Podcasts about Fugue

Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPECHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = The Whistler, “Break Away” (March 09, 1952)00:30:56.299 = Witch's Tale, “Graveyard Mansion” (March 06, 1933)01:01:08.275 = Dark Fantasy, “Death Is a Savage Deity” (January 30, 1942) ***WD01:24:48.378 = Escape, “Three Skeleton Key” (November 15, 1949) ***WD01:53:44.931 = Inner Sanctum, “Corpse For Halloween” (October 31, 1949) ***WD02:19:48.620 = Mysterious Traveler, “Death Has Cold Breath” (March 29, 1949) ***WD02:45:21.725 = Quiet Please, “The Thing on Fourble Board” (August 09, 1948)03:10:29.512 = The Weird Circle, “Heart of Ethan Brand” (February 13, 1944) ***WD03:36:14.507 = Witch's Tale, “Frankenstein” (July 17, 1935) ***WD04:03:58.982 = Dark Fantasy, “Man With The Scarlet Satchell” (March 06, 1942) ***WD04:28:34.436 = Escape, “Bloodbath” (June 30, 1950) ***WD04:56:21.988 = Mysterious Traveler, “Fire In The Sky” (August 28, 1951) ***WD05:25:42.312 = Quiet Please, “Very Unimportant Person” (December 05, 1948) ***WD05:55:16.741 = Suspense, “Fugue in C Minor” (June 01, 1944)06:24:50.387 = The Weird Circle, “Doll” (December 24, 1944) ***WD06:49:55.660 = Dark Fantasy, “Pennsylvania Turnpike” (March 20, 1942) ***WD07:14:25.535 = Escape, “Earth Abides, Part 1” (November 05, 1950) ***WD07:43:09.730 = Escape, “Earth Abides, Part 2” (November 12, 1950) ***WD08:12:02.276 = Quiet Please, “Northern Lights” (January 30, 1949) ***WD08:40:58.836 = Suspense, “House in Cyprus Canyon” (December 05, 1946) ***WD09:07:39.198 = Dark Fantasy, “Coffin For Two” (May 15, 1942) ***WD09:30:57.215 = Weird Circle, “Feast of Red Gauntlet” (February 27, 1944) ***WD09:58:20.779 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #WeirdDarknessCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0549

This year's Halloween Special examines the Irish roots of Halloween, Bach's Toccata and Fugue in D Minor, why organs are spooky, why churches are spookier and musical synesthesia. Happy Samhain xInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - Adopt an Irishman06:25 - ChatGPT talking out it's hole10:45 - Spooky Organs16:38 - Spookier Churches20:20 - The Last Why 

What a day! The podcast returns to it's full glory because Matt Strackbein aka "The Letterhack" joins the gang for a monumental discussion! Enjoy some Halloween recommendations and shed a tear and grip the edge of your seat as we dig into "The Serpent In The Garden: Ed Grey and the Last Battle for England!" "Hellboy Book Club," is a better name for a podcast than a man... 06:27 - Whaddya See, Whaddya Say?  40:12 - The Serpent In The Garden   Check out Matt Strackbein, The Letterhack and all his collborators here https://thisspace.tv/ Subscribe to The Letterhack on YouTube! https://www.youtube.com/c/TheLetterhack "Witchfinder Theme," by Andrew Adair https://andrewadair.bandcamp.com/ Kansas "Point of No Return," and Bach's "Toccata and Fugue in D Minor," used for Halloween purposes only  opening & closing theme by https://onlybeast.com  

Horror month continues! On today's episode, Jackal and Josiah discuss the fantastic horror mockumentary about xenophobia and scapegoating, Savageland (2015).Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonReferencesSavageland (2015, dir. Phil Guidry, Simon Herbert and David Whelan)"Inside ‘Savageland': An Interview with David Whelan," Ross Kiefer in The Carolinian, https://carolinianuncg.com/2017/03/22/inside-savageland-an-interview-with-david-whelan/"Meet Noé Montes," Bold Journey, https://boldjourney.com/meet-noe-montes/Audio creditsToccata and Fugue in D Minor - Johann Sebastian BachAudio from Savageland (2015)GG Seq - Zoviet FranceYesterday - bloom.Bilingüe - El Shirota ★ Support this podcast on Patreon ★

Learn more about St. Michael's at www.st-michaels.org.

Send us a textDescriptionBenjamin Britten's The Young Person's Guide to the Orchestra: A Musical Who's Who in 60 Seconds. Take a minute to get the scoop!Fun FactWhen The Young Person's Guide to the Orchestra premiered, Britten wasn't sure audiences would take it seriously. He needn't have worried—it's now one of the most-performed orchestral works ever written for education. Ironically, it's also one of the most sophisticated fugues in the entire 20th-century repertoire.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

durée : 00:04:58 - Prélude et fugue en ut majeur BWV 553 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This episode is about songs of the heart. There is one from Russia, performed two different ways. (That song is by a man named Tolstoy, although not the author of those great novels.) There is one from Samoa. This episode contains assorted treasures—not the least of them by J. S. Bach. Bellini, Excerpt from “La sonnambula” Bellini, Excerpt from “La sonnambula” Bach, Fugue in G major, BWV 577 Bach, “Liebster Jesu,” BWV 731 Tolstoy-Lim, “On This Quiet Summer Night” Tolstoy, “On This Quiet Summer Night” Trad., “La'u Lupe”

Pour son coup de coeur cinéma, Emma présente le court-métrage d'animation Une fugue d'Agnès Patron disponible sur Arte The post Coup de coeur ciné : Une fugue, Agnès Patron first appeared on Radio Vostok.

Pour son coup de coeur cinéma, Emma présente le court-métrage d'animation Une fugue d'Agnès Patron disponible sur Arte The post Coup de coeur ciné : Une fugue, Agnès Patron first appeared on Radio Vostok.

Sunday Worship for October 19, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen. Prelude—Chorale preludes on LIEBSTER JESU, WIR SIND HIER (ELW 510): Johann Sebastian Bach; Johann Gottfried Walther; Johann Christoph Bach • Introit—Psalm 74:22a, 20a, 21 • Gathering Hymn —Word of God, Come Down on Earth, (ELW 510) • First Reading—Genesis 32:22-31 • Psalm 121 • Second Reading—2 Timothy 3:14–4:5 • Gospel—Luke 18:1-8 • Sermon— Pastor Dan Peters, "Keep Questioning" • Hymn of the Day—Ask the Complicated Questions (ACS 1005)   • Distribution Hymns—This Is Christ's Body (ACS 967) • Sending Hymn —All My Hope on God Is Founded (ELW 757)  • Postlude—Prelude and Fugue in F major, attributed to JS Bach⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

durée : 00:17:04 - Disques de légende du mardi 21 octobre 2025 - Tout dernier opus de Jean-Sébastien Bach qu'il n'eut jamais le temps d'achever, "L'Art de la fugue" est un véritable aboutissement du style d'écriture du compositeur. Souvent joué à l'orgue ou au clavecin, le voici dans une version orchestrale dirigée au violon par Reinhard Goebel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:04 - Disques de légende du mardi 21 octobre 2025 - Tout dernier opus de Jean-Sébastien Bach qu'il n'eut jamais le temps d'achever, "L'Art de la fugue" est un véritable aboutissement du style d'écriture du compositeur. Souvent joué à l'orgue ou au clavecin, le voici dans une version orchestrale dirigée au violon par Reinhard Goebel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Programa #673 - Plan de Inmersiones 00,05'44” — Tendremos el privilegio de charlar con Laura Marroni, Vicepresidenta Ejecutiva de DAN Europe, buceadora, exploradora e investigadora en seguridad y medicina del buceo, oradora destacada en las Diving Talks 2025. 00,26'17” — Seguiremos con más invitados destacados, David de las Heras, Director ejecutivo de De Profundis y Regional Manager de SDI/TDI/ERDI/PFI para el Sur de Europa, uno de los más relevantes patrocinadores del Congreso Diving Talks de Lisboa. 00,56'45” — «Buceo con Ciencia», una cita en el fondo del mar para el aprendizaje, con la Dra. en Biología Marina, Mercedes Varela, Directora de Posidonia Ecosports, Alicante. 01,14'50” — «Cuéntame un Pecio», la sección que nos presenta Alejandro Gandul, en la que nos narra alguna dramática historia en la que un hermoso barco, se convirtió con el tiempo, en un museo abierto, visitado únicamente por hombres rana. 01,37'34” — «Encuentros en la IIIª Fase con RV», cita con la experiencia y el profundo conocimiento de toda una vida dedicada al mundo del buceo. Ramón Verdaguer nos sorprende en cada ocasión y esta no será diferente. Con las micro-secciones habituales del programa, «Una historia en el fondo del Mar», el repasito al «Archivo AOLDE» y la «Agenda de propuestas» para tu tiempo en superficie, hasta la próxima inmersión. Nos daremos, una noche más, por buceados. La foto de la semana nos sumerge en un sueño líquido, donde el buzo parece flotar entre dos mundos o elementos primarios: el fuego y el agua. Su luz corta la penumbra como un pensamiento luminoso que se atreve a descender hasta el corazón de la Tierra. En ese abrazo de sombras y resplandores, la vida se revela misteriosa, antigua y silenciosa… como un suspiro del planeta que respira bajo el espejo del mar. Se trata de una imagen titulada “Cenote en Llamas” y es cortesía de su autor, Tom St. George, y forma parte de la exposición fotográfica de las Diving Talks 2025. ¿Listo para la acción? Check al equipo propio y el de tu compañero, un Ok, y al agua. Sonaron en este programa: 00,00'09” — David Arkenston - Papillon - Sintonía 00,05'44” — Playing For Change - I Still Haven't Found What I'm Looking For 00,26'17” — Robbie Williams - Into the Silence 00,56'45” — Alex North - 2001 A Space Odyssey Theme song 01,13'18” — Avalon Jazz Band - La Mer (Beyond the Sea) 01,14'50” — Quique González - Terciopelo azul 01,37'34” — Neil Young - I'm the Ocean 02, 01'48” — The Wizard - Wednesday Plays Cello - Winter I. Allegro Non Molto (Vivaldi) 02,02'38” — The Well Tempered Clavier, Book II, BWV 870-893 - 5. Prelude and Fugue in D major, BWV 874 02,09'38” — Playing For Change - Tangled up In Blue _ Live Outside (feat. Luke Winslow-King & Roberto Luti) 02,15'41” — Scorpions_schenker [ Another Piece Of Meat ] Live,2006 02,19'01" — Hay Peores - Bajo El Mar (Cover de Under The Sea de La Sirenita) Sintonía

Johann Sebastian Bach is a towering cultural icon, a composer who might be seen as the poster boy for “serious music” and spent most of his career in the service of the church. But he played many roles in the course of his life, and could be funny, sassy, conniving, obstinate, and rebellious. Donald Macleod dives into Bach's secular music, and follows his trail as he makes his way in the world, from courts to coffee houses, building a family, two-timing his bosses, and even a stint behind bars.Featured music: Brandenburg Concerto No 5, BWV1050 (i. Allegro) Flute Sonata in E minor, BWV1034 Capriccio in honorem Johann Christoph Bach BWV993 Partita for solo violin No. 2 in D minor, BWV1004 (v. Chaconne) Organ Sonata No 4, BWV528 Lute Suite No 1 in E minor, BWV996 Partita for Solo Violin in E major, BWV1006 (IV. Menuet) Fugue in G minor for violin and basso continuo, BWV1026 Trio Sonata No 2 in C minor, BWV 526 Concerto after Vivaldi in A minor, BWV593 (i. Allegro) Cantata BWV208 'Was mir behagt, ist nur die muntre Jagd!' (excerpt) Toccata and Fugue in D minor, BWV565 Prelude and Fugue in F minor Prelude in D minor, BWV851 Brandenburg Concerto No 5, BWV1050 (iii. Allegro) Cantata BWV134a ‘Die Zeit, die Tag und Jahre macht': Ergetzet auf Erden Bach Collegium Japan Cello Suite No 2 in D minor, BWV1008 (Sarabande and minuets) French Suite No 4 in E-flat major, BWV815 (1st-4th movements) Brandenburg Concerto No 4 in G major, BWV1049 Harpsichord Concerto BWV 1054 (iii. Allegro) Double Violin Concerto, BWV1043 (1st movement) Cantata, BWV214 “'Tönet, ihr Pauken'” (opening chorus) Orchestral Suite No 2, BWV1067 (3rd – 7th movements) Cantata BWV211 'Schweigt stille, plaudert nicht' (Coffee Cantata) “Peasant” Cantata – Mer hahn ein neue Oberkeet, BWV212: “Wir gehn nun wo der Dudelsak” Double Violin Concerto, BWV1043 (2nd movement) Orchestral Suite No 3, BWV1068 (iii. Gavotte to v. Gigue) Goldberg Variations, BWV988 (Aria and Variations 1-5) Musical Offering, BWV1079: Ricercar a 6 The Contest Between Phoebus and Pan, BWV201 (“Pan ist Meister”….end)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johann Sebastian Bach: https://www.bbc.co.uk/programmes/m002kdkg And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Uterine fibroids (1:30), community-based residency training (6:40), glucagon-like peptide-1 medications (9:00), heart failure with preserved ejection fraction (12:30), intravenous vs oral iron (15:40), nicotine e-cigarettes for smoking cessation (18:10), and spooky health trends—are they real or fake? (20:10; music: Tocatta and Fugue in D Minor, Kevin MacLeod, CC-BY-3.0).

Cue the Toccata and Fugue in D Minor, baby! It is sad and spooooky Halloween times with the bookclub gang on this episode. Check out the listener feedbag, host recommendations and then run away from a handsome zombie horseman as we discuss "By Chance or Providence," by Becky Cloonan! It was for you, this podcast was always for you.  02:54 - Listener Feedback 14:47 - Whaddya see, whaddya say? 42:19 - By Chance or Providence Check out the ShortBox Comics Fair and share your recommendations! https://www.shortboxcomicsfair.com/ Social Media Banner by Matt Strackbein https://linktr.ee/TheLetterhack  Logo by Ross Radke https://www.rossradke.com/   Bach's "Toccata and Fugue in D Minor," used for Halloween purposes only  opening and closing theme by https://onlybeast.com/ 

durée : 00:06:35 - Le Bach du matin du mardi 14 octobre 2025 - Le pianiste Daniel Barenboim interprète le Prélude et Fugue en Mi bémol Majeur BWV 852, issu du Premier livre du Clavier bien tempéré. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:35 - Le Bach du matin du mardi 14 octobre 2025 - Le pianiste Daniel Barenboim interprète le Prélude et Fugue en Mi bémol Majeur BWV 852, issu du Premier livre du Clavier bien tempéré. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

À l'occasion de la sortie de son nouveau livre, l'autrice neuchâteloise Antoinette Rychner présentera certains de ses processus de création.Quelle différence entre le travail d'observation ou de témoignage tiré du réel, et la construction préparatoire, ab nihilo, d'un monde complet où dérouler une fiction ? À partir d'archives d'élaboration du roman d'anticipation Après le monde (Buchet-Chastel 2020, Harper Collins 2022) et de la fiction anthropologique Ma forêt (Fugue, 2025), la conférence documentera l'énorme part de «world building» qui soutient la pointe visible, publique, des deux œuvres. L'occasion, peut-être, d'identifier aussi quelques principes, problèmes ou «méthodes» qui seraient les dénominateurs communs à tous les chantiers d'écriture traversés à ce jour, aussi divers que soient les livres d'Antoinette Rychner. Antoinette Rychner, née en Suisse en 1979, diplômée de l'Institut Littéraire, écrit du théâtre et de la prose. Plusieurs de ses pièces sont publiées aux éditions les Solitaires Intempestifs. Son premier roman, Le Prix (Buchet-Chastel, 2015), lui vaut un Prix suisse de littérature en 2016. Après le monde (Buchet-Chastel, 2020) rencontre un large écho auprès du public et des médias francophones. Ma forêt, troisième roman, paraît en 2025 aux éditions Fugue. Elle crée également des performances littéraires. Enregistré au Club 44 le 16 septembre 2025

durée : 00:13:12 - Prélude et fugue en ut majeur BWV 547 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

It's horror month at Fruitless! On today's episode, Jackal and Josiah discuss Candyman (1991). Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonReferencesCandyman (1991, dir. Bernard Rose)Audio creditsToccata and Fugue in D Minor - Johann Sebastian BachGoing to Cabrini - Philip GlassCue 4A - Philip GlassYesterday - bloom.Audio from Candyman  (1991)First meeting with Candy - Philip GlassMurder - Philip GlassFuneral - Philip GlassHeavier Bombing - Magrudergrind ★ Support this podcast on Patreon ★

durée : 00:15:16 - Bach et l'orgue du dimanche 05 octobre 2025 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

I read from fugitive to fulfill. You can listen to Toccata and Fugue in D minor.https://youtu.be/ho9rZjlsyYY?si=Kp6pkW3JqcGimNbEI forgot that "Der Fuehrer's Face" was a Donal Duck cartoon!https://youtu.be/I7vb89c6pQY?si=ofVFGJgbnkuIibUL (HQ)https://youtu.be/L90smU0SOcQ?si=Z719oVAGSRzjSPBB (intro)My friend Gabe and I used a version of the song in a short sketch called "Gabracadabra". https://youtu.be/J3T4jw1fXzo (orig)https://youtu.be/ESyRx8th480 (anim) About a third of the Fula people are pastoralists, "and their ethnic group has the largest nomadic pastoral community in the world." The word of the episode is "fulcrum". The Lost Boys Use my special link https://zen.ai/thedictionary to save 30% off your first month of any Zencastr paid plan. Create your podcast today! #madeonzencastr Theme music from Tom Maslowskihttps://zestysol.com/ Merchandising!https://www.teepublic.com/user/spejampar "The Dictionary - Letter A" on YouTube"The Dictionary - Letter B" on YouTube"The Dictionary - Letter C" on YouTube"The Dictionary - Letter D" on YouTube"The Dictionary - Letter E" on YouTube"The Dictionary - Letter F" on YouTube https://linktr.ee/spejampardictionarypod@gmail.comhttps://www.patreon.com/spejampar917-727-5757

“Fugue in C Minor,” starring the legendary Vincent Price and Ida Lupino, from the radio series SUSPENSE. It's a great story about a pipe organ that was built throughout an entire house, and the reason it plays on its own. This episode aired on June 1, 1944.

Programa #669 - Plan de Inmersiones 00,05'17” — La primera inmersión, la más profunda, como mandan los cánones del buceo, la hacemos con Pedro Alves Oliveira, Director General de HALIOTIS Portugal, patrocinador de las Diving Talks 2025. 00,34'38” — «UNDER PRESSURE», bajo presión, charlamos acerca del buceo profesional con el experto, Alejandro Medina. 00,54'42” — «Encuentros en la IIIª Fase con Ramón Verdaguer», una nueva cita con el Maestro del Buceo, siempre con novedades y comentarios acerca de nuestra actividad favorita. 01,18'55” — «Nataliadiving Crack del Mar», Natalia Rodríguez, desde su Cádiz natal, nos regala una nueva entrevista, esta vez sobre tiburones, con ‘Mako Pako e Isaías Cruz'. 01,38'57” — «Buceo Técnico + allá del límite», conectamos con el paraíso de Rivemar en La Azohía, para hablar del mundo tek con el instructor trainer, Sergi Pérez. Con las micro-secciones habituales del programa, esta noche tendremos “Una historia en el fondo del Mar”, el repasito al archivo sonoro de AOLDE y las propuestas para pasar tu tiempo en superficie hasta la próxima inmersión. Nos daremos una noche más por buceados. La foto de la semana es auténtica poesía en movimiento. En el azul infinito, un vuelo de mantas rayas danzan como luminosas sombras en una constelación viviente, desplegando sus alas en un vals silencioso. El buzo, testigo solitario y mudo, observa el misterio marino, suspendido en un sueño líquido mientras, atónito, contempla la danza ancestral de criaturas que navegan entre la luz y la eternidad del océano. La foto fue tomada en las aguas de la Isla de Santa María, en Açores, Portugal, y es cortesía de Pedro Alves Oliveira desde Haliotis. ¿Todo listo para iniciar el primer buceo? Tu equipo Ok, el de tu compañero Ok también, saltamos al agua y pulgares abajo. Sonaron en este programa: 00,00'09” — David Arkenston - Papillon - Sintonía 00,05'17” — Yazz Ahmed - Mermaids' Tears 00,34'38” — Saint Etienne - The Last Time 00,54'42” — Parcels - Summerinlove 01,18'55” — Nacho Vegas - Alivio 01,38'57” — Edu Requejo & Chezca Zana - Agua Púrpura 01,58'29” — The Wizard - Winter I. Allegro Non Molto (Vivaldi) 01,59'17” — J. S. Bach_ Toccata and Fugue in E Major BWV 566 _ Balint Karosi St Thomas Church, New York City 02,11'49” — Wednesday - Elderberry Wine 02,17'05” — Level 42 - Eyes Waterfalling 02,23'03” — Hay Peores - Bajo El Mar (Cover de Under The Sea de La Sirenita) Sintonía

Send us a textVanishing identities, sudden relocations, and complete memory loss—welcome to the fascinating world of dissociative amnesia with fugue. Ever wonder what happens when someone's mind creates the ultimate escape hatch from unbearable psychological pain?Dissociative fugue represents an extraordinary psychological defense mechanism where individuals not only lose their autobiographical memories but may travel hundreds of miles away and assume entirely new identities. What makes this condition particularly intriguing is that while personal memories become inaccessible, practical skills remain intact. Someone might disappear from their life as an accountant only to be discovered weeks later working at a grocery store under a different name, with no awareness of their true identity.We explore the clinical presentation, typical development, and evidence-based treatments for this complex condition. You'll learn about the strong connection between childhood trauma and dissociative disorders, and why a phase-oriented approach to treatment is absolutely essential. Through specialized techniques like memory mapping and narrative exposure, therapists can help clients build a coherent sense of identity while respecting the protective function the fugue served. From assessment tools to comorbid conditions, we provide a comprehensive understanding of this rare but fascinating psychological phenomenon.Whether you're preparing for your licensing exam or looking to deepen your clinical knowledge, this episode offers valuable insights into one of psychology's most intriguing defense mechanisms. Subscribe to our podcast for more in-depth explorations of complex mental health topics that will enhance your therapeutic practice and understanding of the human mind.If you need to study for your national licensing exam, try the free samplers at: LicensureExamsThis podcast is not associated with the NBCC, AMFTRB, ASW, ANCC, NASP, NAADAC, CCMC, NCPG, CRCC, or any state or governmental agency responsible for licensure.

durée : 00:10:31 - Prélude et fugue en ré mineur BWV 565 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

I read from fugitive to fulfill.     You can listen to Toccata and Fugue in D minor. Wow. https://youtu.be/ho9rZjlsyYY?si=Kp6pkW3JqcGimNbE https://en.wikipedia.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565     I forgot that "Der Fuehrer's Face" was a Donal Duck cartoon! Wow, again.  https://youtu.be/I7vb89c6pQY?si=ofVFGJgbnkuIibUL (high quality) https://youtu.be/L90smU0SOcQ?si=Z719oVAGSRzjSPBB (with intro) My friend Gabe and I used a version of the song in a short sketch called "Gabracadabra".  https://youtu.be/J3T4jw1fXzo (original) https://youtu.be/ESyRx8th480 (animated)     About a third of the Fula people are pastoralists, "and their ethnic group has the largest nomadic pastoral community in the world." https://en.wikipedia.org/wiki/Fula_people     The word of the episode is "fulcrum".     The Lost Boys https://www.imdb.com/title/tt0093437/     Use my special link https://zen.ai/thedictionary to save 30% off your first month of any Zencastr paid plan.    Create your podcast today! #madeonzencastr     Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube "The Dictionary - Letter B" on YouTube "The Dictionary - Letter C" on YouTube "The Dictionary - Letter D" on YouTube "The Dictionary - Letter E" on YouTube "The Dictionary - Letter F" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Episode: 2495 Creativity Within Limits: Rules as a Source of Creativity.  Today, bounded creativity.

In our Season 6 premiere, James T. Morrison talks about how creative nonfiction provides an opportunity to discuss challenging topics like drug dependency and justice system involvement that counter the stereotypical portrayal of the addiction redemption arc. He and Jared also explore revision as a process to find your voice, Morrison's shift from a law school path to an MFA at age 40, the importance of accessible mentors over university prestige, and the underappreciated literary scene of Fresno.James T. Morrison is a recent graduate of California State University, Fresno, where he received his MFA in creative nonfiction in June of 2025. He serves as the nonfiction editor at The Normal School literary magazine, affiliated with Fresno State's MFA. His work has appeared or is forthcoming in Slate, Diode, River Teeth's "Beautiful Things," and Fugue. To hear him talk about his writing and American drug policy, check out his appearance on the award winning podcast, Death, Sex, and Money. James lives in California's Central Valley with his wife, Sara, their three cats, and brand new puppy (she is a real pistol). Find him at his website, www.james-t-morrison.com, and on Instagram @regularjamest.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

I slutet av juni 1710 anlände pesten till Stockholm ombord på skeppet Stäkesund från Pärnu på andra sidan Östersjön. En strikt fyrtio dagars karantän införde, eftersom det ryktades att pesten härjade i Polen. Trots detta bortsåg en skeppare från karantänreglerna och föll plötsligt död vid en måltid på Erstavikskrogen. Snart rapporterades fler misstänkta dödsfall.I flera månader valde stadens myndigheter att ignorera rapporterna om dödsfall i pest. Det ledde till den värsta katastrofen i Stockholms historia. Först i september erkände man att pesten nått huvudstaden — då var dödstalen redan alarmerande höga.I denna nymixade repris andra avsnittet av podden Historia Nu samtalar programledaren Urban Lindstedt med journalisten och författaren Magnus Västerbro, som skrivit boken Pestens år – Döden i Stockholm 1710.Epidemin blev Sveriges största katastrof i historisk tid. Av stadens cirka 55 000 invånare dog omkring 22 000 fram till dess att farsoten ebbade ut i januari. Pesten spred sig även till andra städer, exempelvis Norrköping, där hälften av stadens 4 000 invånare miste livet.När det var som värst dog över 200 personer om dagen. Obegravna lik staplades på kyrkogårdarna, och stadens mest farliga och eftertraktade arbete blev att samla in kropparna. Dödstalen började sjunka i november: 1 305, sedan 1 043, ännu en gång 1 043, därefter 787 och i december sista veckan 572. En trolig förklaring är att så många redan hade avlidit.Urban Hjärne, chef för Collegium Medicum, förnekade länge att Stockholm drabbats av pest. Hans ovilja att erkänna pesten förhindrade tidiga åtgärder för att stoppa smittspridningen.Bakteriesjukdomen pest finns fortfarande kvar i världen, men den är behandlingsbar med antibiotika. Världshälsoorganisationen rapporterar mellan 1 000 och 3 000 fall per år. Böldpest har överlevnadsgrad över 50 % utan behandling — lungpest och blodpest var dock nästan alltid dödliga före antibiotikans tid. Under 1700-talet kände man inte till att pesten spreds via löss och råttor.Den första stora epidemin, Justinianska pesten (500-talet), försvagade Östrom. Digerdöden på 1300‑talet var den mest kända pestepidemin i Europa. Senare samhällsstärkning och förbättrad hygien på 1800‑talet, inklusive brunråttans dominans, bidrog till att pestepidemier upphörde som systemhot. Den tredje pandemin startade i Kina, nådde 1894 Hongkong och spreds globalt via ångbåtar och tåg — särskilt illa drabbat blev Indien.Musikintro: Toccata and Fugue in D minor, BWV 565 av Bach, framförd av James Kibbie (licens: Attribution‑NonCommercial‑NoDerivatives 3.0).Källor: Magnus Västerbro, Pestens år: Döden i Stockholm 1710 (Historiska Media 2016) Hosted on Acast. See acast.com/privacy for more information.

durée : 01:01:36 - Les Grandes Traversées - par : Nedjma Bouakra - Auteur clandestin, Genet fascine et fait sensation dans le gratin parisien. Cocteau, Sartre, Giacometti, Matisse et plus de quarante-cinq artistes et auteurs demandent une grâce présidentielle définitive. Mais Jean Genet souhaite-t-il être sauvé ? - réalisation : Angélique Tibau - invités : Abdellah Taïa Écrivain et cinéaste marocain d'expression française; Olivier Neveux Professeur d'histoire et d'esthétique du théâtre à l'Ecole Normale Supérieure de Lyon.; Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Bertrand Ogilvie psychanalyste et professeur de philosophie émérite à l'Université de Paris 8; Emmanuelle Lambert Écrivaine française; Antoine d'Agata Photographe; Agnès Vannouvong Romancière.

durée : 00:58:41 - Les Grandes Traversées - par : Nedjma Bouakra - Celui qui fut l'écrivain le plus retranché de son temps fut aussi, durant ses vingt dernières années, l'un des plus présents sur la scène politique de Chicago à la Goutte d'Or, des camps de réfugiés palestiniens de Sabra et Chatila au Liban aux ghettos noirs des États-Unis. - réalisation : Angélique Tibau - invités : Hadrien Laroche Écrivain, philosophe; Emmanuelle Lambert Écrivaine française; Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Agnès Vannouvong Romancière. ; Khadim Jihad Hassan

durée : 01:01:18 - Les Grandes Traversées - par : Nedjma Bouakra - Pendant la Seconde Guerre mondiale, Jean Genet parcourt le monde. Prostitué ou soldat, les poches vides, il entame une dérive vagabonde de 8 500 km à travers l'Europe. Il traverse l'Allemagne hitlérienne dont il s'étonne qu'elle puisse être "à la fois la police et le crime". - réalisation : Angélique Tibau - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Bertrand Ogilvie psychanalyste et professeur de philosophie émérite à l'Université de Paris 8; Emmanuelle Lambert Écrivaine française; Agnès Vannouvong Romancière. ; Yves Pagès Écrivain et éditeur; Melina Balcázar Docteure en littérature à la Sorbonne Nouvelle et traductrice

durée : 01:00:10 - Les Grandes Traversées - par : Nedjma Bouakra - Dans une forêt sombre du Morvan, le jeune Jean Genet surgit au détour d'un bloc de granit : vêtu d'une pèlerine noire, l'enfant de l'Assistance publique porte un collier d'os qui porte son numéro de matricule. Plongée dans l'enfance de l'un des grands poètes français du XXe siècle. - réalisation : Angélique Tibau - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Bertrand Ogilvie psychanalyste et professeur de philosophie émérite à l'Université de Paris 8; Emmanuelle Lambert Écrivaine française; Thierry Bert Délégué général de l'Union Sociale pour l'Habitat; Eric Labayle; Frédéric Chauvaud Historien, professeur émérite d'histoire contemporaine à l'Université de Poitiers, spécialiste de la justice et du corps; Yves Pagès Écrivain et éditeur

Page One, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.About the hosts:Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup built to help authors succeed. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. As an author and writing coach, she knows that the first page of any book has to work so hard to do so much—hook the reader. So she thought to ask your favorite master storytellers how they do their magic to hook you. Holly lives in Marin County with her family and two Labrador retrievers, and enjoys mountain biking, hiking, swimming and pretending to surf. To learn more about her books and writing coaching services, please follow her on IG + X @hollylynnpayne or visit hollylynnpayne.com.Nina Schuyler's short story collection, In This Ravishing World, won the W.S. Porter Prize and the Prism Prize for Climate Literature and was published in July 2024. Her novel, Afterword, won the 2024 PenCraft Book of the Year in Fiction, the Foreword INDIES Book of the Year Award for Science Fiction and Literary, and the PenCraft Spring Seasonal Book Award for Literary and Science Fiction. Her novel, The Translator, was shortlisted for the William Saroyan International Prize for Writing and won the Next Generation Indie Book Award for General Fiction. Her novel, The Painting, was shortlisted for the Northern California Book Award. Her short stories have been published by Zyzzyva, Chicago Quarterly Review, Fugue, Nashville Review, and elsewhere, and have been nominated for a Pushcart Prize and Best of the Net. The first edition of How to Write Stunning Sentences was a Small Press Distribution bestseller. She teaches creative writing for Stanford Continuing Studies, the independent bookstore, Book Passage, and she runs the popular Stunning Sentences Substack.Tune in and reach out:If you're an aspiring writer or a book lover, this episode of Page One offers a treasure trove of inspiration and practical advice. I offer these conversations as a testament to the magic that happens when master storytellers share their secrets and experiences. We hope you are inspired to tune into the full episode for more insights. Keep writing, keep reading, and remember—the world needs your stories. If I can help you tell your own story, or help improve your first page, please reach out @hollylynnpayne or visit hollylynnpayne.com.You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes. If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my new Substack newsletter, Power of Page One. You can also learn more about me at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime! The Page One Podcast is created on a houseboat in Sausalito, California and is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Be well and keep reading, and please join us at POP1, The Power of Page One.  Thank you for being a part of my creative community on Substack! In service,Holly Thank you for listening to the Page One Podcast! I hope you enjoyed this episode as much as I loved hosting, producing, and editing it. If you liked it too, here are three ways to share the love:Please share it on social and tag @hollylynnpayne.Leave a review on your favorite podcast players. Tell your friends. Please keep in touch by signing up to receive my Substack newsletter with the latest episodes each month. Delivered to your inbox with a smile. You can contact me at @hollylynnpayne on IG or send me a message on my website, hollylynnpayne.com.For the love of books and writers,Holly Lynn Payne@hollylynnpaynehost, author, writing coachwww.hollylynnpayne.com

Grandpa Bill Asks: listeners, picture this: We're standing with Dr. Metivier inside the early structure of his physical Memory Palace in Australia. Sunlight streams through the unglazed windows, illuminating the concrete floor where the A-to-Z memory wheel will soon be. In the center of this space, Dr. Metivier stands with his real bass guitar.Now, let's use the Major System to create a memorable scene of him playing multiple Bach works, associating each number with a specific action or element related to a piece.0 - S/Z/Soft C: Imagine Dr. Metivier zipping up a black leather jacket as he prepares to play the opening of Bach's Toccata and Fugue in D minor (often adapted for bass). The 'zipping' sound and the dramatic nature of the piece connect to the 'S' sound of zero.1 - T/Th: He then begins the famous Air on the G String from Orchestral Suite No. 3. Imagine him gently tapping his foot in time with the melody. The 'T' sound links to the number one and the flowing, gentle nature of the piece.2 - N: Next, he transitions to a lively section from one of the Brandenburg Concertos. Visualize a flock of gnats buzzing around his head as he plays a particularly intricate and fast passage, representing the quick, busy nature of the music. The 'N' sound connects to the number two.3 - M: For the powerful Passacaglia and Fugue in C minor, imagine a giant ham swinging rhythmically in front of him as he plays the deep, grounding bass line of the Passacaglia. The 'M' sound links to three, and the weighty image reflects the music's gravitas.4 - R: As he moves to a movement from one of the Cello Suites, picture a rower in a small boat gently rocking back and forth in time with the bowing motions his right hand makes on the bass strings. The 'R' sound connects to four and evokes the smooth, flowing quality of the cello.5 - L: Imagine a bright light suddenly illuminating the fretboard as he plays a particularly beautiful and soaring melodic line from the Mass in B minor (again, a bass adaptation). The 'L' sound connects to five and emphasizes the radiant quality of the music.6 - J/Sh/Ch/Soft G: For an adaptation of one of the English Suites, see him suddenly wearing a chef's hat and playfully conducting with his head while he plays a more dance-like and rhythmic section. The 'Ch' sound connects to six and adds a whimsical element.8 - F/V: As he plays a section from the Goldberg Variations (arranged for bass), imagine fluffy white foam suddenly erupting from the sound holes in his bass, bubbling and dissipating with the intricate variations. The 'F' sound connects to eight and provides a visual texture to the complex music.9 - P/B: Finally, for a powerful cadence, imagine a large purple balloon inflating and then gently deflating in time with the final, resonant notes of a Bach Chorale. The 'P/B' sounds connect to nine and provide a strong visual conclusion.So, there you have it, Dr. Metivier in his future Memory Palace, playing a medley of Bach, with each piece and a corresponding Major System number brought to life through a vivid mnemonic image. This is the power of the Magnetic Memory Method in action, connecting sound, image, and location in a truly unforgettable way. Dr. Metivier will be on my Podcast on 8/12/25 WE will discuss his thoughts on this at that time stay tuned!#BachOnBass,#MajorSystem,#MnemonicMusic,#PhysicalMemoryPalace,#Dr.AnthonyMetivier#MagneticMemoryMethod,#Bach,#MemoryPalace,#GrandpaBill,#BHSalesKennelKelpHolisticHealingHour,Join us at The BH Sales Kennel Kelp Holistic Healing Hour Podcast Daily and YouTube @billholt8792

Mandy Dhaliwal, CMO at Nutanix, shares her journey transforming a technical infrastructure company into a leader in hybrid multi-cloud solutions, driving market value from $5 billion to $20 billion through strategic marketing and positioning.• Simplifying complex technology messaging from "hybrid multi-cloud" to the customer-friendly "run anything anywhere"• Implementing agentic AI on the Nutanix website to provide 24/7 global customer support and real-time market feedback• Building credible brand identity by standing out with bold visual choices while focusing on substance and customer value• Aligning marketing with broader business objectives through cross-functional collaboration and shared revenue goals• Empowering internal technical experts and executives as marketing channels and amplifying authentic customer stories• Balancing work and family by taking five years off to raise her son while maintaining career momentum• Moving from imposter syndrome to "empowerment syndrome" by educating stakeholders about marketing's strategic valueEver wonder how a tech company transforms from a $5 billion infrastructure provider to a $20 billion cloud leader? The secret might just be in its marketing strategy.Mandy Dhaliwal, CMO at Nutanix, pulls back the curtain on her remarkable journey reshaping how enterprises approach hybrid multi-cloud solutions and AI deployment. With 25 years of technology marketing experience and a Level Two sommelier certification, Mandy brings unique perspective to brand transformation and customer engagement."When I arrived, everyone talked about hybrid multi-cloud, but I said 'I don't know a single CIO who wakes up wanting to buy that,'" Mandy reveals. Instead, she championed clear, customer-centric messaging: "One platform to run apps and data anywhere." This fundamental shift from technical jargon to value-driven communication helped quadruple Nutanix's market value.She shares candidly about elevating authentic customer voices, breaking through the "sea of sameness" with bold branding decisions, and building cross-functional alignment between marketing, sales, and product teams.Beyond marketing strategy, Mandy offers refreshing insights on work-life integration, including her decision to take five years off to raise her son without missing a career beat. Check out Nyla, the AI agent at nutanix.com, and see how they're making AI deployment simpler for enterprises with our "run anything anywhere" platform.Rajiv Parikh: https://www.linkedin.com/in/rajivparikh/Mandy Dhaliwal: https://www.linkedin.com/in/1mandydhaliwal/As the Chief Marketing Officer for Nutanix, she leads the global marketing strategy.  She's been a key leader in Nutanix's remarkable progress, quintupling its market value from roughly $5B to $20B, proving that marketing, branding, positioning has a hand in driving valuation.Before joining Nutanix, Dhaliwal held the CMO position at Boomi and Fugue, and she has also been a senior marketing leader at BlazeMeter, SOASTA, EMC, and Legato Systems.She attended Simon Fraser University for undergrad and holds an MBA in Technology Management from Pepperdine University and notably, a level two certification from the Court of Master Sommeliers.Website: https://www.position2.com/podcast/Rajiv Parikh: https://www.linkedin.com/in/rajivparikh/Sandeep Parikh: https://www.instagram.com/sandeepparikh/Email us with any feedback for the show: spark@position2.com

Episode: 2495 Creativity Within Limits: Rules as a Source of Creativity.  Today, bounded creativity.

Jed discusses the 26-CD box set Jorge Bolet: The Complete Decca Recordings on this episode.Here are several samples:Franck - Prelude, Chorale & Fugue (live recording) https://www.youtube.com/watch?v=rZTtcCLrNqMChopin - Prelude Op. 28 No. 8 https://www.youtube.com/watch?v=GpbwtXP00pgReger - Telemann Variations https://www.youtube.com/watch?v=JzPdVE12MvILiszt - Waldesrauchen https://www.youtube.com/watch?v=Tbi3XaM45dsConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to Rosalyn Tureck's 1952/3 recording of Bach's Fugue in C-sharp Minor from The Well-Tempered Clavier Book II -https://www.youtube.com/watch?v=N9UypYRjv4g

durée : 00:15:58 - Prélude et fugue en ut mineur BWV 546 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this week's episode, Daniel Ketter presents an essential voice analysis arrangement of J. S. Bach's fugue for solo cello. It traces the composer's solution to weaving a four-part fugal texture with nearly no chords or double stops through inventive combinations of a subject and countersubject.This episode was produced by Jason Jedlicka along with Team Lead Leah Frederick. Special thanks to peer reviewers Gilad Rabinovitch, Ed Klorman, and Joe Straus. Additional thanks to Jason Orr, Jessie Black, and Royce Diamond at Phosphor Studios.SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

Page One, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.About the hosts:Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup built to help authors succeed. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. As an author and writing coach, she knows that the first page of any book has to work so hard to do so much—hook the reader. So she thought to ask your favorite master storytellers how they do their magic to hook you. Holly lives in Marin County with her family and two Labrador retrievers, and enjoys mountain biking, hiking, swimming and pretending to surf. To learn more about her books and writing coaching services, please follow her on IG + X @hollylynnpayne or visit hollylynnpayne.com.Nina Schuyler's short story collection, In This Ravishing World, won the W.S. Porter Prize and the Prism Prize for Climate Literature and was published in July 2024. Her novel, Afterword, won the 2024 PenCraft Book of the Year in Fiction, the Foreword INDIES Book of the Year Award for Science Fiction and Literary, and the PenCraft Spring Seasonal Book Award for Literary and Science Fiction. Her novel, The Translator, was shortlisted for the William Saroyan International Prize for Writing and won the Next Generation Indie Book Award for General Fiction. Her novel, The Painting, was shortlisted for the Northern California Book Award. Her short stories have been published by Zyzzyva, Chicago Quarterly Review, Fugue, Nashville Review, and elsewhere, and have been nominated for a Pushcart Prize and Best of the Net. The first edition of How to Write Stunning Sentences was a Small Press Distribution bestseller. She teaches creative writing for Stanford Continuing Studies, the independent bookstore, Book Passage, and she runs the popular Stunning Sentences Substack.Tune in and reach out:If you're an aspiring writer or a book lover, this episode of Page One offers a treasure trove of inspiration and practical advice. I offer these conversations as a testament to the magic that happens when master storytellers share their secrets and experiences. We hope you are inspired to tune into the full episode for more insights. Keep writing, keep reading, and remember—the world needs your stories. If I can help you tell your own story, or help improve your first page, please reach out @hollylynnpayne or visit hollylynnpayne.com.You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes. If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my new Substack newsletter, Power of Page One. You can also learn more about me at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime! The Page One Podcast is created on a houseboat in Sausalito, California and is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Be well and keep reading, and please join us at POP1, The Power of Page One.  Thank you for being a part of my creative community on Substack! In service,Holly Thank you for listening to the Page One Podcast! I hope you enjoyed this episode as much as I loved hosting, producing, and editing it. If you liked it too, here are three ways to share the love:Please share it on social and tag @hollylynnpayne.Leave a review on your favorite podcast players. Tell your friends. Please keep in touch by signing up to receive my Substack newsletter with the latest episodes each month. Delivered to your inbox with a smile. You can contact me at @hollylynnpayne on IG or send me a message on my website, hollylynnpayne.com.For the love of books and writers,Holly Lynn Payne@hollylynnpaynehost, author, writing coachwww.hollylynnpayne.com

Our journey back through the years of Suspense continues with my favorite episodes from 1944. Lucille Ball is a taxi dancer who hopes to avoid a murderous dance partner in “Dime a Dance” (originally aired on CBS on January 13, 1944), and Charles Ruggles suspects his new housekeeper may be too good to be true in “Suspicion” (originally aired on CBS on February 10, 1944). Orson Welles stars in a rare two-part Suspense science fiction drama “Donovan's Brain” (originally aired on CBS on May 18 and May 25, 1944), and Vincent Price and Ida Lupino co-star in “Fugue in C Minor,” a Gothic horror drama from the pen of Lucille Fletcher (originally aired on CBS on June 1, 1944). Charles Laughton encounters a strange man who claims to have invented an undetectable method for murder in “The Man Who Knew How” (originally aired on CBS on August 10, 1944), and Gene Kelly enjoys a seemingly supernatural streak of luck…until he doesn't in “The Man Who Couldn't Lose” (originally aired on CBS on September 28, 1944).