Podcast appearances and mentions of Jared P Scott

WHO KILLED ROBERT WONE? with Jared P. Scott Director and Executive Producer! On the night of August 2, 2006, Victor Zaborsky calls 911 to report an intruder stabbing a friend at the D.C. home he shares with Joe Price and Dylan Ward. First responders arrive to find attorney Robert Wone already dead in the guest room. With little blood at the scene and no signs of struggle or robbery, suspicions heighten after police interview the three housemates. Believing the men know more than they are revealing, the investigation soon uncovers more questions than answers. Unthinkable twists and turns surface, leaving friends questioning how well they knew the three men and police struggling to nail down answers. Ultimately, prosecutors bring an unusual set of charges against the three residents -- but not for murder. As Price, Zaborsky and Ward maintain their innocence and fight to clear their names, those close to Robert seek the truth and try to heal from unimaginable loss.  www.brettallanshow.com  Got some feedback? Let us know! openmicguest@gmail.com  Follow us on social media! IG https://www.instagram.com/brettallanshow/ FB https://www.facebook.com/thebrettallanshow/ Twitter https://twitter.com/brettallanshow Consider giving us a kind rating and review on Apple Podcasts! https://podcasts.apple.com/us/podcast/id1486122533?mt=2&ls=1 Hey! So I have an opportunity to apply for a film critics position with Rotten Tomatoes! This is a chance to broaden my audience and gain a new exposure.  One of the requirements is to have 200 reviews/ratings on Apple Podcasts. IF you have ever been a fan or listener this would be a huge help.  Just click the link below and it will take you to apple podcasts. IF you have an Iphone! Thanks! If you HAVE a show or business', please let me know and we will shout it out, and link it on a future episode! https://www.podpage.com/the-brett-allan-show/rate/?fbclid=IwAR0hPY1x9Hv1dDNMFhSwtvg5BZrjCz7TdYK5ZejTmIkTfvV-m1xBT3FfX0A Learn more about your ad choices. Visit megaphone.fm/adchoices

8000 Kilometer lang soll der Grüngürtel werden, der der fortschreitende Verwüstung der Sahara und der Sahelzone in Afrika Einhalt gebieten soll. Dieses Mammutprojekt gegen die Folgen des Klimawandels stellt der australische Regisseur Jared P. Scott in seinem Dokumentarfilm "The Great Green Wall" vor. Unsere Filmkritikerin Simone Reber über den Film, der am 26. März auf DVD erscheint.

In this first episode of a two part retrospective, I'm joined by my Perth muso friends Jeremy (of Segue) and Laurent (of Catwalk) (both also of Didion's Bible) to discuss the music of Arcade Fire and how their first two albums (Funeral, 2004 and Neon Bible, 2007) tap into the zeitgeist of 2000s Americana and its changing socio-economic landscape. Topics of discussion include the band's preoccupation with nostalgia and innocence; their grappling with a post 9/11 and pre GFC U.S. (where the American dream seems to be well and truly in tatters); and their growing sense of technologically induced paranoia.  Next week, we look to The Suburbs (2010) and beyond...  Closing music 'I get it', courtesy of Segue.  Texts: You Are Now Remotely Controlled, by Shoshana Zuboff (for The New York Times), 2020 --> https://www.nytimes.com/2020/01/24/opinion/sunday/surveillance-capitalism.html Hate Inc., by Matt Taibbi, 2019 --> (first hundred pages or so...) https://astudygroup.files.wordpress.com/2019/03/hate_inc_by_matt_taibbi_v0.1_1.pdf The Perverts Guide to Ideology, written by Slavoj Žižek and directed by Sophie Fiennes, 2006 --> (They Live clip) https://www.youtube.com/watch?v=TVwKjGbz60k Requiem for the American Dream (feat. Noam Chomsky), Dir.  Peter D. Hutchison, Kelly Nyks, and Jared P. Scott, 2015.

Un mur d’arbres de 8 000 km s’étendant du Sénégal à l’Ethiopie est au cœur de The Great Green Wall, un documentaire de Jared P. Scott. Ce projet pharaonique a pour but de lutter contre la désertification de la région due aux changements climatiques, mais aussi d’éviter les conflits croissants et les migrations massives. C’est un plaidoyer écologique et musical à travers les pays du Sahel, porté par la chanteuse malienne Inna Modja. Révélée il y a une dizaine d'années par son tube French Cancan, celle-ci est connue pour son engagement en faveur de causes qui lui sont chères : la lutte contre l'excision, le droit des femmes et aujourd'hui l'environnement.   « C’est un projet qui est né grâce à différentes personnes qui sont Fernando Meirelles, le réalisateur brésilien qui est très impliqué dans l’environnement, Claude Grunitzky, un acteur culturel et des médias africains qui vient du Togo, Alexander Asen qui travaille pour les Etats-Unis. Ils se sont dit : "Ce projet est tellement fantastique, et si l’on faisait un film ?" Ensuite, on a travaillé pendant quelques années pour pouvoir trouver la meilleure façon de raconter ce Great Green Wall. Ce qui était important, c’était de raconter des histoires humaines. » Le destin bouleversé par le changement climatique au Sahel Dans ce film dont Inna Modja est le personnage principal, il est question d’écologie, d’économie solidaire, mais c’est aussi un prétexte pour rencontrer ces femmes et ces hommes dont le destin se voit bouleversé par le changement climatique au Sahel.   « Moi, j’écoute beaucoup dans ce film, parce que j’ai envie d’apprendre. Je pensais que je connaissais l’Afrique et pendant ce voyage, je me suis rendu compte que j’ai encore tellement des choses à apprendre et que je ne connaissais rien de tout. C’est beaucoup plus complexe, riche et vibrant que je croyais. Cela m’a mis de la colère, parfois, cela m’a rendu triste, mais cela m’a donné beaucoup d’espoir. Cela m’a donné un sentiment d’urgence. La région du Sahel, 50 % des gens ont moins de 25 ans. Ces jeunes-là, cela représente une puissance humaine. Il faut leur donner les opportunités pour pouvoir construire le continent. »  Aujourd’hui, 15 % de ce projet panafricain a pu sortir de terre.  Dans le documentaire de Jared P. Scott, on découvre en musique et sur les pas d’Inna Modja les premières étapes de cette reconquête écologique. Des artistes engagés « La musique est très présente dans le Sahel. On a choisi des artistes qui sont tous engagés, depuis très longtemps et sur différentes causes. Didier Awadi est l’un des pionniers du hip-hop africain, les Songhoy Blues ont vécu sur leurs peaux le problème des conflits liés à ce changement climatique, parce que, les conflits dans le Sahel sont très étroitement liés au climat. »   The Great Green Wall, La grande muraille verte, serait un titre parfait pour une chanson. Car si la musique adoucit les mœurs, elle est surtout le vecteur idéal pour faire passer un message. 

Empowered Africa responds to drought and desertification with new initiative. The post Jared P. Scott – The Great Green Wall #Venezia76 appeared first on Fred Film Radio.

Empowered Africa responds to drought and desertification with new initiative. The post Jared P. Scott – The Great Green Wall #Venezia76 appeared first on Fred Film Radio.

Empowered Africa responds to drought and desertification with new initiative. The post Jared P. Scott – The Great Green Wall #Venezia76 appeared first on Fred Film Radio.

Empowered Africa responds to drought and desertification with new initiative. The post Jared P. Scott – The Great Green Wall #Venezia76 appeared first on Fred Film Radio.

Empowered Africa responds to drought and desertification with new initiative. The post Jared P. Scott – The Great Green Wall #Venezia76 appeared first on Fred Film Radio.

Empowered Africa responds to drought and desertification with new initiative. The post Jared P. Scott – The Great Green Wall #Venezia76 appeared first on Fred Film Radio.

ARED P. SCOTT WRITER  | DIRECTOR| PRODUCER [IMDB] [LINKED IN] An award-winning writer, director, and producer, Jared’s films include THE AGE OF CONSEQUENCES, REQUIEM FOR THE AMERICAN DREAM, DISRUPTION, DO THE MATH, SPLIT: A DEEPER DIVIDE, THE ARTIFICIAL LEAF, and MONEY IS MATERIAL, which have aired domestically on IFC, PBS, The Documentary Channel, Pivot and Al-Jazeera America. They have received critical acclaim  at film festivals worldwide including TriBeCa, AFI Docs, and Sundance - and have been broadcast internationally in over 20 territories including Germany (ZDF), Japan (NHK), Austria (ORF), Spain (MultiCanal), Finland (YLE), Denmark (DR1), Israel (Channel 8), Taiwan (PTS) & The Netherlands (EO). The films have played digitally on Netflix, iTunes, Hulu, and Amazon. A seasoned speaker, Jared has delivered keynote addresses at both COP 20 in Peru and COP 21 in Paris about ‘Using Film as a Tool for Social Change’ and has appeared on Huff Post Live, ABC, NBC and Al-Jazeera. SYNOPSIS The Hurt Locker meets An Inconvenient Truth, THE AGE OF CONSEQUENCES investigates the impacts of climate change on increased resource scarcity, migration, and conflict through the lens of US national security and global stability. Through unflinching case-study analysis, distinguished admirals, generals and military veterans take us beyond the headlines of the conflict in Syria, the social unrest of the Arab Spring, the rise of radicalized groups like ISIS, and the European refugee crisis – and lay bare how climate change stressors interact with societal tensions, sparking conflict. Whether a long-term vulnerability or sudden shock, the film unpacks how water and food shortages, drought, extreme weather, and sea-level rise function as ‘accelerants of instability’ and ‘catalysts for conflict’ in volatile regions of the world.These Pentagon insiders make the compelling case that if we go on with business as usual, the consequences of climate change – waves of refugees, failed states, terrorism – will continue to grow in scale and frequency, with grave implications for peace and security in the 21st century. The film’s unnerving assessment is by no means reason for fatalism – but instead a call to action torethink how we use and produce energy. As in any military defense and security strategy, time is our most precious resource.   Film website: theageofconsequences.com Production company website: pfpictures.com FB: https://www.facebook.com/theageofconsequences/ Twitter: https://twitter.com/aoconsequences  

Action packed show of issues. Former Secretary of the South Australian Trades Hall Council Chris White calls for action against the Royal Commission into Unions; Mark Zimzak from the Tax Justice Network makes the connection between tax and inequality; film Director Jared P. Scott talks about his film Death of the American Dream the last full lenght conversation with Noam Chomsky which will screen at this year's Transition Film Festival; Sharon Connolly former CEO of Film Australia shares the rage of Government selling the historic Lindfield film studios for $35million; the money was then handed over to 20th Century Fox and Disney to make two block busters.