Podcast appearances and mentions of The Brooklyn Rail

From 1949 until his death in 1997, Murray Kempton was a distinct presence in New York City journalism. Peddling around town on a three-speed bicycle wearing a three-piece suit, he wrote about everything from politics to jazz to the Mafia. His writing was eloquent, his perspective unique, and his moral judgements driven by a profound sympathy for losers, dissenters and underdogs. His best-known work was written for the New York Post, New York Newsday, and later the New York Review of Books. Kempton could find a good story in a criminal trial or a bureaucratic report, and he peppered his columns with references to history and literature to set stories in context. He enjoyed the respect of people as different as the conservative writer William F. Buckley and members of the Black Panther Party. Going Around: Selected Journalism / Murray Kempton (Seven Stories Press, 2025), edited by Andrew Holter, brings Kempton's work to old admirers and a new generation of readers. The book includes a biographical introduction by Holter and a foreword by Darryl Pinckney. Holter is a writer and historian who has written for the Times Literary Supplement, the Los Angeles Review of Books, and the Brooklyn Rail. He edited Going Around while he was completing his doctorate in history at Northwestern University. His dissertation explores the history of photography and American policing in the middle decades of the 20th century, especially the use of cameras by municipal "Red Squads" to monitor political dissent and social movements. Robert Snyder is Manhattan Borough Historian and professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York's Essential Workers (Cornell UP, 2025.) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

From 1949 until his death in 1997, Murray Kempton was a distinct presence in New York City journalism. Peddling around town on a three-speed bicycle wearing a three-piece suit, he wrote about everything from politics to jazz to the Mafia. His writing was eloquent, his perspective unique, and his moral judgements driven by a profound sympathy for losers, dissenters and underdogs. His best-known work was written for the New York Post, New York Newsday, and later the New York Review of Books. Kempton could find a good story in a criminal trial or a bureaucratic report, and he peppered his columns with references to history and literature to set stories in context. He enjoyed the respect of people as different as the conservative writer William F. Buckley and members of the Black Panther Party. Going Around: Selected Journalism / Murray Kempton (Seven Stories Press, 2025), edited by Andrew Holter, brings Kempton's work to old admirers and a new generation of readers. The book includes a biographical introduction by Holter and a foreword by Darryl Pinckney. Holter is a writer and historian who has written for the Times Literary Supplement, the Los Angeles Review of Books, and the Brooklyn Rail. He edited Going Around while he was completing his doctorate in history at Northwestern University. His dissertation explores the history of photography and American policing in the middle decades of the 20th century, especially the use of cameras by municipal "Red Squads" to monitor political dissent and social movements. Robert Snyder is Manhattan Borough Historian and professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York's Essential Workers (Cornell UP, 2025.) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hilma's Ghost is a feminist artist collective co-founded by artists and educators Dannielle Tegeder and Sharmistha Ray that fuses contemporary art with modern spirituality through forms of divination and ritual. Named after the Swedish artist and mystic, Hilma af Klint, the collective's work is a critique of gendered power structures, providing a critical and revolutionary platform for rethinking gender in the arts while recovering feminist histories as its ballast for critique. Their work ranges from the traditional to the esoteric, including paintings and drawings, surrealist games, The Abstract Futures tarot deck, ritual object-based installations, pedagogical workshops, curated exhibitions, community projects, performances, and artist books.
 Hilma's Ghost has been featured in solo, collaborative, and group exhibitions and projects at such esteemed institutions as The Guggenheim, The Armory Show, The Aldrich Contemporary Art Museum, Museu de Arte de São Paulo in Brazil, Galería RGR in Mexico City among many others. Reviews of their work have appeared in The New York Times, The Brooklyn Rail, Artnet, and Hyperallergic. And their brand new mystical mosaic installation, ABSTRACT FUTURES, was created in partnership with NYC's MTA and is on display for the public in perpetuity at the 42nd St – Grand Central Subway Station now. On this episode, Hilma's Ghost speaks about the magic of abstraction, the alchemy of collaborative work, and how art can expand consciousness. (They also give a special Abstract Futures tarot reading to help guide us in this time of tumult and transformation).Pam also talks about the mystical history of the abstract art movement, and answers a listener question about how to be a minimalist witch.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Woodland Magic, Black Phoenix Alchemy Lab, BetterHelp, and TU·ET·AL soap We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Special agent Payton McCarthy-Simas joins Candy to discuss David Cronenberg's new movie THE SHROUDS.   Payton McCarty-Simas is a an author, programmer, and film critic based in New York City. They hold a Masters in film and media studies from Columbia University, where she focused her research on horror film, psychedelia, and the occult in particular. Payton's writing has been featured in The Brooklyn Rail, Metrograph's Journal, Rue Morgue, Film Daze, and others, and she is the author of two books, One Step Short of Crazy: National Treasure and the Landscape of American Conspiracy Culture, and the forthcoming All of Them Witches: Fear, Feminism, and the American Witch Film (July 2025). Payton is also a member of the Online Association of Female Film Critics and GALECA, the Society for LGBTQ Film Critics. She lives with her partner and their cat, Shirley Jackson.      In the wonderfully complicated new Cronenberg movie there is a motif of dogs. This motif occurs between three characters and possibly one AI avatar/assistant. We talk about several dog scenes within the movie. Something extra to consider is gods and dogs.    The protagonist's wife is wearing a collar for cancer treatment that helps monitor her procedures and needs and presumably the progress or slowing of cancer. Her twin sister is a dog groomer. A future date is blind and has a seeing eye dog. Some scenes occur in a. dog park. There are a few goddesses associated with dogs, Hecate, a goddess of magic, and witchcraft portrayed with dogs and sometimes as being part dog herself.(the wife?) Kali is a Hindu goddess whose portrayal with a dog symbolizes her loyalty. (The sister-in law?) And there is Artemis a goddess of the hunt portrayed with dogs hunting. (The new lover?) Iamma, goddess associated with fertility, love, war also associated with a dog. Gula was a deity associated with dogs and healing. So was Ianna.So...it seems like there could be further exploration in The Shrouds about the dogs.

Eileen Myles reads from their first collection of poetry since 2018's Evolution. The poems in a “Working Life” evoke the joy and unease in the quotidian, moving ‘with call and response between perception and thought', as Camille Roy writes in Brooklyn Rail magazine.Myles is in conversation with journalist and activist Amelia Abraham, whose Queer Intentions was published by Picador in 2020. Hosted on Acast. See acast.com/privacy for more information.

This week, author Sash Bischoff discusses her hit debut novel Sweet Fury, a twisty, thought-provoking novel in conversation with the works of F. Scott Fitzgerald. Bischoff is interviewed by author Kathleen Rooney. This conversation originally took place February 12, 2025 and was recorded live at the American Writers Museum.We hope you enjoy entering the Mind of a Writer.AWM PODCAST NETWORK HOMEAbout Sweet Fury:When a beloved actress is cast in a feminist adaptation of a Fitzgerald classic, she finds herself the victim in a deadly game of revenge in which everyone, on screen and off, is playing a part."Cunningly ambitious, twisty, and immersive, it seduces you into a story so compelling that you aren't ready for the sucker-punch of its deeper truths. This is a hell of a debut." —Rebecca MakkaiLila Crayne is America's sweetheart: she's generous and kind, gorgeous and magnetic. She and her fiancé, visionary filmmaker Kurt Royall, have settled into a stunning new West Village apartment and are set to begin filming their feminist adaptation of Fitzgerald's Tender Is the Night.To prepare for the leading role, Lila begins working with charming and accomplished therapist Jonah Gabriel to dig into the trauma of her past. Soon, Lila's impeccably manicured life begins to unravel on the therapy couch—and Jonah is just the man to pick up the pieces. But everyone has a secret, and no one is quite who they seem.A twisty, thought-provoking novel of construction and deconstruction in conversation with the works of F. Scott Fitzgerald and told through the lens of the film industry, Sweet Fury is an incisive and bold critique of America's deep-rooted misogyny. With this novel, Bischoff examines the narratives we tell ourselves, and what happens when we co-opt others into those stories; and she probes the blurred lines between victim and perpetrator and the true meaning of justice.SASH BISCHOFF is a writer and theater director. She has written plays that have been developed at theaters throughout the US. As a director, she has worked on Broadway and off. Broadway/National Tours include Dear Evan Hansen, The Visit, On the Town, How to Succeed in Business Without Really Trying, and Shrek. Sash grew up as an actor and won the National Arts Award (NFAA) for Acting. She currently lives in New York with her husband and their many pets. Sweet Fury is her first novel.KATHLEEN ROONEY is a founding editor of Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, as well as a founding member of Poems While You Wait, a collective of poets and their vintage typewriters who compose poetry on demand. Her most recent books include the novels Lillian Boxfish Takes a Walk and Cher Ami and Major Whittlesey. Her poetry collection Where Are the Snows won the 2021 X. J. Kennedy Prize and was published by Texas Review Press in fall of 2022. She is a winner of the Ruth Lilly Prize from Poetry magazine and the Adam Morgan Literary Citizen Award from the Chicago Review of Books, and her criticism appears in the New York Times, the Minneapolis Star Tribune, the Brooklyn Rail, Chicago magazine, the Los Angeles Review of Books, and elsewhere. She lives in Chicago with her spouse, the writer Martin Seay, and teaches English and creative writing at DePaul University.

In this episode of The Beautiful Idea, we present an interview with author Jamie Merchant, author of Engame: Economic Nationalism and Global Decline and numerous articles at The Brooklyn Rail. Merchant argues that we have entered a post-neoliberal age, with both Trump and Biden abandoning many of the touch-stones of corporate globalization that defined the... Read Full Article

Episode 464 / Esteban JeffersonEsteban Jefferson was born in New York City in 1989. He received his BA and MFA from Columbia University. He's had solo shows at 303 Gallery, Tanya Leighton in Berlin and Goldsmiths in London. He's had group shows at Hangar Y in Paris, Uncle Brother in Hancock, NY, Herald St in London, the ICA in Miama and more. His work has been featured in Art Monthly, The New York Times, ArtReview, The Brooklyn Rail, Frieze, Art In America, the New Yorker, Artforum and more. 

Notes and Links to Annell Lopez's Work          Annell López is the winner of the Louise Meriwether First Book Prize and the author of the short story collection I'LL GIVE YOU A REASON from the Feminist Press. A Peter Taylor Fellow at the Kenyon Review Writers Workshops, her work has also received support from Tin House and has appeared in Guernica, American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, The Common, Refinery29 and elsewhere. López received her MFA from the University of New Orleans. She is working on a novel. Buy I'll Give You a Reason   Annell Lopez's Instagram   For The Rumpus: “There's Always a Little Light, a Glimmer of Hope: A Conversation with Annell López” At about 2:05, Annell talks about her early relationship with bilingualism,  At about 4:50, Annell shouts ut the “great place” that is Newark, NJ, and recounts early memories after her immigration  At about 6:25, Annell talks about how learning English helped her develop her already burgeoning writing ability  At about 8:25, Annell highlights Garcia Marquez's work in Spanish  At about 9:35, Annell lists books and writers that were formative and transformative for her At about 13:25, Deesha Philyaw, Carlos Maurice Ruffin, Danielle Evans, and Chris Stuck, are referenced as inspiring contemporary writers At about 14:40, Annell talks about seeds for her short story collection and its makeup At about 16:10, the two discuss the collection's first story and the title character's anxiety around possible deportation   At about 19:05, Annell reflects on the dynamics of older sibling and young sibling and mother-daughter relationships, as evidenced in the “Dark Vader” At about 20:30, Annell responds to Pete's questions about colorism as shown in some of her stories  At about 22:35, from “Dark Vader,” a “problematic” Mateo is discussed, along with power dynamics, and Vanessa's reluctance to pass her GED  At about 27:00, Annell talks about a character's unnamed bipolar condition, and his son's motivations in being angry towards his father  At about 30:30, Pete asks about online news madness as referenced in the story collection   At about 32:35, Pete links two stories and the two talk about gentrification and its treatment in the collection, and Pete is complimentary of Annell's plot structure and what is “left unsaid” At about 34:35, “Love gone stale” as a theme of the book is lauded and discussed At about 37:00, Grief and depression and the bird and beautiful “Bear Hunting Season” are discussed At about 41:30, Annell talks about how her teaching did and did not inform the treatment of teachers in her collection  At about 44:30, Trauma in its many forms in the collection is discussed  At about 45:45, The two explore the title story and its focus on emotional response At about 47:50, Pete highlights a story that focuses on objectification and racism and Annell's apt second-person usage and diction; she focuses on the story's universality and realism  At about 50:05, “The Other Carmen” is explored, including ideas of body shaming, body positivity  At about 52:40, Annell explains some “Easter eggs” and “crossover characters” and Pete is complimentary of story endings At about 53:40, Pete asks Annell about the importance of staged photoshoots in a story in the collection At about 55:55, Annell talks about the importance of titles after Pete cites her prowess with same At about 57:45, Pete fanboys about the collection's last story At about 59:30, Annell responds to Pete's question about significance of the collection  At about 1:00:45, Annell gives social media and other contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His latest conversation, with Episode 265 guest Carvell Wallace, is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 275 with Deborah Jackson-Taffa, whose 2024 memoir Whiskey Tender was a finalist for the 2024 National Book Award for Nonfiction; earned a MFA in nonfiction writing from the Univ of IA; director of the MFA creative writing program at the Institute of American Indian Arts in Santa Fe, NM     The episode airs on March 11.

Mike Pepi is a critic and technologist who writes about art, culture, and technology. He is the author of the new book, Against Platforms: Surviving Digital Utopia, which is both a work of technology criticism and an analysis of how we talk about Silicon Valley. His other writing has appeared in Frieze, e-flux, Artforum, and The Brooklyn Rail. In this conversation, Jarrett and Mike talk about the role of criticism, the differences between platforms and institutions, and why Silicon Valley needs the art world more than the other way around. Links from this episode can be found at scratchingthesurface.fm/266-mike-pepi. 
— 
If you enjoy the show, please consider supporting us on Substack and get bonus content each month! surfacepodcast.substack.com

Send us a textThis episode navigates the intricate relationship between poetry and politics, featuring insights from poet Bianca Stone. We discuss the nuances of non-didactic poetry, the historical implications of literary voices, and how poetry serves as a vessel for personal and collective experiences. Bianca Stone is a Vermont-based poet. Stone's newest book is What is Otherwise Infinite, (Tim House 2022). She is the host of Ode and Psyche podcast. Stone's poems, art, book reviews, and essays have appeared in a variety of magazines including The New Yorker, Poetry Magazine, American Poetry Review, The Brooklyn Rail, and many others. She returned to Vermont in 2016. Bianca houses the Ode & Psyche Podcast.• Examining the tension between political and poetic expression• The impact of didacticism on modern poetry• The philosophical discourse surrounding poetry through Plato's lens• Individual voices in poetry reflecting collective narratives • Analyzing Larry Levis's poem on Lorca• The importance of ambiguity and interpretation in poetry Explore this thought-provoking dive into the complex world of poetic expression and its implications for understanding our human experience. Musis by Bitterlake, Used with Permission, all rights to BitterlakeThe Obvious PodcastA podcast presented by the Associated Builders and Contractors Florida East-Coast...Listen on: Apple Podcasts SpotifySupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf

Episode 463 / Rose Nestler (b. 1983, Spokane, WA) is a mixed media sculptor who lives and works in Brooklyn, NY. She holds an MFA from Brooklyn College and BA in Art History from Mount Holyoke College. Recent solo and two-person exhibitions include Public, London, UK (2024), Pangeè, Montreal, QC (2023); Mrs., New York, NY (2022); and Carvalho Park, New York, NY (2022) Selected group exhibitions include Asya Geisberg, New York, NY (2025), Plains Art Museum, Fargo ND (2024); Chart, New York, NY (2024), (The University of Leeds' Stanley & Audrey Burton Gallery, Leeds, UK (2023); Boston University, Boston, MA (2023); Rugby Art Gallery and Museum, Rugby, UK (2022); Perrotin, New York, NY (2022); Hesse Flatow, New York, NY (2021), and Frye Art Museum, Seattle, WA (2021); She was an artist in residence at the Joan Mitchell Center in New Orleans in 2022. Nestler has also conducted residencies at The Fores Project, London, UK, and The Lighthouse Works, Fishers Island, NY, among others. Her work is part of the permanent collection of the Frye Art Museum, Seattle, WA, USA and has been featured and reviewed on Art21, in The Brooklyn Rail, BOMB Magazine, Hyperallergic and New York Magazine. She is part time faculty at Parsons School of Design and College of Staten Island (CUNY). 

 Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers' Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya's stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers' Workshop. She is the Director of Film Forum. Film ForumFilm Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum's current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors' retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ members and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million endowment, begun in 2000 with a $1.25 million gift from the Ford Foundation.Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum's programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today's world.Elizabeth HowardElizabeth Howard is the Host of the Short Fuse Podcast.Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters. 

Jacob Blumenfeld discusses the concept of “managing decline”, the subject of fossil capitalism and the implications of transitioning away from it. --- Info on Creative Construction Book Launch: Date: March 4th, 19h Location: aquarium am Südblock Skalitzer Str. 6 10999 Berlin Deutschland About the book: Groos, J. & Sorg, C. (2025). Creative Construction - Democratic Planning in the 21st Century and Beyond. Bristol University Press. [for a review copy, please contact: amber.lanfranchi[at]bristol.ac.uk] https://bristoluniversitypress.co.uk/creative-construction   If you are interested in democratic economic planning, these resources might be of help: Democratic planning – an information website https://www.democratic-planning.com/ Sorg, C. & Groos, J. (eds.)(2025). Rethinking Economic Planning. Competition & Change Special Issue Volume 29 Issue 1. https://journals.sagepub.com/toc/ccha/29/1 International Network for Democratic Economic Planning https://www.indep.network/ Democratic Planning Research Platform: https://www.planningresearch.net/   --- Shownotes The Centre for Social Critique at the Humboldt University Berlin: https://criticaltheoryinberlin.de/ Blumenfeld, J. (2022). Climate barbarism: Adapting to a wrong world. Constellations, 30(2), 162–178. https://doi.org/10.1111/1467-8675.12596 Blumenfeld, J. (2023) What was socialization. A look back. https://sfb294-eigentum.de/en/blog/what-was-socialization-a-look-back/ Blumenfeld, J. (2024a). Managing Decline. Cured Quail, Vol. 3. https://curedquail.com/Managing-Decline Blumenfeld, J. (2024b). The Concept of Property in Kant, Fichte, and Hegel. Freedom, Right, and Recognition. Routledge. https://www.routledge.com/The-Concept-of-Property-in-Kant-Fichte-and-Hegel-Freedom-Right-and-Recognition/Blumenfeld/p/book/9781032575186 Blumenfeld, J. (2024c). Socialising Nature. https://www.break-down.org/post/socialising-nature Blumenfeld, J. (2024d). Welcome to the Anderscene. Brooklyn Rail. https://brooklynrail.org/2024/07/field-notes/Welcome-to-the-Anderscene/ Angebauer, N., Blumenfeld, J., & Wesche, T. (2025). Umkämpftes Eigentum: Eine gesellschaftstheoretische Debatte. Suhrkamp. https://www.suhrkamp.de/buch/umkaempftes-eigentum-t-9783518300503 Jacob contributed to this soon to be published book: Forstenhäusler, Robin, et al. (Eds.). (2025). Klima und Gesellschaftskritik. Verbrecher Verlag. https://www.verbrecherverlag.de/shop/klimawandel-und-gesellschaftskritik/ Buck, H. J. (2021). Ending Fossil Fuels: Why Net Zero is Not Enough. Verso Books. https://www.versobooks.com/products/2735-ending-fossil-fuels on the productive forces turning into destructive forces see: https://www.marxists.org/archive/marx/works/1845/german-ideology/ch01d.htm Staab, P. (2022). Anpassung. Leitmotiv der nächsten Gesellschaft. Suhrkamp. https://www.suhrkamp.de/buch/philipp-staab-anpassung-t-9783518127797 Felli, R. (2021). The Great Adaptation: Climate, Capitalism and Catastrophe. Verso Books. https://www.versobooks.com/products/841-the-great-adaptation Malm, A., & Carton, W. (2024). Overshoot: How the World Surrendered to Climate Breakdown. Verso Books. https://www.versobooks.com/products/3131-overshoot on the „Promethean Gap“: https://en.wikipedia.org/wiki/Promethean_gap on Otto Neurath: https://en.wikipedia.org/wiki/Otto_Neurath on Freud's concept of the “Reality Principle”: https://en.wikipedia.org/wiki/Reality_principle Marcuse, H. (1955) Eros and Civilization. A Philosophical Inquiry into Freud. Beacon Press. https://archive.org/details/HerbertMarcuseErosandCivilization on Vaclav Smil: https://en.wikipedia.org/wiki/Vaclav_Smil on the Yellow Wests Protests (also “Gilets Jaunes”): https://en.wikipedia.org/wiki/Yellow_vests_protests Mann, G., & Wainwright, J. (2018). Climate Leviathan: A Political Theory of Our Planetary Future. Verso Books. https://www.versobooks.com/products/520-climate-leviathan Moore, S., & Roberts, A. (2022). The Rise of Ecofascism: Climate Change and the Far Right. Polity Books. https://www.politybooks.com/bookdetail?book_slug=the-rise-of-ecofascism-climate-change-and-the-far-right--9781509545377 on Marxist crisis theory: https://en.wikipedia.org/wiki/Crisis_theory Markley, S. (2023) The Deluge. Simon & Schuster. https://www.simonandschuster.com/books/The-Deluge/Stephen-Markley/9781982123109   Future Histories Episodes on Related Topics S03E23 | Andreas Malm on Overshooting into Climate Breakdown https://www.futurehistories.today/episoden-blog/s03/e23-andreas-malm-on-overshooting-into-climate-breakdown/ S03E30 | Matt Huber & Kohei Saito on Growth, Progress and Left Imaginaries https://www.futurehistories.today/episoden-blog/s03/e30-matt-huber-kohei-saito-on-growth-progress-and-left-imaginaries/ S03E03 | Planning for Entropy on Sociometabolic Planning https://www.futurehistories.today/episoden-blog/s03/e03-planning-for-entropy-on-sociometabolic-planning/ S02E55 | Kohei Saito on Degrowth Communism https://www.futurehistories.today/episoden-blog/s02/e55-kohei-saito-on-degrowth-communism/ S02E47 | Matt Huber on Building Socialism, Climate Change & Class War https://www.futurehistories.today/episoden-blog/s02/e47-matt-huber-on-building-socialism-climate-change-class-war/ S02E27 | Nick Dyer-Witheford on Biocommunism https://www.futurehistories.today/episoden-blog/s02/e27-nick-dyer-witheford-on-biocommunism/ S02E18 | Drew Pendergrass and Troy Vettese on Half Earth Socialism https://www.futurehistories.today/episoden-blog/s02/e18-drew-pendergrass-and-troy-vettese-on-half-earth-socialism/   Future Histories Contact & Support If you like Future Histories, please consider supporting us on Patreon: https://www.patreon.com/join/FutureHistories Contact: office@futurehistories.today Twitter: https://twitter.com/FutureHpodcast Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories English webpage: https://futurehistories-international.com   Episode Keywords  #JacobBlumenfeld, #Podcast, #JanGroos, #Interview, #FutureHistories, #futurehistoriesinternational, #FutureHistoriesInternational, #Degrowth, #Socialism, #Capitalism, #GreenNewDeal, #ClimateJustice, #PoliticalEconomy, #ClimateCrisis, #FossilCapitalism, #EcoSocialism, #Marx, #DemocraticEconomicPlanning, #Market, #Adaption, #Mitigation, #AndreasMalm, #Marcuse, #Freud, #DemocraticPlanning, #PostCapitalism, #ClimatePolitics, #RadicalEcology, #JustTransition, #Prometheanism

Tess Bilhartz grew up in Dallas, Texas and currently lives and works in New York City where she teaches art at Borough of Manhattan Community College - CUNY. Recent solo exhibitions include  ‘What on Earth' at Below Grand (2020) and ‘Follow Me Down' at Rubber Factory (2022), which was reviewed in the Brooklyn Rail and BOMB magazine. Her work has also been exhibited at Embajada, San Juan, PR, Primary, Miami, FL, and Island, New York, NY. Residencies include the Skowhegan School of Painting and Sculpture (2017), and the Sharpe Walentas Space Program (2013). Tess Bilhartz, Green, 2024 Oil on canvas 30 x 52 in 76.2 x 132.1 cm Tess Bilhartz, Pink Flash, 2024 Oil on canvas 30 x 52 in 76.2 x 132.1 cm Tess Bilhartz, Spin, 2024 Oil on canvas 30 x 52 in 76.2 x 132.1 cm

Is it a bird, is it a plane? No, it's another anti tech book. In Against Platforms: Surviving Digital Utopia, digital activist Mike Pepi argues that major tech companies like Meta, Amazon, Tesla, and OpenAI are all driven by "platform logic" - a business model focused on creating intermediary layers that mediate human activities while collecting data and maintaining control. While different tech leaders may have different political views, Pepi contends they are all ultimately "prisoners of the platform" driven by growth imperatives. Pepi distinguishes his critique from other tech criticism by arguing that even proposed solutions often fall into the "digital utopian" trap - the belief that better technology can fix technology's problems. Instead, he advocates for strengthening traditional institutions rather than trying to replace them with platforms. He cites journalism as an example where platforms have weakened traditional institutions rather than improved them. While not exactly anti-technology, Pepi believes that unchecked platform capitalism is problematic. He suggests that technology should be developed within institutional frameworks rather than allowing platforms to operate with minimal constraints. Convinced? If not, it's probably because you, like everyone else, is a prisoner of platform capitalism. Mike Pepi writes about art, culture, and technology. MHiswork has appeared in frieze, e-flux, Flash Art, Art in America, DIS Magazine, The Straddler, The New Inquiry, Artforum, The Art Newspaper, this is tomorrow, 艺术界 LEAP, the Apollo Magazine Blog, Spike Art, The Brooklyn Rail, Rhizome, and The New Criterion. He organized Cloud-Based Institutional Critique (CBIC), a reading group focused on emerging digital technologies and their relationship to cultural institutions. In 2015 he guest edited the Data Issue of DIS Magazine with Marvin Jordan. In 2018, I guest-edited a special issue of Heavy Machinery at SFMoMA's Open Space. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Episode 457 / Emily Noelle Lambert received her MFA in Painting from Hunter College in NYC and her BA in Visual Art from Antioch College in Yellow Springs, Ohio. Lambert has shown nationally and internationally including solo exhibitions at Freight+Volume Gallery (NYC), Denny Gallery (NYC), Lu Magnus Gallery (NYC) Art in Buildings (NYC), now defunct Thomas Robertello Gallery (IL), Gravity Gallery (MA) and IMART in South Korea.  Her work has been included in numerous group exhibitions including at the Ringling Museum of Art (FL), The University of Michigan in Kalamazoo (MI), Torrance Art Museum(CA), Asya Geisberg (NY), Underdonk (NY) Katherine Markel Fine Art (NYC) and Alice Gauvin Gallery (ME). She has completed public art projects for the Department of Transportation in NYC and elementary schools in NYC and New Hampshire. Lambert has been awarded fellowships from MacDowell (NH), The Yaddo Foundation (NY), Fountainhead Residency (FL), Vermont Studio Center (VT), Dieu Donne (NY), The Alfred and Trafford Klots International Artist Residency (France),Lower East Side Printshop (NY), DNA Residency (MA), Edward Albee Residency (NY), Momozozo AIR (run by artist Paula Wilson) (NM) and Woodstock Byrdcliffe AIR(NY), Virginia Center for Creative Arts (VA) and Cushing Collaborative (organized by artist Maureen Cavanaugh) (ME). Lambert's work has been reviewed in The International New York Times, The Observer, The Brooklyn Rail, Modern Painters, Art News, Two Coats of Paint, Greenpointer, Art in America, and artforum.com.  Lambert is currently an Associate Professor of Drawing and Painting at Keene State College in New Hampshire. 

Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Roseanna PendleburyHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughIn Memoriam:Alan Jeffrey & Cameron Estrich-WatsonReferences:Tor's The Most Iconic Speculative Fiction Books of the 21st CenturyJo Walton's commentary on putting together those listsAdam Roberts, Greg EganKatherine Addison's The Goblin EmperorJacqueline Carey's Kushiel's DartSeth Dickinson's The Traitor Baru CormorantC.J. Cherryh's RimrunnersMichael Ende's The Neverending StoryCarl Sagan's ContactWilliam Goldman's The Princess BrideMartin MacInnes' In AscensionSamantha Harvey's OrbitalWilliam Gibson's NeuromancerIndra Das's The Last Dragoners of BowbazarBruce Coville- Aliens Ate My Homework & Jeremy Thatcher, Dragon HatcherRobin Sloan- Mr. Penumbra's 24-Hour Bookstore, Sourdough, MoonboundNerds of a FeatherWorldconCentre for Fantasy and Fantastic at the University of GlasgowChristopher Priest & Nina AllanAdrian Tchaikovsky's City of Last Chances, House of Open Wounds, Days of Shattered FaithTerry Pratchett's DiscworldThe New WeirdReaderconEmily Tesh's acceptance speechWorld Fantasy ConventionAcademic Conference on Canadian Science Fiction and FantasyEasterconOctothorpeVajra Chandrasekera's The Saint of Bright DoorsScience Fiction Awards DatabaseMarisa Crane's I Keep My Exoskeletons to MyselfMartha Wells' Murderbot seriesPaul Lynch's Prophet SongShehan Karunatilaka's Seven Moons of Maali AlmeidaMolly Templeton's “The Joy of Reading Books You Don't Entirely Understand”Colson Whitehead, Marlon JamesEmily Tesh's Some Desperate GloryNana Kwame Adjei-Brenyah's Chain Gang All-StarsWole Talabi's Shigidi and the Brass Head of ObalufonCadwell Turnbull's No Gods No Monsters & We Are The CrisisS.L. Huang's The Water OutlawsMoniquill Blackgoose's To Shape a Dragon's BreathAlissa Hatman's SiftSarah Cypher's The Skin and Its GirlIsabel Waidner's Corey Fah Does Social MobilityAlaya Dawn Johnson's The Library of Broken WorldsRebecca Campbell's ArborealityVajra Chandrasekera's Rakesfallaugust clarke's Metal from HeavenJared Pechaček's The West PassageEmet North's In UniversesJohannes Anyuru's IxellesKaliane Bradley's The Ministry of TimeMadeline L'EnglePremee Mohamed- The Siege of Burning Grass, The Butcher of the Forest, & The Rider, the Ride, the Rich Man's WifeSeth Dickinson's ExordiaSofia Samatar's The Practice, the Horizon, and the ChainNeon HemlockAlex Jeffer's A Mourning CoatLuna PressLorraine Wilson's The Last to DrownGreg Egan's MorphotropicSolvej Balle's On the Calculation of VolumeAbigail Nussbaum's Track ChangesJordan S. Carroll's Speculative WhitenessCamestros Felapton's DebarklePositron 2020 ReportCleveland Review of Books, The Brooklyn Rail, TypebarIsaac Fellman's Notes from a RegicideEmily Tesh's The IncandescentAmal El-Mohtar's The River Has RootsKatherine Addison's The Tomb of DragonsR.F. Kuang's KatabasisNatalia Theodoridou's Sour CherryYoon Ha Lee's Code & CodexOliver K. Langmead & Aliya Whiteley's City of All SeasonsNew David Mitchell?Lincoln Michel's Metallic RealmsRay Nayler's Where the Axe Is BuriedTochi Onyebuchi's Harmattan SeasonLeena Krow's Sinkhole, and Other Inexplicable VoidsAmplitudes, edited by Lee MandeloScience Fiction Research AssociationPremee Mohamed, One Message RemainsStephen King writingRoseanna's “Small Press Dispatch” column at ARB

Welcome back to ARTMATTERS: The Podcast for Artists:Today we conclude our 3-part conversation with the artist Jeff Way. Jeff has lived and worked in New York's Tribeca neighborhood since 1969. Featured in the 1973 Whitney Biennial and a subsequent solo exhibition, Way's work has been shown at institutions like the New Museum, the Contemporary Arts Museum in Houston, and the ICA Philadelphia. His innovative Chalk Line Paintings, begun in the late 1960s, explore the grid through layered lines of raw pigment, a technique he revisits in his most recent Eccentric Squares series. Jeff's solo exhibition, Then and Now: 1970 to 2024 opened earlier this year with Storage Gallery in New York and was featured in The New York Times and the Brooklyn Rail.In this week's episode, I talk with the Jeff about his journey through expectations and his artistic growth, favorite exhibitions and the importance of continuity, and the ways in which teaching often intersected with his practice. We also discuss  his advice for young artists and what makes a good critique.Enjoy this conversation with the artist Jeff Way.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have an any questions you want answered, write in to artmatterspodcast@gmail.comhost: Isaac Mannwww.isaacmann.cominsta: @isaac.mannguest: Jeff Waywww.jeffwayart.cominsta: @jeffwayartThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

Audio from our November 23rd event at Woodbine with Jamie Merchant about his new book Endgame: Economic Nationalism and Global Decline. He sketches the economic background of the rise of populist right internationally before we transition to questions about the current moment and WI2BD. Jamie Merchant is a Chicago-based writer, contributor to Brooklyn Rail, Baffler, and In These Times, and a member of the Chicago chapter of the Independent Labor Club (@ilcofchi).excerpt: https://brooklynrail.org/2022/03/field-notes/Endgame-Finance-and-the-Close-of-the-Market-System/For all bonus material and Discord access support the show at http://patreon.com/theantifadaSupport Woodbine: https://www.patreon.com/woodbineThanks to Mike, Peter, and Chris from ILC NYC for the recording!Song: Natalie Merchant - This House is on Fire

Jennifer Coates, friend of the pod, is back to help me consider a new way forward (artwise) after the destabilizing event of the US election. She, herself, is finding comfort in the long history of rocks, geology and the cosmos, while I find myself turning to a book about how Matisse and his daughter, Marguerite, both reacted to the trauma of WWII in opposite yet valid ways. It's a bit of a potpourri, but we promise some great galvanizing art historical quotes and an inspiring double pep talk for the ages. Alternative title of ep: Rock Paper Scissors! Come hang out with us! Media mentions: The Weekly Show w Jon Stewart (ep with Heather Cox Richardson), Alexandria Ocasio-Cortez on IG/Tiktok Rock mentions: The Makapansgat pebble, Paleo "Venuses," Venus de Willendorf, baetyl stones, "The Living Stones" by Ithell Colquhoun, Paul Cezanne's drawings of Fontainbleu Quarry/MOMA show , John Elderfield and Terry Winters discuss Cezanne's Rock and Quarry Paintings for the Brooklyn Rail ,  "Turning to Stone: Discovering the Subtle Wisdom of Rocks" by Marcia Bjornerud, new minerals elalite and elkinstantonite discovered in 2022 in Somalia from a meteorite Art mentions: Cat Balco, Adie Russell, Elisabeth Condon, Pierre Bonnard, Edvard Munch & "White Night" 1900, Dada Movement, Hannah Hoch & “Cut with the Kitchen Knife," Man Ray, "Matisse the Master" by Hilary Spurling, "The Unknown Matisse" by Hilary Spurling, Henri Matisse ”Bathers by a River" 1917 and "The Chapelle du Rosaire de Vence" 1947-51, "Verve Magazine" Issue No 8 Vol 2 (1940), "Les Fleurs de Mal" Baudelaire/Matisse poetry book, Marguerite Matisse, Max Beckmann Jennifer's website and IG: https://www.jenniferlcoates.com/ @jennifercoates666 Thank you, Jennifer! Thank you, Listeners! All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pep Talks website: ⁠peptalksforartists.com⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠ Amy's website: ⁠amytalluto.com⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

This is a teaser preview of our first Radical Read, made exclusively for our supporters on patreon. You can listen to the full 68-minute episode without ads and support our work at https://www.patreon.com/posts/e94-radical-w-if-113750155First of our new series, Radical Reads, in which we team up with Jasper Bernes to discuss Vincent Bevins' 2023 book, If We Burn: The Mass Protest Decade and the Missing Revolution.Welcome to ‘Radical Reads', the second of our two new series of Patreon-only content.In Radical Reads, we hope to discuss political texts – both old and new – that have either influenced us here at WCH, or texts that we generally think that people involved in radical and working-class movements should be engaging with, discussing, and using to inform their activism.Our Radical Read for this episode is Vincent Bevins' If We Burn: The Mass Protest Decade and the Missing Revolution, which we discuss with Jasper Bernes, author of an excellent article in the Brooklyn Rail, ‘What Was To Be Done? Protest and Revolution in the 2010s'. It's a review and critique book and when we read Jasper's article we felt that it really put into words some of the thoughts we had about Bevins' work.In our conversation with Jasper, we covered not only what we see as some of the main issues with Bevins' book, but also broader questions around social movements, revolution, the threat of cooptation, and what it means to win. And as Jasper says, understanding what we can learn from the movements of the 2010s is one of the most important questions we can be thinking about right now. In that sense, then, If We Burn is a valuable contribution in starting that conversation, even if we have some disagreements with its conclusions.Listen to the full episode here:E94: Radical Reads w/ Jasper Bernes – ‘If We Burn' – Available exclusively for our Patreon supportersMore informationRead Jasper's article: ‘What Was To Be Done? Protest and Revolution in the 2010s'Buy Vincent Bevins' book: If We Burn: The Mass Protest Decade and the Missing RevolutionAcknowledgementsThanks to our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Jamison D. Saltsman, Fernando López Ojeda and Jeremy Cusimano.Edited by Tyler HillOur theme tune is Montaigne's version of the classic labour movement anthem, ‘Bread and Roses', performed by Montaigne and Nick Harriott, and mixed by Wave Racer. Download the song here, with all proceeds going to Medical Aid for Palestinians. More from Montaigne: website, Instagram, YouTube.Full information and show notes at https://www.patreon.com/posts/e94-radical-w-if-113750155Become a supporter of this podcast: https://www.spreaker.com/podcast/working-class-history--5711490/support.

Paul McLean is an artist, writer, thinker and educator whose career spans four decades. His primary research focuses on dimensional systems and creative applications. He is a graduate of the University of Notre Dame, holds Masters degrees in Fine Arts and Arts Management from Claremont Graduate University/the Drucker-Ito School of Management, studied at Columbia Teachers College and the European Graduate School in Saas-Fee, Switzerland. McLean has exhibited in galleries and museums, academic institutions, arts foundations and alternative arts venues in the United States and abroad. These include Timothy Yarger (Beverly Hills), SLAG Contemporary (Bushwick, NYC), David Lusk (Nashville), Parthenon and Cheekwood Museums (Nashville), St. Edwards University (Austin), An Tuirreann Arts Center (Isle of Skye, Scotland). McLean's collective projects include DddD + 01 (Nashville), Art for Humans Gallery Chinatown (LA), Gramatica Parda (ANDLAB, LA), Good Faith Space (Brooklyn), “Wall Street to Main Street” (Catskill, NY), “Low Lives: Occupy” (Hemispheric Institute, NYU), “Eureka!” (CA) and others. McLean has participated in numerous panels, residencies and lecture series, including programs hosted by the Living Theater (NYC), Chashama (NY), Morris Graves Residency + Ink People Center for the Arts and (CA), WESTAF's first virtual forum on the state of arts in America. He has published writings with Brooklyn Rail and ArtInfo, hosted art radio programs in Santa Fe and Nashville, and been featured in or interviewed by the Arts Newspaper, Artnet, LA Times, Mutual Arts and other periodicals. McLean has been a visiting artist at the School of Visual Arts and New York Studio School, among others. McLean's work is held in numerous collections, including the New Museum/Rhizome ArtBase, King County Hospital (Seattle) and Morris Graves Foundation (CA). He has produced many virtual or net.art projects, presented via AFH platforms, Art for Humans dot com, the AFH Tumblr Array, Mystic Novad, 4dPOP,  AFH Blog and through AFH social media streams (MySpace, Facebook, Instagram, etc.). Large samples of his still and moving images can be found archived at AFH Flickr and YouTube. McLean has been based in Astoria, Oregon since 2018. WEB LINKS AND PROJECTSAFH nexus: www.mysticnovad.comOnline catalog for “VyNIL Cycle”: www.goodfaithspace.comAFH still image archive: www.flickr.com/photos/artforhumans/setsAFH moving image archive: www.youtube.com/artforhumansAFH Instagram: www.instagram.com/valublAFH Facebook: www.facebook.com/artforhumans[Additional materials]Original AFH platform: www.artforhumans.com2018 Application site for Oxford/Ruskin SoA portfolio + texts: www.ox4dafh.comOwA archive + documentation: www.4Dpop.comAFH Tumblr Array (list, circa 2012): www.artforhumans.com/tumblr/BLOGLIST.htmlHost - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.ph

Rone Shavers joins Jared for our annual application episode to discuss the differences between MFA and PhD applications and programs. Rone and Jared talk about how to choose the right program, put together the best application, and get the most out of your time in a program. Before that, they discuss Rone's “funky” novel Silverfish and how getting over the pressure of making a commercially viable book allowed him to write the book he wanted to write. Rone Shavers is the director of the creative writing program at The University of Utah, which offers both an MFA and a PhD in creative writing. Rone is the author of the experimental Afrofuturist novel Silverfish from Clash Books, a finalist for the 2021 Council of Literary Magazines and Presses (CLMP) Firecracker Award in Fiction and one of The Brooklyn Rail's “Best Books of 2020.” He is also fiction and hybrid genre editor at the award-winning journal, Obsidian: Literature and Arts in the African Diaspora. Find him at roneshavers.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

In this episode, host Ellie Woodacre interviews Stephanie McCarter about her new book Women in Power: Classical Myths and Stories from the Amazons to Cleopatra (Penguin Books, 2024). As we discuss in the episode, this work brings together excerpts from Classical texts which discuss the life and rule of a variety of women, from mythical figures like the Amazons, to a range of ruling queens including well known figures like Zenobia, Boudicca and Cleopatra to those who aren't often discussed, like Salome Alexandra or Amanirenas. Guest Bio:Stephanie McCarter is professor of Classics at the University of the South in Sewanee, where she has taught since 2008. Her teaching and research interests include Latin poetry, translation theory and practice, gender and sexuality in classical antiquity, feminist reception of the classics, and Greek and Roman philosophy and ethics. McCarter's books include Horace between Freedom and Slavery (University of Wisconsin Press, 2015) as well as two works of translation, Horace's Epodes, Odes, and Carmen Saeculare (University of Oklahoma Press, 2020) and Ovid's Metamorphoses (Penguin Classics, 2022), which won the 2023 Harold Morton Landon Translation Award from the Academy of American Poets. She has penned numerous academic articles in journals such as Classical Journal, Eugesta, and American Journal of Philology, as well as essays, translations, reviews, and interviews in The Washington Post, The Sewanee Review, Literary Hub, Electric Literature, Lapham's Quarterly, Hyperallergic, The Brooklyn Rail, and elsewhere. 

Mala Iqbal was born in the Bronx in 1973 and grew up in a household where three cultures and four languages intersected. "The Edge of an Encounter," a solo show of her paintings and works on paper is currently on view at JJ Murphy Gallery in New York until November 9, 2024. Other solo exhibitions were at Soloway Gallery in Brooklyn; Ulterior Gallery, Bellwether Gallery, and PPOW in New York; Taylor University in Upland, Indiana; Twelve Gates Arts in Philadelphia; and Richard Heller Gallery in Los Angeles. Her series of collaborative paintings, made with Angela Dufresne, was shown in October 2021 at the Richard and Dolly Maass Gallery, SUNY Purchase, and at LSU in Baton Rouge in November 2023. Her work has been exhibited in group shows throughout the United States as well as in Australia, China, Europe, and India. Her work has been reviewed in various publications including The New York Times, The Brooklyn Rail, Hyperallergic and The New Yorker. Iqbal has been awarded artist residencies at the MacDowell Colony, Yaddo, The Fine Arts Work Center, and the Hermitage Artist Retreat. She received a Joan Mitchell Fellowship in 2023. Mala Iqbal lives and works in New York City. Animals, 2024 Oil on canvas 12 x 16 inches Ghost Friend, 2024 Gouache and crayon on gray paper 4 x 6 inches. Interrupture, 2024 Oil on canvas 72 x 96 inches.

Join the conversation by letting us know what you think about the episode!Words matter. Words have power. Art is powerful. We explore just how powerful words, art, and poetry can be with guests Tara Bracco and Karla Jackson-Brewer. Tune in to hear some of that power as Karla reads a portion of one of her poems included in the book, Poetic People Power.For 20 years, the New York City-based spoken word group Poetic People Power has creatively explored social and political topics, offering insights and solutions to issues that affect our everyday lives and the world around us. This debut anthology invites readers to explore three of their shows about environmental heroes, women's voices, and human rights abuses. Tara Bracco is the founder and producing artistic director of Poetic People Power. She has created, produced, and performed in 20 spoken word shows about social and political issues. She is a recognized leader in the field of art and social change and has been featured in O, The Oprah Magazine, Time Out New York, Brooklyn Rail, and HuffPost. As a journalist, her work has appeared in Cosmopolitan, American Theatre, Condé Nast Traveler, BUST, and Clamor. Karla Jackson-Brewer is a longtime member of Poetic People Power, Professor at Rutgers University, Senior Vajrayana Buddhist Teacher, and priest in the West African tradition of Ifa.Where to find out more about Poetic People Power:Facebook: https://www.facebook.com/poeticpeoplepower/ Instagram: https://www.instagram.com/poeticpeoplepower/ Website: https://www.poeticpeoplepower.com/Where to find Karla Jackson-Brewer:Facebook: www.facebook.com/karla.jacksonbrewer Instagram: @oduneyeSupport the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

Sean and Andy are joined by returning guest and cofounder of ILC-Chicago Jamie Merchant (@pathtopraxis) to discuss his new full-length monograph, out now from Reaktion Books, called Endgame: Economic Nationalism and Global Decline. In it, Jamie provides a masterful, insightful and readable account of the political economy of the present moment.What is the connection between the functioning of the profit system and the world-historic shift away from globalization? How do ruling class ideas like economic nationalism spread and why has conspiracism racked the left and right in recent years? Why has a bipartisan consensus emerged around state industrial policy and beggar-thy-neighbor trade policy? And what might the left do about all this except tail the least worst elements of it? This, along with an update on Independent Labor Club of Chicago and how civil-social organizing might pose a path forward that doesn't end in WWIII or a Brave New World.Read an excerpt at Brooklyn Rail: https://brooklynrail.org/2022/03/field-notes/Endgame-Finance-and-the-Close-of-the-Market-System/ And stay tune for his 11/23 release event at https://www.woodbine.nyc/To support our work become a patron at www.patreon.com/theantifadaInterested in joining the Independent Labor Club of North America? There may be a branch near you or other workers nearby interested in starting one, here's our Telegram: https://t.me/+TNXgQOPkV18yOGRhSong: Rage Against the Machine - People of the Sun

Hein Koh (b. 1976, Jersey City, N.J.) lives and works in Brooklyn. She graduated from Dartmouth College with a dual B.A. in studio art and psychology in 1998, and received her M.F.A. in painting from Yale University in 2004.  Koh has exhibited internationally, receiving features in Artforum, ArtNews, The Atlantic, The Brooklyn Rail, The Huffington Post, Hyperallergic, New York Magazine, The New York Times, Time Out New York, and The Wall Street Journal, among others. Her work is in the permanent collections of the Garage Museum in Russia and the Xiao Museum in China. In 2019, the artist mounted her first public installation at Rockefeller Center with the Art Production Fund. In 2021, Koh presented her first institutional solo show at SCAD Savannah College of Art and Design Museum, titled ‘Hope & Sorrow'. The site-specific installation transformed the museum's Jewel Boxes into gardens for larger-than-life anthropomorphized flowers—made up of the artist's very own soft-sculptures of metallic spandex, velvet, and satin, set against vinyl backdrops and Astroturf. In 2022, her first exhibition catalogue was printed in conjunction with her solo show ‘On the Edge of a Precipice' at the gallery. ‘Hope Springs Eternal' marks our fourth solo project with Koh, and her first in the main gallery space at 16 East 55th Street. Hein Koh, Awake, 2024, Acrylic and oil on canvas, 72 x 96 inches (182.9 x 243.8 cm) Hein Koh, Mammo, 2024, Acrylic, oil, and oil stick on canvas, 96 x 72 inches (243.8 x 182.9 cm) Hein Koh, Four Burners, 2024, Oil and oil stick on canvas, 30 x 22 inches (76.2 x 55.9 cm) Hein Koh, Drooping Flower, 2024, Acrylic, aluminum foil, archival spray varnish, armature wire, concrete, copper pipe, cotton string, duct tape, epoxy clay, fiberglass cloth, gauze, plaster, styrofoam, Weldbond glue. 62 x 26 x 29 inches (157.5 x 66 x 73.7 cm)

In this episode I'm dipping my toes into a new topic a little bit outside my range, but we can still use the tools of science and evidence to assess. The economy and Modern Monetary Theory. It is a new idea that clashes with classical economics. It can be summarized as the idea that governments whose dollar is not linked to a gold standard don't need to worry about deficits. It encompasses the idea of guaranteed employment for all. The discussion will also explore the failure of the capitalism system. My guest is an expert on this topic. Let's get grounded in the facts. Jamie Merchant is a writer living in Chicago who writes about political economy and radical political theory. His writing has appeared in many publications including The Baffler, The Brooklyn Rail, The Nation, and In These Times. His book, Endgame: Economic Nationalism and Global Decline, was published by Reaktion Books in 2024. Support the podcast at patron dot podbean dot com slash TheRationalView Come and chat on Facebook at TheRationalView

Ep.216 Kemar Keanu Wynter (b. Brooklyn, NY) holds a BFA from the SUNY Purchase School of Art and Design. His work was the focus of solo exhibitions at Klaus von Nichtssagend Gallery, New York (2023), Encounter, Lisbon, Portugal (2023), and Tiger Strikes Asteroid, Queens (2021). He has exhibited in several group shows including Mama's in the Kitchen, Anat Ebgi, New York; Visible World, Halsey McKay Gallery, East Hampton; Death of Beauty, Sargent's Daughters, Los Angeles; and Notes on Ecstatic Unity, OTP Gallery, Copenhagen, Denmark. Wynter was a member of the 2023-24 Sharpe-Walentas Studio Program, and has also been in residence at the AAI-LES Studio Program, The Macedonia Institute, Anderson Ranch Arts Center, as well as ARoS Kunstmuseum in Aarhus, Denmark and Art Quarter Budapest in Budapest, Hungary. His work is held in the collection of the Art Galleries at Black Studies at the University of Texas, Austin. Wynter's practice has been written about in Hyperallergic, bon appétit, and the Brooklyn Rail, and discussed on Correspondence Archive and Montez Press Radio. Headshot Credit: Courtesy the Artist Artist https://cowfoot.studio/ Klaus von Nichtssagend Gallery https://klausgallery.com/artist/kemar-keanu-wynter/ | https://klausgallery.com/exhibition/kemar-keanu-wynter-rucken-2024-09-6/ Brooklyn Rail https://brooklynrail.org/2024/10/artseen/kemar-keanu-wynter-rucken/ Hyperallergic https://hyperallergic.com/954814/15-nyc-art-shows-to-see-in-october/ | https://klausgallery.com/press/kemar-keanu-wynter-cooks-up-an-abstract-feast/ Cultured Magazine https://www.culturedmag.com/article/2024/09/04/new-york-young-painters-fall-trends Artforum https://artguide.artforum.com/artguide/klaus-von-nichtssagend-gallery-2985 Artists Alliance https://www.artistsallianceinc.org/kemar-keanu-wynter/ Encounter https://www.encountercontemporary.com/kemar-keanu-wynter Sharpe-Walentas Studio Program https://www.thestudioprogram.com/

Gene and cohost Tim Swartz present James Reich, a novelist, essayist, and journalist, and ecopsychologist. He is the author of The Moth for the Star (7.13 Books, September 2023), The Song My Enemies Sing, Soft Invasions, Mistah Kurtz! A Prelude to Heart of Darkness (Anti-Oedipus Press), I, Judas, and Bombshell (Counterpoint/Soft Skull). On the agenda is his psychoanalytic monograph, Wilhelm Reich Versus The Flying Saucers. And, no, they are not related. Also on the agenda: How James first discovered the flying saucer mystery and the controversial work of Wilhelm Reich. There is also a discussion of how the classic 1951 sci-fi film, The Day the Earth Stood Still, and its allusions to a Christ-like figure in the person of its protagonist, Klaatu, which greatly influenced Reich. James and his work have been published and commissioned by Literary Hub, SPIN Magazine, Brooklyn Rail, CrimeReads, Salon, Huffington Post, National Book Review, Vol.1 Brooklyn, The Rumpus, International Times, Sensitive Skin Magazine, Entropy, Fiction Advocate, The Weeklings, The Nervous Breakdown, Heavy Feather Review, Poet Republik, Largehearted Boy, Sleeping Fish / Calamari Press, Shelf Awareness, Full Stop, and others.  Most recently, James has co-written a screenplay for a film in pre-production, and is working on freelance writing, editing, and book design projects. His second science fiction novel, Skinship, was due to be published in 2024 by Anti-Oedipus Press. His website: www.jamesreichbooks.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.

“I put my art where the emergency is” We speak with Sara Erenthal, the artist and activist who fled Neturei Karta as a teen. Neturei Karta has become a familiar presence at our rallies for Gaza and Palestine. Often depicted in a one dimensional way because of that advocacy, we'll learn from Sara'a experience about the not so liberatory practices of the group and why she had to escape. We talk about Sara's incredible artwork featured in The Jewish Week, Haaretz, Vice, The Village Voice, Radio Canada, Time Out, Gothamist, The Brooklyn Rail, and Artnet, among others.We also chat about the indictment of NYC's Mayor Adams and NYC rats... acting different. We end with a song, Bottom Seas by Rachel Angel. Follow our Guest IG ⁠⁠⁠@saraerenthalart FB @saraerenthal Show ⁠⁠⁠X @BeyondThePaleFM ⁠⁠⁠ ⁠⁠⁠IG @BeyondThePaleFM⁠⁠⁠ ⁠⁠⁠FB @BeyondThePaleFM⁠⁠⁠ Hosts ⁠⁠⁠@RafaelShimunov on Twitter⁠⁠⁠ ⁠⁠⁠@ShoB on Twitter⁠⁠⁠ ⁠⁠⁠@Rafternoon on IG⁠⁠⁠ ⁠⁠⁠@shob18 on IG⁠⁠⁠ Support the Show Become a BAI Buddy of Beyond The Pale at ⁠⁠⁠wbai.allyrafundraising.com⁠⁠⁠ Jews For Racial and Economic Justice Find JFREJ events in NY at ⁠⁠⁠jfrej.org/events⁠⁠⁠ Leave a voicemail question or statement to play on air at ‪(917) 740-8971‬ or via the Spotify app. You can also listen to our show live, every Friday after Democracy Now at 9AM on WBAI 99.5 FM NY.

This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit.  Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.

   Writer and strength enthusiast Joe joins me to talk the gym, ageing, The Greeks, Japanese budo, Christianity, virtue and character development, the politics of working out, self discovery vs self creation, existential lifting, abstinence and renunciation, “confidence”, “discipline”, resentment, Socrates and Mishima. A wonderfully deep exchange.    Find out more about Joe here: https://www.joelombardophd.com/  --------------------------------------------------------------------    Joe Lombardo, PhD, is a writer, independent scholar, and lifter. He is also the editor of Ultraphysical, an online journal of the active body. Most of his writing focuses on culture, politics, the natural environment, and wellness. He has been published in multiple languages and featured in periodicals such as Quillette, The Brooklyn Rail, All Azimuth, Le Courrier (Japon), Alias Magazin, among others.    Educated and raised in the Northeast, Joe is a Fulbright Scholar and has worked and conducted research across Europe and in Turkey. In 2018, he received my doctorate in Politics from the New School for Social Research, where he focused on the global politics of large-scale engineering projects and their impact on state formation during the Cold War. In his spare time, he enjoys spending time in the Pennsylvania countryside and lifting weights. -------------------------------------------------------------------- Subscribe to Mark's new Feral Philosophy You Tube channel here: https://youtube.com/@feralphilosophy_mw?si=PHJcNwK4GYpRSflK Join Mark for in-person workshops – https://embodimentunlimited.com/events-calendar/?utm_source=TEP&utm_medium=Description&utm_campaign=Events Join free coaching demos sessions with Mark – https://embodimentunlimited.com/free-coaching-with-mark/?utm_source=TEP&utm_medium=Description&utm_campaign=Demo Find Mark Walsh on Instagram https://www.instagram.com/warkmalsh/  

In this episode of the Watchung Booksellers Podcast, novelists Julia Phillips and Boo Trundle celebrate the publication of Phillips's latest novel Bear, recorded at an in-store event with Watchung Booksellers.Julia Phillips is the author of the bestselling novels Bear and Disappearing Earth, which was a finalist for the National Book Award and one of The New York Times Book Review's 10 Best Books of the Year. A 2024 Guggenheim fellow, she grew up in Montclair and now lives with her family in Brooklyn.Julia's work has been translated into twenty-six languages. She has written for The New York Times, ​The Atlantic, and The Paris Review and teaches at the Randolph College MFA program. She is also on the board of the Crime Victims Treatment Center, a nonprofit that helps people heal from violence.Boo Trundle is the author of The Daughter Ship (2023). A writer, artist, and performer, her work has appeared across various platforms and publications, including The Brooklyn Rail, McSweeney's Internet Tendency, and NPR's The Moth. She has released three albums of original music with Big Deal Records. She lives in New Jersey.Resources:1000 words newsletter subscription The Revenant The Bear (TV series)Bear by Marian EngleLegends of the FallSubreddit on Poverty Finance Subreddit on San Juan Books:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Silver Stream Studio in Montclair, NJ. The show is edited by Kathryn Counsell and Bree Testa. Special thanks to Timmy Kellenyi and Derek Mattheiss. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Sean sits down with Los Angeles-based Antifada political economy correspondent, Jason Smith of the Brooklyn Rail, to discuss demographic decline, a hot button issue relatively untouched by the Marxist left.Why has fertility gone up in the past? Why has it gone down in the developed world? What do Marx, Adam Smith and Keynes have to say about this phenomenon? Why has the potential for population decline made the capitalists so crazy?For the complete episode and much more bonus content become a patron today at www.patreon.com/theantifadaCheck out Jason's article in Brooklyn Rail: https://brooklynrail.org/2024/07/field-notes/After-the-Wave-WinterReferenced article: https://newleftreview.org/issues/i137/articles/wally-seccombe-marxism-and-demographySong: Dystopia - Population Birth Control

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing David Winner is a senior editor at StatOrec magazine, the fiction editor of The American, a magazine based in Rome, and a regular contributor to The Brooklyn Rail. He just released the novel, Master Lovers, from Outpost19. Check out his website: https://david-winner.com/ Follow him on Twitter: @dqw16391 Check out past episodes of Textual Healing on our website:https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing David Winner is a senior editor at StatOrec magazine, the fiction editor of The American, a magazine based in Rome, and a regular contributor to The Brooklyn Rail. He just released the nove, Master Lovers, from Outpost19. Check out his website: https://david-winner.com/ Follow him on Twitter: @dqw16391 Check out past episodes of Textual Healing on our website:https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan

Andrew Paul Woolbright is an artist, gallerist, and Editor-at-Large at the Brooklyn Rail, living and working in Brooklyn, NY. Andrew is an MFA graduate from the Rhode Island School of Design in painting and is the director of the Lower East Side Gallery Below Grand. He currently teaches at Pratt and School of Visual Arts in New York. He has shown his work at galleries such as Rachel Uffner, Yellow Peril, the University Of Illinois, InSitu, Hesse Flatow, DeBoer Gallery, The Hole, Zurcher Gallery and many more.

Ep.203 Emanuel Aguilar is a gallerist and independent curator living and working in Chicago, IL. In 2015 he founded PATRON, a contemporary art gallery with a focus on emerging artists and conceptual practice. Previously he was a director at Kavi Gupta Gallery in Chicago and Berlin and a founder of the arts and culture magazine Jettison Quarterly. Aguilar serves on the board of Chicago Artist Coalition and is a member of the Society for Contemporary Art at The Art Institute of Chicago. Photo credit: Erin Morgan Taylor Patron https://patrongallery.com/about LinkedIn https://www.linkedin.com/in/emanuel-aguilar-9819194/ Chicago Gallery News https://www.chicagogallerynews.com/organizations/patron NYTimes https://www.nytimes.com/2024/03/13/arts/design/whitney-biennial-review-museum-art.html Hyperallergic https://hyperallergic.com/877662/first-impressions-from-the-2024-whitney-biennial/ Surface Magazine https://www.surfacemag.com/articles/patron-gallery-chicago-interview/ Brooklyn Rail https://brooklynrail.org/2024/04/artseen/Whitney-Biennial-2024-Even-Better-Than-the-Real-Thing Bay State banner https://www.baystatebanner.com/2024/03/20/noe-martinez-explores-indigenous-ancestry-and-trauma-of-colonialism-in-the-body-remembers/ SETI Org https://www.seti.org/seti-air-newsletter-march-2024 e-flux https://www.e-flux.com/criticism/599131/81st-whitney-biennial-even-better-than-the-real-thing AnOther Magazine https://www.anothermag.com/art-photography/15214/chantal-akerman-exhibition-2023-jeanne-dielman-collier-schorr-carmen-winant Art Basel https://www.artbasel.com/catalog/gallery/3688/Patron?lang=en | https://www.artbasel.com/stories/young-voices-from-the-whitney-biennial-2024 Frieze https://www.frieze.com/gallery/patron | https://www.frieze.com/article/focus-frieze-new-york-stanley-stellar-reverend-joyce-mcdonald The Art Newspaper https://www.theartnewspaper.com/2024/03/21/whitney-biennial-2024-even-better-than-the-real-thing Six Inches From Center https://sixtyinchesfromcenter.org/the-atmosphere-that-holds-us-an-interview-with-brittany-nelson-on-i-cant-make-you-love-me/ Cultured Mag https://www.culturedmag.com/article/2024/03/13/whitney-biennial-new-york-art

This week on The Curatorial Blonde, Ep. 50 features Jasmine Weber. Weber is a writer, editor, and artist from Long Island, New York, now based in Brooklyn.  Her experience includes news editor of Hyperallergic, editing and writing about contemporary arts and culture since 2018. She has participated in panels hosted by the Brooklyn Rail, Medgar Evers College, ICP-Bard, Creative Time, the International Association of Art Critics, and the New York Academy of Art, also appearing on NPR's All of It with Alison Stewart.   Her photography and collage work has been published in multiple publications, including Them, Gumbo Magazine, Rookie. Her artwork was presented in a 2019 exhibition hosted by BRIC.  In 2018, she received her Bachelor of Arts in Ethnicity and Race Studies from Columbia University, specializing in Black Cultural Production and receiving departmental honors for her undergraduate thesis. She also completed a concentration in Visual Arts.   #arttalks #JasmineWeber #ContemporaryArt #arttalks #Blackwomen #CairaMoreira #TheCuratorialBlonde

Annell López is the author of the debut story collection I'll Give You a Reason, available from The Feminist Press. Winner of the Louise Meriwether First Book Prize. López is a Dominican immigrant. A 2022 Peter Taylor fellow, her work has received support from Tin House and the Kenyon Review Workshops and has appeared in American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, and elsewhere. López is an Assistant Fiction Editor for New Orleans Review and just finished her MFA at the University of New Orleans. She is working on a novel. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Don't miss this enlivening and inspiring episode of the Hive Poetry Collective on KSQD. Join host Julie Murphy as she chats with spoken word poets Tara Bracco and Suzen Baraka. They read work newly published in the debut anthology, Poetic People Power and talk about their motto-- Art + Action= Change. This anthology draws from twenty years of live performances of Poetic People Power, poetry for social good. Their work explores social and political topics as well as their personal journeys. Tara Bracco is founder and producing artistic director of Poetic People Power. She's created, produced, and performed in 20 spoken word shows about the social and political issues of our time. She is a recognized leader in the field of art and social change and has been featured in O, The Oprah Magazine, Time Out New York, Brooklyn Rail, and HuffPost for her visionary leadership of Poetic People Power. She has spoken about art and activism at colleges, festivals, and theaters, and she is the recipient of 20 competitive grant awards. She is also the recipient of the 2015 Images and Voices of Hope Award. Her work as a journalist has been published by Cosmopolitan, American Theatre, Condé Nast Traveler, BUST, and Clamor. In 2009, she cofounded the international nonprofit The Project Solution, which serves 30,000 people in 14 countries. You can find Tara on Instagram and Facebook.       Suzen Baraka is a two-time Emmy Award-winning poet and SAG-AFTRA actor. With a passion for performance ignited over 17 years ago, Suzen has graced stages nationwide, captivating audiences with her magnetic presence and powerful spoken word.  A true advocate for the transformative power of the arts, Suzen served as an artist in residence at the New Jersey Performing Arts Center, using poetry and performance to inspire and uplift underprivileged youth in Irvington and Newark. Her commitment to social justice extends beyond the stage, as evidenced by her role as the writer and face of Theraflu's Right to Recover Campaign, championing women's access to paid sick leave. Her work has been recognized with two regional Emmy Awards for her PSAs, titled: VOTE 2020 and My Asian. As an American actress, poet, and proud woman of Black and Korean descent, Suzen Baraka seeks to build bridges, spark conversations, challenge norms, and pave the way for a future where art and activism converge in powerful harmony.  You can contact Suzen on her website, Instagram, and Two Stop by David Johann Kim by the Ensemble Studio Theater at Atwater Village.

Anselm Jappe is a professor of philosophy, former member of the Krisis Group, and author of the newly-translate book THE SELF-DEVOURING SOCIETY: CAPITALISM, NARCISSISM, AND SELF-DESTRUCTION with Eric-John Russell. The book's tagline is: “Everyone can feel that the world is getting angrier. The Self-Devouring Society provides an original and rigorous explanation of why.”Buy the book from Common Notions: https://www.commonnotions.org/the-self-devouring-societyMore work by Anselm at Brooklyn Rail and Libcom Support the show at http://patreon.com/theantifadaSong - Courtney Love - Miss Narcissist

American sculptor Jeanne Silverthorne, 73, is an “artist's artist” known for cast rubber pieces and installations drawn from her studio, turning everyday objects and people into “metaphors for the inevitability of age and decay, …tempered with humor, hope and humanity.” (For photos of a favorite work of ours, Banshee: Self-Portrait at 73, see our website and social media.) She has showed her work at leading New York galleries for decades (currently at the Marc Straus Gallery) and in one-person exhibits including PS1 and the Whitney Museum in New York and the Institute of Contemporary Art in Philadelphia. Jeanne is on the faculty of the School for Visual Arts and has written extensively about art in a range of publications, most recently in the Brooklyn Rail with “Playing It Out” about aging as an artist. She is witty and wise, and surprisingly shy though you'd never guess it. More about that in our lively conversation with the delightful, insightful and gifted Jeanne Silverthorne. ------------------------------ Visit www.twooldbitches.com Follow us on Instagram @twooldbitches, Twitter @TwoOldBitches, Facebook @TwoOBPodcast Created, Produced and hosted by Joanne Sandler &  Idelisse Malavé Edited by Jeyda Bicer Social media management by Loubna Bouajaj  

Ep.192 Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023, Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges' 120-acre campus through a series of new commissions, touring group exhibitions, and long term loans. She has also acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, Counterpublic Triennial, Prospect New Orleans triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, and ART21 Magazine, amongst others. Glenn sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit. Photograph by Grace Roselli Allison Glenn https://www.allisonglenn.com/ Artnet https://news.artnet.com/art-world/valuations-allison-glenn-2395989 NYTimes https://www.nytimes.com/2023/05/09/arts/design/counterpublic-st-louis-public-art.html ARTnews https://www.artnews.com/art-news/artists/qa-david-adjaye-on-his-first-permanent-sculpture-1234670283/ e-flux https://www.e-flux.com/criticism/537239/counterpublic-2023 NPR https://www.stlpr.org/arts/2023-03-07/massive-public-art-exhibition-will-highlight-historical-injustices-in-st-louis The Architects Newsletter https://www.archpaper.com/2022/04/david-adjayes-first-permanent-public-artwork-among-art-and-architectural-commissions-for-2023-counterpublic-triennial-in-st-louis/ Artnet https://news.artnet.com/art-world/counterpublic-2023-2106157 ARTnews https://www.artnews.com/list/art-news/artists/shaping-art-2022-deciders-1234612406/naomi-beckwith/ NYTimes https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html Observer https://observer.com/power-series/2021-arts-power-50/ Artforum https://www.artforum.com/features/huey-copeland-and-allison-glenn-on-promise-witness-remembrance-249992/ SAIC https://www.saic.edu/news/alum-allison-glenn-and-the-power-of-listening NYTimes https://www.nytimes.com/2021/03/11/arts/design/speed-museum-breonna-taylor-curator.html Art Newspaper https://www.theartnewspaper.com/2021/02/25/speed-art-museum-will-reflect-on-the-death-of-breonna-taylor-in-an-exhibition Surface https://www.surfacemag.com/articles/breonna-taylor-exhibition-speed-art-museum-other-news/#taylor Culture Type https://www.culturetype.com/2021/02/22/the-week-in-black-art-february-22-28-2021-cameron-shaw-named-executive-director-of-california-african-american-museum-aperture-names-seven-new-trustees/ Artnet https://news.artnet.com/art-world/louisville-speed-art-museum-breonna-taylor-1945823 Observer https://observer.com/2021/02/breonna-taylor-speed-art-museum-louisville/ 88.9 WEKU https://www.weku.org/post/new-speed-exhibition-honor-life-legacy-breonna-taylor#stream/0

Ep.191 Christine Berry earned her Bachelors of Art in Art History from Baylor University and her Masters in Art History and Museum Studies from the University of North Texas. She began her career at the Modern Art Museum of Fort Worth and continued on to the Whitney Museum of American Art. Twenty years ago, she shifted from the non-profit sector to the commercial art world. In 2013, Christine Berry and Martha Campbell founded Berry Campbell Gallery in Chelsea. The gallery has a fine-tuned program representing artists from Postwar American art, who have been overlooked due to age, race, gender, or geography. This unique perspective has been increasingly recognized by curators, collectors, and the press. Over the last ten years, Berry Campbell has doubled its roster, staff, and footprint. In 2022, the gallery moved from its original venue to its current 9,000 square foot gallery space at 524 West 26th Street. The gallery represents 34 artists and estates including Lynne Drexler, Perle Fine, Bernice Bing, Frederick Brown, Lilian Thomas Burwell, Nanette Carter, Beverly McIver, and Frank Wimberley. Photo credit: Blaine Davis Gallery https://www.berrycampbell.com/ Frieze https://www.frieze.com/gallery/berry-campbell Frieze Masters https://berrycampbell.com/exhibition/169/ Art Basel https://www.artbasel.com/catalog/gallery/24703/Berry-Campbell?lang=en The Armory https://www.berrycampbell.com/exhibition/166/ Palm Beach Modern+Contemporary https://www.berrycampbell.com/exhibition/157/ NYT https://www.nytimes.com/2020/04/02/arts/design/art-galleries-virtual-tour.html Observer https://observer.com/2021/06/best-gallery-exhibitions-summer-2021-from-salon-94-to-nancy-hoffman-gallery/ Brooklyn Rail https://brooklynrail.org/2020/05/artseen/Ida-Kohlmeyer-Cloistered Artsy https://www.artsy.net/article/berry-campbell-gallery-berry-campbell-announces-new-location Surface https://www.surfacemag.com/articles/berry-campbell-gallery-interview/ Widewalls https://www.widewalls.ch/venue/berry-campbell-gallery/artworks Artnet https://www.artnet.com/galleries/berry-campbell/ Galleries Now https://www.galleriesnow.net/shows/judith-godwin-modern-woman/ Art in America https://artinamericaguide.com/listings/berry-campbell-gallery/ Easel https://www.eazel.net/venues/76?branchId=95

On this week's episode I chat with Boo Trundle about her IFS-inspired novel, The Daughter Ship. Boo is a writer, artist, and performer whose work has appeared across various platforms and publications, including The Brooklyn Rail, McSweeney's Internet Tendency, and NPR's The Moth. She has released three albums of original music with Big Deal Records.  I absolutely loved this book and the way she blended years of inner child work and IFS therapy to create the unique Parts perspective she uses to write the novel. She shares her process of discovering and relating to different parts and learning how to tell their stories. We identify legacy burdens, ancestral guides, and which character in the novel represents her true Self. We talk about: Using IFS to inform and transform her writing (3:00) The unique storytelling of the novel telling her Parts' stories (7:00) Her journey discovering her Parts and learning their stories (12:00) Writing as a healing and spiritual experience (16:00) Connecting with Self and ancestral guides during a summer writing workshop (20:00) Identifying which character in the novel represents her true Self (33:00) Connect with her here: https://www.bootrundle.com https://www.instagram.com/bootrundle https://twitter.com/account/access https://www.facebook.com/BooTrundle/ ------ Watch video Clips from select episodes on The One Inside's YouTube channel.  The One Inside Podcast - YouTube Follow Tammy on Instagram @ifstammy: Tammy Sollenberger (@ifs.tammy) • Instagram photos and videos and on Facebook at The One Inside with Tammy Sollenberger: The One Inside: Internal Family Systems with Tammy Sollenberger | Facebook. ------ Jeff Schrum is Co-Producer of The One Inside Podcast. He completed the IFS Online Circle and is enrolled in an IFS Level 1 training.  ------ Are you new to IFS or want a simple way to get to know yourself? Tammy's book, "The One Inside: Thirty Days to your Authentic Self" is a PERFECT place to start. You can purchase it here: The One Inside: 30 Days To Your Authentic Self: Sollenberger, Tammy: 9780967688756: Amazon.com: Books or wherever books are sold. Sign up for Tammy's email list and get a free "Get to know a Should part of you" meditation on her website: Home - Tammy Sollenberger ------ Tammy is grateful for Jack Reardon who created music for the podcast. Jack is a graduate of Derek Scott's IFS Stepping Stones Program. You can follow Jack at bonzemusic on Instagram.  

Anders expands on his recent debut piece in The Brooklyn Rail, in which he critiques Gulf War era cinema. But first, Jake's birthday party received a SCATHING review from the LA Review of Books for some reason. ANDERS' PIECE https://brooklynrail.org/2024/02/film/Inter-Gulf-War-American-Cinema JAKE'S B-DAY TAKE DOWN https://lareviewofbooks.org/short-takes/connors-events-crime-wave/ FULL EP AT PATREON.COM/PODDAMNAMERICA