Podcasts about Tribeca

Host Marina Franklin chats with Emmy-nominated composer Kathryn Bostic & filmmaker Sharaé Nikai. Dive into their stories, career wisdom, and the power of community and vote for Kathryn for the World Soundtrack Awards.  Kathryn Bostic - Award winning, Emmy nominated (The Supremes at Earl's All You Can Eat; Amy Tan-Unintended Memoir; Toni Morrison-The Pieces I Am) composer and singer-songwriter Kathryn Bostic is known for her original work on film,TV, Broadway and symphonic music. On Broadway, Bostic worked with iconic playwright August Wilson, creating the score for "Gem of the Ocean." She also created the score for the Broadway production "Bengal Tiger at the Baghdad Zoo" featuring world renowned actor and comedian Robin Williams. She is a recipient of many awards and fellowships including the prestigious BMI "Streaming Media Award"; Hollywood Music in Media Award for "Best Score TV Streamed Movie"; Society of Composers and Lyricists "Outstanding Music for Independent Feature Film"; African American Film Critics Award for "Best Music in Film"; Sundance Time Warner Fellowship; Sundance Fellowship for Feature Film Scoring; and Sundance Documentary Film Scoring. Bostic served as Vice President for the Alliance of Women Film Composers. She is a member of Television Academy of Arts and Sciences, The Recording Academy, and Bostic is the first African American female composer in the Academy for Motion Pictures Arts and Sciences. Her end title song "High Above the Water" for the award winning film "Toni Morrison- The Pieces I Am" was Oscar shortlisted. Her work on Sarah's Oil: Original Motion Picture Soundtrack is up for the world sound track public choice award. You can vote for Kathryn at worldsoundtrackaward.com . Sharaé Nikai - Against industry odds, Jersey City native Sharaé Nikai wrote, produced, co-directed and starred in her very first feature film, "The Other, Gold." It is a heartfelt dramedy that follows a TV writer living in Little Tokyo as she navigates grief, isolation and the rekindling of a former BFF-ship. Out of 13,016 submissions, TOG was invited to world premiere as one of only 10 films in Tribeca's US Narrative Competition. This acclaim led to Nikai being in consideration for the 2025 Oscars, Spirit Awards and Emmys in the Outstanding Television Movie, Directing & Lead Actress categories. It also makes her the first Black female quadruple threat (sole writer/producer, director & star) to qualify for the Academy Awards with no studio or major production company backing. As a producer, Sharaé secured an exclusive Mental Health Awareness partnership for "The Other, Gold" at FOX-owned Tubi and sponsorship for its launch by Women in Film (WIF) and The Entertainment Community Fund. In March 2026, "The Other, Gold" was released worldwide in celebration of Women's History Month exclusively on Apple TV. In addition to TOG, Nikai appears in numerous ad campaigns, films and TV series including Grey's Anatomy and opposite Alison Brie in Sundance's "Horse Girl" (The DuPlass Bros/Netflix). Currently, she is the 2026 international voice of Nordstrom Rack all while developing her dramedy driven TV/film slate. In her spare time, Sharaé takes serious pride in the accent mark over her "e" and is the reigning (read: self-proclaimed) trap karaoke queen. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch      

Today on Too Opinionated, we're joined by actress and artist Malky Goldman to discuss her starring role as Sarah Leah in The Wedding Entertainer, directed by Gidi Dar, which celebrated its world premiere at the 2026 Tribeca Festival. Originally from Jerusalem and now based in New York City, Malky has built an impressive career across film, television, and theater. Her newest role in The Wedding Entertainer marks another exciting milestone as she continues to bring emotionally rich and deeply authentic characters to the screen. Audiences also know Malky from the acclaimed Netflix limited series Unorthodox, the Blumhouse horror film The Vigil, and HBO's High Maintenance. On stage, she has delivered memorable performances in productions including Strangers, Hedda Gabler, the Yiddish production of Rhinoceros, and the critically acclaimed God of Vengeance. In this episode we discuss:

On July 27, T-Mobile experienced a significant nationwide outage that left many customers unable to use cellular service. More than 60,000 outage reports were recorded, users across multiple states reported dropped service and "SOS" mode on phones, and T-Mobile had not yet identified a public cause when Reuters published its report. A cybersecurity researcher says a Tribeca Film Festival-related data exposure may have revealed contact details for major Hollywood figures including Angelina Jolie, Robert De Niro, Martin Scorsese, and Jennifer Lawrence. The leaked records reportedly included phone numbers, email addresses, and some device information. Tribeca secured the databases after being alerted and is investigating the incident. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

I don't know about you, listeners, but what stands out to me in this episode is not the shock of torturing old man corn (see what I did there?), not the insightful political commentary on the violence of the carceral state, not Emily's medium quality explanation of the concept of tyranny of the majority, but the fact that they mentioned the 2016 black comedy Sausage Party so many times without getting the title of the movie right even once. Emily and Ky are for the streets, so that's where they're recording (recorning?). Get tucked in like cute little peas in a pod, envision the streets of Tribeca, and tune in!

A hacker stayed anonymous for years. Mishaal Khan, author of Phantom CISO and creator of Operation Privacy, found him in about an hour using OSINT, open source intelligence, meaning information that's already public and free to find. The case grew into a Department of Justice investigation and a documentary that premiered at Tribeca. Inside: the OSINT method nobody teaches, the voice cloning scam that takes ten seconds, and the mansion address he legally made his own, Tony Stark's.Chapters00:00 Meet Mishaal Khan and his cybersecurity expertise01:08 Mishaal's background and notable projects02:16 Fooling credit bureaus with Iron Man's address03:14 Operation privacy: a crowdsourced privacy management tool06:55 Implementing privacy strategies in daily life07:25 The importance of a security culture in organizations13:23 The capabilities and risks of AI and voice cloning15:48 Social engineering tactics and how to defend against them20:17 OSINT techniques for cybersecurity and social engineering22:45 Defending against organized cyber threats and long-term reconnaissance27:10 Building a security-aware organizational culture30:00 Mishaal's work in law enforcement and legal boundaries49:38 Upcoming documentary 'Stealing Magic' and its focus50:31 Piracy in the magic community and digital theft52:24 Unmasking online impersonators and the role of OSINT54:48 The importance of creativity and organic investigation in cybersecurity55:49 Closing remarks and Mishaal's book 'Phantom CISO'Questions? Text our Studio direct. We read these and when helpful we give a special shout out for those to contact us.True crime enters our homes and businesses daily. Learn from actual people who fight it daily and show you how in a thriller story. The Moving Target Trilogy. Book 3 to be released September 22nd, 2026. Start with any of them. Be a Moving Target.Special Author pricing (30% off) The Moving Target Trilogy. Book 3 to be released September 22nd, 2026. Start with any of them. Be a Moving Target.Special Author pricing (30% off) Growth without Interruption. Get peace of mind. Stay Competitive-Get NetGain. Contact NetGain today at 844-777-6278 or reach out at DMauro@NetGainIT.com or find more at www.NETGAINIT.com   Support the showNew Exclusive Offers for our Listeners! New non-fiction Book Series is out! Moving Target: The Art of Online Camouflage drops April 14.Moving Target: The Obedient Machine drops April 21.Book 3 -- Ghost and the Machine -- out soon!

Ep. 411: Amy Taubin on Tribeca 2026 (Labrador: Autopsy of Silence, Jail Time Records, The Lorraine, Jean-Michel, Crocodile, They Fight, The Last Day), plus Romeria and I Love Boosters Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As has become our wont, I had the total pleasure of talking over films from the 2026 Tribeca Festival and other recent viewing with the one and only Amy Taubin. She shares a few Tribeca highlights (a couple of which won prizes at Tribeca) and also spotlights a couple of theatrical releases. Titles discussed include Labrador: Autopsy of Silence (directed by Rodrigue Jean), Jail Time Records (Dione Roach and Steve Happi), The Lorraine (Sam Pollard), Basquiat doc Jean-Michel (Quinn Whitney Wilson and Viridiana Lieberman), Crocodile (Pietra Bretkelly and The Critics), They Fight (Sheldon Candis), The Last Day (Rachel Rose), plus Romería (Carla Simón) and I Love Boosters (Boots Riley). But it all starts with the Knicks. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Cara Cusumano, Director of Programming for the Tribeca Festival, joins Past Present Feature as the festival celebrates its 25th year. She pulls back the curtain on how one of the world's premier film festivals selects its films,  and how curation, audience, and timing shape every lineup. Along the way, Cara reflects on the films and filmmakers that shaped her own cinematic taste, from F for Fake, Jiro Dreams of Sushi, to the fiction work of David Fincher, Agnès Varda, and Steven Spielberg.The conversation also explores Tribeca's origins following 9/11, the future of film festivals in the streaming era, why filmmakers shouldn't let deadlines dictate their creative process, and why the stories that resonate most are often the ones that keep moving, staying one step ahead of their audience, and continuing to surprise us.  What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 19-21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

I conclude Tribeca special coverage with one of my favorite films at the festival, CAITY (2026). To say Lindsay Calleran has been through some things to get her debut feature made is underselling it by a lot. Please read this First Person IndieWire article that Lindsay wrote; it gives a lot of important background to her story and how CAITY came to be.I'm so impressed by so many different things: the resiliency she showed in both losing her father and getting this film made; the journey to sobriety; having the guts to put it all out there for the world to see.Mostly, though, I'm impressed she made an absolute banger of a coming-of-age film. It has amazingly unique cinematography and an ending that you won't predict. It leaves you wanting to know more (and then feeling a little heartbroken after). That's great filmmaking.Lindsay and I discuss:the combination of a birthday, Tribeca premiere, and Father's Day when your debut feature is fictionalized version of your relationship with your father;how much real life influenced the final film;how she got into filmmaking;the unique touches of cinematography in this film;the incredible actors playing Caity and her father in this film, and somehow finding the chemistry between them;if casting directors are underrated in indie films;the EP/producer relationships for this film and the unique grant that made this film happen;why we don't see more films like this in festivals and theaters;what's next for her.Lindsay's Indie Film Highlight: LONG'S LONG LOST & MINI MART (2025) dir. by Julian DoanLinks:Follow Lindsay On Instagram

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of building music documentaries, why some stories are best told by the artists themselves, and how editing ultimately discovers a film's true shape. Ellwood also discusses Culture Club's unforgettable MTV presence, Boy George's groundbreaking public persona, the band's deep catalog beyond the hits, and the electric response to the documentary's Tribeca premiere. It's a lively look at the magic of collaboration, the power of pop music, and the enduring legacy of one of the 1980s' most iconic bands.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of building music documentaries, why some stories are best told by the artists themselves, and how editing ultimately discovers a film's true shape. Ellwood also discusses Culture Club's unforgettable MTV presence, Boy George's groundbreaking public persona, the band's deep catalog beyond the hits, and the electric response to the documentary's Tribeca premiere. It's a lively look at the magic of collaboration, the power of pop music, and the enduring legacy of one of the 1980s' most iconic bands.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Director and writer Ruthy Pribar and actress Ronit Yudkevitz join the Filmmaker Mixer Podcast to discuss their latest film, What Is to Come, which premiers at the Tribeca Film Festival. Following the success of her acclaimed debut feature Asia, Ruthy shares how a chance encounter with a woman carrying an extraordinary story inspired her newest film. We explore the responsibility of adapting real-life trauma, finding hope inside devastating circumstances, directing emotionally complex performances, and how her perspective as a filmmaker has evolved since winning the Nora Ephron Prize at Tribeca. Ruthy also reflects on the themes of survival, gratitude, and reinvention that continue to shape her work.

The Tribeca Film Festival helped organize this tremendous in-person panel with two New York filmmakers: Lily Weisberg, dir of RARE BIRDS (2026) and Maria Sofia Hernandez, dir of LA LUCHA DE LUCÍA (2026).Recorded on June 9th at Spring Studios, we talk about their incredible films; the challenges of writing different types of characters; what BACKROOMS (2026) and OBSESSION (2025) mean for independent filmmakers; and more.In this episode, we talk about:the creation stories of LA LUCHA DE LUCIA and RARE BIRDS;casting for the films and the role of social media;how she was able to achieve such well-drawn out characters in RARE BIRDS and her advice for other filmmakers;the challenges of writing both males and female characters;what does a bad short film look like?why Tribeca for their films?what to do with their films now after a premiere at Tribeca (shout out to NoBudge!);BACKROOMS and OBSESSION -- what does that mean for independent filmmakers?how her experience as a director helps her as an actor;what's next for them.Lily's Indie Film Highlight: CAITY (2026), dir. by Lindsay CalleranMaria's Indie Film Highlight: DADDY'S LITTLE MEATBALL (2026), dir. by Yael GrunseitLinks:Follow Maria On InstagramFollow Soonest Mended Productions, Lily's Production Company, On InstagramFollow LA LUCHA DE LUCÍA On InstagramMODERN SILENT SHORTS (Check out the tour this summer!)

Hip-hop royalty pulled up to Tribeca.Sole Free's Harlan Friedman hit the red carpet for the world premiere of “Trinity: The Story of The LOX,” the powerful new documentary from Mass Appeal celebrating the legendary journey of Jadakiss, Styles P, and Sheek Louch.In this exclusive red carpet special, hear from:

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats.She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats.She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

What happens when a hyper-protective Arab father—played by the commanding Egyptian star Mohamed Mamdouh—faces his most terrifying adversary yet? A completely normal, agonizingly awkward coming-of-age milestone: buying his teenage daughter her first bra.Live from the 2026 Tribeca Festival, hosts Zachary Heneden and Julien Serrano-O'Neil sit down with acclaimed filmmaker Mohamed Taher to dissect his stunning, award-winning short film, 32B. Following its highly anticipated world premiere screenings on June 13th and 14th at the AMC 19th St. East 6, the film cemented its place as a festival darling by officially taking home the 2026 Tribeca Award for Best Narrative Short!In this episode, we break down:The 2005 Time Capsule: Why setting the film right before the smartphone explosion was critical to framing this hilarious communication breakdown.Deconstructing Masculinity: How Mamdouh stripped away his traditional tough-guy on-screen armor to channel sweating, frozen vulnerability.The Visual Architecture of Anxiety: Turning a routine retail lingerie shop into a tight, claustrophobic psychological thriller.Navigating the Tonal Tightrope: Balancing laugh-out-loud awkwardness with deep cultural resonance and emotional dignity.Pop in your headphones and dive into the creative anatomy of one of Arab cinema's most refreshing, newly crowned award-winning voices.Connect with the Film:Instagram:  ⁠@mohamedtaherWebsite/IMDb: https://www.imdb.com/title/tt39240794/https://www.imdb.com/title/tt39240794/Connect with UsInstagram: ⁠@lastshotmediagroup⁠Facebook: ⁠Last Shot Media Group⁠Tribeca Film Festival Coverage:⁠Articles/Reviews/Schedules⁠: ⁠https://lastshotmediagroup.com/tribeca⁠⁠LSMG Quick Links/Coverage/Interviews⁠: ⁠https://bio.site/lastshotmediagroup

Join Adam Barnard from the red carpets of Tribeca Festival!First, he speaks with legendary director Spike Lee to discuss the upcoming 25th anniversary of his criminally underrated film "25th Hour". Then. he speaks with "Better Call Saul" and "Breaking Bad" star Bob Odenkirk about his documentary "Bob and David Climb Machu Picchu" and his unfortunate backing out of Freedom 250.Special thanks to 10th Ward Barbershop - Proudly serving the historic 10th Ward in Lawrenceville and surrounding areas, 10th Ward Barbershop is a full service barbershop offering quality haircuts, beard trims, and hot shaves. Schedule your appointment with Finn Balor and Corey Graves' favorite barbershop today.Host/Executive Producer: Adam BarnardAdditional Production/Narration: Sam KreppsEngineer: Carl PannellIntro Music: Carl PannellOutro Music/Musical Accompaniment: EnrichmentInstagram/X/Threads: @thisisgoober 

Award-winning filmmaker Misha Calvert joins Dope Interviews for an unforgettable conversation following the Tribeca premiere of her short film Fault.Guest host Kayla Gayle takes over for Warren Shaw in this special Season 10 finale. Misha discusses the realities of independent filmmaking, the emotional weight of telling stories about abuse and survival, and how Fault explores the complicated bond between sisters navigating trauma in very different ways.This episode dives deep into healing, activism, resilience, and the responsibility artists carry when telling stories that matter. A moving conversation on courage, truth, and the power of film to spark change.Become a supporter of this podcast: https://www.spreaker.com/podcast/dope-interviews--5006633/support.Follow Dope Interviews on X: https://www.twitter.com/dope_interviewsFollow Warren Shaw on X: https://www.twitter.com/thewarrenshawFollow Warren on IG: https://www.instagram.com/thewarrenshawRock "Dope Interviews" gear: https://19-media-group.myspreadshop.comLooking to book a vacation? Our travel partner Exquiste Travel & Tours has you covered: Call 954-228-5479 or visit https://exquisitetravelandtours.com/Discover our favorite podcast gear and support the show—shop our studio must-haves on our Amazon Affiliate page! https://www.amazon.com/shop/19mediagroupWant to join the conversation or invite us to your platform? Connect with us and share your vision (budget-friendly collaborations welcome)!  https://bit.ly/19Guest

If you're going to make a film about surfing in Senegal, I assume the viewer expects beautiful shots of surfing and the landscape of Dakar, Senegal's capital city. And man, does my guest, filmmaker and director, David Clancy, of NIO KO BOKK or THIS BELONGS TO ALL OF US (2026) deliver.The film is a valentine to so many things: refugees, Senegal, surfing, and documentary filmmaking itself. David's story of creating the film relies so much on his exciting background, and it was a such a joy to hear about it from his spot now in the Canary Islands.In this episode, David and I talk about:why is he now in the Canary Islands and his wild career story;how did this film come into existence;when do documentaries require great cinematography?his path focusing on social impact films and whether that's repeatable for other documentary filmmakers;the requirements for social media as a documentary filmmaker and his advice to getting started;the prism of surfing and refugees for THIS BELONGS TO ALL OF US;the logistical challenges of making a surfing film;why Tribeca?;how do we see more films like this in theaters;what's next for him.David's Indie Filmmaker Highlight: Jigar GanatraLinks:Follow David On InstagramFollow David On YouTube

Philip Byron has five Emmy Awards, a Broadway producing credit, and a background teaching spin classes at Flywheel. He is also the director behind the Spin Wars documentary, which premiered at the Tribeca Film Festival in June 2026. Crystal and Tom sat down with Philip to talk about how the Spin Wars documentary came together, what got cut, and what it was really like inside the boutique fitness world that gave rise to SoulCycle, Flywheel, and Peloton.Philip breaks down how the project started as a series pitch, why it took years to get made, and what it felt like to finally land at Tribeca. He shares behind-the-scenes details about the instructor pay structure at Flywheel, his own experience auditioning and teaching, and why so much compelling material had to stay on the cutting room floor. Crystal and Tom also share their reaction to watching the Spin Wars documentary and why they think the story matters far beyond the world of indoor cycling.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jonathan Rodriguez Cefalu built the hardware that Snap shipped on people's faces — first the camera-only Gen 1 Spectacles, then the Gen 4 display version. His path through Stanford CS, an honors thesis on varifocal display optics, and a startup called Vergence (named after the vergence-accommodation conflict in AR) led him to Snap, and then to the problem he is working on now. Preamble AI exists to prevent the worst possible AI outcomes — starting with a class of attack that Preamble was the first to publicly demonstrate: prompt injection.Ted Schilowitz hosted this episode solo. Together, he and Jonathan worked through the architecture problem sitting under every AI assistant being deployed at scale right now: large language models see one token stream. There is no separation between what the developer intended and what an untrusted email or web page is quietly instructing the model to do. With Gemini Spark about to give AI agents access to tens of thousands of emails per user, this is not a theoretical concern. Jonathan's team has a proposed fix — and they have already shaped federal law.The episode also covered the week's XR and AI news: Google I/O announcements, Snap Spectacles Gen 6 details ahead of AWE, Matthew Ball joining Xbox, Anduril's battlefield AR wearable, and AI-generated feature films reaching Tribeca.Key Moments:[00:00] Ted opens solo — Charlie Fink and Rony Abovitz are out for the summer solstice[02:30] Google I/O: Gemini Spark and what "persistent AI agent" actually means in practice[08:15] Jonathan's Gmail test: asked to search tens of thousands of emails, it searched 30 and quit[14:40] XREAL Project Aura and the state of Android XR — a lot of spend for incremental steps[21:00] Snap Spectacles Gen 6 details: what Jonathan knows from building Gen 1 and Gen 4 from the inside[31:20] Snap vs. Meta: research that ships in the product vs. research that ships in a paper[38:45] Matthew Ball joins Xbox, Anduril EagleEyes, and battlefield AR wearables[44:10] AI on the Lot: Project Nara, Hell Grind, Dreams of Violet, Paul Schrader goes pro-AI[52:30] Jonathan introduces Preamble AI and the mission to prevent worst-case AI outcomes[58:00] The first public demonstration of prompt injection — what happened and why it matters[01:06:15] Why Gemini Spark will be especially vulnerable to prompt injection attacks[01:14:00] Preamble's proposed fix: a reserved token language that untrusted data cannot speak[01:21:30] NDAA Section 1638: the first US law making it illegal to give AI autonomous nuclear control[01:28:45] WarGames, "the only winning move is not to play," and what that means in 2026Brought to you by Zappar and Mattercraft. Mattercraft makes spatial web experiences that run in the browser — no app required. Visit mattercraft.io to learn more and start building. Hosted on Acast. See acast.com/privacy for more information.

What a last month or so for Haiti and director Elisee Junior St. Preux's debut feature. Upon its release at the Tribeca Film Festival, THE TROPIC SUN AND HIS EYES (2026) received the Special Jury Mention for Best New Narrative Director alongside rave reviews. It is truly stunning filmmaking, offering both a realistic glimpse of Haiti and an expansive view of fatherhood.Let's count the ways in which his month just aligns perfectly for this film: Haiti playing Brazil in its second World Cup today (there's special screenings of this film in Atlanta); Father's Day in the United States; and all of the plaudits received at its world premiere at Tribeca.We only get more Haitian film directors at top festivals if people like Elisee care about elevating other voices, and he does that, too. Have a month, Elisee; I'm here for it.In this conversation, Elisee and I discuss:the vibe of the film and how he made Haiti essentially a character in the film;why the topic of fatherhood for his first feature;his emphasis on shooting in Haiti and the challenge of others trying to take away his deeply personal story;the creation of what is now SOIL Pictures and how he focuses on uplifting Black voices;"labs are very specific about what they want to get across" -- such important advice about going into a lab or a fellowship;why Tribeca?what's next for this electric filmmaker.Elisee's Indie Film Highlights: MY FATHER'S SHADOW (2025) dir. by Akinola Davies, Jr; I LOVE BOOSTERS (2026) dir. by Boots RileyLinks:Follow Elisee On InstagramElisee's Website

El 18 de junio, el tiempo presenta nubes y lluvia en el norte (Cantábrico, Cataluña, Castilla y León), mientras el resto de España disfruta de sol y calor, con 38 grados en Andalucía. Se anuncia la primera ola de calor. El Gobierno aprueba la prórroga de ayudas anticrisis y el descuento del IVA en carburantes. El Congreso debate un anteproyecto de ley de docencia para reducir alumnos por clase y la jornada laboral de profesores. Se anuncian los Premios Princesa de Asturias: Patty Smith (Artes), Estudio Gilvin (Humanidades), Leo Messi (Deportes) y Cristina Koch (Concordia), primera mujer en viajar a la Luna. En el Festival de Tribeca, "Dreams of Violettes" genera debate como la primera película creada íntegramente con inteligencia artificial por 2000 dólares. En '¡Buenos días, Javi y Mar!', se juega a la "encuesta absurda" y se comenta la "The June Theory" sobre junio como mes ideal para encontrar pareja. Una oyente, Laura, busca conocer a los Backstreet Boys. La música destaca con ...

Watch This Episode On YouTubeVIA NEGATIVA resonated with me on so many different levels -- as a Catholic; as someone who uses firearms; as a veteran (there's a moment in there, if you've seen it); and most importantly, a lover of truly astonishing filmmaking. Director Hannah Peterson achieved something extraordinary with this film by bringing a novel to life in the best possible way and making you think of life's grand questions without pandering.The film's log line: "It follows the story of Father Dan who goes on a mythic road trip with a wounded coyote, a loaded pistol, and a mission to avenge his best friend."If there's justice in this world, this film will be up for numerous awards come that season, but as VIA NEGATIVA shows us, that concept is something that's hard to find.This is brilliant filmmaking and I am so excited to follow Hannah's journey and the roll-out of this film. After hearing this episode, I hope you are, too.In this episode, Hannah and I talk about:how she got involved in filmmaking;the long process of getting VIA NEGATIVA made and what went into its debut;what her thought process is going into her second premiere at Tribeca;the process of adapting a book for film and working with the author on making the film;how much attention should be paid to accurately depicting a religion;the weapon handling in this film and her advice for other directors;distribution for the film;what's next for her.Hannah's Indie Film Highlight: Antigravity AcademyLinks:Follow Hannah On Instagram

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment of Notorious Mass Effect, Analytic Dreamz delivers a detailed breakdown of Madonna and Sabrina Carpenter's official music video for “Bring Your Love,” released June 15, 2026.Analytic Dreamz explores the high-energy nightclub concept where the two queens of the dance floor navigate separate worlds before uniting on a dramatic runway in a powerful celebration of movement and unity. The segment covers the striking opening carpet roll, the floating cameraman, the emotional closing door message “Come to the club of love,” and Julia Garner's surprise cameo that nods to the scrapped Madonna biopic.Listeners also get full context on the song's Billboard Hot 100 return at No. 74, its role as lead single for Madonna's upcoming album Confessions II (out July 3, 2026), the Tribeca 13-minute short film, the Times Square Pride event with Grindr, and the Coachella 2026 debut performance.Analytic Dreamz examines how this collaboration reconnects Madonna with the classic Confessions on a Dance Floor sound while launching a major new era. Privacy & Opt-Out: https://redcircle.com/privacy

Bono was in New York for a weekend packed with U2-adjacent moments, from presenting Bruce Springsteen with the Harry Belafonte Social Justice Award to attending the premiere screening of Guggi's documentary at the Tribeca Film Festival. The Garden Tarts break down the big moments, the fan frenzy around Bono, and the reminder that keeping artists safe matters.Plus, we hear firsthand voice memos from PJ of Achtoon Baby and Kristen, who were both there and share vivid details from the room.This mini-episode also celebrates the ongoing friendship between Bono and Guggi, Ali Hewson's impeccable style, and the emotional impact of seeing Bruce, Bono and Patti Smith together onstage.If you love U2 history, music moments, and candid fan perspective, this one is for you.Subscribe for more U2 content from The Garden Tarts, and follow us on social media at @thegardentarts.

It's no longer news that Hollywood studios are using artificial intelligence in editing, animation, visual effects and more. But last week “Dreams of Violets,” a new film about protests in Iran, became the first fully AI-generated live-action feature to screen at Tribeca and is a project that journalist Steven Zeitchik says the industry is watching nervously. We talk about the rapidly growing use of A.I. in filmmaking and the impacts that's having on audiences, industry professionals and an artform built on human storytelling. Guests: Steven Zeitchik, senior editor for technology and politics, Hollywood Reporter; author, "Mind and Iron," a humanist newsletter about our AI future Peter Murrieta, executive producer, showrunner and writer; secretary-treasurer, Writers Guild of America West Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to hike 26 miles at 14,000 feet with no signal, no Uber, and two of the funniest people alive? We're about to find out.  Join me as I sit down with comedy legends Bob Odenkirk and David Cross at the 2026 Tribeca Film Festival to discuss their documentary Bob and David Climb Machu Picchu — a film about friendship, mortality, and what happens when Hollywood strips away and the mountain shows you who you actually are.  Plus: Why David chose Bob for this — and why Bob almost said no How Bob's heart attack during Better Call Saul gave the whole journey a different kind of weight The moment the mountain cracked them both open — and what they found on the other side Special thanks to Greenslate, Theorem Media, and Portrait for making this panel happen! Greenslate has been a longtime partner of AOP and it never gets old talking about the ways they have revolutionized production payroll and accounting for independent film. They had 22 projects at Tribeca this year and Bob and David Climb Machu Picchu was the one we chose to spotlight, via their client Left/Right. AOP SUBSTACK

What if the most important business introduction of your life happened in a middle seat at 30,000 feet? In this episode, Carrie Waible, founder of CW and Co., shares a career that reads like a map of New York City's most iconic moments. Star-studded galas, Nobu's 20th anniversary, Donna Summer and John Legend at the Beacon Theater, Robert De Niro's charity events, and a 20-year client relationship that started with a phone call she almost said no to. None of it would have happened without a stranger on a plane named Stan Heath, a first boss named Tony who saw something in her before she did, and a client named Thomas who told a 26-year-old she should start her own company. She did. Twenty years later she is still at it and still evolving.   [00:04:00] What She Does and Who She Serves Runs CW and Co., a full service marketing and production company Started in 2004 producing nonprofit galas and celebrity events in New York Has worked with some clients for 10 to 20 years [00:05:00] From Events to Full Service Marketing Was churning out 12 major events a year with a team burning out A dear team member said she didn't want this to be her life Started shifting toward full service marketing and content production [00:07:30] The Client Who Gave Her the Best Advice An old client named Charlie took her to lunch when she first started out He told her: keep putting yourself in front of people and do a good job He also said at 26: lean into your PR talents; that's what will carry you She didn't fully hear it until years later when the pivot became necessary [00:10:30] What Inspires Her: People Gets her energy entirely from people; not one cup of coffee a day Feels most present when directing videos, producing events, or in the field If she is connecting with people and doing meaningful work, she feels amazing [00:11:30] Client Impact: Nobu and a Charter School Network Helped Nobu transition from a 190-seat Tribeca restaurant to a global brand without losing its heart Helped nonprofits raise what adds up to billions of dollars over the years Spoke at a charter school career day; a student asked what inspires her; she said: you do [00:19:00] The Relationship That Started Everything: Stan Heath Was flying to New York to visit friends after graduating college Got into conversation with a stranger named Stan Heath in the middle seat He said PR was her fit; his ex-business partner Tony was hiring Stan faxed her resume; she had a meeting that same weekend [00:21:30] Tony: The First Boss Who Changed Her Life Tony offered her the job after watching her work a fashion industry event He needed to see how she moved before making the offer New York clicked immediately; she has never left That first job eventually led her back to PR and to starting her own company [00:23:00] Thomas: The Client Who Told Her to Start Her Own Business A former client told her: anywhere you go, people will just ask for Carrie Waible anyway Within weeks he offered her a live event six weeks from his nonprofit's biggest fundraiser She started the company at 26 to take on that first event That night on the event floor confirmed she had found where she belonged [00:25:30] Cathy: The Referral That Led to Robert De Niro A past client named Cathy called to pass on a piece of business she couldn't take She was stern: my reputation is on the line too; I need to know you're ready The event was a star-studded benefit at the Beacon Theater with Donna Summer and John Legend The after party was at Nobu; that relationship kept growing for five to six years [00:28:30] Raven: The 20-Year Client Relationship Her first VP at her first New York job called when Carrie started her agency Asked her to do PR for the New York Boat Show; Carrie almost said no That one job opened the door to recreational boating, now one of her biggest business streams The National Marine Manufacturers Association has been a client for 20 years [00:31:30] Venice 2021: The Trip That Cracked Everything Open Was invited to manage VIPs and heads of state at a humanitarian event in Venice Went alone with only a local assistant; no team, no safety net Realized she didn't need a multimillion-dollar agency; she needed to love the work every day From that moment she began more fully embodying her gifts and what she really wanted [00:34:30] Final Word: Just Connect People find relationship building daunting; just extend a smile, a word, a handshake Trust your gut about who feels right; the spidey sense gets sharper over time Those small connections build into things you could never have imagined   KEY QUOTES "Keep putting yourself in front of people and do a good job, because no one ever wants to change who they're working with if they don't have to." - Charlie, as shared by Carrie Waible "I get my energy from people. Not one cup of coffee." - Carrie Waible "You have nothing to lose. Those things build and build into something that you just could never imagine." - Carrie Waible CONNECT WITH CARRIE WAIBLE Website: https://www.cwandco.com LinkedIn: https://www.linkedin.com/in/carrie-waible-658b972   Thanks for tuning in! If you liked my show, please LEAVE A 5-STAR REVIEW, like, and subscribe! Find me on: Apple Podcasts | Spotify | iHeart Radio | Stitcher

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure.The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page.At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

What happens when the line between competitive drive and psychological trauma is completely erased? In this special Tribeca Festival edition of the Last Shot Podcast, co-hosts Zachary Heneden and Julien Serrano-O'Neil sit down with visionary writer and director Ran Ran Wang to dissect her gripping new psychological sports thriller, I Think About Killing You.Fresh off its New York Premiere in Tribeca's fiercely curated "Shorts: Competitive Edge" block, this 14-minute masterclass in tension follows Dani (Tiana Le), the captain of a Division One collegiate rowing team, who is plagued by uninvited, invasive fantasies of killing her deeply abusive coach (Bridget Regan).In this packed, rapid-fire 20-question interview, Ran Ran Wang opens up about exploring the dark, taboo intersections of elite athletics and internal trauma, how she built a claustrophobic aesthetic on the waters of Long Beach, and why it was crucial to validate the raw, vengeful rage that systemic institutional abuse creates in young female athletes.Tune in to hear how she subverted the classic sports drama into an anxiety-inducing thriller supported by Rideback RISE and Echobend.Connect with the Film:Instagram:  @r2wang & @ridebackriseWebsite/IMDb: https://www.imdb.com/title/tt38889215/Connect with UsInstagram: @lastshotmediagroupFacebook: Last Shot Media GroupTribeca Film Festival Coverage:Articles/Reviews/Schedules: https://lastshotmediagroup.com/tribecaLSMG Quick Links/Coverage/Interviews: https://bio.site/lastshotmediagroup

In this episode of The Last Shot Podcast, we sit down with writer-director Misha Calvert to discuss her powerful new film FAULT — a dramatic feature based on a true story that confronts grooming and abuse in professional sports, and the systems that allow it to go unchecked. Selected for the 2026 Tribeca Festival, FAULT has been called a timely and unflinching look at power, silence, and survival — drawing comparisons to the Epstein-era reckoning still playing out across institutions today.Misha opens up about what drew her to this story, the responsibility of telling it truthfully, and what she hopes audiences take away after the credits roll. A must-listen for anyone following this year's most important festival premieres.#fyp #explore #foryou #trending #viral #podcastclips #podcastmoment #newpodcast #mustlisten #listennow #spotifypodcasts

Participants: John Steppling, Hiroyuki Hamada, and Dennis Riches. Topics covered: Albania's Sazan Island, Justin Trudeau and Katy Perry at Tribeca, the drones and missiles stalemate of contemporary war, the science fiction notion of runaway A.I., computer wargaming in 1951, death of legacy news media, the coming societal reckoning with technology, female sex tourists in Africa, Music track: “Ninety-Nine” by Sonny Boy Williamson (public domain).

In part 3 of our MMO UFO miniseries, we review Steven Spielberg's Disclosure Day, starring Emily Blunt, Josh O'Connor, Coleman Domingo, Colin Firth and Eve Hewson (which we mispronounce as Hewitt for the entire film because ....Jennifer Love Hewitt?) NON-SPOILER REVIEW SECTION: Difference in Opinion? - 2:32 Production Profile - Inception - 3:49 Best Spielberg in the last 20 years? - 5:40 Critical Reception vs Audience Scores & Early Box Office - 6:55 Why Obsession is a Best Picture nominee side rant & Back to DD Reception - 12:51 Non-Spoiler Script Thoughts - 16:22 Does Emily Blunt Get Nominated? - 21:56 Glowing Reviews of the Score, Cinematography, Editing - 26:24 Oscar Lens: Our Over/Under to how many, if any noms it'll get - 33:06 SPOILER WARNING - 37:25 SPOILER REVIEW SECTION: Mike 1 on why politics have ruined the ending & message - 38:23 AlsoMike psychoanalyzes Mike 1's belief in aliens - 45:14 Updated Spielbergian Themes & Remaining Generic - 48:37 Abandoning Intriguing Possibilities & Emily Blunt's worst scene - 50:11 Issues with the Sci-Fi - 54:21 Issues with the bad guy - 59:45 Even the beginning didn't get a follow through - 1:02:11 Some Best Scenes & Strong Starts - 1:03:30 Final Grades - 1:06:19 OUTRO: Discussion on how we like to do film festivals after spending some time at Tribeca and hinting at what's next. https://linktr.ee/mikemikeandoscar

What if the biggest efficiency problem in your factory isn't your machines, it's the dead time you waste before you even get to one.Workers queuing at ADP and ERP terminals every morning. A wing rib scrapped at the cost of $18,000 because the wrong work instruction was on screen. A program gone forever when the machinist who maintained it quietly for a decade retired to Poland. David witnessed all of these problems within his manufacturing acquisitions despite them having advanced tech for the time period.Chris sits down with David Caputo, Co-Founder of Harmoni, to get into how his intelligent factory orchestration system connects machines, people, and data for true control across the shop floor.Harmoni fills the gap in the renowned ISA-95 stack that most manufacturers never knew they were missing, supplementing human-intensive operations that make up 99% of the market.Harmoni operates within three buckets with the aim of wasting less time and making less mistakes. The system is designed to cover all bases without interfering with the essential human input needed to fulfil complex tasks. David talks to Chris about the labor automation, process control, and observability that Harmoni brings to the factory floor.In this episode, find out:What factory orchestration is and why David sees it as a distinct category from existing toolsHow David's experience acquiring and running four aerospace and defense manufacturers drove the creation of HarmoniWhy Harmoni's three pillars (labor automation, process control, and observability) address the ISA-95 gap that leaves most human-intensive factories underservedHow the no-titles, pods-based structure at Harmoni works and why David recommends it for companies under around 200 employeesWhat the Harmoni AI Lieutenant (HAL) does on the shop floor versus in the office, and why shop floor AI requires both context and a delivery mechanism to be usefulWhere David sees the 297,000 US manufacturers under 500 employees needing to compete in a world of autonomous factories and vertically integrated supply chainsWhy David advises manufacturers to ask one question before any software investment: how will this tool change what happens on my shop floorEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"What Harmoni's built is a new category of technology. We call this factory orchestration, and there's a very simple goal: waste less time and make fewer mistakes." - David Caputo“Simply having indicator lights to say whether a machine's running is not telling you the full picture. A machine could be running but running very inefficiently. We're giving you the information you need and allowing you to manage your factory in real time.” - David Caputo“Somehow you have to produce more with less, all in the face of autonomous competition and vertically integrated supply chains. Pretty tough position for the 300,000 manufacturers in this country.” - David CaputoLinks & mentions:Harmoni.io, bringing together data from operators, machines, and your shop floor software, all in real-time, to help managers make decisions and spot trends quicklyGreenwich Street Tavern, a different tavern experience that takes a traditional American pub fare menu to the next level located in Tribeca in NYCMake sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.

Jayce wrote the episode, but I'm writing this… We know that we live in a world where emotions are fleeting- they roll through us like 2 second electric shock waves from distraction to distraction, but I STILL have not forgotten the night of June 5th where I sold my tickets to see Lorde at Gov Ball in exchange for a night in the presence of Madonna.It caused 2 days of silent treatment in my home when I sold the Gov Ball tickets and a mental health check since I LOVE Lorde. But… I also LOVE Madonna and am too old to “festival” anymore. In preparing for this Bite Sized episode on Madonna we played Confessions On A Dancefloor around the clock and I danced on air reliving my MySpace days. Even in getting ready to go to the event I felt like life was better and though giving up our phones was scary for exactly 2 seconds, I instantly felt like a new human being.I had an amazing discussion with my dear friend, David Russell, who is quite the music historian and a Madonna expert (that is the label I have given him, to be clear, he would never claim that title for himself), and I will share that talk later when Confessions II is finally released July 3. We talked about how BORING it is that there is so much that people are annoyed with about Madonna. Complaints about her age, her surgeries and her “need for relevance”… this actually bores me. The Beacon was teaming with people full of joy, acceptance, and unabashed expression. The talk was a display of Madonna's vulnerability actually. She wasn't a persona this night, she was a woman who had her best friend Debi Mazar in the audience with her celebrating her latest creation. This is the same woman who shut down Times Square the night before and performed in a skyscraper, for goodness sake. The woman on stage was both of these people. A full circle.So while Lorde was inspiring one generation (maybe a couple generations) at Gov Ball, I did not regret choosing to be at the Beacon June 5th to physically feel the decades of inspiration Madonna has provided us.The video is amazing and if you haven't seen it yet, that's crazy. Watch it below. You know by know that Kate Moss who looks better than ever is in the video, but it was a complete surprise to us as an audience and I screamed so loud that I scared myself when she came on the screen. Feeling that excited and young again… that was fun.For more on Madonna's look for Hung Up, check out my interview from waaaaaaay back with the amazing makeup artist, Gina Brooke.00:00 Intro | Madonna Takes Over Tribeca 202600:28 Confessions 2 Arrives01:29 Why Confessions Is Madonna's Masterpiece03:20 The Making of Confessions on a Dance Floor03:50 Why "Hung Up" Changed Pop Music04:59 Inside the Making of the "Hung Up" Video06:17 Madonna Filmed with Eight Broken Ribs07:16 Why the "Hung Up" Video Is Still Iconic07:49 Tribeca Premiere & Madonna Q&A08:28 Inside the Beacon Theatre Experience09:16 Madonna's Emotional Conversation10:46 The Confessions 2 Visual Album Reaction11:35 Final Thoughts | Will Confessions 2 Make History? Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Tribeca + This week, Beck and Shai recap an unforgettable few days at the Tribeca Film Festival. They share their reactions to two standout music documentaries: “Noga” and “Sara Bareilles: Good Grief”, discussing the moments that stayed with them long after the credits rolled. To wrap things up, Lily jumps in with a roundup of the movies she's recently watched—and they couldn't be more different. This episode is packed with festival highlights, fresh recommendations, and plenty of movie talk.  Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: The Red Tent Fund | HIAS | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.   

Anne and Ryan are joined by investigative journalist Ronan Farrow, live on stage at the Tribeca Festival in New York. Farrow discusses the making of both docu-series he has in the festival, "The Palladino Files” and "Not A Very Good Murderer," both of which he produced and appeared in. He also shares some sobering and well researched takes on the state of journalism, AI, and the arts. Watch this Conversation on YouTube - https://youtu.be/m5mLQwxgrb4 Check out our top movies to see at Tribeca - https://www.indiewire.com/features/general/tribeca-festival-2026-movies-to-see-1235197887/?v3=true Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailAngelo, Rhea, and Jay are back and this week Hugh Laurie said the quiet part out loud, and the internet still hasn't recovered. After a freelance critic named Janet Murray posted on X that House has "the same narrative every episode," Laurie responded with a thread so sarcastic it went viral — cataloguing every alternative structure they tried, comparing the formula to Bach and Frida Kahlo, and closing with "I look forward to your first novel." The internet mobbed Murray immediately. But here's the thing: she's not wrong. House is formulaic — that's what procedurals are. Laurie's real defense wasn't "no it isn't." It was that if all you see is the formula, it wasn't meant for you. Is that the most honest thing a creator has ever said in public about their own work, or is it exactly what every creator thinks and should never, ever say out loud?THEN: Spielberg's Disclosure Day opens Friday. Reviews are calling it his best film in 20 years, with box office projections between $35 and $59 million. For Spielberg. Three of his last five films lost money (West Side Story, The Fabelmans, The BFG) roughly $380 million in losses combined. The Fabelmans is one of the best films of the decade and grossed $25 million total. Is Spielberg the most underrated working director in Hollywood right now?ALL THAT PLUS:  George R.R. is FROZEN OUT of The House of the Dragon, Angelo reviews Riot in Cell Block 99, we get a report from Tribeca by Keane Black, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

As Co-Founder of Caring Across Generations and President of the National Domestic Workers Alliance, Ai-jen Poo has spent decades working at the intersection of policy and culture — because she knows you can't change one without the other. A MacArthur Fellow, Time 100 honoree, and author of The Age of Dignity, she's now launching a million-care-conversations campaign and a new production label, Give Not Take Media, to get care stories into film and television at scale.

Dating in the digital world feels nearly impossible, and for Kevin, it truly is.  In this episode, we dive into the UK-made comedy series "Patterns" focusing on Episode 4: Kevin's Series of Unfortunate Events, which is currently premiering at the Tribeca Film Festival!  Kevin (played by Jake Watkins) is a hopelessly earnest romantic whose optimism far outweighs his self-awareness. By day, he works as a school's Online Safety Salamander. By night, he subjects himself to a relentless series of disastrous dates, convinced that persistence alone will eventually lead to love.  His misadventures become a source of fascination for his colleagues: the confident, sharp-tongued school nurse Vera (Cecilia Noble) and geography teacher Dave Douglas (Ryan Sampson). But what Kevin fails to notice is that a genuine connection has been quietly forming much closer to home.  MEET THE CAST & CREATORS • Kevin (Jake Watkins - BBC's 'I Kissed a Boy'): A lovable friend whose life never quite works out, dreaming of a Hollywood career but stuck as a Safety Salamander. • Dave Douglas (Ryan Sampson - Sky's 'Mr Bigstuff', 'Brassic', ITV's 'Plebs'): An eccentric geography teacher with the best intentions who thinks he's "down with the kids." • Vera (Cecilia Noble - BBC's 'Killing Eve', Netflix's 'Black Mirror'): A no-nonsense school nurse who acts as Kevin's anchor with tough love and emergency sausage rolls. • Creator & Writer: Asad Moghal, who drew inspiration from a string of his own real-life dating disasters to create this sharply observed, character-driven comedy. • Director: Rex Glensy, an orchestral conductor turned entertainment lawyer and filmmaker (director of 'Hill of Vision'), representing production company Aurelia Pictures. INSIDE THE DIRECTOR'S STATEMENT "Everyone has had a disaster date... My goal as a director was to take a self-deprecating view of dating nightmares some of us might have had, so that at least we can laugh at ourselves instead of crying. The lead character, Kevin is all of us." Stay connected with me: https://www.chonacas.com/links/  

Survivor 50 Panel at The Tribeca Film Festival Survivor celebrates its 25th anniversary at the iconic Tribeca Festival, bringing fans and legends together to reflect on 50 thrilling seasons of blindsides, alliances, and changing gameplay. In this milestone panel, Jane Rosenthal (Academy Award-nominated producer and co-founder of Tribeca Festival) is joined by Survivor icons including Rob and a panel of recent castaways to break down just what has kept Survivor fresh, relevant, and captivating for a quarter century. The discussion dives deep into Survivor 50, with candid stories about evolving gameplay—from the old school ride-or-die alliances to today's fast-shifting strategies where betrayal might just forge your next big move. Rob sets the tone by highlighting the “tribe” at the heart of Tribeca, while Jane and others reveal how Survivor has become both an archive of human interaction and a mirror for social change. The castaways talk openly about the shortened 26-day format, what it feels like to return to “regular” life after the highs and lows of Tribal Council, and the challenge of keeping up in a world (and show) where attention spans are shorter, but the stakes feel bigger than ever. – How Survivor's social game has evolved from ruthless old-school loyalty to quick repairs and unexpected new partnerships – Rob's perspective on why being voted out still resonates so deeply with our basic human fears and desires – The impact of Survivor's increased representation—including calls for more blue-collar workers and trans women on the cast – Insights into the role of storytelling at Final Tribal: has ‘outwit, outplay, outlast' changed its meaning? – Jane Rosenthal and panelists discuss how Survivor moments—from hard-hitting social issues to unforgettable blindsides—continue shaping viewers and players alike As Survivor 50 continues to push boundaries, the panel raises questions about who will adapt and thrive in an era where gameplay, identity, and society overlap. Does forging new school alliances faster than ever pay off, or do classic Survivor instincts still win the day? Don't miss this rare look behind the scenes and at the heart of Survivor 50—listen in for stories, strategy, and what could happen in the next 50 seasons! Chapters: 0:00 Tribeca Festival Welcomes Jane Rosenthal 0:25 Jane Rosenthal Reveals Survivor Origin Story 2:36 Survivor Legends Join the Stage 3:30 Why Survivor Belongs at Tribeca 5:18 Survivor's Enduring Cultural Impact 6:28 Evolution of Survivor Over 50 Seasons 8:05 Shifting Game Strategies and Alliances 10:52 Technology and Studying Survivor's Past 15:23 Dream Survivor Twists and Innovations 20:08 Survivor's Impact on Personal Growth 26:10 Outwit, Outplay, Outlast: Modern Meanings 39:03 Survivor Tackles Real Social Issues 49:51 Audience Q&A: Becoming a Contestant 51:40 Storytelling Tips for Survivor Auditions 54:38 Would Politics Ever Belong on Survivor? To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Survivor 50 Panel at The Tribeca Film Festival Survivor celebrates its 25th anniversary at the iconic Tribeca Festival, bringing fans and legends together to reflect on 50 thrilling seasons of blindsides, alliances, and changing gameplay. In this milestone panel, Jane Rosenthal (Academy Award-nominated producer and co-founder of Tribeca Festival) is joined by Survivor icons including Rob and a panel of recent castaways to break down just what has kept Survivor fresh, relevant, and captivating for a quarter century. The discussion dives deep into Survivor 50, with candid stories about evolving gameplay—from the old school ride-or-die alliances to today's fast-shifting strategies where betrayal might just forge your next big move. Rob sets the tone by highlighting the “tribe” at the heart of Tribeca, while Jane and others reveal how Survivor has become both an archive of human interaction and a mirror for social change. The castaways talk openly about the shortened 26-day format, what it feels like to return to “regular” life after the highs and lows of Tribal Council, and the challenge of keeping up in a world (and show) where attention spans are shorter, but the stakes feel bigger than ever. – How Survivor's social game has evolved from ruthless old-school loyalty to quick repairs and unexpected new partnerships – Rob's perspective on why being voted out still resonates so deeply with our basic human fears and desires – The impact of Survivor's increased representation—including calls for more blue-collar workers and trans women on the cast – Insights into the role of storytelling at Final Tribal: has ‘outwit, outplay, outlast' changed its meaning? – Jane Rosenthal and panelists discuss how Survivor moments—from hard-hitting social issues to unforgettable blindsides—continue shaping viewers and players alike As Survivor 50 continues to push boundaries, the panel raises questions about who will adapt and thrive in an era where gameplay, identity, and society overlap. Does forging new school alliances faster than ever pay off, or do classic Survivor instincts still win the day? Don't miss this rare look behind the scenes and at the heart of Survivor 50—listen in for stories, strategy, and what could happen in the next 50 seasons! Chapters: 0:00 Tribeca Festival Welcomes Jane Rosenthal 0:25 Jane Rosenthal Reveals Survivor Origin Story 2:36 Survivor Legends Join the Stage 3:30 Why Survivor Belongs at Tribeca 5:18 Survivor's Enduring Cultural Impact 6:28 Evolution of Survivor Over 50 Seasons 8:05 Shifting Game Strategies and Alliances 10:52 Technology and Studying Survivor's Past 15:23 Dream Survivor Twists and Innovations 20:08 Survivor's Impact on Personal Growth 26:10 Outwit, Outplay, Outlast: Modern Meanings 39:03 Survivor Tackles Real Social Issues 49:51 Audience Q&A: Becoming a Contestant 51:40 Storytelling Tips for Survivor Auditions 54:38 Would Politics Ever Belong on Survivor? To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Amid the glamour and chaos of New York Fashion Week (NYFW), the new Tribeca Festival short film "FABRIC" looks past the runway into the cutthroat relationships and transactional alliances of the industry.  In this episode, we sit down with filmmaker Frank Sun, who draws on his decade-long career as an elite NYFW photographer to tell an immigrant's story of yearning for belonging in an opulent world. We dive into the performances of genderqueer actor b Norwood (Netflix's YOU, Public Theatre's Twelfth Night) and Kate Pittard (HBO Max's And Just Like That) as they trace the fragile humanity hidden beneath the shields of status, beauty, and success.  Frank Sun discusses how he structured the film's texture alongside real fashion designers, models, and authentic backstage venues. Tune in for an exclusive look at the filmmaker's journey from rural China to the Tribeca Shorts competition, and find out where you can catch the upcoming New York screenings! For more information and press inquiries, check out the official press materials (https://tinyurl.com) or connect with publicity via Obscured Pictures.  FABRIC's Instagram is here https://www.instagram.com/fabric_film/  Frank Sun account here https://www.instagram.com/xfranksun/   Stay connected with the Founder, Katie Chonacas:  https://www.chonacas.com/links/  

ABOUT ROB ARTHUR: Musician, Artist and Filmmaker who serves as the band leader for Peter Frampton and has also worked with Kenny Loggins and Chicago among others. He joins us to discuss the documentary "Frampton", which premiered at Tribeca, that he directed and co-wrote. ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Music documentaries are a major part of the festival circuit, but this year at Tribeca, they're becoming something bigger: live events, legacy projects and cinematic extensions of the artists themselves. The festival opened with Questlove's new Earth, Wind & Fire documentary, followed by a performance from the legendary band and The Roots. Other music films and events this year center on Alicia Keys, Madonna, Peter Frampton, Katy Perry, Daft Punk and more. USA TODAY National Music Reporter Melissa Ruggieri joins The Excerpt to talk about why music films are having a moment, what separates a great one from a celebrity vanity project and how artists are using documentaries and concert films to reach audiences in new ways.Let us know what you think of this episode by sending an email to podcasts@usatoday.com. Episode transcript available here. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A dive into the world of friendship with our latest "Friends Like Us" podcast episode! Marina Franklin host special guests Sharaé Nikai and David Lassiter as they talk about their incredible journey creating "The Other Gold" — a film about friendships' complexities. Watch it now on Apple TV and Tubi! Sharaé Nikai - Against industry odds, Jersey City native Sharaé Nikai wrote, produced, co-directed and starred in her very first feature film, "The Other, Gold." It is a heartfelt dramedy that follows a TV writer living in Little Tokyo as she navigates grief, isolation and the rekindling of a former BFF-ship. Out of 13,016 submissions, TOG was invited to world premiere as one of only 10 films in Tribeca's US Narrative Competition. This acclaim led to Nikai being in consideration for the 2025 Oscars, Spirit Awards and Emmys in the Outstanding Television Movie, Directing & Lead Actress categories. It also makes her the first Black female quadruple threat (sole writer/producer, director & star) to qualify for the Academy Awards with no studio or major production company backing. As a producer, Sharaé secured an exclusive Mental Health Awareness partnership for "The Other, Gold" at FOX-owned Tubi and sponsorship for its launch by Women in Film (WIF) and The Entertainment Community Fund. In March 2026, "The Other, Gold" was released worldwide in celebration of Women's History Month exclusively on Apple TV. In addition to TOG, Nikai appears in numerous ad campaigns, films and TV series including Grey's Anatomy and opposite Alison Brie in Sundance's "Horse Girl" (The DuPlass Bros/Netflix). Currently, she is the 2026 international voice of Nordstrom Rack all while developing her dramedy driven TV/film slate. In her spare time, Sharaé takes serious pride in the accent mark over her "e" and is the reigning (read: self-proclaimed) trap karaoke queen. David Lassiter is an American filmmaker, actor, writer, and musician from Jersey City, New Jersey. He co-directed and appeared in the feature film The Other, Gold (2024), which premiered at the Tribeca Festival before streaming on Apple TV+ and Tubi. Before transitioning into filmmaking, Lassiter worked as a fashion model and was signed to Wilhelmina Models, appearing in campaigns and editorial work for brands and publications including Giorgio Armani, Dolce & Gabbana, Vogue, GQ, Banana Republic, Swatch, and Levi's. He later studied acting in New York at HB Studio, Susan Batson Studio, and WB Workshops while appearing in national campaigns for Verizon, Macy's, and American Eagle. Lassiter also collaborated with Viacom on street-interview segments featured on MTV and MTV2. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch    

Lydia Lunch unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion. Australian tour tickets and show info here. Topics Include: Lydia Lunch is touring Australia and New Zealand in June She's performing Suicide and Alan Vega covers across multiple cities Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends Lydia considers herself a comedian; most people are just too afraid to laugh Words are her primary art — music is just the machine gun She sleeps in two-hour shifts and wakes famished at 5am every day Creativity has no fixed time — she writes song lyrics in five minutes flat She self-publishes through 48-hour printing, selling books for $20, cost $4 True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet Suicide and Mars were already playing when she arrived in New York Suicide actually coined the term "punk rock" on flyers back in 1972 No Wave wasn't a movement — it was personal insanity in a decaying city The name "No Wave" just came out of her mouth in one interview If you couldn't play, you had to be brutally tight — or else She taught a homeless man she'd befriended to play drums for Teenage Jesus Teenage Jesus songs were written on a borrowed bass she barely understood She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse Teenage Jesus singles on Migraine Records likely preceded the No New York compilation Beirut Slump was horror rock — described as a slug over a razor blade She arrived in New York with $200, a suitcase, and zero contacts Seeing Suicide at Max's Kansas City with ten people changed everything instantly Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from Lou Reed — always a dick; Warhol — vapid, but his car crashes were great She owns every recording, every publishing right — everything she's ever made Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide