Podcast appearances and mentions of Jimmy Haslip

Edición especial que dedicamos a la figura de Gino Vannelli. Escuchamos sus colaboraciones junto a Billy Cobham, Frank Nimsgern, Toshiki Kadomatsu, Doky Brothers y Jimmy Haslip. Y versiones sobre algunos de sus temas más conocidos realizadas por David Benoit, Richard Elliot, Mario Biondi, Angela Bofill, Roy Ayers y Tony Saunders.

Peter Fernandes – Incline – 6:19 Peter Fernandes; Yuya Komoguchi – Keep Climbing – 6:13 Manuel Muzzu – Last One – 6:20 Frans Vollink – Straight – 6:57 Michael Franks – Feathers From An Angel’s Wings – 8:01 Jimmy Haslip; Chuck Findley; Peter Erskine; Luis Conte – Market Street – 4:44 George Duke – Rush […]

Christian de Mesones – Throb! (Bass Godz Remix) – 4:57 Christian McBride; Sting – Consider Me Gone – 4:19 Melvin Lee Davis; Mark Stephens – Lyle Mays – 6:37 Yohannes Tona – Afro Child – 5:32 Dwiki Dharmawan; Chad Wackerman; Jimmy Haslip; Dewa Budjana – Bromo – 5:30 Chieli Minucci – The Sun Will Always […]

Oz Noy is an Israeli born virtuoso guitarist. He's performed with many great musicians including three who have been guests on the podcast: Anton Fig, Jimmy Haslip and Ricky Peterson. He's also played with Chick Corea, Joe Bonamassa, Vinnie Colaiuta, Chris Botti and Cat Stevens. He's won several Guitar Player Magazine readers' polls. And he's released several Instructional Videos and held Master Classes.My featured song is “Easier Said”, my 1994 debut album, Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Oz:www.oznoy.com—---------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

John Carey; David Margam; Jorge Pinelo – Smile – 3:59 Jaco Pastorius; Jimmy Haslip – Havona – 5:20 The Lao Tizer Band; Elliott Yamin; Eric Marienthal; Chieli Minucci – Why – 7:18 Tracy Carter – It Is Finished – 5:57 Michael Lington – On The Scene – 4:21 Gregg Karukas – Soul Kisses – 4:25 […]

It's Jazz, it just doesn't sound like it. Or, at least, that's what Oz Noy will tell you. I'm not so sure I agree with that, but we're delighted to have the chance to let you be the judge. Since 1996, Oz Noy has regularly toured in trio and quartets with more musicians than we have time to list here. Although some of us will remember Will Lee and Anton Fig. This sold out show was the first of two shows in support of his tenth release Triple Play. Featuring Oz Noy on Guitar, Dennis Chambers on Drums and Jimmy Haslip on Bass, and from a September 30th, 2023 performance it's the Oz Noy Trio – Live at the Bop Stop.

Tom Schuman – Transitions – 5:09 China Moses – Put It on the Line – 4:11 Eliane Elias – Little Paradise – 4:59 Richard D. Ruttenberg; Joe Berger; Jimmy Haslip – Mystified – 4:00 David Sanborn – It’s You – 5:10 Ramsey Lewis; Urban Knights; Maurice Brown – The Rose – 4:53 Lyle Mays – […]

Send us a textEpisode 10 The second part of our interview with musician Judd Miller, a true innovator in the world of wind controllers. You'll be inspired by his extraordinary journey alongside legends like Michael Brecker, Vince Mendoza, Peter Erskine, Jimmy Haslip, John Patitucci, and Charlie Haden. Discover how Judd's creativity shines through his use of analog synthesizers, crafting unique sounds that have left a lasting impact on the music industry. Hear firsthand anecdotes from his collaborations and the remarkable legacy he continues to build.Through Judd's experiences, gain insights into the challenges and triumphs faced while working with esteemed figures such as Bob Mintzer and Mark Shaiman. Get a behind-the-scenes look at Oscar-winning movie score projects like "Unforgiven," where creative sound manipulation played a pivotal role, and delve into the blend of traditional and modern techniques that bring iconic scores to life with artists like Ute Lemper.From a serendipitous meeting with legendary Tijuana Brass trumpeter Herb Alpert to humorous exchanges with Zubin Mehta, these experiences are beautifully captured in this intimate conversation. We examine the role of technology in music creation, with software instruments like Native Instruments' Reaktor and Kontakt to push boundaries and inspire innovation. With a focus on spontaneity and the art of controlled randomness in music, you'll leave with a renewed appreciation for the intricate interplay of creativity and technology in the world of sound.If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy

Our guest today is none other than Jost Nickel, a renowned German drummer, composer, and educator. Jost is part of the golden generation of drummers from Germany, alongside his friends and fellow drumming legends Anika Nilles, Marco Minnemann, and Benny Greb. Currently, Jost keeps busy with Jan Delay and Disko No. 1, but his talent has graced many hit records both in Germany and beyond. He's also had the privilege of playing with jazz greats like Randy Brecker, Jeff Lorber, Jimmy Haslip, Barry Finnerty, and many more. In addition to his impressive performance career, Jost has authored four highly successful instructional books: Jost Nickel's GROOVE BOOK, Jost Nickel's FILL BOOK, Jost Nickel's SNARE BOOK, and Jost Nickel's BEGINNER BOOK. I absolutely love Jost's playing. It's always so crisp, clear, snappy, and incredibly creative, yet it always feels good. Today, we're diving into the five records that have helped shape Jost Nickel into the phenomenal drummer he is today. Cheers!" JOST'S BIG FAT FIVE: - Album - The Dream of the Blue Turtles Artist - Sting Release Year - 1985 Key Track - Shadows in the Rain Drummer - Omar Hakim - Album - Master Plan Artist - Dave Weckl Release Year - 1990 Key Track - Tower of Inspiration Drummer - Dave Weckl - Album - True Colors Artist - Level 42 Release Year - 1984 Key Track - Kansas City Milkman Drummer - Phil Gould - Album - This Time Artist - Al Jarreau Release Year - 1980 Key Track(s) - Spain (I Can Recall) Drummer - Steve Gadd - Album - Synchronicity Artist - The Police Release Year - 1983 Key Track - King of Pain Drummer - Stewart Copeland  For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram.

What if you could experience the essence of a city's musical heartbeat and the stories of those who keep it alive? Join us for the season premiere of Chewing the Gristle, where we sit down with the ever-versatile Joe Mass. From his mastery in jazz, fusion, and rock, to his unique role as a Neil Young tribute artist, Joe's journey is nothing short of fascinating. He shares vivid tales of recording under the legendary Bootsy Collins' label and memorable collaborations with artists like Jimmy Haslip and Jeff Lorber. Don't miss out as Joe also reveals his exciting current projects and upcoming gigs.Step back in time with us to explore Philadelphia's rich musical tapestry in our special chapter on the city's historic moments. We recount the early inspirations, including an unforgettable encounter with an 11-year-old prodigy and the life-changing influence of the Allman Brothers. The spotlight also shines on Philadelphia icons like Robert Hazard and his serendipitous hit "Girls Just Want to Have Fun." These stories encapsulate the transformative experiences that shape a musician's career, blending nostalgia with profound insights.Finally, immerse yourself in the intertwined stories of Philadelphia's jazz scene, celebrating figures like Dennis Sandoli, Pat Martino, Jimmy Bruno, and the DeFrancescos. Relive the humorous, humbling moments of wisdom and camaraderie shared among these jazz legends. We'll also discuss the enduring influence of Philly's jazz community and the strong connections that continue to inspire contemporary music. Whether you're a lifelong jazz enthusiast or new to the genre, this episode promises to captivate and inspire with its rich, interconnected narratives.FishmanDedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood GuitarsOne of the world's premier retailers of exceptional electric and acoustic guitars.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Esta edición está dedicada al saxofonista Bob Mintzer, componente de la banda Yellowjackets desde comienzos de la década de los 90. Hacemos un repaso a algunas de sus colaboraciones junto a conocidos artistas de la talla de Michael Franks, Lyle Mays, Jorge Dalto, Toshiki Kadomatsu, Chuck Loeb, Kim Pensyl, Special EFX, Jimmy Haslip, Jeff Lorber, Roberto Tola y Nancy Wilson.

Jimmy Haslip;Scott Kinsey;Gergo Borlai – Owosso – 6:22 Otmaro Ruiz;Jimmy Branly;Jimmy Haslip – Part Time Smart – 6:26 Jimmy Haslip;Bob Mintzer;Vince Mendoza – Red Cloud – 5:45 Chazzy Green – The Funky Sax Man – 4:02 Philip Catherine – Give It Up Or Turn It Aloose – 3:38 Mike Stern – Chromazone – 7:42 Dave […]

Oz Noy moved to New York City as a child, and now he's a working musician, touring and recording.  He plays Jazz Guitar with a distinctly bluesy flavor. The Oz Noy Trio includes Dennis Chambers on drums and Jimmy Haslip … More ... The post Oz Noy – New Record “Triple Play” appeared first on Paradigms Podcast.

Weather Report – Scarlet Woman – 5:44 Dave Blenkhorn; Harry Allen – Bewitched, Bothered and Bewildered – 4:53 Carol Duboc; Michael Thompson – Breathing – 5:07 Jimmy Haslip; Joe Vannelli – Los Feliz – 6:00 Willem Hellbreker – Heart of the Matter – 7:08 Simone Croes – Love Me – 5:37 Cory Henry; The Funk […]

The Bassists are Wild! Featuring clips from nine Superstar bassists who have previously been guests on the podcast. Leland Sklar has played on a zillion recordings and is known for his work with a host of singer-songwriters including James Taylor, Carole King and Jackson Browne. Nathan East has also played on a zillion recordings including his work with Phil Collins and Eric Clapton. Jimmy Haslip is perhaps best known for his work with the Yellowjackets, one of the premier contemporary jazz fusion bands. Chuck Rainey is an acclaimed bassist who has worked with Aretha Franklin to Steely Dan. Britt Lightning has played with Pink, Rachel Platten and Vixen. Jim Fielder held down the bottom with Blood Sweat & Tears. Timothy B. Schmit has been a member of Poco and the Eagles. And John Lodge has been a mainstay of The Moody Blues since the ‘60s. What a show! —--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“IT'S ALIVE!” is Robert's new Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Leland Sklar at:www.facebook.com/lelandsklarofficialConnect with Nathan East at:www.nathaneast.comConnect with Jimmy Haslip at:www.jimmyhaslipbass.comConnect with Chuck Rainey at:www.chuckrainey.comConnect with Britt Lightning at:instagram.com/brittlightningConnect with Suzi Quatro at:www.suziquatro.comConnect with Timothy B. Schmit at:www.timothybschmit.comConnect with John Lodge at:www.johnlodge.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Interview with MSM Schmidt, Jimmy Haslip and Scott Kinsey about the recent album by ARC Trio and the John Daversa Big Band presenting the music of MSM Schmidt.

On this episode of Bass For The Culture, we're getting into thee man, thee legend, thee one, thee only, Mr. Jimmy Haslip "On Bass": Find out how he got his start on bass, how the Yellowjackets were assembled, and find out what bass he surprisingly had a hand in pioneering + much more!Listen to the songs featured on today's episode here: https: https://youtube.com/playlist?list=PLCliC2En6Kk7pYSfP1XGEnR1GA5WX6qzSWhile you're here, please follow/subscribe, rate, and review. It helps us tremendously!We'd love to here from you, please send feedback and questions to Bassfortheculture@gmail.comCatch us on Instagram @bassforthculture and on Facebook| Bass For The Culture

Hoy os vamos a ofrecer Take Me With You, una bonita grabación de una singular vocalista muy poco conocida para el gran público, Marilyn Scott. Grabado en el año 1996 el disco de hoy es, para los gatos, uno de los mejores trabajos de esta interesante artista californiana que en sus discos suele mezclar prácticamente todos los estilos musicales posibles. Take Me With You fue producido por algunos grandes nombres de la música como George Duke, Dori Caymmi, Michael Colina, Ray Bardani y Russell Ferrante y Jimmy Haslip, ambos miembros fundadores de los míticos Yellowjackets, y cuenta con una nómina de músicos absolutamente incontestable. Esperamos que la disfrutéis. TRACKS 1- Let Me Be The One Burt Bacharach, Denise Rich, Taja Sevelle 2- I'm Calling You George Duke, Marilyn Scott 3- Close Enough Brenda Russell, Marilyn Scott 4- Take Me With You Marilyn Scott, Russell Ferrante 5- Bird Of Beauty Stevie Wonder 6- The Summer Knows Alan & Marilyn Bergman, Michel Legrand 7- Modern Man Jimmy Haslip, Marilyn Scott, Russell Ferrante 8- I'm In Love Once Again Dexter Wansel 9- That's The Way It Should Be Dori Caymmi 10- Just To See You Again Jimmy Haslip, Russell Ferrante, Scott Cross Créditos Lead Vocals, Backing Vocals – Marilyn Scott Producer – Marilyn Scott (pistas: 3, 4, 6, 7, 10), Ray Bardini* (pistas: 8) Producer, Acoustic Guitar, Backing Vocals – Dori Caymmi (pistas: 5, 9) Producer, Bass, Backing Vocals – Jimmy Haslip (pistas: 3, 4, 6, 7, 10) Producer, Keyboards – Michael Colina (pistas: 8), Russell Ferrante (pistas: 3, 4, 6, 7, 10) Producer, Piano, Keyboards – George Duke (pistas: 1, 2) Backing Vocals – Brenda Russell, Carole S. Perry, Jim Gilstrap, Lori Perry, Maxayn Lewis, Sharon Bryant, Vaneese Thomas Drums – Claudio Slon, John Robinson, William Kennedy Guitar – Michael Landau, Nick Moroch, Ray Fuller, Ricardo Silveira Percussion – Carol Steele, Paulinho Da Costa Piano – Bob James Saxophone – Boney James Soprano Saxophone, Electronic Wind Instrument – Steve Tavaglione Trumpet – Ralf Rickert

Hoy os entregamos el segundo disco de una formación absolutamente mítica, y que ya tiene más de 45 años de historia, los Yellowjackes, una banda que inicio su andadura como un trio formado por Russell Ferrante, Jimmy Haslip y Ricky Lawson, aunque a lo largo de su extensa trayectoria ha sufrido diversas transformaciones que os comentaremos en el programa de hoy. El disco que hemos escogido fue grabado en el año 1983 y se lamó Mirage a Trois y contiene algunas de las mas conocidas composiciones de la banda como Top Secret o Claire’s Song. Esperamos que lo disfrutéis. TRACKS 1-Claire's Song Ferrante 2-Top Secret Ferrante, Haslip 3-I Got Rhythm Gershwin 4-Pass It On Ferrante 5-Goin' Home Ferrante 6-The Man in the Moon Herman 7-Elamar Ferrante 8-Nimbus Ferrante CREDITS Russell Ferrante Synthesizer, Piano, Keyboards, Fender Rhodes Jimmy Haslip Bass Ricky Lawson Drums Robben Ford, Mike Miller Guitar Randy Crawford, Max Gronenthal, Yolan Fischer, Bruce Hornsby, Bill LaBounty, Brenda Russell, Marilyn Scott, Pauline Wilson Vocals Paulinho Da Costa Percussion Richard Elliot Saxophone, Lyricon James Newton Howard Synthesizer, Synthesizer Arrangements, String Programming Scott Page, Anthony McShear Sequencing Consultant on "Claire's Song" Tommy LiPuma Producer

The original version of "Wild Horses" is difficult to find. Outside of the music video on YouTube, it's not available on any streaming service or for sale electronically. Stranger still, Wikipedia has no entry for the song or its corresponding album. This is a shame - "Wild Horses" is an incredible song. In this episode, we give you all the information (and more) that we could find out on the song and video, from mystical experiences in Peru to a shaman named Jamie in Arizona and ties to the Getty family. Sit back and enjoy. It's Gino time! Helpful links: Original Video Mixtape Boom 97.3 Interview (Behind the Vinyl) You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript: Frank: [0:00] So today on Bill and Frank's Guilt-Free Pleasures, we're going to talk about Gino Vannelli's "Wild Horses." We're going to discuss his determination in getting a record deal, his connection with a shaman named Jamie, and also his connection with the Getty dynasty. Bill: [0:17] But before we get to that, cut to the theme music. Frank: [0:22] Take it away, Ian McGlynn. Bill: [0:44] In this episode, we are pushing Frank Pearson to the limit. Because today's song is a mysterious song. It's a song that seemingly has disappeared from all streaming services. It is difficult to find any information on. Frank: [1:07] Yeah, there's no Wikipedia page specifically for this song. There's no song facts page for it. I have not been able to go to either of my main resources to look up information for this song. Bill: [1:21] And I realized this as I was doing my deep dive and I thought wow they even scrubbed the album from Wikipedia So today's episode is on Gino Vannelli's "Wild Horses." So turn up the heat, pour yourself a glass of red wine. Frank: [1:39] Sit back and enjoy. Bill: [2:04] As we mentioned, this is a challenge. Frank: [2:08] Oh my goodness, like I have so many tabs open on my computer right now and each of them has just a little bit of a nugget of information for the song or for Gino Vannelli and I mean I'm going to, be honest I'm probably not going to refer to any of them I'm just going to make it all up as I go along but yeah researching this was a little bit of a little bit of a chore for me I'm glad I had a little bit of time off over the holidays so I could dedicate some time to it. Bill: [2:38] So why don't you give us a little history of Gino Vannelli anyways that you could find anyways on as far as the artist goes. Frank: [2:45] Gino Vannelli was born to his parents, has brothers and sisters, and is a musician. Oh wait, it's only brothers, isn't it? Bill: [2:53] You sure he's got any sisters? Yeah, okay. All right. Maybe maybe I'll have to take over, He's coming out of Montreal Quebec and so we also featured another musician at a Montreal named Andy Kim, who also had a similar backstory in that they went to the big city in the States. For Andy Kim, it was New York. For Gino Vanelli, I believe it was LA? Frank: [3:20] It was Hollywood actually. So this is one of the things that I actually found, I think it was a YouTube interview that he did. They booked tickets to go to Hollywood and they get there and they realize they're in Hollywood Florida, not Hollywood California. He went with his brother Joe. And this is according to Gino Vannelli in a YouTube interview. This is something that I find interesting too, because some musicians have varying like origin stories or Genesis stories that that changed from interview to interview. So you kind of wonder which which is true and which is a bit of an embellishment. Anyways, according to Gino, he and Joe had tickets booked to go to Hollywood, but end up in Hollywood, Florida and then have to book a separate trip from Florida to California. they end up in Hollywood proper. Bill: [4:13] And while they're in Hollywood, he's being supported by his family. His parents are good to him. Like in terms of the story, his mother was sending money. But what ended up happening is his mother sent money to Hollywood, Florida instead of Hollywood, California. Was that what happened? Yeah. So I don't know if they went to, I mean, I didn't hear the story about them landing in Hollywood, Florida, but his mom had sent money to Hollywood, Florida and they were stuck. They had no money. They'd been trying to make things work. And he was kind of at the end of things. as far as making his dream happen. Frank: [4:46] Yeah, it was down to like his last $5. Bill: [4:48] Yeah, so he went into a church, he said, and sat in this church sometime in the early morning hours. It was open, sat in there, and just, I think he fell asleep. He said the quietness of the place, not so much some sort of mystical thing. He was really quick to say that, even though we'll talk about his spirituality later, I'm sure, but he said the quiet sort of space helped him to know what he needed to do. And then he went over to where Herb Alpert's studio was. And he sat there while the guard who is slightly injured, so he couldn't run so fast, but the guard's like, you stay there. And Gina Vannelli said, I'm allowed to stay here. It's on public property. And he said, don't you dare try to run over and talk to anybody. And Gina Vannelli's like, yep, yep, yep. And then he sees Herb Alpert come out and then he darts across the parking lot to get to him. Frank: [5:41] And Herb Alpert, sorry, is one of the co-owners of A&M Records. Bill: [5:45] Exactly, and so the guard is saying, damn you, he's trying to get him, pulls out his gun apparently, because Herb Alpert's wife has been stalked. Frank: [5:51] Oh, jeez. Bill: [5:55] Or something like that, so Herb Alpert's wondering what's going on. So in this moment, Herb Alpert's thinking this could be the stalker, Gino Vannelli's taking his life in his hands, and then he just says to Herb Alpert, I have all these songs, I want to try these things. And Herb Alpert says to the guard, like, hey Joe, relax, it's okay. And the guard is so angry. And he says to Gino, come back in half an hour. And so Gino Vannelli comes back in half an hour, plays the songs for him. And then Herb Alpert said, welcome to A&M Records. Frank: [6:27] Yeah, and it's similar to the Andy Kim story where he had a similar instance. He was in New York, but same thing, regular exec just waited, waited, waited, and finally kind of ambushed the exec. And I will apologize that my confusion with the Hollywood Florida versus Hollywood California story in my typical research fashion, I was, you know, 100% into it. I was a had the YouTube video playing while I was scrolling through Tinder. So it's. Bill: [7:01] Wait, wait a sec. Did you make up the Hollywood Florida story? Frank: [7:03] No I thought that I heard that I think it might be true. I'm not sure. Bill: [7:07] Okay, but you know, he's gonna be so angry when he listens to this. So there's something about Montreal singers who have the sort of moxie to just go for it. Frank: [7:10] I know right. [7:16] Yeah, yeah, they got a lot of guts and especially to run through a parking lot, with the security guard chasing you like that's like going all in on your dream. Bill: [7:27] The guns pointed. Yeah, hopefully Joe was a bad shot. Well, hopefully he didn't kill curb Alpert. Yeah, these are tough times. Oh. Frank: [7:28] Yeah. [7:33] Yeah I know I like to think that the the guard was probably distracted by Gino of Nellie's amazing hair. Bill: [7:39] Yeah, he's a very good-looking man and in 1970s Gino Vannelli hair is something else now Gino Vannelli is very successful in the 70s, He had his big album. I think was this I was his third album or fifth album brother to brother Yeah, and the song was I just want to stop written by Ross Finnelli. I believe is one of his brothers I thought I was written by Gino was actually written by his brother. Gino is a songwriter. Yeah. Frank: [8:04] Make sense brother to brother. Bill: [8:06] But well, yeah, there we go. And that's a huge rock song and also I mean he just Did huge business in the 70s we head into the 80s and now it's a different time Gino cuts his hair. Frank: [8:10] Well, yeah, because the 70s are different from the 80s. Bill: [8:21] They are but there's a sound new wave has come in and Gino purposely ends up making an 80s record before this one so, He gets into a fight with CBS records or Arista one of these record companies of what he's with and they won't let him Release his music. So there's this, Lengthy period where he doesn't release anything. So you have Nightwalker has come out in 81 and then it takes until until 1984 for Black Cars to come out. And Black Cars is an 80s synth album. And he knows what he's doing. And then the follow up to that three years later, his big dreamers never sleep. You'll see on your Wikipedia page in front of you, Frank, there is no hyperlink. No one has published a Wikipedia entry. Now, of course, the question is, will we be the people who publish that Wikipedia entry? Frank: [9:12] I'm going to include the story of him traveling to Hollywood, Florida. Bill: [9:16] Yeah, and so we'll see if within half an hour someone changes it, we'll know it's false. So Big Dreamers Never Sleep, 1987, this album comes out and it's as usual produced by Gino Vannelli and his two brothers, Joe and Ross, and it includes kind of his last major hit, which is "Wild Horses," the song we're doing today. And then this sets in motion his future, I think. Cause by then now he can become a touring thing. He's got all these songs and "Wild Horses" is one of those regular songs he sings. Frank: [9:49] Yeah, yeah. Bill: [9:52] Yeah. So as I said earlier, I really pushed this episode. So I apologize, Frank. I'm like, we're doing Gino Vannelli, we're doing Wild Horses, it's happening. And Frank didn't realize I bought the CD online because you can't get an MP3, you can't buy a legit copy of this online. So I went and bought the actual album. So I got the CD and it's that old CD thing where you open the booklet and like, oh, here's a list of songs and a list of performers, no lyrics, it's thin. And the back page is all about how great a compact disc is. Oh, seriously? Oh yeah. Frank: [10:24] Oh seriously? Bill: [10:26] So I think I have an original copy. I think it might be a German pressing even. Yeah. Frank: [10:30] Yeah. Bill: [10:31] So it's fine. It's very 1980s in its production. There's a couple tracks that really stand out for me, but Wild Horses, Far and Away is a big one. Now it's written by Gino Vannelli and Roy Freeland, which I don't have a lot of information on Roy Freeland. I would have liked to have dove more into this, but he's done a lot of work with other songwriters. So it's hard to know, this frustrates me, when a songwriter doesn't talk about his co-writer. So when Gino Vannelli talked about writing the song, and talk about Roy Freeland's involvement. Frank: [11:08] I mean, it is a Gino Vannelli song. So, you know, it's tough to take that away from Gino. But at the same time, you know, throw the man a bone. Bill: [11:18] Yeah, now to be fair, I think both you and I when we talk to others about the podcast we don't even mention each other. Frank: [11:26] Oh, no, I call it my podcast. Who's this Bill guy? It's just a character I do. Bill: [11:31] Yeah, he's the other guy but anyways while I was making this. Frank: [11:34] One stop. Yeah. There is a Wikipedia page for that song. Thank goodness. Bill: [11:35] So, okay this brings us to the song There's so much to talk about with Gino Vannelli and he's so interesting in this way that I want to talk more about Gino finale and hopefully we do an episode on I just want to stop. Yeah, that's gonna happen. Yeah. And I have this working theory or interest in Italo Canadian rock stars. Someday I'm going to write a paper on this, publish it in our scholarly journal that we publish semi annually. Frank: [11:58] Yeah. [11:58] Oh, yes. [12:06] You mean our show notes? Bill: [12:07] Yeah, our show notes. But I'm not there yet. But I just want to note also Italo Canadian when this comes up in our future episodes this year. All right, did you find anything on the song? Gina Vannelli talking about it. Frank: [12:20] Yes, like the inspiration for it. Yeah, yeah. So, oh, it's a classic mysticism rock star move. So Gino Vannelli is in Peru and he's hiking to Machu Picchu. And he doesn't say it specifically, but it's 100% assumed that he's in Machu Picchu. He takes part in one of those ayahuasca ceremonies, which is, it's like a tobacco. It's like a cannabis sort of, well, it's not cannabis, sorry. It's a... Bill: [12:58] It's not peyote, is it? No. Okay, so did you find an article? Like, I was looking high and low for, I found one interview. Frank: [13:04] Well, I read an interview, I read an article and I listened to the one interview and he. Bill: [13:11] Yeah, okay, go ahead. Keep going on the Ayahuasca thing, yeah. Frank: [13:14] Doesn't say specifically that he was doing ayahuasca but you look at Machu Picchu and he said he was involved in a sort of spiritual awakening and then when you research Machu Pichu, yeah, they do these ayahuasca ceremonies, which sort of healers and shaman or whatever in Machu Picchu, it's part of the ceremony, it's supposed to open up your mind. Bill: [13:41] Gotcha. Okay, so I couldn't find an article on that stuff. That's good research. Good job. Frank: [13:46] He doesn't get an answer through this whole ceremony and through his whole experience. Bill: [13:51] But something has happened to him right he's had some sort of spiritual awakening. Frank: [13:55] Awakening. So he goes home and then he starts talking about it just like I need an answer for what happened in Peru. So he hears about the shaman in New Mexico. Bill: [14:07] In New Mexico, Jamie the shaman. So Jamie the shaman is in New Mexico and he flies to Albuquerque and then has to drive. Frank: [14:10] The shaman. [14:20] Yeah, Jamie. Bill: [14:22] To the fun is it Santa Fe is that in New Mexico is something like that. Frank: [14:23] To find the shaman. [14:27] Yeah. Bill: [14:28] So he's driving and a convertible. So this is just to me is like, first he's a rock star who went to Peru while there was like all this civil unrest. People are getting murdered and stuff. Frank: [14:38] Yeah, they're oh yeah. Bill: [14:39] He's like, but I had to be there. I'm like, Oh, this is so rock star has this experience on a mountain top. And then buys a flight to New Mexico from LA. I think that's where he was at that point gets a convertible because of course you get a convertible and then drives at like a hundred miles an hour down these roads, which is super dangerous. Frank: [15:00] The whole time he's kind of tapping out the beat of the song on the steering wheel. And he's saying like, I gotta get to that. I gotta get to the shaman. I gotta get to shaman Jamie. Bill: [15:11] He did. Frank: [15:13] I have to get there. It's like nothing's gonna keep me away from shaman Jamie. So he's booting along and I don't even again, I was probably scrolling Tinder, But did even he was talking about getting lost. Did even find Jamie. OK. Yeah. Bill: [15:28] He got to Jamie, but he never got the answers to what he needed, but he got this song that he had in his head. By the time he got there, he had the chorus kind of mapped out and so he had wild horses in his head and he had the drum beat going. Frank: [15:41] Yeah. Bill: [15:41] And so I imagine Roy Freeland probably helped in fleshing out these songs that he'd have them and he'd be like, not a ghostwriter, but the sort of person who comes in and helps kind of clean things up. That's my guess. Roy, you can reach out to us though. Frank: [15:52] Tell us your ayahuasca story. [15:57] But yeah, so the whole time when he's tapping it out on the steering wheel and he's coming, he's like, he's saying, I need to get there. wild horses aren't going to keep me away from getting an answer to my questions, to getting an answer for my vision. Bill: [16:11] Right, so this song in interesting ways, because you can see this as a love song, but this could also be a song about his seeking the divine. And so wild horses couldn't drive him away from this experience. But of course we're gonna dive into these lyrics. Frank: [16:28] Yeah, so the lyrics kind of indicate it's more of a romantic thing, but I think it's, This also, it also parallels nicely with his like dogged determination and his experience with Herb Alpert and getting a record contract back in the 70s. Bill: [16:47] Yeah, that's good analysis. Frank: [16:50] That is good analysis. Bill: [17:12] Alright, now it's time to dive into "Wild Horses" The Song. As the sun goes down on the Arizona Plane and the wind whistles by like a runaway train, Hey hey hey, it's a beautiful thing. Well it's me and you and a flatbed truck, my heart kicking over like a white tail buck. hey hey hey in the middle of spring. [17:59] So, whitetail buck, deer, middle of spring is they want to get some dates. They got like the Tinder thing going on for deer. Frank: [18:09] Yeah, the the the the bucks are on their Tinder. Right. What's deer Tinder? What do you think that? I wonder what that was? Yeah. Yeah. Bill: [18:13] You just always swipe right. Yeah. Always. I saw a bunch of whitetail buck actually in the woods and we followed it. Frank: [18:22] Oh, yeah, by by your place, eh? Bill: [18:22] Yeah. But then following it, I realized they're probably coyotes, which is a really bad idea to be trying to follow a group of coyotes. It was the total setup. Frank: [18:31] Wait, so you saw kairi's that were dressed as deer. Bill: [18:33] I gotta go see the optometrist. Frank: [18:35] This is sounding like a Looney Tunes episode. What I like about that opening lyric and we were talking about this when we were listening to the song beforehand is there's the and the wind whistles by like a runaway train, the drums, it's that clickety clack. It's that train sort of you get that real feeling that imagery of a train. So again, this is something that that the lyrics represent what the sound is. Bill: [19:04] Exactly. And they make sure to have like such perfect production for this. They have some of the best session players around, I think anyways, because the drummer and the drums are the key. It's those, it's those brushes on the drums. And that's Dave Garibaldi, who's the drummer for Tower of Power. And it's incredible. And so as you listen to it, those drums drive it. But there's also this bassist named Jimmy Haslip, who's on the bass. And if you go through, through his like website, you can see he just plays, he's just a session player. And he just came in for this one song and holy cow, that bass moves and then you have Joe Vannelli on the xylophone. Frank: [19:46] Thank you! Bill: [19:47] So those things altogether make this song what it is. And then Gino's voice is this sort of, I don't know, I'm trying to think of, he does something with it. It's different from I Just Wanna Stop. What are you thinking? Frank: [20:01] I get huge how this feels. feels. Bill: [20:03] So there's some Roy Orbison Elvis and other performers who I was thinking of that have that but the Elvis thing is really what I was thinking too. Frank: [20:15] That that hey hey hey like it's that. Bill: [20:18] Yeah. And so it's that lustiness, right? Like Elvis, even though now, at least for us growing up, I never thought of him as the this sort of sex symbol thing, but he was that thing in the 50s. And then Gino has that feel he's bringing to the table. And then you got, okay, the next section there, you can cut me deep, you can cut me down, you can cut me loose, it's okay. Yeah, yeah, it's okay. And then he goes to, you can kick and scream, you can slap my face, you can set my wheels on a high-speed chase, oh you, no matter what you do. And we go into that chorus. Is it... Frank: [20:56] No means no. Bill: [21:21] It's kind of creepy But this is the nature of these songs of that era, especially before. So it feels like it's harkening back to a 50s, 60s feel. And that's where you have this notion of this chase. There is something to it when you read these things like, ah, I don't know if I'd sing I'm saying that now, but that's not our styles when we're trying to woo women. Frank: [21:45] That is Gino style. Gino doesn't give up. again the whole Herb Alpert thing and you know speeding to see Shaman Jamie. Bill: [21:54] Yeah, "Wild horses could not drag me away from you." It is such a great line, and it works so well with all the sounds around it. And when I was a kid, I remember, this is the first time I heard a song about wild horses. And then of course years later I'm like, oh, there's a Rolling Stones song? Oh, I guess Gino was just singing a Rolling Stones song. And now the Rolling Stones song goes like this, wild horses couldn't drag me away. Frank: [22:22] Yeah. Well, it's a common saying though, too, right? Bill: [22:23] Okay. Yeah, I guess it is, yeah. And then, you know, there's, so there is a whole thing about wild horses in song. So Gino's got the, he's got the moxie to say, I'm gonna use this that Rolling Stones have used, I'm gonna use it in my song. only to be taught by Bono who's gonna use it a few years later. Frank: [22:42] The. [22:42] Yes. The feel of the song is a very Southwestern feel. Like I said, the clickety clack of the drums almost has a bit of a country edge to it. rock edge to it. Bill: [23:20] Yeah. And there's this, uh, I have written down here, evocative, erotic imagery, right? There's this sort of notion of like, it's me and you in a flatbed truck in a foot of mud, just my luck. Is that bad luck or good luck? Cause he's stuck in mud in a flatbed truck. That kind of insinuates that that's not a bad thing for him. Is it? Frank: [23:43] Yeah, I mean, if he's with her, it's a good thing because, you. Bill: [23:48] Is it? [23:48] It's a flatbed truck. Frank: [23:49] Know. Yeah, exactly. And the horses are going to get stuck in the mud too, so they can't even drag him away from her at that point. Bill: [23:54] Yeah, exactly. [23:54] Right, they could probably help to get that truck out of the mud though. Frank: [23:56] Yeah, maybe. Yeah, just get a team of horses like a chuckwagon kind of a thing. Bill: [24:02] So we have the second verse has a nice balance to it where he says, well, as the sky falls down, right? And then that's where it begins. I guess the other one is the sun is going down. Now the sky falls down from the midnight blue, spitting like bullets on a hot tin roof. Hey, hey, hey, it's a beautiful sound. And I know that sound, the sound of rain coming down on a hot summer night on a tin roof. Frank: [24:27] Yeah. Oh, yeah. Like bullets. Yeah. Like he says. Bill: [24:29] Oh yeah, like bullets. Yeah. Like he said. Exactly, yeah. Oh well, it's me and you in a flatbed truck and a foot of mud, just my luck, 100 miles out of town. And so again, I guess that's good luck. Although if the rain's coming down, I don't know if you want to be in a flatbed truck. Frank: [24:46] Well, they might be inside the cab of the truck. Bill: [24:48] Okay. Frank: [24:51] Just just because it's a truck, does it in a flatbed truck doesn't mean you have to be outside in on it. Bill: [24:55] Right. If I was going to go literal, he has a tin roof on that truck and it was too hot. Don't touch the tin roof. [25:25] Again, these are images and we learn from Richard Fry. Literalism isn't needed here. just get the picture and get the feel. Frank: [25:34] Yeah, exactly. It paints a picture. Bill: [25:36] And then from there, it goes to the same line. I'm all, it's different here. He says, yeah, you can call me a fool. Frank: [25:42] No, it's different. Yeah. Bill: [25:44] You can call me blind. You can call it quits. I can't hear a word that you said, what you said. Cause if I had you once, I'm gonna have you twice. Ah, okay. I'm gonna follow my heart instead of good advice. Frank: [25:58] No, I have is that good advice. Bill: [26:03] I think it makes more sense to say instead of good advice. my heart instead of good advice. Frank: [26:08] So my reading of it was, I'll follow my heart is that good advice. It's a question. And I'm going to tell Gino here, for someone who's been a fool in love and has been blinded by love, sometimes following your heart is not good advice. You do that too often you end up like me researching while you're on Tinder. Bill: [26:31] Stuck in a foot of mud. Yeah. And then of course we go on to the wild horses. there's repeats and stuff but the feels just come through and it's incredible just the sounds of the song. Frank: [27:10] The sounds in the imagery that it paints you can feel the song. Yeah, it's very textual. Bill: [27:18] Yeah definitely I was wondering this should textual is but what was the other word you said earlier remember what was it yeah definitely not a word yeah. Frank: [27:21] Yeah, definitely not a word. [27:29] Shakespeare in Vengeant Words, why can't I? Bill: [27:34] Oh, you're not Shakespeare. Frank: [27:36] Could be. The instrumental is that syncopation? It's got to. Bill: [27:38] All right. I was wondering if this should just become a category. Take it to the bridge. So the bridge in this song must be that part where he sings a bit and then it moves to the brushes doing. It's got to be something like that. And it just is perfect because it just brings you to the end and all the good stuff going on there. And the brushes, you know, clean the floor. They do. Ah, that sounds a lot. Frank: [27:57] Be syncopation. There's a definite divide between the, song and then the ending and that just sort of takes you on a little journey. It does. The bass goes for a walk and it takes you along with it. [28:17] Yeah, yeah, I was gonna say the brush has set the pace. Bill: [28:21] Better than me going through man madry. Yeah, it's phenomenal. [28:55] Do you remember the first time you heard this song? Frank: [28:57] It's got to be early 90s, the first time that I really paid attention to it. Because I know that I've heard it, I must have heard it back in the 80s. But it was probably the early 90s when, I'm just starting to get into music and understand music. Starting to gain a small appreciation for, the stuff my parents listened to, in terms of like the Rolling Stones. So I probably heard it. and thinking it's like, that's not "Wild Horses." That's by the Rolling Stones. And then, hearing it again and listening to it. And the more I preferred this version or this the song to the Rolling Stones "Wild Horses." And I love the Rolling Stones "Wild Horses." Bill: [29:41] Yeah, I'm with you on that. I love this version. This is the version, And I would have heard it probably in the late 80s on video hits on cbc. Frank: [29:49] Oh, okay. Yeah. Bill: [29:51] Because this didn't do well in america, but with cancon regulations in canada you had to. Frank: [29:53] Because it had to have no choice but to do good. Bill: [29:59] And this is an example where cancon is great because the song is great, So for whatever reason it didn't make it over there, but we heard it over here I feel like I've heard it on the radio and they would play it on the radio I just never knew it was Gino Vannelli I wouldn't know who he was anyways then but it was a song I remember hearing cuz I played it for Ashley, This is a big test of course, Ashley's sitting next to me and I said, okay We're gonna do this song next and I play it and all I could think of is like yeah She has no idea about the song and she hears it. She goes. Oh, yeah. Yeah. I know this song. Frank: [30:32] She says that about a lot of songs, Bill. Bill: [30:34] But no, she was like she started humming the xylophone part She was like, whatever, I want to hum it. Yeah, and so she had it, like, okay, she knows this song. And so it is a song where people know it, even though when I say Wild Horse's Gino Vannelli, I feel like people might not be aware until they hear it and they're like, oh, I I know this. Frank: [30:53] Yeah, and even to mention Gino Vannelli, you're like, I know the name, but I have no idea what he sings. But then you say like wild horses, and you start, singing a bit of the song or I just want to stop. People know that song. So they know who Gino Vannelli is. They just don't, know who he is. Bill: [31:13] The music video is iconic. Frank: [31:16] Well, yeah. I want to say that there's a new move that I'm going to add to my dance floor repertoire. And we talked about like, there is a, There's a subtle eroticism about the song. And in the video, it's just Gino Vanell, like there's the one movie that he does where he he takes his fists and he's not pelvic thrusting, but he's just like slamming his fists on his, upper thighs and he just like and like to the beat and just like that's a new dance floor move for me. Like that that's a little bit of a transition move, but it's going to come out next time I'm on the dance floor. Bill: [31:51] You. [31:51] It's great. And so those who haven't seen the video, of course, you'll see the show notes. They'll be there, That's the only place you can hear the song if you're looking online. Frank: [32:00] Yeah, unless you buy the CD. Bill: [32:01] Unless you buy the cd like I did I would like to buy the vinyl me. I'll look for the vinyl next So let me set the picture for you. It's black and white, he's wearing A white billowy shirt not quite the pirate shirt that we would have seen in seinfeld but not too far removed from it very 80s, He's got those jeans that are they may be acid washed or stonewashed. I'm not sure Is that a stonewashed like acid wash or not at all? Wait, I think they're acid washed. Frank: [32:30] You're asking me fashion questions and I really have no answer to that. Bill: [32:33] Okay, so they're acid washed jeans I think or they're the blue acid wash style at least of that era and He's got some lighter Western boots on perhaps brown perhaps white hard to tell, So when you see him snap his fingers and then pump his fists against his thighs, he's moving with the beat, he's got the two-hand snap back and forth two-hand snaps sometimes hitting his thighs and, He's got, great hair. Frank: [33:04] Because I have it kind of playing here. Well, while we're talking about it. Everyone is sweaty. Yeah, it's the Arizona plate. Bill: [33:10] It's hot it's at least it looks hot I mean Arizona plate. It's hard to know like I keep thinking it's a carnival, but the scenes are like they're in the backyard of a hot Arizona town. Frank: [33:25] I think like raising Arizona like there's a there's a because the the laundry's out on the on the line and everything. Yeah. Bill: [33:32] Yeah, that's right because that's the background is these bedsheets that are hung up. There's a woman just sitting in her like bikini that looks like she's from the 50s maybe chewing gum and not. Frank: [33:42] Yeah, sunglasses. Yeah. Bill: [33:43] Interested. But there's also this fan beside her like those fans you see at the top of buildings that spins around. What type of fan is that? Yeah, so the condenser fan is right at her feet so it's like are they on top of a roof? But then you have a band behind him and it seems like at least one. Frank: [33:50] Well, that would be a condenser fan for an air conditioning unit. Bill: [34:02] Or two bass players at once. There's someone playing xylophone, someone playing drums, but there's, three iterations of this band. It keeps changing to these people who look like players because they don't look like anybody you would hire to act. Frank: [34:15] I'm looking at there's there's the one like bigger drummer, like he's balding wearing glasses and everything like, and I'm not here to shame, but he's not a Hollywood like attractive, man that you would like feature in a video. Bill: [34:31] There's only one person who is both out of place and totally in place and that is the it girl, So she's playing harmonica or appearing to play harmonica I'm not sure we can even see a harmonica and she's just moving with the rhythm and she is striking and She is sweating. Yes, like she's probably sweating the most which of course is very 80s. Frank: [34:45] Yeah, dancing and clapping. Yes. Yeah. Bill: [34:53] Yeah, and so Juno belly's kind of sweating but she is sweating and she's kind of like moving and and he's not, like this is the interesting thing for me in the video, is they're not set up as love interests. She's dancing around him to the music and he'll look over at her kind of, but he's not interested in her in that sort of way. Frank: [35:13] Main character of this video is the song. Bill: [35:17] And so they're moving to it and she's just kind of this character that as a viewer you're drawn to. She is totally fascinating. Alright, so here is some deep research. Two in the morning, I wake up, can't sleep. Maybe thinking about the video, I don't know. And like, I gotta figure out who this person is. So I find this article online. And let me just read the title because the title says it all. MTV It Girls. Who's the girl in the video? This is the article. Frank: [35:51] So you went, okay, you read the article, but then you went all the way through the comments. Bill: [35:52] They go through iconic ones. And then in the comment section, someone says, who's the girl in "Wild Horses?" [36:03] The comments. Yeah. Yeah, I mean, I kind of typed into the search engine and then it said it had. Frank: [36:04] To find this information. Bill: [36:09] Something written there, but I had to look through and there's nothing on it. But several people wrote in the comments, who's the girl and "Wild Horses?" So clearly there are people wanting to know. So I get this name Rosetta Millington. And looking it up, like, who is she? I click on it. It's like, it's not Rosetta Millington. Someone named Rosetta Getty. Who's Rosetta Getty? So I'm I'm looking at this I see a picture of this person like well, that's her but there is nothing Linking her to the video. She is not, Unfamous She is married to Balthazar Getty who is the great-grandson of Jay Paul Getty, I believe it's Jay Paul Getty who is the richest man in the world Do you remember that movie all the money in the world? Where's about the kid who got kidnapped? That's Getty. Frank: [36:57] Yeah. Yeah, yeah. Okay. Did they invite? Did they invent Getty images? Like when you? Bill: [37:00] And so his father Balthazar's father. [37:06] Yeah, the Getty no, it's all connected. Yeah, it's all connected. So. Frank: [37:09] Is it? Yeah. Okay. I was trying to be hilarious. Bill: [37:11] Yes, I think so. Anyways, I at least from what I know because there's this Getty Museum and stuff. Frank: [37:15] Oh, that's unfortunate. Bill: [37:16] And So Balthazar Getty's father is the guy who got kidnapped, in that and had his ear cut off by the mafia and all that and then had a pretty tortured life and died young. Frank: [37:27] Yeah, yeah. Yeah. Oh, that's unfortunate. Bill: [37:28] So Balthazar Getty was a son who never really had you know, a good father figure anyways. This is kind of going off on the side here, but it's all gonna come together. He marries Rosetta Millington who becomes Rosetta Getty who has her own clothing line. Frank: [37:42] So how does she end up in this video? Bill: [37:43] And she's like a fairly big deal from everything I see and they're worth a ton of money, like 300 million. This is before they're married. So there's no mention, she's online and everything, no mention of this video. But when you see her, that is Rosetta Getty. And she has her own line of gowns and stuff. And you can watch these videos where they talk about their life together. And the reason I'm bringing this up is She maybe inadvertently follows the theme of this song, because Balthazar Getty was not an easy person to live with because he had this very public affair with Sienna Miller in 2008. Frank: [38:26] Oh, that's right. Bill: [38:28] Oh, that's right. So everyone knew this. He had kids, like they had three or four kids, I think. And he was off for a long time with Sienna Miller and they got back together and they're still together, because wild horses could not drive Rosetta Getty away from her husband despite, yeah, very public. Frank: [38:45] His infidelity. Yeah, very public. Wow, that's crazy. Bill: [38:48] So it's crazy. So that was my deep dive research and it's totally her. And there is no connection. So I don't know if she's used her money to push down "Wild Horses." I don't know why, because it's fascinating. And as far as eight girls in a video, she's not exploited, I don't think. I mean, it's, we're guys talking about beautiful woman in a video, but she's just this fascinating figure. Frank: [39:13] Yeah, yeah. And she's not I mean, it's not an overt objectification of her in the video. It's not her front and center writhing in a bikini on a car or something like that. Bill: [39:25] No, she's not wearing the bikini the person wearing the bikini is just sitting there. Yeah, I. Frank: [39:28] Yeah, and she's completely uninterested. It's almost like a David Lynch film. Bill: [39:32] Was Heather in down yeah, that's great. It is like a David Lynch film If anything, this is what Wild at Heart should have used maybe I mean, of course, what am I saying? Frank: [39:34] I would be down. Do you know that? [39:43] Yeah, well, why would a hard? Bill: [39:44] Chris Isaac, but this has a total lynching feel and belt is our getty said David Lynch. This is not connected but is is he sees David Lynch as kind of a surrogate father to him. All these weird connections. Frank: [39:56] But. Bill: [39:59] Yeah. Either way, this video feels like Lynch. Frank: [40:03] Yeah. [40:03] It's all six degrees of Gino Vannelli. Bill: [40:06] Yeah. Thank you, Gino for Twin Peaks. So that video is so watchable. I've, I've watched it over and over again, but I also can't help but see Eugene Levy playing Gino Vannelli from the SCTV. Frank: [40:14] So. [40:20] In an SCTV parody of this, yes. Bill: [40:20] Yeah. Yeah. They did a parody of it. I just want to stop where he keeps singing and growing more and more chest hair. So that would be like when we talk about categories, if we're even heading there, we might as well. Frank: [40:26] Yeah. Bill: [40:32] Hallmark movie is like, well, it's a David Lynch movie. This belongs in a David Lynch movie. Frank: [40:35] Yeah. in David Lynch movie. Yeah. Bill: [40:37] So I can't see it as a Hallmark thing, but I can see it as a David Lynch movie. Frank: [40:41] Can we talk about Gino Vannelli in more recent pop culture history? So in 2008, Boston Celtics would play a clip of Dick Clark's American Bandstand and it's just like music playing and a bunch of people dancing and it was like you know panning through the crowd and everything and the end of this clip that they would play at Celtics games and it was always during a blowout win for the Celtics. The end of it was this bearded man wearing a very, very tight t-shirt with Gino Vannelli on it. It just said Gino, and they call it Gino time. So in 2008, Gino Vannelli is thrust into the forefront of the Boston like sort of sports pop culture history because everyone knows the guy who's dancing in video and everyone knows the shirt that he's wearing so it's Gino time so Gino Vannelli has this small little resurgence in 2008 and that's also the year that they won their last championship was 2008 so Gino Vannelli has a part of the Celtics 17th championship in the NBA. Bill: [41:53] All right, let's talk some categories. Okay. Michael Bolton. Could Michael Bolton sing this? Okay, I was actually thinking he could if he toned it down. Frank: [42:08] But you're asking a bird not to fly. Bill: [42:10] I was gonna say at the end, but he could not by the end. He just go wild. He is the wild horse. Frank: [42:15] He is the wild horse. Bill: [42:17] Now I do have another category unfair because I didn't tell you about this. But who who else could sing this and I have one person who I feel could sing this and that's Chris Isaac. Frank: [42:25] Yeah. It's fine. Oh, yeah. Well, it has that that sort of, like. Bill: [42:28] Oh yeah. Yeah. Frank: [42:30] I said, that southwestern almost rockabilly feel to it. So, yeah, who else would who else would would be able to do that? maybe John Bon Jovi and his like cowboy rock stage or Kid Rock? Okay, like Enya? Bill: [42:44] Or I could see it being like a female voice who makes it feel kind of ethereal. So maybe. Yeah. Yeah, she could. Maybe Anya. Maybe like a Phoebe Bridges or a Tori Amos? Could she do it? I'm just trying to think. Someone could do something with it. Could Jule sing this? Frank: [43:14] Yeah, I can hear Jewel singing this. Yeah, Jewel. This is your challenge. And we know you listen to the episode. So we challenge you to sing Gino Vannelli's Wild Horses and send it over to us and maybe hang out with me. Bill: [43:15] Yeah, all right, Jule. The challenge is on. [43:49] Another category here what season of the year and what time of the day does this song work best? Frank: [43:56] End of summer in the evening. Bill: [43:58] You got it, that's the answer. All right one more for you. What part of the date do you play this song on? Frank: [44:05] Okay, it's not a first date song. You know what, it's a third date song after you have a mild misunderstanding. If you're really into her, but without, you know, going creepy. Bill: [44:14] Oh, okay, Okay, because I have getting fresh written down. Not mild misunderstand. To me it seems like that would be your kind of go-to kissing song. It's a kissing song. That's a game. Frank: [44:21] Okay, well that's usually third date. [44:29] It's a kissing song. And a flatbed truck. Bill: [44:33] Yeah, all right. I mean there's one more major category we gotta get to of course. Mixed tape. Mixed tape. You got a mixed tape going? I have a mixed tape. Okay, I'll let you go first. Frank: [44:40] Okay, yeah. Mix tape. Okay. I have a mix tape. Okay, so my mix tape, the theme I went with was songs that have animal names. Bill: [44:51] Animal names? animals Okay, all right, all right, gotcha, okay. Frank: [44:51] Animals in the title. So, Like a Bird on a Wire, the Neville Brothers, Barracuda by Heart, Rock Lobster, the B-52s, A bit of an outlier here and this is just because I love the band but also the song is beautiful. Transient Whales by Toad the Wet Sprocket. Pony by Genuine. And I am ending this just for you Bill hands by Jewel. Bill: [45:30] Hands is not an animal. It's not funny anymore. This is like four, I don't know how many episodes you've done this to me, whether I've kept it in or cut it out. Okay. Frank: [45:40] No, no, no, I do have an ending for you and this one honestly is just for you. by crazy town. Bill: [45:42] Oh yeah. [45:47] Yes. Oh, what an ending. Oh, that's a great transition into my stuff. So my mixtape went with texture to quote you actually actually from an earlier episode. So after you know, Wild Horses plays or I guess your part. I'm on fire Bruce. Frank: [46:01] Oh yes! Oh good call! Bruce Springsteen can sing me a song. Bill: [46:08] Springsteen. Yeah. Oh, good. Yeah, I got the feel. Yeah. Oh, he could totally sing this. I just died in your arms tonight cutting crew. Okay. Drive the cars. Wicked Game Chris Isaac. Frank: [46:18] I will listen to this mixtape. Bill: [46:24] And then I'm gonna end with Yeah, who's gonna ride your wild horse is you too, because it has that feel and not the one that's on Octon baby, but the mix that was actually the single. It has that sort of feel as well. And it's like a scale, back Bono. And I really like that song and the wild horses fits within the Gino wild horse world. So it feels like the Gino finale is like wild horses won't drive me away. And Bono is like. Frank: [46:47] Yes, yeah. Bill: [46:53] Who's gonna ride your wild horses? There's there's something going on there. It is the Gino verse. Yeah, I felt really good. I spent a lot of time on this. I do have something else. Gino is so weird. When he's interviewed, he doesn't Frank: [46:56] It's all in the Genoverse. Yeah. That's a great mixtape. Bill: [47:09] even bother talking about "Wild Horses". He only wants to really talk about his spiritual journey. I just don't want to hear about it. I want to hear about "Wild Horses," Gino! I don't want to hear about the ego and you're Carl Jung. I just want to hear - Frank: [47:20] I just want you to stop and tell me all the things about you baby.   Bill: [47:24] Exactly. So I am so glad we got to talk about a song that's not easy to find on Spotify, that's, not easy to find anywhere. Yeah, that you'd have to go on Amazon and look for dreamers never sleep if you wanted to get a CD copy of this. Frank: [48:00] Yeah, or write Bill, he might be able to send you his. Bill's like a CD library. He can he lends them out and they do come back sometimes. Yeah, and the song I think is critically. Bill: [48:09] They do. You know what? are still an awesome way of listening to music. Frank: [48:17] Critically underappreciated. Like we said, it did very well in Canada, but in the broader North America really didn't chart but such a such a good song such a really really good song and a visceral song, you can feel it. You can feel everything that he's singing. It is so good. Bill: [48:39] Yeah, I can't help but gush over this and so, you know, we don't do irony anyways, We like to joke around we don't do irony and this song is incredible. So if you're out there And you know this song but haven't been able to sort of place it anywhere. We're here for you, and, We want you to know that no matter what's going on in the world, wild horses won't drag us away from bringing guilt-free pleasures to you. Frank: [49:13] Thank you for listening.  

Jimmy Haslip;Scott Kinsey;Gergo Borlai – Owosso – 6:22 Otmaro Ruiz;Jimmy Branly;Jimmy Haslip – Part Time Smart – 6:26 Jimmy Haslip;Bob Mintzer;Vince Mendoza – Red Cloud – 5:45 Chazzy Green – The Funky Sax Man – 4:02 Philip Catherine – Give It Up Or Turn It Aloose – 3:38 Mike Stern – Chromazone – 7:42 Dave […]

Playlist: Cookers Quintet - SummitRafael Greco - Five miniatures for solo pianoMarilyn Scott - Thrown out into space, butterflyCurlew - Light sentenceBarry Coates, Jimmy Haslip, & Jeff Kalaf - RetrogradeBrad Mehldau & Mark Guilliana - London gloamingCurlew - ArgonKate Wyatt - ArtifactBilly Cobham - Last frontier

Professional Saxophonist, Writer, National Recording Artist, and Producer, J Staton is taking the world by storm. His unique sound has left audiences all over the United States awe-struck. J's Jazz sound is captivating and provides a listening pleasure that is hard to escape. He creates tasteful, masterful, powerful, smooth, and rhythmic sounds that resonate with the soul.  He has been on several stages including The Apollo Theater and has performed alongside the true greats of the industry – Gerald Albright, Norman Connors, Jennette Harris, and Peter White, to mention but a few. His single project “IT'S ALL GOOD” made Billboard and The Smooth Jazz National Charts and remained on there for 17 weeks. His latest single, “KICKIN IT” produced by Grammy Award-winning Jeff Lorber and Featuring bassist Jimmy Haslip from the Yellowjackets, Entirely devoted to his craft, J has been focusing his time on his songwriting and unique sound, whilst developing relationships to network effectively. He remains humble always as he continues to create grounded and honest works of art in a bid to share his gift with the world.

It's been nine years since we last spoke to Marilyn Scott, so we're pleased to have her back today to talk about her brand new album, “The Landscape”, which was recently released on Blue Canoe Records - her first album release since 2016's “Standard Blue”. The seven-track project focuses on putting yourself in front of nature, embracing our surroundings, and letting go. Marilyn enlists an incredible group of musicians, including Jimmy Haslip, Russell Ferrante, Gary Novak, Vinnie Colaiuta, Alex Acuna, Mike Landau, Steve Khan, and many others. It's a beautiful album, both lyrically and musically, and was created and produced during the pandemic. Here to talk to us about this new album is none-other than Marilyn Scott.

Allan Holdsworth;Alan Pasqua;Jimmy Haslip;Chad Wackerman – Blues for Tony – 11:12 Dave Koz – Endless Summer Nights – 5:01 Gerald Cannon – A Thought – 7:45 David Benoit;Marc Antoine – Caminando – 5:03 Christian McBride Big Band – Youthful Bliss – 6:59 Jasper Somsen Group – Lotus – 6:36 Enrico Pieranunzi;André Ceccarelli;Diego Imbert – Romance […]

On April 14, 2021 we welcomed Pat Close to CJH's Young Lions Jazz Master "Virtual" Sessions for a special conversation with amazing bass guitarist, and founding member of the Yellowjackets, Jimmy Haslip. To watch this Full Session visit www.clearwaterjazz.com/education and click on THE STUDIO. You can learn more at www.clearwaterjazz.com about CJH events, the annual Clearwater Jazz Holiday music festival tradition and Clearwater Jazz Holiday Foundation's year-round Education & Outreach.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 30th December 2021 Artist - Track - Album - Year Medeljazz Quartet    Up n' Up    Versature    2021 John Moulder    Soliloquy    Metamorphosis    2021 Sidemen    Third Stone from the Sun    Special Guests: Bill Champlin, Tom Scott, Steve Morse, Tony Levin & Pete Levin    2021 Tom Severino & Nori Tani, feat. Peter Erskine and Jimmy Haslip    Bamboo Coffee    New Step    2021 Yoron Israel    Arioso    New Dreams    2021 BadBadNotGood    Unfolding (Momentum 73)    Talk Memory    2021 Avataar    Ekkris Spirito (Reclamined Spirit)    Worldview    2021 Esperanza Spalding    Formwela 2 (feat. Ganavya)    Songwrightsapothecarylab    2021 Art Blakey and the Jazz Messengers    Blues March    Flight to Tokyo: The Lost 1961 Recordings    2021 The Dave Wilson Quartet    A Love Supreme, Part 1: Acknowledgement    Stretching Supreme    2021 Dino Govoni    Point Turn    Hiding in Plain Sight    2021 DeAndre Lettsome    In With the New    Impetus    2021 Anthony Wonsey    Blues for Hiroshi    Lorraine's Lullaby    2021 Roberto Magris    The Insider    Match Point    2021 Gina Schwarz    Cut III: Zirkel    Pannonica    2021 Gina Schwarz    Cut IV: Schneefall    Pannonica    2021 Gina Schwarz    Baharat    Pannonica    2021 Steve Coleman and Five Elements    Khet & KaBa    Live at the Village Vanguard Volume II (MDW NTR)    2021 The post The Creative Source (#CreativeSource) – 30th December 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Jimmy Haslip; Joe Vannelli – Los Feliz – 6:00David Sánchez – Morning Mist – 7:46Inge Wenzel – Oceans Deep (feat. Chieli Minucci) – 5:33Charles Bradley – I Feel a Change – Instrumental – 4:26Gerlo Hesselink – Garden of Stones – 6:25Greetje Kauffeld – If (feat. Jan Menu & Maarten van der Grinten) – 3:25Ineke Vandoorn […]

Jimmy Haslip is a monster of the bass. He played for years with The Yellowjackets of jazz fusion fame. He's also played and toured with so many other musicians and given over 1000 Master Classes and seminars.KEY TAKEAWAYS: You don't always need formal training for whatever is your dream. What you need is desire and hard work.Robert's featured song in this episode is “Joe Z” from the Project Grand Slam album Spring Dance. It just fits with a lot of the stuff that Jimmy Haslip has done.Spotify:https://open.spotify.com/track/62M7LQduNcfXQDvnsKzZXb?si=0t-EUlOTSrS4XE64lB5iWw&dl_branch=1 ---------------------------------------Robert's “Follow Your Dream Handbook”, a combination memoir and how-to, telling his personal story and giving readers step-by-step instructions how to follow and succeed at their dream, will be released on August 26th. The Handbook has already been endorsed by many people. Look for it on Amazon and wherever books are sold!In this episode, Jimmy and Robert discuss:Jimmy's early years in the Bronx and Long IslandSeeing Billy Joel in The HasslesHis love of ‘60s music and musiciansThe Yellowjackets yearsThe Songfest features:Greenhouse (Yellowjackets)Jing Chi (Chi Town)Owosso (Arc Trio)The Waiting Game (Elemental)El Morro (Redheat)   If you enjoyed the show, please Subscribe, Rate, and Review the podcast. Just click here.Get your Complimentary DREAM ROADMAP with Robert's 5 steps to pursue and succeed at YOUR dream. Just click here: https://www.followyourdreampodcast.com/dreamroadmapConnect with Jimmy at https://www.jimmyhaslip.co Connect with the Follow Your Dream Podcast:Website: www.followyourdreampodcast.comInstagram: https://www.instagram.com/followyourdreampodcast/Facebook: www.facebook.com/FollowYourDreamPodcastEmail Robert: robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website: https://www.projectgrandslam.comStore: https://www.thepgsstore.com/  YouTube: https://www.youtube.com/user/PGSjazzFacebook: https://www.facebook.com/projectgrandslam/Spotify: https://open.spotify.com/artist/04BdGdJszDD8WtAFXc9skWApple Music: https://music.apple.com/us/artist/project-grand-slam/274548453Email: pgs@projectgrandslam.com

We invited composer/arranger/multi-instrumentalist Cody Carpenter (son of famous movie director John Carpenter) for an interview about his recent album release. He talks about the creation of his music and his musical background and development. The latest album Memories and Dreams is featuring Virgil Donati, Jimmy Branly and Scott Seiver on drums, Jimmy Haslip on bass […]

Joel Taylor interview: stories about working & playing with Allan Holdsworth, Jeff Berlin, Andy Summers (hilarious story), Robbie Krieger, Stanley Clarke, Leslie West, Pat Travers, Larry Carlton, Brian Bromberg, Dave Carpenter, Jeff Richman, David Foster, Bobby Kimball... a “Buddy Rich moment,” moving from a small town (pop. 5,000) to Boston, playing trumpet at Carnegie Hall and the triggering event that made him switch to drums (and changed his life), playing (in his underwear) on the Guitar Hero & Rock Band video games, a valuable lesson he learned from his father about making sure he lives a full life, moderation, his love affair with adventure, work ethic, giving to others, Nepal, not being afraid to put yourself out there, and tons more interesting life lessons. GREAT conversation, incredibly genuine and open, a MUST listen! If you'd like to support this show: http://www.everyonelovesguitar.com/support Joel Taylor is one of the most versatile first-call drummers in the L.A. studio and touring scene. He's toured & recorded with artists from every genre of the music world, including: Allan Holdsworth (12 years world tours), Rick Springfield, Andy Summers (world tours 8 years), Joe Sample, Michael Buble', Gloria Estefan, The Jazz Crusaders, Robbie Krieger, Stanley Clarke, Mike Stern, Eric Marienthal, Jeff Lorber, Herb Alpert, Frank Gambale (13 years world tours), Diane Schuur, Colin Hay (Men at Work), Edgar Winter, Leslie West, Pat Travers, Marco Mendoza, Cristopher Cross, and the following Everyone Loves Guitar guests: Al DiMeola, Robben Ford, Bill Champlin, Doug Bossi, Stu Hamm, Alex Skolnick, Jeff Kollman, Mike Miller, Allen Hinds, Tim Lefebvre, Jimmy Haslip, Otmaro Ruiz, Russell Ferrante... as well as hundreds of others. He's on the short list of drummers for legendary producers David Foster, Peter Wolf and Mauricio Guerrero… has performed on numerous film, tv, and video game soundtracks including Gran Torino, Anchorman, Witches of Waverly Place (The Movie), Garfield, Hannah Montana, Guitar Hero II, III, Rock the 80's and Rock Band video games, as well as hundreds of jingles including Coke, Pepsi, Budweiser, Mac, Mercedes & loads of other major national and international brands. Subscribe YT: https://www.youtube.com/c/EveryoneLovesGuitar?sub_confirmation=1 Website:  https://www.everyonelovesguitar.com/subscribe

On this Russell Ferrante interview: playing his second professional gig at Shea Stadium, opening for WAR, then getting signed to a major label deal… playing with Art Blakely, Wayne Shorter, Phil Upchurch, Rockwell, Marcus Miller, Joni Mitchell, Eric Marienthal, the North Sea Jazz Festival, Birdland in NYC, learning humility from his students… putting together his awesome new LP, Inflexion, marriage, family, San Jose, caring for his father during his last days, Italy, gratitude, and why he’s lived a charmed life. What a lovely human being, good vibes only! If you’d like to support this show: http://www.everyonelovesguitar.com/support A founding member of the Yellowjackets, along with Jimmy Haslip, Robben Ford & Ricky Lawson, the band has recorded over 20 albums, receiving 15 Grammy nominations and winning two. Over the last 45 years Russell’s also recorded or performed with: Lorraine Feather, Art Blakey, John Klemmer, Lee Ritenour, Larry Carlton, Kevyn Lettau, Brenda Russell, Randy Crawford, Eric Marienthal, Wayne Shorter, Joe Farrell, Bobby McFerrin, Tom Scott, Robben Ford, George Michael, Marilyn Scott, Julia Fordham, Marcus Miller, Take 6, Michael Franks, Joni Mitchell, Sadao Watanabe, GRP All Star Big Band, Art Pepper, Ernie Watts, Dave Grusin, Jim Pepper, Mindi Abair, Al Jarreau, Mimi Fox & others Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/

Jimmy Haslip; Joe Vannelli – Los Feliz – 6:00David Sánchez – Morning Mist – 7:46Inge Wenzel – Oceans Deep (feat. Chieli Minucci) – 5:33Charles Bradley – I Feel a Change – Instrumental – 4:26Gerlo Hesselink – Garden of Stones – 6:25Greetje Kauffeld – If (feat. Jan Menu & Maarten van der Grinten) – 3:25Ineke Vandoorn […]

Between 1998 and 2003 I wrote and hosted a series on BBC Radio 2, New Jazz Standards. I played contemporary releases, but I also interviewed artists and recorded them playing live in my little studio in Chiswick, London. This show featured acclaimed group the YELLOWJACKETS. Originally broadcast in 2003, I interviewed Bob Mintzer who had just joined the group. A wonderful chance to hear that band on two life performances with Russel Ferrante, Jimmy Haslip and Marcus Baylor. [All music royalties already paid by the BBC at time of broadcast.]   “The New Jazz Standards” theme ©1998 Niles Smiles Music (BMI), vocals and piano: Michael Ruff

On this Jimmy Haslip Interview: TONS of cool stories about meeting & playing with Robben Ford, Russell Ferrante, Ricky Lawson, Jeff Lorber, Rick Derringer, Michael Bolton, Michael Landau, Donald Fagen, Carmine & Vinny Appice, Bruce & Bob Kulick, Steve Lukather, Tommy Bolin, Michael Penn, Gino Vannelli, Diana Ross, Joe Walsh, Dave Mason, Vinny Colaiuta, Ron Wood, Charlie Watts, Andy Johns, Max Middleton, Stephen Stills, Jeff Porcaro, Graham Nash, Gary Novak, ... how having flat feet changed Jimmy’s life, leaving the Yellowjackets, dealing with abject poverty in India, a serious family illness and how it changed him, playing horse, helping others, Scandinavia, NYC Pizza and loads more. TONS of fun here, lovely guy, just the best and an absolute joy to hang with!  If you’d like to support this show: http://www.everyonelovesguitar.com/support  Jimmy’s most well-known for being an amazing bassist and the founding member of the Yellowjackets. He’s also a successful producer & session player, worked with artists mentioned above, along with Bobby McFerrin, Rick Wakeman, Bruce Hornsby, John Scofield, Allan Holdsworth, Rod Stewart, Steve Fister, Allen Hinds, Anita Baker, Chick Corea, Chris Botti, Al Jarreau, Lee Ritenour, Andy Summers, Chaka Khan & hundreds of others. He’s also a member of the band Jing Chi, along with Robben Ford and Vinny Colaiuta. Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

We hope you will consider showing your support through our Patreon page. This helps to keep the episodes coming. Thank you so much! https://www.patreon.com/theplayerswebcast In this interview, keyboardist and composer, Steve Hunt talks about his upcoming release entitled CONNECTIONS. This new album features an allstar lineup of musicians, including Jimmy Haslip, Chad Wackerman, Gary Husband, Vinnie Colauita, Virgil Donati, Nate Wood, Evan Marien, Jimmy Johnson, Eric Marienthal, Billy Cobham, and many others. We hope you'll consider supporting us at the link below as we work towards bringing you countless more interviews with many of the greatest musicians on the planet. THANK YOU

In this interview, keyboardist and composer, Steve Hunt talks about his upcoming release entitled CONNECTIONS. This new album features an allstar lineup of musicians, including Jimmy Haslip, Chad Wackerman, Gary Husband, Vinnie Colauita, Virgil Donati, Nate Wood, Evan Marien, Jimmy Johnson, Eric Marienthal, Billy Cobham, and many others. We also talked about his work with Allan Holdsworth, Stanley Clarke, Billy Cobham, and others. Pianist Steve Hunt, throughout his career, has stayed true to an uncompromising vision of composing and performing jazz music from his heart. Steve has continued to push himself technically, focusing on a musical style which is both challenging and meaningful... Steve credits jazz greats Keith Jarrett, Joe Zawinul, Chick Corea, Herbie Hancock, and Thelonius Monk as strong influences to his jazz style. During his formative years he studied with concert pianist Albert Hirsh, and jazz pianists Sid Davis and Lyle Mays who all helped form his lighting fast technique and unique style. Steve later attended Berklee College of Music in Boston where he continued his study of jazz. After recording and performing with top Boston jazz musicians such as Randy Roos and Tiger Okoshi, and leading his own jazz fusion band, Steve spent the next ten years on the road with several renowned jazz artists such as Billy Cobham, Stanley Clarke, Angela Bofill, Tom Brown, and Allan Holdsworth. Steve's international touring took him to countries such as Japan, Israel, Austria, France, England, Italy, Sweden, Argentina, and Australia, as well as major cities in the US and Canada. During this time, Steve also served as musical director for the famous touring Jazz Explosion where he led the trio which headlined artists Freddy Hubbard, Gato Barbaira, Stanley Turentine, Ramsey Lewis, violinist Noel Pointer, Kenny G, and the late Phillis Hyman. The Jazz Explosion performed in major concert venues including the Circle Star in San Francisco, Beacon Theater in New York, Universal Theater in Los Angeles, and Hammersmith Odium in London. Steve's desire towards challenging himself is no where more evident than with his long time association with Allan Holdsworth, whose progressive and innovative style has helped Steve to further his own musical development. Holdsworths more recent CD releases including Secrets, Wardencliff Tower, and Hard Hat Area, as well as featuring Steve on keyboards, also include Steves original tunes "Maid Marion," "Joshua," and "Dodgy Boat." While touring with Holdsworth, Steve was featured in the Japanese edition of Keyboard Magazine (July 1991 and March 1993). Other noteworthy recording contributions by Steve include two of Stanley Clarkes CD releases If This Bass Could Only Talk and East River Drive. Steve reached a major milestone, producing his solo jazz CD From Your Heart and Your Soul (BMI). For the promotional release tour of his new CD, Steve organized a quintet including Gregg Bendian, John Lockwood, Ole Mathisen, and Bruce Bartlett.

Reverend Robert Jones & Jeff McErlain talk about their blues guitar lessons available on TrueFire, perform, and answer questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Reverend Jones:Rev. Robert Jones, Sr. is a native Detroiter and an inspirational storyteller and musician celebrating the history, humor, and power of American Roots music. His deep love for traditional African American and American traditional music is shared in live performances that interweave timeless stories with original and traditional songs.For more than thirty years Robert has entertained and educated audiences of all ages in schools, colleges, libraries, union halls, prisons, churches, and civil rights organizations. At the heart of his message is the belief that our cultural diversity tells a story that should celebrate, not just tolerate.Acclaimed photographer James Fraher writes about Robert: “Perhaps the world’s most highly educated blues musician, an ordained minister, a longtime DJ, and a living encyclopedia of blues history, the Reverend Robert Jones is comfortable among juke joint loud talkers, fancy-hatted church ladies, and PhDs alike."About Jeff:Jeff McErlain is one of the rare musicians who can teach as well as he plays. This is borne out by Jeff being one of the most in demand guitar instructors as well as performing and recording with Robben Ford.Jeffs unique curriculum and method of teaching is perfect for the player who has been working at the guitar for a while but wants to go to the next level. Jeff has a straight forward and easy rapport with his students, he breaks things down so they can be easily understood, applied, and most importantly, made fun.Music is a language and learning it can be approached in much the same way one would learn to speak a new language. Jeffs years of experience has helped him develop a three point teaching approach. It consists of Vocabulary, Repertoire, and Practical Fingerboard Knowledge. This three point method gives the student a clear path to learning and playing the blues and blues rock. This approach has also earned him a loyal base of students. Jeff is also one of TrueFires popular instructors with over 30 courses under his belt.Jeffs latest CD NOW features Robben Ford on all tracks. Robben also produced the cd. Robben chose Jeff to launch his new label. Jeff subsequently toured as a member of Robbens band performing both of their music. He has performed with Jimmy Haslip, Toss Panos, Keith Carlock, Matt Schofield, David Grissom, and others.Jeff has toured with many bands thought out the US, Europe, and Asia. Jeff recently performed at the Umbria Blues Festival with Josh Smith and Ariel Posen.Jeff has been teaching with Robben Ford in his traveling Guitar Dojo for 5 years, the Crown Guitar Festival, Ruby Mountain Guitar Festival, The National Guitar Workshop and private clinics. Jeff was also the guitar instructor and musical consultant for the movie August Rush (you can also see him in the beginning of the movie as a young Robin Williams).Jeff has written for Guiana World, Guitar Player, and Premier Guitar and studied Berklee College of Music.A lover of gear Jeff endorses Two-Rock Amplifiers, Michael Tuttle Guitars, Collings Guitars, DAdarrio strings, Universal Audio, and ThroBak pickups.Jeffs website is jeffmcerlain.com

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Three years after Tomi Malm’s critically acclaimed debut "Walkin' On Air", the talented Finnish songwriter, producer, and arranger returns with another great project titled “Coming Home” on the Contante and Sonante label. This new collaboration is loaded with some of the best in the business and features solid vocal performances from Bill Cantos, Marilyn Scott, Randy Goodrum, Jerry Lopez, Ole Børud, Andreas Aleman, Frank Ådahl, Ashton Moran, Michael Haddad, Wendy Moten and the late, great Warren Wiebe. The session players include Steve Lukather, Vinnie Colaiuta, Alex Acuña, Simon Phillips, Jimmy Haslip, Luis Conte, John “JR” Robinson, Neil Stubenhaus, Robbie Buchanan, Eric Marienthal and Brandon Fields, among others. In addition to Tomi, we’re also joined by the founder of the Contante and Sonante label, Gabriel Raya, to talk about Tomi’s new project and to share his insights about his unique record label. Inside MusiCast is pleased to welcome Tomi Malm and Gabriel Raya.

Jeff McErlain talks about his soloing guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Jeff:Jeff McErlain is one of the rare musicians who can teach as well as he plays. This is borne out by Jeff being one of the most in demand guitar instructors as well as performing and recording with Robben Ford.Jeffs unique curriculum and method of teaching is perfect for the player who has been working at the guitar for a while but wants to go to the next level. Jeff has a straight forward and easy rapport with his students, he breaks things down so they can be easily understood, applied, and most importantly, made fun.Music is a language and learning it can be approached in much the same way one would learn to speak a new language. Jeffs years of experience has helped him develop a three point teaching approach. It consists of Vocabulary, Repertoire, and Practical Fingerboard Knowledge. This three point method gives the student a clear path to learning and playing the blues and blues rock. This approach has also earned him a loyal base of students. Jeff is also one of TrueFires popular instructors with over 30 courses under his belt.Jeffs latest CD NOW features Robben Ford on all tracks. Robben also produced the cd. Robben chose Jeff to launch his new label. Jeff subsequently toured as a member of Robbens band performing both of their music. He has performed with Jimmy Haslip, Toss Panos, Keith Carlock, Matt Schofield, David Grissom, and others.Jeff has toured with many bands thought out the US, Europe, and Asia. Jeff recently performed at the Umbria Blues Festival with Josh Smith and Ariel Posen.Jeff has been teaching with Robben Ford in his traveling Guitar Dojo for 5 years, the Crown Guitar Festival, Ruby Mountain Guitar Festival, The National Guitar Workshop and private clinics. Jeff was also the guitar instructor and musical consultant for the movie August Rush (you can also see him in the beginning of the movie as a young Robin Williams).Jeff has written for Guiana World, Guitar Player, and Premier Guitar and studied Berklee College of Music.A lover of gear Jeff endorses Two-Rock Amplifiers, Michael Tuttle Guitars, Collings Guitars, DAdarrio strings, Universal Audio, and ThroBak pickups.

Today we talk to bassist, producer and jazz fusion legend, Jimmy Haslip (Yellowjackets, Allan Holdsworth, Anita Baker).  Among the topics we discuss are: what he learned with Jaco Pastorius, his approach to composition, and what he's working on now.  You can find out more about Jimmy Haslip at jimmyhaslipbass.com, and Blue Canoe Records at bluecanoerecords.comDAMM Good Podcast is dedicated to sharing our Artist's stories to you. All music play during the episodes are of the artists themselves. The songs are available at www.DAMusicLibrary.comDA Music is a Woman-owned, Independent Artist Licensing Boutique. We offer talented, emerging and established artists. We have House Composers that create in all genres, CLEARANCE FREE. We are your musical solution.Follow us: Instagram | www.instagram.com/da_musiclibrary/Twitter | twitter.com/DA_MusicLibraryFacebook | www.facebook.com/damusicmgmt/Linkedin | www.linkedin.com/company/da-music

This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 27th August 2020 Artist - Track - Album - Year Jimmy Haslip featuring Joe Vannelli    Empath    Nightfall    2020 Marcos Valle    Our Train    Jazz is Dead 003    2020 Art Hirahara    Blessed Son, Mr. Weston    Balance Point    2020 Trio Linguae    Since Last December    Signals    2020 Idle Hands    Ashes    Solid Moments    2020 Steve Slagle Trio    Sister    Alive in Harlem    2020 Rudresh Mahanthappa    Ring of Fire    Hero Trio    2020 Bobby Watson & New Horizon feat. Curtis Lundy    Mohawk    Mohawk    2020 Sharel Cassity    Surrender    Fearless    2020 Steve Fidyk    Thank you, Dzienkuje    Battle Lines    2020 Christoph Irniger Trio    Open City    Open City    2020 Immanuel Wilkins    Grace and Mercy    Omega    2020 Alan Braufman    Morning Bazaar    The Fire Still Burns    2020 Bill Frisell    Wagon Wheels    Valentine    2020 Roberto Magris    A Message for a World to Come    Suite!    2020 Quinsin Nachoff    Pivotal Arc    Pivotal Arc    2020 The post The Creative Source (#CreativeSource) – 27th August 2020 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Wir räumen immer noch auf und finden alte und neue CDs. Ralfs Sammlung von Chick Corea Alben bringt uns zu Nightfall dem re-Release von Jimmy Haslip & Joe Vannelli. Und das Steely Dan Tribute Album Maestros Of Cool erinnert uns an die CDs von Jango.

In a casual setting talking over the phone JIMMY HASLIP, original Yellow Jackets founding member, shares his insights and experiences about producing and playing bass with Alan Holdsworth, Robben Ford, Tommy Bolin, and many other musicians throughout his outstanding career.

In this episode of JAZZIZ Backstage Pass, we are joined by influential and versatile bassist Jimmy Haslip. Known as a founding member of the jazz-fusion group the Yellowjackets, Haslip was also an early user of the five-string electric bass. --- Support this podcast: https://anchor.fm/brian-zimmerman/support

In this interview, I talk with my dear friend - musician/guitarist/composer/arranger, Jeff Richman. What a blast we had during this conversation. Jeff talks about his journey from when he first started playing guitar to present day. He also talks about his experience working with some of the greatest musicians on the planet; Vinnie Colaiuta, Jimmy Haslip, Airto, Flora Purim, Don Alias, Blood, Sweat & Tears, Joel Taylor, and others. There are so many great stories, including stories about Joni Mitchell, Doc Severinson, Pat Metheny and others Jeff is a professional guitarist with a 40+ year career in performance guitar, composing, arranging and recording. In addition to his 16 solo releases, Jeff has produced six tribute CD's to Carlos Santana, Mahavishnu Orchestra, Steely Dan, Miles Davis, Jeff Beck and John Coltrane. Plus, he has appeared on countless tv/film scores and conducts the Fusion Ensemble at Musicians Institute.

“Everybody says, “Yeah, you gotta practice your rudiments.” Normally I am always putting a question mark behind that sentence.” German drummer Jost Nickel is affiliated with a golden generation of German drummers including Anika Nilles, Marco Minnemann, and Benny Greb. In fact, he is Anika’s teacher and even provided Benny Greb with some private lessons. This past year in 2019 was a really big year for Jost with the introduction of his new X 9 signature snare from Sonor and his brand new ‘Snare Book’ that was recently published through Alfred Music.  Jost has performed with many great artists including Randy Brecker, Jeff Lorber, Bob Mintzer, Jimmy Haslip, Barry Finnerty, Mitch Forman, Brandon Fields to name but a few but he is maybe even more well recognized in the drumming community as a premier educator. With three books now to his name (The Groove Book, The Fill Book and The Snare Book) and his nomination as “Best Clinician” by Modern Drummer Magazine in 2016 and being featured on MusicRadar’s list of “the 10 best drum clinicians in the world” in 2016 & 2017, it is no question that Jost is one of the finest educators in the world. To add to his list of credentials in education, he is also a tutor at the prestigious University of Pop in Mannheim, Germany.  Jost endorses Sonor Drums, Meinl Cymbals & Percussion, Vic Firth, Remo, Ahead Armor Cases and Beyerdynamic Microphones   You Will Hear About…. Our thoughts about electric drums vs acoustic drums. His new X 9 signature snare drum with Sonor. The process of creating the X 9 drum video with Sonor. Jost’s game changing moment. Jost’s opinion on rudiments and if we need them. Perfection and how it doesn’t exist. How Jost prepares for clinics. Details for what Jost is doing in 2020 including his new record.   Why Should You Listen? Jost is someone who when speaking, should be listened to. Jost’s thoughts on perfection, whether rudiments are really the answer to playing music on the drums, taking chances and removing yourself from a comfortable place in life to start something new, is all amazing insight. To have an hour to listen to our chat, in person, about all of this and more will hopefully provide listeners with some invaluable knowledge right here in this podcast. Just imagine if you had an hour with Jost and he offered his time to you for free. Would you take it?   https://www.youtube.com/watch?v=Dh0mAk8DSM4   Jost’s Socials Instagram Facebook Twitter Website   Follow ‘Drumeo Gab’ Instagram Facebook

Playing for Team Human today, drummer and session musician, Vinnie Colaiuta.Vinnie joins Team Human to discuss the art of listening, collaborating, and celebrating the imperfection that makes music a human art. Douglas and Vinnie explore the difference between making music together, the biases of music-production technology, what Vinnie has learned from working artists like Frank Zappa, the importance of flow-state, and what it is like to be one of the most in-demand studio musicians.—Vinnie Colaiuta is an award-winning drummer based in Los Angeles. He famously worked for Frank Zappa as his principal drummer for studio and live performances. His performances on Zappa's albums Tinsel Town Rebellion, Joe's Garage and Shut Up 'n Play Yer Guitar are considered by many drummers to be among the most astounding ever recorded. Joe's Garage was named one of the top-25 drumming performances of all time in a 1993 Modern Drummer article.After leaving Zappa, Colaiuta went on to work with a long list of notable rock and pop artists, including Sting, Gino Vannelli, Joni Mitchell, Barbra Streisand, Sandy & Junior, Clannad, Wang Chung, Chaka Khan, and Jeff Beck. He has also appeared with many notable jazz musicians, including Chick Corea, Herbie Hancock, Jimmy Haslip, Quincy Jones, the Buddy Rich Big Band and Buell Neidlinger.— Find out more about Vinnie’s work at: https://breakfastwithvinnie.com/Find about all of our guests, listen to past shows & discover live events at http://teamhuman.fmYou can read written versions of Douglas Rushkoff’s show monologues at Medium: https://medium.com/@rushkoff — Support Us — Team Human is made possible thanks to the generous support of our listeners on Patreon. On Patreon: http://patreon.com/teamhuman Become a Contributing Subscriber: TeamHuman.fmReview the show on Apple Podcasts!— Follow Team Human Show —Twitter: http://twitter.com/teamhumanshowInstagram: http://instagram.com/teamhumanshow Medium: http://medium.com/teamhuman#TeamHumanShow #FindTheOthers— Follow Douglas Rushkoff — Twitter: http://twitter.com/rushkoff Medium: https://medium.com/@rushkoff Instagram: http://instagram.com/douglasrushkoff Facebook: https://facebook.com/rushkoff/ LinkedIn: https://www.linkedin.com/in/rushkoff/ — Credits — Hosted by Douglas RushkoffProduced by Josh ChapdelaineAudio Edited & Mixed by Luke Robert Mason Music by Fugazi (On this Episode you heard “Foreman’s Dog” in the intro - thanks to the kindness of the band and Dischord Records.)Special thanks to Stephen Bartolomei who is busy drumming to his own beat.Team Human is a Production of the Laboratory for Digital Humanism at Queens CUNY. See acast.com/privacy for privacy and opt-out information.

Por Pachi Tapiz. Mike-Stern-Jeff-Lorber-Fusion_Eleven“Righteous” Mike Stern – Jeff Lorger Fusion: Eleven (Concord Jazz) Jeff Lorber, Jimmy Haslip, Vinnie Colaiuta, Gary Novak, Dave Mann © Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120.

Mike Stern and Jeff Lorber are both well-respected musicians and have each had long and successful careers in the music business, with jazz being the root of their musical craft. While they’ve each traveled down different avenues and have developed their own, unique style, their paths have recently crossed, which has ignited a collaboration that fused their creativity and resulted in a brand new album titled “Eleven”, which was released on September 27. The album features a mix of new and existing tracks by both Mike and Jeff, and co-produced by none other than Jimmy Haslip. In their first interview together to discuss this brilliant new album, Inside MusiCast is pleased to welcome Mike Stern and Jeff Lorber.

Force of Nature. On this episode we speak to Cody Carpenter. Cody Carpenter is a third generation musician. His father, John Carpenter, is a director and composer and his mother, Adrienne Barbeau, is a star of film, television and the Broadway stage. His grandfather, Howard Carpenter, was a founding member of the Nashville Strings. Cody was introduced to his first musical instrument around the age of three and has been playing and composing original music since. His most notable composing works include Cigarette Burns and Pro-Life in Showtime'sMasters of Horror (2005) movie series. ​In 2018, Cody joined his father and Daniel Davies in scoring the reboot ofHalloween. Cody co-wrote, co-produced, and performed on the acclaimed Lost Themes (2015) and Lost Themes II (2016) with his father and Daniel Davies. From 2016-2018, Cody toured North America and Europe with his father and a 6 piece band, performing material from both Lost Themes albums and his father's films. ​ From 2012 to 2017, Cody released five instrumental progressive rock albums and one synthwave vocal album exclusively on Bandcamp. January of 2018 saw the release of Cody's first non-Bandcamp exclusive album entitledCody Carpenter's Interdependence, featuring a host of guest musicians such as Jimmy Haslip and Virgil Donati. In the spring of 2018, Cody, working with composer Mark Day, released Shadow Spirits Vol. 1, a chiptune video game soundtrack to a game that never was. In the summer of 2018, Cody released his first album under the moniker Ludrium, his vocal synth-pop alter ego, titled Reflections. Please support the Mark and Me Podcast here https://www.patreon.com/Markandme

Eliza James has been a successful, working professional musician in Los Angeles since the age of 18. She performs regularly with artists such as Burt Bacharach, Paul Anka, Shakira, Nicki Minaj, John Legend, Pink, Daft Punk, Kanye West, P. Diddy, Yoshiki, Taylor Hicks, Cowboy Troy, Marco Antonio Solis, Googoosh, Roberta Flack, Mario Biondi, Gloria Gaynor, Anita Ward, Evelyn Champagne-King, Willie Chambers (The Chambers Brothers), Harry Connick Jr, David Gates/Bread, Bernadette Peters,Randy Travis, Billy Idol, Los Tri-o, Javuni, Rahzel, 3 Doors Down, Andrea Bocelli, Trulio Disgracias, Norwood Fisher (Fishbone), VTA - Vincenzo Thomas Amato, Casey veggies, Candyman 187, Jordy Towers, JMSN, Jimmy Haslip, Oscar Seaton, Alejandro Sanz, Chris Botti, The Harlem Renaissance Jazz Orchestra, Oscar Peterson, Warren Hill, Diana Krall, Renee Olstead, Dave Schulz(Berlin), Cody Carpenter, Ben Dukes, Larry Bagby and The Calling. elizajamesmusic.com quartet405.com theshowerofhope.org theartofelysium.org

We spread our wings this episode and interview our first bassist, Jimmy Haslip. Now before you call me out regarding our bassists’s perspective show, with two of our favorite bass players, keep in mind that was a four mic show and not really an interview. Most of you will know Jimmy from his long-term relationship with the seminal fusion group the Yellowjackets. During his 32-year tenure with the band Jimmy and fellow band mates released some of the most influential music in that genre’s history. All the while Jimmy continued to work with other musicians on various live and studio projects which ultimately led him to develop an affinity and mastery for production. In 2012 Jimmy decided to take a break from touring to concentrate on producing music of his own and for other like-minded musicians. Little did he know that break would turn into a permanent full-time gig. In this episode we caught up with Jimmy during his recent stop in Atlanta with the Oz Noy trio. I met him in the lobby of his hotel where we set up shop and talked about his recent gigs and production projects. We then devote the majority of show discussing the drummers that Jimmy has worked with. It is one of the most impressive and comprehensive lists of drummers and percussionists I’ve ever seen. We naturally discuss his work with great jazz and fusion players such as: Will Kennedy, Vinnie Colaiuta, Gergo Borlai, Tom Brechtlein, and Joel Rosenblatt. But we also cover a list of players that you wouldn’t normally associate with Jimmy. And…of course, we finish up with a run through the gauntlet that is the DWG Rorschach test. Visit Jimmy at his Facebook page: https://www.facebook.com/jimmy.haslip Visit Jimmy at Blue Canoe Records: https://www.bluecanoerecords.com/arctrio_jh_sc_gb.html Please visit our website at: www.drummersweeklygroovecast.com There you can listen to our shows, interact with social media, email us, view our videos and more. If you are an Apple platform user please take a moment to review us the next time you are in iTunes. A 5-star rating would be greatly appreciated. New shows are published every Monday and can be found on iTunes, Google Play Podcasts, Stitcher and everywhere you listen to your favorite podcasts. Subscribe today!

The world of electric bass is filled with creative and iconic players. It also features some who are unique in different ways. Jimmy Haslip fits this bill. In this episode of Groove – the No Treble Podcast, we learn more about Jimmy’s story.

Brooklyn guitarist Jeff McErlain's style of blues rock draws from his roots listening to Jeff Beck, Eric Clapton, Alan Holdworth, Eddie Van Halen, and Michael Schenker. Heavily influenced by classic rock and metal, Jeff soon expanded his musical tastes to the jazz and fusion of Miles Davis and John Coltrane, as well as the classic blues of Howling Wolf and Little Walter. Jeff has toured and performed with Robben Ford, David Grissom, Matt Schofield, Jimmy Haslip, Toss Panos, Keith Carlock, and others. Jeff is an in demand instructor and clinician with almost 30 courses with TrueFire, and runs an online classroom, The Juke Joint. He has taught and performed at the Crown Guitar Festival, Bath Guitar Festival, Umbria Blues Festival, National Guitar Workshop, Ruby Mountain Guitar Festival, and Robben Ford's Traveling Dojo. Jeff's latest CD “Now” is out now, featuring Robben Ford, who both produced and performed on the record. From http://jeffmcerlain.com/

Cody Carpenter is a third generation multi-instrumentalist and songwriter. His grandfather, Howard Carpenter, is a founding member of the Nashville Strings. His father, John Carpenter, is a filmmaker and composer. In addition to contributing music for his father's films, Vampires (1998), Ghosts of Mars (2001) and 2018's Halloween along with Daniel Davies, Cody has composed the full-length scores to projects such as Showtimes' Masters of Horror. In this episode, Adrian speaks with Cody regarding his two most recent albums: 2019’s Force Of Nature, an instrumental jazz/fusion album from Blue Canoe Records featuring Grammy Award-nominated bassist Jimmy Haslip and drummer Scott Seiver and 2018’s Reflections, Cody’s snyth-heavy solo album under his pseudonym Ludrium. Additionally, Adrian and Cody explore various concepts including: The rising popularity of synth/progressive music, the challengers of touring as a musician and music as a universal language.

Cody Carpenter is a third generation multi-instrumentalist and songwriter. His grandfather, Howard Carpenter, is a founding member of the Nashville Strings. His father, John Carpenter, is a filmmaker and composer. In addition to contributing music for his father's films, Vampires (1998), Ghosts of Mars (2001) and 2018's Halloween along with Daniel Davies, Cody has composed the full-length scores to projects such as Showtimes' Masters of Horror. In this episode, Adrian speaks with Cody regarding his two most recent albums: 2019’s Force Of Nature, an instrumental jazz/fusion album from Blue Canoe Records featuring Grammy Award-nominated bassist Jimmy Haslip and drummer Scott Seiver and 2018’s Reflections, Cody’s snyth-heavy solo album under his pseudonym Ludrium. Additionally, Adrian and Cody explore various concepts including: The rising popularity of synth/progressive music, the challengers of touring as a musician and music as a universal language.

It’s been a few years since Jimmy Haslip has been a guest on Inside MusiCast, but we had to have him back. Since his departure from the Yellowjackets in 2012, Jimmy has been extremely busy and has had a hand in dozens of projects that keep his calendar full year after year. 2018 has been no different and has yielded some amazing projects, such as a second Arc Trio record that features Scott Kinsey and Gergo Borlai, as well as a collaboration with Otmaro Ruiz and Jimmy Branly on a record project called “Elemental”. Add a few months of touring, session work, and producing and his calendar is bursting at the seams. Hear to fill us in on his musical journey is none other than Jimmy Haslip.

Eliza James has been a successful, working professional Violinist and musician in Los Angeles since the age of 18. She performs regularly with artists such as Burt Bacharach, Paul Anka, Shakira, Nicki Minaj, John Legend, Pink, Daft Punk, Kanye West, P. Diddy, Yoshiki, Taylor Hicks, Cowboy Troy, Marco Antonio Solis, Googoosh, Roberta Flack, Mario Biondi, Gloria Gaynor, Anita Ward, Evelyn Champagne-King, Willie Chambers (The Chambers Brothers), Harry Connick Jr, David Gates/Bread, Bernadette Peters,Randy Travis, Billy Idol, Los Tri-o, Javuni, Rahzel, 3 Doors Down, Andrea Bocelli, Trulio Disgracias, Norwood Fisher (Fishbone), VTA - Vincenzo Thomas Amato, Casey veggies, Candyman 187, Jordy Towers, JMSN, Jimmy Haslip, Oscar Seaton, Alejandro Sanz, Chris Botti, The Harlem Renaissance Jazz Orchestra, Oscar Peterson, Warren Hill, Diana Krall, Renee Olstead, Dave Schulz(Berlin), Cody Carpenter, Ben Dukes, Larry Bagby and The Calling. She has performed on multiple occasions at the Grammys, the American Music Awards, the Academy Awards, the Women in Film Awards, the BET Awards, American Idol, the Late Late Show with Craig Ferguson, Jimmy Kimmel Live, Hollywood Christmas Celebration At the Grove, the JC Penney Jam and the Sundance Film Festival. Eliza is the featured solo violinist in Burt Bacharach and Paul Anka’s touring bands and has played the Wrightgaarden Langesund Summer Festival (Norway), the Milano Jazz Festival, the North Sea Jazz Festivals (Rotterdam Holland and Curacao), the Tokyo Jazz Festival, the Montreal Pop Festival, the Umbria Jazz Festival (Perugia Italy) and the Playboy Jazz Festival (Hollywood CA). She has toured the world performing in magnificent concert venues in Italy, Sicily, Norway, Sweden, Denmark, Holland, Belgium, Japan, Singapore, Australia, England, Scotland, Canada, Mexico,Brazil, Spain, Curacao and Israel. Eliza is well-versed in many styles of music including classical, pop, country, hiphop, blues, rock and Persian/middle-eastern. Residing in Hollywood California, she performs on major motion picture soundtracks/scores some of which include March of the Penguins, Talladega Nights, The Conjuring, "The Devil's Carnival (directed by Darren Bousman)", A Lot Like Love, Walk Hard: The Dewey Cox Story, and Unaccompanied Minors. Eliza also arranged/recorded all of the strings for Natalie Cole’s hit “Love Brought Me Back” now available in stores. Eliza has worked with many producers & composers including Burt Bacharach, David Foster, Ted Pearlman, Marti Frederiksen, Bruce Robb, Skip Saylor, Joe Barresi, Don Cromwell (Air Supply), Justin Gariano, DJ Lethal, Bob Horn, Curt Piar, Mitch Marine, Marc Jordan, Mark Needham, Richie Stites, Lee Miles, Joe Bishara, Corey Wallace, Jamison Trotter and Nigel Starr. Eliza’s extensive early classical training with teachers such as Brian Lewis, Maurice Sklar and Dorothy DeLay has given her a deep appreciation for music education and she continues to be an active member of the teaching community, encouraging other young artists to pursue their goals and musical aspirations. http://elizajamesmusic.com

It’s been seven years since we last visited with Michael Franks, when he had just released his last studio album “Time Together.” In a few weeks, his brand new album “Music In My Head” is set to be released and it continues in his tradition of combining elements of jazz, pop, and Brazilian styles, with his unmistakable voice leading the way. “Music In My Head” was a collaboration with several producers, arrangers and musicians, including the late Chuck Loeb, Jimmy Haslip, Scott Petito, Gil Goldstein, Charles Blenzig, Bob Mintzer, David Spinozza, Eric Marienthal, Manuel Quintana, Rachel Z, Billy Kilson, Larry Koonse and many more. The album drops in early June, but during our chat with Michael we’ll play a few samples to whet your appetite. Inside MusiCast is pleased to welcome back Michael Franks.

My guest this episode is Mr. Oz Noy. One of the most accomplished guitarists out there on the scene today, Oz has it all- amazing chops, vocabulary, technique, all delivered with touch, soul and tone. His 9 solo records capture all of this and, if that's not enough there's more; he uses the best rhythm sections in the world, surrounding himself with drummers including Dave Weckl, Keith Carlock, Anton Fig and bassists Will Lee, James Genus and Jimmy Haslip. As you'll hear in the podcast, touring all over the world with his own music isn't what he originally set out to do, but it's nice work if you can get it. He also has a nice resume of backing up artists in the studio and live such as Gavin Degraw, Richard Bona, Chris Botti,Harry Belafonte, Cyndi Lauper, Clay Aiken, Akiko Yano and more. He also has a new band that you'll hear about called Ozone Squeeze. In this interview we'll discuss his early years in Tel Aviv, moving to NYC, putting together his first record (Oz Live) and how he rehearses the bands, pedals- (he'll talk about what his favorite most useful pedal is), his instructional videos for True Fire, current state of the blues in his opinion, influences and much, much more. Plus you get my usual doses of sarcasm and bad humor. Oz Noy Website Oz's signature pedal Oz's Music on Amazon    This interview was recorded in NYC at Oz's apt in Nov 2017  Support this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jeff Lorber continues to climb to new levels as a musician and with his music. With each new album project, his goal is to make improvements and create even better music than before. The new Jeff Lorber Fusion project titled “Prototype” is the latest chapter in his musical saga and includes some familiar faces, as well a some new additions. Once again, Jeff reunites with bassist Jimmy Haslip and drummer Gary Novak as the core of the Jeff Lorber Fusion. Saxophonist Andy Snitzer makes his debut with the group and the album contains several incredible guest musicians, such as Nathan East, Chuck Loeb, Larry Koonse, Paul Jackson, Jr. and Dave Mann. It’s been nearly four years since we last connected with Jeff, so we’re pleased to have him back to chat about the new record and to catch-up. Inside MusiCast is please to once again welcome Jeff Lorber.

Jimmy Haslip is one of the modern masters of electric bass, coming to prominence in 1980 as founding member of The Yellowjackets, Jimmy has since gone on to play with Jeff Lorber, Eric Marienthal, Bruce Hornsby, Rita Coolidge, Gino Vannelli, Kiss, Tommy Bolin, Allan Holdsworth, Marilyn Scott, Chaka Khan, Al Jarreau, Donald Fagen, and Anita Baker. It was an absolute pleasure to speak with Jimmy about his amazing career as a bass player and producer, as well as discuss his approach to improvising and his journey with the 6 string electric bass. Check out the video interview here: https://youtu.be/Xsw2r3BWwAM

Utopia is the amazing new release by MSM Schmidt. On his 5th album he collaborated again with Jimmy Haslip and Mitch Forman as Producers. Michael Schmidt visited us in Cologne and explains about creation and recording of the album.

Jimmy Haslip is a renaissance man who hasn’t let boundaries define him. As an original band member of the Yellowjackets, his pronounced influence over the past 3 decades is seen in musicians today. He has demonstrated an uncanny ability to deliver a groove in not only fusion, but also Latin, pop and international genres. Haslip today has evolved from musician-composer to an in-demand, producer extraordinaire. Inside MusiCast welcomes back Jimmy Haslip.

Tretzè programa dedicat al guitarrista nord-americà Michael Landau en el qual ens aturem a l'any 2012 i escoltem el seu projecte enmarcat dins el Michael Landau Group " Organic Instrumentals" acompanyat de grans músics com en Jimmy Haslip, Larry Goldings, Walt Fowler i en Gary Novak entre d'altres.

In this video, we talk with musician, bassist, producer Jimmy Haslip about maintaining a healthy dietary lifestyle while traveling the globe. Jimmy adopted a vegetarian diet around 1970 and has managed to stick with this general dietary plan ever since. He has occasionally gone vegan, tried macrobiotic, gluten-free, and practiced fasting. He has a very demanding schedule and has circled the globe countless times. He talks with us about many obstacles and challenges he faces in accessing the food he prefers. He also discusses how he works around these issues to stick with his dietary lifestyle - no matter what. ENJOY!

Dotzè programa dedicat al guitarrista Nord-Americà Michael Landau en el qual ens aturem als anys 2009-2010 on col·laborà amb aritstes com Marcin Nowakowski, Eros Ramazzotti i Michael Bublé. Alhora retorna amb un segon projecte del grup Hazey Jane, del qual forma part i presenta com a part d'un nou supergrup el projecte Renegade Creation conjuntament amb en Robben Ford, Jimmy Haslip i en Gary Novak.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El disco que hoy te damos a conocer está protagonizado por la pianista y cantante Peggy Duquesnel, arropada por músicos como Rick Braun, Jeff Lorber y Jimmy Haslip. Otros discos de actualidad del mejor Smooth Jazz son los de Marqueal Joordan, Robert Glasper, Herb Alpert, Marsha Heydt y Bart Brandjes. En el recuerdo, recuperamos un disco conjunto de David Benoit y Russ Freeman y un álbum de la vocalista Paulette McWilliams.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

On this episode of Inside MusiCast, we welcome back two of our past guests – Jeff Lorber and Jimmy Haslip – to discuss their new Jeff Lorber Fusion collaboration “Hacienda.” Jeff will also announce the winners of the “Hacienda” CD contest. We’re pleased to welcome back Jeff and Jimmy to Inside MusiCast!

When Marilyn Scott performed her first gig at the age of 15, little did she know that along the road of her career she’d be collaborating with some of the great jazz powerhouses. But it wasn’t until years later in the Bay Area when Tower of Power’s Emilio Castillo noticed her rich, sultry voice and decided to hire her to do backing vocals for the group. She never looked back. Since then, and several solo albums later, she is still in demand as a writer who has worked with the best - Spyro Gyra, The Yellowjackets, George Duke, Bob James, Jimmy Haslip and Russell Ferrante. Her most recent release, 2008s “Every Time We Say Goodbye”, is a testament to her love of classic jazz. Recorded in New York City, the project has an intimate flair recorded with top NY jazzers. Inside MusiCast is pleased to welcome a perennial LA talent, Marilyn Scott.

When you’re a trumpet player for a drum and bugle corp, it can only mean one thing…that you’re one serious horn player. That’s where Jimmy Haslip’s musical journey begins. But it doesn’t end there. You see, his musical world was turned upside down at a live performance at a school dance where he witnessed the playing of an electric bass guitar for the very first time. Fast forward to LA where a young Jimmy Haslip is studying with his new teacher, Jaco Pastorius. As you might guess, success feeds success, as Jimmy’s talents are honed and perfected. His career is elevated when he crosses paths with Russ Ferrante and Ricky Lawson to record on Robben Ford’s first solo project in 1978. It is this collaboration that would lead to the creation of the legendary Yellowjackets. With a career spanning more than 30 years, Haslip’s discography and production credits are deep with amazing collaborations. Inside MusiCast welcomes a transplanted New Yorker and Long island native, Jimmy Haslip.

Bassist Jimmy Haslip of the world renown jazz group "The YellowJackets" speaking on the relationship of melodies to music as well as his friendship with Jaco Pastorius

We had Jimmy Haslip, bass player with the Yellowjackets and Jeff Lorber Fusion, in our Studio. He talked about his current projects and the grammy nomination of the latest Jeff Lorber Fusion album.

Ein kurzer Beitrag zum Bassisten Jimmy Haslip mit Konzertausschnitten von Jeff Lorber Fusion.

Was hinter dem Album-Titel "Lifecycle" steckt und wie es zur Zusammenarbeit zwischen Yellowjackets und Mike Stern kam erzaehlt der Bassist Jimmy Haslip in seiner bewaehrt ausfuehrlichen Form.

Guest electric bassist, composer, arranger and producer Jimmy Haslip, a musician steeped in old tradition, while simultaneously breaking ground for new tradition.

Guest electric bassist, composer, arranger and producer Jimmy Haslip, a musician steeped in old tradition, while simultaneously breaking ground for new tradition.