Podcasts about David Zwirner

This conversation between curators Ebony L. Haynes, Thomas (T.) Jean Lax, and K.O. Nnamdie was initiated alongside an essay series in e-flux journal titled “After Okwui Enwezor,” edited by Serubiri Moses.  The episode begins with three short audio excerpts from [1] On the Politics of Disaggregation: Notes on Cildo Meireles' Insertions into Ideological Circuits—Parsons The New School for Design  [2] Postwar: Art between the Pacific and the Atlantic, 1945–1965—Fondation Giacometti [3] Art Dubai Global Art Forum 8: 1955–2055: A Documenta Century Exhibitions covered include: Postwar: Art Between the Pacific and the Atlantic, 1945–1965 (2016) and the 56th Venice Biennale: All the World's Futures (2015). Additionally, the idea of rigorous curating, and the horizon is explored in discussion of recent exhibitions including Judson Dance Theater: The Work is Never Done (2018) at MoMA, and Invisible Man (2017) featuring Jessica Vaughan, Kayode Ojo, Torkwase Dyson and Pope.L at Martos Gallery, and Evil N*gger (2025) featuring Glenn Ligon and Julius Eastman at 52 Walker.   The “After Okwui Enwezor” series in e-flux journal reflects on the resounding presence of the late writer, curator, and theoretician. Along with a focus on his many innovative concepts like the “postcolonial constellation,” the series presents a wide evaluation of Enwezor's curatorial and theoretical practice following other similar initiatives, such as the special issue on Enwezor by the journal he founded, Nka Journal of Contemporary African Art. Moving beyond tributes and biography, this series covers topics such as the relevance of Enwezor's approach to politics, the limits of the exhibition as a form for critique, his conception of modernity and writing on the contemporary, his nomadic epistemology, accounts of his biennials in Seville, Paris, and Venice as institutional critique, and the specific contribution of non-Western artists in the art world. Ebony L. Haynes is the curator and Senior Director at 52 Walker, a David Zwirner gallery space presenting longer format exhibitions with primarily conceptual and research-based artists. T. Lax is a curator of media and performance at New York's Museum of Modern Art, where he has co-organized Judson Dance Theater: The Work is Never Done (2018), Just Above Midtown: Changing Spaces (2022) and Ceremonies Out of the Air: Ralph Lemon (2024) among others. Thomas began his career at the Studio Museum in Harlem, where he contributed to the landmark “f show” contemporary art series in 2012 and put together When The Stars Begin To Fall: Imagination and the American South in 2014. K.O. Nnamdie is an artist, writer, curator, and art advisor. Nnamdie ran Restaurant Projects, a curatorial project between 2018 and 2025 based on their interest in the intersection between hospitality and the arts. Nnamdie also directed anonymous gallery between 2021 and 2024.  

Ep.236 Ebony L. Haynes is a writer and curator from Toronto, Canada. She is presently based in New York where she is senior director at David Zwirner and leads the gallery's 52 Walker space in Tribeca. Haynes sits on the boards of Artists Space (New York) and the New Art Dealers Alliance. She also runs Black Art Sessions, an online “school” that offers free professional practice classes to Black students worldwide. Photo: Ebony L. Haynes, 2020 Photo by Elliott Jerome Brown Jr. Courtesy David Zwirner 52 Walker https://www.52walker.com/info David Zwirner https://www.davidzwirner.com/news/2021/52-walker-street-announcement Wallpaper https://www.wallpaper.com/art/david-zwirner-52-walker-new-york-ebony-l-haynes ArtReview https://artreview.com/artist/ebony-l-haynes/?year=2021 Topical Cream https://topicalcream.org/editors-in-residence/ebonylhaynes-is-topicacream-editor-in-residence-2024/ New York Times https://www.nytimes.com/2020/09/27/arts/design/zwirner-haynes-black-gallery.html ICI https://curatorsintl.org/about/collaborators/22961-ebony-haynes Culture Type https://www.culturetype.com/tag/ebony-l-haynes/ Cool Hunting https://coolhunting.com/culture/all-black-staff-to-run-david-zwirners-new-gallery/ Cultured Magazine https://www.culturedmag.com/article/2023/09/06/downtown-art-dealer-ebony-l-haynes-has-a-tip-for-tourists-who-want-to-look-like-new-yorkers ArtNews https://www.artnews.com/art-news/news/ebony-l-haynes-nada-section-1234611558/ C& https://contemporaryand.com/magazines/ebony-l-haynes-creates-new-gallery-with-all-black-staff-in-nyc/ Document Journal https://www.documentjournal.com/tag/ebony-l-haynes/ Elephant Magazine https://elephant.art/how-ebony-l-haynes-curated-raymond-saunders-evolution-through-post-no-bills/ ArtForum https://www.artforum.com/news/ebony-l-haynes-to-create-black-run-nyc-gallery-with-support-from-david-zwirner-248569/ PIN-UP Magazine https://www.pinupmagazine.org/articles/ebony-l-haynes-interview Curbed NY Magazine https://www.curbed.com/2022/09/21-questions-writer-and-curator-52-walker-director-ebony-haynes.html W Magazine https://www.wmagazine.com/culture/52-walker-ebony-haynes-david-zwirner-interview Whitewall Art https://whitewall.art/art/ebony-l-haynes-opens-52-walker-this-october/ HURS https://hurs-official.com/home/hur-conversations/ebony-haynes Office Magazine https://officemagazine.net/ebony-l-haynes

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Artnet News Senior Market Reporter Eileen Kinsella to recap Frieze LA 2025. We discuss the fair's overall atmosphere, how the recent wildfires impacted both attendance and the local art community, and the debate over whether the event should have proceeded as planned. We also highlight major fundraising efforts by galleries to support those affected. From a market perspective, we analyze key sales trends, the growing selectivity among buyers, and which artists and galleries saw the strongest demand. Beyond the fair, we dive into the importance of gallery exhibitions across the city, with standout shows like Kelly Akashi at Lisson Gallery, Lisa Yuskavage at David Zwirner, and Kohn Gallery's 40th-anniversary exhibition. Finally, we reflect on the significance of Frieze LA for the city's evolving art landscape and its growing influence within the broader U.S. market.

Thomas Ruff talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Ruff was born in 1958 in Zell am Harmersbach, in what was then West Germany, and has, over five decades, extensively probed the forms and possibilities of photography. Though he is a key figure in the international generation of artists that emerged in the 1980s and experimented with the very nature of the photographic medium and discipline, Ruff has carved out a singular practice. He works in distinct series whose formal characteristics vary enormously, but are underpinned by experimental unorthodoxy, technical curiosity and conceptual rigour. Each new group contributes to a profound philosophical exploration of the photographic image and what it means to make a picture. But while the intellectual underpinning of his work is unwavering, Thomas makes prints that are remarkably beautiful objects. Operating in a medium that remains associated with the factual record and documentary, he has relentlessly made the case for a photographic practice in which imagination is a primary agent. He discusses his interest in “the puzzle of photography”, the distinctive geneses of his various series of work, and his conviction that while seeking an “intellectually high-end product… of course I want to have fun”. He reflects on the early influence of the photographer Ernst Haas, how Piero della Francesca influenced his early Portraits series, how he chose to study art over astronomy, yet outer space has remained a core concern in his work, and how the satirical television show Spitting Image proved an unlikely influence. Of course, he reflects on the work of numerous photographers, from Eugène Atget and Walker Evans to Lou Landauer and his teachers in Düsseldorf, Bernd and Hilla Becher. Plus, he answers our usual questions, including the ultimate, “What is art for?”Thomas Ruff: expériences lumineuses, David Zwirner, London, until 22 March; his work features in Typologien, a survey of 20th-century German photography at Fondazione Prada, Milan, 3 April-14 July. Hosted on Acast. See acast.com/privacy for more information.

The LA Dodgers are World Series champs! The Boys in Blue rallied from a five-run fifth inning deficit Wednesday night to beat the New York Yankees. Donald Trump says he’ll deport millions of undocumented immigrants if he’s elected for a second term. Immigration lawyers across the country are ready to fight.  Alice Neel’s paintings of the queer community and their allies are on display at the David Zwirner gallery. She captured people’s true essence and never followed the herd.   Critics review the latest film releases: “Here,” “A Real Pain,” “Blitz,” and “Emilia Perez.”

A dozen New Jersey towns are joining a lawsuit seeking to invalidate a new affordable housing law in the state. Plus, some Manhattan public housing tenants held a rally this week calling for a stop to a plan to demolish their apartments and build new ones. Also, WNYC's Sean Carlson talks with Pamela Johnson, founder of the Anti-Violence Coalition in Jersey City about the “Arrive Together” program. And finally, WNYC's Ryan Kailath visits a brief art exhibit at David Zwirner gallery in Chelsea.

Je mehr Kunst man sieht, je mehr man sich damit beschäftigt, umso interessanter und spannender wird sie – davon ist Veronique Ansorge überzeugt. Die gebürtige Deutsche mit slowakischen Wurzeln ist über einige Umwege in der Internationalen Kunstwelt gelandet. Als Model in New York City beschäftigte sie sich zunächst mit Fotografie. Schließlich heuert Sie bei der damals noch jungen Galerie Zwirner an – das war vor 16 Jahren. Mittlerweile ist Senior Director, bei der Galerie David Zwirner in New York, die zu einer der wichtigsten Adressen der internationalen Kunstwelt zählt. Wir, Sascha und Andreas, haben Veronique online zum Gespräch getroffen und mit ihr über ihre Anfänge gesprochen, was sie bis heute an der Kunst fasziniert, was man unter Primär- und Sekundärmarkt versteht und was es braucht, um auf der Art Basel Bilder für über 20 Millionen Dollar zu verkaufen. Viel Vergnügen!

Yayoi Kusama: Aspiring to Pumpkin's Love, the Love in My Heart, 2023. David Zwirner at Art Basel 2024 Unlimited. Basel ...

The photographer and musician discusses his love of nightlife, the origins of his music practice and his new album. This week's Exchange—falling on the first week of Pride Month—features the acclaimed artist Wolfgang Tillmans, a figure who has become known for documenting Berlin's queer nightlife culture. But Tillmans isn't just active behind the camera. He's also an outspoken activist for the international LGBTQIA+ community and the wave of conservatism rearing its head against gender and reproductive rights around the world. His evocative photos invite viewers to look at society straight in the face, question the status quo and harness the power of collective resistance to normative, capitalist ways of living. An ardent fan of electronic music, he also captures artists and DJs at the heart of underground club culture. When he started taking photos in the '90s, it was at the acid house parties blossoming around Germany and the UK. Now entering the height of his career at 55, Tillmans has been profiled multiple times in major magazines like the New Yorker and given career-spanning solo retrospectives at the MoMa in New York, Hamburger Bahnhof in Berlin, The Centre Pompidou in Paris and countless galleries across the world, including David Zwirner, which represents him. While it's widely acknowledged that Tillmans enjoys participating in club culture, what might be less well known is that he actually makes music himself. In recent years, he's begun putting out albums on his own label, fragile, creating new wave-tinged electronica that nods to early synth pop. Tillmans released his debut album, Moon in Earthlight, in 2021 and he's now celebrating the release of his second album, Build From Here, where he explicitly sings about human rights and violations against the LGBTQIA+ community. Overall, its message is one of hope and excited apprehension about the future and the arts' place within it. Listen to the episode in full.

Ben Luke talks to Michaël Borremans about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Borremans, born in 1963 in Geraardsbergen in Belgium, is one of the most original painters working today. He marries a technical brilliance, born of a careful study of the style and touch of the Old Masters, with a sensibility and atmosphere that are completely his own. Though they depict figures, objects and environments, his paintings remain enigmatic, refusing to settle into easily readable narratives. They are full of uncanny detail and incident which is all the more pronounced because of his sensual handling of the paint. Though he is a perceptive observer of people, things and space, Borremans says he paints culture as opposed to nature. When he makes a painting of a human face, for instance, he is not concerned with the mimetic process of portraiture, rather with a perception of the ineffable nature of human psychology; with what it might mean to be—and to represent—a human being today. Even though it is characterised by an often absurd playfulness, an abiding sense of isolation and disquiet permeates Michaël's work. He discusses the ongoing influence of Francisco de Goya, Diego Velázquez and Jean-Siméon Chardin, the inspirational comedy of Monty Python, the profound writing of Vladimir Nabokov, and his love of music by everyone from Franz Schubert to Taylor Swift. He gives insight into life in the studio and answers our usual questions, including the ultimate: what is art for?Michaël Borremans: The Monkey, David Zwirner, London, opening in London Gallery Weekend, 31 May-2 June, and then 6 June-26 July; Michaël Borremans: The Promise, Prada Rong Zhai, Shanghai, China, until 9 June; Michaël Borremans, Museum Voorlinden, Wassenaar, the Netherlands, 30 November-23 March 2025 Hosted on Acast. See acast.com/privacy for more information.

What is a connoisseur? Who can be one? What role do they play in shaping tastes of the art market and the large expanse of art history? There's perhaps no better place to ask these kind of questions than at TEFAF, the many splendored Dutch fair where art, antiquities, and antiques take center stage. Each spring, the event returns to New York City and a swath of visitors—international and local, new and returning, celebrity and, well, not—flock to the storied Park Avenue Armory. Last week amid those festivities, as dealers sold every kind of treasure from ancient Roman sculptures to contemporary Korean paintings, Artnet and TEFAF hosted a panel  featuring three experts discussing the state of connoisseurship today, and how a new generation of collectors is approaching that field. This week, listen to a recorded version of that lively conversation moderated by Artnet Pro Editor Andrew Russeth, joined by Adam Charlap Hyman, Principal at Charlap Hyman & Herrero; Eleanor Cayre, Art Advisor, Cayre Art Group; and Ebony L. Haynes, Senior Director, David Zwirner & Director, 52 Walker.

What is a connoisseur? Who can be one? What role do they play in shaping tastes of the art market and the large expanse of art history? There's perhaps no better place to ask these kind of questions than at TEFAF, the many splendored Dutch fair where art, antiquities, and antiques take center stage. Each spring, the event returns to New York City and a swath of visitors—international and local, new and returning, celebrity and, well, not—flock to the storied Park Avenue Armory. Last week amid those festivities, as dealers sold every kind of treasure from ancient Roman sculptures to contemporary Korean paintings, Artnet and TEFAF hosted a panel  featuring three experts discussing the state of connoisseurship today, and how a new generation of collectors is approaching that field. This week, listen to a recorded version of that lively conversation moderated by Artnet Pro Editor Andrew Russeth, joined by Adam Charlap Hyman, Principal at Charlap Hyman & Herrero; Eleanor Cayre, Art Advisor, Cayre Art Group; and Ebony L. Haynes, Senior Director, David Zwirner & Director, 52 Walker.

Episode Notes Bibliography "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture) "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/ "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345 "Richard Serra's ‘Equal' at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal Find out more at https://three-minute-modernist.pinecast.co

In this episode, we dig into Gerhard Richter's lifetime of painting and his incursions in more conceptual works. We visited his first exhibition at David Zwirner, London, where we discovered drawings, paintings, mirror works and much more. Our research led us to his beginnings in Dresden and Düsseldorf, in post war GDR and Western Germany. What is fascinating is how the photographic image is the guiding light in his relation to trauma, to history, to the present but most of all, to painting. Pop Art, Abstract Expressionism, Duchamp, all had an impact on Richter who nevertheless built his own path in the always menaced painting genre throughout the end of the century. Indeed, how many times was painting declared dead in the 20th century?! Too many to count.We kept our relation to Richter's work personal and fluid (Emily even got to do some reading), as there are so many sources out there for further information, amongst which: the catalogue raisonné published in 2022 by Hatjze Cantz; the Richter Interviews published in 2019 by Heni Publishing; and much more, which you can find here: https://gerhard-richter.com/en/literatureInfo about the exhibition:https://www.davidzwirner.com/exhibitions/2024/gerhard-richterYou can also explore Richter's website:https://gerhard-richter.com/en/Music: Sarturn

David Zwirner Gallery in Los Angeles is hosting an exhibition of American artist John McCracken’s works on the ninetieth anniversary ...

A conversation with artist James Welling whose most recent photographs will be featured in an exhibition titled Thought Objects at David Zwirner's 533 West 19th Street location in New York January 11 - February 10. Welling has long challenged traditional ideas of what photography can be. In this latest work, he continues this pursuit by utilizing digital tools in unconventional ways to create works that avoid categorization.https://www.davidzwirner.com/exhibitions/2024/james-welling-thought-objects/press-releasehttps://www.davidzwirner.com/artists/james-wellinghttps://jameswelling.net/

To Helen Molesworth, curating is much more than carefully selecting and positioning noteworthy artworks and objects alongside one another within a space; it's also about telling stories through them and about them, and in turn, communicating particular, often potent messages. Her probing writing takes a similar approach to her curatorial work, as can be seen in her new book, Open Questions: Thirty Years of Writing About Art (Phaidon), which culls together 24 of her essays written across three decades. For nearly 20 of those years, Molesworth served in various curatorial roles at museums and arts institutions including the Baltimore Museum of Art, the Institute of Contemporary Art Boston, and most recently, as the chief curator at the Museum of Contemporary Art in Los Angeles (MOCA). In the five years since her departure from MOCA, Molesworth has built a thriving practice as an independent curator, writer, and podcaster, notably as the host of the six-part podcast Death of an Artist, which was named a best podcast of 2022 by both The Economist and The Atlantic.On this episode of Time Sensitive, Molesworth discusses her lifelong engagement with the work of Marcel Duchamp; the transformative power of a great conversation; and the personal and professional freedom she has found in recent years as a roving, independent voice in the art world.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes:[00:25] Helen Molesworth[03:50] Open Questions: Thirty Years of Writing About Art[04:02] Marcel Duchamp[04:09] “At Home with Marcel Duchamp: The Readymade and Domesticity”[11:33] “The Creative Act”[12:09] Marcel Duchamp's “Fountain”[17:22] Frank Stella[17:28] John Baldessari[21:56] Paul Lafargue[22:32] Doris Salcedo[29:50] Josiah McElheny[35:23] Al Hirschfeld[36:41] State University of New York at Albany[36:43] Whitney Museum Independent Study Program[36:48] Cornell University[42:33] “One Day at a Time”[46:57] Kerry James Marshall[47:00] “This Will Have Been: Art, Love & Politics in the 1980s”[47:02] “Leap Before You Look: Black Mountain College 1933-1957”[47:41] Death of an Artist[47:46] Dialogues: The David Zwirner Podcast[47:48] Recording Artists[54:53] Museum of Contemporary Art, Los Angeles[54:51] Carl Andre[59:45] WBLS: The Quiet Storm

In another life, the German-born architect Annabelle Selldorf might have been a painter or a profile writer. In this one, she expresses her proclivity for portraiture as the principal of the New York–based firm Selldorf Architects, which she founded in 1988. Renowned for its work in the art world—from galleries for the likes of David Zwirner and Hauser & Wirth to cultural institutions including The Frick Collection in New York, the National Gallery in London, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.—Selldorf's firm has also designed a wide variety of residential projects and civic buildings. Many of these designs serve as architectural depictions of their respective clients, revealing each one's inner nature and underlying ethos.On this episode, Selldorf discusses the links she sees between Slow Food and her architecture, the intuitive aspects of form-making, and why she considers architecture “the mother of all arts.”Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:31] Selldorf Architects[08:19] The Frick Collection[10:42] Lucian Freud[17:45] Dia Beacon[18:43] Art Gallery of Ontario expansion[18:54] Two Row[18:57] Diamond Schmitt[26:08] Sunset Park Material Recovery Facility[30:03] CSO Red Hook[30:05] CSO Owls Head[34:31] National Gallery, London[35:17] One Domino Park[37:15] John Russell Pope[37:28] Thomas Hastings[43:13] I.M. Pei[55:38] Ludwig Mies van der Rohe[58:54] Neue Galerie

In 2018, Helen Molesworth was unceremoniously dismissed from her position as chief curator of the Museum of Contemporary Art Los Angeles. The move proved controversial among industry insiders, many of whom cast it as an example of an institution punishing its employee, a straight talking, strong willed feminist, for refusing to march in line. But for Molesworth, whose resume also includes stints at the Institute of Contemporary Art Boston, the Baltimore Museum of Art, and the Wexner Center for the Arts, The backlash didn't change the facts. For the first time in years, she was a curator without a home. Since then, Molesworth has struck out on her own, and she's been as active as ever. She's guest curated critically acclaimed exhibitions of at David Zwirner, Jack Shainman, and International Center of Photography. She's also hosted a hit podcast, Death of an Artist, about Anna Mendieta, led a series of filmed artist interviews, and been profiled by the New York Times. The forward momentum has given the curator little cause to look back. That is, until now. This month, Phaidon will release Open Questions: Thirty Years of Writing About Art, a career spanning collection of Molesworth's essays, all previously published in exhibition catalogs and art journals. Most of the written pieces are about artists, people like Kerry James Marshall, Catherine Opie, and Lisa Yuskavage. But the real subject of the book, of course, is Molesworth herself, and it's a rich text in that regard. "I trained as an art historian" Molesworth explains, "I really believe in art objects as knowledge producers, and for better or for worse, in the history of the 20th century, museums are the institutions that allow and convey that knowledge. Ahead of the book's release, Artnet News senior writer Taylor Dafoe sat down with Molesworth to talk about the project and the period of deep personal reflection it inspired.

In 2018, Helen Molesworth was unceremoniously dismissed from her position as chief curator of the Museum of Contemporary Art Los Angeles. The move proved controversial among industry insiders, many of whom cast it as an example of an institution punishing its employee, a straight talking, strong willed feminist, for refusing to march in line. But for Molesworth, whose resume also includes stints at the Institute of Contemporary Art Boston, the Baltimore Museum of Art, and the Wexner Center for the Arts, The backlash didn't change the facts. For the first time in years, she was a curator without a home. Since then, Molesworth has struck out on her own, and she's been as active as ever. She's guest curated critically acclaimed exhibitions of at David Zwirner, Jack Shainman, and International Center of Photography. She's also hosted a hit podcast, Death of an Artist, about Anna Mendieta, led a series of filmed artist interviews, and been profiled by the New York Times. The forward momentum has given the curator little cause to look back. That is, until now. This month, Phaidon will release Open Questions: Thirty Years of Writing About Art, a career spanning collection of Molesworth's essays, all previously published in exhibition catalogs and art journals. Most of the written pieces are about artists, people like Kerry James Marshall, Catherine Opie, and Lisa Yuskavage. But the real subject of the book, of course, is Molesworth herself, and it's a rich text in that regard. "I trained as an art historian" Molesworth explains, "I really believe in art objects as knowledge producers, and for better or for worse, in the history of the 20th century, museums are the institutions that allow and convey that knowledge. Ahead of the book's release, Artnet News senior writer Taylor Dafoe sat down with Molesworth to talk about the project and the period of deep personal reflection it inspired.

Writer and curator Ebony L. Haynes, originally from Canada, is a Director at David Zwirner gallery in New York and runs 52 Walker. Haynes was a recent visiting curator and critic for Yale School of Fine art in the Painting and Printmaking class of 2021. She also runs an online “school” where free professional practice classes are offered to Black students, world wide.  Prior to joining David Zwirner, Haynes served as director at Martos Gallery and Shoot The Lobster NY & LA, and was responsible for many critically acclaimed exhibitions including Invisible Man, epigenetic, EBSPLOITATION, and The Worst Witch. Haynes sits on the boards of the New Art Dealers Association, and Cassandra Press.She and Zuckerman discuss sliding door moments, the pitching of 52 Walker, good versus great curating, the importance of a true team, approaching studio visits, research based practices, writing by hand, and what she hopes for!

In the 1950s and 60s, Coenties Slip—an obscure street on the lower tip of Manhattan overlooking the East River—was home to some of the most iconic artists in history, and who would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation. Prudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, “The Slip: The New York City Street that Changed American Art Forever” provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion. Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.  Her book, “The Slip: The New York City Street that Changed American Art Forever” has been longlisted for the National Book Award. See the images: https://bit.ly/3rOM7vE Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette

SHULING GUO is an artist born in Guangdong Province, China who graduated from the Oil Painting Department of Central Academy of Fine Arts in Beijing with a BFA in 2010. She immigrated to the United States in 2019, and now lives in Philadelphia and aboard the Sailing Vessel Selkie. In 2012, she had her first solo exhibition Secret Fragrance in Beyond Art Space in Beijing. Since then, her work has been widely exhibited in Beijing, Los Angeles, Philadelphia and among other places. Her works have been included in the permanent collections of Central Academy of Fine Arts Art Museum (Beijing) and Art Museum of Guangzhou Academy of Fine Arts (Guangzhou). In 2020 she held a solo exhibition in New York at Fou Gallery: 5—6 pm. Followed by a second solo exhibition at Fou Gallery in 2022 - Sotto Voce. In Autumn 2022 her work was featured in Platform, in partnership with David Zwirner gallery.

Today I'm chatting with the ever so amazing Prudence Peiffer. Prudence is an accomplished art historian, writer, and Managing Editor of the creative team at the Museum of Modern Art in NYC. She just released her latest book titled "THE SLIP: The New York City Street That Changed American Art Forever" (from Harper Collins), this month.  Prudence is a mom of three young children and will share a bit about her absolutely wonderful Lithub essay on writing, motherhood, creativity. With a PhD from Harvard University and an impressive career spanning positions at Artforum magazine and David Zwirner, her writings have graced the pages of the New York Times, New York Review of Books, Artforum, and Bookforum, showcasing her expertise in modern and contemporary art. Prudence is brilliant. Enjoy today's episode.https://www.prudencepeiffer.com/https://www.coentiesslip.com/Support the showFollow Moms Who Create:Instagram - https://www.instagram.com/momswhocreatepodcast/Facebook - https://www.facebook.com/momswhocreatepodcastMonthly Meeting Book Club - https://www.facebook.com/groups/momswhocreatebookclubWebsite - https://www.momswhocreate.com/

EPISODE 1624: In this KEEN ON show, Andrew talks to the author of THE SLIP, Prudence Peiffer, about Coenties Slip, an obscure street on the lower tip of Manhattan and the remarkable modern artists who got their start there Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Managing Editor of the Creative Team at MoMA, New York. She received her PhD from Harvard University. Following a postdoctoral fellowship at Columbia University, she  was a SeniorEditor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this live episode, Helen and Benjamin H.D. Buchloh discuss his new book, Gerhard Richter: Painting After the Subject of History. This conversation was recorded in the exhibition Gerhard Richter, on view at David Zwirner through April 29th. Gerhard Richter: Painting After the Subject of History is now available wherever books are sold.

A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be. Guadagnino's most recent film Bones and All debuted to critical acclaim last Fall. Michaël Borremans held his seventh solo exhibition at David Zwirner, The Acrobat, in Spring of 2022.

On today's episode, Curator Capucine Jenkins joins me to talk about NFT's, what they are and how you can get started with NFT's as an artist. I had such a great conversation with Capucine as she shared all the details about NFT's and what led to her getting involved in this space.  Capucine Jenkins is the Senior Manager of Digital Art and Curator of NFTs at Saatchi Art. She has a BA in Sociocultural Anthropology, as well as a BA in Art History from Auburn University. Prior to joining Saatchi Art, Capucine worked in numerous museums, most notably at the High Museum of Art in Atlanta. She later accepted roles in research and sales strategy for prominent galleries, such as David Zwirner and Lévy Gorvy in New York. Spanning a decade, Capucine's curatorial career has allowed her to organize historical and contemporary art exhibitions for major institutions, established galleries, and emerging NFT marketplaces. She remains passionate about nurturing young artists and innovating digital art spaces. Her favorite artists include Wangechi Mutu, Charline von Heyl, Toyin Ojih Odutola, and Thornton Dial, among others. LINKS:  https://www.saatchiart.com/     Twitter:@capj_eth     I Like Your Work Links: Notions of Beauty Exhibition Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram  

While Jerry is off this week, Matt is joined by this week's co-host and artist Emily Mae Smith. In this episode, Matt and Emily play overrated, underrated, properly rated (1:22), circle back on the latest updates from the climate change protests (16:07), explore the legacy of the Old Masters amongst the next generation of artists and collectors (25:02), discuss Gerhard Richter's huge move to David Zwirner (34:50), and predict the effects a recession would have on the future of painting (45:51). Get Emily's new book here: www.petzel.com/publications/emily-mae-smith Follow us on Instagram: @jerrygogosian / @mattcapasso Become a premium subscriber for invitations to ABMB events: www.gogosian.com About the podcast: www.artsmackpodcast.com --- Send in a voice message: https://anchor.fm/jerrygogosian/message

If you are new to NFT's and would like to hear about it from the Senior Manager & Curator of NFT's and Digital art from Saatchi Art, the World's Leading Online Gallery, then you are in the right place here! I thoroughly enjoyed this conversation where Capucine breaks NFT's down into digestible information and gives class advice for emerging artists in general and in the NFT and digital space. Here is a little bit about Capucine: Capucine Jenkins is the Senior Manager of Digital Art and Curator of NFTs at Saatchi Art. She has a BA in Sociocultural Anthropology, as well as a BA in Art History from Auburn University. Prior to joining Saatchi Art, Capucine has worked in numerous museums, most notably at the High Museum of Art in Atlanta. She later accepted research and sales strategy roles in prominent galleries, such as David Zwirner and Lévy Gorvy in New York. Spanning a decade, Capucine's curatorial career has allowed her to organize historical and contemporary art exhibitions for major institutions, established galleries, and emerging NFT marketplaces. She remains passionate about nurturing young artists and innovating digital art spaces. Her favorite artists include Wangechi Mutu, Charline von Heyl, Toyin Ojih Odutola, and Thornton Dial, among others. Saatchi Art Capucine Jenkins Profile https://www.saatchiart.com/capucinejenkins Visions of the Future https://www.saatchiart.com/nft https://www.saatchiart.com/nft/visions-of-the-future ARTIVA APP https://artiva.app/ For questions: Twitter @capj__eth It's been an honour to have Capucine on the show and I look forward to a potential part 2 :) Enjoy this episode! --- Send in a voice message: https://podcasters.spotify.com/pod/show/borntocreatepodcast/message

Frieze Masters presents this conversation with Andra Ursuţa & Jeremy Deller in partnership with David Zwirner Gallery (@davidzwirner). Their conversation explores Ursuţa's new exhibition at David Zwirner as well as her inclination towards using clichés and the ‘lowest' regarded forms of artistry, her embrace of spirituality and the influence of the ancient on her work.  "I look at a lot of ancient sculpture. I think, at least in my opinion, that if you try to make something that answers too perfectly to the sort of visual demands of today, your work will look very dated, very quickly." – Andra Ursuţa  Andra Ursuţa was born in 1979 in Salonta, Romania, moved to New York in 1999 and has gained recognition for her inventive sculptural work that mines the darker undercurrents of contemporary society. Jeremy Deller (@jeremydeller) is an English conceptual, video and installation artist.  About the Frieze Masters Podcast  Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available. Bringing together some of today's most celebrated artists, art historians and curators, the podcast launches with the Talks programme from the 2022 edition of Frieze Masters – one of the world's leading art fairs – and offers compelling insight into the influence of historical art on contemporary perspectives and creativity.     www.frieze.com  @friezeofficial

On the occasion of her first book of collected art writings, Malleable Forms (ARP Books), Meeka Walsh, editor of Border Crossings magazine, speaks to guest-host Jarrett Earnest about geographic isolation, the eroticism of art writing, her connection with an emerging spiritual lineage, and about a set of relationships driving her engagement with art. In this far-ranging and generous conversation around publishing, editing, looking, and listening, Walsh reflects, "I'm happiest when I'm writing."Meeka Walsh is a writer, art critic, editor and curator who has had a major influence on the arts in Canada. She is the editor of Border Crossings, an internationally renowned and award-winning quarterly magazine that investigates contemporary culture.Jarrett Earnest is the author of What it Means to Write About Art: Interviews with Art Critics (David Zwirner Books, 2018); editor of Hot, Cold, Heavy, Light: 100 Art Writings 1988-2017 by Peter Schjeldahl (Abrams, 2019), The Young and Evil: Queer Modernism in New York, 1930-1955 (David Zwirner 2020), and Devotion: today's future becomes tomorrow archive (PUBLIC books, 2022), among others. His criticism and long-form interviews have appeared in New York Review of Books, The Brooklyn Rail, Vulture, The Village Voice, ​Los Angeles Review of Books, Art in America, New York Magazine, and many exhibition catalogues and other publications. In 2021 Earnest was awarded a Dorothea and Leo Rabkin prize for visual arts journalism.Our thanks to Jacob Irish (Editor) and Chris Andrews (Assistant Producer), and thanks especially to Jarrett Earnest and Meeka Walsh for their contribution to our fifth season.Many thanks to SFU Galleries for their support; you can listen to their ten-part radio program Listening to Pictures: Artists on the Art Collection, featuring artist voices with lived experience on the West Coast.Please consider donating through our Patreon campaign.

This week: Georgina Adam joins Ben Luke to discuss the intriguing story of the bankrupt entrepreneur and art collector, the museum scholar and a host of Old Master paintings given new attributions. We talk to Suzanne Pagé, the curator of Monet-Mitchell, an exhibition bringing together the Impressionist Claude Monet and the post-war American abstract painter Joan Mitchell, at the Fondation Louis Vuitton in Paris. And this episode's Work of the Week is a 1583 painting of Elizabeth I of England, known as the Sieve Portrait, which is one of the highlights of the Metropolitan Museum of Art in New York's exhibition The Tudors: Art and Majesty in Renaissance England. The show's curators, Elizabeth Cleland and Adam Eaker, tell us about this richly layered picture.Monet-Mitchell, Joan Mitchell retrospective, Fondation Louis Vuitton, Paris, until 27 February 2023. Joan Mitchell: Paintings, 1979-85, David Zwirner, New York, 3 November-17 December.The Tudors: Art and Majesty in Renaissance England, Metropolitan Museum of Art, New York, 10 October-8 January 2023 Hosted on Acast. See acast.com/privacy for more information.

Delphine Hennelly received her BFA from Cooper Union in 2002 and her MFA from Mason Gross School of the Visual Arts at Rutgers University in New Jersey in 2017. A painter, drawer and occasional printmaker, Hennelly explores figuration primarily using the female form. She is a three-time recipient of the Elizabeth Greenshields Foundation Award. Recent presentations include “What A Day!” a group exhibition at EveryDay Mooonday (Seoul, Korea); “Fluuuuudio,” a group exhibition curated by Edoardo Monti presented at Cassina Projects (Milano, Italy); a participation in David Zwirner's Platform; and the solo “Beguiling Tedious Hours” at Pangée (Montreal, Canada). In November 2022, she will have a solo at Carvalho Park (New York, New York). She recently completed a residency at Palazzo Monti (Brescia, Italy). She lives and works in Montreal and is represented by Pangée. Get the Sound & Vision podcast book, WHY I MAKE ART here: https://www.amazon.com/dp/1733622098/ref=cm_sw_em_r_mt_dp_PK38BAC5AR28BWG8ADHR  

Art by women is literally undervalued. The highest price achieved by a contemporary female artist is $12.4m, while it is $91m for a man. If a painting is signed by a man it goes up in value, signed by a woman it goes down. We might expect this historically, but as the majority of art students today are women, why is there such a gender value gap now? To untangle this mystery, Mary Ann Sieghart enters a thrilling world of glitzy, high-stake auctions and make-or-break gallery decisions. She lifts the lid on the opaque world of art valuation, explores how punters react to genderless AI art, and uncovers historic collusion and contemporary bias. She asks if male artists are actually better than women and why, in the bible of the art world today, there is just one woman mentioned, as a footnote. Pinning down work being done to level this playing field, Mary Ann talks to the galleries showing more works by women, discovering powerful women shifting the attention and canny investors who are realising maybe it is just the right time to buy. Featured in the programme are: Frances Morris, director of Tate Modern; Prof of Finance, Renee Adams; from Sotheby's Helena Newman and Marina Ruiz Colomer; philanthropist Valeria Napoleone, Bellatrix Hubert from David Zwirner gallery; author Helen Gorrill, art curator Naomi Polonsky, and the London Art Fair. Producer: Sarah Bowen

Frank Walter's rarely seen work is being exhibited at David Zwirner Gallery on the Upper East Side of Manhattan until July 29th. He was an agriculture expert from the island of Antigua in the Caribbean. After a multi-year sojourn in Europe, Walter returned to Antigua where he spent the rest of his life making art. Few saw these works until the 2017 Venice Biennale. There Walter was featured at the first ever pavilion for Antigua and Barbuda. Hilton Als is a writer for the New Yorker. He is also a frequent curator of art exhibitions. Als happened to be in Venice in 2017 and came upon Walter's work by chance. In this podcast, we talk about Frank Walter and his art. We also discuss Hilton Als's career as a curator. He was involved in the seminal Black Male show staged at the Whitney in 1994. Since then he has put on shows for Victoria Miro Gallery, David Zwirner and the Yale Center for British Art. Als next show is an exhibition on the life and work of Joan Didion. It will be the latest in a number of innovative shows he has created around literary figures. In these shows, he has found a new way to present ideas in gallery spaces.

This month, Sky Goodden speaks with Rahel Aima, a prolific critic, art writer, and Associate Editor at Momus. We focus on a text Aima published in Momus, “Depleting Felix Gonzales-Torres” (July 2020), that takes aim at “a mammoth exhibition” of the late Gonzalez-Torres's 1990 work Untitled (Fortune Cookie Corner). Aima writes “In a move taken right out of the influencer marketing playbook,” Andrea Rosen and David Zwirner, who co-represent his estate, shipped the piece around the world to collectors who would then display and “document them for the ‘gram.” While Gonzales-Torres's work conjures a body through accumulation and depletion, “we can understand the exhibition as an extension of overwhelmingly white, moneyed arts professionals and their tendency to trivialize Black and Indigenous death by trying to relate it to the art world.” Aima engages us in a gripping conversation about writing, including the discomfort of penning a polemic that goes viral.

This month, Sky Goodden speaks with Rahel Aima, a prolific critic, art writer, and Associate Editor at Momus. We focus on a text Aima published in Momus, “Depleting Felix Gonzales-Torres” (July 2020), that takes aim at “a mammoth exhibition” of the late Gonzalez-Torres's 1990 work Untitled (Fortune Cookie Corner). Aima writes “In a move taken right out of the influencer marketing playbook,” Andrea Rosen and David Zwirner, who co-represent his estate, shipped the piece around the world to collectors who would then display and “document them for the ‘gram.” While Gonzales-Torres's work conjures a body through accumulation and depletion, “we can understand the exhibition as an extension of overwhelmingly white, moneyed arts professionals and their tendency to trivialize Black and Indigenous death by trying to relate it to the art world.” Aima engages us in a gripping conversation about writing, including the discomfort of penning a polemic that goes viral.

This week on the show we are visiting with brilliant gallerist Ebony L. Haynes, who founded and runs 52 Walker, a David Zwirner gallery. As you'll hear in this episode, Ebony has crafted a space where she and the artists she works with are doing things differently. The installations are large, ambitious, and not exactly easy to collect — involving virtually every fathomable medium: multichannel video installations, kinetic light and sound installations, performance, and more. This coupled with the pace of programming of four shows a year - each one a solo show, each one results in a published book - it's just sort of an art nerd's dream. Not to mention that they recently  launched a circulating library within the gallery. Tune in to hear Ebony's story!Links from the conversation with Ebony> https://www.52walker.com/> https://www.davidzwirner.com/New way to support the show - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

The celebrated artist on the role of art criticism today, and how she probes and ultimately goes beyond the limitations of her painting in her other practice as a writer. This episode with Sillman, who in 2020 published Faux Pas, a new collection of her writings, is guest-hosted by Jarrett Earnest, and is the last of his three-part miniseries on serious artists who are also serious writers.  Amy Sillman: Faux Pas is available here. Her work will be featured in the 2022 Venice Biennale, and was recently on view in Toni Morrison's Black Book, an exhibition curated by Hilton Als at David Zwirner's 19th Street gallery in New York.

This week, Corinne Acampora goes one-on-one with Bettina Huang, GM and Head of Platform, a leading e-commerce site that brings art-world expertise to a new generation of collectors and art enthusiasts. With a focus on accessibility, diversity and inclusivity, Bettina has established both a work environment and a collecting resource that strives to break down art world barriers historically built on elitism, exclusivity, and opacity. In contrast, Bettina's vision for Platform is to create a space where art enthusiasts can easily discover a diverse offering of art and artists that speaks to their individual aesthetic, lifestyle, and personal interests -- without any prior art world expertise required. In this engaging conversation, Bettina reveals how she initially pitched her concept to leading gallerist David Zwirner, how she laid the groundwork to build the company's infrastructure, and her plans for future company growth.

This week we discuss the work of the fabulous, unsung painter, poet, critic, and theorist Jesse Murry. Though Murry died of AIDS-related complications in 1993 and faded into relative obscurity, his work is getting a second life through a recent exhibition at David Zwirner in NYC and the publication of Painting is a Supreme Fiction: Writings by Jesse Murry, 1980-1993 by Soberscove Press. Murry's deceptively simple abstract paintings and lucid critical writing allow us to ask what queerness looks, sounds, tastes, and smells like. We also play gay trivia from 1985, discuss throbbing pens and the near impossibility of comprehending abstract art when you're color blind, and make a lot of farting noises on our arms.Thank you for listening; it means the world to us! Be sure to like, subscribe, and tell your WHOLE sewing circle to do the same!Links:Jesse Murry at David Zwirner, so you can play along!Painting is a Supreme Fiction from Soberscove Press Twitter: @DocumentaBInstagram: @DocumentaBarbrismWebsite: DocumentaBarbrism.comEmail: buttstuff@documentabarbrism.comAffiliate links:I host House of Barbrism on Buzzsprout!I record Adventures in Gaybysitting on Riverside.fm!

Welcome to our second Lockdown episode, which we recorded a couple of weeks ago. As the world slowly starts to reawaken from the grasps of Covid-19, we're still tasked with consuming the majority of our art digitally. In this episode we review a selection of virtual viewings from around the world, which include: Josh Smith at David Zwirner (via a New York rooftop); Indigenous Art at the National Gallery of Victoria; Marlene Dumas at Xeno X Gallery in Antwerp; a Google tour of the Museu de Arte de São Paulo; a documentary of David Hockney exhibitions at the Royal Academy; and London's first dedicated public art walk 'The Line'. Despite Lockdown, we still live in a fast-paced world, and both of the news stories we discuss have advanced and developed since recording, so we urge you to follow the show notes below for up-to-date coverage. With this podcast we focus our gaze on the art world, but it was important to us to talk about Black Lives Matter and specifically about how the museum and gallery world has responded to it this month. Museums have widely been criticised for a predominantly hollow response to it. We hope to keep our eye on this important topic and observe how the art world sticks to its pledges over time. Elsewhere in the art world we've been following the search for renegade art dealer Inigo Philbrick who sold artworks to multiple buyers, and then fled. (Since recording, Philbrick has now been arrested on the Pacific Island of Vanuatu.)Focusing on American-born artist Chantal Joffe this episode, we discuss her depictions of women, motherhood, and pornography. Working in East London, Joffe relies on self-portraiture, and depicting the women around her, including her teenage daughter. We wonder how her daughter will look back at her time as her mother's muse!SHOW NOTES:Josh Smith 'High as Fuck' at David Zwirner, ongoing: https://www.davidzwirner.com/news/jos-high-as-fuck-exhibition'Marking Time: Indigenous Art from the National Gallery of Victoria', ongoing: https://www.ngv.vic.gov.au/virtual-tours/marking-time/ Marlene Dumas 'Double Takes' at Xeno X Gallery, Antwerp: http://www.zeno-x.com/newsletters/2020MD_vimeo.htmlGoogle Arts and Culture Tour of Museu de Arte de São Paulo Assis Chateaubriand: https://artsandculture.google.com/partner/maspThe David Hockney Royal Academy Documentary: https://www.royalacademy.org.uk/article/exhibition-on-screen-documentary-david-hockneyThe Line: https://the-line.org/Black Lives Matter - what art museums did next: https://makingamark.blogspot.com/2020/06/black-lives-matter-what-art-museums-did-next.htmlArtists, Curators, and Dealers Launch Initiatives to Support Black Lives Matter Movement: https://www.artnews.com/art-news/news/art-world-black-lives-matter-protests-repsonse-1202689676/Here is an up-to-date story that scopes out British museums too: Controversy Over Museums' Black Lives Matter Statements Continues as Critics Pillory British Institutions: https://www.artnews.com/art-news/news/british-museums-black-lives-matter-statements-controversy-1202690203/Alex Greenberger at Art News has widely covered this: https://www.artnews.com/author/alex-greenberger/In search of Inigo Philbrick, the disappearing art dealer: https://www.gq-magazine.co.uk/culture/article/inigo-philbrickThe Art World's Mini-Madoff and Me - Boozy nights and high-stakes art trades with Inigo Philbrick: https://www.vulture.com/2020/03/inigo-philbrick-art-dealer.htmlInigo Philbrick, art world prodigy, is arrested months after fleeing the US in multimillion-pound art scam: https://www.tatler.com/article/inigo-philbrick-art-dealer-arrested-vanuatu-south-pacific-art-fraudChantal Joffe on painting, pastel and parenthood: https://www.apollo-magazine.com/chantal-joffe-artist-interview/

This episode was inspired by the recent events we've all seen in our own towns and across the country. I want to share one way I've been inspired to help. Why does art matter? Art dealer David Zwirner wrote an essay for the New York Times titled: Art Is How We Justify Our Existence. Our technologies are tools. But our creative works carry the wisdom of the world. What we do, who we support, the art we support and promote matters. This episode is to help us look at how art can create a movment. Learn more about your ad choices. Visit megaphone.fm/adchoices

cover art 中作品：SHAKESPEARE AT DUSK / 爱德华·霍普 / 布面油画 / 43.8 × 63.8cm / 1935 小栏目“这里特别乱”再次登场。 话题包含：上海的艺博会趋势，李诞的“自私”，马云谈艺术时的分裂感，艺术空间卖复制品。 预热之后，节目正戏是纽约纪行系列的收官。略显严肃的版画艺术周之后，我们放松一点，讲讲纽约的画廊区 Chelsea，MoMA美术馆，给希望去纽约欣赏现当代艺术的朋友一点参考。 此外，纽约好吃么？地铁方便么？纽约的书店，jazz bar 什么样子？ 散点透视，分享纽约印象。 · ■ 主播 杨老师 dj 乱花 · ■ Song List Beck - Dark Places 福良居 - voyage Superorganism - Everybody Wants To Be Famous ■延伸阅读 MoMA https://www.moma.org Phillips 拍卖行 https://www.phillips.com/ PACE PRINTS （佩斯版画） http://www.paceprints.com/ David Zwirner （卓纳画廊） https://www.davidzwirner.com/ 豪瑟沃斯 25周年 mini site https://www.hauserwirth.art/zh/ academy records （唱片店） https://www.academy-records.com/ McNally Jackson Books https://www.mcnallyjackson.com/ Smalls Jazz Club https://www.smallslive.com/ · ■ Say Hi 感谢你的收听！关于节目和主播的动态，欢迎关注我们的社交号： 「一画一话」微博：一画一话＿the＿View＿Talk 「一画一话」微信：一画一话theViewTalk Instagram和Facebook上也可以找到我们。 如果你喜欢我们的节目请在你常用的平台留下好评，将节目分享给你的朋友。

We're serving BACK to BACK exhibition content for our listeners this month. It's October, when the art world wakes up in London and we've been running around soaking up as much content as our beady eyes can take in. Art from emerging megalopolises at the Palais de Tokyo, art in skips, William Blake at the Tate Britain, Tim Walker at the V&A and much more. We then dissect the documentary that shook the art world: The $50 Million Art Swindle, and keeping our art detective hats on we ruminate over who stole Maurizio Cattelan's gold toilet, and where is it now? Stolen artworks lead us into our October Artist Focus, Anselm Kiefer. Join us as we attempt to summarise an artist who has captured the holocaust through painting, sculpture and photography, but if you didn't think he had anything in common with the sitcom Will and Grace, think again!SHOW NOTESThe Art Gorgeous September 'Sheroes': https://theartgorgeous.com/september-art-sheros/Palais de Tokyo 'Prince/Princesses de Ville': https://www.palaisdetokyo.com/fr/evenement/princesses-des-villesV&A LGBTQ Monthly Tours: https://www.vam.ac.uk/event/96W7yE6o/lgbtq-tour-2019 After Jessie's tenuous knowledge of Britain's gay kings, here's a more informative guide: https://www.pinknews.co.uk/2017/12/19/the-gay-royals-you-arent-taught-school/ Skip Gallery: https://www.skipgallery.com/ Clare Woods 'Doublethink' at the Simon Lee Gallery: https://www.simonleegallery.com/exhibitions/168/press_release/ Jasmine Thomas-Girvan & Chris Ofili 'Affinities' at David Zwirner: https://www.davidzwirner.com/exhibitions/affinities Tim Walker 'Wonderful Things' until 8 March 2020 at the V&A: https://www.vam.ac.uk/exhibitions/tim-walker 'It's Her Factory: Helen Beard' at Unit London: https://theunitldn.com/whats-on/44/ Peter Doig 'Paintings' at Michael Werner, until 16 November 2019: http://michaelwerner.com/exhibition/5790/ Rhiannon Salisbury 'Habitual Submission' at Delphian Gallery: https://delphiangallery.com/portfolio/habitual-submission/ William Blake at the Tate Britain until 2 February 2020: https://www.tate.org.uk/whats-on/tate-britain/exhibition/william-blake-artist Bored Panda's A Silly But Accurate Guide on How to Recognize Famous Painters by Their Art: https://www.boredpanda.com/famous-paintings-artists-how-to-recognize/?utm_source=google&utm_medium=organic&utm_campaign=organic The $50 Million Art Swindle on BBC2: https://www.bbc.co.uk/programmes/m0008rt3 and disclaimer, yes we know Steinbeck is the novelist, and Steinway is the piano! Slight slip of the tongue there. The stolen golden toilet: the perfect punchline to an 18-carat joke: https://www.theguardian.com/artanddesign/2019/sep/16/maurizio-cattelan-solid-gold-toilet-america-stolen-blenheim-palace A group of thieves bungled a break-in at Anselm Kiefer's studio when trying to steal one of his sculptures: https://news.artnet.com/art-world/anselm-kiefer-stolen-sculpture-1649026 Paul Celan 'Death Fugue': https://poets.org/poem/death-fugue Lost in the terrain: Anselm Kiefer: http://www.artnet.com/magazine_pre2000/features/schjeldahl/schjeldahl2-12-98.asp Inside Anselm Kiefer's astonishing 200-acre art studio: https://www.theguardian.com/artanddesign/2014/sep/12/anselm-kiefer-royal-academy-retrospective-german-painter-sculptor

“I really felt ten years ago that there was a huge opportunity for me at different levels in the art world,” says David Zwirner, whose eponymous gallery opened in New York more than 25 years ago, has since expanded to London and Hong Kong and is increasingly focusing on its online strategy. “Of course, expansion fuels expansion,” he says. “At the same time, I think there's a huge risk. There's definitely a ‘too big' possible.” In conversation with Allan Schwartzman (co-founder of AAP and a chairman of Sotheby's) and our host Charlotte Burns (executive editor, In Other Words), Zwirner discusses the future of the business and the state of the market—and talks about what he is looking for in the next generation of artists. For more, tune in today. Transcript: https://www.artagencypartners.com/transcript-60-david-zwirner/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.