POPULARITY
As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.
As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.
https://www.solgoodmedia.com - Check out our Streaming Service for our full collection; hundreds of audiobooks, thousands of short stories, sounds for sleep/relaxation, and original podcasts - all ad-free!!
Raph and Nikhil are joined by Richard Foster, teacher and museum curator at Winchester College, to talk about Hisham Matar's A Month in Siena (2019) and T. J. Clark's The Sight of Death: An Experiment in Art Writing (2006). Hosted on Acast. See acast.com/privacy for more information.
Welcome to Episode 84 of The Nichole Banks Podcast!I'm your host, Nichole Banks, your go-to life coach for empowering women to thrive and grow into their best selves. Today, we're diving into one of my favorite topics—healing through creativity! Whether it's art, writing, or dance, creativity can be a powerful tool for emotional healing.In This Episode:Introduction & Thanks: A warm welcome to our new listeners and a heartfelt thank you to everyone sharing these episodes. Your support means the world to me!Creative Therapy: We'll explore how art, writing, and dance can be transformative practices for healing your heart and soul.Funny Story: I share a humorous personal experience about a beginner's dance class. Spoiler: I looked like a confused octopus, but it was a blast!Art Therapy: Discover the power of art as a form of self-expression and emotional release. Learn how painting, sculpting, or even coloring can help you process feelings and find peace.Writing Therapy: Explore how journaling can be a powerful way to work through emotions. I'm offering a special link to my Guided Journal, available for under $10. I challenge you to a 30-day journaling journey!Dance Therapy: Learn about the joy and freedom of dance. It's not about perfect moves but about connecting with your body and emotions. Dance like no one's watching!Incorporating Creative Therapies: Tips on integrating art, writing, and dance into your daily routine. Start small, find a community, or explore free online resources.Call to Action: Empower yourself to try new forms of creative expression. Remember, healing is a personal journey, and you have the power to make it fulfilling.Resources Mentioned:Guided Journal: Download Here – Available for under $10. Start your 30-day journaling challenge today!Free Online Resources: Check out YouTube for free classes in art, dance, writing, and more.Closing Thoughts:Thank you for joining me today! I hope you feel inspired to pick up a paintbrush, a pen, or your dancing shoes. Healing is a journey, and creativity can be a wonderful companion along the way. If you enjoyed this episode, please subscribe, leave a review, and share it with someone who might benefit from a little creative healing.Keep shining, keep thriving, and remember, your beautiful journey is just beginning. Until next time, it's Nichole Banks signing off. Take care!Connect with Nichole Banks:Visit www.nicolebanks.com for more about my coaching programs and to unlock your full potential. And remember, I spell my name with an H!Thank you for listening, and I look forward to connecting with you soon! Nichole Banks | Divorce Coach | Podcast Host
Habits for Healing Ch.3 - Art & Writing --- Send in a voice message: https://podcasters.spotify.com/pod/show/healandbehealthy/message Support this podcast: https://podcasters.spotify.com/pod/show/healandbehealthy/support
Writing Camp, Art Camp... So many cool things you can come up with this summer. I'm giving you a basics of how to setup an at home DIY camp week for your kids. My favorite parts are ending the weeks with a book signing or art show for your children to showcase what they've created during the week. I hope this inspires you to make a camp at home for your little ones this summer!Support the Show.Follow Moms Who Create:Instagram - https://www.instagram.com/momswhocreatepodcast/Facebook - https://www.facebook.com/momswhocreatepodcastMonthly Meeting Book Club - https://www.facebook.com/groups/momswhocreatebookclubWebsite - https://www.momswhocreate.com/
This podcast is generously supported by my community over at Substack. To join us, visit janepike.substack.com
Join Lauren and Chris for a classic catch-up episode. Listen in to hear how Lauren's Substack is going, including all her big plans for future blogging. You might even learn a little bit about astrology in the process....Then hear from Chris about his current studio projects and upcoming lecture at the Morris Museum of Art in Augusta, GA. If you listen to the end, you might hear a hot take or two....Lauren has launched her own Substack for art writing. Follow the link below to subscribe!Check us out on Instagram at:@laurenpclamp@chrisclampart@avartclubCheck out Lauren's Substack at:@laurenpclampEmail us at:avartclubpodcast@gmail.com
Featuring Chloe Aridjis, Lucy Ives and Gareth Evans. Hosted by So Mayer, Sam Fisher and Dan Fuller. The Burley Fisher Podcast is a DPF Production.
The Charmed Studio Show NotesWhy Are Some Art Teachers So Mean? How To Blast Through Envy and Bloom as an ArtistHow Do I Write a Blogpost? The Easiest Kind of Blog Post for Artists to Write Laid Out in 5 Super Easy Steps.Great 5-minute video by inventor Tony Buzan on how and why to use a MINDMAP.Libby the amazing free library app. I left audible behind, you can too. :)Go here to see the summary of the Tedx talk where Anne Lamott lays out her 13 writing tips.To check out Heather Irvine's wonderful wildlife and equestrian-themed artwork go here.Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones by James Clear.Cover art by 16 miles out on Unsplash. To be charming and subscribe to the blog and get free access to my writing toolkit for artists click here.For info on one-on-one writing coaching with Thea go here. This blog is produced by The Charmed Studio Blog and Podcast™, LLC. And when you get scared about writing and want to relax, remember what Anne Lamott says."100 years, all new people."You can do this. Occasionally my show notes contain Amazon or other affiliate links. This means if you buy books or stuff via my podcast link I may receive a tiny commission and do a happy dance. There is no extra fee for you. I only link to items I personally use and love: products I feel help heart-centered artists and writers. Thank you. :)
In this Mega Podcast episode I reconnect with my cousin Micah and his wife Lydia. I haven't seen him in over a decade. He shares his testimony about how God removed a deadly tumor from his abdomen when he was three years old. I was only a teenager but I remember how we all gathered and prayed for him and how the tumor just disappeared! We talk about writing fantasy novels and the struggles of staying motivated and finding our purpose. I share with him inspiring works from Steven Pressfield (The War of Art) and inspiring quotes from Jordan Peterson, The Rock, Joe Rogan, and Mike Tyson.We also consider how the dopamine rush from gaming and social media is what keeps men from accomplishing their goals. I share how I quit gaming and the long term positive effects it had on my productivity.#keepbeingawesome #megapodcast #warofart #inspirational #iquitgaming #iquit #writing #notgospelstudios #notgospel
Welcome to my new podcast! This used to be Write What You Want To Read Draw What You Want to See but now I've come back with a new style and look! As creative as at my peak and ready to bounce into action I'm ready to talk just about every day about my writing process and experiences.
In 2018, Helen Molesworth was unceremoniously dismissed from her position as chief curator of the Museum of Contemporary Art Los Angeles. The move proved controversial among industry insiders, many of whom cast it as an example of an institution punishing its employee, a straight talking, strong willed feminist, for refusing to march in line. But for Molesworth, whose resume also includes stints at the Institute of Contemporary Art Boston, the Baltimore Museum of Art, and the Wexner Center for the Arts, The backlash didn't change the facts. For the first time in years, she was a curator without a home. Since then, Molesworth has struck out on her own, and she's been as active as ever. She's guest curated critically acclaimed exhibitions of at David Zwirner, Jack Shainman, and International Center of Photography. She's also hosted a hit podcast, Death of an Artist, about Anna Mendieta, led a series of filmed artist interviews, and been profiled by the New York Times. The forward momentum has given the curator little cause to look back. That is, until now. This month, Phaidon will release Open Questions: Thirty Years of Writing About Art, a career spanning collection of Molesworth's essays, all previously published in exhibition catalogs and art journals. Most of the written pieces are about artists, people like Kerry James Marshall, Catherine Opie, and Lisa Yuskavage. But the real subject of the book, of course, is Molesworth herself, and it's a rich text in that regard. "I trained as an art historian" Molesworth explains, "I really believe in art objects as knowledge producers, and for better or for worse, in the history of the 20th century, museums are the institutions that allow and convey that knowledge. Ahead of the book's release, Artnet News senior writer Taylor Dafoe sat down with Molesworth to talk about the project and the period of deep personal reflection it inspired.
In 2018, Helen Molesworth was unceremoniously dismissed from her position as chief curator of the Museum of Contemporary Art Los Angeles. The move proved controversial among industry insiders, many of whom cast it as an example of an institution punishing its employee, a straight talking, strong willed feminist, for refusing to march in line. But for Molesworth, whose resume also includes stints at the Institute of Contemporary Art Boston, the Baltimore Museum of Art, and the Wexner Center for the Arts, The backlash didn't change the facts. For the first time in years, she was a curator without a home. Since then, Molesworth has struck out on her own, and she's been as active as ever. She's guest curated critically acclaimed exhibitions of at David Zwirner, Jack Shainman, and International Center of Photography. She's also hosted a hit podcast, Death of an Artist, about Anna Mendieta, led a series of filmed artist interviews, and been profiled by the New York Times. The forward momentum has given the curator little cause to look back. That is, until now. This month, Phaidon will release Open Questions: Thirty Years of Writing About Art, a career spanning collection of Molesworth's essays, all previously published in exhibition catalogs and art journals. Most of the written pieces are about artists, people like Kerry James Marshall, Catherine Opie, and Lisa Yuskavage. But the real subject of the book, of course, is Molesworth herself, and it's a rich text in that regard. "I trained as an art historian" Molesworth explains, "I really believe in art objects as knowledge producers, and for better or for worse, in the history of the 20th century, museums are the institutions that allow and convey that knowledge. Ahead of the book's release, Artnet News senior writer Taylor Dafoe sat down with Molesworth to talk about the project and the period of deep personal reflection it inspired.
Are you struggling to get art sales? Getting okay traffic but no sales? Your description section most likely needs work! In this episode, learn how to sell more art by writing compelling listing descriptions that will get more customers to add your art to their cart!
Are you struggling with low traffic & sales on your store? Your listing title is most likely the culprit! In this episode, learn how to write searchable listing titles that will get more traffic & more art sales!
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect, Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube
Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices
Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
EPISODE 21 OF DENISE WELCH'S JUICY CRACK!What happens when you combine contemporary art, disability rights advocacy, and world travel? You get the fabulous conversations with the incredibly talented Sophie Morgan, Isla Traquair, Dame Kelly Holmes, and Charlene White, discussing topics like potential medical staff strikes, rising food prices, conservatories, and avocado-coloured bathrooms. Plus, discover Denise's obsession with the word game Wordle as she compares her favourite starting words with her friends.What does it take to come up with brilliant inventions like suitcase wheels and the Trunki? Denise discusses vertigo (again!) and the homeopathic remedy Vertigoheel®, and (unofficially) tries to launch the #SendSophieToSpace campaign. Denise tells us about the incredibly inspirational story of Deborah James, who campaigned to raise awareness for bowel cancer and the importance of checking your poo for signs of the disease, with her mother Heather now taking up the mantle. Rediscovering your self-esteem during the road to recover from alcoholism.Finally, delve into TV writing, acting and gender diversity with Sally Lindsay, exploring the creative process and the challenges of writing scripts that translate well when acted out. Don't miss this fun-filled episode packed with humor, passion, and storytelling!----If you've got any questions for Denise, or would like to know more about anything you've heard Denise discussing in this episode or in the past, please email us at:denisewelchpod@gmail.comWe'd love to hear from you!Instagram: @denise_welchTwitter: RealDeniseWelchTikTok: @denisewelch58YouTube: @denisewelchpodcastSales & Sponsorship enquiries: denisewelchpod@gmail.comEpisode Keywords:#SophieMorgan #ContemporaryArt #DisabilityRights #Accessibility #WorldTravel #MastersPainting #MedicalStaffStrikes #RisingFoodPrices #Wordle #Inventions #Vertigo #Vertigoheel #GetSophieToSpace #BowelCancer #TVWriting #GenderDiversity #SallyLindsay #CreativeProcess #StoryStructure #MurderMysteries Hosted on Acast. See acast.com/privacy for more information.
''Unflinching but also irrepressibly humorous'' (The New York Times Book Review), Eileen Myles is the celebrated author of nearly two dozen books of poetry, fiction, nonfiction, plays, and performance pieces, including Pathetic Literature, For Now, Chelsea Girls, I Must Be Living Twice, The Irony of the Leash, and Afterglow (a dog memoir). Their lengthy list of honors includes a Guggenheim Fellowship in nonfiction, election to the American Academy of Arts & Letters, the Clark Prize for Excellence in Art Writing, and an Andy Warhol/Creative Capital Arts Writers Grant. Peering into the miracles hidden in our daily ablutions, a ''Working Life'' is a poetry collection that seeks to engage with our often-subsumed senses of mortality, fear, and wonder. (recorded 4/25/2023)
For a transcript of the post click this thingy here.To be charming and subscribe to my blog go here.Want to see if I have availiabilty for you to be my new writing coaching client ? Come visit me ovah' here. Resources A Go-Go Below:Improve Your Art Writing Overnight by Forbidding Yourself To Do 2 Things.By The Charmed Studio.For beginning help with titles check out my post, How Can I Turn My Art Website Into an Attraction Magnet? 9 Authentic Ways (That Don't Involve Social Media).For an advanced (marketing-focused) class on how to write magnetic blog titles read this.3 Lies That Can Block Your Creative Practice by Hali Karla.3 Gorgeous Guided Meditations for Writers: Reduce Fear, Ignite Creativity,by Thea Fiore Bloom, PhD7 Things I Bet You Don't Know About Frida Kahlo ibid.5 Ways to Improve Your Art Writing in 5 Minutes by The Charmed Studio.What are “discovery writers?” Find out here.Great free video on a tool to help visual thinkers outline stuff: Tony Buzan's MIND MAPPINGHere's a quick video on how to do subheadings.Eventually, you'll loosen up and get bolder.Need help on this?Listen to my podcast How Do I Let Go of Approval? A Story for Artists (That Involves Underwear.)Or read my post: How Vulnerability Can Make Your Art Writing Shine. Now go try it. If you got a question leave a comment, I answer every one.Or reach out to me, I'm right here. Lastly, remember:“Often what's obvious to you is amazing to others, “— Derek SiversPodcast Cover art "The Temple of Victory" oil on canvas by artist and Charmed Studio subscriber Jack Saylor. Used with permission.
To launch our sixth season, Lauren Wetmore interviews Sky Goodden on a book that has recently got her all "twirled up." They discuss Art Writing in Crisis (Sternberg Press, 2021) which sits adjacent to an exhausting list of books on art criticism in crisis and points instead to the emancipatory potential of criticism, and, as Goodden and Lauren term it, the "present imperfect" of a field actively redefining itself. "I think it's important to understand what art writing and criticism has recently been in order to have a sense of its future," reflects Goodden. "However, I find that, for decades now, we can get so stuck in what it's been, we never get to the second part."All thanks to Jacob Irish (Editor) and Chris Andrews (Assistant Producer).Our deepest appreciation to this episode's advertisers: Plural Contemporary Art Fair and Maleko Mokgosi: Imaging Imaginations at the Art Gallery of York University.Look for us on Google Podcasts, Spotify, Stitcher, iTunes, and wherever you get your podcasts.Please consider donating through our Patreon campaign.To inquire about advertising opportunities or other forms of support, please contact: skygoodden@momus.ca.
This episode is also available as a blog post: https://thecitylife.org/2023/03/14/2023-new-york-city-scholastic-art-writing-awards-to-be-exhibited-at-the-metropolitan-museum-of-art/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
In this episode of the HUMAN First podcast, Our guest is Cate Jonsson. Cate is a writer, artist, mother and mental health advocate. In 2017 she published her first collection of poetry as an act of healing through creativity, which lead to being invited to teach writing workshops centered on finding your voice and self expression for youth and women in her community. She is currently writing her first memoir and finishing her Bachelor's in Human Services and Counseling. In this episode of the HUMAN First podcast, Dr. Courtney discusses: Cate describes herself as an artist which is something she struggled with She has always loved art and poetry which was the basis for her why Because the kids she worked with showed up, that inspired her to show up Cate shares her personal definition of creativity If you feel the urge to create, do it So much of creating is about observing Cate didn't write in her journal for 10 years because she was afraid she would ruin it's beauty She didn't realize that her writing was an act of transforming and understanding her trauma If we feel something and don't call it what it is, then we won't truly feel it Cate's therapist who is also an artist lead her to combining art with mental health Cate describes her calming corner in her home and how it helps her What writing a memoir feels like when you're actually doing it She had always kept things at a surface level but that changed during her memoir writing Cate reads one of her poems on the podcast! Finding the words can be hard, sometimes it spills out sometimes it's forced out You can find Cate Jonsson online at: IG: https://www.instagram.com/catejonsson/?hl=en Learn more about Cate's offerings at: https://bio.link/cate Dr. Courtney Tracy's additional offerings: Instagram: @the.truth.doctor TikTok: @the.truth.doctor Twitter: @_thetruthdoctor Exclusive YouTube Show: The Truth Doctor Show Healing texts: USA & Canada (424) 228-9525 Website: www.thetruthdoctor.com This podcast is not therapy and does not provide personalized clinical advice. The purpose of this podcast is to provide mental health based entertainment and psychoeducation
Today on the Ether we have SuperTerra hosting a chat with msbourland sharing an epic journey in art, writing, and NFTs. Recorded on October 27th 2022. If you enjoy the music at the end of the episodes, you can find the albums streaming on Spotify, and the rest of your favorite streaming platforms. Check out Project Survival, Virus Diaries, and Plan B wherever you get your music. Thank you to everyone in the community who supports TerraSpaces.
Jasmin Hernandez (she/her) is the Black Latinx founder & Editor in Chief of Gallery Gurls, an award-winning digital space celebrating Black & POC in contemporary art since 2012. Gallery Gurls has been featured in Vogue, Artnet, and Artsy. Hernandez's writing has appeared in Harper's Bazaar, Latina, PopSugar, ELLE, CNN Style, etc. Her debut book, We Are Here: Visionaries of Color Transforming the Art World, was released by Abrams (2021). Her writing has been awarded and funded by The Awesome Foundation (2018) & Critical Minded (2020), and she was a 2021 finalist for The Andy Warhol Foundation Art Writers Grant for Short-Form Writing. In 2022, she became a recipient in the inaugural cohort of Creatives Rebuild New York's Guaranteed Income for Artists program. She is a proud Dominican Yorker, based in Harlem. You'll find this Parsons alumna gallery hopping locally and globally, usually sipping on an oat milk cafe au lait, and constantly reading Black womxn authors.
Episode 209 of Rendering Unconscious Podcast. Joseph Robicheaux is Oungan, Diviner, Author, Singer, Historian, Artist, Poet. He has dedicated his life to the study of the occult, spirituality and religion of Traditional societies in the ancient and modern world, having studied many forms of traditional belief. From his own upbringing, and later initiation into Haitian Vodou, Robicheaux comes from a multicultural background, offering a worldview shaped by his immersion into often misunderstood and vilified cultures. Robicheaux seeks to present the underrepresented “occult” in an understandable and edifying way. Follow him at Facebook: https://www.facebook.com/Yasezibooungan Instagram: https://www.instagram.com/lakwalakwa/ Book an appt through: https://www.biglizconjure.com Be sure to check out his books at Hadean Press, including Kuzen Azaka Mede: Engaging with the Lwa of Work, Labor, and Land: https://www.hadeanpress-eu.com/shop/p/kuzen-azaka-mede-engaging-with-the-lwa-of-work-labor-and-land As well as his YouTube channel: https://www.youtube.com/channel/UCcJU_Id4eNG3OlDaX0Wjk-g And SoundCloud: https://soundcloud.com/josephrobicheaux Listen to his lecture at the first Psychoanalysis, Art & the Occult conference, episode 192 of Rendering Unconscious Podcast. Collected papers from the first Psychoanalysis, Art & the Occult conference, London, 2016, can be found in The Fenris Wolf 9 edited by Vanessa Sinclair & Carl Abrahamsson. https://store.trapart.net/details/00026 http://psychartcult.org This episode also available at YouTube: https://youtu.be/mxn8eYhi9OU You can support the podcast at our Patreon. https://www.patreon.com/vanessa23carl Your support is greatly appreciated! Rendering Unconscious Podcast is hosted by psychoanalyst Dr. Vanessa Sinclair: www.drvanessasinclair.net Visit the main website for more information and links to everything: www.renderingunconscious.org Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry (Trapart 2019): store.trapart.net/details/00000 The song at the end of the episode is “Are you doing the work angelic?” by Vanessa Sinclair and Joachim Nordwall from the album “Message 23” available digitally on Bandcamp from Highbrow Lowlife: https://vanessasinclair.bandcamp.com Many thanks to Carl Abrahamsson, who created the intro and outro music for Rendering Unconscious podcast. https://www.carlabrahamsson.com Image: Artwork of Agwé
Today on Hope Prose, Tara and Bekah sit down with the amazing Kristy Cambron, an award-winning, best-selling author turned literary agent. A self-proclaimed history nerd, she loves to chase all things research like going behind the scenes at a Ringling Bros. Sarasota mansion. She holds a degree in Art History/Research Writing and spent 15 yrs in education and leadership development for a Fortune-100 corporation, partnering with such companies as the Disney Institute, before stepping away to pursue her passion for storytelling and championing her clients. Listen as she talks to us about the place where literature and art intersect, what inspired the idea for her latest book The Italian Ballerina, tackling dual timelines, what agenting has taught her about her own writing journey, and what she's looking to acquire. Enjoy! Due to character limitations, please find a full version of our show notes and links on our website at: https://www.tarakross.com/podcast-1
How do ‘knotty' histories and entangled cultural traditions inform contemporary art writing? Can we write new meaning into old works of art? Does art writing reveal what pictures conceal? How does truth-telling shape artistic process and art's interpretations? Come sail with us as we attempt to unravel some of these knotty questions – and canvass a raft of others! Ahoy Speakers: Adelaide Biennial: Free/State artist and April First Fridays curator Sera Waters, artist and writer Ali Gumillya Baker, art historian Michael Newall and moderator Una Rey, Editor of Artlink. Co-presented with Artlink Magazine to mark the launch of Issue 42:1 Art / Write / Read.
In this episode I chat with artist Lily Koto Olive about art writing. To see her work visit www.lilykoto.com and follow her on Instagram @lilykoto. For more information about my art and my art classes visit kristygordoncourses.com.
Join Kait and Mona as they discuss everything from movement art, writing, painting, and everything in between. You can check out Mona's work and support her here: https://www.monatheraven.com/
Sometimes journalists just get lucky. That was the case for me when in the summer of 2020, back when the world was unsure if Trump might be reelected, I had just started writing for the local newspaper, and I saw a last-minute pop-up show in Aspen, Colorado, at the Gonzo Gallery. The show included the visual artwork of giants of the beat writers, Allen Ginsberg, Willam Burroughs, and giant of American Electronica, DJ Spooky, AKA Paul Miller. It was a complete last-minute trip, but I found a ride and got to the show on time. After the show wound down, people gathered on the partially shut down street around picnic tables and hay bales, and I started a conversation with the creatives that had put the show together. They included Paul Miller (DJ Spooky,) Peter Hale, the curator of the Allen Ginsberg Estate, Yuri Zupanciczupancic, of the Pryz Agency, who specializes in members of the Beat Generation (among others), and DJ Watkins of the Gonzo Gallery in Aspen. The conversation quickly evolved into a conversation about the importance of writers, artists, and creatives during historical moments in time. And how vital art, writing, and music are as tools for fostering change. This incredible interview is just as poignant today as it was two summers ago. The Colorado Switchblade is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to The Colorado Switchblade at www.coloradoswitchblade.com/subscribe
A lovely conversation with Shaunna Parker about meaning and words and making connection
Kate interviews Angie Louthan, Life Transformation Coach & Artist at Intuitive Art by Angie. We will talk about how art and having a writing or journaling practice will change your life in significant ways that add to your joyfulness and make you more resilient.Gift: 21 Days of Embodied Pleasure Challenge
On Today's episode, I have on the amazing Eva Monheim who is an author, arborist, entrepreneur, and artist. Eva has a background in landscape architecture and along with starting her own landscaping and floral arrange business, has taught at Temple University, the Barnes Arboretum, and is a faculty member at Longwood Gardens. Eva is also a trained green industry professional and teaches businesses and homeowners how to use sustainable management practices to help reach a carbon-neutral environment. I got to sit down with Eva and hear about her amazing career and talk about the release of her first book: Shrubs and Hedges. It was a great conversation and so inspiring, to learn more about Eva and her work check out: https://www.evamonheim.com/
Today Pip Adam follows on from her last review looking at Art Writing and Publishing. She talks about the writing of Arihia Latham in a new book that publishes graffiti and poetry to celebrate Dunedin.
This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing.Episode image: Bartholomew Dandridge, A Young Girl with an Enslaved Servant and a Dog, c. 1725, oil on canvas, 121.9 x 121.9 cm. Yale Center for British Art, Paul Mellon Collection (B1981.25.205). (Public domain)
This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing.
This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. This programme contains a description of suicide taken from the novel La Fin De Cherí, by Sidonie Gabriel Collette. If you’d prefer to skip over that, it’s between 14:43 - 16:08. If you need support, you can the Samaritans - any time of day or night - on 116 123. Or visit www.samaritans.org. Episode image: Mattia Preti, Belshazzar’s Feast, 1653-1659, oil on canvas, 202 x 297 cm. Collection National Museum Capodimonte (Q 254). Digital image courtesy of Web Gallery of Art (Public Domain)
This series, Experiments In Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. Episode image: Anna Bunting Branch, W.I.T.C.H. ("Wild Imaginations Transform Chauvinist Hegemony"), oil and acrylic paint on folded aluminium sheet, 2016. Courtesy of Anna Bunting Branch.
To be extra charming and subscribe to the Charmed Studio go here.To access all the blogging help and resources mentioned on this podcast pop over here.Read my post on How To Deal With Unsubscribes.Listen to my podcast or read my ultimate guide to How To Start an Art Blog. To listen to Problogger's short podcast on how to get more comments click here.Thanks for listening. :)
We continue our conversation on black art and theology with M'Lynn Martin to explore how the creative process can help us face and move through the painful parts of our lives, giving us an instrument for beauty and hope beyond the world's death. If you'd like to read more of M'Lynn's work, you can find her writings on Instagram (link in her bio) under the handle @mlynn.martin. www.shemasd.org Original Score by Julius Obregon Jr.
We explore some specific artistically formed words, to see how they can not just express grand thoughts about God and God’s beautiful desire to reconcile the world, but help us better enter the concrete realities of some of the most difficult and painful issues of our day, to really experience miraculous reconciliations. Our featured guest for this episode and the next is M'Lynn Martin. Find her writings on Instagram (link in her bio) under the handle @mlynn.martin. www.shemasd.org Original Score by Julius Obregon Jr.
Today we sit down with friend of the show, and HR Heroine, Tiffany Williams, to talk about how she managed to marry her love for art and graphic design with her passion for writing. Tiffany is the Career Cultivation Enthusiast behind Pitch, a resume, ghost writing, and notary service provider based in Atlanta, GA. She’s a master wordsmith with a passion for preparing working professionals to present themselves in the best light possible. Tiffany aims to equip her clients with everything they need to be successful in their respective industries. Need help adding some personality to your resume? Visit Pitch’s website to learn more about their offerings. You can also find them on Instagram @pitch.hrYou can also check out the conversation we had with Tiffany a while back about preparing for your next career move in these uncertain times on Spotify or Apple Podcasts. Was this episode helpful? We’d love to hear your feedback. Visit us on Instagram and let us know via DM (@littlefishaccounting), or send us an email at podcasts@littlefishaccounting.comLooking for someone to fill in the accounting gaps for you? Visit the Little Fish Accounting website to review our partnership packages or schedule a clarity call. Your support keeps Little Fish Accounting swimming.
1/ Is there such a thing as an INFJ Writer?5/ Understanding how INFJ Writers work their MAGIC6/ What's an EKPRASIS? 7/ Why INFJ Writers are naturally good at it?10/ Is it still "writing" or rather VISUALIZING?11/ INFJs are gifted with words, but not only words15/ Lauren Sapala recommends the MOSAIC METHOD19/ Getting rid of the usual INFJ writing suspects20/ Art Writing, the best writing combination ever for an INFJ21/ How to crack the INFJ WRITING CODE?22/ What would the INFJ Writer's Toolbox be like? 25/ INFJ Writers: "Hold the vision, trust the process"26/ INFJ Writers are very good candidates for CINEMATIC WRITING28/ "The INFJ Writer: Cracking the Creative Genius of the World's Rarest Type", by Lauren Sapala (2016)Let's get social:INFJ Journey Website:https://www.infjjourney.com/INFJ Journey on Apple Podcasts:https://podcasts.apple.com/cz/podcast/infj-journey/id1538146425Book a Discovery Intuitive Coaching Session For INFJs:https://www.infjjourney.com/coaching/Book a one-hour paid Intuitive Coaching Session For INFJs:https://arianejaks.podia.com/coachingFB INFJ Journey:https://www.facebook.com/arianekveldjaks17Instagram:https://www.instagram.com/kirjaniku17/?hl=enSupport My Work on Patreon:https://www.patreon.com/user?u=44086710&fan_landing=trueGet your free "INFJ Journey Guide":https://arianejaks.podia.com/the-infj-journey-guideGet your free "INFJ Journey Action Plan" for 2021:https://arianejaks.podia.com/infj-journey-action-plan-2021Get your free "The Empowered INFJ" Pack:https://arianejaks.podia.com/the-empowered-infj-packGet your free "INFJ Manifesto":https://arianejaks.podia.com/the-infj-manifestoHave a Chat With Me On Telegram:www.t.me/infjjourneyEnroll in Our New and Free "INFJ Journey Project":https://arianejaks.podia.com/our-infj-journey-project"Stop Being An INFJ Well-Kept Secret", by Ariane Kveld Jaks:https://arianekveldjaks.medium.com/stop-being-an-infj-well-kept-secret-c05a65b931d8
Michele Kishita is a Philadelphia-based artist who uses colors found innature that are not typically associated with “natural” colors and focuseson landscape as her primary subject. Her paintings are strongly influencedby the graphic stylizations and compressed spaces of Japanese ukiyo-e.Kishita’s paintings are in a number of private/corporate collections,including Toyota, Capital One, and Kaiser Permanente, and her work isfeatured in Create Magazine, on the Poetry Foundation blog, and StudioBreak podcast, as well as in several literary journals. She exhibited at theSharjah Art Museum in the United Arab Emirates and the Museum ofNon-Conformist Art in St. Petersburg, Russia. Kishita received both herBFA and MFA in painting from the University of the Arts.Was so great chatting with Michele Kishita, artist, writer and teacher about living in Japan and how that time has influenced her art, how her view of artist residencies has shifted and some of her resident highlights. She also discusses her experiences working with gallerist Bridgette Mayer and synchronicities that occurred that made it feel like the right choice to work with an art coach. She teaches writing and gives some great tips for cleaning up your artist statement and she has some great book recommendations and unconventional tips for gowing tomatoes.About her recent body of work: Absent FuturesAbsent Futures is a new body of work on shou sugi-ban (burnt timber)panels that addresses the current state of deforestation and theopposing concepts of resilience and devastation. While our forests andnatural spaces continue receding due to industry and suburban sprawl,the more catastrophic losses are occurring in the rainforest whereswaths the size of forty football fields disappear each minute.Suggestions of landscape painted onto the burnt surfaces depict amemory of what was while at the same time highlighting what remainsand can still be salvaged. It is a reminder of the persistence andvitality of nature and our role in choosing its success or failure, whichultimately determines our own.Her work in general:“My current work investigates the dialogue between the wooden surfaces on which I paint and the trees from which those panels were built. I highlight the interconnectedness of humans and nature, while addressing life’s impermanence and transience. Industry's straight lines and angles try to control nature, transforming a tree’s rounded mass into flat rectangular sheets; yet, the wood grain’s undulations, marking the tree’s growth and annual water intake, emerge despite its new, boxy confines. A tree's experiences are indelibly written on its interior and at the same time are a historical account of the landscape itself. In my paintings, I strive to conjure the landscape that no longer exists but is inherently contained in each panel while expressing the visual contrast and harmony where human-made structures and nature intersect.” from www.michelekishita.comI also want to speak the name of Jacob Blake and send prayers to his family and loved ones. Yes we still need to disarm the police and restructure the law enforcement and justice system in this country. Oh and the medical and education systems could use an overhaul too. We have work to do. Please register to vote and please do whatever is in your power to vote. https://www.vote.org/So excited to share with you the conversation I had with Michele KishitaLinks:www.michelekishita.comhttps://www.instagram.com/michelekishita/Thymelights:NES Artist Residency, Skagaströnd, Icelandhttps://neslist.is/ SPAR, St. Petersburg, Russiahttps://artresidency.ru/ virtual residency at SPAR right nowhttps://virtualresidency.p-10.ru/author/michele-kishita/Pasha Meskhiev aka Norkus - @norkusupdates : https://www.youtube.com/watch?v=HO-0eJH9DMMhttps://www.youtube.com/watch?v=EfhQJVegyGY Sueyeun Juliette Lee -https://silentbroadcast.com/https://www.poetryfoundation.org/poets/sueyeun-juliette-lee Links mentioned:The Hidden Life of Treeshttps://www.amazon.com/Hidden-Life-Trees-Communicate_Discoveries-SecretThe Spell of the Sensuoushttps://www.amazon.com/Spell-Sensuous-Perception-Language-More-Than-HumanCrispins Artwell “Six Names of Beauty”https://www.amazon.com/Six-Names-Beauty-Crispin-Sartwellhttps://www.instagram.com/crafting_the_future/Thyme in the Studio links:https://www.patreon.com/thymeinthestudiohttps://www.instagram.com/thymeinthestudiopodcast/https://www.instagram.com/aida.zea.arts/https://www.facebook.com/groups/403582056803336/www.thymeinthestudio.comhttps://www.aidazea.comContact me: sara@aidazea.comMusic by komiku
In this episode, Andrea talks with Abbey Sitterley about art, creativity, writing, Christian art, and more. They discuss the purpose of Christian art, answer questions like "Is everyone creative?" and discuss some of their favorite writers. Abbey is a singer/songwriter, poet, and freelance writer who lives in Rochester, NY.You can find more from her here:Website: abbeysitterley.comInstagram: @abbeysitterley You can also find her latest music at:The Local Hangups — https://localhangups.bandcamp.com/Instagram: @localhangups
To access the links and resources mentioned in this podcast, to subscribe or comment, or to read the original post please hop on over to:https://thecharmedstudio.com/5-ways-to-improve-your-art-writing-in-5-minutes/
Want to access resources/links, read the post, subscribe or leave a comment? Head on over to: https://thecharmedstudio.com/how-vulnerability-can-make-your-art-writing-shine/
Podcast 1 in The Charmed Studio's Writing for Artists 3 Part Series.For Part 2 go here.For Part 3 go here.Go here for Enchanted Marketing's blog post on How To Captivate Readers With Long Sentences.To access all the links and resources mentioned in this podcast, to read the post, or to subscribe to The Charmed Studio Blog (yay!) head over to:https://thecharmedstudio.com/writing-help-for-artists/
Head over to Charmed Studio post to access a crazy good amount of links and resources for heart-centered artists who blog.https://thecharmedstudio.com/51-blog-post-topics-for-artists/Feeling extra charming today? Subscribe to the Charmed Studio here, and thank you!Want to explore getting great one-on-one writing coaching, just for artists? Come on ovah here.
In this final instalment of our series on art writing, we highlight some insights that gleaned during the making of this series. We also raise some questions and concerns of our own, which we'll carry with us into our future engagements with art writing, both as readers and as writers. You can find the transcript and links here. This is the final instalment in a three-part Corpus series following the 2019 Art Writing Workshop held in Nairobi and Kampala. These episodes are included alongside other text and video content in a Writing Toolkit developed out of the workshop. This workshop was a in partnership by 32º East, Nairobi Contemporary, Art Monthly, the British Institute in Eastern Africa, the British Council and Newcastle University. Find us on Facebook: Corpus Follow us on Twitter (maybe even live tweet the episode): @corpuspod DM us on Instagram: @corpuspod
In the first of a three-part series on art writing, we are joined by Roseline Olang' and Jonathan Solanke Gathaara Fraser, two artists, writers, and friends of the podcast for a conversation about our relationship to different forms of writing about contemporary art. We discuss what we think works with art writing, the places where we encounter art writing, and various pieces of writing that we have made an impression on us. We also talk about our experience of art writing, and our intentions with the writing that we do. This episode is the first in a three-part Corpus series following a 2019 art writing workshop held in Nairobi and Kampala, and is included alongside other text and video materials in a Writing Toolkit developed out of the workshop. This workshop was a partnership by 32º East, Nairobi Contemporary, Art Monthly, the British Institute in Eastern Africa, the British Council and Newcastle University. You can find a transcript of the episode with links to articles and resources here. Find us on Facebook: Corpus Follow us on Twitter (maybe even live tweet the episode): @corpuspod DM us on Instagram: @corpuspod
“What it Means to Write About Art features conversations with writers who average three decades of experience turning phrases that go to press with a bold, uninhibited passion for art.” Matt Hanson reviews Jarrett Earnest’s recent book, a collection of interviews with prominent art writers such as Jerry Saltz, Roberta Smith, Lucy Lippard, Rosalind Krauss, and Yve Alain Bois. Reading: Matt Hanson
Vicki Krohn Amorose is an artist, writer, and arts advocate. Her book, Art-Write: The Writing Guide for Visual Artists is used internationally by artists and art schools. Based in Oregon, Vicki works with several organizations in the service of artists, with a focus on contemporary art and writing.Vicki is a faculty member at ArtMBA.com and she recently addressed over 23,000 artists at the global Fine Artist Summit. She’s an artist member of GraySpace Project and Eugene Contemporary Art. She studied Art History at the University of Michigan and fine art at the Academy of Art University San Francisco. Her professional background includes educational media writing, copywriting, voiceover, and teaching. When she’s not writing or making art, Vicki teaches workshops for visual artists and writers. She believes in the importance of the creative spirit, and the power of language to connect art to audience. Find her at artwritebook.com
Response to Stephen King's tweet this week (1/11/20-1/18/20) about visibility and viability of art...without the ‘need' of diversity. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/onthewritersblock/message Support this podcast: https://anchor.fm/onthewritersblock/support
Modern Devotional Peter Krask, photographer and writer talks about his creative process. He shares how imagery and text from his upbringing shape his work.We discuss the interconnections between desire, queerness and creation, as well as the roots of the word blessing. We examine the policing of queer people's spirituality and how it is connected to their creativity. Listen to hear how his experience in a Monastery helped him say yes to living authentically. Want to learn more about his creativity guide? https://www.pmkcreativityguide.com/ Check out Peter's work https://www.petermkrask.com/ Sink your teeth into… The Forbidden Apple www.theforbiddenapplepodcast.com info@theforbiddenapplepodcast.com
Elaine Green on finding art, writing, creativity and offering a Sahana spaceBroadcast Live & Online on Tuesday, 19th November 2019 from 6pm until 8pm.
Vicki Amorose is a performance artist, writer, educator and expert discussioner. Active in the local art community in Eugene, and author of the book "Art-Write: The Writing Guide for Visual Artists," she got her start in the post-punk scene in San Francisco in the 1980’s and admonishes us to remember what artist Nayland Blake has said in conversation with the brilliant Sharon Louden: "The magic of that era is that we threw the parties we wanted to go to.” Lest we forget! A fun fact about Vicki, is that she was part of the Church of the SubGenius and was featured in the documentary “J.R. 'Bob' Dobbs and the Church of the SubGenius,” which premiered at this year’s SXSW in Austin, TX. Agnese happened to be there and was able to go to a screening so we had a moment talking about that. Eugene Contemporary Art wants to encourage art criticism about the significant amount of contemporary work that is being made in our region. Yet, the writing we see here is largely journalistic and promotional, summaries of art events and shows that don’t go deeper into the discourse. To change this, Vicki will be leading the workshop “Write About Visual Art" presented by Eugene Contemporary Art in partnership with City of Eugene Cultural Services, promoting a departure from the old paradigm of criticism as judgement to open up new forms, inviting writers of all kinds to turn their focus to visual art. Vicki wants to change the connotations of the word “critical” which in Eugene, and probably in many other places around the country, is taken to suggest severely judgmental and mean. The problem with the “It’s all good” attitude is that you don’t go any deeper than what meets the eye, and sometimes you don’t even get that far, unknowingly perpetuating norms dictated by an abstracted academy or art market. We discuss Darren Jones’ essay “Art in America: The Critical Dustbowl,” recently published by the New Art Examiner, and made possible by the Arts Writers Grant Program from Creative Capital and the Andy Warhol Foundation, that supports the work of writers specifically. Which of course leads us to the ever-relevant topic of money and artist compensation. Courtney was quoted in Jones' article, and it takes up the place and impact of critical art writing outside New York and L.A. Art writing tends to neglect small towns in favor of urban centers. What is written about is what makes art history, so what stories will not get told? If the art is not written about, does it even exist? Who should benefit from art writing? What can it do for artists? Does art criticism have to be academic and theory-laden? Vicki explains the difference between critical writing and descriptive writing. As a writer, you should consider your audience and not just write for the internet. Who are you writing for? The off-putting language of much art writing acts as a shield, deflecting interest rather than drawing people in. Referencing Gilda Williams, Vicki says that bad art writing comes from fear and lack of understanding, rather than malicious intent. She describes the artist statement as a bridge, shares strategies for compelling art writing and says hallelujah and hurray for editors. Links: Darren Jones’ essay “Art in America: The Critical Dustbowl” published by the New Art Examiner: http://www.newartexaminer.net/art-in-america-the-critical-dustbowl/ Arts Writers Grant Program, Creative Capital & The Andy Warhol Foundation: https://www.artswriters.org/ An Paenhuysen, Instructor, "Art Writing and Criticism” NODE Curatorial Studies Online: https://nodecenter.net/ Gilda Williams, author, “How To Write About Contemporary Art”: https://www.amazon.com/How-Write-About-Contemporary-Art/dp/0500291578 Nayland Blake in conversation with Sharon Louden, New York Academy of Art professional practice lecture series: https://vimeo.com/333369230 BRIDGE Exhibitions, Eugene, Oregon: https://www.eugene-or.gov/3927/BRIDGE-Exhibitions Mayor’s Art Show, Eugene, Oregon: https://www.eugene-or.gov/3868/Mayors-Art-Show "Art-Write: The Writing Guide for Visual Artists", author Vicki Krohn Amorose: https://www.amazon.com/Art-Write-Writing-Guide-Visual-Artists/dp/1937303128/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&psc=1&refRID=DH6JED98J3KY7GBWQFZY#customerReviews W.A.G.E.: https://wageforwork.com/home#top
“I never realised what was on the walls was so deep”. Their writing is on the walls. We pass in front of it everyday. Tags, calligraphy, “graffiti” (as the mainstream refers to it) or other forms of street art that sometimes disrupt our neighborhoods, trains and public spaces. Most of us don’t really pay attention, others call it vandalism, and just a few truly understand what it has to offer.
Listen to this great podcast captured from WURD radio and appearing here with permission. WURD talk show host Stephanie Renee speaks with Imani Roach about the Artblog Art Writing Contest in this peppy ten-minute audio. Then click the links in the post for information on how to apply and get details about the cash prizes! C'mon, apply! Contest ends at Midnight, Oct. 31, 2018.
Listen to this great podcast captured from WURD radio and appearing here with permission. WURD talk show host Stephanie Renee speaks with Imani Roach about the Artblog Art Writing Contest in this peppy ten-minute audio. Then click the links in the post for information on how to apply and get details about the cash prizes! C'mon, apply! Contest ends at Midnight, Oct. 31, 2018.
Watch the video here. With a career spanning four decades, 26 studio albums, and untold scores of concerts, Loudon Wainwright III is one of the world's most loved singer-songwriters. A prolific actor in a variety of television and film roles, he can also boast of being the father of Rufus Wainwright, Martha Wainwright, and Lucy Wainwright Roche, three musical luminaries in their own right. In his new memoir, the folk patriarch and son of a celebrated Life magazine columnist reflects on the ups and downs of his career, the inspirations for his art, and the familial relationships that have marked him the most. ''A kick-ass counter-cultural icon'' (The New Yorker), Eileen Myles is the celebrated author of nearly two dozen books of poetry, fiction, nonfiction, plays, and performance pieces, including Chelsea Girls, I Must Be Living Twice, and The Irony of the Leash. Her lengthy list of honors includes a Guggenheim Fellowship in nonfiction, the Clark Prize for Excellence in Art Writing, and an Andy Warhol/Creative Capital Arts Writers Grant. Afterglow is a multi-genre examination of the pet/pet-owner relationship told through the prism of Myles's 16-year relationship with her beloved pit bull Rosie. (recorded 9/12/2017)
Rainey Knudson and Christina Rees discuss the big Texas shows we'd most like to see, and why we're launching the Glasstire Art Writing Prize. “If you give the the strongest artists in Texas the space to stretch out and perform, and the resources to make really great work, they do it. They bring their game.”
Steven Gorden Linebaugh says from an early age he suffered from depression. He says his feelings of well-being have been cultivated in nature and it started at an early age. Nature is a common thread in everything he does and you will see that reflected in his writing and artwork. You will even hear him talk about the deep meaning nature has in his life through metaphors throughout this podcast episode. Steve shared with me that he wishes society was at a place where we can talk about mental health freely just like we talk about having a headache or feeling stress. I admire Steve’s vigor for life and his willingness to seek meaning and happiness. You will hear his thoughts on this and why he’s naming the book he’s writing, Aggressive Happiness. Steve believes anxiety and depression can be positive tools and they are just part of the creative mind. He says, “We can handle them or they can handle us.” Visit www.rheamader.com for Show Notes More information about this episode Find out how to get 10% off healing art at Manifest Photo Join the Facebook Community Here Follow Rhea's Haven Podcast on Instagram
Afterglow (a dog memoir) (Grove Press) Prolific and widely renowned poet, novelist, and essayist Eileen Myles is a trailblazer whose decades of literary and artistic work “set a bar for openness, frankness, and variability few lives could ever match” (New York Review of Books). Afterglow (a dog memoir), Myles’ first foray into memoir, paints a kaleidoscopic portrait of a beloved confidant: the pit bull called Rosie. In 1990, Myles chose Rosie from a litter on the street, and their connection instantly became central to the writer's life and work. During the course of their sixteen years together, Myles was madly devoted to the dog’s wellbeing, especially in her final days. Starting from the emptiness following Rosie’s death, Afterglow launches a heartfelt and fabulist investigation into the true nature of the bond between pet and pet-owner. Through this lens, we witness Myles’s experiences with intimacy and spirituality, celebrity and politics, alcoholism and recovery, fathers and family history, gender, romance, memory, as well as the fantastical myths we invent to get to the heart of grief. Afterglow joins a grand literary tradition of writers paying homage to a beloved dog—J. R. Ackerley’s My Dog Tulip, Virginia Woolf’s Flush, Mary Oliver’s Dog Songs, Amy Hempel’s stories, as well as Mark Doty’s Dog Years, and even Abigail Thomas’s A Three Dog Life—but as one might suspect, Myles’ entry in the canon subverts both genre and tradition and stands apart as resolutely its own thing. Combining screenplay, monologue, science fiction, and lucid memory, the text is animated with photos, diagrams, drawings, and poems to craft a mosaic of their life together. Moving from an imaginary talk show where Rosie is interviewed by Myles’s childhood puppet, to a critical reenactment of the night Rosie mated with another pit bull; from lyrical transcriptions of their walks, to Rosie’s enlightened narration from the afterlife, Afterglow illuminates the surreal and familiar aspects of what it means to dedicate your existence to a dog. Praise for Afterglow “A rare new breed of dog memoir; think Patti’s Smith’s Just Kids, not John Grogan’s Marley and Me, absinthe not saccharine” –Library Journal (starred review) “Myles’ work is a perfect example of what happens when you mix raw language with emotion, pets with loss, and sexuality with socioculturalism. . . A captivating look at a poet’s repeated attempt ‘to dig a hole in eternity’ through language.” –Kirkus Reviews (starred review) “For more than 16 years, Myles was companioned by a pit bull named Rosie until Rosie did what dogs do and left the author to navigate a post-Rosie world, solo. In the after of Rosie, poet Myles . . . . writesthis unconventional, uncontainable, phantasmagoric memoir of dog and owner. . . . Poetic, heartrending, soothing, and funny, this is a mind-expanding contemplation of creation, the act and the noun, and the creatures whose deaths we presume will precede ours but whose lives make our own better beyond reason. To this, readers should bring tissues, pencil and paper, even their dogs.”–Annie Bostrom, Booklist (starred review) “Myles uses a pastiche approach to explore the bodily, cerebral, and esoteric/religious aspects of the grieving process, all of which is portrayed with meditative poignancy . . . Myles depicts the raw pathos of loss with keen insight.” –Publishers Weekly “A ravishingly strange and gorgeous book about a dog that’s really about life and everything there is, Eileen Myles’s Afterglow is a truly astonishing creation.”–Helen Macdonald, author of H is for Hawk Eileen Myles—who prefers to use a gender-neutral pronoun—is the author of more than twenty books, including Chelsea Girls, Cool For You, and most recently, I Must Be Living Twice: New & Selected Poems 1975-2014. Their many honors include a Guggenheim Fellowship in nonfiction, four Lambda Literary Awards, the Clark Prize for Excellence in Art Writing, the Shelley Memorial Award from The Poetry Society of America, Creative Capital’s Literature Award as well as an Andy Warhol Foundation Art Writers’ Grant, and a Foundation for Contemporary Arts grant. They live in Marfa, TX and New York City. Their poems were featured in seasons 2 and 3 of the Emmy-winning show Transparent.
Here it is. My first ever podcast. We can only go up from here. The scripture I read was Proverbs 5:11-13 in The Living Translation. And the Facebook group of writers that I talked about was author4TheAuthor. If you feel out there and alone as a creative and would like a positive, friendly, and motivating group to help come alongside you then come on over.
Artblog recently hosted a lively panel discussion on the Future of Art Writing in conjunction with our 3rd annual New Art Writing Challenge. Our dynamic panelists included artist and Bmore Art contributor, Alexandra Oehmke, performer organizer and writer, Catherine Rush and writer and theater-maker Carlos Roa. The panel was held on Wednesday, October 4th, 2017 at the Galleries at Moore and moderated by Matt Kalasky; the podcast is 76 minutes long.
Artblog recently hosted a lively panel discussion on the Future of Art Writing in conjunction with our 3rd annual New Art Writing Challenge. Our dynamic panelists included artist and Bmore Art contributor, Alexandra Oehmke, performer organizer and writer, Catherine Rush and writer and theater-maker Carlos Roa. The panel was held on Wednesday, October 4th, 2017 at the Galleries at Moore and moderated by Matt Kalasky; the podcast is 76 minutes long.
Have you ever wondered about what your design creation looks like through the magnification of a camera lens? And beyond this...Have you ever considered what this has to do with the creative process? Whether you are working on the development of architecture, art, book, film, or game design, you will want to listen to this episode of Design Futurecast. Within it is a key paradigm that will help you to create more poetic works that become unforgettable experiences. Discover the ultimate creative paradox in this episode of Design Futurecast. To see more of the design discussed in this episode, visit DesignFuturecast.com/Episode7 ― and for more inspiration and education on creativity and design, visit MariaLorenaLehman.com
EPISODE FIVE How was your The Most Wuthering Heights Day Ever?! Sam was in the thick of it and reports straight from Berlin's spectacular #DayOfWuthering! Episode Five of Three Wicked Women is all about art - and the art of writing. You'll meet talented woman of words, Berlin-based, Australian poet, blogger and musician Cathoel Jorss, [...] The post Side 1, Track 5 – Art+Writing appeared first on Megan Spencer.
EPISODE FIVE How was your The Most Wuthering Heights Day Ever?! Sam was in the thick of it and reports straight from Berlin's spectacular #DayOfWuthering! Episode Five of Three Wicked Women is all about art - and the art of writing. You'll meet talented woman of words, Berlin-based, Australian poet, blogger and musician Cathoel Jorss, [...] The post Side 1, Track 5 – Art+Writing appeared first on Megan Spencer.
In this segment I cover the Four Reasons People Create – and why #3 is the key to making money with your talents. I also share the two overlapping factors that reveal the sweet spot of prosperity for musicians, artists, writers, designers, and more.This is another installment in a series of daily videos and audio podcasts that cover “30 Ways to Become an Empowered Artist.”It's part of a month-long crowdsourcing campaign – my first ever – for a new book called “The Empowered Artist” – a call to action for musicians, writers, visual artists, and creative entrepreneurs of all kinds.But it's much more than that. Learn more on this Empowered Artist Movement page. It's a mission I've been on my entire life that I, with your help, want to turn into a worldwide movement!So watch or listen and enjoy the daily dose of inspiration for 30 days! And if you like what you hear, please share this with your friends!Support the show (https://paypal.me/BobBakerSTL/)
If you struggle with asking people for money when selling your music, art, writing, etc … listen to this right away. It just might cure your money woes.This is another installment in a series of daily videos and audio podcasts that cover “30 Ways to Become an Empowered Artist.”It's part of a month-long crowdsourcing campaign – my first ever – for a new book called “The Empowered Artist” – a call to action for musicians, writers, visual artists, and creative entrepreneurs of all kinds.But it's much more than that. Learn more on this Empowered Artist Movement page. It's a mission I've been on my entire life that I, with your help, want to turn into a worldwide movement!So watch or listen and enjoy the daily dose of inspiration for 30 days! And if you like what you hear, please share this with your friends! Support the show (https://paypal.me/BobBakerSTL/)
A conversation between Eve Kosofsky Sedgwick and Gavin Butt
Julian Bell, an English painter and art critic who contributes to The New York Review of Books, considers the current profiles of this branch of writing as seen from London. (March 5, 2009)