Podcasts about Tribeca

Lindsie and Madison catch up from Tribeca to unpack a chaotic week. Lindsie gets personal about her recent experience dissolving her lip filler and her journey toward self-acceptance. She also shares an update on her anxiety medication and how it's reshaped her daily routine. Plus, they discuss Hayden Panettiere's passing and the latest update in the Lindsay Clancy trial. Finally, they wrap things up with their thoughts on the highly anticipated Alix Earle show.Want to watch The Southern Tea? Full video episodes are now available at patreon.com/cw/LindsieChrisley.Thank you to our sponsors!Hers: Visit forhers.com/SOUTHERNTEA to get a personalized, affordable plan. Restrictions apply.Hiya: Receive 50% off your first order at hiyahealth.com/SOUTHERNTEAJack Archer: Go to JackArcher.com and use promo code GETJACK for 15% off your first orderOur Place: Visit fromourplace.com/TEA and use code TEA for 10% off sitewide. Tempo: Visit TempoMeals.com/SouthernTea for 60% off your first box! Rules and restrictions may apply.Willie's: Order now at https://drinkwillies.com and use code TEA for 20% off of your first order + free shipping on orders over $95See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tribeca Festival Director and SVP of Programming Cara Cusumano joins No Film School's GG Hawkins to reflect on 25 years of Tribeca and explain what independent filmmakers should understand about today's festival landscape. Cusumano discusses Tribeca's evolution from its post-9/11 roots into a multidisciplinary storytelling festival, how programmers evaluate nearly 14,000 submissions, why filmmakers should build relationships with their peers instead of chasing gatekeepers, and how festivals are responding to shifts in film distribution and audience behavior. She also shares how emerging filmmakers can participate in festival communities even without a film in the lineup and why creating distinctive work matters more than waiting for the perfect opportunity. In this episode, No Film School's GG Hawkins and guest Cara Cusumano discuss... How Tribeca's founding mission of community, connection, and celebrating movies has endured across 25 years Cara's path from attending the first Tribeca Festival as a film student to becoming Festival Director and SVP of Programming Why networking is really about building relationships with your contemporaries and growing together throughout your careers How programmers view filmmakers and why they are actively looking for work to champion rather than trying to keep filmmakers out What makes a project feel distinctly right for Tribeca, from independent storytelling to memorable audience experiences How Tribeca manages and evaluates nearly 14,000 film and project submissions Why passionate advocacy inside the programming room can matter even when programmers disagree about a film Why festival feedback is complicated and how programming decisions can depend on the composition of the entire lineup, not simply the quality of an individual film How Tribeca expanded beyond features and shorts into television, podcasts, games, VR, immersive work, and creator-driven storytelling The value of human curation as an alternative to algorithmic discovery Why Tribeca is interested in projects that blur the boundaries between film, games, immersive media, podcasts, and other formats How the role of film festivals is changing as selling an independent film directly out of a festival becomes more difficult Why festivals increasingly function as places for talent discovery, career building, networking, and demonstrating audience demand How the in-person festival experience can create moments that cannot be replicated through individual at-home viewing How emerging filmmakers can participate in Tribeca through programs like the Storytelling Summit even if their work is not selected Why Cara hopes Tribeca remains flexible enough to respond to new forms of storytelling that do not yet have an established industry category Her advice to stop waiting for the perfect moment, keep collaborating, and make work because of the story rather than its potential festival or distribution outcome Memorable Quotes: “It's building a relationship with your contemporaries, and then you all grow. Like anyone who I know who has a position of power is only 'cause we were in the trenches as assistants 20 years ago.” “Programmers want to discover films. They live in fear of missing something amazing. They want to build those relationships.” “The industry player's coming less to buy completed projects than they are to scout future talent.” “There's never a perfect moment and, and it- the more that you can be creating and collaborating, and don't think about, like, what festival is this going to get into or what's the distribution going to be?” Guest: Cara Cusumano on IMDb Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

What if the reason you can't get ahead financially has nothing to do with money and everything to do with the six areas of your life you've been ignoring to chase it? Koya Webb is a wellness expert, author, and founder of the Well-Being Rituals movement. Her new book breaks down the seven areas of well-being — spiritual, emotional, mental, nutritional, physical, social, and financial (yes, financial is last) — and the science-backed rituals that rebuild each one from the ground up. This conversation goes deep — from why Koya had to heal her obsession with "having it all figured out," to the moment she lost her mother and had to relearn how to grieve without numbing out. We get into transformational letter writing, breath healing, the rice experiment that proves your words carry energy, and why chasing perfection is actually sabotaging your well-being. If you've ever felt like success without peace is a hollow win, this one's for you. Takeaways: Well-being isn't about having it figured out — it's about self-awareness, daily Financial well-being is last for a reason: chase it first and the other six collapse underneath it Emotions aren't the enemy — suppressed emotions become constriction, and constriction becomes disease Transformational letter writing lets you process pain without confronting the person who caused it "Stack your rituals" when you're in a season of grief — you don't need to do everything, just the next small thing Perfectionism doesn't fill your buckets — it drains them Chills are a spiritual "yes" — learn to listen to what your body already knows High-functioning doesn't mean healed — "I'm fine" is often the loudest sign you're not processing CTAs / Links:

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm so honored to have back on the show once again: Satanic ritual abuse, sex trafficking, and Harvey Weinstein survivor and whistleblower, acclaimed and professional actress, model, artist and painter, and a brilliant woman who has risked her life to shine a light on the darkness of her life and the lives of other victims and survivors: Paz de la Huerta Here's a little bit about Paz if you are new here, missed her other episodes or need a little recap on her testimony: Born on September 3, 1984, in the heart of New York City, she entered a world of glittering privilege and artistic promise only to confront unimaginable darkness. The daughter of Judith Bruce, a “women's-rights activist”, and Ricardo de la Huerta, a Spanish duke descended from nobility, Paz grew up in the creative pulse of Tribeca. From her earliest years she painted imaginary safe spaces and dollhouse interiors, danced, sang, acted, and dreamed - her spirit already reaching for freedom even as control and betrayal closed in around her.By fourteen she had already claimed the big screen. In the Miramax production The Cider House Rules she delivered a raw, unforgettable turn as Mary Agnes, earning a scholarship to the prestigious St. Anne's School, where she graduated with one of the highest IQ scores in it's history. Her presence was magnetic - blending classic Hollywood siren allure with profound vulnerability. Audiences saw a rising star of fierce sensuality and luminous talent. What they could not see was the private war she was fighting.From the tender age of five, Paz endured childhood incest, alcohol-fueled exploitation, and a pattern of control that spanned continents. Her mother, jealous of the attention and gifts that surrounded her daughter, is described by Paz as the architect of deeper betrayal: trafficking her to powerful figures, including Harvey Weinstein, spying through connected apartments rented to Miramax, and systematically stealing her earnings while living lavishly. A jealous sister, a complicit godmother, and a web of handlers turned every potential refuge into another trap. In 2010, at a Golden Globes after-party for Blue Valentine, Weinstein forced his way into her Greenwich Street apartment and raped her, repeating the assault weeks later. When Paz began to speak, the retaliation intensified. On the set of Nurse 3D a stunt vehicle dragged her ten feet in what she has come to realize was an assassination attempt. Later, under the care of neurosurgeon Aaron Filler, she suffered a catastrophic brain injury that took seven years to heal. Five years ago, after a final year of brutal repeated rape in Madrid at the hands of her father, she escaped -  and with the help of the plant medicine Iboga, she painstakingly reconstructed her shattered timeline, and began the long journey to recovery.Through it all, Paz's spirit refused to break. In 2010 - long before the #MeToo movement - she went to a journalist. In 2017 she spoke publicly to The New York Times and Vanity Fair, adding her voice to the global reckoning even while still under the control of those who had harmed her. Today she acts, models, directs, and paints from a place of hard-won autonomy, surrounded by the animals she calls her angels, grounded in Christian faith and her daily spiritual practice.Paz is not defined by what was done to her. She is defined by what she has chosen to become: a whistleblower who risks everything to expose systemic evil, a survivor advocate who turns personal hell into collective hope, a renaissance woman whose creativity and courage refuse to be extinguished. Her life proves that even the most shattered spirit can rise, reclaim its voice, and inspire millions to fight for truth. From the streets of Tribeca to the heights of Hollywood and through the valley of death, she has forged unbreakable wings from truth, art, and unyielding faith. The siren survives. The angel rises. And her voice - clear, righteous, and eternally luminous - echoes as a rallying cry for every soul still finding its way out of the dark.PAZ'S PLAYLIST ON 'THE IMAGINATION': https://www.youtube.com/playlist?list=PLI5gwAmfrmIADONATE TO PAZ'S GOFUNDME: https://www.gofundme.com/f/justice-for-paz-fundraiser-for-spanish-criminal-lawyers-andPAZ'S ART: -Interview Magazine Feature: www.https://interviewmagazine.com/art/how-paz-de-la-huerta-found-peace-in-her-surrealists-paintingsCONNECT WITH PAZ:TikTok: https://www.tiktok.com/@paz.de.la.huertaIG: https://www.instagram.com/thefugitive1984/CONNECT W/ EMMA:YouTube: https://www.youtube.com/@imaginationpodcastofficialEMAIL: imagineabetterworld2020@gmail.comSubstack: https://emmakatherine.substack.com/BUY ME A COFFEE: https://www.buymeacoffee.com/theimaginationVENMO: @emmapreneurCASHAPP: $EmmaKatherine1204All links: https://direct.me/theimaginationpodcastSupport the show

Hey, Heal Squad! We're back with Jennifer Esposito, actress, director, New York Times bestselling author of Jennifer's Way, and the writer-director-star of the award-winning film Fresh Kills. Today Jennifer is getting into the full story behind Fresh Kills… where the idea came from, what it cost her to make it, and why the industry did everything it could to make sure you never heard of it. From growing up in Staten Island surrounded by the mafia and the young women trapped inside that world, to betting her house(literally!)  on a film she believed in with everything she had, Jennifer takes us through the fight of her creative life. She opens up about members of the industry who didn't show up when she needed them most, the standing ovation at Tribeca that still couldn't get her a distribution deal for an entire year, and the Hollywood machine that tried to bury Fresh Kills. And now that a major studio is positioning their new Godfather film as the "first female mafia story"? Jennifer has something to say about that. Then just when you think the story can't hit any harder, she lands in Paris,  and for the first time in her entire life, her nervous system goes quiet. She tells us what life is like in Paris, and how she's finally transformed her life and health for the better.  HEALERS & HEAL LINERS You were never the problem. Jennifer spent years in Hollywood shrinking herself to fit a mold that was never built for her…. told she wasn't the right type, wasn't white enough, wasn't the girl next door. The moment she stopped trying to be what everyone else needed her to be and started making Fresh Kills on her own terms, everything changed. Bet on yourself before you ask anyone else to. Jennifer mortgaged her house because she was done asking people who didn't believe in her to fund something they couldn't understand. When no one would greenlight her vision, she greenlit it herself. That is the Heal Squad mindset. Stop waiting for someone to give you what you already know you deserve, and start moving. You can't heal in the environment that made you sick. Three months in Paris and Jennifer barely recognizes herself. Smiling on the street. In the pool. Playing records. She says she has never in her entire life had a calm nervous system, until now.  Join us at our Canyon Ranch 2026 Retreat: https://www.canyonranch.com/lenox/retreats/heal-retreat-maria-menounos HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website:https://www.healsquad.com/ Heal Squad x Patreon: https://www.patreon.com/HealSquad/membership Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: https://stylecrew.macys.com/@mariamenounos EMR-Tek Red Light: https://emr-tek.com/discount/Maria30 for 30% off Airbnb: https://www.airbnb.com/host GUEST RESOURCES: Follow & DM Jennifer on Instagram: https://www.instagram.com/jesposito/ Watch Fresh Kills On Amazon & Hulu: https://www.amazon.com/gp/video/detail/B0F1R6WV33?ref_=atv_dp_share_cu_r https://www.hulu.com/movie/fresh-kills-6dc67f61-efc6-4cf2-8000-06144ef58e9f Check out Jennifer's Way: My Journey with Celiac Disease--What Doctors Don t Tell You and How You Can Learn to Live Again: https://a.co/d/01EQTdB1 Check out Jennifer's Way Kitchen: Easy Allergen-Free, Anti-Inflammatory Recipes for a Delicious Life:  https://a.co/d/00PHXToq More About The AIP Diet: https://www.healthline.com/nutrition/aip-diet-autoimmune-protocol-diet ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content (published or distributed by or on behalf of Maria Menounos or http://Mariamenounos.com and http://healsquad.com) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Victoria Bachan is Co-Founder and CEO of Hyphen, and one of the most consequential builders in the Creator Economy. Her 12-year+ career spans CAA, Sony Music, Wasserman, and Whalar, where she led 300+ Creators as Global President of Sixteenth. She has pioneered Creator houses for Black and Latinx talent, launched Creator-owned brands like Nami Matcha and Nonipup, and brokered deals with Nike, Google, Amazon, and Sephora. A sought-after speaker at Cannes Lions, SXSW, VidCon, and Tribeca, she has contributed to Rolling Stone and is recognized by Variety, Business Insider, and Campaign US as a defining voice in the industry. She mentors South Asian executives through The Salon and supports her community through Play Inspired. When she's not reshaping the industry, you'll find her exploring New Jersey towns with her husband and dog.

In today's episode, Elizabeth sits down with Sammy Nussdorf, founder and CEO of Meadow Lane, the buzzy Tribeca gourmet grocer that's been dubbed the "Erewhon of NYC." They dig into the menu obsessions (chicken tendies, the famous grapes, PB&J pockets), how Sammy built the entire business in public on TikTok as @brokebackcontessa, and what it's really like navigating virality, trolls, and "Chicken Nugget-gate" as a first-time restaurant operator. The conversation also gets personal as Sammy opens up about his sobriety journey, from prescription painkillers to a serious ketamine addiction, what finally got him to stop, and how he's approaching recovery today.If you want to go DEEPER with me, my Substack is where I share even more behind-the-scenes, personal reflections, and wellness experiments, with new posts dropping every Thursday: https://substack.com/@thewellnessprocessFollow Sammy Nussdorf:Instagram/TikTok: @brokebackcontessaMeadow Lane Instagram: https://www.instagram.com/meadowlanenycFollow us:Instagram: https://www.instagram.com/thewellnessprocesspodTikTok: https://www.tiktok.com/@thewellnessprocessYouTube: https://www.youtube.com/@TheWellnessProcessSponsorsVisit https://newzealandhoneyco.com/ and use code wellness at checkout for 20% off your first purchaseTry Jolie risk free for 60 days by going to jolieskinco.com/TWPGo to butcherbox.com/twp to get $20 off your first box, plus your choice of free ground beef for life or chicken thighs/top sirloins in every box for a year – with free shipping always.Use code WELLNESS at monarch.com for 50% off your first year.Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Watch it on YouTube. No spoilers. This is the making of the docuseries The Man Will Burn. This is the context for what was filmed, who said what, and what got cut; the cameras and the chaos (and the quinoa). Burning Man Project's CEO Marian Goodell talks with Jehane Noujaim Academy Award-nominated filmmaker and director. They share the creative challenge of assembling Burning Man's story from a mosaic of a million people's stories. They dive right into the interweaving 35 years of archival footage with the personal journeys of a dozen participants from a dozen places. Watch Marian and Jehane's conversation, recorded the day after the premiere at Tribeca. Hit play on the dust and trust of the blank canvas that becomes a city year after year, and a 4-hour film about its start, its false stops, and its proliferating permutations. burningman.org/documentaries/the-man-will-burn www.imdb.com/title/tt29033873 wikipedia.org/Jehane_Noujaim journal.burningman.org/author/marian LIVE.BURNINGMAN.ORG

Learn more at TheCityLife.org

Host Marina Franklin chats with Emmy-nominated composer Kathryn Bostic & filmmaker Sharaé Nikai. Dive into their stories, career wisdom, and the power of community and vote for Kathryn for the World Soundtrack Awards.  Kathryn Bostic - Award winning, Emmy nominated (The Supremes at Earl's All You Can Eat; Amy Tan-Unintended Memoir; Toni Morrison-The Pieces I Am) composer and singer-songwriter Kathryn Bostic is known for her original work on film,TV, Broadway and symphonic music. On Broadway, Bostic worked with iconic playwright August Wilson, creating the score for "Gem of the Ocean." She also created the score for the Broadway production "Bengal Tiger at the Baghdad Zoo" featuring world renowned actor and comedian Robin Williams. She is a recipient of many awards and fellowships including the prestigious BMI "Streaming Media Award"; Hollywood Music in Media Award for "Best Score TV Streamed Movie"; Society of Composers and Lyricists "Outstanding Music for Independent Feature Film"; African American Film Critics Award for "Best Music in Film"; Sundance Time Warner Fellowship; Sundance Fellowship for Feature Film Scoring; and Sundance Documentary Film Scoring. Bostic served as Vice President for the Alliance of Women Film Composers. She is a member of Television Academy of Arts and Sciences, The Recording Academy, and Bostic is the first African American female composer in the Academy for Motion Pictures Arts and Sciences. Her end title song "High Above the Water" for the award winning film "Toni Morrison- The Pieces I Am" was Oscar shortlisted. Her work on Sarah's Oil: Original Motion Picture Soundtrack is up for the world sound track public choice award. You can vote for Kathryn at worldsoundtrackaward.com . Sharaé Nikai - Against industry odds, Jersey City native Sharaé Nikai wrote, produced, co-directed and starred in her very first feature film, "The Other, Gold." It is a heartfelt dramedy that follows a TV writer living in Little Tokyo as she navigates grief, isolation and the rekindling of a former BFF-ship. Out of 13,016 submissions, TOG was invited to world premiere as one of only 10 films in Tribeca's US Narrative Competition. This acclaim led to Nikai being in consideration for the 2025 Oscars, Spirit Awards and Emmys in the Outstanding Television Movie, Directing & Lead Actress categories. It also makes her the first Black female quadruple threat (sole writer/producer, director & star) to qualify for the Academy Awards with no studio or major production company backing. As a producer, Sharaé secured an exclusive Mental Health Awareness partnership for "The Other, Gold" at FOX-owned Tubi and sponsorship for its launch by Women in Film (WIF) and The Entertainment Community Fund. In March 2026, "The Other, Gold" was released worldwide in celebration of Women's History Month exclusively on Apple TV. In addition to TOG, Nikai appears in numerous ad campaigns, films and TV series including Grey's Anatomy and opposite Alison Brie in Sundance's "Horse Girl" (The DuPlass Bros/Netflix). Currently, she is the 2026 international voice of Nordstrom Rack all while developing her dramedy driven TV/film slate. In her spare time, Sharaé takes serious pride in the accent mark over her "e" and is the reigning (read: self-proclaimed) trap karaoke queen. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch      

Today on Too Opinionated, we're joined by actress and artist Malky Goldman to discuss her starring role as Sarah Leah in The Wedding Entertainer, directed by Gidi Dar, which celebrated its world premiere at the 2026 Tribeca Festival. Originally from Jerusalem and now based in New York City, Malky has built an impressive career across film, television, and theater. Her newest role in The Wedding Entertainer marks another exciting milestone as she continues to bring emotionally rich and deeply authentic characters to the screen. Audiences also know Malky from the acclaimed Netflix limited series Unorthodox, the Blumhouse horror film The Vigil, and HBO's High Maintenance. On stage, she has delivered memorable performances in productions including Strangers, Hedda Gabler, the Yiddish production of Rhinoceros, and the critically acclaimed God of Vengeance. In this episode we discuss:

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On July 27, T-Mobile experienced a significant nationwide outage that left many customers unable to use cellular service. More than 60,000 outage reports were recorded, users across multiple states reported dropped service and "SOS" mode on phones, and T-Mobile had not yet identified a public cause when Reuters published its report. A cybersecurity researcher says a Tribeca Film Festival-related data exposure may have revealed contact details for major Hollywood figures including Angelina Jolie, Robert De Niro, Martin Scorsese, and Jennifer Lawrence. The leaked records reportedly included phone numbers, email addresses, and some device information. Tribeca secured the databases after being alerted and is investigating the incident. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

On July 27, T-Mobile experienced a significant nationwide outage that left many customers unable to use cellular service. More than 60,000 outage reports were recorded, users across multiple states reported dropped service and "SOS" mode on phones, and T-Mobile had not yet identified a public cause when Reuters published its report. A cybersecurity researcher says a Tribeca Film Festival-related data exposure may have revealed contact details for major Hollywood figures including Angelina Jolie, Robert De Niro, Martin Scorsese, and Jennifer Lawrence. The leaked records reportedly included phone numbers, email addresses, and some device information. Tribeca secured the databases after being alerted and is investigating the incident. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

I don't know about you, listeners, but what stands out to me in this episode is not the shock of torturing old man corn (see what I did there?), not the insightful political commentary on the violence of the carceral state, not Emily's medium quality explanation of the concept of tyranny of the majority, but the fact that they mentioned the 2016 black comedy Sausage Party so many times without getting the title of the movie right even once. Emily and Ky are for the streets, so that's where they're recording (recorning?). Get tucked in like cute little peas in a pod, envision the streets of Tribeca, and tune in!

A hacker stayed anonymous for years. Mishaal Khan, author of Phantom CISO and creator of Operation Privacy, found him in about an hour using OSINT, open source intelligence, meaning information that's already public and free to find. The case grew into a Department of Justice investigation and a documentary that premiered at Tribeca. Inside: the OSINT method nobody teaches, the voice cloning scam that takes ten seconds, and the mansion address he legally made his own, Tony Stark's.Chapters00:00 Meet Mishaal Khan and his cybersecurity expertise01:08 Mishaal's background and notable projects02:16 Fooling credit bureaus with Iron Man's address03:14 Operation privacy: a crowdsourced privacy management tool06:55 Implementing privacy strategies in daily life07:25 The importance of a security culture in organizations13:23 The capabilities and risks of AI and voice cloning15:48 Social engineering tactics and how to defend against them20:17 OSINT techniques for cybersecurity and social engineering22:45 Defending against organized cyber threats and long-term reconnaissance27:10 Building a security-aware organizational culture30:00 Mishaal's work in law enforcement and legal boundaries49:38 Upcoming documentary 'Stealing Magic' and its focus50:31 Piracy in the magic community and digital theft52:24 Unmasking online impersonators and the role of OSINT54:48 The importance of creativity and organic investigation in cybersecurity55:49 Closing remarks and Mishaal's book 'Phantom CISO'Questions? Text our Studio direct. We read these and when helpful we give a special shout out for those to contact us.True crime enters our homes and businesses daily. Learn from actual people who fight it daily and show you how in a thriller story. The Moving Target Trilogy. Book 3 to be released September 22nd, 2026. Start with any of them. Be a Moving Target.Special Author pricing (30% off) The Moving Target Trilogy. Book 3 to be released September 22nd, 2026. Start with any of them. Be a Moving Target.Special Author pricing (30% off) Growth without Interruption. Get peace of mind. Stay Competitive-Get NetGain. Contact NetGain today at 844-777-6278 or reach out at DMauro@NetGainIT.com or find more at www.NETGAINIT.com   Support the showNew Exclusive Offers for our Listeners! New non-fiction Book Series is out! Moving Target: The Art of Online Camouflage drops April 14.Moving Target: The Obedient Machine drops April 21.Book 3 -- Ghost and the Machine -- out soon!

Ep. 411: Amy Taubin on Tribeca 2026 (Labrador: Autopsy of Silence, Jail Time Records, The Lorraine, Jean-Michel, Crocodile, They Fight, The Last Day), plus Romeria and I Love Boosters Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As has become our wont, I had the total pleasure of talking over films from the 2026 Tribeca Festival and other recent viewing with the one and only Amy Taubin. She shares a few Tribeca highlights (a couple of which won prizes at Tribeca) and also spotlights a couple of theatrical releases. Titles discussed include Labrador: Autopsy of Silence (directed by Rodrigue Jean), Jail Time Records (Dione Roach and Steve Happi), The Lorraine (Sam Pollard), Basquiat doc Jean-Michel (Quinn Whitney Wilson and Viridiana Lieberman), Crocodile (Pietra Bretkelly and The Critics), They Fight (Sheldon Candis), The Last Day (Rachel Rose), plus Romería (Carla Simón) and I Love Boosters (Boots Riley). But it all starts with the Knicks. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Cara Cusumano, Director of Programming for the Tribeca Festival, joins Past Present Feature as the festival celebrates its 25th year. She pulls back the curtain on how one of the world's premier film festivals selects its films,  and how curation, audience, and timing shape every lineup. Along the way, Cara reflects on the films and filmmakers that shaped her own cinematic taste, from F for Fake, Jiro Dreams of Sushi, to the fiction work of David Fincher, Agnès Varda, and Steven Spielberg.The conversation also explores Tribeca's origins following 9/11, the future of film festivals in the streaming era, why filmmakers shouldn't let deadlines dictate their creative process, and why the stories that resonate most are often the ones that keep moving, staying one step ahead of their audience, and continuing to surprise us.  What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 19-21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

I conclude Tribeca special coverage with one of my favorite films at the festival, CAITY (2026). To say Lindsay Calleran has been through some things to get her debut feature made is underselling it by a lot. Please read this First Person IndieWire article that Lindsay wrote; it gives a lot of important background to her story and how CAITY came to be.I'm so impressed by so many different things: the resiliency she showed in both losing her father and getting this film made; the journey to sobriety; having the guts to put it all out there for the world to see.Mostly, though, I'm impressed she made an absolute banger of a coming-of-age film. It has amazingly unique cinematography and an ending that you won't predict. It leaves you wanting to know more (and then feeling a little heartbroken after). That's great filmmaking.Lindsay and I discuss:the combination of a birthday, Tribeca premiere, and Father's Day when your debut feature is fictionalized version of your relationship with your father;how much real life influenced the final film;how she got into filmmaking;the unique touches of cinematography in this film;the incredible actors playing Caity and her father in this film, and somehow finding the chemistry between them;if casting directors are underrated in indie films;the EP/producer relationships for this film and the unique grant that made this film happen;why we don't see more films like this in festivals and theaters;what's next for her.Lindsay's Indie Film Highlight: LONG'S LONG LOST & MINI MART (2025) dir. by Julian DoanLinks:Follow Lindsay On Instagram

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of building music documentaries, why some stories are best told by the artists themselves, and how editing ultimately discovers a film's true shape. Ellwood also discusses Culture Club's unforgettable MTV presence, Boy George's groundbreaking public persona, the band's deep catalog beyond the hits, and the electric response to the documentary's Tribeca premiere. It's a lively look at the magic of collaboration, the power of pop music, and the enduring legacy of one of the 1980s' most iconic bands.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of building music documentaries, why some stories are best told by the artists themselves, and how editing ultimately discovers a film's true shape. Ellwood also discusses Culture Club's unforgettable MTV presence, Boy George's groundbreaking public persona, the band's deep catalog beyond the hits, and the electric response to the documentary's Tribeca premiere. It's a lively look at the magic of collaboration, the power of pop music, and the enduring legacy of one of the 1980s' most iconic bands.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Director and writer Ruthy Pribar and actress Ronit Yudkevitz join the Filmmaker Mixer Podcast to discuss their latest film, What Is to Come, which premiers at the Tribeca Film Festival. Following the success of her acclaimed debut feature Asia, Ruthy shares how a chance encounter with a woman carrying an extraordinary story inspired her newest film. We explore the responsibility of adapting real-life trauma, finding hope inside devastating circumstances, directing emotionally complex performances, and how her perspective as a filmmaker has evolved since winning the Nora Ephron Prize at Tribeca. Ruthy also reflects on the themes of survival, gratitude, and reinvention that continue to shape her work.

The Tribeca Film Festival helped organize this tremendous in-person panel with two New York filmmakers: Lily Weisberg, dir of RARE BIRDS (2026) and Maria Sofia Hernandez, dir of LA LUCHA DE LUCÍA (2026).Recorded on June 9th at Spring Studios, we talk about their incredible films; the challenges of writing different types of characters; what BACKROOMS (2026) and OBSESSION (2025) mean for independent filmmakers; and more.In this episode, we talk about:the creation stories of LA LUCHA DE LUCIA and RARE BIRDS;casting for the films and the role of social media;how she was able to achieve such well-drawn out characters in RARE BIRDS and her advice for other filmmakers;the challenges of writing both males and female characters;what does a bad short film look like?why Tribeca for their films?what to do with their films now after a premiere at Tribeca (shout out to NoBudge!);BACKROOMS and OBSESSION -- what does that mean for independent filmmakers?how her experience as a director helps her as an actor;what's next for them.Lily's Indie Film Highlight: CAITY (2026), dir. by Lindsay CalleranMaria's Indie Film Highlight: DADDY'S LITTLE MEATBALL (2026), dir. by Yael GrunseitLinks:Follow Maria On InstagramFollow Soonest Mended Productions, Lily's Production Company, On InstagramFollow LA LUCHA DE LUCÍA On InstagramMODERN SILENT SHORTS (Check out the tour this summer!)

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats.She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats.She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

What happens when a hyper-protective Arab father—played by the commanding Egyptian star Mohamed Mamdouh—faces his most terrifying adversary yet? A completely normal, agonizingly awkward coming-of-age milestone: buying his teenage daughter her first bra.Live from the 2026 Tribeca Festival, hosts Zachary Heneden and Julien Serrano-O'Neil sit down with acclaimed filmmaker Mohamed Taher to dissect his stunning, award-winning short film, 32B. Following its highly anticipated world premiere screenings on June 13th and 14th at the AMC 19th St. East 6, the film cemented its place as a festival darling by officially taking home the 2026 Tribeca Award for Best Narrative Short!In this episode, we break down:The 2005 Time Capsule: Why setting the film right before the smartphone explosion was critical to framing this hilarious communication breakdown.Deconstructing Masculinity: How Mamdouh stripped away his traditional tough-guy on-screen armor to channel sweating, frozen vulnerability.The Visual Architecture of Anxiety: Turning a routine retail lingerie shop into a tight, claustrophobic psychological thriller.Navigating the Tonal Tightrope: Balancing laugh-out-loud awkwardness with deep cultural resonance and emotional dignity.Pop in your headphones and dive into the creative anatomy of one of Arab cinema's most refreshing, newly crowned award-winning voices.Connect with the Film:Instagram:  ⁠@mohamedtaherWebsite/IMDb: https://www.imdb.com/title/tt39240794/https://www.imdb.com/title/tt39240794/Connect with UsInstagram: ⁠@lastshotmediagroup⁠Facebook: ⁠Last Shot Media Group⁠Tribeca Film Festival Coverage:⁠Articles/Reviews/Schedules⁠: ⁠https://lastshotmediagroup.com/tribeca⁠⁠LSMG Quick Links/Coverage/Interviews⁠: ⁠https://bio.site/lastshotmediagroup

Award-winning filmmaker Misha Calvert joins Dope Interviews for an unforgettable conversation following the Tribeca premiere of her short film Fault.Guest host Kayla Gayle takes over for Warren Shaw in this special Season 10 finale. Misha discusses the realities of independent filmmaking, the emotional weight of telling stories about abuse and survival, and how Fault explores the complicated bond between sisters navigating trauma in very different ways.This episode dives deep into healing, activism, resilience, and the responsibility artists carry when telling stories that matter. A moving conversation on courage, truth, and the power of film to spark change.Become a supporter of this podcast: https://www.spreaker.com/podcast/dope-interviews--5006633/support.Follow Dope Interviews on X: https://www.twitter.com/dope_interviewsFollow Warren Shaw on X: https://www.twitter.com/thewarrenshawFollow Warren on IG: https://www.instagram.com/thewarrenshawRock "Dope Interviews" gear: https://19-media-group.myspreadshop.comLooking to book a vacation? Our travel partner Exquiste Travel & Tours has you covered: Call 954-228-5479 or visit https://exquisitetravelandtours.com/Discover our favorite podcast gear and support the show—shop our studio must-haves on our Amazon Affiliate page! https://www.amazon.com/shop/19mediagroupWant to join the conversation or invite us to your platform? Connect with us and share your vision (budget-friendly collaborations welcome)!  https://bit.ly/19Guest

Join Adam Barnard from the red carpets of Tribeca Festival!First, he speaks with legendary director Spike Lee to discuss the upcoming 25th anniversary of his criminally underrated film "25th Hour". Then. he speaks with "Better Call Saul" and "Breaking Bad" star Bob Odenkirk about his documentary "Bob and David Climb Machu Picchu" and his unfortunate backing out of Freedom 250.Special thanks to 10th Ward Barbershop - Proudly serving the historic 10th Ward in Lawrenceville and surrounding areas, 10th Ward Barbershop is a full service barbershop offering quality haircuts, beard trims, and hot shaves. Schedule your appointment with Finn Balor and Corey Graves' favorite barbershop today.Host/Executive Producer: Adam BarnardAdditional Production/Narration: Sam KreppsEngineer: Carl PannellIntro Music: Carl PannellOutro Music/Musical Accompaniment: EnrichmentInstagram/X/Threads: @thisisgoober 

Philip Byron has five Emmy Awards, a Broadway producing credit, and a background teaching spin classes at Flywheel. He is also the director behind the Spin Wars documentary, which premiered at the Tribeca Film Festival in June 2026. Crystal and Tom sat down with Philip to talk about how the Spin Wars documentary came together, what got cut, and what it was really like inside the boutique fitness world that gave rise to SoulCycle, Flywheel, and Peloton.Philip breaks down how the project started as a series pitch, why it took years to get made, and what it felt like to finally land at Tribeca. He shares behind-the-scenes details about the instructor pay structure at Flywheel, his own experience auditioning and teaching, and why so much compelling material had to stay on the cutting room floor. Crystal and Tom also share their reaction to watching the Spin Wars documentary and why they think the story matters far beyond the world of indoor cycling.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jonathan Rodriguez Cefalu built the hardware that Snap shipped on people's faces — first the camera-only Gen 1 Spectacles, then the Gen 4 display version. His path through Stanford CS, an honors thesis on varifocal display optics, and a startup called Vergence (named after the vergence-accommodation conflict in AR) led him to Snap, and then to the problem he is working on now. Preamble AI exists to prevent the worst possible AI outcomes — starting with a class of attack that Preamble was the first to publicly demonstrate: prompt injection.Ted Schilowitz hosted this episode solo. Together, he and Jonathan worked through the architecture problem sitting under every AI assistant being deployed at scale right now: large language models see one token stream. There is no separation between what the developer intended and what an untrusted email or web page is quietly instructing the model to do. With Gemini Spark about to give AI agents access to tens of thousands of emails per user, this is not a theoretical concern. Jonathan's team has a proposed fix — and they have already shaped federal law.The episode also covered the week's XR and AI news: Google I/O announcements, Snap Spectacles Gen 6 details ahead of AWE, Matthew Ball joining Xbox, Anduril's battlefield AR wearable, and AI-generated feature films reaching Tribeca.Key Moments:[00:00] Ted opens solo — Charlie Fink and Rony Abovitz are out for the summer solstice[02:30] Google I/O: Gemini Spark and what "persistent AI agent" actually means in practice[08:15] Jonathan's Gmail test: asked to search tens of thousands of emails, it searched 30 and quit[14:40] XREAL Project Aura and the state of Android XR — a lot of spend for incremental steps[21:00] Snap Spectacles Gen 6 details: what Jonathan knows from building Gen 1 and Gen 4 from the inside[31:20] Snap vs. Meta: research that ships in the product vs. research that ships in a paper[38:45] Matthew Ball joins Xbox, Anduril EagleEyes, and battlefield AR wearables[44:10] AI on the Lot: Project Nara, Hell Grind, Dreams of Violet, Paul Schrader goes pro-AI[52:30] Jonathan introduces Preamble AI and the mission to prevent worst-case AI outcomes[58:00] The first public demonstration of prompt injection — what happened and why it matters[01:06:15] Why Gemini Spark will be especially vulnerable to prompt injection attacks[01:14:00] Preamble's proposed fix: a reserved token language that untrusted data cannot speak[01:21:30] NDAA Section 1638: the first US law making it illegal to give AI autonomous nuclear control[01:28:45] WarGames, "the only winning move is not to play," and what that means in 2026Brought to you by Zappar and Mattercraft. Mattercraft makes spatial web experiences that run in the browser — no app required. Visit mattercraft.io to learn more and start building. Hosted on Acast. See acast.com/privacy for more information.

El 18 de junio, el tiempo presenta nubes y lluvia en el norte (Cantábrico, Cataluña, Castilla y León), mientras el resto de España disfruta de sol y calor, con 38 grados en Andalucía. Se anuncia la primera ola de calor. El Gobierno aprueba la prórroga de ayudas anticrisis y el descuento del IVA en carburantes. El Congreso debate un anteproyecto de ley de docencia para reducir alumnos por clase y la jornada laboral de profesores. Se anuncian los Premios Princesa de Asturias: Patty Smith (Artes), Estudio Gilvin (Humanidades), Leo Messi (Deportes) y Cristina Koch (Concordia), primera mujer en viajar a la Luna. En el Festival de Tribeca, "Dreams of Violettes" genera debate como la primera película creada íntegramente con inteligencia artificial por 2000 dólares. En '¡Buenos días, Javi y Mar!', se juega a la "encuesta absurda" y se comenta la "The June Theory" sobre junio como mes ideal para encontrar pareja. Una oyente, Laura, busca conocer a los Backstreet Boys. La música destaca con ...

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment of Notorious Mass Effect, Analytic Dreamz delivers a detailed breakdown of Madonna and Sabrina Carpenter's official music video for “Bring Your Love,” released June 15, 2026.Analytic Dreamz explores the high-energy nightclub concept where the two queens of the dance floor navigate separate worlds before uniting on a dramatic runway in a powerful celebration of movement and unity. The segment covers the striking opening carpet roll, the floating cameraman, the emotional closing door message “Come to the club of love,” and Julia Garner's surprise cameo that nods to the scrapped Madonna biopic.Listeners also get full context on the song's Billboard Hot 100 return at No. 74, its role as lead single for Madonna's upcoming album Confessions II (out July 3, 2026), the Tribeca 13-minute short film, the Times Square Pride event with Grindr, and the Coachella 2026 debut performance.Analytic Dreamz examines how this collaboration reconnects Madonna with the classic Confessions on a Dance Floor sound while launching a major new era. Privacy & Opt-Out: https://redcircle.com/privacy

Bono was in New York for a weekend packed with U2-adjacent moments, from presenting Bruce Springsteen with the Harry Belafonte Social Justice Award to attending the premiere screening of Guggi's documentary at the Tribeca Film Festival. The Garden Tarts break down the big moments, the fan frenzy around Bono, and the reminder that keeping artists safe matters.Plus, we hear firsthand voice memos from PJ of Achtoon Baby and Kristen, who were both there and share vivid details from the room.This mini-episode also celebrates the ongoing friendship between Bono and Guggi, Ali Hewson's impeccable style, and the emotional impact of seeing Bruce, Bono and Patti Smith together onstage.If you love U2 history, music moments, and candid fan perspective, this one is for you.Subscribe for more U2 content from The Garden Tarts, and follow us on social media at @thegardentarts.

It's no longer news that Hollywood studios are using artificial intelligence in editing, animation, visual effects and more. But last week “Dreams of Violets,” a new film about protests in Iran, became the first fully AI-generated live-action feature to screen at Tribeca and is a project that journalist Steven Zeitchik says the industry is watching nervously. We talk about the rapidly growing use of A.I. in filmmaking and the impacts that's having on audiences, industry professionals and an artform built on human storytelling. Guests: Steven Zeitchik, senior editor for technology and politics, Hollywood Reporter; author, "Mind and Iron," a humanist newsletter about our AI future Peter Murrieta, executive producer, showrunner and writer; secretary-treasurer, Writers Guild of America West Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to hike 26 miles at 14,000 feet with no signal, no Uber, and two of the funniest people alive? We're about to find out.  Join me as I sit down with comedy legends Bob Odenkirk and David Cross at the 2026 Tribeca Film Festival to discuss their documentary Bob and David Climb Machu Picchu — a film about friendship, mortality, and what happens when Hollywood strips away and the mountain shows you who you actually are.  Plus: Why David chose Bob for this — and why Bob almost said no How Bob's heart attack during Better Call Saul gave the whole journey a different kind of weight The moment the mountain cracked them both open — and what they found on the other side Special thanks to Greenslate, Theorem Media, and Portrait for making this panel happen! Greenslate has been a longtime partner of AOP and it never gets old talking about the ways they have revolutionized production payroll and accounting for independent film. They had 22 projects at Tribeca this year and Bob and David Climb Machu Picchu was the one we chose to spotlight, via their client Left/Right. AOP SUBSTACK

In part 3 of our MMO UFO miniseries, we review Steven Spielberg's Disclosure Day, starring Emily Blunt, Josh O'Connor, Coleman Domingo, Colin Firth and Eve Hewson (which we mispronounce as Hewitt for the entire film because ....Jennifer Love Hewitt?) NON-SPOILER REVIEW SECTION: Difference in Opinion? - 2:32 Production Profile - Inception - 3:49 Best Spielberg in the last 20 years? - 5:40 Critical Reception vs Audience Scores & Early Box Office - 6:55 Why Obsession is a Best Picture nominee side rant & Back to DD Reception - 12:51 Non-Spoiler Script Thoughts - 16:22 Does Emily Blunt Get Nominated? - 21:56 Glowing Reviews of the Score, Cinematography, Editing - 26:24 Oscar Lens: Our Over/Under to how many, if any noms it'll get - 33:06 SPOILER WARNING - 37:25 SPOILER REVIEW SECTION: Mike 1 on why politics have ruined the ending & message - 38:23 AlsoMike psychoanalyzes Mike 1's belief in aliens - 45:14 Updated Spielbergian Themes & Remaining Generic - 48:37 Abandoning Intriguing Possibilities & Emily Blunt's worst scene - 50:11 Issues with the Sci-Fi - 54:21 Issues with the bad guy - 59:45 Even the beginning didn't get a follow through - 1:02:11 Some Best Scenes & Strong Starts - 1:03:30 Final Grades - 1:06:19 OUTRO: Discussion on how we like to do film festivals after spending some time at Tribeca and hinting at what's next. https://linktr.ee/mikemikeandoscar

What if the biggest efficiency problem in your factory isn't your machines, it's the dead time you waste before you even get to one.Workers queuing at ADP and ERP terminals every morning. A wing rib scrapped at the cost of $18,000 because the wrong work instruction was on screen. A program gone forever when the machinist who maintained it quietly for a decade retired to Poland. David witnessed all of these problems within his manufacturing acquisitions despite them having advanced tech for the time period.Chris sits down with David Caputo, Co-Founder of Harmoni, to get into how his intelligent factory orchestration system connects machines, people, and data for true control across the shop floor.Harmoni fills the gap in the renowned ISA-95 stack that most manufacturers never knew they were missing, supplementing human-intensive operations that make up 99% of the market.Harmoni operates within three buckets with the aim of wasting less time and making less mistakes. The system is designed to cover all bases without interfering with the essential human input needed to fulfil complex tasks. David talks to Chris about the labor automation, process control, and observability that Harmoni brings to the factory floor.In this episode, find out:What factory orchestration is and why David sees it as a distinct category from existing toolsHow David's experience acquiring and running four aerospace and defense manufacturers drove the creation of HarmoniWhy Harmoni's three pillars (labor automation, process control, and observability) address the ISA-95 gap that leaves most human-intensive factories underservedHow the no-titles, pods-based structure at Harmoni works and why David recommends it for companies under around 200 employeesWhat the Harmoni AI Lieutenant (HAL) does on the shop floor versus in the office, and why shop floor AI requires both context and a delivery mechanism to be usefulWhere David sees the 297,000 US manufacturers under 500 employees needing to compete in a world of autonomous factories and vertically integrated supply chainsWhy David advises manufacturers to ask one question before any software investment: how will this tool change what happens on my shop floorEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"What Harmoni's built is a new category of technology. We call this factory orchestration, and there's a very simple goal: waste less time and make fewer mistakes." - David Caputo“Simply having indicator lights to say whether a machine's running is not telling you the full picture. A machine could be running but running very inefficiently. We're giving you the information you need and allowing you to manage your factory in real time.” - David Caputo“Somehow you have to produce more with less, all in the face of autonomous competition and vertically integrated supply chains. Pretty tough position for the 300,000 manufacturers in this country.” - David CaputoLinks & mentions:Harmoni.io, bringing together data from operators, machines, and your shop floor software, all in real-time, to help managers make decisions and spot trends quicklyGreenwich Street Tavern, a different tavern experience that takes a traditional American pub fare menu to the next level located in Tribeca in NYCMake sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.

Jayce wrote the episode, but I'm writing this… We know that we live in a world where emotions are fleeting- they roll through us like 2 second electric shock waves from distraction to distraction, but I STILL have not forgotten the night of June 5th where I sold my tickets to see Lorde at Gov Ball in exchange for a night in the presence of Madonna.It caused 2 days of silent treatment in my home when I sold the Gov Ball tickets and a mental health check since I LOVE Lorde. But… I also LOVE Madonna and am too old to “festival” anymore. In preparing for this Bite Sized episode on Madonna we played Confessions On A Dancefloor around the clock and I danced on air reliving my MySpace days. Even in getting ready to go to the event I felt like life was better and though giving up our phones was scary for exactly 2 seconds, I instantly felt like a new human being.I had an amazing discussion with my dear friend, David Russell, who is quite the music historian and a Madonna expert (that is the label I have given him, to be clear, he would never claim that title for himself), and I will share that talk later when Confessions II is finally released July 3. We talked about how BORING it is that there is so much that people are annoyed with about Madonna. Complaints about her age, her surgeries and her “need for relevance”… this actually bores me. The Beacon was teaming with people full of joy, acceptance, and unabashed expression. The talk was a display of Madonna's vulnerability actually. She wasn't a persona this night, she was a woman who had her best friend Debi Mazar in the audience with her celebrating her latest creation. This is the same woman who shut down Times Square the night before and performed in a skyscraper, for goodness sake. The woman on stage was both of these people. A full circle.So while Lorde was inspiring one generation (maybe a couple generations) at Gov Ball, I did not regret choosing to be at the Beacon June 5th to physically feel the decades of inspiration Madonna has provided us.The video is amazing and if you haven't seen it yet, that's crazy. Watch it below. You know by know that Kate Moss who looks better than ever is in the video, but it was a complete surprise to us as an audience and I screamed so loud that I scared myself when she came on the screen. Feeling that excited and young again… that was fun.For more on Madonna's look for Hung Up, check out my interview from waaaaaaay back with the amazing makeup artist, Gina Brooke.00:00 Intro | Madonna Takes Over Tribeca 202600:28 Confessions 2 Arrives01:29 Why Confessions Is Madonna's Masterpiece03:20 The Making of Confessions on a Dance Floor03:50 Why "Hung Up" Changed Pop Music04:59 Inside the Making of the "Hung Up" Video06:17 Madonna Filmed with Eight Broken Ribs07:16 Why the "Hung Up" Video Is Still Iconic07:49 Tribeca Premiere & Madonna Q&A08:28 Inside the Beacon Theatre Experience09:16 Madonna's Emotional Conversation10:46 The Confessions 2 Visual Album Reaction11:35 Final Thoughts | Will Confessions 2 Make History? Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Tribeca + This week, Beck and Shai recap an unforgettable few days at the Tribeca Film Festival. They share their reactions to two standout music documentaries: “Noga” and “Sara Bareilles: Good Grief”, discussing the moments that stayed with them long after the credits rolled. To wrap things up, Lily jumps in with a roundup of the movies she's recently watched—and they couldn't be more different. This episode is packed with festival highlights, fresh recommendations, and plenty of movie talk.  Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: The Red Tent Fund | HIAS | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.   

Anne and Ryan are joined by investigative journalist Ronan Farrow, live on stage at the Tribeca Festival in New York. Farrow discusses the making of both docu-series he has in the festival, "The Palladino Files” and "Not A Very Good Murderer," both of which he produced and appeared in. He also shares some sobering and well researched takes on the state of journalism, AI, and the arts. Watch this Conversation on YouTube - https://youtu.be/m5mLQwxgrb4 Check out our top movies to see at Tribeca - https://www.indiewire.com/features/general/tribeca-festival-2026-movies-to-see-1235197887/?v3=true Learn more about your ad choices. Visit megaphone.fm/adchoices

As Co-Founder of Caring Across Generations and President of the National Domestic Workers Alliance, Ai-jen Poo has spent decades working at the intersection of policy and culture — because she knows you can't change one without the other. A MacArthur Fellow, Time 100 honoree, and author of The Age of Dignity, she's now launching a million-care-conversations campaign and a new production label, Give Not Take Media, to get care stories into film and television at scale.

Dating in the digital world feels nearly impossible, and for Kevin, it truly is.  In this episode, we dive into the UK-made comedy series "Patterns" focusing on Episode 4: Kevin's Series of Unfortunate Events, which is currently premiering at the Tribeca Film Festival!  Kevin (played by Jake Watkins) is a hopelessly earnest romantic whose optimism far outweighs his self-awareness. By day, he works as a school's Online Safety Salamander. By night, he subjects himself to a relentless series of disastrous dates, convinced that persistence alone will eventually lead to love.  His misadventures become a source of fascination for his colleagues: the confident, sharp-tongued school nurse Vera (Cecilia Noble) and geography teacher Dave Douglas (Ryan Sampson). But what Kevin fails to notice is that a genuine connection has been quietly forming much closer to home.  MEET THE CAST & CREATORS • Kevin (Jake Watkins - BBC's 'I Kissed a Boy'): A lovable friend whose life never quite works out, dreaming of a Hollywood career but stuck as a Safety Salamander. • Dave Douglas (Ryan Sampson - Sky's 'Mr Bigstuff', 'Brassic', ITV's 'Plebs'): An eccentric geography teacher with the best intentions who thinks he's "down with the kids." • Vera (Cecilia Noble - BBC's 'Killing Eve', Netflix's 'Black Mirror'): A no-nonsense school nurse who acts as Kevin's anchor with tough love and emergency sausage rolls. • Creator & Writer: Asad Moghal, who drew inspiration from a string of his own real-life dating disasters to create this sharply observed, character-driven comedy. • Director: Rex Glensy, an orchestral conductor turned entertainment lawyer and filmmaker (director of 'Hill of Vision'), representing production company Aurelia Pictures. INSIDE THE DIRECTOR'S STATEMENT "Everyone has had a disaster date... My goal as a director was to take a self-deprecating view of dating nightmares some of us might have had, so that at least we can laugh at ourselves instead of crying. The lead character, Kevin is all of us." Stay connected with me: https://www.chonacas.com/links/  

Survivor 50 Panel at The Tribeca Film Festival Survivor celebrates its 25th anniversary at the iconic Tribeca Festival, bringing fans and legends together to reflect on 50 thrilling seasons of blindsides, alliances, and changing gameplay. In this milestone panel, Jane Rosenthal (Academy Award-nominated producer and co-founder of Tribeca Festival) is joined by Survivor icons including Rob and a panel of recent castaways to break down just what has kept Survivor fresh, relevant, and captivating for a quarter century. The discussion dives deep into Survivor 50, with candid stories about evolving gameplay—from the old school ride-or-die alliances to today's fast-shifting strategies where betrayal might just forge your next big move. Rob sets the tone by highlighting the “tribe” at the heart of Tribeca, while Jane and others reveal how Survivor has become both an archive of human interaction and a mirror for social change. The castaways talk openly about the shortened 26-day format, what it feels like to return to “regular” life after the highs and lows of Tribal Council, and the challenge of keeping up in a world (and show) where attention spans are shorter, but the stakes feel bigger than ever. – How Survivor's social game has evolved from ruthless old-school loyalty to quick repairs and unexpected new partnerships – Rob's perspective on why being voted out still resonates so deeply with our basic human fears and desires – The impact of Survivor's increased representation—including calls for more blue-collar workers and trans women on the cast – Insights into the role of storytelling at Final Tribal: has ‘outwit, outplay, outlast' changed its meaning? – Jane Rosenthal and panelists discuss how Survivor moments—from hard-hitting social issues to unforgettable blindsides—continue shaping viewers and players alike As Survivor 50 continues to push boundaries, the panel raises questions about who will adapt and thrive in an era where gameplay, identity, and society overlap. Does forging new school alliances faster than ever pay off, or do classic Survivor instincts still win the day? Don't miss this rare look behind the scenes and at the heart of Survivor 50—listen in for stories, strategy, and what could happen in the next 50 seasons! Chapters: 0:00 Tribeca Festival Welcomes Jane Rosenthal 0:25 Jane Rosenthal Reveals Survivor Origin Story 2:36 Survivor Legends Join the Stage 3:30 Why Survivor Belongs at Tribeca 5:18 Survivor's Enduring Cultural Impact 6:28 Evolution of Survivor Over 50 Seasons 8:05 Shifting Game Strategies and Alliances 10:52 Technology and Studying Survivor's Past 15:23 Dream Survivor Twists and Innovations 20:08 Survivor's Impact on Personal Growth 26:10 Outwit, Outplay, Outlast: Modern Meanings 39:03 Survivor Tackles Real Social Issues 49:51 Audience Q&A: Becoming a Contestant 51:40 Storytelling Tips for Survivor Auditions 54:38 Would Politics Ever Belong on Survivor? To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Survivor 50 Panel at The Tribeca Film Festival Survivor celebrates its 25th anniversary at the iconic Tribeca Festival, bringing fans and legends together to reflect on 50 thrilling seasons of blindsides, alliances, and changing gameplay. In this milestone panel, Jane Rosenthal (Academy Award-nominated producer and co-founder of Tribeca Festival) is joined by Survivor icons including Rob and a panel of recent castaways to break down just what has kept Survivor fresh, relevant, and captivating for a quarter century. The discussion dives deep into Survivor 50, with candid stories about evolving gameplay—from the old school ride-or-die alliances to today's fast-shifting strategies where betrayal might just forge your next big move. Rob sets the tone by highlighting the “tribe” at the heart of Tribeca, while Jane and others reveal how Survivor has become both an archive of human interaction and a mirror for social change. The castaways talk openly about the shortened 26-day format, what it feels like to return to “regular” life after the highs and lows of Tribal Council, and the challenge of keeping up in a world (and show) where attention spans are shorter, but the stakes feel bigger than ever. – How Survivor's social game has evolved from ruthless old-school loyalty to quick repairs and unexpected new partnerships – Rob's perspective on why being voted out still resonates so deeply with our basic human fears and desires – The impact of Survivor's increased representation—including calls for more blue-collar workers and trans women on the cast – Insights into the role of storytelling at Final Tribal: has ‘outwit, outplay, outlast' changed its meaning? – Jane Rosenthal and panelists discuss how Survivor moments—from hard-hitting social issues to unforgettable blindsides—continue shaping viewers and players alike As Survivor 50 continues to push boundaries, the panel raises questions about who will adapt and thrive in an era where gameplay, identity, and society overlap. Does forging new school alliances faster than ever pay off, or do classic Survivor instincts still win the day? Don't miss this rare look behind the scenes and at the heart of Survivor 50—listen in for stories, strategy, and what could happen in the next 50 seasons! Chapters: 0:00 Tribeca Festival Welcomes Jane Rosenthal 0:25 Jane Rosenthal Reveals Survivor Origin Story 2:36 Survivor Legends Join the Stage 3:30 Why Survivor Belongs at Tribeca 5:18 Survivor's Enduring Cultural Impact 6:28 Evolution of Survivor Over 50 Seasons 8:05 Shifting Game Strategies and Alliances 10:52 Technology and Studying Survivor's Past 15:23 Dream Survivor Twists and Innovations 20:08 Survivor's Impact on Personal Growth 26:10 Outwit, Outplay, Outlast: Modern Meanings 39:03 Survivor Tackles Real Social Issues 49:51 Audience Q&A: Becoming a Contestant 51:40 Storytelling Tips for Survivor Auditions 54:38 Would Politics Ever Belong on Survivor? To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Amid the glamour and chaos of New York Fashion Week (NYFW), the new Tribeca Festival short film "FABRIC" looks past the runway into the cutthroat relationships and transactional alliances of the industry.  In this episode, we sit down with filmmaker Frank Sun, who draws on his decade-long career as an elite NYFW photographer to tell an immigrant's story of yearning for belonging in an opulent world. We dive into the performances of genderqueer actor b Norwood (Netflix's YOU, Public Theatre's Twelfth Night) and Kate Pittard (HBO Max's And Just Like That) as they trace the fragile humanity hidden beneath the shields of status, beauty, and success.  Frank Sun discusses how he structured the film's texture alongside real fashion designers, models, and authentic backstage venues. Tune in for an exclusive look at the filmmaker's journey from rural China to the Tribeca Shorts competition, and find out where you can catch the upcoming New York screenings! For more information and press inquiries, check out the official press materials (https://tinyurl.com) or connect with publicity via Obscured Pictures.  FABRIC's Instagram is here https://www.instagram.com/fabric_film/  Frank Sun account here https://www.instagram.com/xfranksun/   Stay connected with the Founder, Katie Chonacas:  https://www.chonacas.com/links/  

Music documentaries are a major part of the festival circuit, but this year at Tribeca, they're becoming something bigger: live events, legacy projects and cinematic extensions of the artists themselves. The festival opened with Questlove's new Earth, Wind & Fire documentary, followed by a performance from the legendary band and The Roots. Other music films and events this year center on Alicia Keys, Madonna, Peter Frampton, Katy Perry, Daft Punk and more. USA TODAY National Music Reporter Melissa Ruggieri joins The Excerpt to talk about why music films are having a moment, what separates a great one from a celebrity vanity project and how artists are using documentaries and concert films to reach audiences in new ways.Let us know what you think of this episode by sending an email to podcasts@usatoday.com. Episode transcript available here. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A dive into the world of friendship with our latest "Friends Like Us" podcast episode! Marina Franklin host special guests Sharaé Nikai and David Lassiter as they talk about their incredible journey creating "The Other Gold" — a film about friendships' complexities. Watch it now on Apple TV and Tubi! Sharaé Nikai - Against industry odds, Jersey City native Sharaé Nikai wrote, produced, co-directed and starred in her very first feature film, "The Other, Gold." It is a heartfelt dramedy that follows a TV writer living in Little Tokyo as she navigates grief, isolation and the rekindling of a former BFF-ship. Out of 13,016 submissions, TOG was invited to world premiere as one of only 10 films in Tribeca's US Narrative Competition. This acclaim led to Nikai being in consideration for the 2025 Oscars, Spirit Awards and Emmys in the Outstanding Television Movie, Directing & Lead Actress categories. It also makes her the first Black female quadruple threat (sole writer/producer, director & star) to qualify for the Academy Awards with no studio or major production company backing. As a producer, Sharaé secured an exclusive Mental Health Awareness partnership for "The Other, Gold" at FOX-owned Tubi and sponsorship for its launch by Women in Film (WIF) and The Entertainment Community Fund. In March 2026, "The Other, Gold" was released worldwide in celebration of Women's History Month exclusively on Apple TV. In addition to TOG, Nikai appears in numerous ad campaigns, films and TV series including Grey's Anatomy and opposite Alison Brie in Sundance's "Horse Girl" (The DuPlass Bros/Netflix). Currently, she is the 2026 international voice of Nordstrom Rack all while developing her dramedy driven TV/film slate. In her spare time, Sharaé takes serious pride in the accent mark over her "e" and is the reigning (read: self-proclaimed) trap karaoke queen. David Lassiter is an American filmmaker, actor, writer, and musician from Jersey City, New Jersey. He co-directed and appeared in the feature film The Other, Gold (2024), which premiered at the Tribeca Festival before streaming on Apple TV+ and Tubi. Before transitioning into filmmaking, Lassiter worked as a fashion model and was signed to Wilhelmina Models, appearing in campaigns and editorial work for brands and publications including Giorgio Armani, Dolce & Gabbana, Vogue, GQ, Banana Republic, Swatch, and Levi's. He later studied acting in New York at HB Studio, Susan Batson Studio, and WB Workshops while appearing in national campaigns for Verizon, Macy's, and American Eagle. Lassiter also collaborated with Viacom on street-interview segments featured on MTV and MTV2. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch    

Lydia Lunch unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion. Australian tour tickets and show info here. Topics Include: Lydia Lunch is touring Australia and New Zealand in June She's performing Suicide and Alan Vega covers across multiple cities Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends Lydia considers herself a comedian; most people are just too afraid to laugh Words are her primary art — music is just the machine gun She sleeps in two-hour shifts and wakes famished at 5am every day Creativity has no fixed time — she writes song lyrics in five minutes flat She self-publishes through 48-hour printing, selling books for $20, cost $4 True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet Suicide and Mars were already playing when she arrived in New York Suicide actually coined the term "punk rock" on flyers back in 1972 No Wave wasn't a movement — it was personal insanity in a decaying city The name "No Wave" just came out of her mouth in one interview If you couldn't play, you had to be brutally tight — or else She taught a homeless man she'd befriended to play drums for Teenage Jesus Teenage Jesus songs were written on a borrowed bass she barely understood She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse Teenage Jesus singles on Migraine Records likely preceded the No New York compilation Beirut Slump was horror rock — described as a slug over a razor blade She arrived in New York with $200, a suitcase, and zero contacts Seeing Suicide at Max's Kansas City with ten people changed everything instantly Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from Lou Reed — always a dick; Warhol — vapid, but his car crashes were great She owns every recording, every publishing right — everything she's ever made Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide