Podcast appearances and mentions of Nan Goldin

Fotografka Francesca Woodman, umelkyňa, ktorá spoludefinovala fotografiu v 70. rokoch, teda v dobe, kedy len získavala náležitý status vo svete umenia. Inovátorka, ktorej tvorba sa uzavrela príliš skoro, mala iba 22 rokov. Woodman tak vytvorila svoje dielo, ktoré dnes patrí ku kľúčovým a otvorilo cestu fotografkám ako Nan Goldin a Cindy Sherman rovnako sa zaoberajúcim témou identity, v priebehu iba osemročnej tvorivej fázy. No aj napriek tomu môžeme sledovať kreatívny vývoj umelkyne, ktorá testovala možnosti fotografie a do centra svojich diel dala ženské telo, vlastné telo. Jej tvorba je intímna, Woodman vytvára imaginárnu, často surreálnu, realitu, no presne inscenovanú, performatívneho charakteru a s množstvom významových aj metaforických vrstiev. Mariana Jaremková si na rozhovor o Francesce Woodman pozvala rektorku VŠVU Bohunku Koklesovú.

Felix Hoffmann is an image and cultural scholar and the inaugural Artistic Director of the Center for Photography and Lens-Based Media FOTO ARSENAL WIEN and the Director of FOTO WIEN. From 2005 to 2022, he served as the Chief Curator of the exhibition space C/O Berlin, where he was responsible for exhibitions, programs, and strategy. He curated numerous international exhibitions, including Nan Goldin (2009), Robert Mapplethorpe, Peter Lindbergh (2011), Gordon Parks (2014), Ren Hang and Elfie Semotan (2018), and William Eggleston (2023), as well as thematic exhibitions like Eerily Familiar: Images of Terror (2011), The Last Image: Photography and Death (2018), and Send me an Image: From Postcards to Social Media (2020).  - Follow Felix on Instagram here --> https://www.instagram.com/felix_hoffmann__/   FOTO ARSENAL WIEN is Austria's new center for photography and lens-based media. Since 2023 it has been responsible for the FOTO WIEN festival, and starting in 2025 it will be responsible for the Festival Vienna Digital Cultures with the Kunsthalle Wien. Initiated as a media literacy center by the city of Vienna in fall 2022, FOTO ARSENAL WIEN explores all facets of photography. As a hub for photography and lens-based media in Austria, the institution brings together historical and international topics at the interface between analog and digital worlds as well as between static and moving pictures. FOTO ARSENAL WIEN presents the full spectrum of the medium of photography in up to twelve exhibitions held annually in a one-thousand-square-meter exhibition space—a combination of young talents, still-to-be-discovered photographers, and internationally known artists. - https://www.fotoarsenalwien.at/en/ - https://www.instagram.com/foto_arsenal_wien/   FOTO WIEN is a member of the European Month of Photography (EMOP), a European collaborative project that currently includes photography festivals in Berlin, Brussels, Lisbon, and Luxemburg. Once an insider event for Vienna's lively photography scene, FOTO WIEN has become Austria's largest festival of photographic images in over twenty years of collective commitment. It offers programs for a broad audience that is interested in art and contemporary events as well as a professional audience. FOTO ARSENAL WIEN has been the organizer since 2023. - https://www.fotowien.at/en/ - https://www.instagram.com/foto_wien/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 7. March 2025 between Perth (AU) and Vienna (A).

We meet bestselling writer Shon Faye to discuss her new book Love In Exile and artists she admires: Nan Goldin, The Bloomsbury Group, Bernini, Michelangelo, Pedro Almodóvar's Bad Education and performers including Tom Rasmussen, Madonna and David Hoyle.Shon Faye grew up quietly obsessed with the feeling that love was not for her. Not just romantic love: the secret fear of her own unworthiness penetrated every aspect and corner of her life. It was a fear that would erupt in destructive, counterfeit versions of the real love she craved: addictions and short-lived romances that were either euphoric and fantastical, or excruciatingly painful and unhinged, often both. Faye's experience of the world as a trans woman, who grew up visibly queer, exacerbated her fears. But, as she confronted her damaging ideas about love and lovelessness, she came to realize that this sense of exclusion is symptomatic of a much larger problem in our culture.Love, she argues, is as much a collective question as a personal one. Yet our collective ideals of love have developed in a society which is itself profoundly sick and loveless; in which consumer capitalism sells us ever new, engrossing fantasies of becoming more loved or lovable. In this highly politicized terrain, boundaries are purposefully drawn to keep some in and to keep others out. Those who exist outside them are ignored, denigrated, exiled.In Love in Exile, Shon Faye shows love is much greater than the narrow ideals we have been taught to crave so desperately that we are willing to bend and break ourselves to fit them. Wise, funny, unsparing, and suffused with a radical clarity, this is a book of and for our times: for seeing and knowing love, in whatever form it takes, is the meaning of life itself.Shon Faye is author of the acclaimed bestseller The Transgender Issue. Her work has been published in, among others, the Guardian, Independent, British Vogue and VICE. Born in Bristol, she now lives in London.As Frieze magazine recently wrote: Shon Faye is one of the most celebrated non-fiction authors in the UK, rising to fame for her discerning prose on culture, relationships and class. Her first book, The Transgender Issue (2021), a provocative treatise on gender identity debates in the UK, was part of her rise to fame. Not only did Faye offer a detailed survey of queer history, but she also indicated why trans-liberation is connected to liberation for all. Her new book of essays, Love in Exile (2025), explores the existential and social challenges of courtship and heartache. Rather than focus solely on the discrimination that many transgender people face, however, the text is a literary memoir that interrogates how ancient and present-day writers conceptualize and dissect love. As a Vogue contributor with her advice column ‘Dear Shon' (2022–ongoing), host of the podcast Call Me Mother (2021–ongoing) and author of Dazed & Confused Magazine's ‘Future of Sex' series (2022–ongoing), she addresses the topic of romance with honesty and poise.Follow @Shon.Faye on InstagramBuy Love in Exile, published by Pengiun.You can also follow @TalkArt for images of all artworks discussed in today's episode. Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

TW: suicide, violences, drogues/addictionNon, cette image n'est pas une revisite du Baiser de Klimt, ni de celui de Magritte. Derrière ce cliché pris à la volée se cache une photographe : Nan Goldin, et une histoire plus sombre, celle de toute une génération.Deux crises sanitaires, un même drame : l'épidémie du sida et la crise des opioïdes révèlent l'échec du système de santé américain. Nan Goldin dénonce un système qui ignore la souffrance des marginalisés et pointe la responsabilité de l'industrie pharmaceutique, en particulier de la famille Sackler.Avec son collectif P.A.I.N, elle mène des actions contre les institutions culturelles qui reçoivent des donations des Sackler et exige que Purdue Pharma à l'origine de l'Oxycontin reconnaisse les dangers de ses produits. Lors d'une manifestation au Met, elle interpelle :« Famille Sackler, Purdue Pharma, utilisez vos profits pour sauver des vies, les Sacklers mentent des gens meurent ! »Comparant la crise des opioïdes au sida, elle alerte :« Une génération a disparu dans les années 80… Allons-nous laisser l'histoire se répéter ? »De photographe de l'intime à photographe du réel, Nan Goldin a témoigné pour tous ces gens qui ne pouvaient plus, pour tous ces gens qui ont disparu. C'est l'histoire d'une lutte sans répit pour être vus. D'une femme contre une famille. D'une artiste contre un empire : l'empire de la douleur, celui des Sackler, producteurs de L'OxyContin. Comment une simple pilule, prescrite par les médecins, a-t-elle pu être à l'origine de l'un des plus grands scandales sanitaires des dernières décennies ?Des racines du malade aux racines du mal, on parlera d'un trafic de petits cachets devenu un nouvel esprit du capitalisme, et surtout de ce projet démiurgique : cacher la douleur ou y mettre tout simplement fin.crédit photo et bibliographie :  https://docs.google.com/document/d/1hR6nGalT9HDAXawPP11RWwS9_ZZtrTGMT2kpUlsOKi8/edit?usp=sharingecriture et voix : Ambre Duval et Lea Brayette montage, son, communication : Lea brayette 

Composer, Eoghan Desmond on his nature-infused new work for Chamber Choir Ireland, Guthanna ar an gCnoc; Orit Gat on the slide shows, activism... and playlists of Nan Goldin; and satnav and cacti crash the soundworlds of Foteini Tryferopoulou.

Composer, Eoghan Desmond on his nature-infused new work for Chamber Choir Ireland, Guthanna ar an gCnoc; Orit Gat on the slide shows, activism... and playlists of Nan Goldin; and satnav and cacti crash the soundworlds of Foteini Tryferopoulou.

Annemieke Bosman in gesprek met Mattie Boom. Samen met Hans Rooseboom stelde Boom de tentoonstelling American Photography samen voor het Rijksmuseum in Amsterdam. Amerika is met voorsprong het belangrijkste en invloedrijkste land in de fotografie. Sinds de uitvinding van de fotografie in 1839 is deze kunst doorgedrongen tot in de haarvaten van de Amerikaanse samenleving. In geen enkel land wordt het medium zo breed, zichtbaar en invloedrijk gedragen.  De tentoonstelling American Photography viert deze verbintenis in meer dan 280 beelden die het Amerikaanse leven tonen door de lens van fotografen als Robert Frank, Andres Serrano, Nan Goldin, Andy Warhol, Diane Arbus, Dawoud Bey, Carleton Watkins en Paul Strand. 

Julia und Matthias sprechen über die Ausstellung HIGH NOON, die wegweisenden Arbeiten von Nan Goldin, David Armstrong, Mark Morrisroe und Philip-Lorca diCorcia zeigt. Im von Wertekonservatismus und Neoliberalismus geprägten politischen Klima der Reagan-Ära der 1980er Jahre beginnen diese Fotograf*innen das Leben der New Yorker Subkultur in intensiven und oft schockierend intimen Bildern festzuhalten. Goldin, Armstrong und Morrisroe, eng miteinander befreundet, dokumentieren ihre Peergroup mit unverwechselbarem Stil und autobiografischem Ansatz. Ihre Werke zeigen intime Momente von Liebe, Freundschaft und Verfall vor dem Hintergrund von Leidenschaft, Sucht und Aids. DiCorcia hingegen inszeniert aus alltäglichen Szenen in seiner Umgebung Fiktionen, schafft idealisierte Archetypen und spielt mit dem Konzept des fotografischen Dokuments. HIGH NOON präsentiert etwa 150 Arbeiten aus der Sammlung F.C. Gundlach, die bis heute nachwirken – sowohl auf die Kunstwelt, als auch auf die gesellschaftliche Wahrnehmung von Sexualität, Beziehungen und Identität. In den DAS IST KUNST-Shorties stellen Julia Schulze Darup und Matthias Schönebäumer regelmäßig aktuelle Ausstellung der Deichtorhallen Hamburg vor. Kurz und knapp beantworten sie die wichtigsten Fragen: Worum geht es eigentlich? Wer sind die Künstlerinnen und Künstler und was muss ich eigentlich sonst noch über die Ausstellung wissen?

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode  Emily chats with multimedia artist Tricia Rainwater. Tricia delves into her artistic journey, focusing on self-portrait photography and installations. Her work, seen in exhibitions like 'Allegedly the Worst is Behind Us' at San Jose's Institute for Contemporary Art, addresses themes of political innateness, erasure, and the importance of creating personal archives. She also shares her experiences from childhood photography to her impactful pieces that highlight missing Indigenous women and girls. Their conversation touches on the emotional power and societal responsibilities of art.About Artist Tricia Rainwater:Tricia Rainwater (she/her) is a mixed Choctaw Indigiqueer multimedia artist based on Ramaytush Ohlone land. Tricia's work ranges from self portraiture to large sculptural installations. Her work has been featured nationally and internationally through group shows and artist features. In her work, Tricia, focuses on creating pathways to a resilient and hopeful future by centering the process of grieving and healing. She is a recent recipient of the SF Artists Grant through the SF Arts Commission.Visit Tricia's  Website:  TriciaRainwater.comFollow Tricia  on Instagram:  @TriciaRainwaterArtLearn more about the exhibit, 'Allegedly The Worst Is Behind Us', currently at the ICA San Jose - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

We meet artist Carsten Höller for some perceptual playtime to celebrate New Year's Day! We explore Höller's collection of odd tasks and mischievous game-play.Carsten Höller invites readers to disrupt their daily lives with 336 mind-expanding diversions. They can be played alone, in pairs or in teams, in the street, in bed, on a train, wherever. No props or materials are needed. Just one body, all senses and a willingness to try something new, that's possibly conceptually or physically challenging, but guaranteed to entertain and to widen the player's horizons.Some games are more obviously daring than others – unexpectedly shouting ‘bang!' when your driver's reversing into a parking space is sure to elicit a reaction – but that's absolutely the point. Other games involve covertly dropping strange phrases into conversation, executing somersaults (without practice), or plucking hairs from your opponent's head while they stay poker-faced.Höller's scientific professional background informs his keenness to create what he calls Influential Environments. He wants to tease the brain while testing its limitations, through activity and passivity, agency and inertia. He conceived his first game with a group of friends in 1992, during a tedious dinner after an exhibition opening. Since then, he has collected and invented ideas, inspired by friends, life, the Surrealists, and Arthur Rimbaud. All games are illustrated with commissioned or pre-existing artworks and photographs. We find portraits by Inez van Lamsweerde & Vinoodh Matadin, August Sander, and Nan Goldin next to paintings by Salvador Dalí; snapshots of Joseph Beuys plus son and Donna Haraway plus dog next to appointed pieces by Christine Sun Kim and Anri Sala; film stills by Chantal Akerman, extracts from Shakespeare as well as treasures from Höller's personal archive—and his mother's.Edited by Stefanie Hessler and Hans Ulrich Obrist, this book encourages readers to engage in playful yet cerebral experiments that will leave them with a sense of wonder, disorientation, and a subtle smirk on their face.As an artist, Carsten Höller conducts radical experiments. His “Influential Environments” explore alternative scenarios, reimagining possibilities for human behavior and interaction and have been shown in major installations and solo exhibitions internationally over the last two decades. In 2022, he opened his restaurant Brutalisten in Stockholm and presented the third iteration of The Double Club in Los Angeles in 2024. Born in 1961 in Brussels to German parents, Höller currently lives and works in Stockholm and Biriwa, Ghana.Follow @Carsten.Holler on Instagram. Hosted on Acast. See acast.com/privacy for more information.

In the latest OLD NEWS roundup with Emily Colucci of Filthy Dreams, we start by revisiting our prior, charged exchanged about Louis CK, in which Emily was admittedly a bit of an apologist for him, which alienated some listeners- in this case, while we don't land on the same page, we do air out our respective perspectives, and Emily dubs herself a contrarian. This leads to a brief discussion of the culture of heterodoxy, which promotes viewing issues from multiple angles as opposed to just your typical ideology; Emily's interest in what she calls ‘the trash aesthetic,' the pinnacle of which she explored by braving a late-October rally at Madison Square Garden featuring you-know-which-politician as the headliner, an event she ultimately describes as surprisingly boring; Emily's own article (appearing in the Oct. 12th OLD NEWS), “GAGOSIAN-BRANDED STICKER MADE ME HATE NAN GOLDIN'S “YOU NEVER DID ANYTHING WRONG,' in which she critiques Goldin's exhibition at Gagosian through the highly distorted lens of being made to cover up her phone's camera lens with a Gagosian-branded sticker (and Emily now knows the impact of her blog post about it- which is that the gallery's not going to do the sticker cover-up anymore); Emily shares her admiration for Goldin, not only her art but also her activism, through P.A.I.N. as well as that related to A.I.D.S. To hear this episode in its entirety, including bonus content on Gary Indiana, Libbie Mugrabi and more, go to: patreon.com/theconversationpod where you can support the podcast for as little as $1 a month

„This Will Not End Well“ — ein Titel, der wie eine unheilvolle Prophezeiung klingt. Die Wanderausstellung der Fotografin Nan Goldin ist bis kommenden April in der Neuen Nationalgalerie zu sehen. Um die Künstlerin und ihre Haltung zum Krieg in Nahost hat es heftige Diskussionen gegeben. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-nan-goldin-this-will-not-end-well

„This Will Not End Well“ — ein Titel, der wie eine unheilvolle Prophezeiung klingt. Die Wanderausstellung der Fotografin Nan Goldin ist bis kommenden April in der Neuen Nationalgalerie zu sehen. Um die Künstlerin und ihre Haltung zum Krieg in Nahost hat es heftige Diskussionen gegeben. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-nan-goldin-this-will-not-end-well

„This Will Not End Well“ — ein Titel, der wie eine unheilvolle Prophezeiung klingt. Die Wanderausstellung der Fotografin Nan Goldin ist bis kommenden April in der Neuen Nationalgalerie zu sehen. Um die Künstlerin und ihre Haltung zum Krieg in Nahost hat es heftige Diskussionen gegeben. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-nan-goldin-this-will-not-end-well

Berlin'de Neue National Galerie'de siyasal açıdan tartışmalar yaratan Nan Goldin sergisi başta olmak üzere güncel sanat haberlerine değinirken, Hamburger Bahnhof'ta açılışında Semiha Berksoy retrospektifine de değiniyoruz. 

Weiterhin Diskussionen über die Abschlusserklärung der Klimakonferenz in Aserbaidschan, SPD-Jugendorganisation Jusos kritisiert Diskussion über Spitzenkandidaten, Amerikanische Künstlerin Nan Goldin kritisiert Israels Vorgehen im Gazastreifen, Weitere Meldungen im Überblick, Der Sport, Das Wetter Hinweis: Die Beiträge zu den Themen "Fußball" und "Curling" sowie "Skispringen" dürfen aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden. Korrektur: Die Sendung wurde nachträglich bearbeitet.

Da war er, der erwartete Eklat. Ort: Berlin. Anlass: die Eröffnung einer Ausstellung der jüdischen Künstlerin Nan Goldin. Schön war es nicht, sagt Meron Mandel, der ein begleitendes Symposium organisiert. „Aber ich denke, das kann man gut aushalten.“ Mendel, Meron www.deutschlandfunkkultur.de, Fazit

Probst, Carsten www.deutschlandfunk.de, Kultur heute

Weiterhin Diskussionen über die Abschlusserklärung der Klimakonferenz in Aserbaidschan, SPD-Jugendorganisation Jusos kritisiert Diskussion über Spitzenkandidaten, Amerikanische Künstlerin Nan Goldin kritisiert Israels Vorgehen im Gazastreifen, Weitere Meldungen im Überblick, Der Sport, Das Wetter Hinweis: Die Beiträge zu den Themen "Fußball" und "Curling" sowie "Skispringen" dürfen aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden. Korrektur: Die Sendung wurde nachträglich bearbeitet.

Probst, Carsten www.deutschlandfunk.de, Kultur heute

Die Nan-Goldin-Retrospektive ist vor ihrer Eröffnung in Berlin ins Fahrwasser der Debatte um Antisemitismus in der Kunstszene geraten. Ein vermittelndes Symposium soll nun den Konflikt entschärfen. Doch kann das gelingen? Cheema, Saba-Nur www.deutschlandfunkkultur.de, Fazit

As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.

As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.

Perhaps best known for his novels Motherless Brooklyn (1999), The Fortress of Solitude (2003), and Chronic City (2009)—or, more recently, Brooklyn Crime Novel (2023)—the author, essayist, and cultural critic Jonathan Lethem could be considered the ultimate modern-day Brooklyn bard, even if today he lives in California, where he's a professor of English and creative writing at Pomona College. His most celebrated books take place in Brooklyn, or in the case of Chronic City, on Manhattan's Upper East Side, and across his genre-spanning works of fiction, his narratives capture a profound sense of the rich chaos and wonder to be found in an urban existence. Lethem is also the author of several essay collections, including the newly published Cellophane Bricks: A Life in Visual Culture (ZE Books), which compiles much of his art writing from over the years written in response to—and often in exchange for—artworks by friends, including Gregory Crewdson, Nan Goldin, and Raymond Pettibon.On the episode, Lethem discusses his passion for book dedications; the time he spent with James Brown and Bob Dylan, respectively, when profiling them for Rolling Stone in the mid-aughts; how his work is, in part, a way of dealing with and healing from his mother's death in 1978, at age 36; and why he views his writing as “fundamentally commemorative.”Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Jonathan Lethem[5:35] Cellophane Bricks[5:35] High School of Music and Art[5:35] Motherless Brooklyn[5:35] The Fortress of Solitude[5:35] The Disappointment Artist[5:35] Maureen Linker[7:15] Carmen Fariña[8:26] Julia Jacquette[8:26] Rosalyn Drexler[9:08] The Great Gatsby[9:08] Brooklyn Crime Novel[10:59] Lynn Nottage[13:08] Bennington College[13:08] Bret Easton Ellis[13:08] Donna Tartt[23:41] The Collapsing Frontier[23:41] Italo Calvino[23:41] Cold War[23:41] Red Scare[23:41] J. Edgar Hoover[27:37] Dada movement[27:37] Ernest Hemingway[27:37] Gertrude Stein[27:37] Dissident Gardens[29:38] Reaganism[29:38] “Does intergenerational transmission of trauma skip a generation?”[31:21] John Van Bergen[31:21] Nan Goldin[34:33] “The Ecstasy of Influence”[34:33] Lawrence Lessig[35:31] Copyleft movement[35:31] Hank Shocklee[38:46] Hoyt-Schermerhorn Station[42:32] “Being James Brown: Inside the Private World of the Baddest Man Who Ever Lived”[42:32] “The Genius and Modern Times of Bob Dylan”[51:00] Chronic City[54:04] The Thalia[55:50] “Lightness” by Italo Calvino[1:06:26] Jorge Luis Borges

Jack Mason, the iconic creator of the Perfume Nationalist podcast, joins the show to definitively define what we call "The Gen-X Problem", with numerous digressions into topics like Huysmans, Nan Goldin being a junkie hag, Gavin McInnes, Satanic Panic, Howard Stern, Steve Albini, Brat, Kamala and more... SOUNDTRACKDouglas Coupland on Gen-X Madonna "Pray for Spanish Eyes" Burzum "Dunkelheit" Kool Keith "Blue Flowers" Trump on Stern Aphex Twin "Digeridoo" LIVE Nirvana "Aneurysm" LIVE LINKSThe Perfume Nationalist on Patreon Follow Jack at X: @lotus__pointAdam Lehrer, The Safety Propaganda Conceptual Manifesto, point #190Adam Lehrer, A Generation in Transition Part #1Adam Lehrer on Steve Albini

"J'ai eu besoin d'écrire sur l'amour parce que je ne crois plus qu'il y ait quoi que ce soit à reconstruire ou à réinventer. Il faut détruire l'idée d'amour. " Majé, enseignante, chercheuse, autrice : "Non-binaire quand je suis dans ma chambre, femme cisgenre quand je me présente aux autres".Majé ouvre un débat passionnant : et si finalement, l'amour au sens "relation amoureuse", plutôt qu'un souhait positif, n'était en fait, que l'origine de nombreuses souffrances. Et si on sortait de la matrice ? Des schémas répétitifs ? En serait-on plus heureuse, heureux ? J'ai dévoré le livre de Majé "Ne plus tomber (en amour) - manifeste de dissidence affective" (éditions Ixe), paru en octobre 2023. Dans cet épisode, nous évoquons : l'éducation (conditionnement ?) à l'amour et à la quête d'une relation amoureuse, la dépendance affective, le male gaze (être validé·e par les hommes) mais aussi la joie, le plaisir, la sexualité, la tendresse, la jalousie ou la compersion, les différentes formes d'amour ou de relations intimes pas forcément amoureuses, la CONSIDERATION qu'on est en droit d'attendre de tout partenaire, le consentement, l'amitié, l'habitat, le sommeil (en solo ou à plusieurs) etc. Si vous êtes une grand·e romantique, et que le titre de l'épisode vous effraie, ouvrez votre cœur et votre esprit, cet épisode vous est dédié, vraiment ! Si vous voulez soutenir Single Jungle, avec un don en une seule fois (ou +), j'ai ouvert un Tipeee : https://fr.tipeee.com/single-jungle. J'ai suivi le conseil d'auditrices et d'auditeurs qui ont proposé de participer à la hauteur de leurs moyens, ponctuellement, aux frais des épisodes (prise de son/montage). Merci aux premières personnes qui ont participé ! MERCI à tous et toutes ! Single Jungle a dépassé les 340 000 écoutes cumulées, tous épisodes confondus ! C'est un bel accomplissement ! En route pour les 400 000 ! AUTO-PROMO : Je suis encore passée sur France inter ! Cette fois, dans l'émission "Blockbusters" animée par Frédérick Sigrist, avec Jennifer Padjemi (autrice, journaliste, podcasteuse) et Benjamin Benoit (journaliste et auteur), pour parler de la série "Grey's Anatomy", série féministe, inclusive, qui a déjà 20 ans ! Merci à toute l'équipe, attachés de production : Lysiane Larbani, Benjamin Dussy, réalisation : Charles De Cilliahttps://www.radiofrance.fr/franceinter/podcasts/blockbusters/blockbusters-du-vendredi-12-juillet-2024-8349512Extrait : https://www.instagram.com/p/C9XGV0WAJfQ/La 1ère fois, c'était dans la matinale la plus écoutée de France, animée par Léa Salamé et Nicolas Demorand. Et en plus j'étais aux côtés de Judith Duportail ! C'était super. N'hésitez pas à mettre un like et/ou commentaire, ça aide mon référencement : https://youtu.be/QOaP9WlBcTw?si=tLMgg_rrhMoxSkApLien audio : https://www.radiofrance.fr/franceinter/podcasts/le-debat-du-7-10/le-debat-du-7-10-du-lundi-01-avril-2024-2959967 Références citées dans l'épisode ou en bonus (à suivre) résumé du livre de Majé :"J'ai eu besoin d'écrire sur l'amour parce que je ne crois plus qu'il y ait quoi que ce soit à reconstruire ou à réinventer. Il faut détruire l'idée d'amour. Un jour, Majé en a eu marre. Marre d'être fragilisée par la relation amoureuse, marre d'être anéantie par la rupture, marre de tomber chaque fois dans le même piège. Alors elle a décidé d'arrêter, et ce fut plus facile que prévu. Car si l'amour est une belle boîte noire qui nous arrive toute ficelée, quand on l'ouvre pour chercher à comprendre comment fonctionne l'engrenage, on se rend compte que tous ces rouages qui tournent ensemble peuvent être dissociés les uns des autres. Et à y regarder de plus près, on voit qu'il est possible de ne garder que les moments beaux, intenses et drôles en renonçant au désir d'être « tout » pour l'autre. Et on peut alors choisir de préférer à l'amour la tendresse radicale."https://www.placedeslibraires.fr/livre/9791090062818-ne-plus-tomber-en-amour-maje/ Autres livres "Libres ! manifeste pour s'affranchir des diktats sexuels" d'Ovidie et Diglee (éditions Delcourt) "Sexfriends : comment (bien) rater sa vie amoureuse à l'ère numérique, de Richard Mèmeteau (éditions La Découverte) "Si je veux : mère célibataire par choix" de Johanna Luyssen (éditions Grasset), et son prochain livre "Mères solos : Le combat invisible des mères célibataires", à paraître le 4 septembre 2024 (éditions Payot) "Maternités rebelles" de Judith Duportail, à paraître le 23 octobre 2024 (Binge Audio Editions), couverture dessinée par Chien fou « Polyamoureuse, confidences d'une femme qui aime au pluriel » de Lucile Bellan (éditions Larousse) "Au-delà du personnel : Pour une transformation politique du personnel" ouvrage collectif dirigé par – Grand livre, 30 mai Corinne Monnet et Léo Vidal, résumé :«Il faut du temps. Du temps pour réfléchir, discuter et tenir compte des rapports inégalitaires de genre. Du temps ensuite pour essayer, se tromper, réfléchir, discuter et reprendre. J'ai maintenant trente-sept ans, je réfléchis, je discute, j'essaye, je me trompe, je reprends… Les relations multipartenariales transparentes s'apprennent progressivement – comme la guitare, la bicyclette ou l'espagnol. Mais c'est une discipline encore confidentielle avec peu de pratiquants et peu de pratiquantes.Quant aux manuels et autres ouvrages théoriques… Parmi ceux qui existent en France, Au-delà du personnel explore le genre, le féminisme et l'amour libre dans une perspective libertaire. Vingt ans après le début de cette nouvelle vague de libération affective et sexuelle des années 2000, à une époque qui balbutie encore sa liberté sexuelle entre tantrisme et adultère serein, ce livre reste indéniablement d'actualité. »Éva ThiébaudAvec des contributions de : Tamara Bower, Christel, Katherine Davis, Françoise d'Eaubonne, Dominique Fauquet, Sarah Franklin, Claude Guillon, Sheila Jeffreys, Joris, Lola, Stanfield Major, Marie-Odile Marty , Elise Matthesen, Corinne Monnet, Annie S. Murray, Nicolas, Simone Nijboer, Noémie, Weia Reinboud, Jackie Stacey, Sylvie, Éva Thiébaud, Naomi Tucker, Léo Vidal et Rymke Wiersma. Podcasts Single Jungle, épisode 60 : Ella, 38 ans, a fait congeler ses ovocytes (en Espagne, car c'était trop tard en France) https://singlejungle.lepodcast.fr/ep-point-60-ella-38-ans-a-fait-congeler-ses-ovocytes-je-ne-voulais-plus-depee-de-damocles-au-dessus-de-la-tete "Marie et les œufs en neige", podcast génial de Marie Cahu, à écouter ici : https://www.binge.audio/podcast/le-coeur-sur-la-table/marie-et-les-oeufs-en-neige et en intégralité ici : https://open.spotify.com/show/6VdQuPdfONEWNypix9Emp1 "Les mecs que je veux ken" de Rosa Bursztein, avec Judith Duportail https://open.spotify.com/episode/7kFfQpY23ig25JTk1XA2XF?si=KPTRo76rQiqFrnpl5mbe7w Suivez Judith Duportail, réflexions sur sa vie de jeune maman PMA sola, de jumeaux !, sur son compte Instagram : https://www.instagram.com/judithduportail_/ "Plaisir d'offrir" (sur le don d'ovocytes) de Klaire fait grr, prises de son additionnelles : Elodie Font, Réalisation & mix : Samuel Hirsch, chez Arte Radio https://www.arteradio.com/serie/plaisir_d_offrir [Bonne nouvelle : depuis la loi d'août 2021, le conjoint de la personne qui donne ses gamètes n'a plus à donner son consentement. Ce qui n'était pas le cas lorsque Klaire Fait Grr a fait son don d'ovocytes.] Lucile Bellan, et sa règle personnelle des 24h (et non 48h comme je l'indique dans l'épisode) où elle a besoin d'une pause entre 2 relations intimes avec ses amoureux, amoureuses, dans le cadre de son polyamour. Elle évoque aussi sa vision de la compersion, en comparant avec une mousse au chocolat que l'un de ses amoureux, amoureuses, mangerait sans elle, eh bien, elle serait alors ravie pour elle ou lui. Mais.. les gens ne sont pas des desserts chocolatés, donc pas toujours évident de ne pas être jalouse, jaloux... à retrouver dans l'épisode 66 de Single Jungle https://singlejungle.lepodcast.fr/ep-point-66-lucile-bellan-polyamoureuse-ce-qui-coince-cest-que-je-prenne-du-temps-pour-moi-alors-que-je-suis-maman Photos Oeuvres de Nan Goldin https://www.mep-fr.org/les-collections/nan-goldin/Voir aussi le documentaire avec Nan Goldin, réalisé par Laura Poitras, et sorti en 2022 "Toute la beauté et le sang versé" https://youtu.be/6H_y2iCuQ3I?si=jX4fGG4zMQteLKpD Vidéo Pourquoi les couples se disputent systématiquement à Ikea ? Sketch de Gad Elmaleh dans son spectacle "L'autre, c'est moi"https://youtu.be/6ptarOq0vs4?si=8Vg2kbuKP80TXmMu AVERTISSEMENT IMPORTANT : Ne jamais s'inscrire sur une application ou site de rencontres payant sans 1) lire les avis sur Google (Play store) ou Apple (App store) 2) lire les conditions tarifaires d'abonnement. Ainsi je vous déconseille fortement le site PARSHIP, qui pratique l'extorsion : on ne peut pas résilier avant 1 an obligatoire, même si on n'utilise plus le service, qui n'est pas satisfaisant, car très peu de personnes dans votre région. Le service client n'a que mépris pour les clients et le service communication ne veut rien entendre (un comble), aucun arrangement possible. Donc évitez une dépense inutile. Episode enregistré en avril 2024, merci à elle (et à son chat) pour son hospitalitéMontage et mixage : Isabelle FieldMusique : Générique de "Manimal", virgules sonores : Edouard JoguetLogo conçu par Lynda Mac-ConnellHébergement : Podcloud

Join the Hogg Hive on Patreon for ad-free episodes every week, and some upcoming bonus episodes.Kate's back from Cannes! She and BL catch up on the last films of the festival and her journey in the Tom Crui-niverse. BL went to see Nan Goldin's The Ballad of Sexual Dependency in Ballarat and is very excited to tell you about the two special editions of the mX she guest-edited for RISING this year!This week, Brodie is joined by Lucia Aniello for a chat about Hacks, a recent visit to Schwartz and Sandy's, the Tom Cruise Coconut Cake and some incredible recommendations. Lucia is the co-creator, -writer, -producer, -director and showrunner of Hacks, along with Paul W. Downs and Jen Statsky. She was a director on Broad City and the Netflix reboot of The Babysitters Club (vale queen!!!!!), and she and Paul co-wrote and -directed the film Rough Night and the webseries Time-Traveling Bong, which BL recommended way back in episode 8!See AlsoAn interview with Hacks' costume designerLucia and Paul on Talk EasyReal Housewives of South BostonAlso AlsosLucia recommends: Mary and George, On Writing by Stephen King, buying a pair of socks when you're visiting a new placeBrodie recommends: the fresh-squeezed OJ from Northcote IGA, Renee Gracie: Fireproof on Stan(nes), The Uncoupling by Meg Wolitzer (and the related story, ‘Mitzvah Night Is CANCELLED' Inside the sex strike that has infuriated husbands and shaken the ultra-Orthodox world by Talia Lavin in the Cut)Kate recommends: Officine Universelle Buly bath salts, 'How 3M Discovered, Then Concealed, the Dangers of Forever Chemicals' by Sharon Lerner, the AirFly Pro Deluxe Bluetooth Transmittor. Hosted on Acast. See acast.com/privacy for more information.

We meet Sir Elton John and David Furnish to discuss their epic, brand new exhibition Fragile Beauty. Opening this weekend, Saturday, 18 May 2024 at the V&A South Kensington.An unparalleled selection of the world's leading photographers, telling the story of modern and contemporary photography. Discover iconic images across subjects such as fashion, celebrity, reportage and the male body. This exclusive episode was recorded in person at the South of France home of Elton & David.Showcasing over three hundred rare prints from 140 photographers, Fragile Beauty is a major presentation of twentieth- and twenty-first-century photography, on loan from the private collection of Sir Elton John and David Furnish. Selected from over seven thousand images, the photographs—many of which are on public display for the first time—are era-defining images that explore both the strength and vulnerability inherent to the human condition.Over the past 30 years, Sir Elton John and David Furnish have carefully built an unrivalled collection of photography. Remarkable in its range and depth, it's a who's who of photographer and subject ranging across disciplines from fashion and film to landscape and reportage.This interview is also included in the accompanying new book which presents 150 of the most important photographs from artists including Diane Arbus, Richard Avedon, Nan Goldin, David LaChapelle, Robert Mapplethorpe, Zanele Muholi, Helmut Newton, Cindy Sherman, Andy Warhol and Ai Weiwei. Featuring an afterword from Sam Taylor-Johnson and an in-depth interview with Sir Elton John and David Furnish by Russell Tovey and Robert Diament, as well as curatorial insights into themes within the collection - Fragile Beauty shares images that are beautiful, dynamic, striking, sometimes disturbing but always inspiring. Buy the book from Waterstone's, the V&A gift shop or wherever you buy your books.Follow @VAMuseum @EltonJohn @DavidFurnishVisit: https://www.vam.ac.uk/exhibitions/fragile-beauty-photographs-from-the-sir-elton-john-and-david-furnish-collectionBuy tickets from the V&A, £20.Exhibition runs from 18th May 2024 – 5th January, 2025Victoria & Albert Museum, Londonwww.vam.ac.ukSpecial thanks to Elton & David, their collection curator Newell Harbin and their wonderful team at Rocket. Thank you to the incredible V&A curator Lydia Caston and the entire museum team including Rebecca Fortey. Hosted on Acast. See acast.com/privacy for more information.

La styliste âgée de 82 ans nous reçoit à La Fab, sa galerie du treizième arrondissement à Paris, où elle expose jusqu'en avril une partie de sa collection de photographies.Agnès b. évoque son enfance à Versailles dans une belle maison proche du château puis dans un grand appartement auprès d'un père bâtonnier et d'une mère au foyer passionnés de culture. Elle-même s'intéresse très tôt à la musique puis au dessin. Mais agressée sexuellement par son oncle, elle garde un goût amer de ces premières années où elle a « été très peu protégée ». Elle se marie à 17 ans et travaille dans une galerie où elle commence à fréquenter le milieu artistique parisien puis devient styliste. Elle se confie sur sa conception de la mode depuis le lancement de sa marque à son nom et sur son envie de mettre en avant les artistes qu'elle aime comme Basquiat, Nan Goldin ou plus récemment Dennis Morris. Des personnalités auxquelles elle trouve une certaine hardiesse. Elle revient longuement sur sa relation avec Quentin Tarantino : « Il a envoyé son habilleuse à ma boutique à Los Angeles pour “Reservoir Dogs” et ensuite il y a eu “Pulp Fiction”. Figurez-vous que j'ai vu il y a deux semaines “Django Unchained”. Ça m'a bouleversée, ça m'a obsédée. C'est un scénario magnifique qu'il a écrit. Il a vraiment fait des recherches sur l'esclavage et sur cette période. Leonardo DiCaprio joue génialement dans ce film. Ses images m'imprègnent. »Depuis cinq saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Johanna SebanRéalisation : Emmanuel BauxMusique : Gotan Project

As we approach the end of the year we will be sharing talks from Michael's New Year's Silent Retreats. In this episode, Michael gives a talk on depression, mental health, the negativity bias in the brain, and how we can have reverence for every moment of our lives. He talks about the Dalai Lama, photographer Nan Goldin, neuroscientist Rick Hanson, Yun-Men, and how to find your light. New Year's Silent Meditation Retreat 2014-15 at Chapin Mill in Upstate New York. Photo by Andréa de Keijzer. The Awake in the World podcast is brought to you by the generosity of our amazing Patreon supporters, making it possible for us to keep Michael's archive of teachings available to the public. To become a patron, visit: patreon.com/michaelstone.

For the last guest-episode of 2023, art critic Jarrett Earnest joins me to celebrate his beautiful new book, VALID UNTIL SUNSET (Matte Editions), which brings together his Polaroids and a second-person narrative to create a bewitching trip through memory, art, grief, friendship, and more. We talk about how the sudden death of his father paralyzed and then catalyzed him, the importance of making art before fully recovering from a bad experience, how the artist's job is to be a question mark, and how a Nan Goldin exhibition started him on taking pictures of the people and places that mattered to him. We get into his friendships with Genesis P-Orridge and Peter Schjeldahl, and Genesis' imprecation to do/make/be the Most Fabulous Imaginable Version, the importance of road trips and pilgrimages, what he learned from interviewing a series of art critics, the freedom & addictiveness of writing in the second person, why we need to make an argument about why any art matters at all today, and why he loves writing about artists he knows. Plus, we discuss the value of public-facing life in NYC, how it felt to perform selections from Valid Until Sunset, how he thinks of writing in terms of shape, the importance of having a really good analyst and really dumb personal trainer, why you don't need to be part of Barbenheimer, and a lot more. Follow Jarrett on Instagram and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

"The image is the least important thing about what went on." Photographers Rene Matić and Clifford Prince King explore the risks and rewards of photography, lenses of love and connection, and the power of preserving community through imaging à la Nan Goldin and Catherine Opie, with host Gemma Rolls-Bentley.Clifford Prince King is an artist living and working in New York and Los Angeles. He documents his intimate relationships in traditional, everyday settings that speak on his experiences as a queer black man. In these instances, communion begins to morph into an offering of memory; it is how he honors and celebrates the reality of layered personhood. Within Clifford's images are nods to the beyond. Shared offerings to the past manifest in codes hidden in plain sight, known only to those who sit within a shared place of knowledge. Learn more about his practice at www.cliffordprinceking.com. Find him on IG at @cliffordprinceking.Rene Matić is a London-based artist and writer whose practice spans across photography, film, and sculpture, converging in a meeting place they describe as "rude(ness)" - an evidencing and honouring of the in-between. Rene draws inspiration from dance and music movements such as Northern soul, Ska, and 2-Tone as a tool to delve into the complex relationship between West Indian and white working-class culture in Britain, whilst privileging queer/ing intimacies, partnerships and pleasure as modes of survival. Learn more about their practice at www.renematic.com. Find them on IG at @rene.matic.A full transcript of the episode is available here.Rene's exhibition kiss them from me runs until December 9, 2023, at Chapter, NY. Their new commission Mid Land is on view at The Herbert Art Gallery & Museum as a part of Coventry Biennial 2023.Clifford's exhibition keep a place for me, with Ryan Patrick Krueger, is on view at Rivalry Projects, Buffalo, NY, through December 20, 2023.This podcast series is produced by the Leslie-Lohman Museum of Art. Dreaming of Home is on view September 7–January 7, 2024. Learn more about the show at leslielohman.org/exhibitions/dreaming-of-homeShow music: Fantasy Island Obsession by Tom Rasmussen ft. Kai-Isaiah Jamal Hosted on Acast. See acast.com/privacy for more information.

We meet American artist Tabboo! (Stephen Tashjian, b. 1959, Leicester, Massachusetts) at his apartment in the East Village.We discuss his love of painting, his collection of glitter, early friendships via Boston including Nan Goldin and Jack Pierson. We explore his 1980s move to NY inspired by Klaus Nomi and New Wave, which led to his own regular performances at the legendary Pyramid Club appearing next to other drag legends like Rupaul and Lady Bunny. Notably, Tabboo! also contributed graphic design for album covers such as Deee-Lite's World Clique. The curly lettering on the album cover became an iconic image for the band and the rave culture of the early 1990s.Tabboo! is a multidisciplinary artist and painter based in New York City. He renders his subjects in a direct, intuitive style, suspending figurative elements against dreamlike colorfields. Tabboo! often draws subjects from his surroundings, depicting expressive cityscapes, portraits of friends, or imaginative still lifes inspired by the plants in his apartment. He also paints large, panoramic works and site-specific murals. These immersive settings recall the painted backdrops he made for performances in the 1980s and 1990s.While performing regularly himself, Tabboo! also designed numerous event fliers, posters, and album covers featuring his signature curvilinear text, which still appears in his work. Roberta Smith described Tabboo!'s paintings as “delicious, fresh and transparent, revealing every touch of color, every pour and drip.” His work is held in the collections of the Hammer Museum, Los Angeles; Institute of Contemporary Art, Miami: Museum of Fine Arts, Houston, Texas; and the Whitney Museum of American Art, New York.Tabboo!'s work is on view in the exhibition The Myth of Normal: A Celebration of Authentic Expression at the MassArt Art Museum, Boston, though May 19, 2024.Follow @TabbooNYC and https://karmakarma.org/artists/tabboo/and https://www.gordonrobichaux.com/artists/tabboo Hosted on Acast. See acast.com/privacy for more information.

It's finally here, Britney Spears highly anticipated memoir “The Woman In Me” is out, and Zan has read it all in one hit. We go in with all you need to know, as Britney reclaims her story. It's been a big week for Beyonce too, as we mark 10 years since she visited Brunswick, and she releases a new perfume to mark the occasion. Maybe not related, but we'll say they are. Kings of Leon have come a long way from their southern charm, and are being called out for being absolute dicks at a festival by Groove Armada. Pass the popcorn. And a 90's dream union has come true, with the children of icons continuing the dynasty. Goatees are back (ew), and AI has a hotness problem. Have you noticed? Meanwhile we're banging on about a brilliant doco on artist/activist Nan Goldin, and Brigid Delaney's Wellmania. Show notes: The Woman in Me: https://www.theguardian.com/music/2023/oct/24/britney-spears-memoir-most-shocking-woman-in-me Beyonce in Brunswick: https://twitter.com/zanrowe/status/1716546112411369952 Beyonce parfum: https://twitter.com/zanrowe/status/1716546112411369952 Kings of Leon: https://www.pedestrian.tv/music/groove-armada-call-kings-of-leon-jerks-on-internet/?mibextid=Zxz2cZ# Frances Bean Cobain: https://www.brooklynvegan.com/kurt-cobains-daughter-marries-tony-hawks-son-officiated-by-michael-stipe-report/ The Goatee is back: https://www.thetimes.co.uk/article/goatee-beards-are-back-7dl85l2kb AI's stereotypical Australians: https://www.dailymail.co.uk/news/article-12647765/Stereotypical-Australian-looks-like-town-AI-Midjourney-sydney-melbourne-adelaide.html AI has a hotness problem: https://www.theatlantic.com/technology/archive/2023/10/ai-image-generation-hot-people/675750/ All the Beauty and the Bloodshed: https://www.youtube.com/watch?v=YD5pYQiT1D4&ab_channel=HBO Wellmania: https://www.goodreads.com/book/show/34451942-wellmania Watch Bang On on YouTube: https://www.youtube.com/playlist?list=PL7HSPnTFVAuGTaDiTDU-ldkW5A2Lxbb5N Bang Back to us: bangon.podcast@abc.net.au Bang On is an ABC podcast, produced by Double J. It is recorded and produced on the lands of the Wurundjeri people of the Kulin nation, and the lands of the Dharawal people. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Arielle dropped out of school aged 15 to sail across the Atlantic in a vintage boat - an unpopular decision with the grownups in her life and also the dawn of an incredible creative career as a multimedia artist and filmmaker that has seen her exhibit alongside the likes of Nan Goldin, Wolfgang Tillmans and collaborate with rock royalty. We caught up with the polymath in a rare still moment at her home in Venice, California where she was nursing a broken shoulder (rather than surfing, kayaking, taking photos, painting or making music videos) to pull ten cards from The Creative Blood Experience deck.In the episode Arielle references Julian Schnabel's outdoor studio  which you can see in this film by Nowness, one of her favourite photographers Bill Henson who she connected with on his socials and the Language Transfer App she's using to learn Italian at speed.And take a leaf out of Arielle's playbook and connect with her on Insta.After you've listened (or even whilst!) take a closer look at her Archipelago series, the first ever show at LA's renowned fashion and art space, Just One Eye.This episode was created in partnership with the brilliant humans here Creative Blood and Scenery Studios. Say hello @creativebloodagency Music by Ben Tarrant-BrownProducer Lina PrestwoodMixed by Rob Martland

In December 2020, Congress approved funding for a new Smithsonian Museum dedicated to women's history to be built on the National Mall in Washington, D.C. But our nation's capital has actually been home to a dedicated women's museum, the vaunted National Museum of Women in the Arts, since 1987. The institution, founded by Wilhelmina Cole Holliday and her husband Wallace, was the first of its kind in the world. Its mission was simple, to educate viewers about women's long overlooked contributions to art history. In its 36 years of existence, the museum has amassed an impressive collection of over 6, 000 works by more than 1,500 international artists including Frida Kahlo, Berthe Morisot, and Louise Bourgeois, as well as contemporary figures such as Judy Chicago, Nan Goldin, Mariah Robertson, and Amy Sherald. Less than six months after Wilhelmina's death in March 2021, the museum closed for its first major renovation, a planned $67.5 million project slated to take two years. The work has included a revamp of the performance hall, adding a new learning commons with a research library and education studios where there were once offices, as well as 15 percent more exhibition galleries. Plus, behind the scenes space for collection storage and conservation. On the eve of its reopening, Artnet News spoke with NMWA director Susan Fisher Sterling about the institution's past, present, and future, and the work that still needs to be done to ensure proper recognition for women artists.

Dans cet épisode, Benji raconte comment et pourquoi (selon lui) il a été banni de Twitter, désormais appelé X. On a plusieurs pistes, où se cache la vérité. Daniel raconte un peu le retour du Japon et le peu dont il se souvient de la nuit Nanarland ainsi que quelques films qu'il a vu là-bas. Et puis, on parle de Dogman, le dernier Luc Besson. Les recommandations (01:10:00) Benjamin: F-Zero 99 sur Switch Online Daniel : Infinity Strash Dragon Quest, un peu mais surtout "Toute la beauté et le sang versé" le documentaire autour du combat et la vie de Nan Goldin. Montage: Baptiste Bertrand Et on remercie comme toujours chaleureusement nos généreux Patreotes !

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade's worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women's rights face challenges and restrictions across the nation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Episode SummaryOur last episode explored addiction from the perspective of loved ones. In this episode, we are looking at the opioid crisis from the point of view of a retired FBI agent, Aaron Weeter, who spent 25 years specializing in drug-related crimes. From his frontline perspective, we learn how the opioid epidemic of the 90s spread to become the fentanyl epidemic we have today. For the visually-minded who prefer to listen and read or for those who need closed captioning, watch the transcript video here: https://youtu.be/oXq6XJ_z-HIAbout Aaron WeeterBeginning in 1998, Aaron served for over 23 years as a Special Agent in the Federal Bureau of Investigation's Washington, D.C. Field Office.  He served for twenty years as a case agent and three years as a supervisor investigating matters primarily involving white-collar/financial crimes in the areas of healthcare fraud and prescription drug diversion and distribution.  During this time, Aaron also worked on a variety of national/office-wide cases including the 9-11, D.C. Sniper and January 6th investigations among others.  Aaron is a licensed Certified Public Accountant (CPA) and a Certified Fraud Examiner.  He retired from the FBI in late 2021 and recently started a fraud consulting business.  Much of Aaron's FBI investigative work focused on the illegal distribution of pharmaceutical narcotics and other controlled substances by physicians, pharmacists and street-level dealers.  He opened his first "pill case" in early 1999 in the early stages of what would become the pill epidemic and through dozens of cases thereafter, had a window into the evolution of the pill epidemic and its influence on the current fentanyl epidemic gripping the U.S.  More to Watch and ReadChasing the Dragon: The Life of an Opiate Addict - a documentary made by the FBI & DEADr. Feelgood: Dealer or Healer? - a documentary about Dr. William Hurwitz, a Virginia physician who served nearly five years in prison for drug traffickingAnonymous Sister - a documentary where director Jamie Boyle explores her family's collision with the opioid epidemicAll the Beauty and the Bloodshed - a documentary about artist and activist Nan Goldin and her personal fight to hold the Sackler family accountable for the opioid overdose crisisDemon Copperhead by Barbara Kingsolver - a novel that shows the devastating impact of the opioid epidemic on a young boy in AppalachiaDopesick: Dealers, Doctors, and the Drug Company that Addicted America by Beth Macy - the definitive account of America's opioid epidemicRaising Lazarus: Hope, Justice, and the Future of America's Overdose Crisis by Beth Macy - a sequel to DopesickDopesick - Hulu limited series remake of Beth Macy's book Empire of Pain: The Secret History of the Sackler Dynasty by Patrick Radden Keefe - a book that describes the Sackler family and their role in the opioid epidemicThe Family That Built an Empire of Pain - article by Patrick Radden Keefe that led to the bookWhat Can Be Done?Words Matter - Terms to Use and Avoid When Talking About Addictionhttps://www.cdc.gov/opioids/basics/fentanyl.html: https://www.cdc.gov/drugoverdose/prevention/index.htmlFentanyl Test StripsFind Narcan Near YouIf you or someone you know is struggling with substance use disorder, SAMHSA's (Substance Abuse and Mental Health Services Administration) National Helpline, 1-800-662-HELP (4357), (also known as the Treatment Referral Routing Service) or TTY: 1-800-487-4889 is a confidential, free, 24-hour-a-day, 365-day-a-year, information service, in English and Spanish, for individuals and family members facing mental and/or substance use disorders. This service provides referrals to local treatment facilities, support groups, and community-based organizations. Callers can also order free publications and other information. You can also visit https://www.samhsa.gov. How opioid addiction occurs - Mayo ClinicList of Treatment Facilities and Support GroupsDrug Takeback ProgramsSafe Drug DisposalRelated EpisodesAddiction to Sobriety: A Mother's JourneyAnonymous SisterFind and Follow Carole and Wisdom Shared:https://www.caroleblueweiss.com/Subscribe to my YouTube channel: https://www.youtube.com/@WisdomSharedCaroleBlueweissFollow me and send me a message on Facebook: https://www.facebook.com/caroleblueweissFollow me and send me a message on LinkedIn: https://www.linkedin.com/in/caroleblueweiss/Follow me on Instagram: https://www.instagram.com/carole_blueweiss/The Wisdom Shared TeamAudio Engineering by Steve Heatherington of Good Podcasting WorksSocial Media and Marketing Coordinator: Kayla Nelson

Saturday on PBS News Weekend, King Charles III is crowned Britain's monarch in a ceremony not seen in 70 years. Then, a conversation about living with COVID, as national and global public health emergencies come to an end. Author and podcaster Aubrey Gordon discusses her new book that tackles myths about fatness. Plus, photographer Nan Goldin shares her Brief But Spectacular take on survival. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Nan Goldin is a renowned photographer and activist whose work has documented LGBTQ+ subcultures, the AIDS crisis and the opioid epidemic. Recently, Goldin and her work were the subject of the documentary "All the Beauty and the Bloodshed." She shares her Brief But Spectacular take on survival. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Today we pay tribute to the landmark episode “A Woman's Right to Shoes”, a timeless tale of good versus evil featuring Oscar winner Tatum O'Neal as Carrie's ultimate nemesis. Topics discussed include Tasti D-Lite erasure, the Nan Goldin to Anne Geddes pipeline, Dr. Robert Leeds' fabulous outfit, Samantha's crusade against children, shoe-shaming, and more!Today's episode is brought to you by, Nutrafol. Enter the promo code OUTFIT  to save FIFTEEN DOLLARS off  your first month's subscription.Want to hear our thoughts on the new And Just Like That teaser? Get episodes early and without ads? Become a Patron! Go to Patreon.com/EveryOutfitWE HAVE A HOTLINE! Disagree with us? Make your case and we may play it on the show. Questions, secrets, or gossip from the And Just Like That set are also welcome. Call 323-486-6773

Today on True Story, the Oscar-nominated HBO doc "All the Beauty and the Bloodshed" gets the Tig and Cheryl treatment. It's an incredible doc about the photographer Nan Goldin and her battle with the Sackler family, but Tig and Cheryl also find time to talk about "Herbie: Fully Loaded," Tig's time in Mississippi, and much more!*this episode spills beans* (tigandcheryltruestory@gmail.com)Follow the show:Instagram: @tigandcheryltruestoryTwitter: @TandCTrueStoryGet merch at podswag.com/truestorySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The ladies are back to discuss Vogue's annual Met themed May issue, Met red carpet predictions, the death of fashion legend Mary Quant, the dissolution of Taylor and her London Boy, Chelsea goes full Kaylor truther (again), the brilliance of Swarm, which fandom is most likely to kill, Nan Goldin's incredible documentary All the Beauty and the Bloodshed,  Kravis's wedding special, AND SO MUCH MORE! See Vogue's Met Editorial Watch SwarmWatch Nan Goldin's All the Beauty and the BloodshedRead the NYT's Style Section profile on Joss SacklerWatch 'Til Death Do Us Part: Kourtney & Travis This week's episode is brought to you by  Nutrafol.  Enter the promo code OUTFIT  to save FIFTEEN DOLLARS off  your first month's subscription.Like what you heard? Want to hear more? Like our thoughts on Clueless? Become a Patron! Go to Patreon.com/EveryOutfit

What a CreepSeason 19, Episode 8Wanye LaPierre and the NRAWayne LaPierre is the CEO of the NRA, the National Rifle Association. He's the man who said the only thing that stops a bad guy with a gun is a good guy with a gun. He's the man who blames mental illness, video games, and movies every time there's another mass shooting in this country. He's the man who made the NRA the powerful lobbying organization it is today. Wayne LaPierre is a greedy, selfish creep who manipulates the public discourse on guns to keep those donation dollars flowing into the NRA.Sources for this episode include:ABC NewsThe AtlanticBBCGiffords Law CenterThe GuardianNBC NewsNew York TimesNew York TimesThe New YorkerPBS's Frontline and Gunned Down: The Power of the NRAVanity Fair - From Misfire: Inside the Downfall of the NRA by Tim MakWikipediaTrigger warnings: Gun violence involving men, women, children, and elephantsBe sure to follow us on social media. But don't follow us too closely … don't be a creep about it! Subscribe to us on Apple PodcastsTwitter: https://twitter.com/CreepPod @CreepPodFacebook: Join the private group!Instagram @WhatACreepPodcastVisit our Patreon page: https://www.patreon.com/whatacreepEmail: WhatACreepPodcast@gmail.comWe've got merch here! https://whatacreeppodcast.threadless.com/#Our website is www.whatacreeppodcast.comOur logo was created by Claudia Gomez-Rodriguez. Follow her on Instagram @ClaudInCloud

Insulin Maker Eli Lilly Finally Caps The Drug's Cost In 1923, drug manufacturer Eli Lilly became the first company to commercialize insulin. Since then, its cost has skyrocketed. But this week, the company announced that it is capping the cost of insulin at $35. This comes as a huge relief to many Americans, since insulin has become the face of pharmaceutical price gouging. Over the last 20 years, the price of insulin has grown by six times, making this essential, life-saving drug unaffordable to many who need it. Purbita Saha, deputy editor at Popular Science, joins Ira to talk about this announcement and other science news of the week. They chat about a new at-home test for COVID-19 and the flu, how the bird flu outbreak is faring, what we learned from NASA's DART mission, and why scientists are growing a mushroom computer.   It's Spacetime And Science Season At The Oscars The Academy Awards are almost upon us, airing March 12. Movie buffs may have already seen many of the nominated films. But for science geeks, there's another form of criteria for what films go on the top of their watchlist: Do these movies include science? This year, a whole bunch of Oscar nominees are driven by science as part of the plot. The Best Picture category has three: the multiverses in “Everything Everywhere All at Once,” the water-based society in “Avatar: The Way of Water,” and the gravity-defying aerial stunts in “Top Gun: Maverick.” The Documentary Feature Film category is also ripe for science analysis: “Fire of Love” follows the love story between two French volcanologists, “All That Breathes” follows brothers who run a bird hospital in Delhi, and “All the Beauty and the Bloodshed” spotlights Nan Goldin's advocacy against the opioid-creating Sackler family. Ira is joined by Sonia Epstein, curator of science and technology at the Museum of the Moving Image in Queens, New York, to discuss these films and more—including science-oriented films that were snubbed from this years' awards.   The Lasting Allure Of Shackleton's ‘Endurance' There are few stories about heroic survival equal to Sir Ernest Shackleton's Antarctic rescue of his crew, which turned disaster into triumph. In August of 1914, 28 men set sail from England to the South Pole. Led by Shackleton himself, the group hoped to be the first to cross Antarctica by foot. However, their ship, the Endurance, became stuck in ice. It sank to the bottom of the frigid Antarctic waters, leaving most of the men stranded on a cold, desolate ice floe. Shackleton, with five of his crew, set out in a small boat to bring help from hundreds of miles away. Finally, after many months of fighting the cold, frostbite and angry seas, Shackleton was able to rescue all his men with no loss of life. Over the years, there have been many attempts to find the Endurance shipwreck. None were successful until a year ago, when the wreck was located for the first time since it sank back in 1915. Ira is joined by Mensun Bound, maritime archeologist and the director of exploration on the mission that found the Endurance. His new book, The Ship Beneath the Ice, is out now.   Transcripts for each segment will be available the week after the show airs on sciencefriday.com.

This week, hear from the creators of the five films nominated for the Best Feature Documentary Oscar, ahead of the ceremony on March 12th. Today: Laura Poitras, documentary director and producer, discusses her film, "All the Beauty and the Bloodshed" about the photographer Nan Goldin's life and work and her activism to have the Sackler family name removed from NYC's cultural institutions. "All the Beauty and the Bloodshed" is in theaters, including IFC Center.

The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.Book critic Maureen Corrigan reviews Up With the Sun, by Thomas Mallon.One of the most acclaimed jazz pianists of his generation, Brad Mehldau sits down at the piano, for music and conversation. His album, Your Mother Should Know, interprets songs by The Beatles.

The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.Also, John Powers reviews the documentary (also Oscar-nominated) All That Breathes.