Podcasts about Art Deco

In this episode of Decorating Pages, Emmy-winning set decorator Kim Wannop sits down with Production Designer Cara Brower to talk about designing Hedda, Amazon MGM Studios' new adaptation of Henrik Ibsen's Hedda Gabler—now streaming on Prime Video. Brower—whose credits include Candyman, The Marvels, Twin Peaks: The Return, Us, and Hail, Caesar!—explains how she found and transformed a single English country estate into Hedda's entire universe: grand staircase, dark entry hall, sensual bedroom, secret telephone nook, glass conservatory with a deadly chandelier, and a lakeside bonfire that bookends the story. The conversation digs into:How Ibsen's original themes of power, boredom, control, and societal constraints on women informed the design choicesLayering Victorian architecture with Art Deco curves, 1960s-inspired pattern, and bold modern art so Hedda's home feels like a socialite's act of rebellionDesigning Hedda's bedroom as a cold, sensual, almost Hollywood-boudoir space that belongs entirely to herThe engineering and cross-department chaos behind the film's glass chandelier set pieceWhy shooting mostly on location—with minimal VFX—makes the film feel more immediate and theatricalPerfect listening if you love period drama, literary history, and extremely opinionated wallpaper.

This week on the podcast is part two of our interview with Elizabeth Solomeina. She's a Russian-born jewelry designer, and co-founder and managing director of Flying Solo—a retail marketplace for independent luxury designers. She founded Flying Solo to address the need for a central space for designers to sell their work and connect with clients, stylists, and press. Her own jewelry incorporates materials such as topaz, pearls and diamonds and fashions them into Art Deco and Elizabethan-inspired pieces. ​Tune in to hear how Elizabeth's hard work and passion grew an idea into operations in NYC and Paris, and more innovative activities on the horizon!

This week on the podcast is part one of our interview with Elizabeth Solomeina. She's a Russian-born jewelry designer, and co-founder and managing director of Flying Solo—a retail marketplace for independent luxury designers. She founded Flying Solo to address the need for a central space for designers to sell their work and connect with clients, stylists, and press. Her own jewelry incorporates materials such as topaz, pearls and diamonds and fashions them into Art Deco and Elizabethan-inspired pieces. Tune in to hear how Elizabeth's hard work and passion grew an idea into operations in NYC and Paris, and more innovative activities on the horizon!

The Andy Kim Christmas is returning on December 6, presented by the National Music Centre and Le 9e, the gorgeous Art Deco space on the 9th floor of the Eaton Centre that transforms into an intimate concert venue. This year’s show features an incredible lineup of Quebec talent, all coming together to support the Montreal Children’s Hospital Foundation’s Music Therapy Program and the National Music Centre’s future programs in the city. Andy Kim spoke to Andrew Carter. Photo Credit: THE CANADIAN PRESS/Sammy Kogan

Happy Thanksgiving you turkeys!  Enjoy an interview with the gin-u-wine heirs to the Blackball Ferry legacy, brought to you by Friends Of The Boaty Show. Skip to that at around 26:00, or dig in for  your dose of BS silly with an epic Old Boat Ad and Steph's stories from the largest outdoor hot tub park in North America... Spa Nordique!  Boaty Show hats are now available at www.theboatyshow.com/merch. We love you and are thankful for you, thanks for listening!    Jeff: Hi. If you enjoy the Boaty Show, you may enjoy my new audiobook. It's about AI and how we can live with it. You Teach The Machines: AI on Your Terms. Out wherever you get your audiobooks. By me, Jeff Pennington. [Music] Jeff: Welcome back listeners. I'm Jeff Pennington. I'm joined by my co-host... Steph: Stephanie Weiss. Jeff: Sipping on her coffee. It is Sunday, still morning. We, uh, we both have fires going. Mine's downstairs, Steph's is right in front of her in her living room. We're remote, and it's been a minute. We're not gonna talk about that. We're just gonna jump right back in. Right? Steph: Yeah, let's jump right in. Jeff: Jump right in. Like it's summer and we're going swimming again. Steph: Exactly. Exactly. Jeff: We have, uh, we have a show today. We're gonna do a segment on the Puget Sound ferry system—the history of. And we're gonna do, uh... what do we got? We got a "Old Boat Ad" from Jay. He was touring down in, uh, Whatchamacallit, Florida? Sarasota. He sent a picture of an alligator, which I will contend is Boaty. Steph: You want my opinion on that? Jeff: I want your opinion on that. Steph: I mean, it does... it does get from one place to the other. I don't know if they do that without getting wet, but yeah. I admit, boat adjacent. If you've seen an alligator, you wish you were in a boat. I mean, I can think of many ways that alligator is Boaty. Yes. Jeff: That was... that was excellent commentary. Thank you very much. Steph: You're welcome. Jeff: Wait, when you were down there last winter for the fundraising visit and you found that waterfront, that waterfront bar that served like drinks in buckets or something? Were there any alligators around then? Steph: Yeah. Well, yes. We were told there were alligators around, but I didn't see an alligator. But I did see lots and lots of signs about the alligators. Remember the signs? Jeff: In particular that it was alligator mating season. Steph: That's what it was! Yes. "Do not approach the mating alligator" or something super weird like that. Like... yes. That's right. Jeff: And then we did a whole... we did a whole, I mean we might have had a series of bits on alligator mating. And why you weren't supposed to go in the water when they were mating? Was it because it was gross? Because it's like, you know, it's the water that they're mating in and what's all that about? Or because you don't want like the throes of alligator mating ecstasy to like, end up with you getting like, you know, I don't know. Maybe they like bite each other in the midst of all that and you don't want to get confused... like get a body part confused. Steph: Right. Is there more traditional aggression? Right. Are they more aggressive when they're mating? These are questions. And then we had—I think we ended up really wondering whether that was a deep water thing or just a shoreline thing. Like if you're out in the middle, do you have to worry about that? Remember? We had this... this was a whole conversation. Jeff: I think... but I do think that it's ridiculous because... because like, if you see alligators whether they're mating or not, could we all just assume you don't go in the water? I just seems unnecessary, but... Jeff: And we'll count that as the only answer worth taking away because I only recall the questions we had at the time. Uh, and I don't recall any resolution of any of this. So, um, interesting though that Jay... winter-ish, maybe mating season or not. It looked like the picture was a solo... solo alligator. It was just, just an alligator. Unless maybe it was an alligator couple and you couldn't see the other alligator because that alligator was underwater? Steph: Like... that just occurred to me when you said... great minds think alike. Jeff: Yeah. Yeah, I don't know. Steph: We should ask Jay. Jeff: We should ask Jay what was going on. Steph: Or not so great minds think alike. Jeff: All right. All right. So I think we should lead off with, uh, since we're talking about Jay and his trip through Florida—he played at least one show down there, I saw a picture of a backyard concert, looked lovely. Or an outdoor concert I shouldn't say, I don't know if it was backyard or not, looked lovely. And, uh, he sent a boat ad. And since this is his favorite segment, we're gonna do it. Steph: Mmm. Do it. [Music: Old Boat Ad Jingle] Jeff: It's... I can't... It's been so long that we've done this that when we were in the middle of doing it all the time, it seemed completely normal. And now when we're like... we're like four months away from doing it regularly or whatever, and it's like holy [bleep]. What the hell is this? That was a song about old boat ad copy from Jay and that was like... like, you know, I don't know, six months ago I was like, "Well yeah, of course Jay's gonna make a song saying 'Come on Jeff read those vintage boaty advertisements, give us some of them old boat ads.'" And that was like in the midst of it, it was like "Yeah fine." And now it's like, what the [bleep] is this? Oh my god! Steph: And people want... people are like, "Hey man when are you gonna start making that show again?" 'Cause they want this nonsense! Jeff: Oh god. That makes me so happy. It's good to be weird. Steph: It's good to be weird. Jeff: Okay. All that aside, notwithstanding. Let's do it. Okay. Jay found this ad in the wild. I don't know where it was. Um, I'm looking at the picture. It looks like it's in a frame. Maybe it was in like... I'm gonna say it was in a bathroom at a bar that he was at, or a restaurant perhaps, and it was above the urinal and he saw this. It was right in front of his face. "You can't blame a guy for boasting about his new Mercury. Not only pride of possession, but downright satisfaction comes with the ownership of a new Mercury Outboard Motor. When you put a Mercury on a boat, you are completely confident of quick, easy starting and effortless 'hold the course' steering. You know that there will be instant response to every touch of the throttle. Whether you want a burst of flashing speed or just a ripple of hushed power for the slowest possible trolling. The new Mercury with 'Full Jeweled Powerhead'—bears repeating—Full Jeweled, yes like bling bling jewels, Full Jeweled Powerhead gives you greater all-around mechanical efficiency and endurance never before known in an outboard motor. Yes, with your Mercury, you'll experience that pride of possession realized only by those who own the finest." Scrolling down through the ad... that was the main copy presented next to uh, a lovely couple in a, looks like a Penn Yan outboard skiff uh, with an outboard obviously on the back. Um, she of course is reclining. He of course is driving. Um, and he's holding his hand out like, "Ah! Oh my god this is great!" Like out to the side like, "Can you believe it?" "Of course, of course this is great." Um, he doesn't look so polished, he's kind of look got... he's got some bedhead and a t-shirt on. She looks put together. Um, so he must have a great personality. Steph: [Laughs] Jeff: So scrolling down there's like more details. Um, mostly for him because there's like cutaway diagrams and whatnot. So: "The Rocket. A six horsepower precision-built alternate firing twin with sparkling power that will plane a boat beautifully. Yet throttle down for... oh, yet throttle down to a hush for continuous trolling. Another exclusive Mercury first." This is more on the Full Jeweled Powerhead. "Mercury's Full Jeweled Powerhead. Mercury engineers have developed a method of using roller bearings on wrist pins, crank pins, and crank shaft. It results in reduction of mechanical friction, new power and smoothness, readier response to the throttle, many more months of service-free operation than any outboard with conventional plain bearings." "The Comet. A smooth running 3.2 horsepower single. The ideal family outboard. Just right for your car-top boat or the average rental boat. Mercury. Own a Mercury. Matchless and outboard excellence. Kiekhaefer Corporation, Cedarburg, Wisconsin. Outboard Motors. Portable Industrial Engines." There you go. Old Boat Ad. Steph: I have a lot of questions. And an observation. Jeff: Go. Steph: I love how the masthead of this ad if you will—I don't know if that's the right word for it—but it's a... it's a bubble, it's a like a word bubble coming from the guy in the boat, right? "You can't blame a guy for boasting about his new Mercury." I love like the... I love all of the like the um... how proud you should be. Like there's a lot of like, you know, you just... you're just going to boast and it's going to be like everyone's going to be impressed with you. There's going to be "Pride of Possession." Which I think is very interesting. And then what is going on with the jewels? I don't understand the jewels and why are we talking about jewels? There's no jewels in this. Jeff: There's roller bearings. Steph: What is that? And how is it like a jewel? Is it a ruby? Jeff: Well, my guess is given that this is setting the guy up to boast, if it was made out of ruby it would have said that, right? But I can say... Steph: I agree. Jeff: I can say that I don't know whether it's jeweled or made out of a jewel or not. But uh, different... there's different kinds of bearings. I know a little bit about bearings. Not a lot. Steph: Didn't we talk about bearings once before? Jeff: I'm sure we did. I'm sure we did. Steph: I like this sentence... I like this sentence a lot. "The Mercury engineers have developed a method of using roller bearings on wrist pins, crank pins, and crank shaft." What? Jeff: Uh, I don't know what a wrist pin is. I don't know what a crank... was it a wrist pin and a crank pin? Steph: Wrist pins and crank pins. Yeah. Things I didn't know about. But I love... I also love that they're getting into this level of detail right in the ad. This is the good old days. You know what I mean? Like this is... this is the least reductive ad I've ever seen. They're really... they're just... they hit you a little bit with the ego in the top and then they get right into the deep, deep details. I think this is lovely. It was... it was lovely to listen to. Jeff: So you got... I don't know what those pins are. The crank... I don't know. Let's not talk about why you've got bearings or what they're on, but ball bearings are balls. And... Steph: [Laughs silently] Jeff: ...you're laughing silently with our... Steph: Wrist bearings are wrists? Crank pins are cranks? I don't know. Jeff: No. We're not gonna talk about that stuff. We're just gonna talk about the bearings. So you got ball bearings which are spherical, okay? And then you've got roller bearings which are like a... in my mind it's a bearing that's made of a... it looks like a rolling pin, okay? And a ball bearing can... can bear weight while moving in all directions because it's a sphere. Steph: 360. Jeff: Yup. 360 times 360, right? In any direction. And then a roller bearing can bear... bear weight while moving just in like one direction back and forth. One plane I guess. And uh, I know roller bearings because there are conical roller bearings on boat trailers in the hubs of the boat trailer. Um, because the... and they're almost like a rolling pin shape except they're flared a little bit at, you know, toward one end so it's like a slight cone shape. And that's because the axle on your boat trailer has a slight taper to it. And so the wheel spinning on those bearings on that slightly tapered axle shaft has to be slightly... has to match that taper as it spins around and around and around. Um, now, that being said, going from, you know, roller bearings to "jeweled"? That's... that's what I'm talking about right there. Yup. Steph: Full Jeweled. Yeah. I mean I don't know. I guess... you know how I feel about this stuff. I kind of love things that I don't understand and there's a lot here I don't understand. And I think this is a lovely... so we've got two en... Is the Rocket one and the Comet is the other? They have space names. Amazing. Jeff: Yeah. And this was before... this might have been early space era. Yeah. Steph: Yeah. Early space race. Jeff: It look... I like that it's like, it's just a little boat. Nothing fancy. It's just a little tin can. Steph: Yeah. Rockin' out. Or having a great time. They're all proud... proud of themselves. Jeff: They mentioned "Car Top Boats" which was a... that was a big deal in the expansion of boating into the middle class. And... yeah. So Penn Yan, the boat manufacturer, my understanding is they hit it big for the first time with car-top boats. So Penn Yan Car Toppers, you'll still see those around sometimes. And that was like what pontoon boats and jet skis are doing... they did for boating then what pontoon boats and jet skis are doing now. Which is just making it way more accessible. Steph: I hear you. Jeff: Yeah. Steph: I hear you. "There it is. Just right for your car-top boat or the average rental boat." Got it. Yeah. Jeff: Yeah. Give me... give me more opportunity to get in the water without having to be a rich guy with my own dock or a yacht or anything like that. Steph: Mm-hm. Equal opportunity boating. Jeff: E... E... E-O-B. E-O-B-B. Equal Opportunity Boating Board. Okay. Enough of that. Steph: Yes. That's a... that's a worthy goal. Jeff: All right. We're gonna move on to our... our next topic. Which, you know what? Let's... let's step back. What have you been doing lately? Steph: Mmm. That's a great question. Um... Jeff: Have you gone anywhere? Have you gone anywhere fun? Steph: I did. I went to the... I went to the Spa Nordique in... in Chelsea, Quebec. Yes. I did do that. I was... show before the show we were chatting about this. Yes. I did go there with my friend Julie, my personal historian. And we had a wonderful time. Jeff: What is the Spa Nordique? Tell us... You walk up to the Spa Nordique. What's the experience? Steph: Okay. So real... so real quick. It's like... it's not like a spa like people usually think of a spa. It's a "thermal experience." It's got this whole Nordic vibe to it. Everything's made of wood. And it's a very large... it's many acres. And it has tons of different ways to get warm and cold in water. And also not in water. So, for example, there's like ten different outdoor hot tubs scattered all over the place. And there's like fifteen different kinds of saunas. There's like a earth sauna and a barrel sauna and a Russian sauna and a whatever. There's like... And then there's um, also like steam rooms. And there's cold plunges, which is not for me, but for other people. And there's places to eat and drink. And that's it. And you put on a robe, you leave your phone and all your [bleep] behind and you just wander around in this environment for the day. It's very affordable. Like sixty bucks for the whole day, like US. And it is very beautiful and it's very calming. And very relaxing. And it's delightful. And I would recommend it to everybody. So I've been there probably four or five times. And um, it's close, you know it's like two hours away from here. It's not far. And I think it's the largest spa in North America. But it's not like busy feeling. It's very calming and relaxing. Jeff: We're gonna... we're gonna back up to the very... one of the first two... two of the first words you said which was "thermal experience." Steph: Yeah. That's what they call it. Um... yeah, I don't know. I guess you're just getting in warm water. And then you're supposed to get in cold water cause it's good for you, but like I said, that's just not for me. But um... but you know like, it's like good for you. I don't know. You're supposed to like steam yourself and then get... We were... it was like snowing when we were there. There was actually a hail storm that happened. Like a full-on hail storm um, when we were sitting in one of the hot... my favorite hot tub which is like a hot spring kind of a thing. It's up at the top. And um, they totally just started hailing. And it looks like... like accumulating in our hair. It was very exciting. Jeff: Thankfully... thankfully accumulating in your hair and not like... they were baseball sized and like braining you and knocking you out. Steph: Right. No, they were not baseball sized. Which is good news. They were small and they were accumulating and it was very snow monkey. The whole experience is like just being a snow monkey for the day. That's it. That's how... Jeff: Can you make this up? Thermal experience. Be a snow mon... have a... have a thermal expe... we're gonna have to write an ad for this. Have a thermal experience as a... be a snow monkey for the day. Steph: I don't know why that's not their tagline. For... I don't know why not. It makes no sense. Jeff: So the other thing that grabbed me about... about this is you said you leave your phone behind. Which I think is probably healthy because that means that um, people aren't like nervous about somebody taking a picture of them when they, you know, take their robe off and get in the... in the tub or whatever. But also, dude, anything that people do where they leave their phones behind... those are becoming more and more valuable experiences as people just come to the conclusion that their phone makes them sick. And I had this experience recently... did... did an um... one of my book events at uh, the Poor Sethi headquarters in Brooklyn. In Gowanus. Uh, the Gowanus neighborhood of Brooklyn. And afterward, my... my daughter Mary Jane was there uh, and it was the first time she'd come to see one of these... these talks. The book talks. And uh, she brought a few of her friends who had moved to New York after graduating... they all graduated last spring. And they were so psyched. They're like, "Oh my god. Why does it feel so... so like novel to get together in person in a room and talk about something and talk to... with each other?" Because it was a... it ended up being a really interactive session. People were going back and forth to each other. And I started to fade a bit into the background which is what I go for with these... these events. They're kind of like group therapy community workshops about, you know, AI in your life. Not so much what AI is, but like how AI merges into your life. Anyway, at Spa Nordique, it's a thermal experience minus your phone. And you're there for the day or most of the day because you want to get... you want to get as much thermal experience as you can for your sixty dollars. So that's a day without your phone. That's freaking awesome. Steph: Yeah. And when I fir... when we first started going a few years ago, it was pretty much like "Don't bring your phone in here." Like it was like a kind of a rule. Now it's like um, you're allowed to bring your phone, but most people don't. So every now and then there'll be somebody with a phone. But the other funny thing is that... that you know, it's an adjustment going... like you said, you go for the whole day because it's... it's big, there's you know places to stop in and have a bite to eat or get a beverage or whatever. So you really do stay there for a while and you do really disengage from the sense of time. And it's funny how many times you're like, you know, think of things that normally you'd be looking up to your phone but you just don't do it cause you can't. But my... but one funny... one funny thing that happened when we got there was... um... when you first walk in on the left there's this very cool like... like experience. Like it's like a... like they do a Boreal Forest experience and they like um, they like wave branches around and like whatever. So that happens at certain times. So do we really want to do it? Because afterwards you were like rub salts all over your body and then there's like a flash dance bucket that you dump on yourself... you really... you have to be... obviously you need to get involved in something like that. So we were looking at the times. And then we were like... and like Julie and I together are like we're always like a little on the spazzy side anyway. Like it's always... things are always just awkward and weird and great. And like... so we were like, "Okay. So we can come back at one at eleven? Or maybe..." And then it's in like... it's like Canadian time so it's like 1300 and 1500 and we don't know what that means. It's complicated. So it's just... it was so hard. We were like talking about it and... and then this... and we were like, "How are we gonna come back? How are we gonna know when to come back because we don't have phones?" And then um, so then a nice young man who worked at the spa went by and we asked him... The other thing is just constant like language situation going on about wheth... you know we don't speak French. Everybody else does. So you know... and they're very sweet about it. But you know you always have to navigate the fact that you're speaking English. And so we in English ask this nice young man what time it is. And he paused. And I thought maybe it was just because he had to switch into English in his brain. I don't know why. But and he looked at us. And he was like, "Well, right now it's blah blah blah o'clock," and he like explained what time it was and um, the fact that it would be this time in an hour and a half we could come back and the thing would do it again. And then he kind of like looked at us and we were like, "Okay great thank you." And we left. But then later when we came back to actually do the experience, I... we were sitting in the sauna and I looked out and there is a clock so big. Like so big. It's hu... it's huge. It's like... it's like seven feet across. And it was right behind... right behind us when we had asked the guy what time it was! And we realized that like the long pause was like, "Should I just tell them that there's a clock right there? Or should I just be really nice about this and just answer the question and not point out the clock?" Like for sure he was like... are these people being... is this wrong? Are these people... Jeff: Are they... are they messing with me? Steph: ...messing with me? And and he's... he's Canadian but he's also French Canadian so like he he also like... because if you're not French Canadian and you're Canadian the stereotype is like you're just super nice and you're just gonna be super nice and... "Oh of course I'll just tell you what time it is." If you're French Canadian you might be like, "You freaking idiot. Like... I'm glad that you're up here... I'm glad that you're up here you know spending your money even though we can't freaking stand you because you're from America, but..." Steph: It was a lot... there were a lot... yes, there were a lot of components. I love the fact that I think a little bit he was just like, it seemed like if he was like, "Dude, literally a clock right there," then it just would have felt a little less polite. So he didn't say that. And then we had to discover the clock on our own. And um, it was amazing and hilarious. So that was, again back to the time thing. Jeff: I have more soapbox about about that. Um, I'll... I'll do it... I'll do it briefly and try not to go on um, and make it annoying. But uh, when you... you treat your watch as your... as your timepiece... I'm sorry. When you treat your phone as your timepiece, and then you don't have your phone, you end up lost. And you can't conceive that there might be a giant clock on the wall. Although maybe you can conceive of it and you just because you're having a nice day with some beverages and with Julie you don't con... conceive of it. But anyway, this is why I'm always on Instagram, I'm always posting uh, these Sheffield watches. Because if you put on a watch that's just a watch on your wrist and it's not an Apple Watch like all of a sudden you've got the ability to tell time without necessarily getting hit by a bunch of distractions which an Apple Watch is gonna do to you, which pulling... pulling out your phone is gonna do to you. And I'm... I'm huge on this for my kids. I'm like, "Hey like... if you're looking at your phone to tell the time you're like, I don't know, half the time you get pulled in because you see a notification. And now you're looking at your phone more. And now you're more te..." Oh wait, I said I wasn't gonna keep going on and get on my soapbox but... Steph: No, but I hear what you're saying. And at first I was kind of like... you know, I have a thing about Apple Watches because they were like they're meant to be like they don't want to make you... to help people avoid pulling out their phone all the time. But they actually just make people look super rude because you look like you're literally just like, "Um, I don't have ti... like every single time something goes off you're like, 'Uh, is this over? Is it time...?'" You know what I mean? So um, but I hadn't thought about that cause you're right. Whenever you look at your phone, of course there's gonna be notifications and all that's gonna pull you in. And that's... it's a very good point. So yes to watches. Agreed. Jeff: Yep. And I'm gonna I'm gonna bring this all home and make it all Boaty. Ready? All right. Spa Nordique is... Spa Nordique is Boaty because in Iceland outdoor hot spring fed pools and indoor became about because the rate of death by drowning amongst Icelandic fishermen was so high because it's the freaking North Sea. And the last thing you want to do there and there aren't any lakes, right? But the last thing you want to do there is learn how to swim in the ocean. But so that meant the entire population of Iceland whose entire existence was supported by fishing... nobody knew how to swim! And it became a... a public safety, public health, community health like anti-drowning initiative to start... to create public outdoor hot springs... public outdoor hot tubs so that people could learn to swim. Uh, and they sprang up all around the country and it became like part of the culture that you go there to learn to swim but then you also go there to hang out with each other. And um, that's all so that people in Iceland can go fishing, if they go in the drink uh, survive... have a great chance of survival. Boaty. Right? Um, also the... the watch thing. If you have to pull your phone out to tell what time it is while you're out in a boat, you might drop your phone on the deck. You might drop your phone in the drink or off the dock. You also might get distracted by your phone and you're... when you're driving a boat or you're out there in a boat, you probably shouldn't be distracted because A, that means it's taking away from the enjoyment and B, because you might run into something. So... Boaty. Boom. Done. Okay. Steph: So... so learn to swim in a hot spring and buy a watch. Boom. Jeff: And have thermal experiences. Steph: Oh. Jeff: Um... Missy just texted me and called. Um... they just got hit from behind on 76. They're all okay. The cops are there now. Uh oh. Steph: Whoa. Jeff: Hold on a sec. Let me... let me communicate. Steph: Yeah yeah yeah yeah yeah. Jeff: Everybody's okay. They don't need me to call or come pick them up. All right. Good. Well how about that? Steph: Do we have to move on? Jeff: Yeah. Yeah. Steph: I have... I have a th... I have a... one of my... I'll just tell you and you can always like edit this out later if it's boring. But one of the things that's funny about it is when you're at the spa you can tell which are the hot pools and which are the cold pools because there's nobody in the cold ones, right? Um, but there was this one that Julie and I found and they had... they tell you like the temperatures and um, it was empty and we were walking around and it is... I think they said it was like 69 degrees or something like that? But there's nobody in it and it feels cold but then we realized, wait, that's like the river temperature. That's like the temperature of the river, right? In the summer. And then we got in this cold-ish thing and then it was... and that but we got used to it really quickly and it was really delightful and lovely. So we think of it as like that's like the river temperature pool and we... that's the only cold-ish pool that I get in. But it's very nice. Jeff: That... that's awesome because if the river temperature hits 69 degrees we're probably bitching about it cause it's too warm. Steph: Exactly. Exactly right. Jeff: That's awesome. All right. All right we're gonna move on. Uh, next segment. Um, we're gonna play an interview which was uh, listener submitted. So Rob uh, shared this. Some friends of his recorded an interview with the heirs, the descendants of the founder of the Black Ball Ferry Fleet in Puget Sound, Seattle. So we're gonna play that and then uh, I did a bunch of research on all this that we'll talk about after the interview. So here it is. [Interview Segment] I am standing here with the heirs of the Black Ball Line. Yeah. A couple of them. Was that heir or errors? Errors. Probably errors. Doug and Chris McMahon are standing here with you. Doug and Chris McMahon. And our great grandfather was Charles Peabody who came out west in 1885 and started the Alaska Steamship Company and then the Puget Sound Navigation. They were flying the Black Ball flag, which his family owned on the East Coast from 1803 forward. The Black Ball flag's been flying... Nice. ...and uh, his son... I have one on my travel trailer and every time I go camping we post our big full-size flag. Just... it still flies around the region. Yes. She's... she's still flying. And flies in Portland too. So... So and then the state bought it... the ferries in the 50s. And turns out they stopped making money. Started running in the red. Yeah. So. Yeah. So can you give me a brief history of why it's a Black Ball and with a white circle and red in the middle? Well so that's from the Coho. Right. And so the Coho was the last Black Ball ship that's flying. And so they licensed the flag but they added the white circle. And why did they choose that? Well because it was part of the whole ferry system. Okay. And when the Coho started, the Coho started right after... But the original Black Ball flag, which was a red flag with a black ball only, no white circle, was also researched as um, like some kind of a maritime victory award for ships. You know when they when they won a battle or did something good like cannon-neering or something, you know grenade throwing, they would be awarded the flags and they would fly the flag. So it's one of them. I don't recall exactly which one. And the original Black Ball ships that sailed from Brooklyn to uh, England and mainland Europe and back, um, had a Black Ball flag that was a swallowtail flag. So it wasn't a rectangle, it was swallowtail and a giant black ball on the main sail. And they were the first company... Rad. Like pirates. It does look like the hurricane warning flags too. People often catch us about that which is typically a square black in the center of the red. But in some regions it's a round circle just like Puget Sound Navigation's Black Ball flag. Just a couple specific places. They were the first shipping company to leave on a scheduled date. So they were... in the mid 1800s a ship would leave when it was full. Ass in seat. We're leaving at this time. That's right. And the Black Ball said "We're leaving on this date, empty or full." So they changed the industry then. Yeah. So when we were kids we used to get to ride in the wheelhouse every once in a while. Oh yeah. Or if we were with our Grandpa downtown and you'd see all these, you know, basically old men at the time in the 60s, right? On the... on the waterfront. He'd walk up to half of them because they all knew who each were. You know, they worked in shipping or the shipyards together. Yeah. Did he know Iver Haglund? Yes. They lived near one another up in West... up in West Seattle at Alki. Yeah so he absolutely knew Iver Haglund. We also have a relative who was a bank robber. So you know, they... they ran... Keep clam. Keep clam. One of his brothers... One of his brothers was a bank robber. Spent his lifetime in prison. Was on Alcatraz. That's awesome. Twice. So you know... Captains of Industry and... not. Yeah. Pioneers. Pioneers. Please introduce yourself again. My name's Doug McMahon. I'm from Portland, Oregon. And I'm Chris McMahon, Doug's brother. And where do you live? Uh, Des Moines, Washington. Right up here just across the way. Originally from Portland though. We're both from Portland. So nice to meet you. Thank you so much. [End of Interview Segment] Steph: Yeah. But that is... that is... that is very cool. And I think like the... the boat itself is really cool too, right? I remember we talked about the boat once a while ago. Jeff: Yeah. Well there's the... there's the Kalakala and then there's the Coho. The Kalakala is like this really wild uh, streamlined early streamlining Art Deco looking um... I don't know why I say Art Deco I don't really know what that means. Uh, ferry. And then um, and that's that thing's like I think it's just sitting there... maybe it already got broken up. Uh, but it was derelict for a long time. And then the Coho is still operating, which we'll get to. I'm gonna talk this through in a little bit. All right so. Steph: Okay. Jeff: Puget Sound Ferries. So Puget Sound is surrounds Seattle. It's like between Seattle and Victoria British Columbia and there's island after island after island. It's probably my second favorite watery place that I've been to um, after the St. Lawrence River because there's just so much going on. Um, I like islands and inlets and... Steph: It is beautiful. Jeff: Yep. So uh, this presented a big challenge for getting around back in the day. Uh, because if you wanted to get out to one of these islands cause there's timber out there or other resources or because you wanted to live out there, um, yeah you had to take a boat. And the shortest distance between two points on land on the quote mainland was sometimes a boat, not or by water, not necessarily over land. So uh, there were ferries that that got established. And the... there's like three big eras of ferries um, in in the Puget Sound. The first is the "Mosquito Fleet" era which was like 1850s to the 1920s. And it's when people really nailed down and commercialized the... the ferry as transportation infrastructure and the waterways are now how people get around, right? Um, and it helped develop the region. So um, like before the 1880s or so uh, it was all about steamboats. And the... the first steamships that got there cause you had to go basically either come from Asia or go around uh, the tip of South America back in the day before the Panama Canal to get to this place. So the Hudson Bay Company sent the SS Beaver in the 1830s which showed how uh, steam power... Steph: Beaver... Jeff: Yeah yeah... Steph: [Laughs] Thank god for the Canadians. All right. Jeff: The Hudson's Bay Company sent the SS Beaver like around the horn uh, even better... Steph: [Laughs] Jeff: In the 1830s. So uh, all of a sudden like you've got a steamboat that's like cruising around Puget Sound and it works out. Um, and the... the Americans, I think the Canadian... I don't know a lot about the Canadian history of the West Coast but the American history of the West Coast uh, was like, you know okay... 1849, 49ers... uh, the West like opened up in a... the West Coast opened up in a big way because of the Gold Rush. Um, but then timber became a huge deal. Probably more money made in timber than in uh, gold at that point. But the first American steamboat was the SS Fairy. Okay? Begins scheduled service in the 1850s and it linked uh, Olympia and Seattle. And roads were hammered. It was just mud, you know, nothing was paved. Uh, you definitely wanted to be on a... on a steamer. Maybe a sidewheeler like, you know, old-timey sidewheelers on the... on the Mississippi. Um, but it was really the only way that mail and your goods and s... goods and people got from town to town on the Puget Sound. So that was like early steamboats pre-1880s. And then in the 1880s uh, it really started to take off. So as the area developed, the... the something happened called the Mos... the Swarm, right? So the swarm of the Mosquito Fleet. Hundreds of small um, independent privately owned steamships pl... basically started creating a dense network and they were all competing with each other. Cause like all you needed was a boat with a steam engine and you could get going. Um, and there were some some famous boats during this time. Fleet... Mosquito Fleet boats. And this was not like, you know, so-and-so owned the Mosquito Fleet, it was just like "Hey there's a swarm of boats out there we're gonna call them and they're all small so we're gonna call them the Mosquito Fleet." Uh, and this is where the names get names get more lame. The SS Flyer, the SS Bailey Gatzert. Steph: Okay. I like SS Fairy. Direct. Jeff: Yeah. Yeah. Uh, and and then there's this huge opportunity and this dude named Charles Peabody who we heard about. We heard from his descendants uh, and we heard about the Black Ball uh, right? From his descendants just a minute ago. Charles Peabody. He shows up with this... this family history of the uh, Transatlantic Fleet where they innovated and um... this is something you're pretty psyched about which is like "Oh okay we're gonna have scheduled service instead of just waiting until we've got a full load and then we'll go. We're gonna leave at noon." Steph: Mm-hm. Yeah. Well I just think it's interesting like I... I remember we talked about this pr... I guess you said maybe with Rob a while ago. I find it fascinating the idea that you would get on a boat and then just wait for enough people to get on the boat to have to leave. That's... I could see how that would be disruptive to your day. Jeff: Yeah. Steph: Maybe hopefully those peop... they didn't have watches. But um, but they uh... but then yeah I guess I would appreciate the fact that you had some general idea of when it might leave. But I can see how the risk would be uh, you had to travel empty some so maybe you just had to... more reliable. It was a leap of faith, right? They were like, "If we make it more reliable then people will use it more." Right? Jeff: Yeah. And scheduled service for trains was probably a thing but, you know, when you've got this big boat you definitely don't want to... you don't want to go empty. And so I can see the commercial interest in like a full boat being there but also like then you're leaving out a lot of people who were like "I don't want to sit around and wait for this." Um, anyway. I don't know. Charles Peabody. Uh, so he... he's a descendant of the people that started the Black Ball Fleet way back in the early early 1800s. He shows up out there and starts buying up the swarm. Um, he creates the Puget Sound Navigation Company, PSNC, in 1898. And then just starts buying up competing Mosquito Fleet companies. Like he bought up the White Collar Line. Steph: Mmm. Jeff: Don't know why it's called White Collar Line. Um, going to guess it was fancy. Uh, and eventually becomes the... the biggest operator. Steph: You said fancy? Jeff: Fancy. Steph: Okay. Jeff: And then what Peabody did, based... based on this research is he figured out that the automobile was gonna be a threat, okay? To... to the ferry fleet because now you've got cars. People buy cars, they want the roads to get better so that they can drive their cars. The roads do get better so more people get cars to drive on those roads. So then he figures out that this is a threat and starts converting his ferries to carry cars. And the rest of the Mosquito Fleet, many of whom he'd bought up in the first place, but the rest of the Mosquito Fleet that hadn't been acquired by the Puget Sound Navigation Company... they're not... they're not as like strategic as he is. They don't start converting their boats to carry cars... he does. So they die off. No more. Right? So now he's got a monopoly. And uh, he officially at... at this point adopts the Black Ball Line as its name. Um, and the flag that we heard about, the red and black ball uh, flag in the in the late 20s. Um, coincidentally also around the time of Prohibition and tons and tons of smuggling of da booze from Canada into the US. I am not... I'm not accusing the Black Ball Line of being involved in smuggling um, but it was going on. And uh, there was succession also in the family. Alexander takes over um, from his dad uh, and uh, they really nail down... And then ah this is where... so then they launch the Kalakala. K-A-L-A-K-A-L-A. Kalakala in 1935. This is the streamlined Art Deco ferry that uh, that we we talked about last time and our friends Rob and Jen and Byron uh, actually went out and checked out um, while it was still floating. And it's just like really cool. Looks like um, you know uh, like early streamlined locomotives and trains. That kind of thing with like really neat windows and and that sort of thing. Um, but that becomes the international symbol of the fleet. Everybody's super psyched about it. Um, so that was like 20s, 30s. And then World War II hits. And um, labor organizing really took off around World War II. Uh, and the ferry workers started unionizing and uh, probably pushing back on on pay and working conditions and hours and stuff. And this monopoly uh, had, you know... being a monopoly is great unless there's a strike. And then your... you know your workers strike and your boats aren't running and people are like "Well [bleep], I gotta get around." So now maybe they figure out that they don't have to take the ferry. Take their car on the ferry, take their truck on the ferry and they um... they go elsewhere and that starts to... to put pressure on the ferry. But also like if you've got to raise wages, um, now your... your margins are lower. Blah blah blah. So um, ultimately uh, the... you know the... there was a... a wartime um, freeze in wages and operations but the... the unions um, really pushed for better wages which put a bunch of strain on the... on the company. And the... the only way that... that the Peabodys could make this all work was uh, with a big fare increase. So they um... pushed for a 30% fare increase to cover their costs. Um, and the... they had... it had gotten to the point where they were being regulated at this point because it was, you know, privately operated transportation infrastructure that everybody relied on. Um, so they were regulated and the state said "Nope." So like, you know, a public utility commission has to negotiate rate increases with their state regulator. So same thing happened here. Um, and Peabody says "Give us 30% more." State says "Nope." And Peabody says "All right, F you." They shut it all down. They shut it all down. And that stranded uh, like all the commuters. And people were super pissed at them for shutting it down. Um, which then turned it into a political moment. And uh, the... you know people, businesses said "Take over this... this as an essential utility." And that's when uh, Washington State purchased all this stuff from... all the ferries and the whole system from the uh, the Peabodys. From the Black Ball Line. And that created the Washington State Ferry System. And as you heard in the... in the um, interview, uh, was running... ended up running at a loss. I don't know if it still does, it may as... as a lot of public transit infrastructure does. Um, but the state bought out the Black Ball Line in... in 51. And um, they bought it out for 4.9 million dollars which in like "today dollars" is still not even that much I don't think for, you know, 16 ships, 20 terminals uh, which is what it was at the time. Um, but anyway they buy it out and start operating on... in June of 51. And uh, the state said "Hey we're just gonna do this until we build all the bridges everywhere." Uh, which didn't really happen. Um, and the Washington State Ferry uh, system just change... they basically uh, did away with the Black Ball livery. Which is like the Boaty way of saying how you paint [bleep]. Um, what colors. Um, so they went from orange to green. Uh, but the... the company, Captain Peabody, Alexander, um, and his family retained the route... the international route between... between Seattle and Victoria. And that is the MV Coho which still runs uh, and it's still the Black Ball Ferry Line. And it um... basically gives you a through line from like the original Transatlantic Fleet that did scheduled service for the first time ever um, and, you know... you're on board or not we're leaving at noon. Through line from like the early early 1800s all the way through to today. The Black Ball line has been continuously running or the Black Ball uh... the... Black Ball family or I'm sorry the Black Ball line has been continuously running cause the Coho is still going. Was launched in 59 but it uh... it's still the um... it's still a major private auto ferry line in the region. And international. So goes back and forth to Canada. Which is what you did when you went to the Hot Springs as well. Steph: Um, yeah. I love that. I love that it's still running. I didn't realize that. Jeff: Yeah. The Coho. I... I was out there for work years ago and I thought about taking um, taking the ferry up to Victoria. There's a high speed... and I don't think it's the Coho. There's a high speed ferry that runs also. Um, it may even go further than Victoria but uh, cause I was like "Oh man it'd be pretty cool to do a day trip to just like take the ferry from Seattle up through the Sound to, you know, wherever. Like get off get a... get some poutine and then come back." Although it's the West Coast I don't know if poutine... I don't know if poutine made it out there or maybe they call it something else. I love ferries. Steph: I do too. And I... I've actually been to that part of the world only one time, but I was... I went to a wedding on Vashon Island. And then um, so yeah I was to... completely taken with how watery and boaty it was and we totally took a ferry there and it was amazing and I loved it. And yes, I agree. Ferries are fun and um, that's some... that's some very cool history. I like it. Jeff: Yeah. Well we're gonna... we're gonna wrap up now. Um, because uh... I just got a call and a text from my wife and she... Steph: Yeah. Jeff: She and Mary Jane... so Missy and Mary Jane got rear-ended. I think Toby too. Got rear-ended on the highway. And uh, they don't need a ride but just in case they do I want to wrap it up. Everybody's okay. Nobody got hurt. Steph: Yeah. Sounds good. Good. Good. Jeff: Yeah. Um, but couple things. One, I am currently wearing a Boaty Show hat. And uh, the hot admin, the lovely Melissa, set up a freaking e-commerce website so that you listeners if you would like can buy a Boaty Show hat and we will ship it to you. We don't really make any money on this. It's... it's all uh, basically break-even. Um, but that can be found at thebodyshow.com/merch. M-E-R-C-H. Merch. Thebodyshow.com/merch. They're... I'm very excited because I've got a big head and we have an extra large hat. Which means that if you usually put like the... the little snappy back thing on like the last two nubbins, the snap back on the last two nubbins... on the XL Boaty Show hat you get... you get to at least on my head you get five nubbins. You can snap five hat nubbins. And it... and it doesn't look like you're cramming a tiny hat on top of your big head. So that's exciting. Uh, there's... there's Heather Grey, Dark Grey, and Navy Blue. And uh, would love it if you guys ordered some um, because uh... it's... it's a cool hat. It's got the boat tractor on it. Steph: Mm-hm. It's the holiday season. Time to go buy some merch for your friends and families. Everybody needs a Boaty Show hat. Jeff: Yeah. Also these were made by Bolt Printing who who we talked uh, about on the show once upon a time. Uh, they're really cool people and... Steph: You love them. Jeff: I do. I do. And they made a video of the hats getting made that I'll I'll try and repost. Um, and the other thing is that my book is out. So is the audiobook. So You Teach The Machines: AI on Your Terms is available on everywhere you get your audiobooks. Uh, Audible, Amazon, Apple, and then like 35 others. So if you don't mind listening to my voice, uh, I read the book and people are finding it really helpful. And uh, you can support the show and us doing this silly stuff by buying hats and checking out the book. We are gonna wrap it up. Steph: And next time we get to do Photo of the Week. Jeff: Oh yes! Yes. We're bringing back Photo of the Week next time. Um, there have been a bunch of submissions while we've been on our hiatus and uh, we can't wait. So like next week will probably mostly be Photo of the Week discussions. Jeff & Steph: [Singing together] Yo ho ho, that's it for the Boaty Show. Pack the cooler, grab the lines, let's go go go. Yo ho ho... Jeff: That's it for the Boaty Show. Boom we are out. Say bye-bye Stephanie. Steph: Bye-bye Stephanie.  

Stāsta velosipēdu vēstures pētnieks, Saulkrastu Velosipēdu muzeja līdzizveidotājs Eduards Seregins Velosipēds tika izgatavots 1943. gada vasarā Rīgā, Valsts Elektrotehniskās fabrikas (VEF) sporta lidmašīnu darbnīcā. Elegantā velosipēda konstrukcijas autors un izgatavošanas procesa vadītājs bija neviens cits kā slavenais latviešu aviokonstruktors, viens no rūpnieciskā dizaina aizsācējiem Latvijā – Kārlis Irbītis (1904. gada 14. oktobris, Lādes pagasts – 1997. gada 13. oktobris, Kanāda), kurš laikā no 1935. līdz 1943. gadam vadīja Valsts Elektrotehniskajā fabrikas Sporta lidmašīnu būves nodaļu. Kā atceras Kārļa Irbīša līdzgaitnieki, viņa konstruktora talantam un izgudrotāja domu lidojumam nebija robežu. Slavenā vīra vadībā, kurš pamatoti tiek dēvēts par Latvijas aviobūves spožāko dārgakmeni, ir radīti ne tikai lidaparāti. Savulaik Kārlis Irbītis ir konstruējis un izgatavojis vairāku unikālu modeļu automobiļus, īpašu motociklu un arī šo velosipēdu, kurš tika izgatavots vienā eksemplārā. Velosipēds ir ievērojams ne vien ar savu lielisko "Art Deco" stila dizainu: abi velosipēda riteņi ir aprīkoti ar atsperēm, taču pakaļējā riteņa komfortam radīts speciāls hidraulisks monoamortizators, kādi velosipēdu ražošanā oficiāli parādījās vien 80. gados, ienākot modē kalnu divriteņiem! Šādu piekares veidu Irbītis saskatīja par perspektīvu jau tālajā 1943. gadā. Savās atmiņās velosipēda pasūtītājs un faktiskais īpašnieks Aleksandrs Egle 1989. gadā rakstīja: "Kad velosipēds tika izgatavots, to izmēģinājām VEF pagalmā daudzu skatītāju klātbūtnē. Uz ceļa ik pa dažiem metriem nolikām pusapaļas malkas šķilas. Ieskrējos un lielā ātrumā braucu tām pāri - noklakšķēja atsperotie riteņi un visiem bija liels brīnums par šo skaisto, jauno velosipēdu." Ziņa par konstruktora Kārļa Irbīša meistardarbu tika publicēta arī laikraksta "Tēvija" 1943. gada 24. jūlija numurā. Avīze diezgan detalizēti aprakstīja velosipēda konstrukciju un pieminēja, ka būvei lietots saplākšņu fabrikā "Potempo" sagatavots augstvērtīgs bakelizēts koks un G. Ērenpreisa firmas divriteņu metāla daļas. Interesanti, ka līdz mūsdienām ir saglabājies arī Kārļa Irbīša pašrocīgi izgatavotais šī velosipēda zīmējums, kurš šobrīd glabājas VEF vēstures muzejā Rīgā. Skaistā koka divriteņa rāmi rotā paša konstruktora firmas zīme – lidojoša kaija; tāda pati kā tās, kuras greznoja arī Kārļa Irbīša būvēto lidmašīnu sānus. Velosipēds līdz mūsdienām ir saglabājies absolūti nevainojamā stāvoklī un apskatāms Saulkrastu Velosipēdu muzeja kolekcijā. Šī velosipēda radīšana visciešākā veidā ir saistāma ne vien ar velorūpniecības vēsturi Latvijā, bet arī ar Latvijas aviāciju un lidmašīnu būvi mūsu zemē.

We begin on High Street Kensington, where two grand department stores – Barkers and Derry & Toms – stand as gleaming monuments to the Art Deco age. From there, it's off on a journey through one of the most elegant design revolutions of the twentieth century. Art Deco: what it is, where it came from, what to look for. The clean lines, the geometry, the glamour – a “return to order” after the chaos of the Great War. Paris leads the dance, London joins in, and the world never looks quite the same again. There's a stop in Paris for a feast of Deco at the Louvre – and a little feast of another kind at Le Hangar, my favourite Paris restaurant – before we return home with news of new London Walks, new guides, and Christmas just beginning to sparkle

Divorces come in several stages – physical, financial, legal, and emotional. The latter might be the hardest if ever to achieve. As one reporter learns with a slap in the face.November 1933, opera singer Mary McCormic and Prince Serge Mdivani are officially divorced. But when Mdivani biographer Grace Williams tries to expose the terms of the settlement, Grace faces Mary's wrath.Other people and subjects include:Prince Alexis Mdivani, Princess Barbara Hutton Mdivani, Louise Van Alen – formerly Princess Mdivani, Prince David Mdivani, Mae Murray – formerly Princess Mdivani, Princess Nina Mdivani Huberich, Princess Roussadana “Roussie” Mdivani Sert, Pola Negri – formerly Princess Mdivani, Samuel “Sam” Insull, Michael Luddy, city editor, photographer, William K. Vanderbilt III, Virginia “Birdie” Graham Fair Vanderbilt, William K. Vanderbilt II, Brooke Hart, Northwest Mounty, slap, million dollar lawsuit, Faust opera, taxi, secondhand automobile, United Airlines, Assistance League Tea Room, Cocoanut Grove, Hollywood club, Los Angeles Times, Los Angeles Times building, Liberty Magazine, Pacific Shore Oil Company, pawnshop, Los Angeles, Paris, New York, Omaha, Detroit, Arkansas, Texas, evolution of sources, tracking down information, The Mdivani Saga by David Gigauri, Poor Little Rich Girl by David Heymann, secret unnamed source, “Who Cares” by Serge Mdivani as told to Grace Williams” unpublished manuscript, UCLA, Georgian website, Georgian community, Wikipedia, Joseph Stalin, Harry Sinclair, Teapot Dome Scandal, Washington D.C. social leader, Alabama, British ancestry, Duke of Wellington ancestor, Wellesley ancestor, Clark Gable, “Rhea / Ria” Maria Franklin Prentiss Lucas Langham, Carole Lombard, Gone With The Wind, Joan Crawford, Francois Tone, factual consistency, overplaying connections, 5 Los Angeles Times buildings, Mirror Building, 2 granite castles, Art Deco by Gordon Kaufman, new mid-century in El Segundo, Gutzon Borglum's bronze eagle sculpture, bomb explosion, fire proof, bomb proof, earthquake proof, anti-union, American labor movement, John “J.J.” McNamara, James Barnabas “J.B.” McNamara, Clarence Darrow, Vanderbilt Cup motor racing, Crime of the Century, one of deadliest criminal acts in United States, deadliest crime to go to trial in California, tragedies, humanity, yesterday's news, Will Smith, Chris Rock, 2022 Academy Awards, retrospectives of Mary McCormic slap, Ventura County Star, Tampa Times, Morning Call reprint, Louvre jewel heist, jewel history,…--Extra Notes / Call to Action:Fellow podcasters @WhatsHerNameWhat's Her Name Podcast by Dr. Katie Nelson and Olivia Meiklehttps://whatshernamepodcast.com/https://pod.link/1320638747Goodpods ranks As The Money Burns in Top 8 Indie Documentary PodcastsBest Documentary Podcasts [2025] Top 8 Shows - Goodpods#4 in the Top 100 Indie Documentary Weekly chart#8 in the Top 100 Indie Documentary Monthly chart#15 in the Top 100 Indie History Weekly chart#18 in the Top 100 Indie History Monthly chart#25 in the Top 100 Indie Society & Culture Weekly chartgoodpods.app.link/4PeLmbBvAqbThe Mdivani Saga by David Gigaurihttps://www.amazon.com/Book-9781835740736-David-Gigauri/dp/1835740731https://www.instagram.com/mdivanisaga/The Silver Swan: The Search for Doris Duke by Sally Binghamhttps://www.amazon.com/Silver-Swan-Search-Doris-Duke-ebook/dp/B078X21PDTShare, like, subscribe--Archival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: Organ Grinder's Swing by Jack Payne, Album The Great British Dance BandsSection 2 Music: Umtcha, Umtcha, Da Da Da by The Rhythmic Eight, Album Fascinating Rhythm – Great Hits of the 20sSection 3 Music: Turkish Towel by The Savoy Havana Band, Album Fascinating RhythmEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands--https://asthemoneyburns.com/X / TW / IG – @asthemoneyburnsX / Twitter – https://x.com/asthemoneyburnsInstagram – https://www.instagram.com/asthemoneyburns/Facebook – https://www.facebook.com/asthemoneyburns/

  Thank you for tuning in to Episode 308 of the Down Cellar Studio Podcast. Full show notes with photos can be found on my website. This week's segments included:   Off the Needles, Hook or Bobbins On the Needles, Hook or Bobbins From the Armchair In my Travels KAL News Events Life in Focus On a Happy Note Quote of the Week   Thank you to this episode's sponsors: Stitched by Jessalu, Suburban Stitcher, The Wandering Purl & agirlandherwool   Off the Needles, Hook or Bobbins   Born to Be Mild Socks Yarn: Hypnotic Yarn Plush Sock in the Born to Be Mild Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page   Granny Square Chicken Yarn: Knit Picks Felici Worsted in the Palm Springs Colorway Pattern: Granny Square Chicken by Sweet Softies- $3.99 crochet pattern on Ravelry. Hook: G (4.0 mm) Yarn- self striping with cream, rust, peach, dusty pink, dusty orange. I didn't change color between rounds- I just let the self striping yarn do its thing. I used an organza bag to put the polyfill in. Put the tortoise shell glasses I bought at Another Yarn on her but they're a little big.   Essex Beanie Pattern: Essex Beanie by Justine Walley (AlyseCrochet). $5 crochet pattern available on Ravelry Yarn: Berroco Ultra Wool in colorway 3361 Kale (used 68g/ 148 yards for the hat, before the pom pom) Hook: I (5.5 mm) Ravelry Project Page   On the Needles, Hook or Bobbins   Sheri's Christmas Socks Yarn: Gusto Wool Echos in Colorway 1515 Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page I cast this on to bring to Rhinebeck on my Lemonwood Mini Minder (I have this Art Deco one) so I could walk and knit.   Traveler Sweater Pattern: The Traveler by Andrea Mowry ($9 pattern available on Ravelry & the designer's website) Yarn: Hazel Knits Small Batch Sport (90/10 SW/Nylon) Needles: US 3 (3.25 mm) & US 4 (3.5 mm) Ravelry Project Page Body was done and seamed before I left for Rhinebeck but I had to rip back the sleeve twice because I mis-read the instructions. Finally on track now.   Yarn Cozy Lite Yarn: Cascade Heritage Yarn (75% SW Merino 25% Nylon) in the Highlighter Guava colorway Pattern: Yarn Cozy Lite by Knitty Natty- $6 pattern available on Ravelry Needles: US 1 (2.25 mm) Progress: I have about 1 inch of knitting left.   Game Day Party Socks Yarn: Mandi's Makings SW Merino Fingering Weight Yarn in the Pigskin '25 Exclusive Game Day Party Colorway. Green mini skein for heel from Goosey Fibers (Wizard of Oz Advent Calendar yarn) Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Ravelry Project Page   Pucker Brush Farm BFL Sweater Spin Fiber: 16 oz of multi colored BFL roving from Pucker Brush Farm (purchased at Rhinebeck 2025), 4 oz Merino in a mustard color Ravelry Project Page I am planning to knit a Traveler sweater inspired by Emily Curtis' handmade version- click here for her Ravelry Project Page. I was thrilled to see a recent post on Emily's Instagram that she made a YouTube video about this spin/knit. Emily made a 2-ply where   Gary's LeHigh Hat Pattern: Turn a Square by Jared Flood. $5 knitting pattern available on Ravelry & Brooklyn Tweed Site Yarn: Cesium Yarn Strong DK ( 75% SW Merino/25% Nylon) in the One More Sleep Colorway Needles: US 5 (3.75 mm) & US 7 (4.5 mm) Ravelry Project Page   From the Armchair   The Names by Florence Knapp. Amazon Affiliate Link.   Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.   In My Travels Rhinebeck 2025   Friday Highlights: Seeing Kacey of Kacey Knits in person at Indie Untangled Seeing Maggie of Yarnaceous Fibers, Emily of Fan Girl Fibers & Jamie of Pacific Knit Co Seeing Christy of Yarn Cafe Creations (she signed up as a Snack Shack Sponsor and donated a skein of yarn)- she also had these cool trinket dishes. I bought 3 for gifts! Love them. Of Dust and Dew had beautiful pottery. I waited too long and didn't get the chicken vase I had my heart set on. It was my first time at A Woolen Affair. Ran into Lori & Justine of Skein Yarn Shop in RI & co-hosts of the Skein Scoop Podcast on Youtube. and their friend Hope of Hope Made Yarn Co. I was thrilled to bump into friend Sarah- themartiniknitter and Katie from Twice Sheared Sheep They had a beautiful art installation called Tributary- "A collective art installation as a celebration of community, creativity and collective power."   Saturday & Sunday Highlights: Saturday- we met up with our friend Lauren (lbeth21) and we spent the day together. Lauren kindly gifted me two bars of her homemade soap. Check out her Instagram- Happy Cat Suds (website coming soon) One our first stops was to see Jess and Roger of Stitched by Jessalu. It was an emotional visit and we didn't get a photo together. Across the barn, we saw Beth (mdquilter) along with Pigskin Sponsor Kim Shaffir. 2p Meet-up: Thank you to everyone who came out. Sunday morning we started with breakfast at a diner before heading to the fairgrounds. We made it over to see Amy of Ross Farm. I ran into Hope again and she gifted me a beautiful sock set from her yarn store-Hope Made Yarn Co. Sunday we left around 3/3:30p drove through Saugerties to get dinner so we popped into The Perfect Blend yarn store before we ate.   KAL News   Pigskin Party '25 Event Dates: KAL Dates- Thursday September 4, 2025- Monday February 9, 2026 Find everything you need in the Start Here Thread in the Ravelry Group Official Rules Registration Form  (you must be Registered to be eligible for prizes) Enter your projects using the Point Tally Form Find the full list of Sponsors in this Google Doc. Coupon Codes are listed in this Ravelry Thread Exclusive Items from our Pro Shop Sponsors are listed in this Ravelry Thread Questions-  ask them in this Ravelry Thread or email Jen at downcellarstudio @ gmail.com   Updates In This Episode Our Official Sponsor for Quarter 1 (October): Love in Stitches with Knitty Natty is hosting a Cozy Up Challenge. Check out the details in this Ravelry Thread. Remember, projects need to be finished by 10/31 but you can enter for points until 11/5/25. Official Sponsor for Quarter 2 (November)- Twice Sheared Sheep is hosting the Count On It Challenge. Details in this Ravelry thread. Official Sponsor for Quarter 3 (December)- Suburban Stitcher (minis will be involved) Official Sponsor for Quarter 4 (January)- Yarnaceous Fibers Charity Challenge (runs through Thanksgiving)- details in this Ravelry Thread (21 of you have already asked for the address to mail in items! THANK YOU). Please email me to request the address. Pink Challenge (runs through 10/31)- details in this Ravelry Thread.   Commentator Update There's been a lot of activity in the huddle thread recently. Players have been discussing a range of interesting topics such as: * strategy for shopping at fiber festivals, which was partially inspired by Rhinebeck but certainly applies to any festival * suggestions for patterns to use up mini-skeins  * recommendations for cruises * board game recommendations * how to balance manicures with crafting time * ideas for handmade gifts for someone going into memory care * and what to do when you've simply lost interest in a project   As usual, if you can't keep up--just jump in!     I also wandered over to the endzone dance thread today. Unsurprisingly, there are a lot of pink projects, cozies, and pink cozies! But players have also recently finished a few Halloween themed projects Links below go to Ravelry: * Karen805 finished a Spiders in the House MKAL Shawl that is super cool! It even includes a colorwork spider motif! *Chiamira finished a Halloween Party Cowl that is all over colorwork and includes cats dressed up like pumpkins! * Cbass and Adrie9 finished Gnettle and Gnumpkin gnomes (from sponsor Imagined Landscapes) * and following up on a previous report, Sandima finished the Wednesday costume for her porch goose...so cute!   I am always amazed by the huge variety of projects that pigskin partiers complete!  It is so fun to see what everyone likes to create!   Events The Fiber Festival of New England. November 1 & 2 Sunkissed Fiber Festival: January 24-25, 2026- just outside Tampa, FL   Life in Focus I shared a bit about my recent fibromyalgia pain flare.   On a Happy Note 300 Paintings at ART Bethany of the Wandering Purl sent me 2 of her Pigskin exclusive bags with notions pouches! Dad and I went to my nephew Garret's hockey game together. The foliage is gorgeous this year. I signed up for Lauren (agirlandherwool) self striping club and got my first skein! Its great! Love is Blind Season 9- it was a wild and crazy season. I enjoy chatting about it with my friend Laura and am thrilled that the reunion will air while I'll be in NYC with her. So many deer in the yard in the last week and even a buck who has made a few appearances. We had fun at a friends' movie night watching Young Frankenstein.   Quote of the Week   "When I despair, I remember that all through history the way of truth and love have always won. There have been tyrants and murderers, and for a time, they can seem invincible, but in the end, they always fall. Think of it--always."   ― Mahatma Gandhi   ------ Thank you for tuning in!   Contact Information: Check out the Down Cellar Studio Patreon! Ravelry: BostonJen & Down Cellar Studio Podcast Ravelry Group Instagram: BostonJen1 YouTube: Down Cellar Studio Facebook: https://www.facebook.com/downcellarstudio Sign up for my email newsletter to get the latest on everything happening in the Down Cellar Studio Check out my Down Cellar Studio YouTube Channel Knit Picks Affiliate Link Bookshop Affiliate Link Yarnable Subscription Box Affiliate Link FearLESS Living Fund to benefit the Blind Center of Nevada Music -"Soft Orange Glow" by Josh Woodward. Free download: http://joshwoodward.com/ Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.  

Class One of The Art of Influence opens with The Wizard of Oz—how Production Designer Cedric Gibbons and Set Decorator Edwin B. Willis built Oz from the ground up. I unpack the sepia-to-color switch, Munchkinland's circular plan, the Yellow Brick Road as a story spine, Emerald City's Art Deco vocabulary, the Wizard's forced-perspective corridor, and why the sets still feel alive today. This episode is free; the full masterclass—covering MGM's greatest builds and their ripple effect on modern film and TV—is available on my site.Keywords: Wizard of Oz, production design, set decoration, Cedric Gibbons, Edwin B. Willis, MGM, Technicolor, Emerald City, Yellow Brick Road, Munchkinland, classic Hollywood, film design, set decorator, art direction, film history, visual storytelling.

In this episode of Jo's Art History Podcast, Jo McLaughlin is thrilled to welcome back to the podcast art historian, writer and comedian Verity Babbs, who is here to talk to me about her brand-new book, The History of Art (In One Sentence).The book's synopsis is as follows:What's so special about Dutch paintings of cheese? When does Art Nouveau become Art Deco? Why were the Pre-Raphaelites obsessed with gingers? Who thought it was a good idea to put a big dead shark on display? In this book, comedian and art historian Verity Babbs journeys through 50 key art movements across history, answering 10 questions for each in just one sentence. Within these fascinating, and sometimes hilarious, nuggets of art wisdom, Verity covers everything from who inspired the movement and its impact on history, to the key artists and artworks for each. Spanning 500 years – from the Renaissance to the Young British Artists – this wonderfully illustrated book is for anyone who wants to learn more about art and also have a little giggle along the way.Guest Details:Verity Babbs - UK-based Find Verity online:Website: https://www.veritybabbs.com/Instagram: https://www.instagram.com/veritybabbsartHost Details:Jo McLaughlin is the creator and host of Jo's Art History Podcast, an art historian, writer, and passionate storyteller dedicated to making art history accessible and engaging for all.Find Jo online:Website: ⁠www.josarthistory.com⁠Instagram: @josarthistoryLinkedIn: Jo McLaughlinResources & References:You can purchase the book from all good retailers. Support the Podcast:If you enjoyed this episode, please leave a review and rating on whatever platform you are listening on. Your support helps us reach more art lovers!Follow Jo's Art History Podcast for more episodes on Itunes, Spotify or wherever you listen to podcasts.Let's keep the conversation going! Share your thoughts on social media using #JoArtHistoryPod and tag us @josarthistory.If you would like to purchase a book from my Amazon wish list as a gift to say thank you and support a future episode, please do so here:https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_shareThanks for listening!

ART DECO celebrates 100 years. The enduring 20th century's art movement is recognised as transformative, but what really makes it so special? In this episode, author, collector and all round creative Claudia Chan Shaw speaks with Tim Stackpool about the history of Art Deco, and how its influence is still being felt today. More information about Claudia Chan Shaw: https://claudiachanshaw.com/ A transcript of the discussion in this episode is available for download here, courtesy of the Australian Arts Channel.

Melbourne's spring property market is heating up, with first-home buyers returning thanks to federal incentives slashing deposits to 5%.   While inner-suburb houses stay out of reach for many, apartments are gaining traction as an accessible entry point – but only if you focus on the right ones for long-term growth.   In this week's episode, Jarrod explains why notional land value – your proportional share of the site's underlying land – separates thriving apartments from stagnant ones, drawing from Wakelin's buyer advisory experience.   As development intensifies and supply tightens, understanding this unlocks apartments that capital growth: The power of notional land in driving appreciation, versus the pitfalls of high-rises with diluted shares Step-by-step guide to calculating your land entitlement and its proportion of the purchase price Top apartment types: Boutique older blocks like Art Deco and 1950s-70s builds on under-capitalised sites Melbourne's value hotspots in eastern and south-eastern suburbs like Boroondara and Stonnington Developer trends targeting these blocks for redevelopment, and hurdles like owner consensus A case study of four apartments sold as a site for 125% uplift, from $1M units to $9M total We enjoy providing you with free insights into the Melbourne property market and property investment more broadly. Thank you for listening.  If you like what you hear, subscribe, like, rate or follow us and tell your friends and family. Investing in property makes sense.  Investing in the right property takes knowledge. To learn more visit www.wakelin.com.au  |  Instagram  |  Facebook  | LinkedIn  |  YouTube  |  Email

Breit, Dorothea www.deutschlandfunk.de, Sonntagsspaziergang

Today on the Grave Talks, we step behind the iron bars of one of California's most haunted jails with Amy Davis of Gothic Paranormal. Based in Jackson, California—a Gold Rush town rich in ghostly history—Amy has spent countless nights investigating the Old Amador County Courthouse and Jail. She has spent years exploring this historic site, uncovering its layered history and paranormal secrets. Beneath its polished Art Deco exterior lies the original 1860s brick structure—a remnant of Jackson's wild frontier days, when justice was swift and not everyone who entered those jail cells ever truly left. From phantom footsteps and unexplained whispers to one particularly active spirit known as Sammy, the courthouse remains a hub of supernatural energy. Today on The Grave Talks, we explore Jackson's haunted past and the ghosts that refuse to fade away. This is Part Two of our conversation. For more information on ghost tours and investigations, visit restoreamador.com. For more information on Amy, follow Gothic Paranormal on Facebook or Instagram. #TrueGhostStory #HauntedCalifornia #OldAmadorJail #GothicParanormal #GhostHunters #HauntedHistory #ParanormalPodcast #JacksonCA #RealHauntings #GoldRushGhosts Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Today on the Grave Talks, we step behind the iron bars of one of California's most haunted jails with Amy Davis of Gothic Paranormal. Based in Jackson, California—a Gold Rush town rich in ghostly history—Amy has spent countless nights investigating the Old Amador County Courthouse and Jail. She has spent years exploring this historic site, uncovering its layered history and paranormal secrets. Beneath its polished Art Deco exterior lies the original 1860s brick structure—a remnant of Jackson's wild frontier days, when justice was swift and not everyone who entered those jail cells ever truly left. From phantom footsteps and unexplained whispers to one particularly active spirit known as Sammy, the courthouse remains a hub of supernatural energy. Today on The Grave Talks, we explore Jackson's haunted past and the ghosts that refuse to fade away. For more information on ghost tours and investigations, visit restoreamador.com. For more information on Amy, follow Gothic Paranormal on Facebook or Instagram. #TrueGhostStory #HauntedCalifornia #OldAmadorJail #GothicParanormal #GhostHunters #HauntedHistory #ParanormalPodcast #JacksonCA #RealHauntings #GoldRushGhosts Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

(02:02) Noem het de ‘kathedraal', de ‘sfinx', of de officiële naam ‘Gebouw A': het gebouw waar Radio Kootwijk beroemd om is. Het 48 meter hoge, uit gewapend beton opgetrokken zendgebouw, ontworpen door Julius Luthmann is een iconisch bouwwerk, te midden van de zandverstuiving. Met rondleider Marc bekijken we het gebouw.  (05:29) De nobelprijs voor de Vrede 2025 is toegekend aan María Corina Machado, de Venezolaanse oppositieleider die jarenlang streed voor de democratie. Het doet denken aan de Oostenrijkse Bertha von Suttner. De pacifiste kreeg in 1905 als eerste vrouw de Nobelprijs voor de Vrede. Ingrid Rollema, Bertha von Suttner-kenner, is te gast. (14:35) Het ligt middenin het ruige zand van de Veluwe: een megalomaan Art Deco bouwwerk, het voormalig zendstation Radio Kootwijk. Het werd in 1923 aangelegd voor communicatie met de Nederlandse koloniën. Te gast zijn technicus Jan Willem Udo en zijn vrouw Leona Udo van der Sloot, beide inwoners van het gelijknamige dorp Radio Kootwijk. Daarnaast is ook historicus Frederik Erens te gast, over het belang van de verbinding tussen Nederland en Nederlands-Indië.  (30:45) Op 29 oktober zijn de verkiezingen. In de ‘Politieke Tijdmachine' vragen we iedere week aan een andere gast: welke politicus uit het verleden verdient juist nu onze aandacht? Deze week vragen we dat aan Simon van Teutem. Zijn keuze: Pieter Cort van der Linden, de liberale premier van Nederland tijdens de Eerste Wereldoorlog.  (39:00) Voormalig bondskanselier Angela Merkel deed afgelopen week gepeperde uitspraken in een interview met een Hongaars online-platform. Ze leek de verantwoordelijkheid voor de Russische invasie van Oekraïne deels bij Polen en de Baltische staten te leggen. Passen haar uitspraken in een langere geschiedenis van Duitse Rusland-politiek? Te gast is Hanco Jürgens, historicus verbonden aan het Duitsland Instituut.  (53:43) Radio Kootwijk is gelegen in de grootste zandverstuiving van Europa: het Kootwijkerzand. Maar deze zandverstuiving, die nu gezien wordt als een wondertje van de natuur, is het gevolg van een grote milieuramp. Honderden jaren vochten Nederlanders hier niet tegen het water, maar tegen het zand. Historisch geograaf Jan Neefjes is te gast.  (01:04:04) In het roerige Berlijn van de jaren twintig ging Die Dreigroschenoper in première – een satirisch stuk met straatliedjes en scherpe humor tegen de achtergrond van het opkomend nazisme. Bijna een eeuw later verkent zanger en performer Sven Ratzke die wereld opnieuw in de voorstelling Dans op de Vulkaan. Wat vertelt de Driestuiversopera over het Berlijn van toen? Sven zelf is te gast.   (01:18:10) Deze week is de column van Micha Wertheim. (01:22:28) Ze werd geboren in slavernij, maar zou haar leven eindigen als vrije vrouw in het hart van Paramaribo: Paulina (1768-1861). Ze groeide uit tot eigenares van een groot huis met totslaafgemaakten. Haar zoon werd plantagedirecteur. Ellen Neslo reconstrueert in De schat van de vrijheid het leven van haar voorouder Paulina. Ze laat zien hoe afhankelijkheid en ambitie met elkaar verstrengeld waren in een complexe koloniale samenleving. Neslo is te gast.  (01:33:10) Sanne Frequin bespreekt drie historische boeken:  De instrumentalist – Harriet Constable (vert. Aarti Rampadarath)  Sloppy Science – Stan van Pelt  De kronieken van de dood – Isabel Casteels    Meer info: https://www.vpro.nl/ovt/artikelen/ovt-12-oktober-2025 (https://www.vpro.nl/ovt/artikelen/ovt-12-oktober-2025)   

This bonus episode includes Lizzi's Autumn style chat with Sadie - her co-host from Modern Beyond Midlife podcast.We both love Autumn styling, especially that we've hit boot season and we debate the whole whether to wear tights or not dilemma.Sadie is off to Burgh Island for a long weekend, which means there is plenty of opportunity to dress up for the occasion. For those of you who don't know what Burgh Island is, it's a small tidal island off the South Devon coast, known for its iconic Art Deco hotel and timeless, old-Hollywood glamour. In my intro I chat tell you about a number of ways you can get extra bonus content - here are the links:Instagram: @lizzi.richardsonBroadcast Channel (on Instagram): Access hereTo get my guide, you have to be a subscriber (it's free) - and you access here to subscribe and Inside The Edit: AW25 link will be in my Welcome email so check your inbox!Be sure to follow this podcast for future episodes and where you can, please rate & review - it all helps! Thank you Lizzi x

fWotD Episode 3076: 70 Pine Street Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 6 October 2025, is 70 Pine Street.70 Pine Street (formerly known as the 60 Wall Tower, Cities Service Building, and American International Building) is a 67-story, 952-foot (290 m) residential skyscraper in the Financial District of Lower Manhattan, New York City, New York, U. S. Designed by the architectural firm of Clinton & Russell, Holton & George in the Art Deco style, 70 Pine Street was constructed between 1930 and 1932 as an office building. The structure was originally named for the energy conglomerate Cities Service Company (later Citgo), its first tenant. Upon its completion, it was Lower Manhattan's tallest building and the world's third-tallest building.The building occupies a trapezoidal lot on Pearl Street between Pine and Cedar Streets. It features a brick, limestone, and gneiss facade with numerous setbacks. The building contains an extensive program of ornamentation, including depictions of the Cities Service Company's triangular logo and solar motifs. The interior has an Art Deco lobby and escalators at the lower stories, as well as double-deck elevators linking the floors. A three-story penthouse, intended for Cities Service's founder, Henry Latham Doherty, was instead used as a public observatory.Construction was funded through a public offering of stock, rather than a mortgage loan. Despite having been built during the Great Depression, the building was profitable enough to break even by 1936, and ninety percent of its space was occupied five years later. The American International Group (AIG) bought the building in 1976, and it was acquired by another firm in 2009 after AIG went bankrupt. The building and its first-floor interior were designated as official New York City landmarks in June 2011, and the structure was converted to residential use in 2016.This recording reflects the Wikipedia text as of 00:37 UTC on Monday, 6 October 2025.For the full current version of the article, see 70 Pine Street on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

A comienzos de 1936, frente al costado sur de la plaza San Martín, irrumpe sobre el cielo de Buenos Aires un rascacielos concebido en una línea moderna, despojada, pero con gestos de Art Deco, convirtiéndose en un verdadero faro para la ciudad.Es el Edificio de Cora Kavanagh, una mujer de raíces irlandesas, viuda y recientemente divorciada, que desafía a la alta sociedad porteña levantando el edificio de renta más imponente de la ciudad, dejando una larga sombra sobre la basílica del Santísimo Sacramento.En una conversación con el arquitecto Marcelo Nougues, autor del magnífico libro “Cora y su Edificio”, rastreamos los orígenes de este icono de Buenos Aires y su creadora, y como se convirtieron en la gran leyenda urbana de esta ciudad.

In this episode, we dive deep into the shadows of Gotham with Joe Sutliffe Sanders, author of Batman: The Animated Series, a scholarly yet accessible exploration of one of the most beloved animated shows of all time. Whether you're a lifelong fan or just discovering the series, this conversation peels back the layers of what makes Batman: The Animated Series so enduring, influential, and artistically groundbreaking.

In this episode we are talking all things colour, from what to paint a snug to make it cosy, to the best colours for greenhouses and fences. We're also diving into separate bedrooms, Jojo's latest read, what Polly is sowing, Ice rollers, Marks and Spencer and being the sandwich generation. This week we are sponsored by Tinker & Tallulah - the makers of the most joyful, handcrafted lampshades. Designed and made in Nottinghamshire by husband-and-wife duo Rach and Liam, each lampshade blends Art Deco opulence with a modern twist - think jewel-toned velvets, playful fringe and timeless design that transforms any corner into a statement. T&T also work with interior designers on residential and hospitality projects, and their custom lampshades can be seen around the world in cocktail bars and restaurants. Explore the full collection at tinkerandtallulah.co.uk and use discount code PODCAST for 20% off your first order.InstagramPodcast - @the_insandouts_Jojo - @houseninedesignPolly - @pollyanna_wilkinsonWebsitesJojo - https://www.housenine.co.uk/Polly - https://www.pollyannawilkinson.com/ Hosted on Acast. See acast.com/privacy for more information.

In the interwar period, a movement emerged that brought together architecture, fashion, and even typography that echoed the hopes, anxieties and ambitions of the early 20th century. Charting the rise of a style that embodied the glamour of a changing world, from flapper fashion to high street cinemas, Emma Bastin talks to Elinor Evans about how Art Deco captured a world racing toward the future. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

[Back to School]Where do new ideas come from? What is the genesis of those masterpieces that have redefined Modernity?At the beginning of the 20th century, a revolutionary artistic movement emerged, with the ambition of changing everything. This movement was Art Deco. A new style, with clean, pure lines that owes its name to an event with global repercussions, held in Paris in 1925: The International Exhibition of Modern Decorative and Industrial Arts.At the heart of this avant-garde event, and amongst the jewels that were awarded the Grand Prix, was a bracelet. Its name: Fleurs enlacées, roses rouges et blanches or “Entwined Flowers, Red and White Roses”. Signed Van Cleef & Arpels, this bracelet was the perfect combination of tradition and Modernity.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Meet Dr. Elefant Yanni, a Swiss psychologist now based in Singapore, who has built a career helping expats and international couples navigate the highs and lows of life abroad. From her first move to Canada, then Korea, and now Singapore, Dr. Yanni shares how each relocation shaped her understanding of relationships, resilience, and the invisible bonds between expats.In this conversation, we dive into the realities of expat life—the loneliness of the “trailing spouse,” the provider complex that can strain couples, and the small daily habits that keep love and family strong when everything around you changes. With practical tips on making friends, cherishing couple time, and knowing when to seek support, this episode is a gentle reminder that while expat life can be challenging, it's also a unique chance to grow, connect, and rediscover yourself.Footnotes

In this episode we are talking all things privacy and screening from curtains to hedges, and all the ways to stop prying eyes. Also this week, Polly has lost her hairdresser, Jojo gives us a lesson in Labubus and we get into the ultimate TV comfort watches. This episode is sponsored by the glorious Laura Vann, maker of the most stunning Art Deco style jewellery. Designed to bridge the gap between fine jewellery and fashion jewellery with timeless, super unique vintage-inspired designs, Laura's jewellery has been seen on Michelle Obama, Anya Taylor-Joy and many more. Use discount code PODCAST for 15% off. Discount codes are valid for online purchases only at lauravann.co.ukEach code is valid until 24th October 2025.Only one discount code can be used per customerDiscount codes cannot be combined with other promotions and are non-transferable, non-exchangeable, and cannot be redeemed for cash.Discount codes only apply to Laura Vann's demi-fine collection (items with a sterling silver base metal) and not on our fine (solid gold) itemsInstagramPodcast - @the_insandouts_Jojo - @houseninedesignPolly - @pollyanna_wilkinsonWebsitesJojo - https://www.housenine.co.uk/Polly - https://www.pollyannawilkinson.com/ Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the Jewellers Academy Podcast, Jessica Rose talks with jeweller and community member Iain Sainsbury to explore his journey through the Advanced Stone Setting Masterclasses program, an advanced training series designed for jewellers ready to refine their fine jewellery and stone-setting skills.   Iain shares how he discovered jewellery-making after career burnout, and why the Masterclasses became the perfect next step in his learning. From tackling the challenges of piercing and decorative collets with Anelia Kuprina, to pushing his stone-setting skills further with Scott McIntyre, and making tiara wedding rings with April Dace, Iain reflects on the breakthroughs, struggles, and valuable lessons he's learnt along the way.   This conversation highlights not just the technical skills taught in the program, but also the importance of community, accountability, and feedback in the learning journey. Iain talks about his philosophy of 'slow making,' the benefits of creating prototypes, and how he has been able to transfer his new skills into his own sand-casting practice.   Whether you're curious about the Masterclasses, looking for inspiration to challenge yourself, or eager to hear from a fellow jeweller's perspective, this episode offers insights, encouragement, and practical takeaways.   Enrolment is now open for the Jewellers Masterclasses. Choose to enrol on one or save by buying the bundle.   Learn more and enrol https://www.jewellersacademy.com/masterclass   About Iain Iain Sainsbury creates his fine jewellery pieces from his studio in South Cambridgeshire where he specialises in one-of-a-kind pieces and bespoke commissions. He enjoys examining classic jewellery styles of the past, from Art Deco to Anglo-Saxon, and reimagining them. lain's favourite techniques include sandcasting and using gemstones and KeumBoo to highlight features and add colour. https://iainsainsbury.com/ @iains_jewellery     Watch Iain's episode of the Handmade Jewellers https://www.youtube.com/watch?v=xLX9GHr9Rx4

A Kiwi writer's obsession with all things Art Deco led her to pen a book set in the turbulent inter-war period in France. Jeena Murphy's novel Rue de Paradis is based on a young woman's experience of fleeing her home village for the bright lights of Paris in 1933, where she finds work as a model for one of the best-known sculptors of the era. His name was Demétre Chiparus, a Romanian emigre, whose ivory and bronze figurines often drew inspiration from the ballet world. But the foundries that produced his work largely belonged to Jews, and were forced to shut in World War II. Jeena's novel imagines the difficulties faced by one of those foundries as the pre-war political tensions started to boil.

This is the story of Sydney House, a transformative mixed-use development that redefines luxury living while honouring over 130 years of built legacy. Rising above the historic facades of the former City Tattersalls Club, this elegant composition is more than just a building—it's a conversation between past and present. From the scalloped rhythms of the tower to the carefully restored Victorian and Art Deco details, Sydney House embodies sensitive addition and contemporary expression. In this podcast, Phillip Rossington, Principal of BVN and Richard Francis-Jones, Design Director of FJC Studio, share some of the key creative forces behind the project and unpack the design philosophy, challenges, and vision that shaped one of Sydney's most refined architectural ensembles.

In the interwar era, artists and designers embraced a sleek modern style that embodied the optimism and elegance of the age. On the centenary of the Paris expo that launched Art Deco on the international stage, this Long Read written by historian Emma Bastin explores its origins and impacts. HistoryExtra Long Reads brings you the best articles from BBC History Magazine, direct to your ears. Today's feature originally appeared in the August 2025 issue, and has been voiced in partnership with the RNIB. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How Morena Built Kodes Through Wholesale and In-Person Pitching   In this episode of Let's Talk Shop, I'm joined by Morena Fiore, the founder and designer-maker behind Kodes, a bold jewellery brand known for statement pieces, Art Deco influences, aromatherapy diffuser jewellery, and her popular glasses chains.   Morena shares her journey of turning a personal story into a thriving brand, how she rebranded with a strong “why,” and how wholesale has helped her grow in ways she never expected. From pitching in person to opticians, to standing out at 100% Optical with a bright and disruptive stand, Morena has taken a less traditional wholesale route and made it her own.   We also talk about how to push past discomfort when selling, managing business growth alongside ADHD, balancing two businesses, and why wholesale can provide both validation and resilience in a changing retail landscape.   If you have ever felt nervous about pitching in person or wondered if wholesale could work for your brand, this conversation is full of practical tips and encouragement. Time Stamps 00:00 Welcome and Introduction 00:52 Morena's Journey into Jewelry Making 02:09 The Importance of Personal Expression 04:15 Support and Community for Alopecia 05:31 Diving into Wholesale and Trade Shows 07:52 Overcoming Sales Challenges 11:39 Tips for Successful In-Person Sales 17:57 Staying Motivated and Inspired 18:40 Exciting Wholesale Opportunities 19:08 Turning Competitiveness into a Game 19:42 Mapping Success and Motivation 20:17 The Importance of Follow-Ups 22:11 Managing ADHD in Business 24:23 Balancing Two Businesses 26:37 Wholesale Growth and Challenges 33:09 Proudest Wholesale Moments 37:02 Where to Find Us Connect with Morena Website: kodes.me.uk Faire direct link: https://faire.com/direct/kodes?utm_source=widgetv2&widgetToken=bw_fj8t66jzfw Instagram: @kodes_accessories Website and SEO services: morenafiore.com   Resources mentioned Sales Growth Lab: smallbusinesscollaborative.co.uk/sales-growth-lab Elevate Your First Trade Show: smallbusinesscollaborative.co.uk/elevate-your-first-trade-show Free Resource for Listeners Want to send stronger, more confident wholesale emails? Download my Email Pitch Checklist: smallbusinesscollaborative.myflodesk.com/checklist Connect with me Website: smallbusinesscollaborative.co.uk Instagram: @small_business_collaborative   Subscribe to Let's Talk Shop on Spotify, Apple Podcasts, or wherever you listen.

The Lengths People Go To Save Their PhonesA new survey says folks would consider doing shocking and disgusting things to make sure they didn't lose or break their device.More than a third (38%) would be willing to skip eating for an entire day if it would keep their phone safe. If they dropped their phone onto subway tracks, one in five (20%) would risk their safety to climb down and pick it up.Another 59% would dive into a pool fully clothed at a wedding and 56% would even dumpster dive to get their phone back.More than half (54%) claim they'd even fish their phone out of a filthy festival toilet.Nope. No thanks, Tom Hanks.End Of Summer CleanoutAugust is the perfect time to give your closet a reset. Experts say you should declutter at least four times a year and this seasonal shift is a natural opportunity to clear out items you haven't been wearing or that don't serve you anymore. Sweat-stained summer clothes that can't be savedBroken beach bags with ripped handles or torn pocketsIll-fitting swimsuits that lost their shape or elasticityWorn-out or unworn sandals that never made it out the doorDuplicate or neglected summer dresses you never reach forUnused accessories like hats, sunglasses, or jewelry that don't fit your current lifestyleTrends For FallSecondhand finds are in-demand, as searches for “thrifted kitchen” have jumped 1,012% and “thrifted decor” searches are up 283%.Statement tiles are having a moment, with searches for “vintage tiles” up more than 1,100%.Art Deco is making a comeback.When it comes to clothing, preppy aesthetics are a hot trend for fall. Pinterest has seen searches for “women's preppy outfits” skyrocket by 47,680% and “preppy chic outfits" are up 2,056%.For beauty, grungey glam makeup will be big, taking inspo from the 90s and 2000s, but with a modern twist. We'll be seeing more pixie cuts, with searches for “chic pixie” up 2,435% and “pixie haircut 90s” surging 724%.Second Date UpdateTrevor and Aly met on Hinge and they both love trivia. They hit up a trivia night for their first date. Has she ghosted after Trevor exhibited "teacher energy?"

This week on The Broski Report, Fearless Leader Brittany Broski enters her gothic era, discusses her recent movie watches, and researches Art Nouveau and Art Deco.  The OFFICIAL Songs of The Week Playlist: https://open.spotify.com/playlist/3ULrcEqO2JafGZPeonyuje?si=061c5c0dd4664f01 

Welcome to Unpacked, America 250, a mini series celebrating the music, art, food, and more that makes America, America—in honor of our nation's upcoming 250th anniversary. The mini series is part of Afar's "52 Places to Travel in the U.S. This Year" package, and in this third episode, host Aislyn Greene takes us to Florida to explore the architectural fantasy that transformed swampland into America's playground. From Henry Flagler's gilded age railroad hotels to Carl Fisher's dredged Miami Beach paradise, this episode reveals how visionary tycoons and bold architects created the Florida Dream—one stunning hotel at a time. On this episode you'll learn How Henry Flagler, Standard Oil vice president, sparked Florida's transformation with luxury hotels along his railroad route from St. Augustine to Key West Why the 1893 Chicago World's Fair and 1914 San Diego World's Fair launched America's obsession with Mediterranean Revival architecture The story behind Carl Fisher's audacious creation of Miami Beach through dredging Biscayne Bay and building Art Deco masterpieces How the 1926 Florida land boom crashed spectacularly due to railroad overload and a devastating hurricane What Streamlined Modern and Googie architecture reveal about America's post-war optimism and space age dreams Why Florida's architectural preservation depends on tourism dollars and high-end development Featured Expert: Jonathan Lammers, an architectural historian based in Tallahassee Learn more about your ad choices. Visit megaphone.fm/adchoices

We Seen't It – “Bad Movies, Good Times”

This is the last of our Tales-recorded episodes, and our final collab with The Speakeasy!Amir, originally from Tel Aviv, runs the cocktail program at one of Manhattan's hidden gems, the amazing Ophelia Lounge on top of the Beekman Tower, one of NY's last remaining true Art Deco skyscrapers, overlooking the UN. He was down at Tales helping us at The Australian Embassy, so myself and Greg dragged him out from behind the bar and into our makeshift podcast studio for a quick martini and a chat - enjoy!Amir on IG: https://www.instagram.com/amirbabayoff/Ophelia Lounge on IG: https://www.instagram.com/opheliany/ Get in touch with Duff!Podcast business enquiries: consulting@liquidsolutions.org (PR friends: we're only interested in having your client on if they can talk for a couple of hours about OTHER things besides their prepared speaking points or their new thing, whatever that is. They need to be able to hang. Oh, plus we don't edit, and we won't supply prepared or sample questions, or listener or “reach” stats, either, and no, you can't sit in on the interview or Zoom.) Retain Philip's consulting firm, Liquid Solutions, specialised in on-trade engagement & education, liquor brand creation and repositioning: philip@liquidsolutions.orgPhilip on Instagram: https://www.instagram.com/philipsduff/ Philip on Facebook: Philip Duff Philip on X/Twitter: Philip Duff (@philipduff) / Twitter Philip on LinkedIn: linkedin.com Old Duff Genever on Instagram: Old Duff Genever (@oldduffgenever) • Instagram photos and videos Old Duff Genever on Facebook: facebook.com Old Duff Genever on X/Twitter: ...

This week, I am re-sharing an episode from 2021 where I cover the history of Atlanta's City Hall...not just the Art Deco masterpiece you can see today, but also the places that no longer exist. Where they were, how we got them and what their fate was. Our current City Hall (the 4th one in history), was built in 1930 and brought forth something called the Atlanta Graft Ring - an epic corruption scandal that brought down a mayor and won the Constitution a Pulitzer Prize.  Want to support this podcast? Visit here Email: thevictorialemos@gmail.com Facebook | Instagram 

[Summer of Epics]Where do new ideas come from? What is the genesis of those masterpieces that have redefined Modernity?At the beginning of the 20th century, a revolutionary artistic movement emerged, with the ambition of changing everything. This movement was Art Deco. A new style, with clean, pure lines that owes its name to an event with global repercussions, held in Paris in 1925: The International Exhibition of Modern Decorative and Industrial Arts.At the heart of this avant-garde event, and amongst the jewels that were awarded the Grand Prix, was a bracelet. Its name: Fleurs enlacées, roses rouges et blanches or “Entwined Flowers, Red and White Roses”. Signed Van Cleef & Arpels, this bracelet was the perfect combination of tradition and Modernity.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts. Written by Martin Quenehen and Aram Kebabdjian, performed by Jean Ann Douglass and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

St Albans offers a perfect day trip from London with its rich Roman heritage, medieval architecture, and renowned foodie scene, all just 20 minutes by train from central London.• Just 20 minutes by train from St Pancras International• Home to extensive Roman ruins including an ancient theatre still used for performances today• Contains the oldest site of continuous Christian worship in Britain - St Albans Cathedral• Features England's only surviving medieval town belfry - the Clock Tower built in 1405• Boasts award-winning restaurants and England's oldest pub, the Fighting Cocks• Birthplace of CAMRA (Campaign for Real Ale) with exceptional independent pubs• Hosts numerous festivals throughout the year celebrating its Roman and medieval heritage• Winner of Best Large Outdoor Market in Britain 2024• Features an Art Deco cinema restored through community donations• Perfect for history lovers with connections to the War of the Roses and famous historical figuresFor more information, visit enjoystalbans.com or follow Enjoy St Albans on Instagram and Facebook.⭐️ Guest - Vivian Cannon, Manager of St Albans City Centre BID

An automotive time capsule awaits discovery in the rolling hills of Montana where approximately 600 vehicles lie scattered across 100 acres of countryside. This extraordinary barn find collection, headed to auction through Vanderbrink Auctions, features everything from 1920s classics and vintage fire trucks to Plymouths, Rivieras, and even a rare 1961 bubble top with intact glass. The remote location adds to the mystique – so far from civilization there's no cell service, creating a treasure hunter's paradise where viewing requires dedication and extraction demands ingenuity.Our hosts dive deep into what makes this auction special, exploring the logistics of purchasing vehicles from such a remote location and imagining creative uses for these automotive relics. The conversation turns playful as they contemplate converting a 1923 American LaFrance fire truck into a mobile barbecue pit, complete with sauce-dispensing hoses – a quintessential example of American automotive enthusiasm and creativity.The episode transitions to Jeff's Car Culture segment featuring extraordinary high-mileage vehicles that have made their way into the Guinness World Records. From a 1964 Porsche 356C with one million miles to the ultimate distance champion – a 1966 Volvo P1800 owned by Irv Gordon that achieved an astonishing 3.25 million miles before his passing. These remarkable stories of automotive longevity reveal not just mechanical resilience, but deep bonds between owners and their beloved vehicles.Marrs rounds out the show with a surprising array of local Houston-area driving destinations, including the Art Deco 1940 Air Terminal Museum, an underwater shark tunnel train ride, and even a zipline adventure park hiding in plain sight. These hidden gems remind listeners that automotive adventures don't always require long-distance travel, sometimes the most unexpected experiences are right in our backyard, waiting to be discovered with the same enthusiasm as a field of forgotten classics in Montana.Be sure to subscribe for more In Wheel Time Car Talk!The Lupe' Tortilla RestaurantsLupe Tortilla in Katy, Texas Gulf Coast Auto ShieldPaint protection, tint, and more!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.---- ----- Want more In Wheel Time car talk any time? In Wheel Time is now available on Audacy! Just go to Audacy.com/InWheelTime where ever you are.----- -----Be sure to subscribe on your favorite podcast provider for the next episode of In Wheel Time Podcast and check out our live multiplatform broadcast every Saturday, 10a - 12noonCT simulcasting on Audacy, YouTube, Facebook, Twitter, Twitch and InWheelTime.com.In Wheel Time Podcast can be heard on you mobile device from providers such as:Apple Podcasts, Amazon Music Podcast, Spotify, SiriusXM Podcast, iHeartRadio podcast, TuneIn + Alexa, Podcast Addict, Castro, Castbox, YouTube Podcast and more on your mobile device.Follow InWheelTime.com for the latest updates!Twitter: https://twitter.com/InWheelTimeInstagram: https://www.instagram.com/inwheeltime/https://www.youtube.com/inwheeltimehttps://www.Facebook.com/InWheelTimeFor more information about In Wheel Time Car Talk, email us at info@inwheeltime.comTags: In Wheel Time, automotive car talk show, car talk, Live car talk show, In Wheel Time Car Talk

This episode focuses on a lovely detail in the grand streetscape of Paris: one specific address in the tony 8th arrondissement, where glass artist René Lalique lived and worked. Lalique mastered not only Art Nouveau jewelry, but Art Deco designs as well. For photos, please check out my website. Thanks as always to Bremner Fletcher for technical expertise and general know-how. The Improbable Walks theme music is performed by David Symons, New Orleans accordionist extraordinaire. 

For our 100th episode of Gem Pursuit, we're throwing it back to one of your Firm Favourites — the legendary house of Lalique. This special episode marks not just a podcast milestone, but also the 100-year anniversary of the 1925 Exposition Internationale des Arts Décoratifs — the defining moment of the Art Deco era, and a showcase for Lalique's visionary designs. We revisit the artistry, innovation, and sheer drama of René Lalique's work, from his pioneering use of materials to the way he blurred the boundaries between fine art and fine jewellery. And to celebrate 100 episodes together, we're playing a one-off game: The Jewel-y-weds Game — where Alyce and Matthew test how well they really know each other after a hundred episodes of sparkling stories, tricky trivia, and heated debates. Thank you for joining us on our Gem Pursuit. Here's to the next hundred! www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck

The speed with which cinema caught the public's imagination is remarkable. The first film screenings took place in the 1890s and just two decades later, in the US alone there were thousands of nickelodeons and other spaces where you could watch a movie. Luxurious picture palaces followed soon after and not just in the West: some of India's Art Deco cinemas are real feasts for the eyes. But the arrival of TV fundamentally changed our relationship with movie theatres and they have struggled to remain central to our film culture ever since.Iszi Lawrence explores the 120-year development of movie theatres with film historian Professor Ross Melnick, Professor of Cinema Studies Daniela Treveri Gennari, cinematographer Hemant Chaturvedi who is documenting India's historic cinema buildings, Chinese cinema researcher Professor Jie Li and World Service listeners.(Photo: Kannappa Cinema, Padappai, Tamil Nadu. 2024. Credit: Hemant Chaturvedi)

Join The Collector Car Podcast for a special conversation with renowned automotive historian and curator Ken Gross as we explore “Roaring: Art, Fashion and the Automobile in France, 1918-1939” exhibit at the Saint Louis Art Museum. This stunning showcase celebrates the luxurious, avant-garde world of 1930s French automobiles and the art, fashion, and innovation that defined the era. Ken takes us behind the scenes of this extraordinary exhibit, highlighting masterworks from Bugatti, Delahaye, Talbot-Lago, and Hispano-Suiza—cars as much at home in a museum as they were on the boulevards of Paris. Learn how the automobile became a rolling sculpture, merging Art Deco elegance with cutting-edge engineering, all set against the backdrop of interwar creativity and glamour.

In just seven short years, Charaf Tajer, the founder and creative director of the brand Casablanca, has proven that the fashion world has room for a multitude of sartorial expressions. His unique blend of old-money style, colorful prints, sporty inspirations and architectural touches has managed to recalibrate the language of contemporary fashion. With roots in Paris and Morocco, Charaf's path to fashion wasn't linear. He cut his teeth in the nightlife scene as the art director of Paris' iconic venue Le Pompon, but was also a creative consultant for Supreme, once upon a time collaborated with Virgil Abloh. But was also a co-founder of the streetwear brand Pigalle before launching Casablanca in 2018. A label born not from trend-chasing, but from a desire to distil elegance, memory, and escapism into clothing. Casablanca isn't just a fashion brand; it's a sensibility. A world where terry cloth tailoring meets Art Deco curves, and where every collection feels like a postcard from a sun-drenched far-flung destination. But behind the silk shirts and saturated palettes lies a precise vision – one that blends nostalgia with modernity and elevates leisurewear into a refined statement of intent. Now, the brand is entering a new era. With two flagship stores about to open – one in Paris and another in Los Angeles – Charaf is bringing his universe into physical form. It's a bold move, but then again, Casablanca was never about playing it safe. As you'll hear, Charaf is a designer who leads with instinct, impeccable craftsmanship, and a sociological eye.

Today on AirTalk, how the local community is dealing with the ICE raids and subsequent protests; an expert weighs in on how to stay sexually active as you age; Altadena residents look to sell their properties after the ravaging Eaton fire and LA's architectural era of Art Deco. Today on AirTalk: How Angelenos are dealing with the protests (00:15) Staying sexually active as we age (33:45) Altadena residents put their homes up for sale (51:06) LA's Art Deco scene (1:19:44)

Send us a textMexico City pulses with energy that spans nearly seven centuries, from its 1325 Aztec founding to its contemporary status as a sophisticated global metropolis. The sprawling capital reveals itself as a layered cultural treasure through the expert insights of Arturo Sanchez, Head Concierge at Andaz Mexico City Condesa Hotel, who shares his perspective on this magnificent city.At the ancient heart of Mexico City, the Zócalo plaza anchors the historic center where visitors can explore the 13th-century Templo Mayor ruins alongside colonial masterpieces like the Metropolitan Cathedral. Diego Rivera's stunning murals depicting Mexican history adorn the National Palace walls, while nearby, the Palacio de Bellas Artes dazzles with its Art Nouveau and Art Deco architecture, housing a Tiffany glass curtain. A few blocks away, hidden murals in the Public Education Secretary buildings showcase Mexico's muralist tradition.Beyond downtown, the cobbled streets of Coyoacán neighborhood transport visitors to another era, where Frida Kahlo's iconic Blue House museum captivates with intimate glimpses into the artist's life. The National Museum of Anthropology stands as an essential starting point for understanding Mexico's complex history through its comprehensive collection of pre-Hispanic artifacts displayed in a stunning modern building.The city's vibrant festival calendar reaches its colorful peak during Day of the Dead celebrations (November 1-2), when locals honor deceased loved ones through offerings, marigolds, and communal gatherings. Mexico City's world-class culinary scene ranges from street tacos to Michelin-starred restaurants, while nearby excursions offer archaeological wonders like the Teotihuacan pyramids where sunrise hot air balloon rides create unforgettable experiences.Mexican wrestling (Lucha Libre) is an acrobatic theatrical performance where audiences choose sides in a communal celebration. As Arturo shares from personal experience, these authentic cultural moments create meaningful connections, revealing why Mexico City remains one of the world's most captivating destinations.**Arturo Sanchez lives in Mexico City and is head concierge at Andaz Mexico City Condesa Hotel there.**Podcast host Lea Lane has traveled to over 100 countries, and  has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to many guidebooks and has written thousands of travel articles. _____Our award-winning travel podcast, Places I Remember with Lea Lane, has dropped over 115 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen. _____Travel vlogs of our featured  podcasts-- with video and graphics -- now drop on YouTube . Please subscribe, like, and comment. ****************************************Website: https://placesirememberlealane.com Travel Blog: forbes.comBlueSky: lealane.bsky.socialX (Twitter):@lealane Instagram: PlacesIRemembe

America and Ukraine have signed a deal to share the profits of extracting natural resources. Our correspondent explains its significance. How the trade war with China will hit US shoppers (8:29). And a century on, why Art Deco is still in style (17:36). Listen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account.  Hosted on Acast. See acast.com/privacy for more information.

America and Ukraine have signed a deal to share the profits of extracting natural resources. Our correspondent explains its significance. How the trade war with China will hit US shoppers (8:29). And a century on, why Art Deco is still in style (17:36). Listen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. 

On this episode, Tony Brueski digs into the enigmatic history of Hotel Phillips in Kansas City, Missouri. Established in 1931, this Art Deco masterpiece has been the site of elegance and tragedy, with tales of a spectral woman in 1930s attire roaming its halls. Tony explores the hotel's architectural significance, its cultural impact, and the chilling events that have contributed to its haunted reputation.   Join us as we uncover the mysteries and spectral stories that make Hotel Phillips a focal point for both history enthusiasts and ghost hunters alike.