey" when he talks about wanting to "shake your tree."The Air that I Breathe by the HolliesRob brings us a slow burning but iconic ballad that the Hollies covered.  The original was from Albert Hammond, and previously covered by Phil Everly.  The Hollies version was the most successful, going to number 6 on the Billboard Hot 100.  Alan Parsons was the engineer on this song.Hollywood Swinging by Kool & the GangBruce's staff pick is the first number 1 R&B Single from Kool & the Gang.  It was a crossover hit as well, going to number 6 on the Billboard Hot 100.  Rick Westfield is the keyboardist for it and sings lead.  The song is a true story of the keyboardist wanting to become "a bad piano-playing man" with the group. Rock and Roll Heaven by The Righteous BrothersWayne's features an ode to the rock stars who had died at an early age. This song is another example of a song that was covered, and did better than the original.  Climax performed this song in 1973 but did not chart, while the Righteous Brothers took it to the top 10 in the United States.  Lyric would be added in the years to come as more rock stars passed. INSTRUMENTAL TRACK:Chameleon by Herbie HancockThis jazz funk instrumental track closes out the podcast for the week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Steve Jordan es un baterista con una larga trayectoria que incluye cientos de sesiones de grabación, muchas de ellas junto a algunos de nuestros artistas favoritos. Hemos recopilado para este especial sus colaboraciones junto a Donald Fagen, Spyro Gyra, The Brecker Brothers, George Benson, Boz Scaggs, David Sanborn, Herbie Hancock, Patti Austin, Jon Batiste, Alicia Keys, Rupert Holmes, David Garfield, Lyle Mays y Diana Krall.

Send us your thoughts! Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records.[1]Winner of the 2008 Thelonious Monk Jazz Competition[1] and one of Time Out's "25 essential New York City jazz icons",[2] Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal".[3] His "extraordinary eclecticism"[4] has led to performances with such diverse artists as Wynton Marsalis,[5] Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst,[6] Christian McBride,[7] Mike Pride,[8] Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans,[9] Tyshawn Sorey, Ingrid Laubrock,[10] Ava Mendoza,[11] Mick Barr, and Tom Rainey.Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston,[12] as well as a trio with Mark Helias and Barry Altschul.[13] He is also a member of the Mary Halvorson Quintet, Septet,[14] and Octet;[15] the Dave Douglas Quintet;Support the show

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

This week on From The Crate, Cam selects tracks from Alabaster DePlume's latest album A Blade Because A Blade Is Whole, Herbie Hancock's Thrust, plus jitwam's 2019 release Honeycomb. Thanks to our mates at Southbound Records!

Check Playlist This episode of The Five Count featured an exclusive interview with musician Ellis Hall. Ellis is best known as the former singer for The Ellis Hall Group and Tower of Power. He also played with Ray Charles, Kenny G, Stevie Wonder, Herbie Hancock and was one of the singing voices of The California Raisins. During the show he discussed his experience with The California Raisins, his friendship with Ray Charles, and his new band WHAT!!!! Their new album In the World is available now!During the rest of the show we discussed lackluster ways to die in Australia, Ton described his ideal WrestleMania party, and we named our favorite films of 2025. The film Dog Man took top honors! https://youtu.be/CeeIhjPACd8?si=9vfCtQ5Yo2NM-CJf

Welcome to Live From Progzilla Towers Edition 552. In this edition, we heard music by David Bowie, Nova, Pride Of Passion, Finneus Gauge, Bombay Dub Orchestra, Herbie Hancock, Huis, Ruby Dawn, Manning, Sky, Ambrosia, Liquid Tension Experiment, Mägo De Oz, Alien Planetscapes, Depeche Mode, Wintergatan, Angélique Kidjo, Metaphor, Mike Rutherford, Motorpsycho, Wizrd & Mostly Autumn.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Tennessee Whiskey by Chris Stapleton (2015)Song 1: Freeze Time by 311 (1999)Song 2: Welcome to Jamrock by Damian Marley (2005)Song 3: Boots of Spanish Leather by Bob Dylan (1964)Song 4: Pass the Wine (Sophia Loren) by The Rolling Stones (1972/2010)Song 5: Cantaloupe Island by Herbie Hancock (1964)Song 6: New Madrid by Uncle Tupelo (1993)Song 7: Don't Make Me Wait by Sting & Shaggy (2018)Song 8: Around the World by Daft Punk (1997)Song 9: King of Spain by The Tallest Man on Earth (2010)Song 10: If I Had a Tail by Queens of the Stone Age (2013)

Equally at home and adept at both straight ahead and free jazz, Cleveland based drummer Jeremy McCabe has served as an up and coming sideman in Northeast Ohio for the past five years. For this performance he steps into the limelight as bandleader for two sets that feature everything from Herbie Hancock to Radiohead to Frank Zappa. Performing as a sextet and featuring Coleman Rose on tenor saxophone, Tim Picard on guitar, Grant Heineman on piano, Kevin Robert Martinez on bass, Will Curry on Winds and Jeremy McCabe on Drums, and from a February 15th, 2024 performance, it's the Jeremy McCabe Group – Live at the Bop Stop.

Here is another episode from the Deep Focus "Prodigal Children" series.    Mitch Goldman first went on the air at WKCR in 1985 and started Deep Focus in 2008.  Since his primary focus during the broadcast is hosting and engineering the show, making these recordings has often had to take a back seat. Add in the fact that WKCR is, in Phil Schaap's words, "The home of technical difficulties," and you might understand that the historical record of the show is somewhat incomplete.    In this podcast, we try to provide as complete an archive of the broadcast program as possible.  If we find that a part is missing, we put that information in the notes and keep right on going.   On rare occasion, a missing piece will find its way home.  When it does, we put it up on the podcast.  This is one of those episodes.  One CD recording of the last part of this show has turned up so here it is.  We hope you enjoy it.  If you do, please tell someone about Deep Focus.   We will be back next week with a brand new episode of the show.   Photo credit: no publishing information available.   #WKCR #DeepFocus #EricPerson #HerbieHancock #Mwandishi #BeaverHarris #360DegreeMusicExperience #FrancisHaynes #ArthurRhames #DonPullen

Lots of new releases this week. We hear from Derya Yildirim, Jorge Santana, John Glacier, Factory Floor and the Far Out Monster Disco Orchestra. Jaf plays a couple of songs from his set at Out On The Floor in South London. There's some Dancehall from Patra with Lyn Collins and a couple of funky oldies from Herbie Hancock and Sho Nuff.For more info and tracklisting, visit: https://thefaceradio.com/blues-and-grooves/Tune into new broadcasts of Blues & Grooves, Sundays from 4 - 5 PM EST / 9 - 10 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Back this week with some amazing pianists covering jazz (?) standards (?) old and new! Some recent digs and some old favorites. Enjoy. Tracklist: Tony Lee, Johnny Costa, DJM Trio, Eugen Cicero, Ashley Henry, Herbie Hancock

    Back in the 70s I was a huge prog rock fan and an offshoot of that fandom was discovering jazz fusion. I think Jean-Luc Ponty was the first proper fusion record I ever owned. I believe I was a fusion fan before getting into jazz in general.    I've been planning on creating a fusion mix for months but just haven't gotten around to it. Then last month I was sipping coffee on a cold morning, listening to a fusion playlist, when a couple of laid back tunes came up. I immediately started a new playlist for quiet fusion tracks. And this mix is the result.   It's got some of my all time favorite jazz fusion artists - Alan Holdsworth, Brand X, Pat Metheny, Herbie Hancock & Miles Davis. But surprisingly, not my fav fusion artist - Bill Bruford. He just didn't have anything quiet enough that worked with the mix. But at least his guitarist, Alan Holdsworth made the cut.   I hope you enjoy listening to this little diversion as much as I did creating it.   Cheers!     T R A C K L I S T : 00:00   Herbie Hancock - Vein Melter (Head Hunters 1973) 08:50   Allan Holdsworth - Distance vs Desire (Sand 1987) 13:56   John Abercrombie - Timeless (Timeless 1974) 21:38   Pat Metheny & Lyle Mays - September Fifteenth (As Falls Wichita, So Falls Wichita Falls 1981) 29:06   Jaco Pastorius - Continuum (Jaco Pastorius 1976) 33:30   Soft Machine  - Between (Six 1973) 35:33   Joe Zawinul - In A Silent Way (Zawinul 1971) 40:11   Gong Emotions (Downwind 1979) 44:50   Jean-Luc Ponty - I Only Feel Good With You (Cosmic Messenger 1978) 47:38   Brand X - Black Moon (Masques 1978) 51:55   Miles Davis - It's About Time (The Complete In a Silent Way Sessions 2001) 60:49   e n d

Billy Cobham is one of the world's greatest drummers. He dominated the Jazz Fusion era of the 1970s with The Mahavishnu Orchestra. His own debut album, Spectrum, hit #1 on the Billboard Jazz chart and contained the iconic track “Stratus” which has been covered by many artists including Jeff Beck. He's played with just about everyone including Miles Davis, Herbie Hancock, Chick Corea, George Duke and Ron Carter.My featured song is my recent single “Lou's Blues”. Spotify link. Billy plays drums and is featured on my recent single “The Rich Ones All Stars”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Michael Beinhorn co-founded the New York musical collective Material in 1979 with Bill Laswell. Since then, he has collaborated with and produced a diverse range of recording artists including The Red Hot Chili Peppers, Soundgarden, Soul Asylum, Hole, Aerosmith, Herbie Hancock, Brian Eno, Ozzy Osbourne, Marilyn Manson, Social Distortion, Korn and Mew. Michael's combined worldwide record sales currently total over 45 million. He has received numerous Grammy nominations, including "Producer Of The Year" in 1998. He is one of the only music producers in history to have 2 separate recordings debut in the Billboard Top Ten in the same week (Marilyn Manson- Mechanical Animals- #1; Celebrity Skin- Hole- #9). In 2015, Michael wrote a book called "Unlocking Creativity", which outlines his philosophy regarding the creative process. In 2019, he started the world's first completely remote service for music production and artist development. In this capacity, Michael has worked with artists such as Rivers Cuomo/Weezer on their last 8 recordings, as well as Cuco and Matt Nathanson.IN THIS EPISODE YOU'LL LEARN:What is music production?Pushing back against an artistHelping artists discover their true selvesBeing objective with your musicCreating a vision for a project before you even start recordingThe blurred lines of songwriting and productionThe art of making records feel goodWhy playing in time might not be the right moveEditing tracks for feelingWhy you shouldn't rely on editingTo learn more about Michael Beinhorn, visit: https://michaelbeinhorn.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2KSubscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJejYouTube: