Podcasts about huchthausen

The emitted light from a David Huchthausen sculpture is an artwork unto itself. For the last five decades plus, the artist has been captivating viewers through sculpture defined by its unique and other-worldly manipulation of light. A critic once described his work as “high tech spiritual,” an observation the artist rather liked. Huchthausen once stated: “Creation is a continual and evolutionary process, constantly digesting and reevaluating past experiences and current perspectives. My work has always been deliberately enigmatic and mysterious. I constantly strive to generate a strange and curious quality that both tantalizes and challenges the viewer to develop his own response system. The work must have an existence of its own if it is to have any real significance.” Huchthausen was one of the first artists of the Studio Glass Movement to emphasize cold working and fabrication techniques such as cutting, sawing, laminating, and optical polishing. Within his most recent crystal-clear geometric forms, the artist integrates complex shapes, concave lenses and intricate color panels, reflecting and refracting light as it hits the shapes and projecting colored glass patterns into the fractures and lenses below. Huchthausen's sculptural narrative has always been enigmatic by design, challenging the viewer with its curious and unknowable quality. Ferdinand Hampson, co-founder of Habatat Gallery, wrote: “David Huchthausen is one of an elite group of artists who have altered the history of contemporary glass.  As a Fulbright scholar, university professor and museum consultant, his achievements over the past 50 years have played a vital role in the evolution of the material into a fine art form.   “As an architecture student at the University of Wisconsin, Huchthausen gravitated toward the sculpture department, working with welded steel, wood and found objects. In 1970 he discovered an abandoned glass furnace in the corner of an old brewery building on the Wausau campus. After six months of struggling, he learned of Harvey Littleton's work in Madison 150 miles to the south.  Once contact had been established, Huchthausen's career moved with rapid strides. He served as Littleton's graduate assistant in the early 1970s, ran the Illinois State University Glass Program during Joel Myers' sabbatical in 1976 and lectured throughout Europe as a Fulbright scholar in 1977 and 1978. During this period, he established vital links between European and American artists and galleries, organizing numerous exhibitions in both the United States and Europe. As curatorial and acquisitions consultant for the Woodson Art Museum in Wausau, Wisconsin, he conceived and developed Americans In Glass. This important series of exhibitions in 1978, 1981 and 1984 documented the evolution of American Studio Glass from its early emphasis on blown forms and hot working to the explosion of sculptural and conceptual concerns of the mid 1980s. The landmark 1984 exhibition traveled to museums across Europe and provided the first major review of any glass exhibition by Art In America. “As an educator and art professor, Huchthausen has been a significant influence on a generation of glass artists. He was one of the first Americans to emphasize coldworking in the early 1970s.  Large sculptural constructions such as Spider's Nest, which combined hot-worked, cast, and architectural glass elements, stand as historical landmarks of the period. Many of the specialized fabrication techniques he pioneered are widely used by other artists today. “Throughout his career, Huchthausen has remained a strong advocate of increased aesthetic criticism of contemporary glass. His outspoken and often controversial positions have helped articulate a basis for today's increased level of critical dialog. As an artist Huchthausen has consistently maintained a high degree of integrity in his work.  Limiting production to 12 to 15 pieces each year, he devotes several months to the development and creation of each sculpture.  Even within a specific series the images are extremely unique, furthering his evolution of the concept without letting it harden into a formula. “Huchthausen's background in architecture and personal fascination with primitive art and ritual, have remained strong influences over the years. He deliberately imbues his sculpture with an enigmatic quality, generating a strange and curious energy, which entices the viewer.   “One unique aspect of Huchthausen's sculpture is his innovative integration of glass and light, the concept that the projected images and patterns constitute an integral and inseparable component of the sculpture.  These ideas have their genesis in his large totemic forms of the early 1970s and have permeated his work to varying degrees throughout his career.  They were more fully explored in his mysterious Leitungs Scherben series of the 1980s, where transformed and altered patterns were projected with amazing clarity onto the surface beneath the piece. Huchthausen's next body of work expanded on that foundation. “The Adumbration and Implosion series (1991 – 1999) combine the integral color laminations that have become a trademark of his work, with massive blocks of crystal.  By juxtaposing the pristine optically polished surfaces with fractured jagged edges, Huchthausen created precariously balanced fragments alluding to a larger whole.  The colored shadow projections are directed into the heart of the piece, splashing colored light onto the fractures, radiating like translucent watercolors into pools of intense color.  Huchthausen creates an illusion of incredible complexity that appears and then vanishes as the viewer is drawn around the piece, only to reappear as the refracted image mutates and projects onto another plane.  The constantly shifting visual depth and dimensionality create new and unique views from every angle.  This use of the full 360-degree circumference of the piece sets Huchthausen apart from many artists, creating sculpture that is in perpetual visual motion. “The Implosion sequence evolved into the Echo Chambers, which expanded on the use of hand polished lenses cut into the bases of the sculpture. These concave orbs reflected and distorted the geometric color patterns laminated onto the top of the sculpture, further enhancing the complexity of the illusionary space and creating a kaleidoscopic effect as the viewer moves. “Huchthausen's latest series of Spheres began after he read an article on the theoretical analysis of gravitational fields. The article described the three-dimensional universe that we perceive, as a holographic projection, generated by a two-dimensional field at the edge of infinity. The optical simplicity of the sphere permits an intimate exploration of the interior geometry. With the Spheres, Huchthausen has fully escaped the perception of three-dimensional space. His spheres have no top, bottom, up, down, front, or back; every axis point creates a unique visual perspective that is in a constant state of flux.” Having participated in over 500 national and international exhibitions and included in 80 permanent museum collections, Huchthausen is considered a leader in both the glass specific and larger art worlds. His public collections include: The Corning Museum(NY); The Chrysler Museum of Art (Norfolk, VA); The Detroit Institute of Arts (MI); The High Museum(Atlanta, GA); The Hokkaido Museum (Sapporo, Japan); The Los Angeles County Museum (CA); The Metropolitan Museum (New York, NY); The Museum of Fine Art (Dusseldorf, Germany); The Museum of Fine Arts (Lausanne, Switzerland); La Musée de Verre (Liège, Belgium); The Smithsonian Institution (Washington, D.C.); The Tacoma Art Museum (WA); and many more.  Today, Huchthausen creates sculpture from his Seattle studio. He has also renovated several historic buildings in the city, including the 150,000-square-foot Bemis Brothers Bag Building, where studio space is leased to other artists. Over his 53 years in glass, Huchthausen's work has been documented in many books and catalogs. He is currently working on three new books to include Classic Motor Yachts 1910-1960 and Art Deco Glass: The Huchthausen Collection, as well as a book covering the history of his own sculpture. An exhibition of the artist's Art Deco collection has been travelling for seven years. On his way to Cebu in the Philippines where he escapes Seattle's gray winter, Huchthausen spoke with TOYG about when he fell in love with light, how he uses glass in the telling of his stories and why his work remains relevant and collectible into the 21st century and beyond.  

The inception of the America East Spread Respect initiative occurred early in Amy Huchthausen's tenure as America East commissioner. Now, as Amy departs, she shares her pride in its growth.

Amy Huchthausen leaves a lasting legacy on the America East Conference as the first female commissioner of the league. She offers her final thoughts on a decade filled with impactful initiatives, athletic excellence and academic achievement. 2:25 - NIL and state of collegiate athletics 7:45 - Spread Respect and other initiatives 25:21 - Reminiscing top moments

120 Generationen vereint der längste Stammbaum der Welt. An seinem Ende stehen Manfred Huchthausen, ehemaliger Berufsschullehrer, und seine Söhne. Sie wohnen in Förste bei Osterode am Harz. Ihr Urahn lebte vor etwa 3.000 Jahren in der Lichtenstein-Höhle.

 It has been said that the very best leaders create more leaders. Our ability to articulate where we want to go and then step up and lead impacts every area of our lives and relationships and best of all, it can be learned.

Amy Huchthausen gives us an update from that last time we spoke with her in 2018. She is now in her ninth year as Commissioner of the America East Conference. In this episode, Amy shares with us her journey from being adopted, to being a student-athlete, and rising to the position of being Commissioner. It was through sports that Amy learned many transferable skills to allow her to be successful in her professional career. Many times in her career, she has been overlooked and it is not uncommon for her to correct stereotypes and remind people that she is “The Commissioner.” In this episode, Amy challenges women to stop making excuses for their gender and harness the power within to achieve that which anyone can achieve, despite gender. This cycle creates internal barriers for women to advance in senior level management positions.     Hosted by Tolulope Omokore, graduate student, University of Central Florida, DeVos Sports Business Management Program. “See Us Now – Invisible Women In Sport”  

Amy Huchthausen, Commissioner of the America East Conference, visits @1QLeadership to walk us through her timeline of gathering information to make the decision to cancel the conference's men's and women's basketball tournaments as they were down to the final championship games. She talks about using other conference's decisions as data points and speaking with fellow commissioners as the situation evolved over three to four days.

Amy Huchthausen has been commissioner of the America East Conference for eight years. She's the first woman to lead the league and is the only Asian-American woman to be the commissioner of a NCAA Division I athletic conference. Huchthausen joins us to talk about America East’s Spread Respect Initiative, which through athletics furthers awareness and education to ensure equality, respect and safety for all athletes and teaches understanding of identity in regards to race, ethnicity, gender, religion and more. She also discusses how athletic conferences look to empower student-athletes, and the different ways that collegiate athletics can lead diversity and inclusion initiatives on campus and beyond. Huchthausen also talks about the thrill of last year’s America East men’s basketball champion, UMBC, beating No. 1 Virginia as a 16-seed in the NCAA Tournament.

Amy Huchthausen was named commissioner of the America East Conference back in September of 2011 and ever since then, the league has made some significant progress on several initiatives including digital content, multimedia rights, diversity and so much more. Amy is the first woman to lead the America East and one of a handful of women to serve as commissioner of a division one conference. In this episode, she discusses her career prior to being named commissioner, the strategy behind several of the initiatives that they took on at the conference level, her work on earning her MBA, and of course, I had to ask her about that one time when America East member and number 16 seed UMBC took down number 1 seed Virginia in the 2018 NCAA tournament.

This week’s guest is America East Conference Commissioner, Amy Huchthausen. She is the first woman to lead the conference and has received many industry accolades including being named to the Sports Business Journal’s “40 under 40” and “Game Changers.” Prior to being a Commissioner at the America East, she was with the NCAA and a […] The post Leveling The Playing Field: America East Conference Commissioner Amy Huchthausen appeared first on Radio Influence.

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Amy Huchthausen is in her seventh year as Commissioner of the America East Conference.  Amy shares with us the experience of being an pioneer for Asian-American woman in collegiate athletic administration. Rarely is she in the room with other Asian-American women athletic administrators or coaches.  Many times in her career, she has been overlooked and it is not uncommon for her to correct stereotypes and remind people that she is “The Commissioner.” Amy discusses the pathways that women of color are commonly and consistently led to pursue are pathways of compliance, academic services, and life skills.  This cycle creates barriers for women to advance in senior level management positions because they lack revenue-generating experience.        Hosted by Mat Edelson, journalist and producer appearing on NPR, ABC, ESPN, and in Houghton-Mifflin’s annual series, “The Best American Sports Writing.”  “See Us Now – Invisible Women In Sport”

Patti Phillips talks with Amy Huchthausen, the commissioner of the America East Conference. Amy’s been a leader all the way back to her days as a two-time all-conference softball player and team captain at the University of Wisconsin-La Crosse. While there, she worked in the athletics department and met one of the industry’s greatest, the current director of athletics at Wellesley and a past-president of Women Leaders, Bridget Belgiovine. This was where Amy realized she could make athletics her career—which is why seeing other women successfully doing the job you want is so important! Amy is truly a force to be reckoned with: Not only was she was the league’s first female commissioner and the youngest commissioner ever hired at the Division I level at the time of her appointment, but she’s also working toward her executive MBA at the MIT Sloan School of Management. We can’t wait to celebrate her graduation with her in June 2018! Head to womenleadersincollegesports.org for more about us and to become a member! Follow us at fb.com/WomenLeadersCS, and on Twitter and Instagram @WomenLeadersCS.

America East Commissioner Amy Huchthausen discusses new initiatives from the conference, including a new website and live streaming provider and Alumni Network events. After an exciting 2016-17 year, Huchthausen shares her enthusiasm for upcoming fall sports.

In Part 2 of her two-part interview, America East Commissioner Amy Huchthausen talks about the league's approach to attracting a new member institution, conference realignment, and more. 

In Part 1 of her two-part interview, America East Commissioner Amy Huchthausen talks about Boston University's decision to leave the conference 7 months into her tenure, and how that decision affected conference leadership and communication. 

  America East Commissioner Amy Huchthausen is running a Division I non-football conference, but that doesn’t mean that the changing college football landscape hasn’t had an effect on her members. Huchthausen talks about some of the issues surrounding scheduling, conference membership stability, and how Title IX is affected by those decisions. Huchthausen also discusses her thoughts on guiding conference or campus issues, whether it be at the school presidential or athletic director level. Twitter: @AE_Commish