Podcasts about Tribeca

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of building music documentaries, why some stories are best told by the artists themselves, and how editing ultimately discovers a film's true shape. Ellwood also discusses Culture Club's unforgettable MTV presence, Boy George's groundbreaking public persona, the band's deep catalog beyond the hits, and the electric response to the documentary's Tribeca premiere. It's a lively look at the magic of collaboration, the power of pop music, and the enduring legacy of one of the 1980s' most iconic bands.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats.She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats.She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Award-winning filmmaker Misha Calvert joins Dope Interviews for an unforgettable conversation following the Tribeca premiere of her short film Fault.Guest host Kayla Gayle takes over for Warren Shaw in this special Season 10 finale. Misha discusses the realities of independent filmmaking, the emotional weight of telling stories about abuse and survival, and how Fault explores the complicated bond between sisters navigating trauma in very different ways.This episode dives deep into healing, activism, resilience, and the responsibility artists carry when telling stories that matter. A moving conversation on courage, truth, and the power of film to spark change.Become a supporter of this podcast: https://www.spreaker.com/podcast/dope-interviews--5006633/support.Follow Dope Interviews on X: https://www.twitter.com/dope_interviewsFollow Warren Shaw on X: https://www.twitter.com/thewarrenshawFollow Warren on IG: https://www.instagram.com/thewarrenshawRock "Dope Interviews" gear: https://19-media-group.myspreadshop.comLooking to book a vacation? Our travel partner Exquiste Travel & Tours has you covered: Call 954-228-5479 or visit https://exquisitetravelandtours.com/Discover our favorite podcast gear and support the show—shop our studio must-haves on our Amazon Affiliate page! https://www.amazon.com/shop/19mediagroupWant to join the conversation or invite us to your platform? Connect with us and share your vision (budget-friendly collaborations welcome)!  https://bit.ly/19Guest

Join Adam Barnard from the red carpets of Tribeca Festival!First, he speaks with legendary director Spike Lee to discuss the upcoming 25th anniversary of his criminally underrated film "25th Hour". Then. he speaks with "Better Call Saul" and "Breaking Bad" star Bob Odenkirk about his documentary "Bob and David Climb Machu Picchu" and his unfortunate backing out of Freedom 250.Special thanks to 10th Ward Barbershop - Proudly serving the historic 10th Ward in Lawrenceville and surrounding areas, 10th Ward Barbershop is a full service barbershop offering quality haircuts, beard trims, and hot shaves. Schedule your appointment with Finn Balor and Corey Graves' favorite barbershop today.Host/Executive Producer: Adam BarnardAdditional Production/Narration: Sam KreppsEngineer: Carl PannellIntro Music: Carl PannellOutro Music/Musical Accompaniment: EnrichmentInstagram/X/Threads: @thisisgoober 

If you're going to make a film about surfing in Senegal, I assume the viewer expects beautiful shots of surfing and the landscape of Dakar, Senegal's capital city. And man, does my guest, filmmaker and director, David Clancy, of NIO KO BOKK or THIS BELONGS TO ALL OF US (2026) deliver.The film is a valentine to so many things: refugees, Senegal, surfing, and documentary filmmaking itself. David's story of creating the film relies so much on his exciting background, and it was a such a joy to hear about it from his spot now in the Canary Islands.In this episode, David and I talk about:why is he now in the Canary Islands and his wild career story;how did this film come into existence;when do documentaries require great cinematography?his path focusing on social impact films and whether that's repeatable for other documentary filmmakers;the requirements for social media as a documentary filmmaker and his advice to getting started;the prism of surfing and refugees for THIS BELONGS TO ALL OF US;the logistical challenges of making a surfing film;why Tribeca?;how do we see more films like this in theaters;what's next for him.David's Indie Filmmaker Highlight: Jigar GanatraLinks:Follow David On InstagramFollow David On YouTube

Philip Byron has five Emmy Awards, a Broadway producing credit, and a background teaching spin classes at Flywheel. He is also the director behind the Spin Wars documentary, which premiered at the Tribeca Film Festival in June 2026. Crystal and Tom sat down with Philip to talk about how the Spin Wars documentary came together, what got cut, and what it was really like inside the boutique fitness world that gave rise to SoulCycle, Flywheel, and Peloton.Philip breaks down how the project started as a series pitch, why it took years to get made, and what it felt like to finally land at Tribeca. He shares behind-the-scenes details about the instructor pay structure at Flywheel, his own experience auditioning and teaching, and why so much compelling material had to stay on the cutting room floor. Crystal and Tom also share their reaction to watching the Spin Wars documentary and why they think the story matters far beyond the world of indoor cycling.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jonathan Rodriguez Cefalu built the hardware that Snap shipped on people's faces — first the camera-only Gen 1 Spectacles, then the Gen 4 display version. His path through Stanford CS, an honors thesis on varifocal display optics, and a startup called Vergence (named after the vergence-accommodation conflict in AR) led him to Snap, and then to the problem he is working on now. Preamble AI exists to prevent the worst possible AI outcomes — starting with a class of attack that Preamble was the first to publicly demonstrate: prompt injection.Ted Schilowitz hosted this episode solo. Together, he and Jonathan worked through the architecture problem sitting under every AI assistant being deployed at scale right now: large language models see one token stream. There is no separation between what the developer intended and what an untrusted email or web page is quietly instructing the model to do. With Gemini Spark about to give AI agents access to tens of thousands of emails per user, this is not a theoretical concern. Jonathan's team has a proposed fix — and they have already shaped federal law.The episode also covered the week's XR and AI news: Google I/O announcements, Snap Spectacles Gen 6 details ahead of AWE, Matthew Ball joining Xbox, Anduril's battlefield AR wearable, and AI-generated feature films reaching Tribeca.Key Moments:[00:00] Ted opens solo — Charlie Fink and Rony Abovitz are out for the summer solstice[02:30] Google I/O: Gemini Spark and what "persistent AI agent" actually means in practice[08:15] Jonathan's Gmail test: asked to search tens of thousands of emails, it searched 30 and quit[14:40] XREAL Project Aura and the state of Android XR — a lot of spend for incremental steps[21:00] Snap Spectacles Gen 6 details: what Jonathan knows from building Gen 1 and Gen 4 from the inside[31:20] Snap vs. Meta: research that ships in the product vs. research that ships in a paper[38:45] Matthew Ball joins Xbox, Anduril EagleEyes, and battlefield AR wearables[44:10] AI on the Lot: Project Nara, Hell Grind, Dreams of Violet, Paul Schrader goes pro-AI[52:30] Jonathan introduces Preamble AI and the mission to prevent worst-case AI outcomes[58:00] The first public demonstration of prompt injection — what happened and why it matters[01:06:15] Why Gemini Spark will be especially vulnerable to prompt injection attacks[01:14:00] Preamble's proposed fix: a reserved token language that untrusted data cannot speak[01:21:30] NDAA Section 1638: the first US law making it illegal to give AI autonomous nuclear control[01:28:45] WarGames, "the only winning move is not to play," and what that means in 2026Brought to you by Zappar and Mattercraft. Mattercraft makes spatial web experiences that run in the browser — no app required. Visit mattercraft.io to learn more and start building. Hosted on Acast. See acast.com/privacy for more information.

What a last month or so for Haiti and director Elisee Junior St. Preux's debut feature. Upon its release at the Tribeca Film Festival, THE TROPIC SUN AND HIS EYES (2026) received the Special Jury Mention for Best New Narrative Director alongside rave reviews. It is truly stunning filmmaking, offering both a realistic glimpse of Haiti and an expansive view of fatherhood.Let's count the ways in which his month just aligns perfectly for this film: Haiti playing Brazil in its second World Cup today (there's special screenings of this film in Atlanta); Father's Day in the United States; and all of the plaudits received at its world premiere at Tribeca.We only get more Haitian film directors at top festivals if people like Elisee care about elevating other voices, and he does that, too. Have a month, Elisee; I'm here for it.In this conversation, Elisee and I discuss:the vibe of the film and how he made Haiti essentially a character in the film;why the topic of fatherhood for his first feature;his emphasis on shooting in Haiti and the challenge of others trying to take away his deeply personal story;the creation of what is now SOIL Pictures and how he focuses on uplifting Black voices;"labs are very specific about what they want to get across" -- such important advice about going into a lab or a fellowship;why Tribeca?what's next for this electric filmmaker.Elisee's Indie Film Highlights: MY FATHER'S SHADOW (2025) dir. by Akinola Davies, Jr; I LOVE BOOSTERS (2026) dir. by Boots RileyLinks:Follow Elisee On InstagramElisee's Website

Send us Fan MailActress and artist Malky Goldman joins The Big Scoop with Coop for an inspiring conversation about her journey through film, television, theater, and visual art.Malky discusses starring as Sarah Leah in the comedy film The Wedding Entertainer, directed by Gidi Dar, which premiered at the 25th anniversary of the Tribeca Film Festival. She shares her experience bringing this unique story to life through a blend of Hebrew, Yiddish, and English, while highlighting the importance of culture, identity, and authentic storytelling.Malky also talks about her powerful role as Sarah in Blumhouse and BoulderLight's Hasidic horror film The Vigil, appearing in Netflix's hit limited series Unorthodox, HBO's High Maintenance, and her transition from fine art into acting.From moving from Jerusalem to New York City, graduating from Hunter College with a Fine Art degree, and performing in acclaimed theater productions including Strangers, Rhinoceros, Hedda Gabler, and God of Vengeance, Malky Goldman opens up about creativity, representation, following your passion, and redefining what it means to be a multi-talented artist.Don't miss this powerful conversation with Malky Goldman on The Big Scoop with Coop!

Send us Fan MailActress and artist Malky Goldman joins The Big Scoop with Coop for an inspiring conversation about her journey through film, television, theater, and visual art.Malky discusses starring as Sarah Leah in the comedy film The Wedding Entertainer, directed by Gidi Dar, which premiered at the 25th anniversary of the Tribeca Film Festival. She shares her experience bringing this unique story to life through a blend of Hebrew, Yiddish, and English, while highlighting the importance of culture, identity, and authentic storytelling.Malky also talks about her powerful role as Sarah in Blumhouse and BoulderLight's Hasidic horror film The Vigil, appearing in Netflix's hit limited series Unorthodox, HBO's High Maintenance, and her transition from fine art into acting.From moving from Jerusalem to New York City, graduating from Hunter College with a Fine Art degree, and performing in acclaimed theater productions including Strangers, Rhinoceros, Hedda Gabler, and God of Vengeance, Malky Goldman opens up about creativity, representation, following your passion, and redefining what it means to be a multi-talented artist.Don't miss this powerful conversation with Malky Goldman on The Big Scoop with Coop!

El 18 de junio, el tiempo presenta nubes y lluvia en el norte (Cantábrico, Cataluña, Castilla y León), mientras el resto de España disfruta de sol y calor, con 38 grados en Andalucía. Se anuncia la primera ola de calor. El Gobierno aprueba la prórroga de ayudas anticrisis y el descuento del IVA en carburantes. El Congreso debate un anteproyecto de ley de docencia para reducir alumnos por clase y la jornada laboral de profesores. Se anuncian los Premios Princesa de Asturias: Patty Smith (Artes), Estudio Gilvin (Humanidades), Leo Messi (Deportes) y Cristina Koch (Concordia), primera mujer en viajar a la Luna. En el Festival de Tribeca, "Dreams of Violettes" genera debate como la primera película creada íntegramente con inteligencia artificial por 2000 dólares. En '¡Buenos días, Javi y Mar!', se juega a la "encuesta absurda" y se comenta la "The June Theory" sobre junio como mes ideal para encontrar pareja. Una oyente, Laura, busca conocer a los Backstreet Boys. La música destaca con ...

Watch This Episode On YouTubeVIA NEGATIVA resonated with me on so many different levels -- as a Catholic; as someone who uses firearms; as a veteran (there's a moment in there, if you've seen it); and most importantly, a lover of truly astonishing filmmaking. Director Hannah Peterson achieved something extraordinary with this film by bringing a novel to life in the best possible way and making you think of life's grand questions without pandering.The film's log line: "It follows the story of Father Dan who goes on a mythic road trip with a wounded coyote, a loaded pistol, and a mission to avenge his best friend."If there's justice in this world, this film will be up for numerous awards come that season, but as VIA NEGATIVA shows us, that concept is something that's hard to find.This is brilliant filmmaking and I am so excited to follow Hannah's journey and the roll-out of this film. After hearing this episode, I hope you are, too.In this episode, Hannah and I talk about:how she got involved in filmmaking;the long process of getting VIA NEGATIVA made and what went into its debut;what her thought process is going into her second premiere at Tribeca;the process of adapting a book for film and working with the author on making the film;how much attention should be paid to accurately depicting a religion;the weapon handling in this film and her advice for other directors;distribution for the film;what's next for her.Hannah's Indie Film Highlight: Antigravity AcademyLinks:Follow Hannah On Instagram

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment of Notorious Mass Effect, Analytic Dreamz delivers a detailed breakdown of Madonna and Sabrina Carpenter's official music video for “Bring Your Love,” released June 15, 2026.Analytic Dreamz explores the high-energy nightclub concept where the two queens of the dance floor navigate separate worlds before uniting on a dramatic runway in a powerful celebration of movement and unity. The segment covers the striking opening carpet roll, the floating cameraman, the emotional closing door message “Come to the club of love,” and Julia Garner's surprise cameo that nods to the scrapped Madonna biopic.Listeners also get full context on the song's Billboard Hot 100 return at No. 74, its role as lead single for Madonna's upcoming album Confessions II (out July 3, 2026), the Tribeca 13-minute short film, the Times Square Pride event with Grindr, and the Coachella 2026 debut performance.Analytic Dreamz examines how this collaboration reconnects Madonna with the classic Confessions on a Dance Floor sound while launching a major new era. Privacy & Opt-Out: https://redcircle.com/privacy

Bono was in New York for a weekend packed with U2-adjacent moments, from presenting Bruce Springsteen with the Harry Belafonte Social Justice Award to attending the premiere screening of Guggi's documentary at the Tribeca Film Festival. The Garden Tarts break down the big moments, the fan frenzy around Bono, and the reminder that keeping artists safe matters.Plus, we hear firsthand voice memos from PJ of Achtoon Baby and Kristen, who were both there and share vivid details from the room.This mini-episode also celebrates the ongoing friendship between Bono and Guggi, Ali Hewson's impeccable style, and the emotional impact of seeing Bruce, Bono and Patti Smith together onstage.If you love U2 history, music moments, and candid fan perspective, this one is for you.Subscribe for more U2 content from The Garden Tarts, and follow us on social media at @thegardentarts.

This week, Willa went to Tribeca to play some games and Robin stayed home to do the same.Timestamps:(00:20) A three-martini lunch(04:00) Tribeca Games(4:55) Bad Magpie(8:40) Demi and the Fractured Dream(15:00) Drifted(17:15) Forever Ago(23:00) Kidbash(24:25) Lofsöng(28:50) Rivage(32:55) Rebounder(36:05) Rockbeasts(38:30) Truck-kun is Supporting Me From Another World?!(42:20) There Are No Ghosts at the Grand(54:20) Virtue and a Sledgehammer(1:00:30) What's the deal with Tribeca?(1:11:20) What else have Willa and Robin been up to this week? (feat. Widow's Bay, Flying Saucer Video) Mentioned this week: Tribeca GamesSupport us on Ko-fi!Check out the network at TheWorstGarbage.online!Join The Worst Garbage Discord!Follow us and send us questions!Follow Robin!Follow Willa!Music Street Food by FASSoundsThings are bad right now, but you can help make them better. Please take some time to consider how you can help trans people, immigrants, and others targeted by our fascist government with this Big List Of Links. Hosted on Acast. See acast.com/privacy for more information.

Recorded Live at the Tribeca Film Festival In this special retrospective episode, we revisit two standout conversations recorded live at the Tribeca Film Festival — moments that capture the raw creative pulse of independent filmmaking. First, actor and producer Elijah Wood joins us to discuss his darkly comedic thriller Come To Daddy, reflecting on the film's twisted emotional core, its genre‑bending tone, and the joy of championing bold, off‑kilter storytelling. Then, acclaimed director Mary Harron sits down to explore Charley Says, her haunting and humanistic portrait of the women once under Charles Manson's influence.  Together, these conversations form a living archive of Tribeca's spirit — fearless, curious, and deeply committed to the power of character‑driven stories. SAVE 17% ON PLUS  

It's no longer news that Hollywood studios are using artificial intelligence in editing, animation, visual effects and more. But last week “Dreams of Violets,” a new film about protests in Iran, became the first fully AI-generated live-action feature to screen at Tribeca and is a project that journalist Steven Zeitchik says the industry is watching nervously. We talk about the rapidly growing use of A.I. in filmmaking and the impacts that's having on audiences, industry professionals and an artform built on human storytelling. Guests: Steven Zeitchik, senior editor for technology and politics, Hollywood Reporter; author, "Mind and Iron," a humanist newsletter about our AI future Peter Murrieta, executive producer, showrunner and writer; secretary-treasurer, Writers Guild of America West Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to hike 26 miles at 14,000 feet with no signal, no Uber, and two of the funniest people alive? We're about to find out.  Join me as I sit down with comedy legends Bob Odenkirk and David Cross at the 2026 Tribeca Film Festival to discuss their documentary Bob and David Climb Machu Picchu — a film about friendship, mortality, and what happens when Hollywood strips away and the mountain shows you who you actually are.  Plus: Why David chose Bob for this — and why Bob almost said no How Bob's heart attack during Better Call Saul gave the whole journey a different kind of weight The moment the mountain cracked them both open — and what they found on the other side Special thanks to Greenslate, Theorem Media, and Portrait for making this panel happen! Greenslate has been a longtime partner of AOP and it never gets old talking about the ways they have revolutionized production payroll and accounting for independent film. They had 22 projects at Tribeca this year and Bob and David Climb Machu Picchu was the one we chose to spotlight, via their client Left/Right. AOP SUBSTACK

What if the most important business introduction of your life happened in a middle seat at 30,000 feet? In this episode, Carrie Waible, founder of CW and Co., shares a career that reads like a map of New York City's most iconic moments. Star-studded galas, Nobu's 20th anniversary, Donna Summer and John Legend at the Beacon Theater, Robert De Niro's charity events, and a 20-year client relationship that started with a phone call she almost said no to. None of it would have happened without a stranger on a plane named Stan Heath, a first boss named Tony who saw something in her before she did, and a client named Thomas who told a 26-year-old she should start her own company. She did. Twenty years later she is still at it and still evolving.   [00:04:00] What She Does and Who She Serves Runs CW and Co., a full service marketing and production company Started in 2004 producing nonprofit galas and celebrity events in New York Has worked with some clients for 10 to 20 years [00:05:00] From Events to Full Service Marketing Was churning out 12 major events a year with a team burning out A dear team member said she didn't want this to be her life Started shifting toward full service marketing and content production [00:07:30] The Client Who Gave Her the Best Advice An old client named Charlie took her to lunch when she first started out He told her: keep putting yourself in front of people and do a good job He also said at 26: lean into your PR talents; that's what will carry you She didn't fully hear it until years later when the pivot became necessary [00:10:30] What Inspires Her: People Gets her energy entirely from people; not one cup of coffee a day Feels most present when directing videos, producing events, or in the field If she is connecting with people and doing meaningful work, she feels amazing [00:11:30] Client Impact: Nobu and a Charter School Network Helped Nobu transition from a 190-seat Tribeca restaurant to a global brand without losing its heart Helped nonprofits raise what adds up to billions of dollars over the years Spoke at a charter school career day; a student asked what inspires her; she said: you do [00:19:00] The Relationship That Started Everything: Stan Heath Was flying to New York to visit friends after graduating college Got into conversation with a stranger named Stan Heath in the middle seat He said PR was her fit; his ex-business partner Tony was hiring Stan faxed her resume; she had a meeting that same weekend [00:21:30] Tony: The First Boss Who Changed Her Life Tony offered her the job after watching her work a fashion industry event He needed to see how she moved before making the offer New York clicked immediately; she has never left That first job eventually led her back to PR and to starting her own company [00:23:00] Thomas: The Client Who Told Her to Start Her Own Business A former client told her: anywhere you go, people will just ask for Carrie Waible anyway Within weeks he offered her a live event six weeks from his nonprofit's biggest fundraiser She started the company at 26 to take on that first event That night on the event floor confirmed she had found where she belonged [00:25:30] Cathy: The Referral That Led to Robert De Niro A past client named Cathy called to pass on a piece of business she couldn't take She was stern: my reputation is on the line too; I need to know you're ready The event was a star-studded benefit at the Beacon Theater with Donna Summer and John Legend The after party was at Nobu; that relationship kept growing for five to six years [00:28:30] Raven: The 20-Year Client Relationship Her first VP at her first New York job called when Carrie started her agency Asked her to do PR for the New York Boat Show; Carrie almost said no That one job opened the door to recreational boating, now one of her biggest business streams The National Marine Manufacturers Association has been a client for 20 years [00:31:30] Venice 2021: The Trip That Cracked Everything Open Was invited to manage VIPs and heads of state at a humanitarian event in Venice Went alone with only a local assistant; no team, no safety net Realized she didn't need a multimillion-dollar agency; she needed to love the work every day From that moment she began more fully embodying her gifts and what she really wanted [00:34:30] Final Word: Just Connect People find relationship building daunting; just extend a smile, a word, a handshake Trust your gut about who feels right; the spidey sense gets sharper over time Those small connections build into things you could never have imagined   KEY QUOTES "Keep putting yourself in front of people and do a good job, because no one ever wants to change who they're working with if they don't have to." - Charlie, as shared by Carrie Waible "I get my energy from people. Not one cup of coffee." - Carrie Waible "You have nothing to lose. Those things build and build into something that you just could never imagine." - Carrie Waible CONNECT WITH CARRIE WAIBLE Website: https://www.cwandco.com LinkedIn: https://www.linkedin.com/in/carrie-waible-658b972   Thanks for tuning in! If you liked my show, please LEAVE A 5-STAR REVIEW, like, and subscribe! Find me on: Apple Podcasts | Spotify | iHeart Radio | Stitcher

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure.The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page.At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

It's one thing to say you're going to create the "Chinese lesbian version of BEFORE SUNRISE (1995)"; it's another thing to actually pull it off.In EPHEMERA (2026), the debut feature for filmmaker Shan Jiang which premiered at the 2026 Tribeca Film Festival, it appears she has done just that. It took global producers, a fantastic team, and a truly extraordinary story in how she found the actors, but the film will stand as wide shoulders for so many people and so many future projects.In this episode, we talk about:how she describes EPHEMERA and whether "unhurried" is an adjective she likes to describe the film;the incredible story of how she got involved in filmmaking;her storytelling philosophy, which has been described as " inhabit[ing] familiar narrative tropes and bends them from within to allow new perspectives to emerge" (an amazing quote);the global producers that made EPHEMERA and the concept of China as an entity reacting to a lesbian-focused film; what she took away from this experience for her next feature;finding the incredible actors in this film;what she learned from rehearsals with the actors in a film that is very dependent on them;her direction philosophy in this film and what she views as her job in regarding to structure;why Tribeca ("it's coming home for this film") and the Chinese film festival market;what's next for her.Shan Jiang's Indie Filmmaker Highlight: Celine Sciamma; Peter GreenwayLinks:Follow Shan JiangFollow EPHEMERA On Instagram

Zach Blume is the co-founder and president of Portal A, an award-winning brand and original content company built for a social world.Portal A has been named Campaign's Brand Entertainment Agency of the Year, Digiday's Video Agency of the Year, the Streamy Awards Agency of the Year, and Cynopsis Digital Studio of the Year. The company's work has been viewed over 4 billion times online and received recognition by the One Show, the Clio Awards, Tribeca, Brand Storytelling at Sundance, the Webby Awards, the Shorty Awards, and many others.Portal A has been independent since its founding, and in 2019 took on a strategic investment from Wheelhouse, the next generation entertainment company founded by Brent Montgomery and partner Jimmy Kimmel.

In this episode of The Last Shot Podcast, we sit down with writer-director Misha Calvert to discuss her powerful new film FAULT — a dramatic feature based on a true story that confronts grooming and abuse in professional sports, and the systems that allow it to go unchecked. Selected for the 2026 Tribeca Festival, FAULT has been called a timely and unflinching look at power, silence, and survival — drawing comparisons to the Epstein-era reckoning still playing out across institutions today.Misha opens up about what drew her to this story, the responsibility of telling it truthfully, and what she hopes audiences take away after the credits roll. A must-listen for anyone following this year's most important festival premieres.#fyp #explore #foryou #trending #viral #podcastclips #podcastmoment #newpodcast #mustlisten #listennow #spotifypodcasts

What happens when the line between competitive drive and psychological trauma is completely erased? In this special Tribeca Festival edition of the Last Shot Podcast, co-hosts Zachary Heneden and Julien Serrano-O'Neil sit down with visionary writer and director Ran Ran Wang to dissect her gripping new psychological sports thriller, I Think About Killing You.Fresh off its New York Premiere in Tribeca's fiercely curated "Shorts: Competitive Edge" block, this 14-minute masterclass in tension follows Dani (Tiana Le), the captain of a Division One collegiate rowing team, who is plagued by uninvited, invasive fantasies of killing her deeply abusive coach (Bridget Regan).In this packed, rapid-fire 20-question interview, Ran Ran Wang opens up about exploring the dark, taboo intersections of elite athletics and internal trauma, how she built a claustrophobic aesthetic on the waters of Long Beach, and why it was crucial to validate the raw, vengeful rage that systemic institutional abuse creates in young female athletes.Tune in to hear how she subverted the classic sports drama into an anxiety-inducing thriller supported by Rideback RISE and Echobend.Connect with the Film:Instagram:  @r2wang & @ridebackriseWebsite/IMDb: https://www.imdb.com/title/tt38889215/Connect with UsInstagram: @lastshotmediagroupFacebook: Last Shot Media GroupTribeca Film Festival Coverage:Articles/Reviews/Schedules: https://lastshotmediagroup.com/tribecaLSMG Quick Links/Coverage/Interviews: https://bio.site/lastshotmediagroup

MON TAXI (2026), which premiered at the 2026 Tribeca Film Festival, is a "love letter to the filmmaker's dad." Architect + filmmaker Meriem Sakrouhi created a film that is part New York, part Moroccan, and altogether touching cinema, and we talk about how she did it for the podcast.Along with directing, she edited and produced the first Moroccan entry at Tribeca in 20 years. Given that she pitched a project at Cannes Docs this year and beautifully describes what Moroccan influence looks like, we shouldn't have to wait that long for another.In this episode, Meriem and I discuss:why Tribeca for this particular film;growing up in Morocco and how she got involved in filmmaking;how architecture informs her filmmaking;how she describes MON TAXI and what she wants viewers to feel -- "the film is about communication about my dad after he passed";editing, producing, shooting the film -- how did she make it all work?what is the Moroccan influence on the film?what's next for her and what she pitched at Cannes Docs.Meriem's Indie Film Highlight: BOUCHRA (2025) dir. by Orian Barki; Meriem BennaniLinks:Follow Meriem On InstagramMON TAXI Website

In this ScreenFish 1on1 Interview, director/producer Rex Glensy, writer/executive producer Asad Moghal, and lead actor Jake Watkins discuss PATTERNS and, more specifically, the episode entitled, 'Kevin's Series of Unfortunate Events'. Here, they explore what the universe might be trying to tell Kevin and what he is truly searching for beneath the surface of his journey. They reflect on the film's deeper philosophical themes, including meaning, connection, and perception in a digital world. The conversation also touches on the intriguing idea of the “Online Safety Salamander” and its symbolic role within the story's narrative framework.'Kevin's Series of Unfortunate Events' premiered at Tribeca '26.

(00:00:00)

Participants: John Steppling, Hiroyuki Hamada, and Dennis Riches. Topics covered: Albania's Sazan Island, Justin Trudeau and Katy Perry at Tribeca, the drones and missiles stalemate of contemporary war, the science fiction notion of runaway A.I., computer wargaming in 1951, death of legacy news media, the coming societal reckoning with technology, female sex tourists in Africa, Music track: “Ninety-Nine” by Sonny Boy Williamson (public domain).

In part 3 of our MMO UFO miniseries, we review Steven Spielberg's Disclosure Day, starring Emily Blunt, Josh O'Connor, Coleman Domingo, Colin Firth and Eve Hewson (which we mispronounce as Hewitt for the entire film because ....Jennifer Love Hewitt?) NON-SPOILER REVIEW SECTION: Difference in Opinion? - 2:32 Production Profile - Inception - 3:49 Best Spielberg in the last 20 years? - 5:40 Critical Reception vs Audience Scores & Early Box Office - 6:55 Why Obsession is a Best Picture nominee side rant & Back to DD Reception - 12:51 Non-Spoiler Script Thoughts - 16:22 Does Emily Blunt Get Nominated? - 21:56 Glowing Reviews of the Score, Cinematography, Editing - 26:24 Oscar Lens: Our Over/Under to how many, if any noms it'll get - 33:06 SPOILER WARNING - 37:25 SPOILER REVIEW SECTION: Mike 1 on why politics have ruined the ending & message - 38:23 AlsoMike psychoanalyzes Mike 1's belief in aliens - 45:14 Updated Spielbergian Themes & Remaining Generic - 48:37 Abandoning Intriguing Possibilities & Emily Blunt's worst scene - 50:11 Issues with the Sci-Fi - 54:21 Issues with the bad guy - 59:45 Even the beginning didn't get a follow through - 1:02:11 Some Best Scenes & Strong Starts - 1:03:30 Final Grades - 1:06:19 OUTRO: Discussion on how we like to do film festivals after spending some time at Tribeca and hinting at what's next. https://linktr.ee/mikemikeandoscar

What if the biggest efficiency problem in your factory isn't your machines, it's the dead time you waste before you even get to one.Workers queuing at ADP and ERP terminals every morning. A wing rib scrapped at the cost of $18,000 because the wrong work instruction was on screen. A program gone forever when the machinist who maintained it quietly for a decade retired to Poland. David witnessed all of these problems within his manufacturing acquisitions despite them having advanced tech for the time period.Chris sits down with David Caputo, Co-Founder of Harmoni, to get into how his intelligent factory orchestration system connects machines, people, and data for true control across the shop floor.Harmoni fills the gap in the renowned ISA-95 stack that most manufacturers never knew they were missing, supplementing human-intensive operations that make up 99% of the market.Harmoni operates within three buckets with the aim of wasting less time and making less mistakes. The system is designed to cover all bases without interfering with the essential human input needed to fulfil complex tasks. David talks to Chris about the labor automation, process control, and observability that Harmoni brings to the factory floor.In this episode, find out:What factory orchestration is and why David sees it as a distinct category from existing toolsHow David's experience acquiring and running four aerospace and defense manufacturers drove the creation of HarmoniWhy Harmoni's three pillars (labor automation, process control, and observability) address the ISA-95 gap that leaves most human-intensive factories underservedHow the no-titles, pods-based structure at Harmoni works and why David recommends it for companies under around 200 employeesWhat the Harmoni AI Lieutenant (HAL) does on the shop floor versus in the office, and why shop floor AI requires both context and a delivery mechanism to be usefulWhere David sees the 297,000 US manufacturers under 500 employees needing to compete in a world of autonomous factories and vertically integrated supply chainsWhy David advises manufacturers to ask one question before any software investment: how will this tool change what happens on my shop floorEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"What Harmoni's built is a new category of technology. We call this factory orchestration, and there's a very simple goal: waste less time and make fewer mistakes." - David Caputo“Simply having indicator lights to say whether a machine's running is not telling you the full picture. A machine could be running but running very inefficiently. We're giving you the information you need and allowing you to manage your factory in real time.” - David Caputo“Somehow you have to produce more with less, all in the face of autonomous competition and vertically integrated supply chains. Pretty tough position for the 300,000 manufacturers in this country.” - David CaputoLinks & mentions:Harmoni.io, bringing together data from operators, machines, and your shop floor software, all in real-time, to help managers make decisions and spot trends quicklyGreenwich Street Tavern, a different tavern experience that takes a traditional American pub fare menu to the next level located in Tribeca in NYCMake sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.

Jayce wrote the episode, but I'm writing this… We know that we live in a world where emotions are fleeting- they roll through us like 2 second electric shock waves from distraction to distraction, but I STILL have not forgotten the night of June 5th where I sold my tickets to see Lorde at Gov Ball in exchange for a night in the presence of Madonna.It caused 2 days of silent treatment in my home when I sold the Gov Ball tickets and a mental health check since I LOVE Lorde. But… I also LOVE Madonna and am too old to “festival” anymore. In preparing for this Bite Sized episode on Madonna we played Confessions On A Dancefloor around the clock and I danced on air reliving my MySpace days. Even in getting ready to go to the event I felt like life was better and though giving up our phones was scary for exactly 2 seconds, I instantly felt like a new human being.I had an amazing discussion with my dear friend, David Russell, who is quite the music historian and a Madonna expert (that is the label I have given him, to be clear, he would never claim that title for himself), and I will share that talk later when Confessions II is finally released July 3. We talked about how BORING it is that there is so much that people are annoyed with about Madonna. Complaints about her age, her surgeries and her “need for relevance”… this actually bores me. The Beacon was teaming with people full of joy, acceptance, and unabashed expression. The talk was a display of Madonna's vulnerability actually. She wasn't a persona this night, she was a woman who had her best friend Debi Mazar in the audience with her celebrating her latest creation. This is the same woman who shut down Times Square the night before and performed in a skyscraper, for goodness sake. The woman on stage was both of these people. A full circle.So while Lorde was inspiring one generation (maybe a couple generations) at Gov Ball, I did not regret choosing to be at the Beacon June 5th to physically feel the decades of inspiration Madonna has provided us.The video is amazing and if you haven't seen it yet, that's crazy. Watch it below. You know by know that Kate Moss who looks better than ever is in the video, but it was a complete surprise to us as an audience and I screamed so loud that I scared myself when she came on the screen. Feeling that excited and young again… that was fun.For more on Madonna's look for Hung Up, check out my interview from waaaaaaay back with the amazing makeup artist, Gina Brooke.00:00 Intro | Madonna Takes Over Tribeca 202600:28 Confessions 2 Arrives01:29 Why Confessions Is Madonna's Masterpiece03:20 The Making of Confessions on a Dance Floor03:50 Why "Hung Up" Changed Pop Music04:59 Inside the Making of the "Hung Up" Video06:17 Madonna Filmed with Eight Broken Ribs07:16 Why the "Hung Up" Video Is Still Iconic07:49 Tribeca Premiere & Madonna Q&A08:28 Inside the Beacon Theatre Experience09:16 Madonna's Emotional Conversation10:46 The Confessions 2 Visual Album Reaction11:35 Final Thoughts | Will Confessions 2 Make History? Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Tribeca + This week, Beck and Shai recap an unforgettable few days at the Tribeca Film Festival. They share their reactions to two standout music documentaries: “Noga” and “Sara Bareilles: Good Grief”, discussing the moments that stayed with them long after the credits rolled. To wrap things up, Lily jumps in with a roundup of the movies she's recently watched—and they couldn't be more different. This episode is packed with festival highlights, fresh recommendations, and plenty of movie talk.  Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: The Red Tent Fund | HIAS | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.   

Anne and Ryan are joined by investigative journalist Ronan Farrow, live on stage at the Tribeca Festival in New York. Farrow discusses the making of both docu-series he has in the festival, "The Palladino Files” and "Not A Very Good Murderer," both of which he produced and appeared in. He also shares some sobering and well researched takes on the state of journalism, AI, and the arts. Watch this Conversation on YouTube - https://youtu.be/m5mLQwxgrb4 Check out our top movies to see at Tribeca - https://www.indiewire.com/features/general/tribeca-festival-2026-movies-to-see-1235197887/?v3=true Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah sits down with WNBA CMO Phil Cook, New York Liberty CEO Keia Clarke, and NWSL CMO Rachel Epstein for a Tribeca X panel at Spring Studios in New York City. The group discusses the barriers and obstacles that long delayed the cultural moment women’s sports are now having, how major TV networks both reflect and dictate how women’s sports are covered and sold, the importance of storytelling, and how leagues and teams can improve awareness and enable access to their content. Plus, dropping out by default, wanting to stay but being forced to leave, and a friend of the show has a nice welcome-to-the-big-leagues moment. Fill out the Good Game survey here The AUSL schedule is here You can now WATCH Sarah’s interviews! Subscribe to @iHeartWomensSports on YouTube and check out the Good Game playlist here Leave us a voicemail at 872-204-5070 or send us a note at goodgame@wondermedianetwork.com Follow Sarah on social! Bluesky: @sarahspain.com Instagram: @Spain2323 Follow producer Alex Azzi! Bluesky: @byalexazzi.bsky.social Instagram: @AzziArtwork Follow producer Bianca Hillier! Bluesky: @biancahillier.bsky.social See omnystudio.com/listener for privacy information.

The career path -- M.S. in Neuroscience to filmmaking -- is a wholly original one and so is his filmmaking. His second feature, PONDEROSA (2026), is a comedy-horror film that looks at American masculinity in a way I've never seen before. It is a gift to watch -- beginning to end -- not because I understood everything going on, but because I didn't.The best type of filmmaking should challenge you and make you think differently about the world around you. Mission accomplished here by Rob, with brilliant actors by his side. I'm texting my friend with a neuroscience degree, telling him to get on over to Tribeca and make a film!In this episode, Rob and I talk about:going from CRISPR engineer to filmmaking;how PONDEROSA came about and the trickiness of describing the film;what his experiences at prominent film festivals taught him;how he got some of the best actors out there -- Bill Camp; Alexis Bledel -- to work on his film;how he did the score and music FIRST and then edited accordingly;how he balances directing and producing;what's next for him.Rob's Indie Film Highlight: THE MISCONCEIVED (2026) dir. by James N. Kienitz WilkinsLinks:Follow Rob On Instagram

Send us Fan MailAngelo, Rhea, and Jay are back and this week Hugh Laurie said the quiet part out loud, and the internet still hasn't recovered. After a freelance critic named Janet Murray posted on X that House has "the same narrative every episode," Laurie responded with a thread so sarcastic it went viral — cataloguing every alternative structure they tried, comparing the formula to Bach and Frida Kahlo, and closing with "I look forward to your first novel." The internet mobbed Murray immediately. But here's the thing: she's not wrong. House is formulaic — that's what procedurals are. Laurie's real defense wasn't "no it isn't." It was that if all you see is the formula, it wasn't meant for you. Is that the most honest thing a creator has ever said in public about their own work, or is it exactly what every creator thinks and should never, ever say out loud?THEN: Spielberg's Disclosure Day opens Friday. Reviews are calling it his best film in 20 years, with box office projections between $35 and $59 million. For Spielberg. Three of his last five films lost money (West Side Story, The Fabelmans, The BFG) roughly $380 million in losses combined. The Fabelmans is one of the best films of the decade and grossed $25 million total. Is Spielberg the most underrated working director in Hollywood right now?ALL THAT PLUS:  George R.R. is FROZEN OUT of The House of the Dragon, Angelo reviews Riot in Cell Block 99, we get a report from Tribeca by Keane Black, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

For episode 294, I'm joined once again by my co-host Myles Hughes, with producer Steve Prusakowski working behind the scenes on Emmy season content and, of course, TV Topics. This time around, we're beginning the conversation about Steven Spielberg's Disclosure Day. My rave review can be found here, and we talk a bit about my Spielberg movie ranking to be published on Friday, but this is just the start of our chat here. Next week, we'll get deeper into it, so prepare for at least light spoilers then. Myles has caught up with Masters of the Universe (my review is here) and Mortal Kombat II (reviewed here), so we discuss those, as well as Backrooms, which I've caught up on and reviewed here. Plus, I've seen Scary Movie (reviewed here), so that leads to a section on spoof movies. There's also some brief Tribeca talk, centered on In Memoriam, which I raved about here. Throw in a few of your questions and it's a rather focused episode...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 294th one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening! 

As Co-Founder of Caring Across Generations and President of the National Domestic Workers Alliance, Ai-jen Poo has spent decades working at the intersection of policy and culture — because she knows you can't change one without the other. A MacArthur Fellow, Time 100 honoree, and author of The Age of Dignity, she's now launching a million-care-conversations campaign and a new production label, Give Not Take Media, to get care stories into film and television at scale.

Dating in the digital world feels nearly impossible, and for Kevin, it truly is.  In this episode, we dive into the UK-made comedy series "Patterns" focusing on Episode 4: Kevin's Series of Unfortunate Events, which is currently premiering at the Tribeca Film Festival!  Kevin (played by Jake Watkins) is a hopelessly earnest romantic whose optimism far outweighs his self-awareness. By day, he works as a school's Online Safety Salamander. By night, he subjects himself to a relentless series of disastrous dates, convinced that persistence alone will eventually lead to love.  His misadventures become a source of fascination for his colleagues: the confident, sharp-tongued school nurse Vera (Cecilia Noble) and geography teacher Dave Douglas (Ryan Sampson). But what Kevin fails to notice is that a genuine connection has been quietly forming much closer to home.  MEET THE CAST & CREATORS • Kevin (Jake Watkins - BBC's 'I Kissed a Boy'): A lovable friend whose life never quite works out, dreaming of a Hollywood career but stuck as a Safety Salamander. • Dave Douglas (Ryan Sampson - Sky's 'Mr Bigstuff', 'Brassic', ITV's 'Plebs'): An eccentric geography teacher with the best intentions who thinks he's "down with the kids." • Vera (Cecilia Noble - BBC's 'Killing Eve', Netflix's 'Black Mirror'): A no-nonsense school nurse who acts as Kevin's anchor with tough love and emergency sausage rolls. • Creator & Writer: Asad Moghal, who drew inspiration from a string of his own real-life dating disasters to create this sharply observed, character-driven comedy. • Director: Rex Glensy, an orchestral conductor turned entertainment lawyer and filmmaker (director of 'Hill of Vision'), representing production company Aurelia Pictures. INSIDE THE DIRECTOR'S STATEMENT "Everyone has had a disaster date... My goal as a director was to take a self-deprecating view of dating nightmares some of us might have had, so that at least we can laugh at ourselves instead of crying. The lead character, Kevin is all of us." Stay connected with me: https://www.chonacas.com/links/  

From the rise of a generation-defining band to the deeply human story behind the music, our conversation with director Maria Diane Ventura explores the heart, history, and healing woven throughout ERASERHEADS: COMBO ON THE RUN.Now streaming globally on Netflix, the documentary revisits the legacy of the Eraserheads through friendship, conflict, reconciliation, and the undeniable power of music to bring people back together.In this special episode, Maria Diane Ventura shares the emotional process behind telling one of the most important stories in Filipino music history and why this film resonates far beyond nostalgia.

On this special Behind The Geeks, Justin and Nate sit down with Casey Baron, Senior Programmer for Tribeca Games, to discuss the growing role of video games within the Tribeca Festival and the evolving relationship between games and film. Casey shares what it actually means to be a Senior Programmer, the games that shaped his perspective on interactive storytelling, and how his experience across both film and games influences the way he approaches the festival. We also explore the role games play in the future of storytelling, the recognition of independent game developers, and which titles attendees should keep an eye on at this year's Tribeca Festival. Plus, Casey joins us for our signature “Whatchya?” segment to share what he's currently watching, playing, and recommending. Attending Tribeca this year? Be sure to visit the free, public Games Gallery at Pier 57 from June 10–14, where you'll have the chance to play exclusive demos of exciting unreleased games featured as part of the Tribeca Games Program. Learn more about Tribeca Games:https://tribecafilm.com/festival/games Learn more about the Tribeca Storytelling Summit:https://tribecafilm.com/storytellingsummit Explore the Tribeca Festival:https://tribecafilm.com/festival Follow Tribeca:https://www.instagram.com/tribeca Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Survivor 50 Panel at The Tribeca Film Festival Survivor celebrates its 25th anniversary at the iconic Tribeca Festival, bringing fans and legends together to reflect on 50 thrilling seasons of blindsides, alliances, and changing gameplay. In this milestone panel, Jane Rosenthal (Academy Award-nominated producer and co-founder of Tribeca Festival) is joined by Survivor icons including Rob and a panel of recent castaways to break down just what has kept Survivor fresh, relevant, and captivating for a quarter century. The discussion dives deep into Survivor 50, with candid stories about evolving gameplay—from the old school ride-or-die alliances to today's fast-shifting strategies where betrayal might just forge your next big move. Rob sets the tone by highlighting the “tribe” at the heart of Tribeca, while Jane and others reveal how Survivor has become both an archive of human interaction and a mirror for social change. The castaways talk openly about the shortened 26-day format, what it feels like to return to “regular” life after the highs and lows of Tribal Council, and the challenge of keeping up in a world (and show) where attention spans are shorter, but the stakes feel bigger than ever. – How Survivor's social game has evolved from ruthless old-school loyalty to quick repairs and unexpected new partnerships – Rob's perspective on why being voted out still resonates so deeply with our basic human fears and desires – The impact of Survivor's increased representation—including calls for more blue-collar workers and trans women on the cast – Insights into the role of storytelling at Final Tribal: has ‘outwit, outplay, outlast' changed its meaning? – Jane Rosenthal and panelists discuss how Survivor moments—from hard-hitting social issues to unforgettable blindsides—continue shaping viewers and players alike As Survivor 50 continues to push boundaries, the panel raises questions about who will adapt and thrive in an era where gameplay, identity, and society overlap. Does forging new school alliances faster than ever pay off, or do classic Survivor instincts still win the day? Don't miss this rare look behind the scenes and at the heart of Survivor 50—listen in for stories, strategy, and what could happen in the next 50 seasons! Chapters: 0:00 Tribeca Festival Welcomes Jane Rosenthal 0:25 Jane Rosenthal Reveals Survivor Origin Story 2:36 Survivor Legends Join the Stage 3:30 Why Survivor Belongs at Tribeca 5:18 Survivor's Enduring Cultural Impact 6:28 Evolution of Survivor Over 50 Seasons 8:05 Shifting Game Strategies and Alliances 10:52 Technology and Studying Survivor's Past 15:23 Dream Survivor Twists and Innovations 20:08 Survivor's Impact on Personal Growth 26:10 Outwit, Outplay, Outlast: Modern Meanings 39:03 Survivor Tackles Real Social Issues 49:51 Audience Q&A: Becoming a Contestant 51:40 Storytelling Tips for Survivor Auditions 54:38 Would Politics Ever Belong on Survivor? To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Survivor 50 Panel at The Tribeca Film Festival Survivor celebrates its 25th anniversary at the iconic Tribeca Festival, bringing fans and legends together to reflect on 50 thrilling seasons of blindsides, alliances, and changing gameplay. In this milestone panel, Jane Rosenthal (Academy Award-nominated producer and co-founder of Tribeca Festival) is joined by Survivor icons including Rob and a panel of recent castaways to break down just what has kept Survivor fresh, relevant, and captivating for a quarter century. The discussion dives deep into Survivor 50, with candid stories about evolving gameplay—from the old school ride-or-die alliances to today's fast-shifting strategies where betrayal might just forge your next big move. Rob sets the tone by highlighting the “tribe” at the heart of Tribeca, while Jane and others reveal how Survivor has become both an archive of human interaction and a mirror for social change. The castaways talk openly about the shortened 26-day format, what it feels like to return to “regular” life after the highs and lows of Tribal Council, and the challenge of keeping up in a world (and show) where attention spans are shorter, but the stakes feel bigger than ever. – How Survivor's social game has evolved from ruthless old-school loyalty to quick repairs and unexpected new partnerships – Rob's perspective on why being voted out still resonates so deeply with our basic human fears and desires – The impact of Survivor's increased representation—including calls for more blue-collar workers and trans women on the cast – Insights into the role of storytelling at Final Tribal: has ‘outwit, outplay, outlast' changed its meaning? – Jane Rosenthal and panelists discuss how Survivor moments—from hard-hitting social issues to unforgettable blindsides—continue shaping viewers and players alike As Survivor 50 continues to push boundaries, the panel raises questions about who will adapt and thrive in an era where gameplay, identity, and society overlap. Does forging new school alliances faster than ever pay off, or do classic Survivor instincts still win the day? Don't miss this rare look behind the scenes and at the heart of Survivor 50—listen in for stories, strategy, and what could happen in the next 50 seasons! Chapters: 0:00 Tribeca Festival Welcomes Jane Rosenthal 0:25 Jane Rosenthal Reveals Survivor Origin Story 2:36 Survivor Legends Join the Stage 3:30 Why Survivor Belongs at Tribeca 5:18 Survivor's Enduring Cultural Impact 6:28 Evolution of Survivor Over 50 Seasons 8:05 Shifting Game Strategies and Alliances 10:52 Technology and Studying Survivor's Past 15:23 Dream Survivor Twists and Innovations 20:08 Survivor's Impact on Personal Growth 26:10 Outwit, Outplay, Outlast: Modern Meanings 39:03 Survivor Tackles Real Social Issues 49:51 Audience Q&A: Becoming a Contestant 51:40 Storytelling Tips for Survivor Auditions 54:38 Would Politics Ever Belong on Survivor? To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Ahead of its historic world premiere at the Tribeca Festival, we sat down with filmmaker Meriem Sakrouhi—the powerhouse director, producer, editor, and co-cinematographer behind the short documentary Mon Taxi. Making history as the first Moroccan short film in over two decades to be officially selected for Tribeca , Mon Taxi is a deeply intimate, 8-minute exploration of grief, migration, memory, and connection. In this episode, Meriem opens up about the moving reality behind the project:The Meaning of "Mon Taxi": The sweet, private family joke that gave the film its title. Architecture to Cinema: How her background as a Moroccan architect shapes her visual storytelling and framing of emotion on the streets of New York. Creative Vulnerability: The emotional process of turning raw, deeply personal moments into a public work of art. This conversation dives deep into the human need to keep speaking across impossible distances. Press play to hear the full story behind one of the festival's most compelling breakouts. Connect with the Film:Instagram: @montaxifilm & @meriemsak Website: montaxifilm.com Connect with UsInstagram: @lastshotmediagroupFacebook: Last Shot Media GroupTribeca Film Festival Coverage:Articles/Reviews/SchedulesLSMG Quick Links/Coverage

Amid the glamour and chaos of New York Fashion Week (NYFW), the new Tribeca Festival short film "FABRIC" looks past the runway into the cutthroat relationships and transactional alliances of the industry.  In this episode, we sit down with filmmaker Frank Sun, who draws on his decade-long career as an elite NYFW photographer to tell an immigrant's story of yearning for belonging in an opulent world. We dive into the performances of genderqueer actor b Norwood (Netflix's YOU, Public Theatre's Twelfth Night) and Kate Pittard (HBO Max's And Just Like That) as they trace the fragile humanity hidden beneath the shields of status, beauty, and success.  Frank Sun discusses how he structured the film's texture alongside real fashion designers, models, and authentic backstage venues. Tune in for an exclusive look at the filmmaker's journey from rural China to the Tribeca Shorts competition, and find out where you can catch the upcoming New York screenings! For more information and press inquiries, check out the official press materials (https://tinyurl.com) or connect with publicity via Obscured Pictures.  FABRIC's Instagram is here https://www.instagram.com/fabric_film/  Frank Sun account here https://www.instagram.com/xfranksun/   Stay connected with the Founder, Katie Chonacas:  https://www.chonacas.com/links/  

ABOUT ROB ARTHUR: Musician, Artist and Filmmaker who serves as the band leader for Peter Frampton and has also worked with Kenny Loggins and Chicago among others. He joins us to discuss the documentary "Frampton", which premiered at Tribeca, that he directed and co-wrote. ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Music documentaries are a major part of the festival circuit, but this year at Tribeca, they're becoming something bigger: live events, legacy projects and cinematic extensions of the artists themselves. The festival opened with Questlove's new Earth, Wind & Fire documentary, followed by a performance from the legendary band and The Roots. Other music films and events this year center on Alicia Keys, Madonna, Peter Frampton, Katy Perry, Daft Punk and more. USA TODAY National Music Reporter Melissa Ruggieri joins The Excerpt to talk about why music films are having a moment, what separates a great one from a celebrity vanity project and how artists are using documentaries and concert films to reach audiences in new ways.Let us know what you think of this episode by sending an email to podcasts@usatoday.com. Episode transcript available here. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.