Podcasts about Tribeca

Be sure to catch the debut episode of the all-new Suite Spot: Independent Hotel Show Series.  Suite Spot first-timer, and special guest, Kat Woods of NYC Women of Hospitality, joins the podcast to discuss critical topics including: The Importance of Women in Hospitality 2025 Independent Hotel Show Miami Social Media and Its Impact on the Hotel Guest Experience And much more. Ryan Embree: Welcome to Suite Spot, where hoteliers check in, and we check out what's trending in hotel marketing. I'm your host, Ryan Embree. Hello everyone. Welcome to another episode of The Suite Spot. This is your host, Ryan Embree, introducing a brand new series. We are here at the Independent Hotel Show series. Now this is a series where we're talking to independent hoteliers, advisory board members, and really getting geared up for Miami in September, all leading up to that incredible show that the Suite Spot is gonna be a part of. And so will my guests that I'll bring on with me right now, Kat Woods of Bridgeton and New York City Women of Hospitality. Kat, thank you so much for joining the Suite Spot. Kat Woods: Thanks, Ryan. Excited to be here. Ryan Embree: Yeah, we've got a lot to cover, including that independent hotel show, uh, which we're gonna talk all about. But as it is tradition here on the Suite Spot, this is your first time. Would love to learn a little bit about your hospitality journey. What led you to Bridgeton in the New York City Women of Hospitality? Kat Woods: Sure. Thank you. So many years ago, um, I started my career with W Hotels. I actually started with W Barcelona in college and fell head over heels in love with the brand. I worked for about five years in rooms operations between the w New York Union Square and the w New York downtown here in New York City, and got a really great foundation for operating hotels in a nice corporate structure. But in the mid 2010s, the boutique lifestyle hotel scene in New York was really starting to grow, and 11 Howard was one of the hottest hotels opening at the time. I was able to join that team shortly after opening, and that was my first introduction into truly independent boutique hotels. I fell in love with it. There was so much creativity in the operation, so much creativity in the branding. Um, and that really started my career in independent and lifestyle hotels. After that, um, I was able to continue with, uh, l Howard up until the pandemic and throughout the pandemic I helped with a couple projects here and there, but ultimately landing with Bridgeton as the, uh, assistant general manager of their Walker Hotel, Tribeca Property, which is an incredible lifestyle property located in Tribeca. Um, and I've been with the Bridgeton team now in a variety of roles for about four years. Ryan Embree: That's awesome. And creative freedom is, you're right, such a draw for independent hotels and why some people like yourself Kat. Sounds like once you get a taste of that and the ability to really express and tell your story, which we're certainly gonna cover, and one of the, the foundational reasons why a lot of people are not just working, but also guests choose independent hotels is because of that, that story and creative nature. So it's, it's so cool to see. And again, this, this series is all about independent hotels and that that massive show that's gonna be happening in September. Now you're also the executive director of the New York City Women of Hospitality. For those who aren't familiar, talk to our audience a little bit about this organization and its mission. Kat Woods: Sure. So the New York City Women of Hospitality was founded in 2018 by Jolie Feld and Tiffany Perra. And the goal upon the initiation of the group was to create a supportive, safe space for women in the industry. It's no surprise that women are facing some battles that maybe their male counterparts don't. Um, and the idea was to create a community where we can bounce som...

Send us a textRI native Manya Glassman is a director, writer and editor based in New York City. She has directed, written, and edited six films of her own and produced over eleven short films. Manya's films have been screened and gained recognition at Oscar qualifying festivals, such as the Rhode Island International Festival.She joins Bill Bartholomew to discuss her latest film How I Learned to Die, which will be screening at Tribeca. Support the show

In this episode, we sit down with filmmakers Jack Piatt and David Breschel, the creative forces behind Highway West Entertainment, whose work spans literature, music, and the open road of independent cinema. Their short film The Singers, a haunting and poetic adaptation of Ivan Turgenev's 19th-century story, has been selected for the prestigious Tribeca Film Festival, where its timeless themes of memory, art, and loss will find a new audience. Jack and David share how they discovered the story, why it resonated with them today, and what it means to adapt classical literature in a modern cinematic language.We also talk about their powerful documentary I Need You, a heartfelt chronicle of the legendary band America, which was screened to great acclaim at last year's Ojai Film Festival, and also with more recently at the Ojai Playhouse with founding members Dewey Bunnell and Gerry Beckley.With behind-the-scenes access and deep reverence for their enduring legacy, the film captures the band's extraordinary 50+ year journey — from their British-American roots to their emotional farewell tour. Jack and David reflect on the art of telling a band's story with honesty, tenderness, and the kind of nuance that comes only from true fans.In both projects, you'll hear their passion for storytelling—whether through fiction, film, or friendship. And you'll get a glimpse of what it takes to shepherd meaningful, independent work into the world.Tune in for a conversation that travels from 19th-century Russia to the stage lights of the present, with two artists who are helping shape the future of narrative film.We did not talk about the in-migration of Sinaloa Cartel leaders, ghost ships of the Namibian Desert or the declining recruitment into the U.S. armed forces. For more information about Jack and David, check out their website at https://highwaywestent.com/

Cette semaine, Hugues Gonnot nous parle de la Subaru B9 Tribeca.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Alden and "Seth" bring you three extra-exciting announcements! Episode 1 of The Young Old Derf Chronicles is an OFFICIAL SELECTION in this year's 2025 Tribeca Festival in June! To celebrate, we're doing not one, but TWO live shows in June. Come on out or catch us on the livestream!Ticket links: https://tribecafilm.com/films/official-selections-live-surprises-with-ronald-young-jr-2025https://ucbcomedy.com/show/we-have-a-podcast/https://www.caveat.nyc/events/mission-to-zyxx-live-6-7-2025

On this episode we have film maker Steven Luna who talks about how much his mind and perspective has shifted since he started making art and losing a pilar in his life in the process of learning the art of film making and photography. We talk about his latest project "Fiebre" a shor documentary dedicated to Elevate Baseball Academy in Dominican Republic following the work and passion of the coashes and the players. Luna also talks about shedding the desire to be validated through accolades and creating work that is selfless and serves the people he is telling stories about. Then he goes on to talk about how he found his wife and thinking about marrying her just a month of meeting her. Another dope conversation with an ordinary person, doing extraordinary things.---Steven Luna is an award-winning filmmaker, director, and photographer whose work has screened at international film festivals and exhibitions. His 2024 short doc 'Fiebre' won Best Documentary Short at the Oklahoma Cine Latino Film Festival and screened at the 41st Chicago Latino Film Festival. His photography was selected by a Guggenheim Museum curator for the 103rd Annual Bendheim Exhibit, and he's received RISCA grants for both writing and photography.Steven was Co-Producer and First AD on 'Playland' (2023), which premiered at IFFR and Tribeca, and is the Co-Partner and Lead Director of Photography at DominiRican Productions. He also founded De Cerca Films and co-launched Ojo y Alma in 2025 with fellow artists Noemi Gonzalez and Joel Farias Godinez Jr.A proud Dominican-American, Steven holds an MFA from Emerson College and has taught at ICA Boston, AS220, Rhode Island College, and more. His storytelling is soulful, people-centered, and rooted in uplifting underrepresented voices through film.Follow Steven Luna on IG https://www.instagram.com/stevenbluna/ Follow De Cerca Production Company on IG https://www.instagram.com/decercafilms/Visit the website: https://stevenluna.com/?fbclid=PAZXh0bgNhZW0CMTEAAacNfCw0luZkHrCB669_pVMTa-yT32nlaAKJt_GniwhwcoGDOW4acng-zPnU6Q_aem_UUwUCD-1ABEbBdJ_lsdj5A ---In the Dominican Republic, baseball isn't just a sport—it's life.FIEBRE follows teen Derrick Aquino and others at Elevate Baseball Academy as they chase MLB dreams with relentless drive, sacrificing family time and carrying generational hopes.En República Dominicana, el béisbol no es solo un deporte; es vida.FIEBRE sigue a Derrick Aquino y otros jóvenes en la Academia Elevate mientras persiguen sus sueños con pasión y sacrificio, buscando llegar a las grandes ligas. ---Steven Luna - FIEBRE StatementAWARD WINNER - BEST DOCUMENTARY SHORT FILM - 11th Annual Oklahoma Cine LatinoFilm FestivalOFFICIAL SELECTION - 41st Annual Chicago Latino Film FestivalOFFICIAL SELECTION - Big Apple Film FestivalOFFICIAL SELECTION - NSP Latiné Shorts Film FestivalOFFICIAL SELECTION - 15th Annual Latino & Native American Film Festival

Christine Davila is a trailblazing TV executive and producer with an unexpected passion—she knows all the words to the musical CABARET.  From her early days at prestigious film festivals like Sundance and Tribeca to building the vibrant Latina Squad community, Christine's journey is a masterclass in resilience, vision, and the power of authentic narratives. This Mexican-born industry leader is also a dear friend and the founder of The Latina Squad, a peer group of accomplished TV/Film executives across studios, networks, and production companies. What began as a way for Latina execs to find each other and share space has blossomed into a community of more than 130 talented women who collaborate, commiserate, and form lasting friendships. During our conversation, Christine shares insights from her path as a programmer for major film festivals, discusses the financial challenges of the producing world, explores the future of filmmaking through works like "Emilia Perez," and advocates passionately for the full breadth of humanity to be represented on screen.  

In this episode of Platemark, I talk with Mae Shore, a collaborative printer and owner of Shore Publishing in Tuxedo Park, New York. Mae shares her experiences working at Pace Editions with notable artists like Jim Dine and Chuck Close. She discusses the history and evolution of her gallery and print shop, which she established to merge her love for printmaking and curating exhibitions. Mae touches upon specific projects, such as her collaborations with artists like Amy Bennett, Kamrooz Aram, and Katia Santibañez and James Siena, detailing the unique processes and challenges in creating prints. The conversation also highlights the importance of print fairs, the nuances of printmaking, and Mae's backstory growing up in New York City's SOHO and Tribeca neighborhoods. Mae's reflections offer a compelling glimpse into the meticulous, collaborative, and often experimental world of printmaking. Episode image: Greg Dohler Amy Bennett (American, born 1977). Clearing, 2022. Linocut and pochoir on Magnani paper. Image: 3 3/4 x 5 in.; sheet: 12 1/4 x 12 1/2 in. Printed and published by Shore Publishing. Amy Bennett (American, born 1977). Site, 2025. Linocut. Sheet: 22 x 27 in.; image: 16 1/2 x 22 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #21, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #2, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #3, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #4, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Kamrooz Aram (American, born Iran, 1978). Arabesque Composition (Limited Variations) #5, 2024. Relief monoprint with pencil on Akemi Martin custom handmade cotton paper. 27 x 21 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964). Sailing Alone, 2014. Reduction linocut in 6 colors on Rives BFK. Image: 20 x 16 in.; sheet: 27 x 22 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964). Floating In My Mind, 2015. Reduction linocut in 6 colors on Hosho. Image: 14 x 11 in.; sheet: 19 1/2 x 16 in. Printed and published by Shore Publishing. Glenn Goldberg (American, born 1953). There (1-3), 2014. Suite of three prints, photo relief, collagraph, linocut and pochoir on Rives BFK paper. Sheet (each): 12 1/2 x 16 ¾ in.; image (each): 6 x 12 in. Printed and published by Shore Publishing. Katia Santibañez (American, born France, 1964) and James Siena (American, born 1957). Triplebarb Whirler, 2022. Reduction woodcut in 6 colors on Rives BFK paper. Image: 22 1/2 x 18 in.; sheet: 28 3/4 x 23 1/2 in. Printed and published by Shore Publishing. William Villalongo (American, born 1975). Vitruvian's Daughter, 2014. Woodcut, linocut, and pochoir on Hosho white paper. Sheet: 22 x 22 in. Printed and published by Shore Publishing. Yasu Shibata (American, born Japan, 1968). 4 Squares Within a Square, 2022. Japanese woodcut on Kizuki paper mounted on Western paper. Sheet: 30 x 30 in. Printed and published by Shore Publishing. Mae Shore and Brad Ewing in their booth at the Baltimore Fine Art Print Fair, March 2022.  

In this special Go To, Kelly and Christy Turlington Burns sit down with Melinda French Gates to talk about the woman who raised her, Elaine, who taught her to set her own agenda and find a moment every day to really connect with the people who matter most.Our About Your Mother series raises funds to support safe and respectful pregnancy, delivery and postpartum care in 9 countries through Every Mother Counts, founded in 2010 and led every day since by Christy Turlington Burns. (Previously aired) Please join us with a donation here. Maternal health is a human right.With special thanks to Tracy and David at Laughing Man Studios in Tribeca who support this series with pro bono studio time and superb coffee.Got feedback? Have an idea? We love to hear from listeners. Write us anytime — hello@kellycorrigan.com - or sign up for our weekly list of takeaways here.Check out Kelly's Tell Me More episode featuring Melinda French Gates.Past episodes from the About Your Mother series:Jennifer GarnerAmy SchumerBonoCindy Crawford Spike LeeEdward Burns To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A QUEER ECUADORIAN WRITER FROM QUEENS Sebastián Rea shares his journey from Ecuador to Queens, his hustle as a teen party promoter, working with Tribeca and Jennifer Lopez's Nuyorican Productions, and how the NBC TV Writers Program led him to his first staff job on Peacock's upcoming limited series Devil in Disguise: John Wayne Gacy. Instagram - @lalistapodcast Music: Arriba Mami - Jingle Punks

Below The Belt Show (www.belowthebeltshow.com) presents exclusive interviews with 2024 Tribeca Festival (www.tribecafilm.com) selected films' creators and actors! This week we talk to the Duplass Family, Mark Duplass, his wife Katie Aselton and their daughter Ora Duplass who star together in the short Holiday film "Oh Christmas Tree" Ora talks about her acting debut acting alongside her father Mark and being directed by her mother Katie. Mark also talks about the screenplay he wrote for the film "The Knife" which also has a premiere at Tribeca. Mark talks about his upcoming Hulu mini-series with Ellen Pompeo formerly titled "Natalia", now called "Good American Family" and Katie talks about her film "Magic Hour" and her upcoming series Government Cheese. This is an entertaining interview not to be missed!

Below The Belt Show (www.belowthebeltshow.com) presents exclusive interviews with 2024 Tribeca Festival (tribecafilm.com/) selected films' creators and actors! BTB's own Al Sotto is on location of the premiere of the coming-of-age comedy "Griffin In Summer" and talks to the cast and producers! Everett Blunck who plays Griffin talks about the audition process, leading his first feature film and working closely with co-star Owen Teague. Owen Teague talks about how he was immediately drawn to his character as a chain-smoking alcoholic player and how challenging the role was. Owen also talks about his portrayal of Noa in Kingdom of the Planet of the Apes and how the actors trained in an "ape school" learning how to properly walk and perform the proper motion capture of apes. In addition, we talk to cast members Johanna Colon, Ian Hernandez-Oropeza and Gordon Rock who talk about their characters and their thoughts on being in such a high caliber film festival that is Tribeca. Ending the interview, we talk to best friends an actresses Camila Mendes and Rachel Matthews who produced the film and why they decided to work behind the camera for this project. Camila also talks about how she feels about her popular CW series Riverdale coming to an end. Don't miss these amazing on-location interviews!

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Thad Hait to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekMovie: ‘Star Trek: Strange New Worlds' Season 3 To Premiere At Tribeca Film Festival in June (07:25) TrekCore: Special Preview — Inside the STAR TREK: RED ALERT Enterprise-D Experience at Universal Fan Fest Nights (17:37) TrekMovie: ‘Star Trek: Discovery' Was Denied 2-Hour Finale Movie, Says Sonequa Martin-Green (24:18) TrekCore: Citing Tariff Uncertainty, STAR TREK 1:6-Scale Figure Company EXO-6 Suspends Shipments to USA Collectors (30:52) In addition, stick around to hear Thad's theory that the Universal Fan Fest Red Alert Experience might show up somewhere else one day (that's a lot of work for a quick month long attraction!), and Alex's wish that Strange New Worlds ends with a transition to the Original Series visual vibe as an homage to Star Trek's roots. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!  

IT DOESN'T GIVE UP!! It Follows Full Reaction Watch Along: https://www.patreon.com/thereelrejects With Writer / Director David Robert Mitchell rolling camera on "They Follow," Roxy Striar & Aaron Alexander REUNITE to give their It Follows Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Download PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Join Roxy Striar and Aaron Alexander as they dive into David Robert Mitchell's 2014 horror thriller It Follows, where a deadly supernatural curse transmitted through intimacy leaves Jay Height (Maika Monroe, celebrated for The Guest and Labor Day) running for her life from a relentless, shape-shifting ENTITY. Keir Gilchrist grounds the terror as Jay's loyal friend Paul Bolduan (lead in Netflix's Atypical and star of It's Kind of a Funny Story), while Olivia Luccardi shines as the pragmatic Yara Davis (You're Next, Channel Zero). Lili Sepe delivers a heartfelt turn as Kelly Height (debuted in the Tribeca-premiered Spork), Jake Weary ups the stakes as Jay's ex-boyfriend Hugh Redmond (Animal Kingdom, Oculus), and Daniel Zovatto intensifies the dread as neighbor Greg Hannigan (10 Cloverfield Lane, Don't Breathe). Roxy & Aaron break down every spine-chilling sequence—from the eerie hallway pursuits and sudden roadside sightings of The Entity, to the chilling final showdown at the school swimming pool. Can Jay and her friends thwart the mysterious, shape-shifting entity, or will they succumb to its cycle of meta-viral terror??? Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Learn more about your ad choices. Visit megaphone.fm/adchoices

Salman Toor talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Toor was born in Lahore, Pakistan, in 1983, and lives and works in New York. His paintings capture everyday moments in the lives of fictional young, queer, Brown men. Set within private and public environments, these scenes speak of a wealth of feelings and experiences, ranging from touching domestic intimacy and love, to communal solidarity, to societal precarity and violence. While abundantly concerned with contemporary life and identity, Salman's paintings are informed by a deep passion for historic art, both in Western and South Asian traditions. The result is a body of work of immense technical sensitivity and beauty, shot through with poignancy and wit. He reflects on the growing complexity of his references to the Western tradition of painting in relation to his subject matter. He discusses how the “mist and gaseousness” of a particular shade of green has helped him create particular moods and atmospheres in his work. He talks about playing with conventions in the depictions of certain types of bodies, and exploring and subverting orientalist and racist tropes. Among many other references, he recalls the early influence of Paul Delaroche's The Execution of Lady Jane Grey (1833) and Pablo Picasso's Blue Period, the enduring impact of Jean-Honoré Fragonard, whose sweetness is like “a cup of tea with five teaspoons”, and suggests that he enjoys painters who embark on “slightly crazy” transformations of academic painting traditions. He expresses his ongoing admiration for Anton Chekhov's short stories and discusses how Whitney Houston's music was important to him and his “chosen family” in his early years in New York. Plus, he gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?Salman Toor: Wish Maker, Luhring Augustine Chelsea and Tribeca, New York, 1 May-21 June. Please note that this episode contains a contextualised homophobic slur in the title of a group of Salman Toor's works. Hosted on Acast. See acast.com/privacy for more information.

Además los estrenos de la semana. Entradas para Welcome to Rockville. Se estrenan grandes documentales Rock en Tribeca.

This is the rhythm of a voice that knows how to tell a story. Anndi Jinelle Liggett didn't set out to become a filmmaker overnight. She started in the fitting rooms of Banana Republic, sharpened her instincts in the fast-paced world of network television, and ended up at Al Roker's side—not as a spectator, but as a quiet observer of how media moves. Born in Reston, Virginia, and now rooted in Brooklyn, Anndi's journey winds through French lectures at Florida State and serendipitous subway rides in New York City. She didn't knock on Hollywood's door. She cracked it open with heart, hustle, and a sharp eye for what makes us human.In this episode of Visual Intonation, we dive into how Anndi's early storytelling, yes, including a Cat-girl with superpowers, evolved into work that's both personal and piercing. She shares how characters, not just plot, drive her creative compass, and why the best stories aren't necessarily the loudest, but the most honest. Her short 'Clementine' flips the rom-com script on its head, while 'Tender Thoughts', backed by Lena Waithe, is already drawing attention from Tribeca to Urbanworld. When Anndi writes, she's writing with—and for—people who have something to say but maybe haven't yet said it out loud.We talk about France. About solitude. About filmmaking and betting on yourself. But more than that, we talk about voice—finding it, using it, and trusting that it matters. Anndi admits that's still a work in progress. But whether she's on set or scrolling Chani Nicholas for horoscope wisdom, she's learning to take up space, ask the question, raise the idea. Not because she knows it all, but because she knows herself.So pull up a chair. Whether you're a creator, a dreamer, or just someone who once tried to relax in New York and ended up on a whole new life path, this one's for you. Anndi Jinelle Liggett reminds us that storytelling isn't about fame—it's about feeling. And when it's done right, it's unforgettable.Anndi Jinelle Liggett's Website: https://www.anndijl.com/Anndi Jinelle Liggett's Instagram: https://www.instagram.com/seranndipity/Anndi Jinelle Liggett's LinkedIn: https://www.linkedin.com/in/anndijliggettSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Fresh Meadows, NY rising superstar singer/songwriter Ben Bacardi(Tribeca Records) talks about his latest release “Life Again” along with his EP“Prescription to Rap”! Ben began his amazing career inspired by music from the‘60s & 80's and the owner of a thriving home inspection business plus hasrecorded over 100+ songs with Queens legends Polk, Boots and Royal Flush with aloyal following on Spotify, YouTube, etc and shares the stories behind themusic! Check out the amazing Ben Bacardi and his latest release on all majorplatforms and www.tribecarecords.comtoday! #benbacardi #freshmeadowsnewyork #risingsuperstar #singersongwriter#lifeagain #prescriptiontorap #tribecarecords #homeinspection #queens #polk#royalflush #boots #spreaker #iheartradio #spotify #applemusic #youtube#anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbenbacardi#themikewagnershowbenbacardi 

Fresh Meadows, NY rising superstar singer/songwriter Ben Bacardi(Tribeca Records) talks about his latest release “Life Again” along with his EP“Prescription to Rap”! Ben began his amazing career inspired by music from the‘60s & 80's and the owner of a thriving home inspection business plus hasrecorded over 100+ songs with Queens legends Polk, Boots and Royal Flush with aloyal following on Spotify, YouTube, etc and shares the stories behind themusic! Check out the amazing Ben Bacardi and his latest release on all majorplatforms and www.tribecarecords.comtoday! #benbacardi #freshmeadowsnewyork #risingsuperstar #singersongwriter#lifeagain #prescriptiontorap #tribecarecords #homeinspection #queens #polk#royalflush #boots #spreaker #iheartradio #spotify #applemusic #youtube#anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbenbacardi#themikewagnershowbenbacardi 

Fresh Meadows, NY rising superstar singer/songwriter Ben Bacardi (Tribeca Records) talks about his latest release “Life Again” along with his EP “Prescription to Rap”! Ben began his amazing career inspired by music from the ‘60s & 80's and the owner of a thriving home inspection business plus has recorded over 100+ songs with Queens legends Polk, Boots and Royal Flush with a loyal following on Spotify, YouTube, etc and shares the stories behind the music! Check out the amazing Ben Bacardi and his latest release on all major platforms and www.tribecarecords.com today! #benbacardi #freshmeadowsnewyork #risingsuperstar #singersongwriter #lifeagain #prescriptiontorap #tribecarecords #homeinspection #queens #polk #royalflush #boots #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbenbacardi #themikewagnershowbenbacardi  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

Dave in Chicago called Mark to explain how he was scared flying on a helicopter. In addition did a famous singer take a helicopter daily? Michael in Tribeca calls Mark to explain to him what the USA should specifically Tariff China on. See omnystudio.com/listener for privacy information.

Dave in Chicago called Mark to explain how he was scared flying on a helicopter. In addition did a famous singer take a helicopter daily? Michael in Tribeca calls Mark to explain to him what the USA should specifically Tariff China on.

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It's a small world. The great David Rieff came to my San Francisco studio today for in person interview about his new anti-woke polemic Desire and Fate. And half way through our conversation, he brought up Daniel Bessner's This Is America piece which Bessner discussed on yesterday's show. I'm not sure what that tells us about wokeness, a subject which Rieff and I aren't in agreement. For him, it's the thing-in-itself which make sense of our current cultural malaise. Thus Desire and Fate, his attempt (with a great intro from John Banville) to wake us up from Wokeness. For me, it's a distraction. I've included the full transcript below. Lots of good stuff to chew on. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. 5 KEY TAKEAWAYS * Rieff views "woke" ideology as primarily American and post-Protestant in nature, rather than stemming solely from French philosophy, emphasizing its connections to self-invention and subjective identity.* He argues that woke culture threatens high culture but not capitalism, noting that corporations have readily embraced a "baudlerized" version of identity politics that avoids class discussions.* Rieff sees woke culture as connected to the wellness movement, with both sharing a preoccupation with "psychic safety" and the metaphorical transformation of experience in which "words” become a form of “violence."* He suggests young people's material insecurity contributes to their focus on identity, as those facing bleak economic prospects turn inward when they "can't make their way in the world."* Rieff characterizes woke ideology as "apocalyptic but not pessimistic," contrasting it with his own genuine pessimism which he considers more realistic about human nature and more cheerful in its acceptance of life's limitations. FULL TRANSCRIPTAndrew Keen: Hello everybody, as we digest Trump 2.0, we don't talk that much these days about woke and woke ideology. There was a civil war amongst progressives, I think, on the woke front in 2023 and 2024, but with Donald Trump 2.0 and his various escapades, let's just talk these days about woke. We have a new book, however, on the threat of woke by my guest, David Rieff. It's called Desire and Fate. He wrote it in 2023, came out in late 2024. David's visiting the Bay Area. He's an itinerant man traveling from the East Coast to Latin America and Europe. David, welcome to Keen on America. Do you regret writing this book given what's happened in the last few months in the United States?David Rieff: No, not at all, because I think that the road to moral and intellectual hell is trying to censor yourself according to what you think is useful. There's a famous story of Jean Paul Sartre that he said to the stupefaction of a journalist late in his life that he'd always known about the gulag, and the journalist pretty surprised said, well, why didn't you say anything? And Sartre said so as not to demoralize the French working class. And my own view is, you know, you say what you have to say about this and if I give some aid and comfort to people I don't like, well, so be it. Having said that, I also think a lot of these woke ideas have their, for all of Trump's and Trump's people's fierce opposition to woke, some of the identity politics, particularly around Jewish identity seems to me not that very different from woke. Strangely they seem to have taken, for example, there's a lot of the talk about anti-semitism on college campuses involves student safety which is a great woke trope that you feel unsafe and what people mean by that is not literally they're going to get shot or beaten up, they mean that they feel psychically unsafe. It's part of the kind of metaphorization of experience that unfortunately the United States is now completely in the grips of. But the same thing on the other side, people like Barry Weiss, for example, at the Free Press there, they talk in the same language of psychic safety. So I'm not sure there's, I think there are more similarities than either side is comfortable with.Andrew Keen: You describe Woke, David, as a cultural revolution and you associated in the beginning of the book with something called Lumpen-Rousseauism. As we joked before we went live, I'm not sure if there's anything in Rousseau which isn't Lumpen. But what exactly is this cultural revolution? And can we blame it on bad French philosophy or Swiss French?David Rieff: Well, Swiss-French philosophy, you know exactly. There is a funny anecdote, as I'm sure you know, that Rousseau made a visit to Edinburgh to see Hume and there's something in Hume's diaries where he talks about Rousseau pacing up and down in front of the fire and suddenly exclaiming, but David Hume is not a bad man. And Hume notes in his acerbic way, Rousseau was like walking around without his skin on. And I think some of the woke sensitivity stuff is very much people walking around without their skin on. They can't stand the idea of being offended. I don't see it as much - of course, the influence of that version of cultural relativism that the French like Deleuze and Guattari and other people put forward is part of the story, but I actually see it as much more of a post-Protestant thing. This idea, in that sense, some kind of strange combination of maybe some French philosophy, but also of the wellness movement, of this notion that health, including psychic health, was the ultimate good in a secular society. And then the other part, which again, it seems to be more American than French, which is this idea, and this is particularly true in the trans movement, that you can be anything you want to be. And so that if you feel yourself to be a different gender, well, that's who you are. And what matters is your own subjective sense of these things, and it's up to you. The outside world has no say in it, it's what you feel. And that in a sense, what I mean by post-Protestant is that, I mean, what's the difference between Protestantism and Catholicism? The fundamental difference is, it seems to me, that in Roman Catholic tradition, you need the priest to intercede with God, whereas in Protestant tradition, it is, except for the Anglicans, but for most of Protestantism, it's you and God. And in that sense it seems to me there are more of what I see in woke than this notion that some of the right-wing people like Chris Rufo and others have that this is cultural French cultural Marxism making its insidious way through the institutions.Andrew Keen: It's interesting you talk about the Protestant ethic and you mentioned Hume's remark about Rousseau not having his skin on. Do you think that Protestantism enabled people to grow thick skins?David Rieff: I mean, the Calvinist idea certainly did. In fact, there were all these ideas in Protestant culture, at least that's the classical interpretation of deferred gratification. Capitalism was supposed to be the work ethic, all of that stuff that Weber talks about. But I think it got in the modern version. It became something else. It stopped being about those forms of disciplines and started to be about self-invention. And in a sense, there's something very American about that because after all you know it's the Great Gatsby. It's what's the famous sentence of F. Scott Fitzgerald's: there are no second acts in American lives.Andrew Keen: This is the most incorrect thing anyone's ever said about America. I'm not sure if he meant it to be incorrect, did he? I don't know.David Rieff: I think what's true is that you get the American idea, you get to reinvent yourself. And this notion of the dream, the dream become reality. And many years ago when I was spending a lot of time in LA in the late 80s, early 90s, at LAX, there was a sign from the then mayor, Tom Bradley, about how, you know, if you can dream it, it can be true. And I think there's a lot in identitarian woke idea which is that we can - we're not constricted by history or reality. In fact, it's all the present and the future. And so to me again, woke seems to me much more recognizable as something American and by extension post-Protestant in the sense that you see the places where woke is most powerful are in the other, what the encampment kids would call settler colonies, Australia and Canada. And now in the UK of course, where it seems to me by DI or EDI as they call it over there is in many ways stronger in Britain even than it was in the US before Trump.Andrew Keen: Does it really matter though, David? I mean, that's my question. Does it matter? I mean it might matter if you have the good or the bad fortune to teach at a small, expensive liberal arts college. It might matter with some of your dinner parties in Tribeca or here in San Francisco, but for most people, who cares?David Rieff: It doesn't matter. I think it matters to culture and so what you think culture is worth, because a lot of the point of this book was to say there's nothing about woke that threatens capitalism, that threatens the neo-liberal order. I mean it's turning out that Donald Trump is a great deal bigger threat to the neoliberal order. Woke was to the contrary - woke is about talking about everything but class. And so a kind of baudlerized, de-radicalized version of woke became perfectly fine with corporate America. That's why this wonderful old line hard lefty Adolph Reed Jr. says somewhere that woke is about diversifying the ruling class. But I do think it's a threat to high culture because it's about equity. It's about representation. And so elite culture, which I have no shame in proclaiming my loyalty to, can't survive the woke onslaught. And it hasn't, in my view. If you look at just the kinds of books that are being written, the kinds of plays that are been put on, even the opera, the new operas that are being commissioned, they're all about representing the marginalized. They're about speaking for your group, whatever that group is, and doing away with various forms of cultural hierarchy. And I'm with Schoenberg: if it's for everybody, if it's art, Schoenberg said it's not for everybody, and if it's for everybody it's not art. And I think woke destroys that. Woke can live with schlock. I'm sorry, high culture can live with schlock, it always has, it always will. What it can't live with is kitsch. And by which I mean kitsch in Milan Kundera's definition, which is to have opinions that you feel better about yourself for holding. And that I think is inimical to culture. And I think woke is very destructive of those traditions. I mean, in the most obvious sense, it's destructive of the Western tradition, but you know, the high arts in places like Japan or Bengal, I don't think it's any more sympathetic to those things than it is to Shakespeare or John Donne or whatever. So yeah, I think it's a danger in that sense. Is it a danger to the peace of the world? No, of course not.Andrew Keen: Even in cultural terms, as you explain, it is an orthodoxy. If you want to work with the dominant cultural institutions, the newspapers, the universities, the publishing houses, you have to play by those rules, but the great artists, poets, filmmakers, musicians have never done that, so all it provides, I mean you brought up Kundera, all it provides is something that independent artists, creative people will sneer at, will make fun of, as you have in this new book.David Rieff: Well, I hope they'll make fun of it. But on the other hand, I'm an old guy who has the means to sneer. I don't have to please an editor. Someone will publish my books one way or another, whatever ones I have left to write. But if you're 25 years old, maybe you're going to sneer with your pals in the pub, but you're gonna have to toe the line if you want to be published in whatever the obvious mainstream place is and you're going to be attacked on social media. I think a lot of people who are very, young people who are skeptical of this are just so afraid of being attacked by their peers on various social media that they keep quiet. I don't know that it's true that, I'd sort of push back on that. I think non-conformists will out. I hope it's true. But I wonder, I mean, these traditions, once they die, they're very hard to rebuild. And, without going full T.S. Eliot on you, once you don't think you're part of the past, once the idea is that basically, pretty much anything that came before our modern contemporary sense of morality and fairness and right opinion is to be rejected and that, for example, the moral character of the artist should determine whether or not the art should be paid attention to - I don't know how you come back from that or if you come back from that. I'm not convinced you do. No, other arts will be around. And I mean, if I were writing a critical review of my own book, I'd say, look, this culture, this high culture that you, David Rieff, are writing an elegy for, eulogizing or memorializing was going to die anyway, and we're at the beginning of another Gutenbergian epoch, just as Gutenberg, we're sort of 20 years into Marshall McLuhan's Gutenberg galaxy, and these other art forms will come, and they won't be like anything else. And that may be true.Andrew Keen: True, it may be true. In a sense then, to extend that critique, are you going full T.S. Eliot in this book?David Rieff: Yeah, I think Eliot was right. But it's not just Eliot, there are people who would be for the wokesters more acceptable like Mandelstam, for example, who said you're part of a conversation that's been going on long before you were born, that's going to be going on after you are, and I think that's what art is. I think the idea that we make some completely new thing is a childish fantasy. I think you belong to a tradition. There are periods - look, this is, I don't find much writing in English in prose fiction very interesting. I have to say I read the books that people talk about because I'm trying to understand what's going on but it doesn't interest me very much, but again, there have been periods of great mediocrity. Think of a period in the late 17th century in England when probably the best poet was this completely, rightly, justifiably forgotten figure, Colley Cibber. You had the great restoration period and then it all collapsed, so maybe it'll be that way. And also, as I say, maybe it's just as with the print revolution, that this new culture of social media will produce completely different forms. I mean, everything is mortal, not just us, but cultures and civilizations and all the rest of it. So I can imagine that, but this is the time I live in and the tradition I come from and I'm sorry it's gone, and I think what's replacing it is for the most part worse.Andrew Keen: You're critical in the book of what you, I'm quoting here, you talk about going from the grand inquisitor to the grand therapist. But you're very critical of the broader American therapeutic culture of acute sensitivity, the thin skin nature of, I guess, the Rousseau in this, whatever, it's lumpen Rousseauanism. So how do you interpret that without psychologizing, or are you psychologizing in the book? How are you making sense of our condition? In other words, can one critique criticize therapeutic culture without becoming oneself therapeutic?David Rieff: You mean the sort of Pogo line, we've met the enemy and it is us. Well, I suppose there's some truth to that. I don't know how much. I think that woke is in some important sense a subset of the wellness movement. And the wellness movement after all has tens and tens of millions of people who are in one sense or another influenced by it. And I think health, including psychic health, and we've moved from wellness as corporal health to wellness as being both soma and psyche. So, I mean, if that's psychologizing, I certainly think it's drawing the parallel or seeing woke in some ways as one of the children of the god of wellness. And that to me, I don't know how therapeutic that is. I think it's just that once you feel, I'm interested in what people feel. I'm not necessarily so interested in, I mean, I've got lots of opinions, but what I think I'm better at than having opinions is trying to understand why people think what they think. And I do think that once health becomes the ultimate good in a secular society and once death becomes the absolutely unacceptable other, and once you have the idea that there's no real distinction of any great validity between psychic and physical wellness, well then of course sensitivity to everything becomes almost an inevitable reaction.Andrew Keen: I was reading the book and I've been thinking about a lot of movements in America which are trying to bring people together, dealing with America, this divided America, as if it's a marriage in crisis. So some of the most effective or interesting, I think, thinkers on this, like Arlie Hochschild in Berkeley, use the language of therapy to bring or to try to bring America back together, even groups like the Braver Angels. Can therapy have any value or that therapeutic culture in a place like America where people are so bitterly divided, so hateful towards one another?David Rieff: Well, it's always been a country where, on the one hand, people have been, as you say, incredibly good at hatred and also a country of people who often construe themselves as misfits and heretics from the Puritans forward. And on the other hand, you have that small-town American idea, which sometimes I think is as important to woke and DI as as anything else which is that famous saying of small town America of all those years ago which was if you don't have something nice to say don't say anything at all. And to some extent that is, I think, a very powerful ancestor of these movements. Whether they're making any headway - of course I hope they are, but Hochschild is a very interesting figure, but I don't, it seems to me it's going all the other way, that people are increasingly only talking to each other.Andrew Keen: What this movement seems to want to do is get beyond - I use this word carefully, I'm not sure if they use it but I'm going to use it - ideology and that we're all prisoners of ideology. Is woke ideology or is it a kind of post-ideology?David Rieff: Well, it's a redemptive idea, a restorative idea. It's an idea that in that sense, there's a notion that it's time for the victims, for the first to be last and the last to be first. I mean, on some level, it is as simple as that. On another level, as I say, I do think it has a lot to do with metaphorization of experience, that people say silence is violence and words are violence and at that point what's violence? I mean there is a kind of level to me where people have gotten trapped in the kind of web of their own metaphors and now are living by them or living shackled to them or whatever image you're hoping for. But I don't know what it means to get beyond ideology. What, all men will be brothers, as in the Beethoven-Schiller symphony? I mean, it doesn't seem like that's the way things are going.Andrew Keen: Is the problem then, and I'm thinking out loud here, is the problem politics or not enough politics?David Rieff: Oh, I think the problem is that now we don't know, we've decided that everything is part, the personal is the political, as the feminists said, 50, 60 years ago. So the personal's political, so the political is the personal. So you have to live the exemplary moral life, or at least the life that doesn't offend anybody or that conforms to whatever the dominant views of what good opinions are, right opinions are. I think what we're in right now is much more the realm of kind of a new set of moral codes, much more than ideology in the kind of discrete sense of politics.Andrew Keen: Now let's come back to this idea of being thin-skinned. Why are people so thin-skinned?David Rieff: Because, I mean, there are lots of things to say about that. One thing, of course, that might be worth saying, is that the young generations, people who are between, let's say, 15 and 30, they're in real material trouble. It's gonna be very hard for them to own a house. It's hard for them to be independent and unless the baby boomers like myself will just transfer every penny to them, which doesn't seem very likely frankly, they're going to live considerably worse than generations before. So if you can't make your way in the world then maybe you make your way yourself or you work on yourself in that sort of therapeutic sense. You worry about your own identity because the only place you have in the world in some way is yourself, is that work, that obsession. I do think some of these material questions are important. There's a guy you may know who's not at all woke, a guy who teaches at the University of Washington called Danny Bessner. And I just did a show with him this morning. He's a smart guy and we have a kind of ironic correspondence over email and DM. And I once said to him, why are you so bitter about everything? And he said, you want to know why? Because I have two children and the likelihood is I'll never get a teaching job that won't require a three hour commute in order for me to live anywhere that I can afford to live. And I thought, and he couldn't be further from woke, he's a kind of Jacobin guy, Jacobin Magazine guy, and if he's left at all, it's kind of old left, but I think a lot of people feel that, that they feel their practical future, it looks pretty grim.Andrew Keen: But David, coming back to the idea of art, they're all suited to the world of art. They don't have to buy a big house and live in the suburbs. They can become poets. They can become filmmakers. They can put their stuff up on YouTube. They can record their music online. There are so many possibilities.David Rieff: It's hard to monetize that. Maybe now you're beginning to sound like the people you don't like. Now you're getting to sound like a capitalist.Andrew Keen: So what? Well, I don't care if I sound like a capitalist. You're not going to starve to death.David Rieff: Well, you might not like, I mean, it's fine to be a barista at 24. It's not so fine at 44. And are these people going to ever get out of this thing? I don't know. I wonder. Look, when I was starting as a writer, as long as you were incredibly diligent, and worked really hard, you could cobble together at least a basic living by accepting every assignment and people paid you bits and bobs of money, but put together, you could make a living. Now, the only way to make money, unless you're lucky enough to be on staff of a few remaining media outlets that remain, is you have to become an impresario, you have become an entrepreneur of your own stuff. And again, sure, do lots of people manage that? Yeah, but not as many as could have worked in that other system, and look at the fate of most newspapers, all folding. Look at the universities. We can talk about woke and how woke destroyed, in my view anyway, a lot of the humanities. But there's also a level in which people didn't want to study these things. So we're looking at the last generation in a lot places of a lot of these humanities departments and not just the ones that are associated with, I don't know, white supremacy or the white male past or whatever, but just the humanities full stop. So I know if that sounds like, maybe it sounds like a capitalist, but maybe it also sounds like you know there was a time when the poets - you know very well, poets never made a living, poets taught in universities. That's the way American poets made their money, including pretty famous poets like Eric Wolcott or Joseph Brodsky or writers, Toni Morrison taught at Princeton all those years, Joyce Carol Oates still alive, she still does. Most of these people couldn't make a living of their work and so the university provided that living.Andrew Keen: You mentioned Barry Weiss earlier. She's making a fortune as an anti-woke journalist. And Free Press seems to be thriving. Yascha Mounk's Persuasion is doing pretty well. Andrew Sullivan, another good example, making a fortune off of Substack. It seems as if the people willing to take risks, Barry Weiss leaving the New York Times, Andrew Sullivan leaving everything he's ever joined - that's...David Rieff: Look, are there going to be people who thrive in this new environment? Sure. And Barry Weiss turns out to be this kind of genius entrepreneur. She deserves full credit for that. Although even Barry Weiss, the paradox for me of Barry Weiss is, a lot of her early activism was saying that she felt unsafe with these anti-Israeli teachers at Columbia. So in a sense, she was using some of the same language as the woke use, psychic safety, because she didn't mean Joseph Massad was gonna come out from the blackboard and shoot her in the eye. She meant that she was offended and used the language of safety to describe that. And so in that sense, again, as I was saying to you earlier, I think there are more similarities here. And Trump, I think this is a genuine counterrevolution that Trump is trying to mount. I'm not very interested in the fascism, non-fascism debate. I'm rather skeptical of it.Andrew Keen: As Danny Bessner is. Yeah, I thought Danny's piece about that was brilliant.David Rieff: We just did a show about it today, that piece about why that's all rubbish. I was tempted, I wrote to a friend that guy you may know David Bell teaches French history -Andrew Keen: He's coming on the show next week. Well, you see, it's just a little community of like-minded people.David Rieff: There you go. Well, I wrote to David.Andrew Keen: And you mentioned his father in the book, Daniel.David Rieff: Yeah, well, his father is sort of one of the tutelary idols of the book. I had his father and I read his father and I learned an enormous amount. I think that book about the cultural contradictions of capitalism is one of the great prescient books about our times. But I wrote to David, I said, I actually sent him the Bessner piece which he was quite ambivalent about. But I said well, I'm not really convinced by the fascism of Trump, maybe just because Hitler read books, unlike Donald Trump. But it's a genuine counterrevolution. And what element will change the landscape in terms of DI and woke and identitarianism is not clear. These people are incredibly ambitious. They really mean to change this country, transform it.Andrew Keen: But from the book, David, Trump's attempts to cleanse, if that's the right word, the university, I would have thought you'd have rather admired that, all these-David Rieff: I agree with some of it.Andrew Keen: All these idiots writing the same article for 30 years about something that no one has any interest in.David Rieff: I look, my problem with Trump is that I do support a lot of that. I think some of the stuff that Christopher Rufo, one of the leading ideologues of this administration has uncovered about university programs and all of this crap, I think it's great that they're not paying for it anymore. The trouble is - you asked me before, is it that important? Is culture important compared to destroying the NATO alliance, blowing up the global trade regime? No. I don't think. So yeah, I like a lot of what they're doing about the university, I don't like, and I am very fiercely opposed to this crackdown on speech. That seems to be grotesque and revolting, but are they canceling supporting transgender theater in Galway? Yeah, I think it's great that they're canceling all that stuff. And so I'm not, that's my problem with Trump, is that some of that stuff I'm quite unashamedly happy about, but it's not nearly worth all the damage he's doing to this country and the world.Andrew Keen: Being very generous with your time, David. Finally, in the book you describe woke as, and I thought this was a very sharp way of describing it, describe it as being apocalyptic but not pessimistic. What did you mean by that? And then what is the opposite of woke? Would it be not apocalyptic, but cheerful?David Rieff: Well, I think genuine pessimists are cheerful, I would put myself among those. The model is Samuel Beckett, who just thinks things are so horrible that why not be cheerful about them, and even express one's pessimism in a relatively cheerful way. You remember the famous story that Thomas McCarthy used to tell about walking in the Luxembourg Gardens with Beckett and McCarthy says to him, great day, it's such a beautiful day, Sam. Beckett says, yeah, beautiful day. McCarthy says, makes you glad to be alive. And Beckett said, oh, I wouldn't go that far. And so, the genuine pessimist is quite cheerful. But coming back to woke, it's apocalyptic in the sense that everything is always at stake. But somehow it's also got this reformist idea that cultural revolution will cleanse away the sins of the supremacist patriarchal past and we'll head for the sunny uplands. I think I'm much too much of a pessimist to think that's possible in any regime, let alone this rather primitive cultural revolution called woke.Andrew Keen: But what would the opposite be?David Rieff: The opposite would be probably some sense that the best we're going to do is make our peace with the trash nature of existence, that life is finite in contrast with the wellness people who probably have a tendency towards the apocalyptic because death is an insult to them. So everything is staving off the bad news and that's where you get this idea that you can, like a lot of revolutions, you can change the nature of people. Look, the communist, Che Guevara talked about the new man. Well, I wonder if he thought it was so new when he was in Bolivia. I think these are - people need utopias, this is one of them, MAGA is another utopia by the way, and people don't seem to be able to do without them and that's - I wish it were otherwise but it isn't.Andrew Keen: I'm guessing the woke people would be offended by the idea of death, are they?David Rieff: Well, I think the woke people, in this synchronicity, people and a lot of people, they're insulted - how can this happen to me, wonderful me? And this is those jokes in the old days when the British could still be savage before they had to have, you know, Henry the Fifth be played by a black actor - why me? Well, why not you? That's just so alien to and it's probably alien to the American idea. You're supposed to - it's supposed to work out and the truth is it doesn't work out. But La Rochefoucauld says somewhere no one can stare for too long at death or the sun and maybe I'm asking too much.Andrew Keen: Maybe only Americans can find death unacceptable to use one of your words.David Rieff: Yes, perhaps.Andrew Keen: Well, David Rieff, congratulations on the new book. Fascinating, troubling, controversial as always. Desire and Fate. I know you're writing a book about Oppenheimer, very different kind of subject. We'll get you back on the show to talk Oppenheimer, where I guess there's not going to be a lot of Lumpen-Rousseauism.David Rieff: Very little, very little love and Rousseau in the quantum mechanics world, but thanks for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

What don't they tell you? They you gotta take a break! In this episode, No Film School's GG Hawkins and Jason Hellerman sit down with editor Max Goldblatt, who cut the heartfelt and hilarious indie road trip film Sacramento. Directed by Michael Angarano and starring Michael Cera, Kristen Stewart, and Maya Erskine, the film made waves at Tribeca and has since garnered a devoted following. Max shares how he got into editing, his long-time collaboration with Angarano, and offers invaluable insight into the nuanced craft of post-production—especially on a tight budget and timeline. In this episode, No Film School's GG Hawkins, Jason Hellerman, and guest Max Goldblatt discuss... How Max and director Michael Angarano formed their creative bond through music The challenges and victories of licensing a Rolling Stones song for an indie film Editorial techniques like split compositions and how they elevate performance Why taking breaks during the edit can lead to better storytelling Max's unconventional path into editing and the moment he almost walked away from filmmaking The balance between instinct and structure when cutting complex character scenes Memorable Quotes: “Michael kind of broke the cardinal rule of putting a song in the script.” “Sometimes there's just this alchemy when you choose something maybe almost at random.” “I was about to quit trying to pursue film period before I was connected with Mike Angarano.” “Sometimes it takes feedback or questions that people have about characters, and you realize that the answer was there all along.” Guests: Max Goldblatt Resources: Sacramento on IMDb Michael Angarano's first film, Avenues Robert Schwartzman's film The Argument Jason Hellerman's article on "Man on a Mission" stories Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Children of immigrants are often hard workers; they’re under pressure to live up to their parents’ dreams. And it’s often thought that creativity and hard work don’t go hand in hand. Jean Lin has proven quite the opposite. Growing up in Massachusetts she was aware she came from a different place to her friends. But she credits her different upbringing, one focused on valuing family, hard work, integrity, with her success. Lin is the founder and gallerist of the downtown NYC design gallery and studio Colony. The designer’s co-op in Tribeca that’s changing the way New Yorkers shop for their interiors. With Colony, her goal is to support and foster independent designers and makers. Unlike traditional galleries, who take a 40% commission, her model is based on a monthly co-op fee (to cover the rent) and a small 15% commission. Then there’s The Designers’ Residency, an incubator program that mentors the next generation of young designers. She’s also authored a book, ‘What We Keep’, published by Abrams last year. It offers advice from artists and designers on the joy and benefits of living with the things you love. Lin originally moved to New York to train as a fashion designer at Parsons School of Design. She always knew she didn’t quite fit in with the fashion set. It was when she landed on her love for art and design more broadly that her career really started to sing. Fast forward to today and she has taught at Parsons, and guest lectured everywhere from Rhode Island School of Design to Pratt Institute and Tama Art University in Tokyo to name just a few. Listen in as Vince and Jean discuss working on J Lo’s fashion brand, having the transformative realisation that design is literally everything around us and why it’s better value to buy it once and buy it well.See omnystudio.com/listener for privacy information.

In this episode, GG Hawkins and Jason Hellerman present a roundtable discussion with independent filmmakers Daniel Talbot, Sav Rogers, and Mikko Mäkelä. These three creatives share their unique journeys in the film industry, highlighting the importance of queer cinema, mentorship, and community. They discuss the challenges of gatekeeping, the power of DIY filmmaking, and the need for filmmakers to take control of their own greenlighting process. From premiering at Sundance and Tribeca to navigating the ever-changing landscape of independent film distribution, this episode offers a deep dive into the resilience and creativity required to make films outside the traditional Hollywood system. In this episode, No Film School's GG Hawkins, Jason Hellerman, Daniel Talbot, Sav Rogers, and Mikko Mäkelä discuss: [00:07] GG Hawkins and Jason Hellerman introduce the episode, recorded ahead of South by Southwest [00:41] Introducing the roundtable guests: Daniel Talbot, Sav Rogers, and Mikko Mäkelä [01:06] The unique journeys of each filmmaker and their impact on queer cinema [01:30] Challenges in the independent film landscape, including gatekeeping and DIY filmmaking [02:24] The importance of self-greenlighting and not waiting for permission [03:12] Balancing artistic expression with the business side of filmmaking [10:44] The role of mentorship and community in helping emerging queer filmmakers [15:14] Strategies for inspiring industry gatekeepers to invest in queer stories [22:21] Navigating meetings with executives and dealing with industry fears [26:40] How the collapse of the streaming acquisition model affects independent filmmakers [28:17] The importance of finding ways to share resources and build a film community [31:42] Embracing both DIY filmmaking and larger-scale projects in tandem [33:13] How a filmmaker's unique voice is their most valuable asset [34:11] Moments when the filmmakers had to greenlight themselves [41:57] The experience of sharing personal work with an audience [47:10] How independent queer films resonate with unexpected audiences [52:14] The power of queer filmmakers supporting one another [53:38] How audiences can better support independent queer cinema [56:02] What's next for Daniel, Sav, and Mikko Memorable Quotes: "The ability to go out and shoot your own work is the way to prove that people are interested, to prove that things are important." "Don't ask for permission. Make it, go do it, find the audience, bring them in, prove everybody wrong." "We are as complicated and human as anyone else on this planet. Get to know our stories and be uncomfortable with it." "For queer cinema to stay authentic and radical, it will, by necessity, most often be made in a DIY spirit." Guests Daniel Talbot Sav Rogers Mikko Mäkelä Find Out More: Watch Chasing, Chasing Amy by Sav Rogers: Available on streaming platforms and through libraries on Kanopy Transgender Film Center Explore Mikko Mäkelä's work: www.mikkomakayla.com Follow Daniel Talbot on Instagram: @DanielCameronTalbot More from No Film School: Visit NoFilmSchool.com for industry news, interviews, and filmmaking resources. Have a question or topic suggestion? Email us: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Below The Belt Show (www.belowthebeltshow.com) brings to you another amazing show! We present exclusive interviews with 2024 Tribeca Festival (tribecafilm.com/) selected films' creators and actors! At the end of the program we talk to Australian filmmakers Nick Russell (director/co-writer) and Nick Musgroves (co-writer)from the short film "Favourites" (tribecafilm.com/films/favourites-2024). We talk to the creators about their thoughts on being selected for Tribeca, whether the film could be adapted into a feature film, their inspiration and much more! The duo also talks about how Australian actors do well in the U.S, the possibility of Margot Robbie appearing and even Star Wars! Don't miss it! BTB's host with the most Al Sotto brings to you another entertaining program! In addition, The "King of the 80s" Chachi McFly, Darth Paul Wallis, Wes Whitlock and photog Domingo Juan join in for the all the fun! Al, Chachi and Domingo talk about their experience at the White House Correspondence Dinner and weekend events that you don't want to miss! Classic Cut: Psychedelic Furs "Pretty In Pink"

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Academy Award Winner, Bill Guttentag sits down with me to talk about his fatherhood journey. We talk about the importance of being present in a child's life. In addition, he shares a few life lessons his kids have taught him. After that we talk about his latest movie, Rule Breakers. We discuss the main messages behind the film and what inspired him to work on this project. Lastly, we finish the interview with the Fatherhood Quick Five.  About Bill Guttentag Bill Guttentag is a double Oscar-winning dramatic and documentary film writer-producer-director. His films have premiered at the Sundance, Cannes, Telluride and Tribeca film festivals. One film that he directed was Nanking. It was a theatrical documentary which premiered at Sundance and featured Woody Harrelson, and was shortlisted for an Oscar. In addition, Bill also directed Soundtrack for a Revolution which had its international premiere at Cannes and was also shortlisted for an Oscar.  Secondly, he wrote and directed the dramatic features Knife Fight starring Rob Lowe, Julie Bowen, David Harbor, and Carrie-Ann Moss; and LIVE! starring Eva Mendes and Andre Braugher, and produced by Chuck Roven. Furthermore, both films premiered at Tribeca. About Rule Breakers  In a nation where educating girls is seen as rebellion, a visionary woman dares to teach young minds to dream. When their innovation draws global attention, their success sparks hope. In addition, he creates opposition. As threats loom and sacrifices are made. Their courage and unity ignite a movement that could forever transform the world. Make sure you check out the Rule Breakers website at angel.com/press/rule-breakers for showtimes and locations.   https://www.youtube.com/watch?v=CW_P4zT6i9A Red's Is This Week's Podcast Sponsor Red's is on a mission to cook food better for people with big things to do. They know that they are a good small part of their great big lives, and they take that seriously.  Red's is committed to cooking with fewer and better ingredients for food that tastes better and is better for you and the planet.  They bake their tortillas fresh daily & are always non-GMO, antibiotic-free, & cage-free. They freeze their food at the peak of flavor and freshness which reduces food waste and enables consumers to have a restaurant-quality meal in minutes at home or on the go.   To learn more go to their website at redsallnatural.com. About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Ep.236 Ebony L. Haynes is a writer and curator from Toronto, Canada. She is presently based in New York where she is senior director at David Zwirner and leads the gallery's 52 Walker space in Tribeca. Haynes sits on the boards of Artists Space (New York) and the New Art Dealers Alliance. She also runs Black Art Sessions, an online “school” that offers free professional practice classes to Black students worldwide. Photo: Ebony L. Haynes, 2020 Photo by Elliott Jerome Brown Jr. Courtesy David Zwirner 52 Walker https://www.52walker.com/info David Zwirner https://www.davidzwirner.com/news/2021/52-walker-street-announcement Wallpaper https://www.wallpaper.com/art/david-zwirner-52-walker-new-york-ebony-l-haynes ArtReview https://artreview.com/artist/ebony-l-haynes/?year=2021 Topical Cream https://topicalcream.org/editors-in-residence/ebonylhaynes-is-topicacream-editor-in-residence-2024/ New York Times https://www.nytimes.com/2020/09/27/arts/design/zwirner-haynes-black-gallery.html ICI https://curatorsintl.org/about/collaborators/22961-ebony-haynes Culture Type https://www.culturetype.com/tag/ebony-l-haynes/ Cool Hunting https://coolhunting.com/culture/all-black-staff-to-run-david-zwirners-new-gallery/ Cultured Magazine https://www.culturedmag.com/article/2023/09/06/downtown-art-dealer-ebony-l-haynes-has-a-tip-for-tourists-who-want-to-look-like-new-yorkers ArtNews https://www.artnews.com/art-news/news/ebony-l-haynes-nada-section-1234611558/ C& https://contemporaryand.com/magazines/ebony-l-haynes-creates-new-gallery-with-all-black-staff-in-nyc/ Document Journal https://www.documentjournal.com/tag/ebony-l-haynes/ Elephant Magazine https://elephant.art/how-ebony-l-haynes-curated-raymond-saunders-evolution-through-post-no-bills/ ArtForum https://www.artforum.com/news/ebony-l-haynes-to-create-black-run-nyc-gallery-with-support-from-david-zwirner-248569/ PIN-UP Magazine https://www.pinupmagazine.org/articles/ebony-l-haynes-interview Curbed NY Magazine https://www.curbed.com/2022/09/21-questions-writer-and-curator-52-walker-director-ebony-haynes.html W Magazine https://www.wmagazine.com/culture/52-walker-ebony-haynes-david-zwirner-interview Whitewall Art https://whitewall.art/art/ebony-l-haynes-opens-52-walker-this-october/ HURS https://hurs-official.com/home/hur-conversations/ebony-haynes Office Magazine https://officemagazine.net/ebony-l-haynes

Crescenzo Notarile and Paris trade stories of living through terrorist attacks. Crescenzo recounts his experience as a witness to the 9/11 attacks in New York City, describing his immediate reaction and the chaotic scene at the World Trade Center. He shares a story about a friend who lived nearby and returned to his apartment to find an airplane seat inside. Notarile also discusses his photography of American flags displayed throughout Soho and Tribeca after the attacks, and how one of his contact sheets was chosen for the permanent 9/11 memorial installation. He expresses pride in creating a spirited and uplifting piece amidst the horrific and sad images of that time.Show Clip from The Paris Chong Show with Crescenzo Notarilehttps://youtu.be/_vFzSFYdQLohttps://www.theparischongshow.com

The All Local Afternoon Update for Wednesday, March 5 2025

Another Paternity Leave Installment, and we're turning to an episode where we spoke at length about an issue that's particularly germane to what's happening now. Patreon payments are frozen for the time being. A few resourceful new Munchies have figured out a work-around where you can join as a free member and upgrade from there to a paid account which charges you for one month and unlocks the back catalog behind the respective tier of the paywall. After that first payment, you won't be charged again until we're dropping new content (which we'll warn everyone is coming), so if you want more of this it can be had, along with access to the fully uncut episodes from 100 to present and Movie Club episodes.This week's selection is Law & Order: SVU's swipe at the anti-vax movement—“Granting Immunity” (S16E19)—which puts the vulnerable Baby Doe in the path of a measles outbreak spawned by the casual dismissal of science by rich dick Tribeca parents who clearly know more than epidemiologists and have conspired to circumvent New York's mandated vaccinations for all students. This leads the Munchie Boys to investigate just what started this anti-vax MMR-causes-autism nonsense that's since metastasized in much more widespread and nefarious ways. Don't worry, there's also plenty of fun to be had, including (but not limited to) the virtues of Susie Essman, the horrors of opening montage music, the hilarious inappropriateness of filmed teenage sex parties, and the watercooler TV-watching habits of the dedicated detectives of the Special Victims Unit. Is this the scariest episode of SVU in Munchstory? Only one way to find out.Sources:Jenny McCarthy: anti-vaxxer, public menace - Los Angeles TimesSeth Mnookin: How the Vaccine War Has Changed - PBSHollywood's Vaccine Wars: 20 Most Notable L.A. Schools at Risk of Disease - The Hollywood ReporterAndrew Wakefield - WikipediaReckless Endangerment in the First and Second Degrees - New York Lawyers dot OrgMusic:Divorcio Suave - “Munchy Business”Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Amy Z, Diana R, Tony B, Zak B, Barry W, Drew D, Nicky R, Stuart, Jacqi B, Natalie T, Robyn S, Christine L, Amy A, Sean M, Jay S, Briley O, Asteria K, Suzanne B, Tim Y, John P, John W, Elia S, Rebecca B, Lily, Sarah L, Melsa A, Alyssa C, Johnathon M, Tiffany C, Brian B, Kate K, Whitney C, Alex, Jannicke HS, Roni C, and Nourhane B - y'all are the best!Be a Munchie, too! Support us on Patreon: patreon.com/munchmybensonBe sure to check out our other podcast diving into long unseen films of our guests' youth: Unkind Rewind at our website or on YouTube, Apple Podcasts, or wherever you listen to podcastsFollow us on: BlueSky, Twitter, Facebook, Instagram, Threads, and Reddit (Adam's Twitter/BlueSky and Josh's Twitter/BlueSky/Letterboxd/Substack)Join our Discord: Munch Casts ServerCheck out Munch Merch: Munch Merch at ZazzleCheck out our guest appearances:Both of us on: FMWL Pod (1st Time & 2nd Time), Storytellers from Ratchet Book Club, Chick-Lit at the Movies talking about The Thin Man, and last but not least on the seminal L&O podcast …These Are Their Stories (Adam and Josh).Josh debating the Greatest Detectives in TV History on The Great Pop Culture Debate Podcast and talking SVU/OC and Psych (five eps in all) on Jacked Up Review Show.Visit Our Website: Munch My BensonEmail the podcast: munchmybenson@gmail.comThe Next New Episode Once We're Back from Adam's Paternity Leave Will Be: Season 16, Episode 14 "Intimidation Game"Become a supporter of this podcast: https://www.spreaker.com/podcast/munch-my-benson-a-law-order-svu-podcast--5685940/support.

"Selling the City" star Taylor Middleton stopped by "Virtual Reali-Tea" to unpack the premiere season of the hit Netflix show. In addition to talking about all the drama, we also got into the funny connection she has to "Southern Charm" star Shep Rose. She then opened up about the horrifying fire that affected her Tribeca building that left her without an apartment and how she is coping — plus, what is next for her. Make sure you subscribe to our podcast to watch more interviews featuring your favorite reality stars. "Selling the City" available to stream on Netflix. Follow us on Instagram! Sign up for our newsletter! Check us out on YouTube! Head to our show page for more tea! Learn more about your ad choices. Visit megaphone.fm/adchoices

Emmy-winning cinematographer Vanessa Carr shares her journey from indie films to Netflix documentaries, revealing the techniques and mindset shifts that have helped her capture authentic, emotional stories. She opens up about working with high-profile clients like Prince Harry while staying true to the heart of documentary storytelling. Key Takeaways The power of silence in interviews - let those awkward moments hang and magic often follows Stop thinking about "B-roll" and start thinking about "world building" for more intentional visuals Building trust with subjects is crucial - be transparent about expectations and impact from day one Personal documentary projects can actually lead to better commercial opportunities About Vanessa Carr Vanessa Carr is a documentary cinematographer specializing in character-driven cinema vérité. Her long list of credits includes On Pointe (Disney+), Heart of Invictus (Netflix), which was one of Prince Harry's major series, and multiple HBO films. Her work has been on every major platform and screened in festivals including Sundance, SXSW, Tribeca, and TIFF. Vanessa has been a DOCNYC 40 Under 40 honoree, Points North Institute fellow, and instructor at Maine Media Workshops. She recently launched Doc House, a new learning community for documentary filmmakers – and teaches a hugely popular live course, the Documentary Cinematography Intensive. Vanessa holds a master's degree in journalism from UC Berkeley.   In This Episode [00:00] Welcome to the show! [05:08] Meet Vanessa Carr [11:42] Why Doc Film is Meaningful [21:00] Learning From Challenging Projects [30:39] Shooting B-Roll [37:46] Interview Techniques [44:07] DocHouse [46:50] Connect with Vanessa [48:28] Outro Quotes "When I think about B-roll, I get bored... I've started thinking about it more as world building. So if you think about a novel where all of the details are kind of building the world of these characters..." - Vanessa Carr "There's almost a spiritual feeling that I have... especially when you're filming something that's really unfolding in sort of real time... there is such an intense presence that you have, because you have to be completely focused." - Vanessa Carr "I don't want to limit anybody's ability to just get started and create content online. This has completely changed my life, completely changed the trajectory of my career." - Vanessa Carr Guest Links Find Vanessa Carr online Follow DocHouse on Instagram Netflix documentary: "Daughters" Netflix series: "Heart of Invictus" Links Find out more about 10xFILMMAKER   Join the Grow Your Video Business Facebook Group  Follow Ryan Koral on Instagram Follow Grow Your Video Business on Instagram Check out the full show notes

Phantom Electric Ghost With Miranda Bailey|Award Winning Indie Film Producerindependent filmmaking at its bestMiranda Bailey, CEO of Cold Iron Pictures, has produced over 20 films, including Independent Spirit Award-Winner DIARY OF A TEENAGE GIRL starring Kristen Wiig and Bel Powley, GOD'S COUNTRY starring Thandawe Newton, and SPLIT AT THE ROOT, distributed by Array. Bailey is a co-founder of the film distribution company, The Film Arcade, and The CherryPicks, a website dedicated to amplifying the voices of female/non-binary critics. She is an accomplished actress and director who has appeared opposite Richard Gere, Parker Posey, and Ben Stiller. On the directing side, her debut documentary, GREENLIT, premiered at SXSW in 2010, and her first narrative feature, BEING FRANK, starring Jim Gaffigan and Anna Gunn, premiered at SXSW in 2018.Currently, Morrisa Maltz's JAZZY, which premiered at Tribeca 2024 and is currently nominated for the John Cassevetes Award and Best Editing Independent Spirit Award. Her Streaming project Kit Williamson's UNCONVENTIONAL is on Revry.Link:https://www.thecherrypicks.com/Donate to support PEG free artist interviews:PayPalMe linkAny contribution is appreciated:https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_USSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:  Podmatch.comhttps://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Donate to support PEG free artist interviews:Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprPEG uses StreamYard.com for our live podcastshttps://streamyard.com/pal/c/6290085463457792Get $10.00 Credit for using StreamYard.com when you sign up with our linkRSShttps://anchor.fm/s/3b31908/podcast/rss

Welcome back to Real Estate Investing in New York, where today I'm joined by my amazing team - Katherine Bender, Maryia Yakushevich, and Joseph Tesoriero - as we dive into what's coming up for 2025 and share some incredible stories from our recent deals. You're going to hear everything from our successful pre-market strategy that landed a full-price offer on day one in Tribeca, to the wild tale of selling in Trump Tower during an unprecedented security lockdown, so stay tuned because we're covering it all to help you achieve future financial success by making intelligent real estate investment decisions today.About the Host:Christina Kremidas is a lifelong New Yorker who brings her extensive background in advertising to her successful real estate career in Manhattan. Her personal experience as a property investor and landlord in New York City gives her unique insight into her client's needs, while her negotiation expertise and market knowledge have quickly established her as a top-performing agent, ranking in the top 5% at her first firm in 2018. Beyond her professional achievements, Christina is deeply involved in her community as a founding Steward at the St. Nicholas Greek Orthodox Church and National Shrine at the World Trade Center, where she serves on the Parish Council and leads social media, marketing, and young adult initiatives. Get in touch with me: Instagram:   / christina.kremidas  TikTok:   / christina.kremidas  Check out my website: https://christinakremidas.com/Email me: Christina.Kremidas@elliman.comWhat Is Your Property Worth?: https://christinakremidas.com/home-va...

Welcome back to Real Estate Investing in New York, where today I'm joined by my amazing team - Katherine Bender, Maryia Yakushevich, and Joseph Tesoriero - as we dive into what's coming up for 2025 and share some incredible stories from our recent deals.You're going to hear everything from our successful pre-market strategy that landed a full-price offer on day one in Tribeca, to the wild tale of selling in Trump Tower during an unprecedented security lockdown, so stay tuned because we're covering it all to help you achieve future financial success by making intelligent real estate investment decisions today.About the Host:Christina Kremidas is a lifelong New Yorker who brings her extensive background in advertising to her successful real estate career in Manhattan. Her personal experience as a property investor and landlord in New York City gives her unique insight into her client's needs, while her negotiation expertise and market knowledge have quickly established her as a top-performing agent, ranking in the top 5% at her first firm in 2018.Beyond her professional achievements, Christina is deeply involved in her community as a founding Steward at the St. Nicholas Greek Orthodox Church and National Shrine at the World Trade Center, where she serves on the Parish Council and leads social media, marketing, and young adult initiatives.Get in touch with me:Instagram:   / christina.kremidas TikTok:   / christina.kremidas Check out my website: https://christinakremidas.com/Email me: Christina.Kremidas@elliman.comWhat Is Your Property Worth?: https://christinakremidas.com/home-va...Meet the team: https://christinakremidas.com/team

A Note from Jacob: If you or someone you know are experiencing a mental health crisis, please call 988.   It is a pleasure to welcome singer and actress Marla Mase to The Jake's Take with Jacob Elyachar Podcast.  A native New Yorker, Marla was born in Brooklyn and raised in Canarsie. At 18, she moved to Tribeca, where she lived for 32 years, raised her two children, and founded PARTYpoopers/partySWANK, one of NYC's premier event planning companies.In addition to her entrepreneurial success, Marla is a versatile artist—an accomplished writer, performer, recording artist, and the COO of Brooklyn-based True Groove Records. She recently returned from her third whirlwind tour of the UK this year, promoting her eighth and ninth album releases, The Fine Art of Pissing in the Bushes and Infinite They Went (vinyl). She is touring Being Somebody, a show she co-wrote and performs alongside her 88-year-old father, Dr. Howard Mase, to sold-out audiences across the East Coast. Her other theatrical works have been featured at prestigious venues such as La MaMa ETC, NYC SummerStage, NJPAC, SXSW, and Nuyorican Poets Café.   Marla Mase is also the founder of The Lael Project. Lael, a talented singer and graduate of the University of Southern California's prestigious Thornton School of Music Popular Music Program, had struggled with depression, anorexia, and suicidal thoughts from a young age. Despite her battles, she chose to help others, working at a treatment center in Los Angeles for individuals suffering from mental illness. Lael's empathy and understanding profoundly impacted those she worked with, many of whom have shared with Marla how her daughter saved their lives. “After she died, I received numerous emails, texts, and calls from residents who told me that Lael was the reason they were alive today,” Marla recounted. “Lael was not a therapist per se, but they felt she understood what they were going through better than anyone else.”   Marla's mission now is to honor Lael's legacy by using her music to help others recognize the signs of suicide and seek help. The Lael Project is a two-volume album featuring both original songs and covers recorded by Lael during her brief but impactful music career.The project features re-mixes, never-before-released material, live recordings dating back to her pre-teen years and remastered versions of her two existing albums, Burden to Bear (2013) and Life in Color (2015). Scheduled for release in 2025 under Brooklyn's True Groove Records, The Lael Project aims to open conversations about mental illness and break the stigma around suicide.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Marla Mase discussed the stories behind several of her songs, including “Hit Me with Your Rhythm Stick,” “Falling Sideways,” and “All Fall Short.” She also discussed how you can get involved with the Lael Project.Let's connect on social media: A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Jordan Hull, Alimi Ballard, Executive Producer/Lead Actress Renee Wilson and Creator/WriterDirector Jana Naomi Smith discuss the premiere of Red For Revolution, Tribeca's 2024 Independent Audio Fiction Winner.Red for Revolution is a six-part audio drama centering intergenerational stories of Black women, queer love, and liberation starring Jordan Hull, Loretta Devine, S. Epatha Merkerson, Rutina Wesley, Renée Wilson, Alimi Ballard, Jennifer Beals, Aunjanue Ellis-Taylor, Danny Glover, Vanessa E. Williams, adrienne maree brown, Caro Guzmán, Don Daniels, and many others. The heart of the story follows the passionate love affair between jazz singer Lorraine Giovanni and activist Ella Ali. The narrative unfolds through the perspective of Jazmine, an 18-year-old grappling with her queer identity, first crush, and the delicate task of mending her relationship with her homophobic mother. As Jazmine seeks solace and guidance from her grandmother, listeners are transported back to 1971, where two remarkable women from vastly different backgrounds, with opposing political views and living oceans apart, embark on a romance that defies all conventions. Red for Revolution was created, written, and directed by Jana Naomi Smith, with sound design by Collin Gerald Thomas, music direction by Tammy L. Hall, executive produced by Renée Wilson, Jana Smith, & Meta Mana Media, and produced by Liz McBee.You can listen via Radiotopia, Apple Podcasts, Spotify, or anywhere you find podcasts.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kevin Patrick Allen and Eric Frith sit down with me to talk about their fatherhood journey. We talk about how their kids teach them life lessons. In addition, the share the values they look to instill into their kids. After that we talk about their documentary, Beneath the Shadow. They share their filming and writing process. We also talk about how this film encapsulates family, love and strength. Lastly, we finish the interview with the Fatherhood Quick Five.  About Kevin Patrick Allen Kevin Patrick Allen is a veteran journalist turned documentary filmmaker. He's been recognized for his research, his eye for identifying the unique qualities in characters and stories and his prioritization of critical thinking and empathy. His films have influenced federal legislation, earned praise from mental health professionals and encouraged resilience-building in communities large and small. He's earned honors coast to coast from organizations including the California Associated Press Radio-Television Association, NorCal RTNDA, the New York International News Festival and the Chesapeake AP Broadcasters Association.  About Eric Frith Working in both non-fiction and fiction, Eric Frith's Emmy Award storytelling has appeared everywhere. Hid work is on Netflix, Amazon Prime and Apple TV. It has been distributed by Miramax and heralded as "an Oscar level piece of work" by film critics Ebert and Roeper. Other distribution includes: Sundance Now, PBS American Masters, Syfy, Gravitas, Travel Channel, Discovery+, Dream Entertainment, Independent Lens, Cinema Management Group, PBS AfroPop, Off the Fence, Liberation Entertainment, Quiver and NHK Japan. His films have screened at top festivals: Sundance, Toronto, SXSW, Tribeca, SIFF and literally hundreds of others around the world.  About Beneath the Shadow  Jim Tyrer is known in football circles as the greatest player not in the Professional Football Hall of Fame. He's also known as the man who inexplicably killed his wife and himself. For Tina, Brad, Stef and Jason, he's remembered simply as “Dad”—even though he left them orphans with a tarnished legacy when he murdered their mom before killing himself. Beneath the Shadow follows the children from their idyllic early lives to the night of the crime. In addition, you see decades into the future as they refused to succumb to despair and anger. That is because of the grandparents (parents to Martha). They raised them to forgive and move forward—with or without answers. Grandpa and Grandma Cline moved into the room where the murder/suicide took place. They raised the children and refused to disparage their son-in-law, Jim. The children excelled. Still, any understanding of the tragedy would elude them for decades. Make sure you follow Kevin on Instagram over at @kevpatrickallen. Go to the kppllc.net to learn more about Beneath the Shadow. Make sure you go to Eric's website at ericfrith.com.  BetterHelp Is This Week's Sponsor  BetterHelp was founded in 2013 to remove the traditional barriers to therapy and make mental health care more accessible to everyone. Today, it is the world's largest therapy service — providing professional, affordable, and personalized therapy in a convenient online format. BetterHelp's network of more than 30,000 licensed therapists has helped over 5 million people worldwide take ownership of their mental health and work towards their personal goals. As the unmet need for mental health services continues to grow, BetterHelp is committed to expanding access to therapy globally. Plus for my readers and podcast listeners when you use the special link at betterhelp.com/artoffatherhood you can get 10% off your first month.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood.

In this episode of the HAYVN Hubcast, host Nancy Sheed sits down with Katya Libin, an inspiring entrepreneur and co-founder of Divine Feminine Leaders (DFL). Katya shares her transformative journey from navigating challenges as the daughter of immigrant parents in New York City to redefining leadership and creating powerful communities for women. Key Lessons and Takeaways from Katya's Journey: Embrace a "Why Not?" Attitude Katya credits her early resilience and confidence to her ability to view challenges as opportunities. Growing up in New York City with immigrant parents instilled in her the mindset to push boundaries and seize opportunities, no matter how unconventional they seemed. From Bartender to Corporate Leader Katya's openness to opportunity paid off early in her career. While bartending, she impressed her customers so much that they offered her a corporate sales role, which launched her successful career in tech and software sales. Turning Isolation Into Impact The spark for her entrepreneurial journey came from a personal need. As a young mother in Tribeca, juggling a demanding sales job and motherhood, Katya felt isolated and craved connection. This led her to co-found HeyMama, a national network for working moms, creating a thriving space for women to support and connect with each other. Pivoting During the Pandemic The pandemic brought significant challenges for HeyMama, forcing a shift from in-person to virtual community-building. This pivotal moment helped Katya redefine leadership for herself, emphasizing alignment between her energy, purpose, and impact. Merging Spirituality and Leadership Out of this period of reflection emerged Katya's latest venture, Divine Feminine Leaders (DFL) - which is soon to be rebranded as Jadeva. Combining spiritual wisdom with actionable leadership strategies, DFL is a “soulful sorority for women of impact.” Through masterminds, immersive experiences, and education, Katya empowers women to embrace their authentic selves while creating meaningful change. Evolving Leadership Philosophy Katya now prioritizes collaboration over self-reliance. She attributes much of her success to knowing when to bring in experts and focus on collective wisdom, an approach she sees as essential for sustainable growth and leadership. A Vision for Global Impact Katya's vision for DFL  / Jadeva is expansive, with plans to grow from local chapters to a global movement. Her work is helping women leaders tap into their wisdom, power, and purpose, redefining what it means to lead authentically. To learn more about Katya and Divine Feminine Leaders, follow them on Instagram @wearedfl or visit wearedfl.com. To connect with Nancy, follow her on LinkedIn, Instagram @sheesalt or connect on her nancysheed.com website. This conversation is a must-listen for anyone looking to align their energy, purpose, and leadership style while making a meaningful impact.

Architect Liam Young shares his thoughts on how science fiction can be a powerful tool for prototyping new possibilities, why problems like climate change urgently need planetary-scale solutions, and how speculative design can inspire meaningful cultural transformation.  Liam Young is a designer, director, and BAFTA-nominated producer who operates in the spaces between design, fiction, and futures. Described by the BBC as ‘the man designing our futures', his visionary films and speculative worlds are both extraordinary images of tomorrow and urgent examinations of the environmental questions facing us today. As a world-builder, he visualises the cities, spaces, and props of our imaginary futures for the film and television industry. His own films have premiered with platforms ranging from Channel 4, Apple+, SxSW, Tribeca, the New York Metropolitan Museum, The Royal Academy, Venice Biennale, the BBC, and The Guardian. Bonus episode recorded live from the Dubai Future Forum at the Museum of the Future in partnership with the Dubai Future Foundation on 20 November 2024. Full-Video Version: https://youtu.be/gGyALHTnxk8  ABOUT THE HOST Luke Robert Mason is a British-born futures theorist who is passionate about engaging the public with emerging scientific theories and technological developments. He hosts documentaries for Futurism, and has contributed to BBC Radio, BBC One, The Guardian, Discovery Channel, VICE Motherboard and Wired Magazine. CREDITS In Partnership with the Dubai Future Foundation Producer & Host: Luke Robert Mason Join the conversation on Facebook, Instagram, and Twitter at @FUTURESPodcast Follow Luke Robert Mason on Twitter at @LukeRobertMason Subscribe & Support the Podcast at http://futurespodcast.net

This episode will give you all the spots you need to check out in the popular Financial District of New York City! Where is the Financial District in NYC? While most neighborhoods in NYC do a bit of blurring together, the Financial District technically covers most of the southernmost tip of Manhattan. It runs from the West Side Highway on the west to the Brooklyn Bridge and East River on the east. This neighborhood runs from the north, starting at Chambers Street and City Hall and running south until The Battery. Battery Park and Battery Park City are not technically a part of the Financial District, but we will include them as part of our guide to the lowest part of Manhattan. Things to Do in Financial District NYC The Oculus--transportation hub, shopping mall, lots of restaurants One World Trade Center+Observation Deck 9/11 Museum Charging bull  Wall St. Museum of Jewish heritage  The Battery (+ Battery Park City) Brookfield Place Mall (mostly for the view and yachts and park nearby but also a high end mall) Ferry to Staten Island for Statue of Liberty view Pier 17- lots of concerts here Brooklyn Bridge City hall Elevated Acre - Park space with lawn, boardwalk and seasonal beer garden Woolworth building Stone street (cobblestone, no cars) South street seaport  South Street Seaport Museum St. Paul's Chapel - originally built in 1766 and is the oldest surviving church building in Manhattan Trinity Church - Burial place for the likes of Alexander Hamilton, Robert Fulton, Francis Lewis, Angelica Church, and other prominent figures in the early period of the United States NYC Financial District's Best Bars Dead Rabbit - Rated best bar in the world in 2016 Fraunces Tavern Overstory - 64th floor deck with panoramic views WarrenPeace - Dimly lit cocktail bar with friendly staff White Horse Tavern - NYC's 2nd-oldest bar, circa 1880, with a storied history and watering hole for Dylan Thomas, Jack Kerouac, and James Baldwin Carragher's - Soccer-themed sports pub Brickyard Craft Kitchen & Bar Stout NYC O'Hara's Restaurant and Pub - Classic Irish Pub This Episode's You'll Have to Check It Out Segment - Pisillo Italian Panini Bread is sourced from a bakery in Brooklyn and is fresh daily. All ingredients are imported from Italy and these are massive AND delicious sandwiches! Check it out here. Coffee Shops in the Financial District Hungry Ghost Coffee Black Fox Coffee 787 Coffee La Colombe Coffee Workshop Birch Coffee Laughing Man Cafe-technically Tribeca, owned by Hugh Jackman Restaurants in FiDi NYC Fraunces Tavern Joe's Pizza Delmonico's Manhatta - 60th floor, high-end New American cuisine Siena Pizza Eataly El Vez and Burrito Bar Pick A Bagel Los Tacos #1 Smorgasburg WTC Multiple spots in Pier 17, including The Fulton by Jean-Georges JR Sushi (technically Tribeca) Nish Nush (technically Tribeca) Download the full NYC Navigation & Transportation Guide here + join our newsletter here: ⁠https://rebrand.ly/nyc-navigation-guide⁠ Get the NYC Basic Tips & Etiquette book here: ⁠https://amzn.to/4fo5TRj

We are dropping in your feed today to share a series that we know you will enjoy. Pack One Bag is epic true story of an Italian family, split apart by love, fascism and war. Through shocking discoveries - and Stanley Tucci’s artistry - an enthralling personal history comes to life. When documentarian David Modigliani was a kid, his grandfather, Franco, won the Nobel Prize. But, David’s always been more fascinated by the love story that made it possible -- his grandparents' romance on the run from Fascist Italy. When he digs into their story, he uncovers a darker side to their fairytale escape: a brother left behind to face the Nazi occupation - and startling personal connections between his family and Benito Mussolini. In the Tribeca-winning podcast, PACK ONE BAG, he returns to Italy to investigate his family's past, carrying a pressing question: if Fascism takes over your country, do you stay, or do you try to flee? And what happens if you can’t? You’re about to hear a preview of the first episode of Pack One Bag. After you listen, head to https://lemonada.lnk.to/packonebagfd to hear more. See omnystudio.com/listener for privacy information.

Australia continues to produce horror films, and like many movies, they can be hit or miss. The horror-thriller from early 2024 entitled YOU'LL NEVER FIND ME (2024) is the latest. After playing the festival circuits, including Tribeca, it had its United States release on Shudder on March 22nd, 2024.From IMDB: "Patrick, a strange and lonely resident, lives in a mobile home at the back of an isolated trailer park. During a violent storm, a mysterious young woman appears at his door seeking shelter from the elements."The film was jointly directed by Josiah Allen and Indianna Bell from a script by Indianna Bell. The film stars Brendan Rock, Jordan Cowan, and Elena Carapetis. Though receiving fairly good reviews from critics, audiences were a bit cooler on it. Your co-hosts take a look at the film and see if it lives up to the critics' thought.

Jack Shaiman Gallery has opened a new venue in Chelsea featuring work from artist Barkley Hendricks. In addition, there's a new Nick Cave exhibition in the original Tribeca location. We speak with Cave about his latest, Jack Shaiman about his gallery, and Elisabeth Sann, who curated the Hendricks show.

Zachary Fuhrer is a creative producer and Emmy-nominated film editor. M. Brennan is an award-winning documentary film editor. Both worked on the Netflix series America's Sweethearts: Dallas Cowboys Cheerleaders. Fuhrer has also worked on other projects, including: Wrestlers, Last Chance U: Basketball, Cheer, Kings from Queens: The Run DMC Story, and VICE. Brennan has worked on Wrestlers, Frontline, Murder on Middle Beach, and Fyre Fraud. M. has an extensive career cutting documentary films and series for Netflix, HBO, Hulu, Showtime, EPIX, Nat Geo, Tribeca, as well as veteran documentary filmmaker Joe Berlinger and the legendary Albert Maysles. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Holiday Gift Guide: https://www.amazon.com/shop/katecasey?ref_=cm_sw_r_cp_ud_aipsfshop_Y6DZ8HHQSYTZYM81WWPJ Patreon: http://www.patreon.com/katecasey Like it to Know It: https://www.shopltk.com/explore/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.