Podcast appearances and mentions of dana boule

In the 1760s, a new kind of establishment started popping up in Paris, catering to the French and fancy. These places had tables, menus, and servers. They even called themselves “restaurants,” and you might have too, were it not for one key difference: these restaurants were places you went not to eat. Well, not to chew anyway. Because they weren’t in the business of feeding their genteel clientele, but of soothing their frayed nerves —with premium medicinal soups. Soups which were also called “restaurants”! In this episode: How restaurants evolved from a soup to a chic Parisian soup spa to the diverse, loved—and sorely missed—solid food eateries of today. Guests:  Rebecca Spang is a professor of history at Indiana University. Stephani Robson is senior lecturer at the Cornell School of Hotel Administration. Footnotes & Further Reading:  For more on early bouillon-sipping establishments and the rise of restaurants, take a peek at Rebecca Spang’s book, The Invention of the Restaurant: Paris and Modern Gastronomic Culture.  Still can’t get enough restaurant history? Check out Dining Out: A Global History of Restaurants. If you, like Stephani Robson, are passionate about optimal chair spacing, check out one of her studies on the subject.  To see some of Stephani’s work in action, listen to this collaborative episode from Planet Money and The Sporkful, on “The Great Data-Driven Restaurant Makeover.” Credits:  Science Diction is hosted and produced by Johanna Mayer. Elah Feder is our editor and producer. We had story editing from Nathan Tobey. Daniel Peterschmidt contributed sound design and wrote all our music, except the accordion piece which was by Dana Boulé and the final piece by Jazz at the Mladost Club. We had research help from Cosmo Bjorkenheim. Chris Wood mastered the episode, and we had fact checking by Michelle Harris. Special thanks to Gregg Rapp for talking to us about menu engineering. Nadja Oertelt is our Chief Content Officer.

For Reel Rap Season 7 Shane P. and Bennett G. cross international waters to discuss the film's of one of the most important comedic figures in film history. Who is this illustrious actor-turned-director, you ask? Listen in for the reveal, and to find out what masterpiece Bennett plans to watch on his phone. New episodes begin Friday, March 27. Featuring music by Dana Boule. A comedy duo straight out of William Penn’s backyard, Bennett Glace, an adult Disney fan, and Shane Pfender, an ordained minister, have for years lent a critical eye to Hollywood’s most tedious auteurs. They are a comedy duo for film snobs and slobs alike. Exhausted by the current uninspired landscape of film criticism, the two work to find a new language with which to understand and interact with the films they cover on their inimitable podcast, Reel Rap.

Heather Anne Campbell, Nick Wiger, Sarah Campbell, Moujan Zolfaghari, Jordan Morris, Tom Neenan and Tom Crowley all join in for this episode in which we learn about the end of the world.  By Benjamin Partridge, Heather Anne Campbell, Nick Wiger, Sarah Campbell, Moujan Zolfaghari, Jordan Morris and Tom Neenan.  Stock media provided by Setuniman/Pond5.com and Soundrangers/Pond5.com Music includes: “Avec Toi” by Dana Boule (www.danaboule.com)

Mike Wozniak, Tom Crowley and Sian Harries join in for this episode which mark’s your host’s fiftieth in the host’s chair.   By Benjamin Partridge, Mike Wozniak, Tom Crowley and Sian Harries. Thanks to everyone who called the Beef And Dairy Network answerphone.   Stock media provided by Setuniman/Pond5.com and Soundrangers/Pond5.com   Music:   “At Dawn” by Dana Boule (www.danaboule.com)   "Linen" "Daisy" "Cotton" "Ink" "Ginger" Podington Bear soundofpicture.com  

There's only one unsolved couple disappearance that matches Israel's description of his Washington double homicide.To learn more: www.truecrimebullshit.com   To support the show: www.patreon.com/truecrimebsWritten, researched, edited, and produced by Josh Hallmark  Special thanks to guest:Dr. Katherine RamslandSpecial thanks to Steven Pappas from the Is This Adulting? podcast for voice work.Music by William Hellfire, Radical Face, Sergey Cheremisinov, Kevin MacLeod, Dana Boule, and Keaton HensonFor more information on the True Crime Podcast Festival in Chicago, go to www.TCPF2019.comSponsors: Podbean

This week Blank Check begins our first ever “fans choice” mini series reviewing the filmography of director Nancy Meyers. Film critics, models and _IDENTICAL TWINS_ Elena and Mani Lazic join Griffin and David to discuss the 1998 remake of The Parent Trap. Together they discuss prank wars, Randy rosé and flying on the Concorde. This episode is sponsored by [ZipRecruiter](https://www.ziprecruiter.com/blank) and [Storm of Spoilers](https://itunes.apple.com/us/podcast/a-storm-of-spoilers-a-pop-culture-podcast/id952917333?mt=2). Music Selection: “Swinging in the 7th” by [Dana Boulé](http://freemusicarchive.org/music/Dana_Boule/) Licensed under [Creative Commons: By Attribution 3.0 License](https://creativecommons.org/licenses/by/3.0/).

In this episode, we explore a potential watershed moment in American politics: the unprecedented number of women running for office in 2018. Dawn Teele, Janice and Julian Bers Assistant Professor of Political Science, researches women and politics, voting rights reform, and candidate recruitment. Right now, she's studying Emerge, the largest Democratic campaign training program in the United States. The program recruits, trains, and connects Democratic women who want to run for office. We speak with Teele about the historical underrepresentation of women in politics and discuss some of the cultural narratives and structural factors—from fundraising trends to division of household labor—that potentially impact the success of female candidates in U.S. elections. Produced by Penn Arts & Sciences • Narrated, recorded, and edited by Anne Hoffman • Music: "Wanderers" by Dana Boule and "Roundpine" by Blue Dot Sessions Subscribe to the OMNIA Podcast by Penn Arts & Sciences on iTunes (apple.co/2XVWCbC) and Stitcher (bit.ly/2Lf2G9h)

In this episode, we explore a potential watershed moment in American politics: the unprecedented number of women running for office in 2018. Dawn Teele, Janice and Julian Bers Assistant Professor of Political Science, researches women and politics, voting rights reform, and candidate recruitment. Right now, she’s studying Emerge, the largest Democratic campaign training program in the United States. The program recruits, trains, and connects Democratic women who want to run for office. We speak with Teele about the historical underrepresentation of women in politics and discuss some of the cultural narratives and structural factors—from fundraising trends to division of household labor—that potentially impact the success of female candidates in U.S. elections. Produced by Penn Arts & Sciences • Narrated, recorded, and edited by Anne Hoffman • Music: "Wanderers" by Dana Boule and "Roundpine" by Blue Dot Sessions Subscribe to the OMNIA Podcast by Penn Arts & Sciences on iTunes (apple.co/2XVWCbC) and Stitcher (bit.ly/2Lf2G9h)

In this episode, we explore a potential watershed moment in American politics: the unprecedented number of women running for office in 2018. Dawn Teele, Janice and Julian Bers Assistant Professor of Political Science, researches women and politics, voting rights reform, and candidate recruitment. Right now, she’s studying Emerge, the largest Democratic campaign training program in the United States. The program recruits, trains, and connects Democratic women who want to run for office. We speak with Teele about the historical underrepresentation of women in politics and discuss some of the cultural narratives and structural factors—from fundraising trends to division of household labor—that potentially impact the success of female candidates in U.S. elections. Produced by Penn Arts & Sciences • Narrated, recorded, and edited by Anne Hoffman • Music: "Wanderers" by Dana Boule and "Roundpine" by Blue Dot Sessions Subscribe to the OMNIA Podcast by Penn Arts & Sciences on iTunes (apple.co/2XVWCbC) and Stitcher (bit.ly/2Lf2G9h)

Shannon Geis brings us a story about Death Cafes. Kevin Richards band Equine brings the song Variation 2 from Camphor Jenny_Lynn Ellis reads her essay The Writing Cat The music of Lee Rosevere, Dana Boule and  Chris Zabriskie was used to score the pieces in today's show. You can check out their music and much, … Continue reading "Episode Twenty: Breathe In, Breathe Out"

Shannon Geis brings us a story about Death Cafes. Kevin Richards band Equine brings the song Variation 2 from Camphor Jenny_Lynn Ellis reads her essay The Writing Cat The music of Lee Rosevere, Dana Boule and  Chris Zabriskie was used to score the pieces in today’s show. You can check out their music and much, … Continue reading "Episode Twenty: Breathe In, Breathe Out"

Shannon Geis brings us a story about Death Cafes. Kevin Richards band Equine brings the song Variation 2 from Camphor Jenny_Lynn Ellis reads her essay The Writing Cat The music of Lee Rosevere, Dana Boule and  Chris Zabriskie was used to score the pieces in today’s show. You can check out their music and much, … Continue reading "Episode Twenty: Breathe In, Breathe Out"

"Black is a personal short story which attempts to capture my thoughts and feelings about depression. The story is a creative way to express my experience of depression and how it is all consuming and overrides rational thinking." – Jen Farrow. Black was written and produced by Jen Farrow.  The story was performed by Jen Farrow and Amitoze Nandha.Acknowledgements: This episode was written and produced by Nat V. Black was written and produced by Jen Farrow with performances by Jen Farrow and Amitoze Nandha. Music in this episode, "Waves" by Dana Boule. Illustrations by Peta Manning. Her book, See Me Doodle, is out now. Sound effects used in this episode by: Robinhood76  Speedenza  Jhumbucker  Cell31_Sound_Productions   ScotchioMorganveilleux  Sculptor  AlienXXX  KMoon  Gkillhour  Jakobthiesen  Jakobthiesen  Stephan   Support the show.

Timescanner discusses the results of Infinite Monkey experiments.Listen here.Written and produced by Richard R Penner.Music for this episode is by Psychic Mold, Dr Quandary, Aliceffekt and Matthew Schoendorff. Find more of their music at:Psychic Mold www.psychicmold.bandcamp.comDr Quandary www.DoctorQuandary.comAliceffekt www.aliceffekt.bandcamp.comMatthew Schoendorff www.matthewschoendorff.com/This episode also featured music by Dana Boule. Find more of her music at www.danaboule.com

Miles Jupp joins in with this month's Rio special, recorded in Rio De Janeiro ahead of the Olympic games. By Benjamin Partridge and Miles Jupp with thanks to Helen Zaltzmann, Mariana Maioline, Felipe Galvao, Vanessa Del Negri, Regina Souza, Marina De Menezes and Marcellus Lima. Also countless Brazilians on the answer phone. Music: "At Dawn" by Dana Boule (www.danaboule.com) Stock media provided by Setuniman/Pond5.com and Soundrangers/Pond5.com        

We talk about the Euro matches since we've arrived in France and what we've done, including attending the Germany-Poland match and having to deal line-cutting scandal. “Tomorrow Comes (accordion)” by Dana Boulé, CC Attribution-NonCommercial License / modified to use as theme song freemusicarchive.org/music/Dana_Boule/

Mike Wozniak joins in as we hear from modern comedian Dustin France, in the wake of his disastrous performance at the British Beef Council Annual Dinner and Barn Dance. We also hear the results of a poll of network members about their favourite beef meal. Get well soon, Les Cheese. By Benjamin Partridge and Mike Wozniak. Thank you to the scores of network members who called in to the answerphone. Music: "At Dawn" by Dana Boule (www.danaboule.com) Stock media provided by Setuniman/Pond5.com and Soundrangers/Pond5.com

What is it with false flags and momentous events? Josh and Matthew take a look at the various arguments and evidence for the claim the terrorist attack at the Bataclan in Paris last Friday was not what it seems. Matthew gets political about the Middle-East and Josh fails to make a musical reference. Everything then ends on a sad series of notes, literally. Music: Sad French Accordion by Dana Boule