Podcast appearances and mentions of jarrett earnest

A conversation with art critic and author Jarrett Earnest about the new book “Feint of Heart”, in which Earnest has compiled a kaleidoscopic collection of art essays by the late Dave Hickey. Spanning 1982-2002, the assembled works reflect the intelligence, humor and wit that epitomize Hickey's contribution to the world of art.https://www.davidzwirner.com/collect/feint-of-heart-art-writings-bookhttps://www.amazon.com/exec/obidos/ASIN/1644231271?tag=simonsayscomhttps://www.simonandschuster.com/books/Feint-of-Heart-Art-Writings/Dave-Hickey/9781644231272

For the last guest-episode of 2023, art critic Jarrett Earnest joins me to celebrate his beautiful new book, VALID UNTIL SUNSET (Matte Editions), which brings together his Polaroids and a second-person narrative to create a bewitching trip through memory, art, grief, friendship, and more. We talk about how the sudden death of his father paralyzed and then catalyzed him, the importance of making art before fully recovering from a bad experience, how the artist's job is to be a question mark, and how a Nan Goldin exhibition started him on taking pictures of the people and places that mattered to him. We get into his friendships with Genesis P-Orridge and Peter Schjeldahl, and Genesis' imprecation to do/make/be the Most Fabulous Imaginable Version, the importance of road trips and pilgrimages, what he learned from interviewing a series of art critics, the freedom & addictiveness of writing in the second person, why we need to make an argument about why any art matters at all today, and why he loves writing about artists he knows. Plus, we discuss the value of public-facing life in NYC, how it felt to perform selections from Valid Until Sunset, how he thinks of writing in terms of shape, the importance of having a really good analyst and really dumb personal trainer, why you don't need to be part of Barbenheimer, and a lot more. Follow Jarrett on Instagram and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

On the occasion of her first book of collected art writings, Malleable Forms (ARP Books), Meeka Walsh, editor of Border Crossings magazine, speaks to guest-host Jarrett Earnest about geographic isolation, the eroticism of art writing, her connection with an emerging spiritual lineage, and about a set of relationships driving her engagement with art. In this far-ranging and generous conversation around publishing, editing, looking, and listening, Walsh reflects, "I'm happiest when I'm writing."Meeka Walsh is a writer, art critic, editor and curator who has had a major influence on the arts in Canada. She is the editor of Border Crossings, an internationally renowned and award-winning quarterly magazine that investigates contemporary culture.Jarrett Earnest is the author of What it Means to Write About Art: Interviews with Art Critics (David Zwirner Books, 2018); editor of Hot, Cold, Heavy, Light: 100 Art Writings 1988-2017 by Peter Schjeldahl (Abrams, 2019), The Young and Evil: Queer Modernism in New York, 1930-1955 (David Zwirner 2020), and Devotion: today's future becomes tomorrow archive (PUBLIC books, 2022), among others. His criticism and long-form interviews have appeared in New York Review of Books, The Brooklyn Rail, Vulture, The Village Voice, ​Los Angeles Review of Books, Art in America, New York Magazine, and many exhibition catalogues and other publications. In 2021 Earnest was awarded a Dorothea and Leo Rabkin prize for visual arts journalism.Our thanks to Jacob Irish (Editor) and Chris Andrews (Assistant Producer), and thanks especially to Jarrett Earnest and Meeka Walsh for their contribution to our fifth season.Many thanks to SFU Galleries for their support; you can listen to their ten-part radio program Listening to Pictures: Artists on the Art Collection, featuring artist voices with lived experience on the West Coast.Please consider donating through our Patreon campaign.

The celebrated artist on the role of art criticism today, and how she probes and ultimately goes beyond the limitations of her painting in her other practice as a writer. This episode with Sillman, who in 2020 published Faux Pas, a new collection of her writings, is guest-hosted by Jarrett Earnest, and is the last of his three-part miniseries on serious artists who are also serious writers.  Amy Sillman: Faux Pas is available here. Her work will be featured in the 2022 Venice Biennale, and was recently on view in Toni Morrison's Black Book, an exhibition curated by Hilton Als at David Zwirner's 19th Street gallery in New York.

We discover the world of an incredible artist JESSE MURRY who passed away in 1993 leaving an extraordinary legacy of artwork, poetry and writing. Fusing the Romantic painting tradition of John Constable and J. M. W. Turner with the quality of mind and imagination of Wallace Stevens's poetry, Murry uniquely sought to create a “landscape” within the fiction of painting that could be “more than a place to dwell but a suitable space for dreams.”We meet two special guests this week to remember Murry's artwork and to explore his extraordinary thinking - the artists #LisaYuskavage @LisaYuskavageStudio and @JarrettEarnest - who together have united to curate an extraordinary new exhibition titled ‘Jesse Murry: Rising', curated by Lisa Yuskavage and Jarrett Earnest, at #DavidZwirner's 533 West 19th Street location in New York.Painter and poet #JesseMurry (1948–1993) identified three significant approaches to landscape—'poetic,' 'dramatic,' and 'visionary,' which he aimed to synthesize into abstract paintings. Born in North Carolina, Jesse Murry studied art and philosophy at Sarah Lawrence College before moving to New York City in 1979. His essays on artists including Hans Hofmann and Howard Hodgkin appeared in a range of publications, including Arts Magazine. After two years of teaching art history and exhibiting at Hobart and William Smith Colleges, Murry enrolled in the Yale School of Art at the age of thirty-six. ‘Jesse Murry: Rising' brings together paintings from the last five years of the artist's life. This work—made while confronting his impending mortality from AIDS-related illness—testifies to Murry's lifelong belief in the capacity of painting to hold the complexity of human meaning, at the meeting of a material fact and a location within the mind. Exhibition runs from 17 SEPTEMBER – 23 OCTOBER 2021. Learn more: https://www.davidzwirner.com/exhibitions/2021/more-life/jesse-murryForthcoming on September 28, 2021, and titled after a paper the artist wrote while at Yale, Painting Is a Supreme Fiction is an unprecedented collection of Murry's writings. Edited and with an introduction by Jarrett Earnest and a foreword by Hilton Als, the book also includes transcriptions of two of the artist's notebooks, in which the spatialization of the words across the page approaches the condition of thought. We strongly recommend buying this special book!!!Thank you Lisa, Jarrett and the team at @DavidZwirner. #JesseMurry See acast.com/privacy for privacy and opt-out information.

The 86-year-old legend gets personal about a lifetime translating her singular voice to the world. While the major retrospective of her work currently at the Brooklyn Museum has cemented her reputation, Lorraine O'Grady did not discover herself as an artist until her 40s. Here, she traces her unlikely journey to becoming a conceptual and performance artist with a pioneering Black feminist sensibility—including stints along the way as a rock critic, novelist, and translator.  Guest-hosted by Jarrett Earnest, this episode is the second of three on a topic the critic is deeply invested in: serious artists who are also serious writers.  Lorraine O'Grady: Both/And is on view at the Brooklyn Museum through July 18, 2021. Her new anthology of writings, Writing in Space, 1973–2019, is available here.

Guest hosted by Jarrett Earnest, this conversation with the artist, curator, and critic Nayland Blake reflects on Blake’s own coming-of-age as an artist and writer—and their shared obsession and long history with the great artist Ray Johnson. Prompted by an Johnson exhibition curated by Earnest at David Zwirner in New York that reexamines and reframes the artist’s life and work through a queer lens, this episode is the first of three hosted by Earnest on a topic the critic is deeply invested in: serious artists who are also serious writers. Ray Johnson: WHAT A DUMP, curated by Earnest, is on view at David Zwirner’s 19th Street gallery in New York through May 22, 2021.  No Wrong Holes: Thirty Years of Nayland Blake, a comprehensive survey of their art practice, recently closed at the MIT List Visual Arts Center.

Jarrett Earnest is an artist and writer. His book, What It Means To Write About Art: Interviews with Art Critics, was released in 2018 and features longform interviews with art writers, historians, theorists, and critics. Jarrett’s writing has appeared in The Brooklyn Rail, The Village Voice, Vulture, and The Los Angeles Review of Books. In this episode, the Jarretts talk about the strange similarities in their work, the differences between writing about art and design, and the value in having deep conversations about art. Links from this episode can be found at scratchingthesurface.fm/170-jarrett-earnest.

“What it Means to Write About Art features conversations with writers who average three decades of experience turning phrases that go to press with a bold, uninhibited passion for art.” Matt Hanson reviews Jarrett Earnest’s recent book, a collection of interviews with prominent art writers such as Jerry Saltz, Roberta Smith, Lucy Lippard, Rosalind Krauss, and Yve Alain Bois. Reading: Matt Hanson

For this month's episode, towards our season's question, “what makes great art?”, Sky Goodden spoke with artist, curator, and writer Jarrett Earnest. He's the editor behind the recent compilation of New Yorker critic Peter Schjeldahl's writing, titled Hot, Cold, Heavy, Light (Abrams, 2019), which highlights Schjeldahl's more risk-taking and experimental art writing from venues like The Village Voice, in addition to his most enduring criticism from The New Yorker. In 2018, Earnest published What it Means to Write About Art (David Zwirner Books), a master compendium of fresh, vulnerable and reflective interviews with the legends of American art criticism. In the spring of 2019, he curated Young and Evil at David Zwirner, which re-centered the gay artists who pivoted away from the prevailing trend toward abstraction in the early 20th-century. His conversation with Goodden circles his approach to reading and writing, the ways in which storytelling is central to his practice, and the question that should precede "what makes great art?"  Momus: The Podcast is edited by Jacob Irish, features original music by Kyle McCrea, and assistant production from Mitra Shreeram. Our many thanks to Jarrett for his probing contribution to this episode! And our many thanks to Art Toronto for their support. If you would like to inquire about advertising opportunities or other forms of support, please contact Sky Goodden at skygoodden@momus.ca.

For this month’s episode, towards our season's question, “what makes great art?”, Sky Goodden spoke with artist, curator, and writer Jarrett Earnest. He’s the editor behind the recent compilation of New Yorker critic Peter Schjeldahl's writing, titled Hot, Cold, Heavy, Light (Abrams, 2019), which highlights Schjeldahl's more risk-taking and experimental art writing from venues like The Village Voice, in addition to his most enduring criticism from The New Yorker. In 2018, Earnest published What it Means to Write About Art (David Zwirner Books), a master compendium of fresh, vulnerable and reflective interviews with the legends of American art criticism. In the spring of 2019, he curated Young and Evil at David Zwirner, which re-centered the gay artists who pivoted away from the prevailing trend toward abstraction in the early 20th-century. His conversation with Goodden circles his approach to reading and writing, the ways in which storytelling is central to his practice, and the question that should precede "what makes great art?"  Momus: The Podcast is edited by Jacob Irish, features original music by Kyle McCrea, and assistant production from Mitra Shreeram. Our many thanks to Jarrett for his probing contribution to this episode! And our many thanks to Art Toronto for their support. If you would like to inquire about advertising opportunities or other forms of support, please contact Sky Goodden at skygoodden@momus.ca.

On the show today I’m talking with writer, curator and critic Jarrett Earnest, whose 2018 book What it Means to Write About Art assembles his conversations with thirty of the most influential American art writers. Jarrett’s interviews with figures ranging from Rosalind Krauss to Dave Hickey, Roberta Smith to Kellie Jones, and Jerry Saltz to Hal Foster trace a path through art criticism from the 1960’s up to the present moment. His subjects remind us of the diversity of thought that has defined modern art criticism. It’s truly a rare thing to find a book that offers such a plethora of ideas about how we think about and relate to art.You can find more of Jarrett’s work at www.jarrettearnest.com and on Instagram @jarrettearnest

Jarrett Earnest is the author of What it Means to Write About Art: Interviews with Art Critics (David Zwirner Books, 2018), editor of Hot, Cold, Heavy, Light: 100 Art Writings 1988-2017  by Peter Schjeldahl (Abrams, June 2019) and curator of "The Young and Evil" at David Zwirner, NY (February 21 - April 13, 2019).  "The Young and Evil" press release from David Zwirner; David Zwirner is pleased to present The Young and Evil, a group exhibition curated by Jarrett Earnest, at the gallery’s 533 West 19th Street location in New York. The exhibition will feature significant works from the first half of the twentieth century by Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Jensen Yow, and their circle. This group of artists and writers looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. Drawn from important public and private collections, key works include a painting from Paul Cadmus’s infamous sailor trilogy, Shore Leave (1933), on loan from the Whitney Museum of American Art; a major canvas by Pavel Tchelitchew featuring vignettes of George Platt Lynes at work; rare paintings by Margaret French and works on paper by Fidelma Cadmus Kirstein; and never-before-seen erotic drawings and photographs from the Kinsey Institute at Indiana University. On the occasion of the exhibition, a fully illustrated, comprehensive catalogue featuring new scholarship by art historians Ann Reynolds and Kenneth E. Silver is forthcoming from David Zwirner Books. Both images - George Platt Lynes, c. 1930, silver gelatin print. courtesy David Zwirner and Vincent Cianni/Monroe Wheeler Archive, Newburgh, NY.

A conversation about the intersection of art and language that grapples with loneliness, religion, and our visceral reactions in the presence of powerful art. In the sixth episode of Dialogues, Jarrett Earnest—author of the unprecedented overview of American art writing, What it Means to Write About Art: Interviews with art critics, just out from David Zwirner Books—converses with Peter Schjeldahl, award-winning art critic and esteemed writer for The New Yorker. Touching on Piero della Francesca, Gatsby, and autodidacticism, the two examine the depths of language, the anxiety that accompanies writing, and the value of maintaining a lighthearted approach. See Jarrett Earnest in conversation with Peter Schjeldahl and Paul Chaat Smith on What it Means to Write About Art at the Strand Book Store on Thursday, November 1, at 7:30 PM. For tickets and more information, visit strandbooks.com/event/jarrett-earnest-what-it-means. For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A conversation about the intersection of art and language that grapples with loneliness, religion, and our visceral reactions in the presence of powerful art.  In the sixth episode of Dialogues, Jarrett Earnest—author of the unprecedented overview of American art writing, What it Means to Write About Art: Interviews with art critics, just out from David Zwirner Books—converses with Peter Schjeldahl, award-winning art critic and esteemed writer for The New Yorker. Touching on Piero della Francesca, Gatsby, and autodidacticism, the two examine the depths of language, the anxiety that accompanies writing, and the value of maintaining a lighthearted approach. See Jarrett Earnest in conversation with Peter Schjeldahl and Paul Chaat Smith on What it Means to Write About Art at the Strand Book Store on Thursday, November 1, at 7:30 PM. For tickets and more information, visit strandbooks.com/event/jarrett-earnest-what-it-means. For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.