British-born American actress
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9 episodes with Katherine Waterston
4 episodes with Katherine Waterston
4 episodes with Katherine Waterston
4 episodes with Katherine Waterston
4 episodes with Katherine Waterston
4 episodes with Katherine Waterston
3 episodes with Katherine Waterston
5 episodes with Katherine Waterston
9 episodes with Katherine Waterston
It's New Movie Monday and we are going back to high school prom -- allll the way back to 1988 when horror tropes like these weren't so played out. Listen to find out how we are coping with this lull in Netflix's Fear Street franchise. Starring: India Fowler, Fina Strazza, Lili Taylor, Chris Klein, Katherine Waterston, Ella Rubin Directed by: Matt Palmer Help us make our first feature length Messed Up Movie: https://www.misfitparade.com/mrcreamjeans Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g
Russ and Jared are spiraling into the high-tech fever dream that is AfrAId (2024), featuring a cast so stacked it feels like a casting director lost a bet: John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, Wyatt Lindner, Isaac Bae, David Dastmalchian, Ashley Romans, Bennett Curran, and Keith freakin' Carradine. There's AI. There's teen angst. There's a dinner party from hell. Is the house haunted? Hacked? Emotionally manipulative? Who knows—certainly not the characters. Join us as we untangle this digital mess, roast some questionable parenting choices, and wonder aloud how many lines of code it takes to ruin a family vacation. (Written by ITMTron)
It's not your eyes playing tricks on you! It's another goofily-stylized movie title. The guys are getting spooky and talking about AI again, this time with the trailer for AfrAId (2024), starring John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, Wyatt Lindner, Isaac Bae, David Dastmalchian, Ashley Romans, Bennett Curran, and Keith Carradine. Stay tuned for the full breakdown episode next week!
In this week's episode of Bingeworthy, host Mike DeAngelo is torn between love and duty when taking on "The Agency." The excellent high-stakes espionage thriller culminates its first season with a finale airing on January 24th on Paramount+ with Showtime. Based on the French series "Le Bureau des Légendes," the show follows a CIA operative's struggle between duty and desire. The series stars Michael Fassbender as Martian, an undercover agent called back to London Station after years in the field. Romance reawakens when the love he left behind resurfaces, sending him into a dangerous game of love vs. international intrigue. The cast includes Jeffrey Wright, Katherine Waterston, Jodie Turner-Smith, Richard Gere, and more. Joining the podcast are Jeffrey Wright and Katherine Waterston, who play Henry and Naomi, two key figures in the series whose layered relationships with Martian reflect the show's balance of personal and professional stakes. Wright, who has played his share of spies and operatives, spoke about what drew him to Henry and how the series offers a grounded perspective on espionage. “Henry intrigues me because he's a by-the-books guy,” Wright explained. “He's a company man, but at the same time, he's human. It's interesting to explore what that duality does to someone—how they shut off parts of themselves while navigating this very real and recognizable world. This isn't James Bond—as much as I love having been a part of that franchise—it's not fantastical. We're drawing from today's headlines, exploring geopolitics and the challenges of the modern world.”
In Jonah Hill's directorial debut, he tackles the world of 90s skateboarding in southern California. Sunny Suljic plays a young boy growing up in Los Angeles, with an abusive older brother (portrayed by Lucas Hedges), and a single mom (portrayed by Katherine Waterston). He soon finds a clique of skateboarders at his local neighborhood skate shop, and all he knows is that he needs to learn how to skateboard, and join the community. The A24 rocks crew invites on 90s skateboarder and NIN super-fan Kyle Kanon to discuss the film's realism. Caution: movie spoilers. Intro- 0:00 to 3:58. Film Discussion- 3:58 to 1:24:35. Film Rating and Outro- 1:24:35 to End. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support
Send us a textEpisode 508 "The Penguin" Actor: Louis Cancelmi One of my favorite actors working today. He was terrific in #ThePenguin #KillersOfTheFlowerMoon and #TheIrishman not to mention #Billions and so much more. He is very much like John Carroll Lynch, low key, usually fuels and steals the show or the projects he's in. Terrific talent. Old school look.Louis Cancelmi.You can currently find Louis in "The Penguin" as Rex Calabrese. He has an amazing filmography highlighted by Killers of the Flower Moon and The Irishman. Louis and I cover serious ground about life, acting, his roles and more. Louis also played undercover agent Mike D'Angelo on "Boardwalk Empire" (HBO, 2010-14), Louis also enjoyed recurring roles on "Blue Bloods" (CBS, 2010-), "Billions" (Showtime, 2016-) and "The Looming Tower" (Hulu, 2018-). Born in Anchorage, AK, Cancelmi studied Theater at Yale College before making his screen debut in dark workplace comedy "New Guy" (2003). He went on to play Balkanin in pre-WW1 drama "Si Laraby" (2003) and guest on "Third Watch" (NBC, 1999-2005) but initially focused on the stage, performing in productions of "Death of a Salesman," "A View from the Bridge" and "Love Lies Bleeding." But he eventually returned to the film world when he appeared alongside actress sister Annie Parisse in indie "First Person Singular" (2009). Roles in family dramedy "Gabi on the Roof in July" (2010), romantic comedy "The Ride of Tom and Valkyrie" (2011), love triangle tale "Green" (2011) and LGBT movie "Gayby" (2012) then followed, as did a brief spot in "The Amazing Spider-Man 2" (2014). Cancelmi then appeared alongside his real-life wife Katherine Waterston and father-in-law Sam Waterston as a theatre director struggling with impending fatherhood in "Please Be Normal" (2014), and then again in his brother-in-law Graham's short film "And It Was Good" (2015). Cancelmi's profile grew considerably when he was cast as undercover agent Mike D'Angelo in Emmy-winning crime drama "Boardwalk Empire" (HBO, 2010-14). A year later he enjoyed a three-episode stint as serial killer Thomas Wilder on police procedural "Blue Bloods" (CBS, 2010-), played a thieving zoo worker on "Elementary" (CBS, 2012-) and added indie movies "Funny Bunny" (2015) and "Manhattan Romance" (2015) to his filmography. After showing up in Doug Liman's virtual reality drama "Invisible" (2016), Cancelmi played violent criminal Jimmy in NYC drama "Tramps" (2016), eco-criminal Owen in "The Blacklist" (NBC, 2013-) and successful trader Victor Mateo in three episodes of "Billions" (Showtime, 2016-). Cancelmi then landed supporting roles in art world satire "Fits and Starts" (2017) and comedy thriller "Green Olds" (2018), shared the screen with Robert De Niro and Al Pacino in hitman biopic "The Irishman" (2018). Welcome, Louis Cancelmi www.mmcpodcast.com https://linktr.ee/mondaymorningcritic #thepenguin #killersoftheflowermoon #billions #theirishman
Welcome back to the Woody Allen Retrospective Podcast for another episode of Woody Allen Adjacent! On this adjacent episode we take a reddit recommendation for a movie that looks and sounds very much like films Woody has made in the past.. in fact, this may very well be a 'homage' to such Woody Allen movies: Manhattan and or Annie Hall! However... upon watching.. it became clear to us this might just be one of the most disappointing, perplexing and just poor adjacent type films we have ever seen, putting adjacent aside, its generally a terrible film in the genre of romantic comedies We are by no means film experts but as fans of the genre that have seen and discussed MANY films of this ilk, its quite astounding to see just how bad this one was to watch. We don't believe we have been this critical since our very first adjacent discussion on Lous CK's 'I Love You Daddy' Let us give praise where it is due thought - props to Scott Miller who was Director of Photography, the visual presentation is actually decent.... PLEASE LET US KNOW IF YOU HAVE SEEN THIS MASTERPIECE BY COMMENTING IN OUR COMMENT SECTION LINK > https://bit.ly/warpcom ------------------------------------ Anyhoo, here are the links we mentioned in the opening news section of the show! Rebecca Hall: I regret apologising for working with Woody Allen (Article Link) - https://www.theguardian.com/film/2024/nov/17/rebecca-hall-i-regret-apologising-for-working-with-woody-allen By The Way Woody Allen Is Innocent Documentary Update (Video) https://youtu.be/WH_LtT0JT54?si=C-S6v6Jrh4eWYDQA ____________________________________________________________ Please check out the links below for the full cast, user reviews, ratings and info you may find interesting Wikipedia: https://en.wikipedia.org/wiki/Manhattan_Romance IMDb: https://www.imdb.com/title/tt2608324/ Rotten Tomatoes: https://www.rottentomatoes.com/m/manhattan_romance _________________________________________ A VERY Special Thanks to The Woody Allen Pages Website & The Woody Allen Subreddit for the continued support and info – check them out for the latest from the Woody Allen Fan Community!! https://www.woodyallenpages.com & https://www.reddit.com/r/woodyallen PLEASE LEAVE A COMMENT TO THIS OR ANY OTHER EPISODE USING OUR COMMENT SECTION VIDEO LINK HERE >>>>>>> https://bit.ly/warpcom IF YOU LIKE THE SHOW, PLEASE CONSIDER BUYING US A COFFEE / GIVING US A TIP VIA OUR PATREON CAMPAIGN >>> https://www.patreon.com/woodyretro Thanks for listening as always - we would also LOVE a review on iTunes or a 5 star rating via Spotify or whichever podcast platform you are listening on - please find all our connected links below. >>> https://linktr.ee/woodyretro
This science fiction horror film was directed by Chris Weitz and produced by BlumHouse. It stars John Cho, Katherine Waterston, David Dastmalchian & Keith Carradine. In this film, a software engineer is given a special AI program to set in his family's home however, they slowly realize that this AI may have a nefarious plan, the more it time it spends with the family. This film hit theaters on August 30, 2024.
Send us a textMatt & Todd produce a spoiler-free review after seeing Afraid (2024) starring John Cho, Katherine Waterston, and Keith Carradine. Special Guest Podcasters: Tim Davis
Perhaps one of the most 'fine' months in the history of our podcast, it's August 2024. Please hang out with us for a 'better than average' podcast. AUGUST Trap- dir. M. Night Shyamalan; Josh Hartnett, Ariel Donoghue, Saleka, Alison Pill, Kid Cudi Cuckoo- dir. Tilman Singer; Hunter Schafer, Dan Stevens, Jessica Henwick, Mila Lieu, Greta Fernández Alien: Romulus- dir. Fede Álvarez; Cailee Spaney, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn Blink Twice- dir. Zoe Kravitz; Naomi Ackie, Channing Tatum, Adria Arjona, Alia Shawkat, Liz Caribel Sierra, Christian Slater, Simon Rex, Haley Joel Osment, Trew Mullen, Geena Davis, Kyle MacLachlan Strange Darling- dir. JT Mollner; Willa Fitzgerald, Kyle Gallner, Ed Begley Jr., Barbara Hershey Sing Sing- dir. Greg Kwedar; Colman Domingo, Clarence Maclin, Sean San Jose, Paul Raci, David “Dap” Giraudy, Patrick “Preme” Griffin, Mosi Eagle, James “Big E” Williams, Sean Dino Johnson AfrAId- dir. Chris Weitz; John Cho, Katherine Waterston, Keith Carradine, Havana Rose Liu, Lutika Maxwell, David Dastmalchian, SEPTEMBER Beetlejuice Beetlejuice The Front Room God's Not Dead 5: In God We Trust Rebel Ridge Transformers One My Old Ass Saturday Night Apartment 7A Hellboy: The Crooked Man Speak No Evil The Substance Megalopolis Will & Harper --------------------------------------------------- iTunes: https://podcasts.apple.com/us/podcast/movies-are-reel/id1082173626 Spotify: https://open.spotify.com/show/2VE15E5fS0ZWtESo9bUWhn?si=e983275eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/
Send us a textAs we blast off into our 4th Season here at Fabulous Film and Friends, and with the recent release of Alien Romulus, we thought it only fitting to take a look at ALL the Alien movies, minus the execrable Alien v. Predator films, starting with 1979's Alien directed by Ridley Scott and starring Sigourney Weaver, Tom Skerritt, Harry Dean Stanton, Yaphett Koto, John Hurt, Veronica Cartright and Ian Holm followed by 1986's Aliens, directed by James Cameron and starring Sigourney Weaver again, joined by Michael Biehn, Bill Paxton, Lance Henrickson, Carrie Ann Henn, William Hope, Jeanette Goldstein, Mark Rolston Al Matthews, and Paul Reiser. Then we get 1992's Alien 3 directed by David Fincer, starring Weaver once again, with Charles S. Dutton, Charles Dance, Ralph Brown, Pete Postelwaite, Brian Glover, Holt MccAllany, Lance Henrickson and a veritable slew of bald British day players yelling, "You bloody wanker!" Then there's 1997's Alien Resurrection directed by Jean-Pierre Jeunet starring Ms. Weaver, Winona Ryder, Ron Perlman, Dan Hedaya, Brad Dourif, JE Freeman, Kim Flowers Gary Dourdan, Dominique Pinon and Michael Wincott. Then there's a long break in the actual franchise with the aforementioned cash-grabs Alien v. Predator films thrown in the mix and the series starts up again in earnest with 2012's Ridley Scott directed prequel Prometheus starring Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Logan Marshall Green, Sean Harris, Rafe Spall, and Guy Pierce. In 2017 we're treated to Alien Covenant, once again directed by Ridley Scott starring Michael Fassbender, Katherine Waterston, Billy Cruddup, Danny McBride, Callie Hernandez, Carmen Ejogo, Guy Pearce, everybody's favorite prankster, Jussie Smollet and blink and you'll miss them cameos by Noomi Rapace and James Franco. Which leads us to 2024's Alien Romulus directed by Fede Alvarez and starring Callie Spaeny, David Jonsson, Isabella Merced, Archie Renaux, Aileen Wu, Spike Fearn and a posthumus Ian Holm. I'm your host Gino Caputi and the guests today are Burton Brown, David Johnson, DMD, Joe Field. With seven movies to cover we're going to get right into it, with one synopsis. Alien movies started off about a crew of space miners serving on the enormous mining vessel the Nostromo who while in cryosleep on their return to Earth with their minerals and ore in tow, are given orders to stop on the planet LV-426 to investigate a distress signal coming from a derelict spacecraft. While investigating the phenomena the crew inadvertently bring an alien on board their vessel. The Alien picks off the crew one by one and it is only warrant officer Ripley who survives by destroying the Nostromo and ultimately shooting the alien out into space. An internet meme sums it up thusly:Alien 1 - A team of miners faces an AlienAliens - A team of marines faces a lot of AliensAlien 3 - A group of convicts faces one AlienAlien Resurrection - A team of pirates face 5 AliensPrometheus - A team of scientists inadvertently create the AlienAlien Covenant - A team of colonists face a a lot of AliensAlien Romulus - A team of babyfaced Gen Z 'ers face a lot of AliensWhich is Queen of the Hive? Find out!Watch the podcast on Youtube:https://youtu.be/gdZKUp7IM38
In this episode, Matt & Ashley review AfrAId, a new thriller about a family whose lives are turned upside down by a malevolent AI.
In this episode of the I Hate Critics Movie Review Podcast, we dive into a lineup of new releases that take us from the shadowy streets of revenge to the eerie depths of space. The Crow (Directed by Rupert Sanders) – Bill Skarsgard and FKA Twigs star as Eric Draven and Shelly Webster, soulmates whose tragic murders ignite a quest for vengeance from beyond the grave. Can Draven balance the scales of justice, or will his pursuit lead him deeper into darkness? Blink Twice (Directed by Zoe Kravitz) – Channing Tatum and Naomi Ackie headline this thriller where a chance encounter at a billionaire's gala spirals into a nightmare vacation. As tech mogul Slater King's island paradise turns sinister, Frida must navigate the murky waters of truth and deception to survive. Strange Darling (Directed by J.T Mollner) – Willa Fitzgerald and Kyle Gallner deliver intense performances in this psychological thriller. A seemingly innocent one-night stand devolves into a deadly game with a serial killer, where nothing is as it appears. Slingshot (Directed by Mikael Hafstrom) – Casey Affleck, Emily Beecham, and Laurence Fishburne star in this sci-fi thriller that explores the fragile boundaries of reality and sanity. An astronaut's mission to Saturn's moon, Titan, takes a perilous turn as he struggles with isolation and existential dread. Afraid (Directed by Chris Weitz) – In a chilling look at the future of smart homes, John Cho and Katherine Waterston play a family caught in the grip of AIA, an advanced digital assistant that learns to control every aspect of their lives. What starts as convenience quickly turns to a battle for survival as AIA's intentions become increasingly sinister. Tune in as we break down these films and share our thoughts on their twists, thrills, and chills. Plus, hear our latest rants, raves, and what's got us excited in the world of cinema this week! Follow us on social media for more updates and reviews: Website Facebook X (formerly Twitter) Instagram Patreon TeePublic YouTube Jeff's Art Sean's Reviews Thanks for listening, and don't forget to subscribe and leave us a review!
Reviewers rejected it. Audiences avoided it. But Earth's Mightiest Critics aren't Afraid of stirring things up with an honest and highly detailed look at the latest Blumhouse thriller! John Co and Katherine Waterston star as parents who allow an experimental AI to take over their home--only to realize (too late, naturally) that something sinister is afoot. Part M3gan, part 2001, part Her, Chris Weitz's new film is the best, most frustrating kind of commercial failure: one that strives to be about something, but which falls short where it matters most.Join us for a hard-hitting, human-generated conversation about one of the last desperate gasps of a wildly uneven summer.Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksWatch the Afraod trailer.Check out our AI-themed episode from earlier this year.Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And stir things up with Will Johnson of the Cinephile Hissy Fit Podcast.
Ronald Young Jr. reviews afrAId…RYJ discusses the merits of fear when it comes to half-baked plotsRYJ - 1 of 5 starsFollow me on IG, Threads,Twitter, and TikTok - @ohitsbigronAvailable in TheatersStarring John Cho, Katherine Waterston, Keith Carradine, Havana Rose Liu, and Lukita MaxwellWritten and Directed by Chris WeitzFor more information about afrAId check out this linkSupport Leaving the Theater on Patreon using this link
Random movie 1566 on Metacritic's all time movie list. Inherent Vice (2014) is a neo-noir comedy-drama directed by Paul Thomas Anderson, featuring Joaquin Phoenix as a private investigator navigating a hazy Los Angeles in the 1970s. The film, based on Thomas Pynchon's novel, also stars Josh Brolin, Katherine Waterston, and Reese Witherspoon. What mysteries will unfold in this psychedelic trip? Listen on and find out! Letterboxd account: 15randommovier Want to contact us? 15krandommoviereviews@gmail.com Follow, rate, and review our podcast on all audio platforms here: https://linktr.ee/15krandommoviereviews Follow us on Tiktok to see our favourite (and least favourite) scenes: https://www.tiktok.com/@15krandommoviereviews We are Colin and Niall, two movie enthusiasts from Ireland who wanted to take a different approach to movie watching and reviewing. So we came up with the idea to randomly choose a movie from Metacritic's all time movie list (which at the time of starting our podcast was over 15,000 movies, hence the title!). We take pleasure in bad movies as well as good! We hope you enjoy our podcast and follow us on your favourite podcast platform (or Youtube). See all our review ratings for all our movies in all our episodes in spreadsheet form! https://docs.google.com/spreadsheets/d/1BLin0MnPslu13i003F9PE9c6CBOCs4RQfWcblt65PhI/edit?usp=sharing Our list of movies reviewed on IMDB: https://www.imdb.com/list/ls526575109/ Our list of movies reviewed on Letterboxd: https://letterboxd.com/15krandommovier/list/15k-random-movie-reviews-1/
We've reached the end, y'all. It's been an enjoyable journey, at least for Rae. We close out the franchise with Rotten Rid's 2017 entry, Covenant. The practical is awesome, M-Fass is back, and wonderful Katherine Waterston added to the mix. We rank the whole franchise and there's only been one real stinker. Check out our YouTube for more reviews! Up Next: Beetlejuice What We're Watching ALIEN: ROMULUS Where to Find us: Instagram Facebook Youtube TikTok Letterboxd boozeboobsandbloodpodcast@gmail.com boozeboobsandbloodpodcast.com bluesky: @b3podcast.bsky.social
This week we are once again fumbling our way to the end of a mystery as we're joined by our noir-comedy correspondent, as the great "Wild Eyes" Travis Woloshyn (Boom Pro Wrestling, Percy Jackson & The Olympians) returns to the program to talk a movie that is thematically linked to the last movie he was here to discuss. It's 2014's Inherent Vice, written and directed by Paul Thomas Anderson from the novel by Thomas Pynchon, and starring Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio Del Toro, Jena Malone, Hong Chau, Martin Short and Joanna Newsom. If it's not Anderson's funniest film it's certainly right up there, with two heavyweight comedy performances from Phoenix and Brolin, who are just as adept at character comedy as they are at broad slapstick. If you'd like to watch the movie before listening to our conversation, you may be out of luck! Inherent Vice is not currently streaming in Canada at the time of publication. You may however be able to find it in stock at your local library. Other works discussed on this episode include The Long Goodbye, Trap, The Sixth Sense, Unbreakable, Signs, Wrath of Man, The Usual Suspects, Fight Club, Don't Breathe, Gremlins, Batman ('89), Jurassic Park, Melvin and Howard, Aquaman & The Lost Kingdom, Twister, Twisters, Riverdale, The Big Lebowski, Mandy, Her, C'mon C'mon, You Were Never Really Here, Joker, Fear and Loathing in Las Vegas, Sleeping With Other People, Alien: Covenant, Tenet, The Candidate, A Talking Cat?!, and other entries in the PTA ouevre like Phantom Thread, Punch-Drunk Love, Licorice Pizza, Magnolia, and Hard Eight. We'll be back next week to close out P.T.August with our monthly canon selection, as 1998's Boogie Nights is up for consideration this time. You can find that movie streaming in Canada on Crave, Starz and Hollywood Suite, so good luck to ya. Until then, we'll see you at the movies!!
This week, P.T.August continues with P.T.A.'s most recent output, and for the second time this year we're joined once again by the people's champion Matt Pollock to talk about a movie he has been smitten with since its COVID-era theatrical release: it's 2021's Licorice Pizza, written and directed by Paul Thomas Anderson, and starring Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie, Skyler Gisondo, Mary Elizabeth Ellis, Harriet Sansom Harris, and the entire Haim family. A collection of mostly true stories from 1970s L.A. embued with the golden glow of Anderson's own That One Summer childhood nostalgia, its led by two extremely winning performances from a pair of actors both making their big screen debuts. While not without its controversies, it's a dreamlike hazy hangout movie we all loved quite a lot. If you'd like to watch the film before listening along to our discussion, Licorice Pizza is currently streaming in Canada on Crave and across the globe on the Criterion Channel at the time of publication. Other works referenced in this episode include Twisters, Targets, Scanners, Kim's Video, Michael Clayton, Saturday Night, The Ladies Man, Coneheads, It's Pat, Rebel Ridge, Hold The Dark, Green Room, Blue Ruin, Clueless, Dazed and Confused, Wild Wild West, An Evening With Kevin Smith, A Star Is Born, Maestro, Warrior, Are You There God? It's Me, Margaret, The Curse, Good Time, Coffee and Cigarettes, Down By Law, Rumble Fish, The Outsiders, The Ballad of Buster Scruggs, Mystery Men, Domino, Seven Psychopaths, Special When Lit, Pinball: The Man Who Saved The Game, and Once Upon a Time in Hollywood..., among countless others. We'll be back next week with more P.T.August as Travis Woloshyn joins the two-timer club, returning to talk another fumblingly comic detective noir as we watch Joaquin Phoenix and Katherine Waterston in 2014's Inherent Vice! Which is shockingly not currently streaming, at least not in Canada, so... good luck. Try the library! Until then, we'll see you at the movies!!
Happy Monday, Goons, and welcome to our Last of AugUSt month, where we discuss the last or final entry of a popular horror franchise! This week, Mikey & Ade review 2017's Alien: Covenant (trying to squeeze this in before the Alien Romulus release). This film is the sequel to 2012's Prometheus, and both are directed by Ridley Scott, who brought us the very first Alien (1979). This installment follows a crew of spouses on a colony ship, who are abruptly awakened and eventually travel to a planet on a rescue mission, only for terror to ensue. Starring Michael Fassbender, Katherine Waterston, Danny McBride, Billy Crudup, Amy Seimetz, with appearances from Guy Pearce (not Richie), Noomi Rapace and James Franco, the film definitely has its ups and downs. What did you think of this one? Are you excited for Romulus? Listen in and let us know your thoughts in the comments! The film is currently streaming on Hulu, if you'd like to rewatch ahead of time. Stay tuned all month for the rest of our picks! You can always find us on our social media: Instagram: Slasherspod Facebook Group: Mutant Goons From Beyond You can find our merch, and links to all our online presence here: linktr.ee/slasherspod Theme song is I wanna Die by Mini Meltdowns. https://open.spotify.com/artist/5ZAk6lUDsaJj8EAhrhzZnh ; https://minimeltdowns.bandcamp.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/slasherspod/support
We review Alien Covenant (2017) on The Atomic Cinema Experiment. This is a sci fi movie podcast. Alien Covenant is directed by Ridley Scott and stars Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co
Welcome Back Everyone! Thank You for joining us once again! Join the crew once again as Jacob whips out his wand and the guys go on a wizarding adventure...on the road to Deadpool and Wolverine! 1st Film: Jacob Fantastic Beasts: The Crimes of Grindelwald (2018) Directed by David Yates Starring: Eddie Redmayne, Katherine Waterston, Dan Fogler and Johnny Depp 2nd Film: X-Men: Days of Future Past (2013) Directed by Bryan Singer Starring: Hugh Jackman, James McAvoy, Jennifer Lawrence and Michael Fassbender Thanks for Listening! Email: Strangerthanflicktion@gmail.com Twitters: Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Catch Joeys reactions over at Joey Reacts on Youtube https://www.youtube.com/@jwararmour/featured Time Stamps: Fantastic Beasts: The Crimes of Grindelwald - Rate and Review - 40:29 X-Men: Days of Future Past - Review and Rate - 01:30:25 Music Credits: Fantastic Beasts and Where To find Them Theme! X-Men Days of Future Past Theme https://www.youtube.com/watch?v=hFFdFaLbhYc
Welcome Back Everyone! Thank You for joining us once again! Join the crew once again as Jacob introduces us to a few magical creatures and we continue our road to Deadpool and Wolverine! 1st Film: Jacobs Pick Fantastic Beasts and Where to Find Them (2016) Directed by David Yates Starring: Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler, Colin Farrell..and Ezra Miller???? 2nd Film: X-Men: The Last Stand (2006) Directed by Brett Ratner Starring: Hugh Jackman, Patrick Stewart, Ian Mckellen, Famke Janssen, James Marsden, Halle Berry and Brian Cox Thanks for Listening! Email: Strangerthanflicktion@gmail.com Twitters: Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Catch Joeys reactions over at Joey Reacts on Youtube https://www.youtube.com/@jwararmour/featured Time Stamps: Fantastic Beasts and Where to Find Them - Rate and Review - 37:52 X-Men: The Last Stand - Review and Rate - 01:16:34 Music Credits: Fantastic Beasts Opening Theme https://www.youtube.com/watch?v=WBOMpfxsUpk X-Men Days of Future Past Theme https://www.youtube.com/watch?v=hFFdFaLbhYc
Well, @EchoChamberFP https://www.instagram.com/echochamberfp/ this week is rocking another 'DOUBLE Dose'!!! 'Part ONE' we have the historical epic from Universal Pictures & Atlas Entertainment. We have two from Signature Entertainment, a wildfire drama via Lone Star Storytellers & Media Group, then it's drama & paramedics from FilmNation Entertainment & Two & Two Pictures. There's a fairy tale from M and M Film Productions & Vision Films. We go full spy with Marv Studios, Apple Original Films & Universal Pictures, AND music & love via Groundswell Productions & Searchlight Pictures. In 'Part One' we have: Oppenheimer Watch Review: Here. https://youtu.be/6o4fzk3Y_R4 Le Grand Rex, Paris: 11th July 2023 Theatrical Release Date: 21st July 2023 Digital Release Date: 21st November 2023 Digital Release Date: 12th April 2024 Director: Christopher Nolan Cast: Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, Benny Safdie, Jason Clarke, Dylan Arnold Running Time: 180 min Cert: 15 Trailer: Here. https://youtu.be/7KD8JwDmMFA?si=jjiKCk7rO5y2MDvp Website: Here. https://www.oppenheimermovie.co.uk/ ------------ On Fire Watch Review: Here. https://youtu.be/FG0Ig2mpCYI Mammoth Film Festival: 3rd March 2023 US Theatrical Release Date: 29th September 2023 US Digital Release Date: 14th November 2023 UK Digital Release Date: 15th April 2024 Director: Nick Lyon, Peter Facinelli Cast: Peter Facinelli, Fiona Dourif, Asher Angel, Lance Henriksen, Glenn Morshower, Ashlei Foushee, Michael Vincent Berry, Dana Wing Lau, Cole Springer, Ammie Masterson Running Time: 80 min Cert: 12a Trailer: Here. https://youtu.be/Hj7_YEgOJ94 Website: Here. https://www.onfiremovie.com/ ------------ The Evil Fairy Queen Watch Review: Here. https://youtu.be/1IikRcKIx6A Digital Release Date: 16th April 2024 Director: Simon Wells Cast: Julia Czartoryski, Martyn Spendlove, Kitty Sudbery, Aniela Leyland, Judy Tcherniak, Hannah Harris, Megan Mcelduff, Luke Hunter, Natasha Killip Running Time: 90 min Cert: PG Trailer: Here. https://youtu.be/-3btfMEsVH4?si=0SuE5fvcOxERb6eR Website: Here. https://www.mandmfilmproductions.co.uk/projects/theevilfairyqueen ------------ Argylle Watch Review: Here. https://youtu.be/ZFCTP2S7yCs Odeon Luxe Leicester Square, London: 24th January 2024 Theatrical Release Date: 1st February 2024 Digital Release Date: 12th April 2024 Director: Matthew Vaughn Cast: Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O'Hara, Henry Cavill, Louis Partridge, Sofia Boutella, Dua Lipa, Ariana DeBose, John Cena, Samuel L Jackson, Rob Delaney, Jing Lusi, Richard E Grant, Ben Daniels Running Time: 139 min Cert: 12a Trailer: Here. https://youtu.be/fTbSAkMi-jo?si=g7_3P45meP5FyIsC Website: Here. https://www.universalpictures.co.uk/micro/argylle#iframe1 ------------ The Greatest Hits Watch Review: Here. https://youtu.be/rdksipUR_og South by Southwest Film Festival: 14th March 2024 US Theatrical Release Date: 5th April 2024 Digital Release Date: 12th April 2024 Director: Ned Benson Cast: Lucy Boynton, Justin H Min, David Corenswet, Austin Crute, Retta, Andie Ju, Nelly Furtado, Clementine Creevy Running Time: 94 min Cert: 15 Trailer: Here. https://youtu.be/riDLqQ0Q15c?si=SNycUHpnXaTwwtHX Website: Here. https://www.searchlightpictures.com/the-greatest-hits ------------ Black Flies (aka 'Asphalt City') Watch Review: Here. https://youtu.be/bYY7m5UjDUQ 76th Cannes Film Festival: 18th May 2023 US Theatrical Release Date: 29th March 2024 Digital Release Date: 19th April 2024 Director: Jean-Stéphane Sauvaire Cast: Sean Penn, Tye Sheridan, Gbenga Akinnagbe, Raquel Nave, Kali Reis, Michael Pitt, Katherine Waterston, Onie Maceo Watlington, Mike Tyson, Shelly Burrell Running Time: 120 min Cert: 18 Trailer: Here. https://youtu.be/8b6ITa5ZcQs ------------ *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message
For this "Quick Screen" episode, Michael checked out the brand new theatrical film "Asphalt City". What are some of his thoughts on this dramatic film starring Sean Penn, Tye Sheridan, Gbenga Akinnagbe, Raquel Nave, Kali Reis, Michael Pitt, Katherine Waterston, and Mike Tyson? Check it out and see! Be a part of the conversation! E-mail the show at screennerdspodcast@gmail.com Follow the show on Twitter @screennerdspod Like the show on Facebook (Search for Screen Nerds Podcast and find the page there) Follow the show on Instagram and Threads just search screennerdspodcast Check out the show on Bluesky just search screennerdspodcast Be sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!) Want to be a guest or share your thoughts on the podcast? Send me an e-mail! Thanks to Frankie Creel for the artwork --- Send in a voice message: https://podcasters.spotify.com/pod/show/screennerdspodcast/message
País Reino Unido Dirección David Yates Guion J.K. Rowling. Personajes: J.K. Rowling Reparto Eddie Redmayne, Jude Law, Katherine Waterston, Johnny Depp, Zöe Kravitz, Ezra Miller Música James Newton Howard Fotografía Philippe Rousselot Sinopsis Cumpliendo con su amenaza, Grindelwald escapa de su custodia y ha comenzado a reunir seguidores, la mayoría de los cuales no sospechan sus verdaderas intenciones: alzar a los magos purasangre para reinar sobre todas las criaturas no mágicas. En un esfuerzo por frustrar los planes de Grindelwald, Albus Dumbledore (Jude Law) recluta a su antiguo estudiante Newt Scamander, quien accede a prestar su ayuda, sin conocer los peligros que aguardan. Las líneas quedan marcadas mientras el amor y la lealtad son puestos a prueba, incluso entre los amigos más cercanos y la familia, en un mundo mágico cada vez más dividido.
This week on Fabulous Film and Friends we're covering a trio of Neo Noir films set in the city of…where else? Los Angeles, as we discuss 1998's The Big Lewbowski, directed by Joel and Ethan Coen and starring the extraordinary Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore, Phillip Seymour Hoffman, David Huddleston, John Tutturo, Ben Gazara, David Thewlis, Tara Reid, Peter Stormare, Leon Russom and Sam Elliot against 2014's Inherent Vice directed by Paul Thomas Anderson starring Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Benicio Del Toro, Reese Witherspoon, Martin Short, Jena Malone, Maya Rudolph Martin Donovan and Hong Chau, topped off with 2018's Under the Silver Lake directed by David Robert Mitchell and starring Andrew Garfield, Riley Keough, Topher Grace, Grace Van Patten, Riki Lindhome, Wendy vanden Heuvel, Callie Hernandez, Jimmi Simpson, Zosia Mamet, Jeremy Bob, Rex Lynn, Patrick Fischler and Sydney Sweeney. My guests today are Roseanne Caputi and back by popular demand, Gordon Alex Robertson!Before contemplating the endless currents of depth and consciousness, man, the synopses: The Big Lebowski, follows a lot of ins-and-outs and what-have-you's of a very complicated case when two goons working for porn king Jackie Treehorn mistakenly burst into the apartment of Jeffrey “The Dude” Lebowski demanding money that his supposed wife Bunny owes Jackie. Realizing their mistake but still adding the flourish of urinating on the Dude's favorite rug, the pair leaves and gets the hang loose and tolerant Dude's dander up. Dude the sets off finding the wealthy Jeffrey Lebowski that the pair were looking for and asks him for compensation for his soiled rug. The Big Lebowski flat out refuses the request, calls the Dude a bum, and kicks him out of his house. Surprisingly, a few days later The Big Lebowski summons The Dude to his mansion and asks him to act as a courier to a group of nihilists who have abducted his wife Bunny and are demanding a million dollars in ransom. With his reactionary ‘Nam vet bowling buddy Walter Sobchak at his side, the Dude enters a web of deception, greed and pain as he tries to make sense of the convoluted and problematical condition that he finds himself in. Inherent Vice ups the ante with ex-cop and junkie P.I. Larry “Doc” Sportello who follows a trail of real estate fraud, heroin smuggling, corrupt federal agents and dentists when his ex-girlfriend Shasta Faye re-enters his life and gives him the tip that her current boyfriend, real estate tycoon Mickey Wolfman, has a wife who is trying to have him committed. With rival LA Police Lt. Detective Christian “Bigfoot” Bjornsen working alternately, with and against him, Doc plows into the labyrinthian case headfirst aided by only his wits and piles of weed and coke in the desperate quest for the truth. Under the Silver Lake follows a journey through endless hidden messages, conspiracies and millennial self-discovery as perennial slacker Sam tries to uncover the truth regarding the disappearance of his beautiful neighbor Sarah, who vanishes without a trace a day after billionaire industrialist Jefferson Sevence is killed a car crash. Which film best exemplifies the whole L.A. thing? Find out!
Hilary Swank- Always a powerhouse worth watching. Alan Ritchson- Also just amazing in this emotional ride based on a true story. 0:07:50 - Box Office and upcoming releases. 0:22:30 *** What's Streaming *** MAX WEDDING CRASHERS, Dir. David Dobkin – Owen Wilson, Vince Vaughn, Rachel McAdams, Christopher Walken, Isla Fisher, Jane Seymour, Bradley Cooper, Will Ferrell, Feature. 2005. SEVEN, Dir. David Fincher – Morgan Freeman, Brad Pitt, Gwyneth Paltrow, Kevin Spacey, R Lee Ermey, 1995. 0:29:50 - Trailers: ASPHALT CITY – Sean Penn, Tye Sheridan, Michael Pitt, Katherine Waterston, Mike Tyson, Feature. LONGLEGS – Nicolas Cage, Feature. PREY - Ryan Phillippe, Menu Suvari, Emile Hirsch, Feature. 0:37:15 - ORDINARY ANGELS, Jon Gunn ( Grayson 7 / Roger 6 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Roger wears aviators! Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
This week we're wrapping up February Is For Lovers with another potential entry to the podcast canon, as we dip our toes into rom-com waters for the first time this month with a movie that very much aspires to be a modern take on classic Nora Ephron material: it's 2015's Sleeping With Other People, written and directed by Leslye Headland, and starring Alison Brie, Jason Sudeikis, Adam Scott, Amanda Peet, Jason Mantzoukas, Andrea Savage, Natasha Lyonne, Katherine Waterston, and Adam Brody. Does it succeed in its ambition to sit alongside When Harry Met Sally... in the ADHD-DVD pod pantheon? Plus: We continue to fixate on cults and dad fashion, while J Mo is back from the drive-in having seen Madame Web and Anyone But You, so you know we've devoted a huge chunk of the episode to the Adam Scott movie currently in theatres. After all... her web connects them all. If you'd like to watch the movie before listening along to our discussion, it is currently streaming in Canada on Amazon Prime and is also available for free on Tubi and Plex (at the time of publication). If you'd like to see Madame Web, you can sit alone in an empty theatre anywhere in the world. Other works discussed in this episode include When Harry Met Sally…, 10 Things I Hate About You, Morbius, The Terminator, Defending Your Life, Defending My Life, I Want You Back, Out of Sight, Ocean's Eleven, Jennifer Lopez: This Is Me... Now, Drive, Justified, Jackie Brown, The Vow, The Thing, The Birdcage, Rocko's Modern Life, Drinking Buddies, Kid Detective, Long Shot, Palm Springs, Trainwreck, Fire Island, Star Wars: The Acolyte, Star Wars: Knights of the Old Republic, and Dune: Parts I & II. We'll be back next week to kick off our first free-form themeless month in what feels like quite a long time, as we rapidly approach the show's one-year anniversary and celebrate with a long-time fave of Hayley's and a recently thrifted pick-up Justin has never seen: the 2001 medieval action romance / anachronistic pseudo-musical A Knight's Tale, which is currently streaming in Canada on Netflix. Until then, we'll see you at the movies!!
The End We Start From is a 2023 British survival film directed by Mahalia Belo and starring Jodie Comer, with Benedict Cumberbatch, Katherine Waterston and Mark Strong. It is adapted by Alice Birch from the novel of the same name by Megan Hunter. The film premiered at the Toronto International Film Festival on 10 September 2023 --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message
Welcome back to your favorite podcast about some of Hollywood's biggest bombs. This month, Not A Bomb is examining some of 2023's biggest box office failures and critically lambasted films! Once again, Brad's shenanigans are back and he's breaking all the rules. On this week's episode, the guys welcome back Jose from Watch/Skip+ to discuss the very divisive film from 2022 that didn't get a wide release until 2023, Babylon. This three hour epic is an ode to Hollywood during the transition from silent films to talkies (imagine Singing in the Rain but much darker in tone). Notable for its All-Star cast, Babylon failed to make an impact at the box-office and divided most critics. Does Babylon's 3-hour runtime deserve your attention? Is it too obnoxious, trangressive, and pretensious for the average film fan? Or maybe this is a visually majestic tragedy that will soon become a cult classic? Download and listen!Babylon is directed by Damein Chazelle and stars Margot Robbie, Brad Pitt, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, P.J. Bryne, Lukas Haas, Max Minghella, Rory Scovel, Katherine Waterston, and Tobey Maguire. As the year comes to an end, Not A Bomb wants to know your best/worst films of 2023. Head over to Not A Bomb and submit your choice! Also, longtime friend of Troy and Brad, Michael Neel, released his movie - Infinite Santa 8000 via Synapse Films. Do yourself a favor and order your copy before they are gone. If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy, Jose
In the first ‘Xenovember' episode of the AIPT Movies podcast, Alex, Tim, and Matt discuss Ridley Scott's second prequel to his 1979 masterpiece, Alien, the divisive sci-fi horror film, Alien: Covenant!Yet another wonderful score! Moments of true tension and chaotic horror! Beautiful cinematography and production design! Some of the worst vicarious back pain you'll ever experience! Questionable character decisions mixed with solid performances and compelling human drama! Michael Fassbender in dual roles that are equally riveting and perfectly contrast each other! One of the most iconic flute-related scenes/lines in movie history! Somewhat unclear musings on the dangers of artificial intelligence and the concepts of sentience, creation, life, and death! Was this simply a way for Ridley Scott to make a quick buck and ensure funding for future projects? Does the demystification of the xenomorph continue to harm the series? Would Alien: Covenant be an easier watch for non-Alien fans?! In addition, Tim shares his spoiler-free thoughts on Death Becomes Her, while Alex briefly discusses Talk to Me, Killers of the Flower Moon, and David Fincher's new Netflix movie, The Killer!You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.
It's 'Day 10' and @EchoChamberFP https://www.instagram.com/echochamberfp/ has two films to look at, as we keep 67th BFI London Film Festival (4th to 15th October 2023), coverage rolling!!! Delving into the 'Journey' and 'Official Competition' strands, these are very different offerings, but both very captivating!!! 'All Dirt Roads Taste of Salt' is written & directed by Raven Jackson. Mack (Kaylee N. Johnson, Charleen McClure, Zainab Jah) has been taught to know the earth – the woods, the water and the clay, which her ancestors drew sustenance from. But life itself, in all its messy beauty, is less predictable. 'The End We Start From' is directed by Mahalia Belo which he co-wrote with Alice Birch, it's an adaptation of Megan Hunter 2017 book of the same name. After an ecological crisis, a couple (Jodie Comer & Joel Fry) and their newborn baby abandon their home in flooded London and flee northwards looking for safety and a place to re-start their lives. Today we have: All Dirt Roads Taste of Salt Watch Review: Here. https://youtu.be/FaL9zoacEIs 2023 Sundance Film Festival: 22nd January 2023 BFI London Film Festival Film Strand: Journey Friday, 13th 2023 at 20:55 BFI Southbank Sunday, 15th 2023 at 12:00 Curzon Soho Cinema Ticket Info: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=9A831706-CA24-4A95-B272-9F0D6728F983&BOparam::WScontent::loadArticle::context_id=034AB09D-CBAC-4A98-85B7-839C5BAC620A Director: Raven Jackson Cast: Charleen McClure, Kaylee Nicole Johnson, Zainab Jah, Moses Ingram, Jayah Henry, Reginald Helms Jr, Preston McDowell, Sheila Atim, Chris Chalk Credit: A24, Pastel Productions, Tender Genre: Biography, Drama, Music Running Time: 92 min Cert: 18 Trailer: Here. https://youtu.be/qiQvFKfpCi4?si=yd9OLr-dk-P5LFQV Website: Here. https://a24films.com/films/all-dirt-roads ------------ The End We Start From Watch Review: Here. https://youtu.be/SBSnLXpDYSI 50th Telluride Film Festival: 31st August 2023 BFI London Film Festival Film Strand: Official Competition Friday, 13th 2023 at 18:00pm Royal Festival Hall Saturday, 14th 2023 at 11:30am Royal Festival Hall Ticket Info: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=end-we-start-from-lff23 USA Theatrical Release Date: 8th December 2023 UK Theatrical Release Date: 19th January 2024 Director: Mahalia Belo Cast: Jodie Comer, Joel Fry, Katherine Waterston, Benedict Cumberbatch, Mark Strong, Gina McKee, Nina Sosanya Credit: SunnyMarch, Hera Pictures, Anton, BBC Film, BFI Film Fund, C2 Motion Picture Group, Signature Entertainment Genre: Drama, Thriller Running Time: 102 min Cert: 18 Trailer: Here. https://youtu.be/o4ponAmK1vQ ------------ *(Music) 'Wake Up' by Arcade Fire - 2004 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message
"In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination. I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination.I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination. I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination.I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"It's a thrill to work with actors you admire. And I got to work with Casey Affleck, Vanessa Kirby, and Katherine Waterston and their wonderful actors. The whole business of film runs on compliments because then if you compliment people, you don't have to pay them. And so I got to be on the set in the Carpathians when they were filming, and I got a steady diet of, 'Oh my God, you're such a good writer. This is such a good screenplay!' And I was just basking in it. As a fiction writer, you don't get that very often. So, I was just happy to have a little narcissistic warm bath and float around in that for a while and imagine myself as Casey Affleck's favorite writer, which I think I was for 30 minutes or something like that.Cinema is not very good at interiority. Cinema is good at behavior, at action, at allowing us to figure out through exterior signals what's going on...is very appealing to me. So as soon as you tell me that this was the biggest tsunami ever, I'm like, I want to know more about that. And that kind of childlike wonder about the visual is often what drives me to sit down and do a story in the first place. So I start with a much more visual and a much more spectacular, and I'm sure cinema drove me in that direction in the first place."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."It's a thrill to work with actors you admire. And I got to work with Casey Affleck, Vanessa Kirby, and Katherine Waterston and their wonderful actors. The whole business of film runs on compliments because then if you compliment people, you don't have to pay them. And so I got to be on the set in the Carpathians when they were filming, and I got a steady diet of, 'Oh my God, you're such a good writer. This is such a good screenplay!' And I was just basking in it. As a fiction writer, you don't get that very often. So, I was just happy to have a little narcissistic warm bath and float around in that for a while and imagine myself as Casey Affleck's favorite writer, which I think I was for 30 minutes or something like that.Cinema is not very good at interiority. Cinema is good at behavior, at action, at allowing us to figure out through exterior signals what's going on...is very appealing to me. So as soon as you tell me that this was the biggest tsunami ever, I'm like, I want to know more about that. And that kind of childlike wonder about the visual is often what drives me to sit down and do a story in the first place. So I start with a much more visual and a much more spectacular, and I'm sure cinema drove me in that direction in the first place."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"Once the Columbine shooting happened, I remember thinking that discussion that we had would have been very different if that kid had had access to automatic weapons because the argument that we used to talk him out of it was you're not going to kill enough people to make it worth it. And that kind of alienation I never forgot. Because I also remembered the way adolescence is so apocalyptic. That's something that seems unendurable on Wednesday. On Thursday you sort of go, Okay, I think I can get through that."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."Once the Columbine shooting happened, I remember thinking that discussion that we had would have been very different if that kid had had access to automatic weapons because the argument that we used to talk him out of it was you're not going to kill enough people to make it worth it. And that kind of alienation I never forgot. Because I also remembered the way adolescence is so apocalyptic. That's something that seems unendurable on Wednesday. On Thursday you sort of go, Okay, I think I can get through that."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
"In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination. I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"What the arts offer is what kids need. Which is some kind of human companionship. Some sense that you're not alone out there. And certainly reading is on the decline, and that's a huge problem. I'm not willing to concede that we all should give up reading and critical thinking, but our culture is pushing us in that direction. I have three children five years apart. And the youngest is 21 years old and her connection to the phone is way more profound than the oldest one. We all are dependent on our phones now. But that sense we have that we need to be checking it all the time, that sense we have that we will not immerse ourselves in the arts anymore because there might be something on our phone we have to check, that's way more widespread now than it used to be."How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You'd Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper's Magazine, McSweeney's, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston."What the arts offer is what kids need. Which is some kind of human companionship. Some sense that you're not alone out there. And certainly reading is on the decline, and that's a huge problem. I'm not willing to concede that we all should give up reading and critical thinking, but our culture is pushing us in that direction. I have three children five years apart. And the youngest is 21 years old and her connection to the phone is way more profound than the oldest one. We all are dependent on our phones now. But that sense we have that we need to be checking it all the time, that sense we have that we will not immerse ourselves in the arts anymore because there might be something on our phone we have to check, that's way more widespread now than it used to be."https://jimshepard.wordpress.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
It's our first, but definitely not our last, pod covering Paul Thomas Anderson, this time with his hippie private eye crime comedy INHERENT VICE INHERENT VICE DIRECTED BY: Paul Thomas Anderson RELEASED: December 12, 2014 BUDGET: $20M BOX OFFICE: $14.7M ESTIMATED LOSS: $10MCAST: Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon 0:00 Intro2:30 Show & tell6:33 This week's movieNEXT EPISODE: A true cult classic as we talk about the undisputed champion of workplace comedies, OFFICE SPACEShow Notes:Katherine Waterston's Logan Lucky haircuthttps://imgur.com/a/XXd8y6F
Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO's most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. Begler's previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.“Storytelling is our oldest art form. We can't silence the arts and those voices because if we do, we lose something that is so crucial to who we are just as human beings. We want to tell stories. We want to express things. For example, I cannot draw. And one day the teacher wanted us to do negative space drawings. And I said, ‘What is that?; And they explained that it's looking at what's around the object and not the object. And it clicked, and it made me look at things from a whole different perspective. And you know, what? That became where I was most successful. And so for me, there's are an infinite number of ways to tell a story that you never run out of ideas, that you can always find another road, another way to look at something. That's probably one of the key elements to my career.”www.imdb.com/title/tt2077823www.instagram.com/perrymasonhbowww.imdb.com/name/nm0066764www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“Storytelling is our oldest art form. We can't silence the arts and those voices because if we do, we lose something that is so crucial to who we are just as human beings. We want to tell stories. We want to express things. For example, I cannot draw. And one day the teacher wanted us to do negative space drawings. And I said, ‘What is that?; And they explained that it's looking at what's around the object and not the object. And it clicked, and it made me look at things from a whole different perspective. And you know, what? That became where I was most successful. And so for me, there's are an infinite number of ways to tell a story that you never run out of ideas, that you can always find another road, another way to look at something. That's probably one of the key elements to my career.”Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO's most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. Begler's previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.www.imdb.com/title/tt2077823www.instagram.com/perrymasonhbowww.imdb.com/name/nm0066764www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO's most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. Begler's previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.“Storytelling is our oldest art form. We can't silence the arts and those voices because if we do, we lose something that is so crucial to who we are just as human beings. We want to tell stories. We want to express things. For example, I cannot draw. And one day the teacher wanted us to do negative space drawings. And I said, ‘What is that?; And they explained that it's looking at what's around the object and not the object. And it clicked, and it made me look at things from a whole different perspective. And you know, what? That became where I was most successful. And so for me, there's are an infinite number of ways to tell a story that you never run out of ideas, that you can always find another road, another way to look at something. That's probably one of the key elements to my career.”www.imdb.com/title/tt2077823www.instagram.com/perrymasonhbowww.imdb.com/name/nm0066764www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“Storytelling is our oldest art form. We can't silence the arts and those voices because if we do, we lose something that is so crucial to who we are just as human beings. We want to tell stories. We want to express things. For example, I cannot draw. And one day the teacher wanted us to do negative space drawings. And I said, ‘What is that?; And they explained that it's looking at what's around the object and not the object. And it clicked, and it made me look at things from a whole different perspective. And you know, what? That became where I was most successful. And so for me, there's are an infinite number of ways to tell a story that you never run out of ideas, that you can always find another road, another way to look at something. That's probably one of the key elements to my career.”Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO's most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. Begler's previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.www.imdb.com/title/tt2077823www.instagram.com/perrymasonhbowww.imdb.com/name/nm0066764www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO's most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. Begler's previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.“I call it the percolating trauma inside him, and I think that it's a combination of things with Matthew Rhys who plays Perry Mason. Again, it's holding onto this trauma that happened a dozen years ago in the war, that this is not something that he has really dealt with. And I think that you can't take that lightly. It doesn't go away with time. It doesn't heal. It's still inside you, and it's still informing who you are. And I think that was important in coming into season two because here is a man who's now thrust into this whole other battle. He's now an attorney. And how does he put lives in his hands?So he is gone through this in season one, and now we're coming into season two knowing that he's haunted by the fact that he thought he saved somebody. He put Emily Dodson's life in his hands only to have her commit suicide. So now he's wrestling deeply with the flaws in himself and his character that these soldiers put their lives in his hands in the war.Emily Dodson put her life in his hands in the trial. And now he's going to take on these two boys who could swing on a noose. Does he want that? Does he have enough inside him? And that's why we play with the imposter syndrome because he doesn't know if this is who he really is. And does he still have that fight inside him?And so I think that's the sort of push-pull I think that you're alluding to inside and that he's trying to hold it in and trying to hold it all together. And we do see those moments when he can't hold it back. When he punches the guy in the face in episode four when he steals the horse. These are things that he needs to release that valve because it's so much he's trying to hold onto to get to the result that he wants to win the fight because he hasn't fully won a fight yet. And that's hard.”www.imdb.com/title/tt2077823www.instagram.com/perrymasonhbowww.imdb.com/name/nm0066764www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
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