Podcasts about zappa

durée : 00:04:53 - Classic & Co - par : Anna Sigalevitch - Ce matin au programme de Classic & Co, une fresque musico-théâtrale, « 200 motels » de Frank Zappa qui se jouera du 18 au 28 juin à l'Opera de Genève. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Welcome back to Truckin' Through Time, our six-part chronological journey through the history, music, and lived experience of the Grateful Dead. In this episode, we pull straight into the absolute whirlwind of 1985 to 1989—the era where the Deadhead universe experienced its ultimate expansion.Your host, Will, tackles the late eighties with total honesty. This is the era of the great health scare, Jerry's miraculous comeback, and the massive cultural shift that occurred when the mainstream finally caught up to the scene. We are diving deep into the tension between old-school "Tour Rats" and the new wave of "Touchheads" who flooded the stadiums after MTV put the band on heavy rotation.Grab a cold one, fire up a crisp '89 soundboard, and let's talk about the years where the secret got out and the parking lot became the center of the world. Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

Welcome back to Tales From The Lot and Part 4 of our 6-part series, Truckin' Through Time. Today, we are pulling into the early 1980s—covering the grit, the gear, and the massive cultural shift of 1980 to 1984.A lot of casual listeners skip over the early '80s, but for true Deadheads, this is the era where the walls of our traveling city were officially built. Your host, Will takes you inside the years where the band traded their cowboy hats for synthesizers, Brent Mydland officially became the "secret sauce," and the parking lot evolved into a highly organized, migratory society.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

The Dead took a break in 1975, which in Deadhead terms means everyone just got louder about them in their absence."Welcome back to Truckin' Through Time, our six-part chronological journey through the history, music, and lived experience of the Grateful Dead. In this episode, we tackle 1975 to 1979—the crucial half-decade where the "culture" officially became the "community."Your host, Will, shifts the spotlight to the asphalt. This episode is all about how the fanbase transformed into a self-sustaining nation with its own economy, postal system, and unwritten laws while navigating the band's mid-70s hiatus and triumphant return.Put on your favorite '77 soundboard, check the flip side of your tape, and let's talk about the era where the lot became a home.Connect with Tales From The Lot:Follow us on your favorite podcast app so you don't miss Part 4 (1980–1984).Got a story from the lot? Drop us a line or find us on social media.Keep your tires aired up. See you at the next show.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

Verslag van een exotisch festival is voor Osmium - de zwaarste podcast in het Nederlands - bijna net zo'n vaste prik als afleveringen over jaarlijstjes en publieksprijzen. Na een betonnen safari in Manchester, parkeren tussen de beren in Roemenië en gastronomische verzetjes in Kortrijk, wordt reikhalzend uitgekeken naar de bestemming van de Osmium metalvakantie van 2026. Die hoge verwachtingen rusten dermate zwaar op de schouders van babbelaars Niels en Pim dat ze de handdoek maar in de ring gooien en besluiten thuis te blijven. Nu de bestemming dus Indoornesië en Tuinzania blijkt te zijn, wordt gezocht naar manieren om de festivalweide de huiskamer in te halen. De redding komt in de vorm van de liveplaat, wellicht het minst besproken muzikale format in Osmium. Het blijkt echter een rijke voedingsbodem voor interessante discussies. Is het de ultieme meetlat waarlangs bands gekeurd dienen te worden of is het juist het zwarte gat van een discografie? Hoe belangrijk is bijbehorend beeld, merkbaar publiek en degelijke opnamekwaliteit? Hoe rekbaar is het begrip anno 2026 wanneer liveregistraties ook verschijnen in de vorm van studio-opname, livestream of telefoonvideo met bonusvinger voor de lens? Daarmee verschuift de vraag van waar Osmium dit jaar naartoe gaat naar wat er overblijft als je een concert van zijn plek, publiek en moment losweekt. Een aflevering over aanwezig zijn zonder ergens heen te gaan. Met beeldmateriaal door Ruth Mamphuys en muziek van Crouch. Onderwerpen: Crouch - Vidal (00:00) Welkomstwoord over het zelf saneren van asbestplaten (00:15) Introductie van de onderwerpen (04:06) Waarom niet naar een buitenlands zomerfestival dit jaar? (05:13) Live albums: wat vinden wij daarvan? (13:00) Live albums: video versus audio opnames (22:52) Live albums: voorbeelden van goede live opnames (34:29) Live albums: live opnames in studio setting (40:42) Live albums: bootlegs (45:59) Live albums: de conclusie (48:48) Pim's (bonus) luistertip: The Black Keys - Peaches, de terugkeer van extra belegen kaas in muzikale vorm (52:44) Pim's echte luistertip: Crouch - Breaking The Catatonic State, noise rock uit de Church Of Ra die vooroordelen rechtzet (55:21) Niels' gecombineerde luister- en concerttip: Archspire - Too Fast To Die, compleet geschifte techdeath uit Canada dat in Doornroosje en Kavka Zappa speelt in het najaar (58:28) Pim's concerttip: Iron Maiden in de Ziggo Dome, ga je helden zien nu het nog kan, ook al kan dat niet omdat het uitverkocht is (1:06:28) Shout-outs (01:12:30) Links: The Black Keys Bandcamp Crouch Bandcamp Archspire Bandcamp Archspire in Doornroosje Archspire in Kavka Zappa Iron Maiden in Ziggo Dome op ticketswap Ruth Mampuys (Ruth-Less Photography website en Facebook)

We kick off with News with Nick! D4VD is getting pulled from streaming services following gruesome murder charges, Kanye owes some royalties, and Weird Al is coming to Broadway. Plus, Nick did his homework and discusses his thoughts on Heavy Metal Parking Lot and updates the guys on his Sopranos progress.Song: Frank Zappa - “Joe's Garage”Next, Greg brings us a Three for Thursday. We listen to Nels Cline's blazing solo on a Wilco track, dig into a Bruce Hornsby classic, and close with some classic Aphex Twin.Songs:Wilco - “Side with the Seeds”Bruce Hornsby - “The Way It Is (Live - 1998/99)”Aphex Twin - “T69 Collapse”We end the show with a hot bowl of Jay's Jambalaya. Ike Willis was a staple of Frank Zappa's ensemble from 1979 until Zappa's final tour in 1988. A versatile guitarist and vocalist, we listen to some of his notable contributions to the Zappa discography. Willis passed last week at the age of 70. Next, we learn about Fender's desperate attempt to prevent other guitar manufacturers' from building ‘S' shaped guitars, despite losing a patent case in the U.S. years ago. Finally, Jay brings us up to speed on his trip to LA.Song: Frank Zappa - “Outside Now (Live)”

Welcome back to Truckin' Through Time, our six-part chronological journey through the history, music, and mythology of the Grateful Dead. In this episode, we are pulling up to what many heads consider sacred territory: 1970 to 1974.We look at the massive pivot where the band traded psychedelic feedback loops for acoustic guitars and timeless American myths. This is the era where the Grateful Dead stopped being just a local San Francisco trip and started inventing the road as they drove it.In this episode, we're talking:The Americana Blueprint: How the band dropped Workingman's Dead and American Beauty in the same calendar year and redefined their entire identity.The Keith & Donna Transition: Shifting to a leaner, jazzier, single-drummer lineup after Mickey's departure, and the arrival of the Godchauxs.Saying Goodbye to Pigpen: The heartbreak of losing the band's original soul, and how they found the strength to keep moving forward.Europe '72 Mythology: Why this legendary tour remains the gold standard for live improvisation.Going Independent: The chaotic birth of Grateful Dead Records and the sonic ambition behind Wake of the Flood.The Wall of Sound: The 75-ton, 600-speaker, bank-account-crushing monster of a PA system that defined 1974 before the band finally called a "hiatus."Connect with Tales From The Lot:Follow us on your favorite podcast app so you don't miss Part 3 (1975–1979).Got a story from the lot? Drop us a line or find us on social media.Stay kind, family. See you down the road.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

durée : 00:04:46 - par : Max Dozolme - Il est mort le 19 mai 1954 : le compositeur avant-gardiste Charles Ives, électron libre de la musique classique américaine, a inspiré bon nombre d'artistes d'horizons bien différents. Tour d'horizon. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Truckin' Through Time (Part 1): The Primal Years (1965–1969)"The Warlocks, soon to be the Grateful Dead, were mostly just trying to make sure the floor didn't swallow them whole."Welcome to the series premiere of Truckin' Through Time, a special six-part deep dive into the 30-year odyssey of the Grateful Dead. In this kickoff episode, we're heading back to where the sidewalk ends and the trip begins: 1965 to 1969.This isn't a dry history lecture—it's a storyteller's look at how a rag-tag group of bluegrass nerds and blues junkies accidentally invented a counterculture.In this episode, we're talking:The Mother McCree Roots: From kazoos and washboards to plugging in as The Warlocks.The Acid Test DNA: How Ken Kesey's neon-drenched chaos taught the band to "play the room" instead of just playing songs.710 Ashbury & The Haight: Living the communal dream (and the reality of the Summer of Love).The Sonic Leap: The transition from garage-rock blues to the heavy, improvisational weight of Anthem of the Sun and Live/Dead.The Birth of the Lot: How the very first traveling fans began to form a community before "Deadhead" was even a word.Whether you're a seasoned veteran with a closet full of Maxell tapes or a newcomer wondering why your uncle still wears tie-dye in his 60s, this episode lays the foundation for the long, strange trip to come.Connect with Tales From The Lot:Follow us on your favorite podcast app so you don't miss Part 2 (1970–1974).Got a story from the lot? Drop us a line or find us on social media.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

Zašto je Viktor platio neverovatnih 300 evra za rani pristup seriji "Senke nad Balkanom 3" i šta se desi kada čovek sa najlepšim glasom Jugoslavije, Igor Brakus i polovina @ObneobRadio ,donese preporuke za najdepresivnije serije na Balkanu? U 79. epizodi Njuz POPkasta donosimo vam ultimativne filmske (muzičke i književne) preporuke! Od maestralne i mračne Pejakovićeve trilogije "Meso, Kosti, Koža", preko novog SF hita "Hail Mary" sa Rajanom Goslingom i brutalnog filma Park Čan Vuka, pa sve do skandala zvanog "Beogradsko poselo na Zappa barci"! Igor Brakus objašnjava zašto nije pročitao knjigu od 12. godine, dok vas mi učimo kako da postanete milioneri preko Indeks fondova. Obavezno ostavite lajk i napišite u komentarima - koja domaća serija je po vama najmračnija?

Joe Zappa, Founder and CEO of Sharp Pen Media, joins the AdTechGod Pod to break down how modern media has shifted power from institutions to individuals and why executives must become evangelists for their own brands. From building in public to leveraging social platforms effectively, Joe shares how CEOs and industry leaders can drive awareness, generate inbound leads, and shape narratives in today's ad tech landscape. The conversation also explores AI in content creation, the rise of commerce media, and where the industry is heading next. Takeaways - Power in media has shifted from institutions to individuals - CEOs should act as chief evangelists for their companies - A consistent narrative is key to effective personal branding - Sharing insights builds trust more than self-promotion - Social media drives inbound leads when used authentically - AI is a tool, but human input is essential - Commerce media, AI, and CTV are key industry trends - Differentiation comes from people as much as products Chapters 00:00 Introduction to Joe Zappa and Sharp Pen Media 01:10 Joe's background and founding his company 02:00 The shift from institutions to individuals 03:40 Why executive evangelism works 05:00 Building a strong brand narrative 06:00 Social media as a growth engine 08:00 Personal vs professional content strategy 09:30 Traditional PR vs modern communication 11:00 Differentiation in ad tech 12:40 AI content: value vs “AI slop.” 15:30 Trends: CTV, AI, and commerce media 17:20 Joe's business growth and future focus Learn more about your ad choices. Visit megaphone.fm/adchoices

Be glad for the pod has no ending! Now in our 20th year and, this week, ruminating fondly on the following … … the “underhand” selling of Geese … Morrissey's absurd whinge about the Salford Lads Club photo … Jay Leno's $50 ruse to get comedy gigs … when bands “didn't even know what a hotel was” … radio sessions in Andy Kershaw's flat … what's the point of the Rock & Roll Hall of Fame? … when has any aspect of the entertainment business EVER been “fair”? … “Four eyes, one vision!” Elvis Costello busking in Park Lane … the great Supremes records after Diana Ross … Focus, 10cc, Devo, Zappa, the Shadows and other musical dead-ends ... Ronnie Wood and … Beverley Knight? …. “Shove off, Phil Collins! And have you got your Barley Sugars?” … and birthday guest Stephen Lambe about why Focus are largely forgotten.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Be glad for the pod has no ending! Now in our 20th year and, this week, ruminating fondly on the following … … the “underhand” selling of Geese … Morrissey's absurd whinge about the Salford Lads Club photo … Jay Leno's $50 ruse to get comedy gigs … when bands “didn't even know what a hotel was” … radio sessions in Andy Kershaw's flat … what's the point of the Rock & Roll Hall of Fame? … when has any aspect of the entertainment business EVER been “fair”? … “Four eyes, one vision!” Elvis Costello busking in Park Lane … the great Supremes records after Diana Ross … Focus, 10cc, Devo, Zappa, the Shadows and other musical dead-ends ... Ronnie Wood and … Beverley Knight? …. “Shove off, Phil Collins! And have you got your Barley Sugars?” … and birthday guest Stephen Lambe about why Focus are largely forgotten.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Be glad for the pod has no ending! Now in our 20th year and, this week, ruminating fondly on the following … … the “underhand” selling of Geese … Morrissey's absurd whinge about the Salford Lads Club photo … Jay Leno's $50 ruse to get comedy gigs … when bands “didn't even know what a hotel was” … radio sessions in Andy Kershaw's flat … what's the point of the Rock & Roll Hall of Fame? … when has any aspect of the entertainment business EVER been “fair”? … “Four eyes, one vision!” Elvis Costello busking in Park Lane … the great Supremes records after Diana Ross … Focus, 10cc, Devo, Zappa, the Shadows and other musical dead-ends ... Ronnie Wood and … Beverley Knight? …. “Shove off, Phil Collins! And have you got your Barley Sugars?” … and birthday guest Stephen Lambe about why Focus are largely forgotten.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Episode 97: Gershwin Prize Winner! Winner, Winner, Got A Spinner! March 30, 2026 From May 2024: The aging process on humans is real. What we do and don't do may play a big part in how that process affects us or not. The vinyl LPs of that era and the new ones being purchased today will last a lot longer than the color in our hair or our smooth and youthful skin. All I'm saying is that the age of rock is so wide and varied, from Elvis to Zappa, we have a lot of ground to cover in these short one-hour shows. And, who knows, maybe listening to the music of our youth may give a moment in time when we can enjoy those times or not. Admit it, it wasn't all bad. If you have some input, like my friend, Puh-mella did, let me know your taste in music, who/what/when. Email all your comments to me at TalesVinylTells@gmail.com. There are many ways to hear these great tunes: Live on RadioFreeNashville.org Wednesdays at 5 pm Central time, all the podcasts of the radio program(many times extended versions) can be listened to anytime, anywhere at StudioMillsWellness.com/tales-vinyl-tells, on podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. PLAYLIST: 97.1 Rhapsody in Blue-Gershwin/ Bela Fleck 97.2 60 Years On-Elton John 97.3 Come Down in Time-Sting 97.4 Madman Across The Water-Elton John 97.5 Happy House-Shuggie Otis 97.6 Strawberry Letter 23-Shuggie Otis 97.7 Closer to the Ground-Joy of Cooking 97.8 JIMJAM-Powderfinger-Neil Young & Crazy Horse 97.9 Heart of Rock and Roll-Huey Lewis & The News 97.10 Perfect World-Huey Lewis & The News 97.11 Jacob's Ladder-Bruce Hornsby & The Range 97.12 Ain't No Sunshine-Bill Withers

Michael Rousseau annonce sa retraite. Entrevue avec Pierre-Olivier Zappa, chef d’antenne à LCN et chroniqueur. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney's new album … why a knackered piano made Keith Jarrett's Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney's new album … why a knackered piano made Keith Jarrett's Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney's new album … why a knackered piano made Keith Jarrett's Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Episode 98: THE ALBUM ROCK OF THE 60S & 70S DOESN'T GET OLD. ONLY WE DO, IF WE ALLOW IT. March 23, 2026 The aging process on humans is real. What we do and don't do may play a big part in how that process affects us or not. The vinyl LPs of that era and the new ones being purchased today will last a lot longer than the color in our hair or our smooth and youthful skin. All I'm saying is that the age of rock is so wide and varied, from Elvis to Zappa, we have a lot of ground to cover in these short one-hour shows. And, who knows, maybe listening to the music of our youth may give a moment in time when we can enjoy those times or not. Admit it, it wasn't all bad.   There are many ways to hear these great tunes: Live on RadioFreeNashville.org Wednesdays at 5 pm Central time, all the podcasts of the radio program(many times extended versions) can be listened to anytime, anywhere at StudioMillsWellness.com/tales-vinyl-tells, on podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places.   PLAYLIST: 98.1 Lunatic Fringe-Red Rider 98.2 Something in the Air-Thunderclap Newman 98.3 One of These Days-Pink Floyd 98.4 Some Day, Some Way-Marshall Crenshaw 98.5 One of These Days-Ten Years After 98.6 River Song-Dennis Wilson 98.7 Until I Hear It From You-Gin Blossoms 98.8 Last DJ-Tom Petty and the Heartbreakers 98.9 Something About You-Boston 98.10 Didn't Mean to Fall in Love-Boston 98.11 Famous Blue Raincoat-Leonard Cohen 98.12 Susanne-Judy Collins 98.13 A Nibble of Riviera Paradise-Stevie Ray Vaughn and Double Trouble

Send in your music story!A tiny black-and-white sticker started as a warning and turned into one of the most powerful marketing symbols in music history. We're digging into the PMRC fight that put “Parental Advisory Explicit Content” on albums and set off a national argument about music censorship, artistic freedom, and what parents can realistically control once a song hits the real world. We go back to 1985, when Tipper Gore's reaction to Prince's “Darling Nikki” helped launch the Parents Music Resource Center and its infamous “Filthy 15” list. From there, the pressure campaign escalates into the U.S. Senate hearing on lyrics, where the lineup is as strange as it is historic: Frank Zappa, Dee Snider of Twisted Sister, and John Denver. We talk through why lawmakers underestimated these musicians, how Dee Snider dismantled the idea that “We're Not Gonna Take It” promotes violence, and why Zappa's slippery-slope warning still fits modern debates about media regulation. We also connect the dots to today: what the First Amendment actually covers, why consequences don't require government involvement, and how warning labels and radio edits can backfire by making “forbidden” music more desirable. If you care about heavy metal history, rap culture, free speech, or the politics of moral panic, this story explains how we got the music landscape we live in now. Subscribe for more music history and true-crime adjacent chaos, share this with a friend who hunted down the explicit version, and leave a review with your take: do content warnings help families or just sell records?Please check out our merch page! : https://hookandbridgepodmerch.printful.me/ Become part of our community! : https://www.patreon.com/cw/TheHookandBridgePodcastPremiumSupport the showPlease give us a quick rate and review. If you enjoyed the audio version head over to our Youtube for video content! Follow the Instagram for special content and weekly updates. Check out our website and leave us a voice message to be heard on the show or find out more about the guests!Ever wanted to start your own podcast? Here is a link to get started!https://www.buzzsprout.com/?referrer_id=1964696https://www.youtube.com/channel/UCONMXkuIfpVizopNb_CoIGghttps://www.instagram.com/hook_and_bridge_podcast/https://www.thehookandbridgepodcast.com/

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Welcome back to The Deep Talk! Today I am joined by Madden Zappa, a dating coach who wants you to break your dating patterns. Today, we walk through her dating history and all the lessons she learned and actions she took to become healthy and call real, long-lasting love in.For anyone who is tired of things not working out, and wants to call aligned love in, this episode is for you. Where to find Madden:InstagramPodcast If you liked this episode, share on your IG story and tag me @thedeeptalk_. I'd love to hear what you learned! And, don't forget to hit that follow button so you never miss a future episode, and leave a review so I can reach more listeners just like you who are looking to connect deeper.

Frank Zappa began to produce his own albums and learned to use the studio as a creative vehicle for his vast musical ideas. This was his third album with The Mothers of Invention, and perhaps their most consistent of teir works. It's a wonderful blend of parody, musicality and humor. Also...If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Listen to previous shows at the main webpage at:https://www.buzzsprut.com/1329053Other Items of Interest:Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

Bob Dobbs was Marshall McLuhan's archivist, and is a renegade McLuhan scholar. In this episode we discuss the work of Marshall McLuhan and Frank Zappa.Dobb's site: https://ionandbob.com/Dobb's Zappa site: https://bobonzappa.com/Dobbs's writings: https://ionandbob.com/bob/bob-writingsThings Bob wanted me to add here: Info on the photo: bobonzappa.com/about/"Hey Hey Hey, Mister Snazzy Exec!": https://www.afka.net/Articles/1971-09_Circular.htmBob's chart: https://storage.googleapis.com/ionbob/pdf/tiny_note_chart.pdfHow To Call In to OFFICE HOURS: https://bobsofficehours.com/listen/---Become part of the Hermitix community:Hermitix Twitter - / hermitixpodcast Hermitix Discord - / discord Support Hermitix:Hermitix Subscription - https://hermitix.net/subscribe/ Patreon - / hermitix Donations: - https://www.paypal.me/hermitixpodHermitix Merchandise - http://teespring.com/stores/hermitix-2Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Zappa Vaultmeister Joe Travers discusses the Bongo Fury box set, the Frank and Beefheart origin story, Frank's cutting edge approach and what may be next from the Zappa Universe. Order the Zappa/Beefheart Bongo Fury 50th Anniversary editions here Topics Include: Joe and Nate bond over the Stooges and unreleased raw recordings Bongo Fury turns 50 with 48 previously unheard tracks Two complete Armadillo shows finally presented unedited in sequence Portuguese Lunar Landing emerges from rehearsal tapes—a true nugget Frank kept tour itineraries but few detailed production notes Joe worked solo digitizing tapes for decades under Gail's direction Universal now controls the vault—the process has changed significantly Frank's Mac had one gigabyte—they dumped mixes to tape constantly Kennedy backup tapes and Synclavier data may be unplayable forever Racing against tape decay and obsolete machines that can't be replaced Heartbreak: 1630 tapes getting stuck and destroyed inside malfunctioning machines Early history of Frank and Captain Beefheart The Soots recorded together—Tiger Roach released, two covers still unreleased Frank invited Beefheart to join tour to get him some money Beefheart was unpredictable—lyrics in paper bags, sketching onstage mid-show "Born to Suck" captures spontaneous studio magic with Snoop tape banter Frank constantly taped everything—jokes often sparked future song ideas Post-tour darkness: Herb Cohen fallout left Frank uncertain about everything Frank and Beefheart reconnected—hour-long phone calls in Frank's final months Warner Brothers failed to promote One Size Fits All and Bongo Fury Cheaper Than Cheap footage sat in vault for decades—sync issues unresolved Joe finally identified the mystery tapes; Universal funded the restoration More Atmos projects coming—Joe teases a big announcement next month Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Programa O Mundo é um Som traz o volume 4 da nossa jornada pelo universo de Frank Zappa. Hoje mergulhamos nos anos de 1981 a 1984 — o período em que Zappa deixou de ser apenas um músico para se tornar um documentarista sonoro da decomposição e decadência norte americana.… Source

We're Only in It for the Money- Frank Zappa and The Mothers of Invention (with guest Steve DeLuca)  Release Date- March 4, 1969 We're Only in It for the Money by Frank Zappa and The Mothers of Invention stands as one of the most daring and influential records of the late 1960s. Arriving at the height of the psychedelic era, the album sharply critiqued both the commercial music industry and the idealism of the hippie counterculture. Through satire, rapid-fire editing, and studio experimentation, Zappa created a collage-like listening experience that blended rock, doo-wop, avant-garde composition, and musique concrète. The record's famous parody of Sgt. Pepper's Lonely Hearts Club Band signaled its irreverent tone, but beneath the humor was pointed social commentary about conformity, politics, and youth culture. Though controversial at the time, the album became a landmark in experimental rock and helped expand the possibilities of what a rock record could be. Its influence can be heard in progressive rock, alternative music, and later avant-pop artists who embraced genre-blending and conceptual ambition. (S5-Ep9)

Hello music lovers, and welcome to another edition of Why Music Matters. I'm your host, music journalist and musician Jeff Miers.   Today is a special day for the Why Music Matters team - we're celebrating our 50th episode. And as we do so, I'd like to thank all of you for listening and for your continued support. We're just getting started, and we've got some exciting new ventures planned for the future. Thanks for coming along on the ride.   A special episode demands a special guest, and today, we've got one, in the form of UB Professor of Music Jon Nelson.   I've known Jon for a long time, and have always been impressed and inspired by his love for music, as both a musician and an educator. Whether as co-founder of Pausa Art House, a vibrant home for jazz and contemporary chamber music in Buffalo; as a founding member of the renowned Meridian Arts Ensemble and leader of the brave and daring Genkin Philharmonic; or as an educator eager to push the envelope of the traditional with the student ensembles he leads at the University at Buffalo, Jon has been a tireless advocate for contemporary music. Jon's latest project involves the arrival of an archival recording of the Merdian Arts Ensemble performing at the home of the late, great composer, guitarist and iconoclast Frank Zappa. “The Zappa House Concert” documents Jon and the ensemble's 1996 performance for an audience of Zappa, his family, and a group of close friends, all recorded in Zappa's home studio, the Utility Muffin Research Kitchen, using a single microphone.   During our discussion, Jon tells us all about the experience, and he details what Zappa's work has meant to him throughout his musical journey.   Welcome to Why Music Matters, Jon Nelson!   You can find The Zappa House Concert through meridianartsensemble.com or bigroundrecords.com --- Produced by 678Main Studio and Creative Services https://678main.com --- Follow Why Music Matters on social media https://instagram.com/whymusicmatterspodcast https://www.facebook.com/whymusicmatterspodcast https://twitter.com/wmmpod

 Jeff Newelt is a veteran PR and social media macher who has worked with Harvey Pekar, Art Spiegelman, Al Jaffee, the Zappa family, and many more. Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Jeff's LinkedInhttps://www.linkedin.com/in/jahfurry/ Jeff on Harvey Pekarhttps://forward.com/culture/books/139783/harvey-pekar-our-mensch-in-cleveland/ Jeff & Al Jaffeehttps://www.youtube.com/watch?v=n0I-5GXhr0k Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

It's a shame this year's Oscar nominations have been named because John's new film idea could have swept the board. Watch out John Ford with your record 4 wins for Best Director, watch out James Cameron with your highest-grossing films, there's a new auteur in town.However, it isn't all positivity for our Robins. After the highs of creativity, the lows of having your heart broken by someone you thought was a good friend. Elis's foul-mouthed review of one of Frank Zappa's albums leaves a sour taste in the mouth, and ends up with Elis being put in the Dweeb Gang with fellow Zappa detractor Snoop Dogg.Elsewhere there's a Winter Olympics-based Made Up Game where Elis just simply will not show his workings, Drs Chris and Xand van Tulleken leave John a heartwarming message, and a harmless game of 20 questions goes down like a lead balloon...Keep sending in your top tier correspondence to elisandjohn@bb.co.uk.

Replay from Sept 22, 2020.The Drunken Summit ensues as Eddie Trunk Todd Kerns, Chad Stewart, Paul Gargano, Ahmet Zappa and myself debate KISS Dynasty vs Unmasked. We also give our takes on the new Ace Frehley album "Origins 2".This show features 3 Another FN Podcast Hall Of Famers - Eddie Trunk, Chad Stewart & Paul Gargano.AD free for you guys except the ad for the show this Saturday. Enjoy.PATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comDawson's Links@Dawsangeles - Twitter/Instagram/Facebookhttps://www.patreon.com/thewatercoolerIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

durée : 00:25:10 - David Harrington, violoniste, membre fondateur du Kronos Quartet (2/5) - par : Laurent Vilarem - Dans ce deuxième épisode, David Harrington raconte comment le choc de Black Angels de George Crumb l'a poussé à fonder le Kronos Quartet. Il revient sur le choix du nom, la formation du groupe et les rencontres décisives avec Riley, Glass et Zappa. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Composer Geoff Zanelli joins Filmmaker Mixer to break down his bold, experimental score for Gore Verbinski's Good Luck, Have Fun, Don't Die, opening February 13. From punk and Zappa influences to orchestral chaos, this score was designed to be anything—and everything. Zanelli dives into his collaborative process with Verbinski, recording nearly 100 musicians, transforming cello into new sonic textures, and building a “nine-headed monster” of a score using handmade guitars, synths, and absurdist choir Latin. Filmmakers will learn how creative freedom shapes bold musical choices and how unconventional workflows can elevate a film.

We celebrate the great Comes Alive!https://www.frampton.com/index2.php#peterframptonEvery Friday, Live at 5PM from Los Angeles https://www.youtube.com/@rocktailsradiohttps://rocktailsradio.comThis podcast is hosted on Buzzsprout. See privacy policy here: https://www.buzzsprout.com/privacy

Steve sits down with us to discuss... everything.https://vai.com/#stevevai#frankzappa#zappaEvery Friday, Live at 5PM from Los Angeles https://www.youtube.com/@rocktailsradiohttps://rocktailsradio.comThis podcast is hosted on Buzzsprout. See privacy policy here: https://www.buzzsprout.com/privacy

Transcript taken from SMGtheHouser.substack.com This week, a break from our work solving all the problems of small scale developers in rural America. Besides, our work relies on the success of tech entrepreneurs just as much as it does with municipalities, small business owners, manufacturers and advocates. So it's big tech and entertainment that's got my mind captured this time around. Ted Gioia's recent Substack on George Avakian's entrance into the teenage idol craze circa 1958 left me in my own stream of consciousness, reliving then to now and our slip into idiocracy with MAMLMs (modern advanced machine learning models). What's specifically got me frustrated is our consistent habit of giving up so much agency over tech and the enshitification that ensues. Is our society at large really ok with giving AI models a pass? If so, how did we get here? What began the slippery slope into permission for intellectual sludge which in our time might be on the precipice of being used to eliminate jobs, yours and mine, while further degrading the value of intellectual rigor? Capitalism is good at placing monetary value on a product or service. What it can't do, what it never could do, is place a value on quality. It can't critique, it can't consider, it can't make you look cool in front of your lover while you make an obscure reference. People like Thomas Jefferson, John Adams, Abigail Adams and Mercy Otis Warren understood plainly that the Revolutionary ideals that started it all, themselves bearing ideas as far afield from each other as those of John Locke, The Marquis de Condorset and the Haudenosaunee would not last unless the new country they helped launch waseducated. I'd like to believe they were really after a populace rooted in intellectual rigor.  People needed to be able to judge quality. They needed to agree on minimums of toleration while also being able to envision a future rooted in intellectual pursuit. They needed to think for themselves. So, we created the teenage idol. Not knocking you kiddos. I mean, it's adults who keep messing this stuff up. Alongside the creation of a new suburban landscape that launched an entire literary and cultural onslaught based on boredom and depression, came the desire to create cheap art. It was supposed, this would be most desirable to teenagers, fresh to market and flush with disposable income. An advantageous feature for record labels and book publishers was this stuff could be made on the cheap. Why deal with sophisticated adult performers and writers who believe in the artistic process, have 'standards' when you can sign kids with desperate parents. Hell, let's do away with A&R departments. Don't need those anymore. Stan Freberg saw it coming. It's quaint to hear, 'So long music parasite'. Surely, or so he thought, jazz would prevail over the trite. Here's his Payola Roll Blues: Right side of artistry. Wrong side of history. How does this relate to the here and now? Roughly speaking, we've had artists from the mid century to now insisting to us through their art to pay attention. Zappa's Joe of Joe's Garage fame ended up a cucumber living inside his head because, even as the record business debased his fantasy society, faschistic forces were tightening the screws on the public, a public willing to go along in the name of morality. Of cleanliness. We cut music and art programs for everyday America. We amped up the morality police running parallel with the desecration of industrial America. Manufacturing America. Working America. We gave each other permission in a two-parent-working-three-or-four-jobs-household to cut corners on quality of thought. We stopped going out. We stopped having the money… 'not enough time for that'. We stopped believing that our popular cultural pursuits should challenge our notions. Not enough time for that. This led to the next logical conclusion. Don't like being challenged by your college professor, just declare you're triggered and start convulsing on the floor. Let's face it, by the time we got ahold of the fact that suburbia can't pay for itself, and that we're really not sure what 'good' art or music is anymore, and that our kids are getting to college without having read a single novel, now AI is being sold to us as the next big thing, totally going to change the world, totally awesome BTW in totally vague terms. And likely , because it's all totally controlled by an elite who got pants-ed a thousand times in high school for being in the A/V club, is totally coming for your job while stealing your work content even as it can't totally do everything it's creators say it can totally do. Totally indeed. Totally needless. Totally worthless. We've gone from giving permission for lower quality art to giving permission for companies to 'aggregate' art, for free, in order to feed the AI beast. After all, it's just content, right? Why develop the largest opportunity for blanket licensing payments when you can steal writ large across the entire creative class economy? I'm reminded of what it was like as a teenage performing artist forty years ago. 'We can't pay but hey, it's a great opportunity for you to…. get your name out there.' Now the corporate state takes your very identity and converts it into profit. Most folks are too busy surviving to understand how bad this is, let alone understand how we got here. Because, after all, all those imaginary guitar notes, and other tasty thoughts, remain in the imagination of this imaginator. Watch your step, the white zone is for loading and unloading…..

Big Gorilla by Zappa by 826 Valencia

If you're familiar with a certain very-not-politically-correct song* of Frank Zappa's, which concerns the really problematic activities of young women aboard certain tour buses... then you'll recognize this tune. If you're not, well... look it up if you're really in the mood for inappropriate lyrics with crazy-cool production. Music: Frank Zappa Lyrics, guitars, bass, drums, percussion, vocals, arrangement, production: SG Voice of Mary: Kendra Shepherd Harmonica: Chris "Freight Train" Floyd Helpful help: Niamh Bagnell Many thanks to the great Gary Talley for the use of his Sitar-Guitar! * "Crew Slut" is the very-not-politically-correct Zappa song in question

In this episode, I talk with legendary timpanist, educator, and musical pioneer Jonathan Haas. Jonathan's journey weaves together St. Louis, Chicago, New York, Juilliard, Frank Zappa, Emerson Lake & Palmer, Philip Glass, and a powerful new project responding to the world we live in today.Jonathan tells the story of how a newspaper clipping from his mom led him to Washington University, where he studied with Rich O'Donnell, John Kasica, Tom Stubbs, and Rick Holmes—often taking four private lessons a week while subbing with the St. Louis Symphony.From there, he describes:Heading to Juilliard to study with Saul GoodmanSubbing with the New York PhilharmonicAuditioning for and touring with Emerson, Lake & Palmer (including opening Bolero in front of 50,000 people at Soldier Field!)A 20-year relationship and collaboration with Frank Zappa, sparked by a handwritten letterThe long road to commissioning the Philip Glass Double Timpani Concerto and why it had to become a double concertoHis work at NYU, including powerful new pieces by Lenny White and Tim Adams, connected to Black Lives Matter and the murder of George FloydJonathan is a phenomenal storyteller, and the combination of history, humor, honesty, and perspective makes this one of the most compelling conversations I've had.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Hello and welcome to a special holiday bonus episode of Revolutions Per Movie!!!! I'm delighted to be joined by film critic/author Alonso Duralde (Hollywood Pride: A Celebration of LGBTQ+ Representation in Film & Have Yourself A Movie Little Christmas) to discuss one of the greatest holiday feasts of all time: PEE-WEE'S CHRISTMAS SPECIAL!!!!We also discuss whether or not it's easy to truly love holiday movies, the pain behind the awful Christmas film Santa And The Ice Cream Bunny, what Bowie or Zappa were thinking when they played the Florida amusement park Pirates World (where Iron Butterfly also filmed their film Musical Mutiny), Blast Of Silence, how Pee-Wee scored prime time appearances by Grace Jones and KD Lang while also convincing Cher & Little Richard not to sing, joining the Pee-Wee fan club, David Letterman, the new Pee-Wee doc, how people like Diana Shore were in on the joke by appearing on the special, the incredible pacing of a typical Pee-Wee episode, John Waters, how we love when Pee-Wee was just an asshole, which member of the playhouse would we want to hang out with, David Bowie & Bing Crosby's rendition of Little Drummer Boy, TV crap and variety shows feeding our 10 year old brains in the 70s, the verdict on Christmas carols, having "verse blindness" with music, top dollar Santas and more!So please come join me at my Revolutions Per Movie holiday party...the cups of instant coffee are on the floor...so help yourself!ALONSO DURALDE:instagram.com/alonso.duraldehttps://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-presshttps://www.bloomsbury.com/us/have-yourself-a-movie-little-christmas-9781493087440/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Crockett is framed for stealing money from a drug dealer, played by Frank Zappa. Zappa's character is a big time Weasel Dust dealer (whatever that is) and obviously wants his money back. Can The Miami Vice boys clear Crockett's name with some help from the DEA? Listen to find out. 

THE FUSEBOX INTERVIEW : Napoleon Murphy Brock and Nick Chargin : 01:06:18 Join us for a delightful interview with Napoleon Murphy Brock, Frank Zappa's frontman during the 1973 -75 years. Arguably, one the most beloved bands non the Zappa universe. He's featured on albums like “Over-nite Sensation”, “One Size Fits All”, “Bongo Fury”  and “Roxy […]

Mark is joined by returning NEM guest Don Rauf (from Life In a Blender), singer/songwriter/cartoonist David Heatley), and writer/musician Dave "Diggy" Dawson aka Dave Philpott. Is funny music necessarily less sincerely emotional, and so a failure at what music is supposed to do? We discuss rock star personas, ironic use of genre, humor in musical gesture, Zappa, Spinal Tap, and more. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic. Sponsor: Go to surfshark.com/nakedly or use code nakedly at checkout to get 4 extra months of Surfshark VPN.

Stub Me Down Podcast live on location! SMD was the official podcast of Oktoberfest at The Vortex, a new outdoor venue in Catonsville, Maryland! SMD Cargo Shorts will feature conversations with each of the bands over the course of the day! First up: The Reality Check Experiment, a jamband out of Philly, drawing inspiration for their live performances from Phish, Zappa, the Grateful Dead, and Ween. Their set featured a cover of Ween's Chocolate & Cheese and Josh, Martin, Quinn, and Matt absolutely crushed it! Check them out on the socials or at therealitycheckexperiment.com. 

Nick revisits one of the most notorious episodes in Saturday Night Live history, when Frank Zappa hosted during Season 4. The night has gone down as one of the worst ever, thanks largely to Zappa's smug, condescending approach and his open disdain for the format. From his monologue, where he flatly admitted to reading cue cards, to his constant mugging and deliberate attempts to derail sketches, it was a train wreck in slow motion. To try and salvage the episode, the show even shoehorned John Belushi's Samurai Futaba into one of Zappa's musical performances, but it wasn't enough. The result was a bizarre, uncomfortable mix of Conehead antics, a drugged-out Halloween sketch, and one very annoyed cast. Nick shares behind-the-scenes stories, testimonials from people who endured that rough week, and even Dana Carvey's later parody of Zappa's failed hosting gig. While Zappa remains a legendary musical innovator, his time at Studio 8H was such a disaster that he was banned from ever returning. [Ep 143]

Hoopla gives readers free access to THOUSANDS of digital comics, manga, and graphic novels from publishers like Marvel, DC, Image, and more—all with just a library card. Catherine Zappa, VP of Digital Acquisition at Hoopla Digital, joins the show to share how comics make it onto the platform, the latest in digital reading trends, new features like manga support, and Hoopla's mission to empower public libraries. Watch the uncut video version of this episode: HERE LINKS: Buy merch from the official Short Box Merch Store: HEREJoin our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group  We read Fan Mail, send us some! Visit the shop in Jax, or shop online at gothamcitylimit.com Proudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!

Homebrewer Mitchel Jensen shares some of his hop freezer bounty as we compare Zappa, Bergamot, and Experimental 25.

Gibby Haynes discusses his upcoming EU/UK tour, the completed Butthole Surfers documentary, early punk memories, near-death stage experiences, vinyl reissues and lots more. EU/UK Tour Tickets here  Topics Include: Gibby discusses upcoming European & UK tour with Scott Thunes and musical kids Tour dates are limited, zero chance of expansion beyond Europe/UK Scott Thunes was Frank Zappa's former bassist and "clone meister" Gibby confirms he's a Frank Zappa fan, particularly loved "Apostrophe" album Lost interest in Zappa after "Apostrophe" due to scatological humor focus Initial confusion about Scott Thunes - Gibby doesn't know who he is Clarifies he works with Paul Green's School of Rock for 20 years Scott Thunes may be coming on tour, is friend of Paul Green Gibby has no direct connection to Scott Thunes, only knows Paul Green Sometimes tours individually with kids, different kids each time Butthole Surfers once toured Europe with School of Rock as opener Kids' performance quality varies - sometimes really good, sometimes not Gibby lost entire record collection when engineer sold it during tour Collection was 3-4 feet of curated vinyl, mostly punk and hardcore Had valuable Buzzcocks singles collection among other rare records Met record dealer in San Antonio mall who introduced great albums Dealer showed him Devo's first album when it came out Key collection moment was hitchhiking trip to LA in summer 1979 Saw early LA punk shows including Go-Gos opening for Fear LA was only US city where audience spit at bands Witnessed massive amounts of phlegm on Belinda Carlisle during show John Belushi was standing next to him at the Go-Gos show Almost saw the Dickies' "last show" but it was cancelled Dickies are apparently still performing, contrary to expectations Gibby wrote memoir "Me and Mr. Cigar," wants to do sequel Criticizes most musician memoirs as ghostwritten, prefers authentic voices Cites Bob Dylan and Patti Smith as examples of self-written memoirs Discusses looking at legacy, mentions end being closer than beginning Still painting but doesn't do regular gallery shows or solo exhibitions Questions whether rockers are musicians or entertainers, favors entertainment label Believes rockers make better actors than actors make musicians Cites Childish Gambino and Lady Gaga as successful crossover examples Mentions Russell Crowe's band "50 Odd Foot of Grunts" dismissively Did artwork for several album covers including "P" and other releases Sold all artwork at LA gallery show while Sonic Youth members sold none David Yow pointed out his success, making him particularly happy Maintains friendships with successful musicians like Red Hot Chili Peppers Gets VIP access to major shows, brings 15-year-old son along Son says he loves Gibby but frequency might be concerning Kids don't appreciate backstage access until they can drink alcohol Mentions Dwarves show where son enjoyed the beer more than music Discusses Eagles of Death Metal and Queens of Stone Age name quality David Crosby once asked why they chose "Butthole Surfers" as name Responded that "Haynes, Walthall, Pincus and Coffey were already taken" Band appeared on Beavis and Butthead with respectful introduction Used different band names for every show, including outrageous ones Paul Leary nearly died from electrical shock at CBGB performance Sound engineer failed to warn about dangerous electrical outlet Butthole Surfers documentary "The Hole Truth" is completed, seeking distribution Twenty percent of documentary viewers cry during screenings, usually same moment Band controls all their catalog rights across different labels Potential vinyl box set in works, discusses remastering philosophy 50+ Minutes Extra-Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8