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Welcome to Part One of this new two-part series, "Elevating Culture & Performance with the Wizards," from Stories from the River. Host Charlie Malouf welcomes back to the podcast two return guests, Will Luke, Senior Director of Retail Operations and Project Management, and Kellie Jones, Manager of Retail Operations. They delve into the team's dynamic spirit, spotlighting the unique Gandalf award program that motivates peak performance amongst the Wizards across several key performance indicators. They discuss why having competitions and awards help the overall culture of the teams and motivate Memory Makers. And they highlight their collaborative team chat, which has turned into a positive way for everyone to share knowledge, build camaraderie and maintain connections. The episode highlights intentional investments in team culture, including an in-person Retail Operations Rx gathering of the entire team— the first since before the COVID-19 pandemic. This memorable milestone gathering at their main campus in Fort Mill, South Carolina, aimed to enhance personal and professional development and readiness for future roles. Included in the training was a discussion on Principles vs Preference; Influence Training; and boundary training. They also talk about the department's impressive low turnover, employee retention rate, and advancement into other roles within the Company, attributing it to active engagement and involvement amongst and within the team. Come back next week for Part Two of this conversation to learn more about Elevating Culture & Performance with the Wizards. Episode Resources: "The Science of Stuck" book by Britt Frank (for insights on boundary training): https://www.amazon.com/Science-Stuck-Britt-Frank/dp/1472293908 How great leaders inspire action (TED Talk by Simon Sinek): https://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action Connect with Andrew Bartlett (Senior REM, Raleigh Reign) on LinkedIn: https://www.linkedin.com/in/andrew-bartlett-2107aa62/ --- This episode on YouTube: https://youtu.be/Icjgje-h6xY We hope you enjoy this episode and subscribe to our podcast for a new story each week. Visit https://www.storiesfromtheriver.com for more episodes.
Welcome to Part One of this new two-part series, "Elevating Culture & Performance with the Wizards," from Stories from the River. Host Charlie Malouf welcomes back to the podcast two return guests, Will Luke, Senior Director of Retail Operations and Project Management, and Kellie Jones, Manager of Retail Operations. They delve into the team's dynamic spirit, spotlighting the unique Gandalf award program that motivates peak performance amongst the Wizards across several key performance indicators. They discuss why having competitions and awards help the overall culture of the teams and motivate Memory Makers. And they highlight their collaborative team chat, which has turned into a positive way for everyone to share knowledge, build camaraderie and maintain connections. The episode highlights intentional investments in team culture, including an in-person Retail Operations Rx gathering of the entire team— the first since before the COVID-19 pandemic. This memorable milestone gathering at their main campus in Fort Mill, South Carolina, aimed to enhance personal and professional development and readiness for future roles. Included in the training was a discussion on Principles vs Preference; Influence Training; and boundary training. They also talk about the department's impressive low turnover, employee retention rate, and advancement into other roles within the Company, attributing it to active engagement and involvement amongst and within the team. Come back next week for Part Two of this conversation to learn more about Elevating Culture & Performance with the Wizards. Episode Resources: "The Science of Stuck" book by Britt Frank (for insights on boundary training): https://www.amazon.com/Science-Stuck-Britt-Frank/dp/1472293908 How great leaders inspire action (TED Talk by Simon Sinek): https://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action Connect with Andrew Bartlett (Senior REM, Raleigh Reign) on LinkedIn: https://www.linkedin.com/in/andrew-bartlett-2107aa62/ --- This episode on YouTube: https://youtu.be/Icjgje-h6xY We hope you enjoy this episode and subscribe to our podcast for a new story each week. Visit https://www.storiesfromtheriver.com for more episodes.
#227: Today, we're once again enlisting some local independent booksellers to help us understand L.A. better. This time we headed to Tía Chucha's Centro Cultural & Bookstore in Sylmar, Octavia's Bookshelf in Pasadena, Vroman's Bookstore in Pasadena and Reparations Club near West Adams. Books mentioned: "Ask the Dust" by John Fante "Mercurochrome: New Poems" by Wanda Coleman "Always Running" by Luis J. Rodriguez "Kindred" by Octavia Butler "Parable of the Sower" by Octavia Butler "The Lost Cause" by Cory Doctorow "KAOS Theory: The Afrokosmic Ark of Ben Caldwell" by Robeson Taj Frazier with Ben Caldwell "There Goes the Neighborhood" by Jade Adia "The White Boy Shuffle" by Paul Beatty "South of Pico: African American Artists in Los Angeles in the 1960s and 1970s" by Kellie Jones
Leon Lopez and Rachelle Lopez can be reached at educateREpodcast@gmail.comTo contact or follow Leon and Rachelle on their Linktree ... CLICK HERE.In today's episode of the Educate Real Estate Podcast, Leon and Rachelle Lopez sit down with 21st Century Escrow Manager, Kellie Jones. Sit back and get comfortable as we get an inside look into escrow from one of the best in the business! Kellie Jones joins us in studio to talk about her role as an escrow manager, as well as thoughts on leadership, industry do's and don't, and facing challenges.21st Century Escrow is a broker owned non-independent escrow, partnered under Century21 Masters.*Disclaimer: All information deemed reliable but not guaranteed and should be independently verified.
In this dialogue Prof Christo Doherty of ARA speaks to Tracey Rose, currently Senior Lecturer in the Fine Arts department in the Wits School of Arts, and internationally renowned as an artist who works across a range of practices, but most notably as a performance artist using her body. Tracey's work has recently been featured in a major retrospective exhibition at the Zeitz Museum of Contemporary Art Africa in Cape Town. Curated by the new Director of the Zeitz, Koyo Kouoh, the exhibition was called Shooting Down Babylon (The Art of War). The title references one of the works on the exhibition, an installation which reflects on exorcist and cleansing rituals from non-western communities. In this discussion, we look at Tracey's trajectory as a radical artist, activist and provocateur, from her upbringing and early schooling in Durban, and her arts education at Wits where she qualified for a BA in Fine Arts before studying for an MA at Goldsmiths College in London. We touch her on exhibition at the Zeitz Mocaa but go into greater depth into her use of photography and video, both significant aspects of her artistic practice overshadowed in the critical discourse by the dynamic physicality of her performance work. We also discuss the way that she is recognised on the international scene as a black African artist, but how in South Africa that identity is burdened by the still active apartheid definition of “coloured”. We then go some way towards unpacking the paradoxes of hypervisibility and invisibility which afflict an artist such as Tracey who deploys own body as a site for protest, outrage, resistance and pertinent discourse. Finally we explore Tracey's growing interest in the connections between artistic practice, shamanism, and non-Western forms of spirituality as manifested in works such as Shooting Down Babylon. I highly recommend Tracey's audio walk through of her Zeitz exhibition which is available at https://zeitzmocaa.museum/exhibition/exhibitions/shooting-down-babylon/ Also highly recommended is Tracey's address to the Global Feminisms Exhibition in New York in 2007: https://www.youtube.com/watch?v=OX5iLPLWzPM Articles worth consulting: Kellie Jones, "Tracey Rose: Postapartheid Playground". Journal of Contemporary African Art. 29 Summer 2004. Polly Savage, "Playing to the Gallery: Masks, Masquerade and Museums". African Arts 41,4 Winter 2008. Emmanuel Balogum, "Tracey Rose: Shooting Down Babylon". Art Monthly 456 May 2022.
In this dialogue Prof Christo Doherty of ARA speaks to Tracey Rose, currently Senior Lecturer in the Fine Arts department in the Wits School of Arts, and internationally renowned as an artist who works across a range of practices, but most notably as a performance artist using her body. Tracey's work has recently been featured in a major retrospective exhibition at the Zeitz Museum of Contemporary Art Africa in Cape Town. Curated by the new Director of the Zeitz, Koyo Kouoh, the exhibition was called Shooting Down Babylon (The Art of War). The title references one of the works on the exhibition, an installation which reflects on exorcist and cleansing rituals from non-western communities. In this discussion, we look at Tracey's trajectory as a radical artist, activist and provocateur, from her upbringing and early schooling in Durban, and her arts education at Wits where she qualified for a BA in Fine Arts before studying for an MA at Goldsmiths College in London. We touch her on exhibition at the Zeitz Mocaa but go into greater depth into her use of photography and video, both significant aspects of her artistic practice overshadowed in the critical discourse by the dynamic physicality of her performance work. We also discuss the way that she is recognised on the international scene as a black African artist, but how in South Africa that identity is burdened by the still active apartheid definition of “coloured”. We then go some way towards unpacking the paradoxes of hypervisibility and invisibility which afflict an artist such as Tracey who deploys own body as a site for protest, outrage, resistance and pertinent discourse. Finally we explore Tracey's growing interest in the connections between artistic practice, shamanism, and non-Western forms of spirituality as manifested in works such as Shooting Down Babylon. I highly recommend Tracey's audio walk through of her Zeitz exhibition which is available at https://zeitzmocaa.museum/exhibition/exhibitions/shooting-down-babylon/ Also highly recommended is Tracey's address to the Global Feminisms Exhibition in New York in 2007: https://www.youtube.com/watch?v=OX5iLPLWzPM Articles worth consulting: Kellie Jones, "Tracey Rose: Postapartheid Playground". Journal of Contemporary African Art. 29 Summer 2004. Polly Savage, "Playing to the Gallery: Masks, Masquerade and Museums". African Arts 41,4 Winter 2008. Emmanuel Balogum, "Tracey Rose: Shooting Down Babylon". Art Monthly 456 May 2022.
Kellie Jones, Manager of Retail Operations at Broad River Retail, joins Charlie for a conversation. Kellie discusses her favorite memories with her team, including her most memorable year (2018) when her store became known as "The Lake," formed a book club, bonded like family, achieved an upgraded store designation (going from Silver to Gold status), having seven Million Dollar Writers, and having both the GM of the Year as well as the REM of the Year. Kellie talks about her proudest moment to date with the Company - when she received the Cross Collaborator Award. Kellie discusses strategies her team and she implemented during the pandemic to prevent cancellations through Project Breakwater and how she keeps her team engaged, positive, and continuing to thrive. She unpacks the meaning and significance of the Gandalf Award given to the REM of the Month based on operational metrics as well as the importance of inventory management and Net Promoter Score (NPS). There are so many other great stories, encouragement, and insights into the River shared during this conversation with Kellie. Episode Resources: Kellie's book recommendation: "Believe IT: How to Go from Underestimated to Unstoppable" by Jamie Kern Lima - believeit.com Kellie's favorite podcasts: ""Office Ladies"" - https://officeladies.com/ "Off the Beat with Brian Baumgartner" - https://podcasts.apple.com/us/podcast/off-the-beat-with-brian-baumgartner/id1550331348 Additional Episode Resources: Qualtrics (Leading Experience Management Software that we use for NPS surveys): https://www.qualtrics.com STORIS (Software Solutions for Home Furnishings Retailers that we use for our ERP system): https://www.storis.com Microsoft Teams (for group video chat and remote team connectivity): https://www.microsoft.com/en-us/microsoft-teams/group-chat-software ZOOM (Video Conferencing & Virtual Event software that we use for our Town Halls): https://zoom.us "Everybody Matters: The Extraordinary Power of Caring for Your People Like Family" by Bob Chapman and Raj Sisodia - https://www.barrywehmiller.com/outreach/book Craig Groeschel Leadership Podcast Q&A with Jamie Kern Lima: Leading with Authenticity - https://podcasts.apple.com/us/podcast/craig-groeschel-leadership-podcast/id1070649025?i=1000552806642 Maxwell Leadership Podcast: Believe IT with Jamie Kern Lima - https://podcasts.apple.com/us/podcast/maxwell-leadership-podcast/id1416206538?i=1000513379085 This episode on Youtube: https://youtu.be/EaSBNMycKnE We hope you enjoy this episode, and subscribe to our podcast for a new story each week. Visit www.storiesfromtheriver.com for more episodes.
Kellie Jones, Manager of Retail Operations at Broad River Retail, joins Charlie for a conversation. Kellie discusses her favorite memories with her team, including her most memorable year (2018) when her store became known as "The Lake," formed a book club, bonded like family, achieved an upgraded store designation (going from Silver to Gold status), having seven Million Dollar Writers, and having both the GM of the Year as well as the REM of the Year. Kellie talks about her proudest moment to date with the Company - when she received the Cross Collaborator Award. Kellie discusses strategies her team and she implemented during the pandemic to prevent cancellations through Project Breakwater and how she keeps her team engaged, positive, and continuing to thrive. She unpacks the meaning and significance of the Gandalf Award given to the REM of the Month based on operational metrics as well as the importance of inventory management and Net Promoter Score (NPS). There are so many other great stories, encouragement, and insights into the River shared during this conversation with Kellie. Episode Resources: Kellie's book recommendation: "Believe IT: How to Go from Underestimated to Unstoppable" by Jamie Kern Lima - believeit.com Kellie's favorite podcasts: ""Office Ladies"" - https://officeladies.com/ "Off the Beat with Brian Baumgartner" - https://podcasts.apple.com/us/podcast/off-the-beat-with-brian-baumgartner/id1550331348 Additional Episode Resources: Qualtrics (Leading Experience Management Software that we use for NPS surveys): https://www.qualtrics.com STORIS (Software Solutions for Home Furnishings Retailers that we use for our ERP system): https://www.storis.com Microsoft Teams (for group video chat and remote team connectivity): https://www.microsoft.com/en-us/microsoft-teams/group-chat-software ZOOM (Video Conferencing & Virtual Event software that we use for our Town Halls): https://zoom.us "Everybody Matters: The Extraordinary Power of Caring for Your People Like Family" by Bob Chapman and Raj Sisodia - https://www.barrywehmiller.com/outreach/book Craig Groeschel Leadership Podcast Q&A with Jamie Kern Lima: Leading with Authenticity - https://podcasts.apple.com/us/podcast/craig-groeschel-leadership-podcast/id1070649025?i=1000552806642 Maxwell Leadership Podcast: Believe IT with Jamie Kern Lima - https://podcasts.apple.com/us/podcast/maxwell-leadership-podcast/id1416206538?i=1000513379085 This episode on Youtube: https://youtu.be/EaSBNMycKnE We hope you enjoy this episode, and subscribe to our podcast for a new story each week. Visit www.storiesfromtheriver.com for more episodes.
Breaking the Silence with Dr. Gregory Williams Guests, Christopher and Kellie Jones, on relationship abuse
Is Day's End (2014–21) an anti-monument for our time? In this episode, we return to the sculpture itself: how it makes meaning, how it fits into the surrounding environment, and what public art tells us about freedom and power. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Glenn Ligon, Kellie Jones, Tom Finkelpearl, Mabel O. Wilson, Adam Weinberg, Ken Lum, An-My Lê, Guy Nordenson, Catherine Seavitt, Elegance Bratton, Stefanie Rivera, Curtis Zunigha. whitney.org/podcast
Anchored in the Gansevoort Peninsula and reaching out into the Hudson River, Day's End (2014–21) was designed to be permanent. But for hundreds of years, the site has been in constant flux. In this episode, architects, environmentalists, Lenape elders, and artists inform some of the ways in which the many people connected to this place endeavor to keep it alive. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Luc Sante, Catherine Seavitt, Adam Weinberg, Jessamyn Fiore, Laura Harris, Kellie Jones, Glenn Ligon, Bernice Rosenzweig, Eric Sanderson, Paul Gallay, Pete Malinowski, Curtis Zunigha, George Stonefish, Alan Michelson, Guy Nordenson, Bill T. Jones. whitney.org/podcast
Our inaugural episode introduces David Hammons's Day's End (2014–21). As we discuss the project's origins and site-specific nature, the layered social and cultural histories of the site begin to unfold. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Bill T. Jones, Glenn Ligon, Adam Weinberg, Tom Finkelpearl, Kellie Jones, Luc Sante, Guy Nordenson, Catherine Seavitt, Betsy Sussler. whitney.org/podcast
The Whitney Museum of American Art presents Artists Among Us, a podcast about American art and culture. In keeping with the Whitney's mission, collection, and programming, Artists Among Us considers the complexities and contradictions that have shaped the United States we experience today. Hosted by Carrie Mae Weems. Episode guests (in order of appearance): Kellie Jones, Glenn Ligon, Curtis Zunigha, John Jobaggy, Efrain Gonzalez, Catherine Seavitt. whitney.org/podcast
You can find Kellie Jones on the socials @jellikones and via Scout Management. The podcast How To Fail with Elizabeth Day can is on all your favourite podcast platforms and the episode with Mo Gawdat on Anxiety is number 68.
Triggerwarnung: Drogenmissbrauch, Rassistische Polizeigewalt (28:48-31:58), Suizid. Wenn ihr Suizidgedanken habt, könnt ihr euch an die Telefonseelsorge (www.telefonseelsorge.de) wenden und kostenlos jederzeit die Hotline unter 0800-1110111 oder 0800-1110222 erreichen. Jean-Michel Basquiat eroberte New York im Sturm und hatte einen kometenhaften Aufstieg vom anonymen Grafitti-Künstler aus der Underground-Szene, zum erfolgreichen Neoexpressionisten nach dem sich jeder Kunsthändler die Finger leckte. Seine gesellschaftskritischen Werke, in die er all seine persönlichen und politischen Erfahrungen steckte, sind von derselben Intensität und Energie geprägt, die auch sein brisantes, sehr kurzes Leben (1960-1988) bestimmten. Begleitet von Freund*innen wie Andy Warhol, Keith Haring, Madonna und David Bowie eroberte das Wunderkind ohne akademische Ausbildung die Kunstwelt. Aber sein Leben war auch geprägt von Schattenseiten und Schicksalsschlägen. Drogensucht, Rassismus und Verluste sollten den jungen Künstler mit nur 27 Jahren das Leben kosten. Instagram (hier bekommt ihr auch einiges an Zusatzmaterial): https://www.instagram.com/artefaktenpodcast/ E-Mail: artefakten-podcast@outlook.de Literatur Metcalf, Stephen. “SEARCHING FOR JEAN-MICHEL BASQUIAT: Was he an artist, an art star, or just a celebrity?.” The Atlantic, vol. 322, no. 1, July-Aug. 2018 Connolly, Serena. “Jean-Michel Basquiat and Antiquity”. Classical Receptions Journal Vol 10. Iss. 1 (2018) Troupe, Margaret Porter. "Jean-Michel Basquiat." Black Renaissance/Renaissance Noire, vol. 6, no. 2, 2005. “Lost in Translation: Jean-Michel in the (Re)Mix”, by Kellie Jones, from the book Basquiat, edited by Marc Mayer, 2005 Fretz, Eric. "Jean-Michel Basquiat: A Biography." Santa Barbara, California, ABC-CLIO, 2010. Lipson, Karin. “Basquiat Retrospective: Well-Earned or Hype?” Newsday. January 23, 1993. Sooke, Alastair. "Jean-Michel Basquiat: The Life and Work Behind the Legend". BBC. July 9, 2015. Ross, Lucinda. “Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art”. University of Plymouth, 2018. Studie zum Klub 27: “Is 27 really a dangerous age for famous musicians? Retrospective cohort study” Adrian Barnett et. al., 2011, online: https://doi.org/10.1136/bmj.d7799 Arte Doku: https://www.arte.tv/de/videos/079501-000-A/basquiat-popstar-der-kunstwelt/ Internetquellen: https://www.biography.com/artist/jean-michel-basquiat https://www.hausarbeiten.de/document/46725 http://www.jean-michel-basquiat.org/biography/ https://www.thoughtco.com/jean-michel-basquiat-biography-4147579
Episode No. 465 features artist Virginia Jaramillo. The Menil Collection is presenting "Virginia Jaramillo: The Curvilinear Paintings, 1969-74" through July 3, 2021. It is the first solo museum exhibition of Jaramillo's sixty-year career. Curated by Michelle White, the show features a series of paintings that Jaramillo made featuring the joining of line to color against mostly monochromatic backgrounds. The exhibition is also a celebration of the fiftieth anniversary of "The De Luxe Show," one of the first racially integrated exhibitions in the United States, which was presented in Houston in 1971. (Art historian Darby English's book 1971: A Year in the Life of Color examined the exhibition. English discussed the book on The MAN Podcast in 2017.) Jaramillo is a California-born painter whose abstractions have long explored space, line, geography and the physical remnants of civilizations. In the last decade alone, she has been included in major scholarly exhibitions such as curator and art historian Kellie Jones's "Now Dig This: Art and Black Los Angeles, 1960-80" and "Witness: Art and Civil Rights in the Sixties," which Jones curated with A. Carbone, and Mark Godfrey and Zoe Whitley's "Soul of a Nation: Art in the Age of Black Power." Jaramillo's paintings are in the collections of museums such as the Brooklyn Museum, the Kemper in Kansas City, the Metropolitan in New York, the Norton Simon in Pasadena and the Virginia MFA in Richmond.
The Paseo Boulevard was a strategically designed artery connecting the burgeoning parks system that helped define Kansas City, Missouri.Recently a group of pastors led an effort to rename the boulevard for Dr. Martin Luther King Jr. They convinced the city council to go along it. Now voters will decide on November 5, 2019 whether it should be changed BACK to the Paseo. Some of those pastors say it’s a racist attempt. You decide in this two-part interview.In this episode, hear from Diane Euston, a local historian, Kellie Jones, who lives on the street.
On the show today I’m talking with writer, curator and critic Jarrett Earnest, whose 2018 book What it Means to Write About Art assembles his conversations with thirty of the most influential American art writers. Jarrett’s interviews with figures ranging from Rosalind Krauss to Dave Hickey, Roberta Smith to Kellie Jones, and Jerry Saltz to Hal Foster trace a path through art criticism from the 1960’s up to the present moment. His subjects remind us of the diversity of thought that has defined modern art criticism. It’s truly a rare thing to find a book that offers such a plethora of ideas about how we think about and relate to art.You can find more of Jarrett’s work at www.jarrettearnest.com and on Instagram @jarrettearnest
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city's African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History at Columbia University and 2016 MacArthur Fellow, examines several African American artists and their work including Bettye Saar, Charles White, and John Outterbridge, and emphasizes the importance of migration, space, and interconnectivity in the LA art scene of mid-century. Watts, the site of a 1965 rebellion, was one particularly salient and vibrant part of the city’s African American art community. These artists used diverse media including performance and assemblage to comment on post-war American politics and society. The book appeals to experts and non-experts alike and is a strong example of how understanding art can help us to understand social movements and the interconnectivity of our world. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices
In her first role in a film, Mapleton, Utah actress Elise Jones captured the classic role of the youngest sister, Amy, in the new modern retelling of the famous classic novel "Little Women." In this episode of Utah Weekly Forum, Elise and her mother Kellie Jones join FM100.3 host Rebecca Cressman to share Elise's experience behind the scenes as the movie now in nationwide release brings back the classic themes of sisterhood, dreams, and the challenges of coming of age in a more modern age.
Art Historian Kellie Jones talks about her new book, South of Pico, on the flourishing African-American Art scene in Los Angeles in the 1960s and '70s. Co-host Kate Wolf is joined by first-time co-host Eric Newman in a wide-ranging discussion with Kellie about the social, economic, historical, and artistic forces that influenced a powerful generation of black artists in Southern California; whose work continues to resonate. Also, author George Prochnik returns to recommend the work of novelist Irene Nemirovsky, whose stories from both pre- and post-nazi Europe are chillingly cautionary tales for our times.
Art Historian Kellie Jones says she was surprised when she received the call that she was selected as a winner of the prestigious MacArthur Fellowship for 2016. She joins Carol Jenkins to discuss her award and her work.
Curator and art historian Kellie Jones is the guest for our latest episode. A 2016 McArthur Fellow, Jones is a lifelong New Yorker and an associate professor at Columbia University. She spoke to Hyperallergic about her work, life, and the evolving world of contemporary art. Photo: John D. & Catherine T. MacArthur Foundation
CONTENT WARNINGS FOR R*PE AND SC*DE MENTIONS.** In episode 26, hosts Inda Lauryn (@indascorner) and Didi Jenning (@dustdaughter) squee about the Emmys and the latest casting news. Then they get into the Season 3 Premiere of HTGAWM (SPOILERS!). R*pe apologists catch the fade and Inda gives us another relevant womanist vocab word. Intro/Outro is N**gas by Kehlani. Nisi Shawl talks "Everfair" on Midnight in Karachi - http://www.tor.com/2016/09/22/midnight-in-karachi-episode-64-nisi-shawl/ Claudia Rankine, Kellie Jones and Joyce J. Scott Awarded MacArthur Genius Grants http://superselected.com/claudia-rankine-kellie-jones-and-joyce-j-scott-awarded-macarthur-genius-grants/ Kelela Shares Powerful Advice to Allies in the Wake of Tragedies http://saintheron.com/news/kelela-gives-advice-allies-wake-tragedies/ Gabrielle Union: ‘I Absolutely Understand If You Chose to Sit the Film Out’ - http://motto.time.com/4504052/gabrielle-union-birth-of-a-nation-sexual-assault/ Six Reasons Why Black Women Have Every Right to Be Angry - http://www.theroot.com/articles/culture/2016/09/6-reasons-why-black-women-have-every-right-to-be-angry/ Contact us at Twitter: @blackgirlsquee @indascorner @dustdaughter Tumblr: blackgirlsquee.tumblr.com Email: blackgirlsquee@gmail.com iTunes: https://itunes.apple.com/us/podcast/black-girl-squees-podcast/id1029727623?mt=2 Simplecast: blackgirlsquee.simplecast.fm/ Black Girl Squee Listener Survey. Go to http://goo.gl/forms/bufVo6T0sy
Mark Anthony Neal visits the Nasher Art Museum to talk with Dr. Kenneth Montague, owner of the latest Nasher exhibit, Becoming: Photographs from the Wedge Collection. Later, Mark is joined by Kellie Jones to talk about her latest book, Eyeminded and her new art exhibition, Now Dig This!
Kellie Jones, Associate Professor, Columbia University, discusses The Studio Museum in Harlem.
Kellie Jones, Associate Professor, Columbia University, discusses Duke Ellington.
Kellie Jones, Associate Professor, Columbia University, discusses Langston Hughes.
Kellie Jones, Associate Professor, Columbia University, discusses Marcus Garvey.
Kellie Jones, Associate Professor, Columbia University, discusses The Studio Museum in Harlem.
Kellie Jones, Associate Professor, Columbia University, discusses St. Philip's Episcopalian Church.
Kellie Jones, Associate Professor, Columbia University, discusses the Shomberg Library.
Kellie Jones, Associate Professor, Columbia University, discusses Marcus Garvey.
Kellie Jones, Associate Professor, Columbia University, discusses Langston Hughes.
Kellie Jones, Associate Professor, Columbia University, discusses St. Philip's Episcopalian Church.
Kellie Jones, Associate Professor, Columbia University, discusses the African Burial Ground.
Kellie Jones, Associate Professor, Columbia University, discusses the African Burial Ground.
Kellie Jones, Associate Professor, Columbia University, discusses the Shomberg Library.
Kellie Jones, Associate Professor, Columbia University, discusses Duke Ellington.