Podcast appearances and mentions of jack paglen

Alien: Covenant is a 2017 science fiction action horror film directed and produced by Ridley Scott and written by John Logan and Dante Harper, from a story by Michael Green and Jack Paglen, featuring music composed by Jed Kurzel.  A joint American and British production, the film is a sequel to Prometheus (2012), the second entry in the Alien prequel series, and the sixth installment in the Alien franchise overall, three of which have been directed by Scott.  The film features returning star Michael Fassbender, with Katherine Waterston, Billy Crudup, Danny McBride, and Demián Bichir in supporting roles. The plot focuses on a colony ship that lands on an uncharted planet and makes a terrifying discovery.   If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!         Watch Alien Covenant: https://amzn.to/3dufs6W     Out this Month: Week 1: Shooting the Flames Week 2: Prometheus Week 3: Alien: Covenant Week 4: Outtakes! Patreon: AvP     Coming in September 2022: A Nightmare on Elm Street A Nightmare on Elm Street 2: Freddy's Revenge      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733      Our Patrons: BattleBurrito Benjamin Gonzalez Bennet Hunter Brandon Anderson CenobiteBetty Dan Alvarez Daveruff87 Erica Huff Gia-Ranita Pitt George Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Melissa Albrecht Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Perfecta Erecta Poodie Castle Random Dude Robert B. Sean Homrig The Unknown Patron Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio 

Podcast intro: Alien: Covenant excerpt written by Jack Paglen and Michael Green Follow us on Twitter and Instagram - @Reviewedtodeath Music provided by Groove Witness: www.groovewitness.us Additional music: Das Rheingold: Entry of the Gods into Valhalla by Richard Wagner Read our companion written reviews: imgur.com/user/trojaSpaceBandit Email us: reviewedtodeath@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/reviewedtodeath/message

In this special, early Christmas Day release, Ben and Tao upload themselves into neural noir, cyber arthouse, psychological horror, Observer. As they detangle the convoluted murder mystery, Ben finds his inner Luddite, Tao imagines cyber-limbed, animal-spliced, Super Tao, and discussion veers into dangerous political territory, sordid subject matters, and extensive deliberation over dystopian futurism. Story spoilers late in the pod, but it's a short game, so either play it first or don't complain!   Content Warning: PEGI 17. This is seriously dark and very explicit. Sorry. Also, Tao's cat miaows offensively in the background.   Clarifications: Observer music is by composer Arkadiusz Reikowski The main character is called Daniel Lazarski The upcoming ‘cyber renaissance' game from Greedfall devs, Spiders, is called Steelrising (apparently at Spiders, titles either rise or fall…) The film Ben references on the theme of uploading consciousness is Transcendence, a 2014 American science fiction thriller directed by Wally Pfister and written by Jack Paglen. Anon is a 2018 British-American science fiction thriller film written and directed by Andrew Niccol starring Clive Owen Audio extracts: 'Figment' by Simon Park (from Dawn of the Dead) Multiple tracks from Observer OST by composer Arkadiusz Reikowski Love Actually (2003) feat. Hugh Grant Iron Harvest OST The Coup - Pork and Beef Saw (2004) - and its soundtrack by Charlie Clouser So You Wanna Be A Boxer(Bugsy Malone Soundtrack) by Paul Williams (1976) ANON (2018) feat. Clive Owen Soylent Green (1973) The Herbaliser - Very Mercenary The Simpsons - ‘tis a fine barn Fitter Happier by Radiohead Paranoid Android by Radiohead Elysium A Touch of Frost by Ray Russell Harrison Ford has lost his family (My Wife! My Family! Compilation) https://www.youtube.com/watch?v=4-vjbuodBEU Alien Isolation OST by Christian Henson Toccata and Fugue in D Minor by Johann Sebastian Bach Steelrising trailer by Spiders David Fincher's Se7en (1995) Transcendence (2014) The Matrix (1999) Halo 2 Mjolnir Mix by Marty O'Donnell feat. Steve Vai HCS Raleigh 2021 Slade - Merry Christmas Everybody Patreon: https://www.patreon.com/pixelvisionpod Twitter: @pixelviz Email: pixelvisionpod@gmail.com

We're too far into this now to stop! This episode covers off on the two films in the Alien prequel series - 'Prometheus', and 'Alien: Covenant'. Our final drinking game rule is from podcasting royalty Paul from The Countdown Movie and TV Reviews Podcast. Check Paul out at https://thecountdownpc.podbean.com/ Prometheus is a 2012 science fiction film directed by Ridley Scott, written by Jon Spaihts and Damon Lindelof and starring Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, and Charlize Theron. It is set in the late 21st century and centers on the crew of the spaceship Prometheus as it follows a star map discovered among the artifacts of several ancient Earth cultures. Seeking the origins of humanity, the crew arrives on a distant world and discovers a threat that could cause the extinction of the human species. Alien: Covenant is a 2017 science fiction horror film directed and produced by Ridley Scott and written by John Logan and Dante Harper, from a story by Michael Green and Jack Paglen. A joint American and British production, the film is a sequel to Prometheus (2012) and is the second installment in the Alien prequel series and the sixth installment in the Alien franchise, as well as the third directed by Scott. The film features returning star Michael Fassbender and Katherine Waterston, with Billy Crudup, Danny McBride, and Demián Bichir in supporting roles. It follows the crew of a colony ship that lands on an uncharted planet and makes a terrifying discovery.

ชื่ออังกฤษ : Alien: Covenant ชื่อไทย : เอเลี่ยน โคเวแนนท์ ประเภท : Action, Horror, Sci-Fi ความยาว: 123 นาที ผู้กำกับ : Ridley Scott เขียนบท: Jack Paglen, Michael Green นักแสดงนำ : Michael Fassbender, Katherine Waterston, Billy Crudup สตูดิโอจัดผู้สร้าง : 20th Century Fox, Scott Free Productions สตูดิโอจัดจำหน่าย: 20th Century Fox วันที่เข้าฉาย : 10 พฤษภาคม 2560 รีวิวโดย : @mazeandzest & @eakiros MAG-a-SEEN ตอนนี้ขอเสนอภาพยนตร์มหากาพย์จากผู้กำกับอ่านต่อ...

ALIEN: CONVENANT (2017) Screenplay by John Logan and Dante Harper Story by Jack Paglen and Michael Green Directed by Ridley Scott Scott Free Productions/Brandywine Productions/20th Century Fox 122 minutes, rated R Team Zombie got a chance to attend a press screener of Ridley Scott's latest foray into the universe he created over 30 years ago, and Mr. Adair and Mr. Harvey sit down with Miss Inlow to have a chat about it. It... isn't pretty. Timothy: "Science Lady" is Karine Oram, played by Carmen Ejogo. Dustin: I can't remember names, you know that. Timothy: "Capable Pilot Lady/Tennessee's Wife" is Maggie Farris, played by Amy Seimetz. Dustin: I liked her, but nope. Not going to stick. Timothy: She was good in Wristcutters: A Love Story and Upstream Color, and she's a director and writer in her own right. Dustin: What are you doing here, with this? Timothy: Well, considering one of the problems with this film is how it is crap at establishing relationships between characters, or even defining most of the characters outside of the jobs they do, making them either interchangeable or making some people - you, for example - have to use nicknames like "Science Lady" to remember what they actually do in the film... Dustin: You decided to try and help me by telling me their names and who played them. You know this doesn't work, right? Beth from THE WALKING DEAD was "Daughter-Fodder" for two years, Tim. Two years. Timothy: I continue to hold out hope. Demián Bichir played Sergeant Lope, the head of security. His character was married to the security guy who got sick and, well, spoilers, I suppose. That guy was Nathaniel Dean, playing Hallett, who we know was married to Lope because the Wikipedia page says so. Dustin: I do know who played the young couple I liked, who did the things on the ship and stuff. That was Jussie Smollett and Callie Hernandez. I don't remember the names of their characters because the film doesn't care about that stuff either. Mindy: So are you two going to sit here and throw shade at the film or just let people cut the chase and hear what you really think about ALIEN: COVENANT? Sheesh. Hey Folks-at-Home? Listen to these two tell me all about the movie they saw, here on this special movie edition of Zombpocalypse Now. Then tell us what you think and we'll be back with more undead things next week.

ALIEN: CONVENANT (2017) Screenplay by John Logan and Dante Harper Story by Jack Paglen and Michael Green Directed by Ridley Scott Scott Free Productions/Brandywine Productions/20th Century Fox 122 minutes, rated R Team Zombie got a chance to attend a press screener of Ridley Scott's latest foray into the universe he created over 30 years ago, and Mr. Adair and Mr. Harvey sit down with Miss Inlow to have a chat about it. It... isn't pretty. Timothy: "Science Lady" is Karine Oram, played by Carmen Ejogo. Dustin: I can't remember names, you know that. Timothy: "Capable Pilot Lady/Tennessee's Wife" is Maggie Farris, played by Amy Seimetz. Dustin: I liked her, but nope. Not going to stick. Timothy: She was good in Wristcutters: A Love Story and Upstream Color, and she's a director and writer in her own right. Dustin: What are you doing here, with this? Timothy: Well, considering one of the problems with this film is how it is crap at establishing relationships between characters, or even defining most of the characters outside of the jobs they do, making them either interchangeable or making some people - you, for example - have to use nicknames like "Science Lady" to remember what they actually do in the film... Dustin: You decided to try and help me by telling me their names and who played them. You know this doesn't work, right? Beth from THE WALKING DEAD was "Daughter-Fodder" for two years, Tim. Two years. Timothy: I continue to hold out hope. Demián Bichir played Sergeant Lope, the head of security. His character was married to the security guy who got sick and, well, spoilers, I suppose. That guy was Nathaniel Dean, playing Hallett, who we know was married to Lope because the Wikipedia page says so. Dustin: I do know who played the young couple I liked, who did the things on the ship and stuff. That was Jussie Smollett and Callie Hernandez. I don't remember the names of their characters because the film doesn't care about that stuff either. Mindy: So are you two going to sit here and throw shade at the film or just let people cut the chase and hear what you really think about ALIEN: COVENANT? Sheesh. Hey Folks-at-Home? Listen to these two tell me all about the movie they saw, here on this special movie edition of Zombpocalypse Now. Then tell us what you think and we'll be back with more undead things next week.

Pappy, Stevie, and Jordan spoil the latest in the Alien franchise - 2017's Alien: Covenant! Bound for a remote planet on the far side of the galaxy, members (Katherine Waterston, Billy Crudup) of the colony ship Covenant discover what they think to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. The mysterious world soon turns dark and dangerous when a hostile alien life-form forces the crew into a deadly fight for survival. Directed by Ridley Scott ... (directed by) Writing Credits Dan O'Bannon ... (based on characters created by) and Ronald Shusett ... (based on characters created by) Jack Paglen ... (story by) and Michael Green ... (story by) John Logan ... (screenplay) and Dante Harper ... (screenplay) PodcastSpoilers.com

ชื่ออังกฤษ : Alien: Covenant ชื่อไทย : เอเลี่ยน โคเวแนนท์ ประเภท : Action, Horror, Sci-Fi ความยาว: 123 นาที ผู้กำกับ : Ridley Scott เขียนบท: Jack Paglen, Michael Green นักแสดงนำ : Michael Fassbender, Katherine Waterston, Billy Crudup สตูดิโอจัดผู้สร้าง : 20th Century Fox, Scott Free Productions สตูดิโอจัดจำหน่าย: 20th Century Fox วันที่เข้าฉาย : 10 พฤษภาคม 2560 รีวิวโดย : @mazeandzest & @eakiros MAG-a-SEEN ตอนนี้ขอเสนอภาพยนตร์มหากาพย์จากผู้กำกับอ่านต่อ...

The path to making a successful science fiction film is one filled with many a traps and pitfalls. The storywriters must be vigilant not to mess with the laws of science, at least not too much; the fictitious elements must be carefully managed so they don't infringe on the story; and above all, the story must be guided by an idea that most viewers could relate to. But even if all these requirements were met, there is always the chance that the old folks at the Academy wouldn't appreciate the effort. Wally Pfister doesn't have to worry about Academy recognition with his directorial debut "Transcendence"; he's got smaller fish to fry. His chicly-named thriller is written by Jack Paglen, who is not widely known indeed. But Christopher Nolan is also on board the project as executive producer, so it is a bit hard to tell who masterminded the brainy script. The story centers on artificial intelligence, nano-technology, mind control and cyborgs. A computer scientist manages to develop a sentient machine before he is assassinated by anti-science activists. In an attempt to save his life, his partner in research and life uploads his consciousness to the AI, which gives the lingering soul unlimited power in an age of information technology. Now, with great power comes great responsibility, but also greater danger, because he is still hunted by his murderers, who seem pretty determined to end his existence as many times as necessary. When I said it is hard to tell who was responsible for the story, I mean it contains the sophistication commonly seen in Christopher Nolan films: the kind of sophistication that programs your mind to think about prescribed questions. It is difficult not to, but if you play along, you are in for answers that totally deviate from what you've been warmed up to expect. From this side of the argument, "Transcendence" is intellectually satisfying. But on the other hand, due to some small, but obvious mishandling of common sense, the film can also be quite annoying. To explain this, we must reveal a little spoiler: when the anti-science activists seek to destroy the AI's internet-based dominance over the world, they plant a virus on a real person and send her to the den of their foe. But the AI practically lives on the internet; the easiest way to reach it is by connecting the virus to any internet interface. But that would mean lack of spectacles, which in turn means a more boring movie. The investors put money on a cinematographer-turned-director to make spectacular, money-making films, so Pfister is compelled to deliver the visual thrill at the expense of common sense.

is the directorial debut of cinematographer Wally Pfister, who used to work with Christopher Nolan. It has received negative to average ratings in the international market. However, in China, where the film is screened in 3D, there seems to be some efforts among the viewers to try and understand the ideas behind the story. The path to making a successful science fiction film is one filled with many a traps and pitfalls. The storywriters must be vigilant not to mess with the laws of science, at least not too much; the fictitious elements must be carefully managed so they don't infringe on the story; and above all, the story must be guided by an idea that most viewers could relate to. But even if all these requirements were met, there is always the chance that the old folks at the Academy wouldn't appreciate the effort. Wally Pfister doesn't have to worry about Academy recognition with his directorial debut "Transcendence"; he's got smaller fish to fry. His chicly-named thriller is written by Jack Paglen, who is not widely known indeed. But Christopher Nolan is also on board the project as executive producer, so it is a bit hard to tell who masterminded the brainy script. The story centers on artificial intelligence, nano-technology, mind control and cyborgs. A computer scientist manages to develop a sentient machine before he is assassinated by anti-science activists. In an attempt to save his life, his partner in research and life uploads his consciousness to the AI, which gives the lingering soul unlimited power in an age of information technology. Now, with great power comes great responsibility, but also greater danger, because he is still hunted by his murderers, who seem pretty determined to end his existence as many times as necessary. When I said it is hard to tell who was responsible for the story, I mean it contains the sophistication commonly seen in Christopher Nolan films: the kind of sophistication that programs your mind to think about prescribed questions. It is difficult not to, but if you play along, you are in for answers that totally deviate from what you've been warmed up to expect. From this side of the argument, "Transcendence" is intellectually satisfying. But on the other hand, due to some small, but obvious mishandling of common sense, the film can also be quite annoying. To explain this, we must reveal a little spoiler: when the anti-science activists seek to destroy the AI's internet-based dominance over the world, they plant a virus on a real person and send her to the den of their foe. But the AI practically lives on the internet; the easiest way to reach it is by connecting the virus to any internet interface. But that would mean lack of spectacles, which in turn means a more boring movie. The investors put money on a cinematographer-turned-director to make spectacular, money-making films, so Pfister is compelled to deliver the visual thrill at the expense of common sense.