Podcasts about Gatsby

¡Regalo GRATIS en nuestra LISTA DE CORREO! ➡️https://www.letraminuscula.com/suscribirse-lista-de-correo/ Visita nuestra WEB https://www.letraminuscula.com/ SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Llámanos☎ o escríbenos por WhatsApp:+34640667855 ¡SUSCRÍBETE al canal! CLIC AQUÍ: https://bit.ly/2Wv1fdX RESUMEN: ¿Son realmente grandes obras literarias o solo fenómenos inflados por el marketing y la cultura popular? En este vídeo, el autor se moja opinando sobre siete libros que considera totalmente sobrevalorados. ⏲MARCAS DE TIEMPO: ▶️00:00 Libros famosos que están sobrevalorados ▶️01:19 Críticas a "El guardián entre el centeno" ▶️02:45 El "Ulises" como experimento tedioso ▶️04:01 El "Ulises" como fetiche elitista ▶️05:09 Crítica a "El código Da Vinci" ▶️06:31 "50 sombras" y su éxito inexplicable ▶️07:41 "El gran Gatsby" y su simbolismo plano ▶️08:45 "Harry Potter" como saga sobrevalorada ▶️09:57 "El alquimista" y su mensaje simplista ▶️11:03 Conclusión: el lector es quien decide

It feels like everyone's on vacation—and our Banterly hosts are no exception. Maya's back from Brazil, and she and Aidan kick things off with the question of the day: What's your rich-person hobby? Aidan's hoarding vintage jewelry and Priuses, while Maya's planning Gatsby-level parties for her inner circle. Then it's time to break down Sirens—Netflix's new limited series about wealth, power, and messy sisterhood. Most importantly: why was that ending so underwhelming? And what was actually going on with those murky supernatural vibes? Tune in for a short and sweet breakdown of Sirens! __ Hosted by: Maya Shetty & Aidan Taylor Producer: Shei Yu | Content Writers: Maya Shetty & Aidan Taylor I Editorial Review: Saadia Khan I Sound Designer & Editor: Lou Raskin I Immigrantly Theme Music: Simon Hutchinson | Other Music: Epidemic Sound | Cover art design: Josephine Chai | Executive Producer: Saadia Khan Please share the love and leave us a review on Apple Podcasts & Spotify to help more people find us!  If you want to share your thoughts about this or other episodes, reach out at banterly@immigrantlypod.com Banterly is an Immigrantly Media Production. For advertising inquiries, email info@immigrantlypod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Die SRF-Kritikerrunde bespricht ein aktuelles und ein immer noch aktuelles Buch: «Drei Wochen im August», das aktuelle Buch der deutschen Schriftstellerin Nina Bussmann, und «The Great Gatsby», das immer noch aktuelle Jahrhundertwerk des US-Amerikaners F. Scott Fitzgerald. Warme Ferientage an der Atlantikküste. Was idyllisch klingt entpuppt sich in Nina Bussmanns Roman «Drei Wochen im August» als unheilvolles Kammerspiel. Zwei Frauen, drei Kinder und ungebetene Gäste sind im französischen Ferienhaus mit Konflikten konfrontiert, die sie nicht austragen. Und während die Situation zu eskalieren droht, brennen rundherum schon die Wälder. Dieser Roman überzeugt Tim Felchlin durch seine bedrohliche Spannung und feinsinnige Psychologie. Der Roman «The Great Gatsby» des US-Amerikaners F. Scott Fitzgerald zählt zu den bekanntesten Romanen der amerikanischen Literatur. Das Buch über einen Multimillionär, der getrieben ist von der Sehnsucht nach einer ehemaligen Geliebten, ist eines der weltweit meistgelesenen Bücher. Vor genau hundert Jahren ist es erschienen. Es sei bis heute packend zu lesen, findet Felix Münger, auch deshalb, weil es trotz seines Alters Einblicke in das Wesen und Funktionieren der USA vermittelt - gerade auch in Zeiten Donald Trumps. Buchhinweise: Nina Bussmann. Drei Wochen im August. 317 Seiten. Suhrkamp, 2025. F. Scott Fitzgerald. Der grosse Gatsby. Aus dem Amerikanischen von Bettina Abarbanell. 249 Seiten. Diogenes, 2025. Wiederholung der BuchZeichen-Sendung vom 08.04.2025

For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off.  Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)

Eleri Ward's recent stage credits include starring in Florence Welch's "Gatsby" music at the American Repertory Theatre. Now the actor and singer-songwriter is preparing to release her debut album, Internal Rituals, in September. She joins us to perform a preview of it live in the studio.

George Remus made millions bootlegging during Prohibition, lived like Gatsby, married a woman named Imogene, then murdered her in broad daylight. The kicker? He defended himself in court…and walked free.This episode of Arsenic Culture dives into one of the wildest real-life crime sagas in American history: 

With student numbers reportedly falling and concerns mounting over subject visibility, this Teachers Talk Radio show explores the current state of Sociology in secondary and post-16 education and it's incredible hidden value. Host Tom Rogers is joined by guests Sunny Gunessee and Tom Genillard to discuss the headline data on student uptake, the role of careers guidance in shaping perceptions, and how schools can reposition the subject for today's learners. Together, they explore how sixth forms, colleges, and universities can collaborate to close the gap, the steps OCR Exams are taking to make qualifications more inclusive, and the impact that declining school provision has on teacher recruitment and subject expertise. We'll also hear insights from the JCoSS Present…Sound Sociology podcast, including real-world case studies of students using sociology in diverse career paths—from education and healthcare to media and policy. Finally, the show considers the value of sociology for meeting Ofsted expectations and Gatsby benchmarks, and offers practical advice for schools looking to boost engagement at open evenings. Produced in partnership with OCR Sociology - Visit them at ocr.org.uk

Volume 48 of Brad & Mira For the Culture...fast zombies with erect penises...Jeff and Lauren take Venice...foam parties, Gatsby parties, the ritual humiliation of elites...Emma Thompson's prostate crusade...Scarlet Johansson can't stop mouth-kissing her gay co-star...and more... *** ⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠Apple Podcasts⁠⁠⁠, ⁠⁠⁠Spotify⁠⁠⁠, ⁠⁠⁠YouTube⁠⁠⁠, etc. Subscribe to ⁠⁠⁠Brad Listi's email newsletter⁠⁠⁠. ⁠⁠⁠Support the show on Patreon⁠⁠⁠ ⁠⁠⁠Merch⁠⁠⁠ ⁠⁠⁠Twitter⁠⁠⁠ ⁠⁠⁠Instagram⁠⁠⁠  ⁠⁠⁠TikTok⁠⁠⁠ ⁠⁠⁠Bluesky⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a sea of Gatsby re-tellings, this remix stands out. Kyra Davies Lurie uses Fitzgerald's classic as a jumping off point to take us across the country (and a few decades past the roaring 20s) to Sugar Hill, a little known affluent African American neighborhood where the scene is set.

“Better than Gatsby.”   Chatter rolls with Claude, Torie, and Jamie as David recovers from NBA finals.  They break down DOD events, and Rocco's shot contest beats all. Best selling author and screenwriter Kyra Davis Lurie zooms in the share “The Great Mann.” Describing it as a reimagining of “The Great Gatsby,” as many do, doesn't do justice to this deeply researched look at class and wealth and Black identity in postwar Los Angeles. It's Lurie's first turn at historical fiction; hopefully not her last.

Welcome back to Home Base Nation! This is our sixth episode in a series where we talk with some of the folks at Home Base who wake up every day with the same mission in mind, regardless of their role at the Center of Excellence in the Navy Yard and beyond. Over the next several weeks, we will share the staff conversations I had with some of the hardworking professionals at Home Base who help treat the invisible wounds of veterans and military families. We have published 120 episodes since 2019. For this new season, we thought it would be a good idea to look back on some of the highlights of our conversations and select 20 episodes that resonated with veterans, service members, military families, and the civilians who support them.But first up, you'll hear from some of the folks at Home Base who wake up every day with the same mission in mind, no matter what they do at the Center of Excellence in the Navy Yard and beyond. For this episode, you will hear a brief conversation with Registered Dietitian and Manager of Clinical and Culinary Nutrition for the Home Base Program Nicolette Maggiolo, serving those in the Home Base Intensive Clinical Program, New England Warrior Health & Fitness Program, and Outpatient Clinic. Additionally, Nicolette has authored a Limited edition Home Base Cookbook that features over 100 original recipes with reflections from veterans and military families. With all proceeds benefiting Home Base. It even has a bonus dog treat recipe for your pup, honoring our beloved Home Base dog Gatsby.  Woof. The cookbook was available at Stop and Shop in honor of Military Appreciation Month and once more become available we will share it here.Following my conversation with Nicolette, you'll hear an episode with Rock DJ and podcast host Mistress Carrie. A vehement supporter of U.S. troops and veterans, Mistress Carrie wanted to find a way to give back, and in 2006 she made her way to Iraq, as the first non-news journalist embedded with troops there, before "deploying" for a second time in Afghanistan in 2011, where she met Brigadier General (Ret.) Jack Hammond, who was leading command in Kabul at the time. Back in 2022, she stopped by the Home Base Center of Excellence to speak with Ron and General Hammond to speak about why supporting veterans matters so much and how she views service. Run To Home Base: Join Ron and his team and sign up individually or on another team at the 16th annual Run To Home Base on July 26th, 2025, at Fenway Park! Go to runtohomebase.orgPlease visit homebase.org for updates, programming, and resources if you or someone you know is struggling. Home Base Nation is the official podcast for the Home Base Program for Veterans and Military Families. Our team sees veterans, service members, and their families addressing the invisible wounds of war at no cost. This is all made possible thanks to a grateful nation. To learn more about how to help, visit us at www.homebase.org. If you or anyone you know would like to connect to care, you can also reach us at 617-724-5202.Follow Home Base on Twitter, Facebook, Instagram, LinkedInThe Home Base Nation Team is Steve Monaco, Army Veteran Kelly Field, Justin Scheinert, Chuck Clough, with COO Michael Allard, Brigadier General Jack Hammond, and Peter Smyth.Producer and Host: Dr. Ron HirschbergAssistant Producer, Editor: Chuck CloughChairman, Home Base Media Lab: Peter SmythThe views expressed by guests on the Home Base Nation podcast are their own, and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by guests are those of the guests and do not necessarily reflect the views of the Massachusetts General Hospital, Home Base, the Red Sox Foundation, or any of its officials. 

Broadway stars Jordan Fisher and Solea Pfeiffer join host Joel Crump for another hilarious edition of "Broadway Time at Carmine's". About Jordan: Jordan most recently starred as Bobby in the New York City Center Encores! production of Urinetown and as Orpheus in Hadestown on Broadway. Additional Broadway credits include Anthony in the Broadway revival of Sweeney Todd: The Demon Barber of Fleet Street, Evan in Dear Evan Hansen, and Laurens/Philip in Hamilton. He starred in and produced Netflix's Hello, Goodbye, and Everything in Between and was one of the voices of 4*Town in Disney/Pixar's Turning Red. Jordan played Mark in Fox's “Rent: Live” and Doody in Fox's “Grease: Live!” About Solea: Solea Pfeiffer appeared most recently as Myrtle in the world premiere of Florence Welch's Gatsby at American Repertory Theater. On Broadway, she has starred in Almost Famous (Penny Lane) and Hadestown (Eurydice). Her Off-Broadway credits include You Are Here (Audible Theater); Eva Perón in Evita and Songs for a New World (City Center); and Ophelia in Hamlet (Delacorte). On tour, she played Eliza in the West Coast premiere of Hamilton. Additional credits include Sondheim on Sondheim (Hollywood Bowl), West Side Story (LA Philharmonic, National Symphony Orchestra), The Light in the Piazza (Lyric Opera of Chicago). TV/Film: “The Good Fight,” “Scandal,” A Jazzman's Blues. "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:

In this episode, we dive into Don't Sleep with the Dead by Nghi Vo—a haunting, magical companion to The Chosen and the Beautiful. Set in the late 1930s, Nick Carraway is still pretending—about his past, his identity, and his humanity—until a familiar figure from 1922 returns. Dead or not, Gatsby isn't finished with him. A reimagining of The Great Gatsby like you've never heard before.Author ReadsLooking for Hamlet by Marvin W. HuntThe Lies of Ajungo by Moses Ose Utomi

Dr. Jeffrey Johnson from the Kewanee Schools Foundation joined Wake Up Tri-Counties to talk about 2025 scholarships, the Great Gatsby fundraiser in April, the outdoor fitness court, new band instruments, Wall of Honor updates, the alumni newsletter, and tennis courts. The Kewanee Schools Foundation recently awarded $155,000 in scholarships to 52 students from the 127 graduates of the Class of 2025, acknowledging nearly 4,000 collective service hours. Five new scholarships, including those honoring local families and first responders, were introduced. “An Evening with the Great Gatsby” fundraiser brought in $25,000 toward an outdoor fitness court, which, despite delays, remains slated for completion this year.  Five new scholarships were awarded this year, including the John Headlund, John Spets Family Memorial, Kyle and May Kay DeJaeger, James Mock Memorial (Kewanee First Responders), and Margo Eastman Barry Memorial Scholarships.  The Wall of Honor outside the Peterson Auditorium will have updated plaques soon. Over 7,000 newsletters will be mailed to registered alumni at the end of the month. The future tennis courts may include a Marjabelle Stewart Memorial Butterfly Garden in honor of Marjabelle Stewart and match the mural on the outdoor fitness court. If you would like to register for the newsletter or read back newsletters, visit the Kewanee Schools Foundation website.  For more details or to contribute, visit their website or Facebook page, call the foundation at 309-856-8702, or their office at 1001 N. Main Street, Kewanee, IL 61443.

We're bringing you a BROADWAY special!Tom Self (Tina / Adrian Mole) joins West End Frame Editor, Andrew Tomlins, to discuss some of the hottest shows on Broadway. In this episode they cover Death Becomes Her, Maybe Happy Ending, Oh Mary, Smash, Boop, Just In Time, Pirates: The Penzance Musical, The Last Five Years and The Great Gatsby.Come back next week for a second Broadway episode with chat about more Broadway shows!Tom is an actor, composer and musical director. He is currently a swing and understudy in the first ever UK & Ireland tour of Tina: The Tina Turner Musical.Some of his other stage credits include Brief Encounter, The Secret Diary Of Adrian Mole Aged 13 3/4, Ordinary People, Camelot, The Hired Man, Sweet Charity, Priscilla Queen Of The Desert and more.Tom's show Me, Tom Self & I has a sold-out run at Crazy Coqs and he has been a finalist at the Pantomime Awards for Best Contribution to Music. He regularly teaches singing lessons, coaching and delivers masterclasses.Visit Tom's website www.tomself.co.ukThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Guest Sarah Rainsberger Panelists Richard Littauer | Abby Mayes | Eriol Fox Show Notes In this special Maintainer Month episode of Sustain, hosts Richard, Abby, and Eriol talk with guest, Sarah Rainsberger, a documentation lead at Astro, who shares her journey from teaching high school mathematics to becoming an open source contributor. Sarah elaborates on her approach to documentation, emphasizing the importance of clear, supportive, and inclusive communication to onboard new contributors effectively. She also discusses using low-tech tools like Chromebooks and cloud-based editors for open source contributions. The episode highlights the strategies employed by the Astro Docs team to recognize and value contributions. Press download now to hear more! [00:02:30] Sarah shares her background, role at Astro, how she got involved in documentation that started by fixing a bad choir website, and why she chose Astro over Gatsby and quickly became a key contributor. [00:06:49] She reflects on the moment she connected her work with the concept of “open source.” [00:07:54] Sarah talks about becoming a leader using Chromebook, taking lessons on Scrimba, and using cloud tools like CodeSandbox and Gitpod, the Astro community embracing her methods, and how she built a reputation as someone making meaningful contributions regardless of hardware. [00:14:24] Sarah explains how docs are “self-serve support” and essential to project success. [00:16:28] The conversation turns to combatting the stigma that docs are low value and Sarah addresses the false perception that documentation isn't real development. [00:18:28] Sarah shares that Astro has over 1,000 docs contributors and details their intentional process of welcoming, crediting, and celebrating new contributors. [00:24:37] How does Astro handle lower-quality contributions? Astro uses the motto: “Not worse than what we had before.” They edit or mentor rather than reject, to build confidence and retain contributors. [00:29:12] Astro maintains a separate documentation site (“D Squared”) that outlines its processes for contributing to documentation. [00:33:25] Sarah shares where to find her work at the Astro Docs and where to find her. Quotes [00:05:26] “If I'm going in, let's go all in.” [00:12:50] “I have chosen to maintain low tech.” [00:12:59] “I am known for my evil devices.” [00:14:36] “Docs are so important to a project that you want someone else to use or contribute to.” [00:15:28] “Docs is the most scalable type of support that you can have.” [00:16:37] “Everyone complains about docs until it's someone else's project.” [00:26:51] “PRs don't just fall out of the sky; they are effort, and they are work.” [00:27:05] “There is some motivation behind this PR.” [00:31:41] “Several of our maintainers started by translating the docs.” [00:31:49] “If you want to find mistakes in your English docs, you want translators.” Spotlight [00:34:40] Abby's' spotlight is CommunityRule. [00:35:04] Eriol's spotlight is State of Docs. [00:35:19] Richard's spotlight is Nathan Schneider and the Protocol Oral History Project. [00:36:08] Sarah's spotlight is Better GitHub Co-Authors. Links SustainOSS (https://sustainoss.org/) podcast@sustainoss.org (mailto:podcast@sustainoss.org) richard@sustainoss.org (mailto:richard@sustainoss.org) SustainOSS Discourse (https://discourse.sustainoss.org/) SustainOSS Mastodon (https://mastodon.social/tags/sustainoss) SustainOSS Bluesky (https://bsky.app/profile/sustainoss.bsky.social) SustainOSS LinkedIn (https://www.linkedin.com/company/sustainoss/) Open Collective-SustainOSS (Contribute) (https://opencollective.com/sustainoss) Richard Littauer Socials (https://www.burntfen.com/2023-05-30/socials) Abby Cabunoc Mayes GitHub (https://abbycabs.github.io/) Eriol Fox GitHub (https://erioldoesdesign.github.io/) Sarah Rainsberger Website (https://www.rainsberger.ca/) Sarah Rainsberger Mastodon (https://mastodon.social/@sarah11918) Non-code contributions are the secret to open source success (The ReadME Project) (https://github.com/readme/featured/open-source-non-code-contributions) Astro (https://astro.build/) Astro Docs (https://docs.astro.build/en/getting-started/) Contribute to Astro (https://docs.astro.build/en/contribute/) Gitpod (https://www.gitpod.io/) Scrimba (https://scrimba.com/home) Hugo Server (https://gohugo.io/commands/hugo_server/) CommunityRule (https://communityrule.info/) State of Docs (https://www.stateofdocs.com/2025/introduction-basic-stats) Better GitHub Co-Authors (https://github.com/delucis/better-github-coauthors) Sustain Podcast-Episode 85: Geoffrey Huntley and Sustaining OSS with Gitpod (https://podcast.sustainoss.org/85) Sustain Podcast- 2 episodes featuring Nathan Schneider (https://podcast.sustainoss.org/guests/nathan-schneider) Credits Produced by Richard Littauer (https://www.burntfen.com/) Edited by Paul M. Bahr at Peachtree Sound (https://www.peachtreesound.com/) Show notes by DeAnn Bahr Peachtree Sound (https://www.peachtreesound.com/) Special Guest: Sarah Rainsberger.

Episode 245 - The Thinklings Podcast Welcome to Episode 245 of The Thinklings Podcast! We're kicking off the summer episodes with a goofy intro, some literary reflection, and a final meditation! It's a shorter book, a longer book, and a Scripture-rich close to the show. Thanks for listening to this week's episode!

Patrick O'Sullivan Greene is back on the show to promote his new book about F. Scott Fitzgerald.  Fitzgerald's Irish heritage was such an interesting part of his identity.  A part of his identity with which he sometimes struggled.  

Wes rebuilt his personal site from Gatsby to a modern stack using Waku, React Server Components, and Cloudflare Workers — all while keeping the same design. Scott and Wes break down the pain points with Next.js, MDX, image handling, caching, and the custom setup that now powers a blazing-fast blog. Show Notes 00:00 Welcome to Syntax! 01:03 Barcelona Conference. 04:09 Brought to you by Sentry.io. 04:33 Existing stack, goodbye to Gatsby. 06:11 New stack, the goals for moving. 06:56 So what is the new stack? 08:32 Challenges with NextJS. 08:58 Problems with plugins. 09:30 Problems with dynamic imports. 10:21 Problems with Cloudflare deployment. 12:37 Landing on Waku. 13:59 Hot Tips functionality updates. 16:30 Blog Posts + JavaScript Notes. 17:09 Moving from Gatsby. 19:03 Page speeds. 19:29 Removing nav resizing process. 21:03 Writing custom MDX plugins. 23:28 Hosting. 24:08 Why is the build so fast? 28:01 Pricing. 32:25 Caching. 34:49 Migration errors. 36:37 CSS. Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads Randy: X Instagram YouTube Threads

Happy Summer! Read the literature professor's analysis here!

This week, as Sam preps to go to Iceland, we've got some of our favorite books of the year so far, with Gatsby references all over the place, general indictments of people with more money than they need, and a call back to the Beat era. Here's what we've got on tap: - "Mansion Beach," by Meg Mitchell Moore, a retelling of Gatsby with a gender reversal and a good reminder that Fitzgerald, himself, was a bit of a "beach read" writer.  - "Atavists," by Lydia Millet, a story collection that works a bit like a multi-perspective novel and succeeds as both a realistic look at the suburbs and a send-up of modern life.  - "Careless People," by Sarah Wynn-Williams, which offers an inside look at some of the most ethically and morally bankrupt people the world has ever known: the creators of Facebook. - "The Silver Snarling Trumpet," by Robert Hunter, which is a must-read for anyone who likes Jerry Garcia or wants to harken back to a simpler time and get a glimpse of life before the hippies. 

Starting the week in Washington with the Son of a Preacher Man, Jonathon Gatsby, singer, songwriter and author. Songs include Future Memories, Girl Can I talk To You?, One Reason, Tell Me Dear Friend and his biggest hit, Valentine.

This week on Musings from the Mount, we explore one of the most complex topics in spiritual practice - our relationship with luxury and material wealth. Using The Great Gatsby story as our starting point, we examine how the tragedy wasn't wealth itself, but using luxury as a substitute for authentic self-realization. Drawing from the Agni Yoga teachings and insights from cultural anthropology, we discuss how different societies define luxury - from American "military stripes" that signal divine approval, to Italian artistic refinement, to British aristocratic detachment. The conversation moves beyond simple judgments about wealth to examine the deeper psychological drives behind our material desires. We explore practical questions like: Is buying quality tools the same as indulging in luxury? How do we balance spiritual detachment with appreciation for beautiful craftsmanship? When does accumulation serve utility versus status? Through examples ranging from Leonard Cohen's utilitarian tour plane to the difference between owning a guitar to make music versus hanging it on your office wall. The episode doesn't offer easy answers about what's "right" or "wrong" regarding wealth, but rather invites deeper reflection on identity, stewardship, and our role as conscious participants in life's regenerative ecosystem. Whether you're navigating financial abundance or scarcity, this conversation offers thoughtful perspectives on what it means to relate consciously to the material world. Meditation Mount and HeartLight Productions are pleased to present Musings from the Mount – a weekly podcast with host Joseph Carenza and guests in conversation exploring a range of topics drawn from the Ageless Wisdom teachings. New episodes every Monday. If you enjoy this podcast, please consider donating at MeditationMount.org

Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not. #AmReadingMeg: Audio: Great Big Beautiful Life, Emily Henry—Julia WhelanAlso mentioned: Julia Whelan's Thank You for ListeningPrint: The Road to Dalton, Shannon Bowringfrom The Book Shop of Beverly FarmsKJ: Mansion BeachWelcome to Glorious Tuga, Francesca SegalFind Meg at @megmitchellmoore on IG, or visit her website at www.megmitchellmoore.comHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcripts below!EPISODE 450 - TRANSCRIPTKJ Dell'AntoniaKJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting. It's Writing the Book, a conversation between Jenny, who's just finished a blueprint for her next nonfiction book, and me because I've just finished the blueprint for what I hope will be my next novel. Jenny and I are both trying to quote-unquote "play big" with these next go-rounds, which is a meta effort for Jenny as that's exactly what her book is about, and we're basically coaching each other through, trading pages, thoughts and encouragement, as well as some sometimes hard-to-hear honesty about whether we're really going in the right direction. So come all in on team Hashtag AmWriting, and you'll get those Writing the Book episodes right in your pod player along with access to monthly AMAs, the book labs, first pages episodes, and come summer, we shall blueprint once again. So sign yourself up at amwritingpodcast.com.All SpeakingIs it recording? Now it's recording. Yay. Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. Alright. Let's start over. Awkward pause. I'm gonna rustle some papers. Okay. Now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things. Short things, long things, pitches, proposals, fiction, nonfiction, memoir, other things I'm probably not thinking of. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia, the author of three novels, The Chicken Sisters, In Her Boots and Playing the Witch Card, as well as a nonfiction book, How to Be a Happier Parent, former editor of The New York Times Motherlode. You've heard all this. With me today, more importantly, is Meg Mitchell Moore, who has written a book that I think you're gonna find is your summer go to. It is called Mansion Beach, and I loved it. And we'll talk about it in a second. She is also the author of Summer Stage, Vacationland, can attest to both of those great reads. The Islanders, Two Truths and a Lie, The Admissions, loved that one too. They're all great. So, anyway, lots of lots of novels in the family saga, sometimes touch of romance, beach, summer, deep, but also page turnery read genre, which is not a genre because that was too long. But, anyway, Meg, thanks for coming to chat.Meg Mitchell MooreThank you for having me. I'm so happy to be here. This is gonna be really fun.KJ Dell'AntoniaSo I've read some of your other books, obviously, and I felt like this one Mansion Beach was you sort of moving to a different this. It's a little how to describe it. You've got a lot of points of view, which you always, you often do, and a little bit of of a mystery, which actually, I've seen you do before, and then you've got a podcast going on so that you can have different people show show off what's happening. I guess I was hoping you would talk about the evolution of style, um, actually, over your whole career, sort of from, like, I'm writing a kind of a basic book with a couple of points of view and third person close, or maybe first person to these bigger, bigger stories with so much more to so much more to offer the reader. That's a really big question. Start wherever you want.Meg Mitchell MooreThat's a great question. I I don't know if it has been such an evolution. I have always written multiple points of view to the point where it makes me crazy. And I wish I could. I wish I could do one or two. I really wish I could. I've tried it. I can't do it. I just can't. My brain doesn't work that way. It's I can't do it. So even my very first novel, which I published in 2011 it was called The Arrivals, that was a much smaller story. So yes, I for sure, I've evolved plot wise, but I remember, and this was when I was brand new and did not know what I was doing, and I was just trying to figure out how to write a novel. I had so many points of view. And I remember my now agent. Maybe she was not my agent then and was becoming my agent, or maybe she was already my agent, but I remember her saying, we have to take out at least like five of these points of view. And it's still, it still has a lot. I just that's how I think those are the kind of books I like to read, usually, not always, for one thing, but it just. Must be how I think I'm always in everybody's head, and it's really hard for me to restrain that. So this book, I don't think, has any more points of view than any other. Might have fewer than some. It does have a mystery.KJ Dell'AntoniaYeah it might, then some that I've read, I guess I I, I saw it as different, maybe in part because of the the use of the podcast to frame things.Meg Mitchell MooreYeah that's new. And then it's a bigger, you know, it's a bigger idea. It's a, it's not a retelling of The Great Gatsby, because I don't like to use that word, but it is inspired by The Great Gatsby. So it has definitely some bigger I was looking at bigger themes, maybe from the start. A lot of times I back my way into the themes based on what my characters are doing. I don't always start with the themes, but this time i i was looking at some of those big whether, what's the American dream and what does success mean, and how does money equate with happiness, and some of those bigger questions. And I don't always do that. I might do it in reverse, but I don't always do that first. So I do think it has bigger theme wise, it's bigger maybe plot wise, yeah. And some of the elements, some of the elements that move it along, are a little different. I was working with a new editor for the first time for this. This is my first full book with my new editor. So I think that had something to do with it too, because I think she was probably pushing me for some of those elements that don't come naturally to me, which I think ended up being good for the book.KJ Dell'AntoniaYeah, it's a little more thriller. Isn't exactly the right word, but there's definitely a page turning mystery in there. I know here's, this is like a so there's a page turning mystery in Mansion Beach, and the question all along for the reader, like, you know somebody is going to die. But I at least did not know who, but I had an advance, and it came as a as a digital book, so I didn't have the cover and I didn't have the blurb on the back, if a reader has those things, are they gonna know?Meg Mitchell MooreInteresting.KJ Dell'AntoniaAre they gonna know? Who it is that that dies?Meg Mitchell MooreI don't think so. I don't think so. The people I know who have read it both ways, I think have not known.KJ Dell'AntoniaThat's good.Meg Mitchell MooreIt's sort of that white lotus effect, you know, for White Lotus fans out there, where there is a mystery, and you care about the mystery, but you also it matters, but it doesn't matter as much as what's going on with everybody else. So I really like that as a framing device. I like watching it and reading it. And I tried it myself this time. I did it a little bit in two truths and a lie as well. I guess that's my only other one that has a dead body, and a lot of people are mad at me for who the person was who died, which I want. And two truths...KJ Dell'AntoniaDon't give it up.Meg Mitchell MooreNo, I won't. So that was interesting, so I hadn't tried it again, and this time I went in a little nervous, because people had been upset with me, particularly my husband. But I I still, I mean, I had the chance not to do what I did in two truths and a lie, and I still chose to. So I still, for me, it was the right thing, but it was an interesting experience. And I didn't try it again for a couple books. And this time I did also because I was playing with some of the Gatsby themes. I mean, Gatsby has three bodies, so I thought, I mean, I should have at least one, so I won't, yeah, I won't give anything away about…KJ Dell'AntoniaNo, don't.Meg Mitchell MooreWho or what or how, but I did enjoy having that as a device to propel it now that also, I don't think that was in the first draft. I don't think there was a body in the first draft. I mean, there were huge changes in this book, and I think that was one of them. I think we decided we needed the body after one draft.KJ Dell'AntoniaWow. Okay, now I'm deeply fascinated, and of course, I'm trying. So I'm trying to make this interesting and useful for those of you who haven't read the book, although you could also stop, go get the book, and read it, and then listen to this, and then it would be even better.Meg Mitchell MooreThat is true.KJ Dell'AntoniaYeah. Okay, so let me just start by saying I am actually not a person who typically likes a book where your whole like, like, the question is, you know, either who died or who did it. So Lucy Foley, I've enjoyed some of those, but it's not necessarily my favorite go to genre, but the thing that made this book work great for me was exactly what you just said, that there's so much more to it. You I could see that this story would exist before you added that and that. I mean, that's so cool. And then I also, I'm not a Gatsby person, so neither of those would like, neither of those hooks is going to grab me. But what grabbed me, I think, was the different women, different versions of the American dream.Meg Mitchell MooreMm-hmm.KJ Dell'AntoniaIs that where you started?Meg Mitchell MooreI started… Yeah, I think so I would. Really, yes, I wanted to really look at notions of success, particularly for women today. You know, it's contemporary. It takes place that, you know, in the summer that is coming out, or that, if you actually match up the dates, and I think I messed up the tides and the moon in some places, but it's the summer. So yes, I was very interested in those questions. I was I wanted to have a love triangle, because I think that's interesting, and that's part of Gatsby too. So it's funny that you say you're not a Gatsby person. I think my first, another change from my first draft, was very Gatsby heavy. I think I tried to, I think it just was, I was trying too hard to to do the same thing. And…KJ Dell'AntoniaIt's kind of a reverse-gendered Gatsby.Meg Mitchell MooreIt is, yes, it's reverse gendered. But what I was doing was just, I was just trying to, I don't know what I was doing, but it was a mess. I mean, I always knew I wanted to play with Gatsby, but I tried to do it too closely. And I tried a little first person with the narrator, which that's how Gatsby is told, but I can't write him. Can't write successfully in first person. So that was a mess. And I remember that my editor probably looked at this thing and said, This is what are we doing? But what she said to me nicely was, you need to, like, don't worry so much about Gatsby at all, like you need to free yourself from those constraints, and you need to write the story. And that was the best advice, because that's when it started to come together. So it's more that Gatsby was a jumping off point, and some of those themes, I was so interested in how those themes are so relevant 100 years later, and they are, so I think I needed that as a jumping off point, but I didn't need to, you know, retell it scene by scene, or try to have the narrator feel the same, or do anything like that. And I had some missteps along the way before I figured that out.KJ Dell'AntoniaIt interests me that this doesn't seem to have taken any longer than your other books, did it?Meg Mitchell MooreUh, I felt like it took forever. My books have come out either with note with, you know, a year and then the next summer, or with two summers in between. This one has, this one has an empty summer in between. So I did need that extra writing time for this. And I remember, I always start out thinking I could do this in a year. I'll absolutely and I always hit. I'm a deadline hitter. You know, I always hit the deadlineKJ Dell'AntoniaYeah, you give them something.Meg Mitchell MooreYeah, I was a journalist for a long time. I just, I'm not late on things. I just always, I'm just, I always hit my deadlines, but it might be awful. And so this was nobody actually. I mean, it was pretty awful when I think back to that first draft, and I think that my editor and Agent thought, okay, we can do this. And I looked at it, and I looked at my schedule and my life and my brain, and I thought, I don't think I can do it very well. So we put it off for a year, which gave me not a year's writing time, but maybe six months that I hadn't had. And that made a big difference. So this one took a little longer. Same thing with vacation land. I had the exact same thing happen where I thought it was going to come out one summer, it came out the next summer, but Summer Stage and then the book coming out, if I finish it next summer, will have no extra time in between. So it kind of, I've gone both ways with it.KJ Dell'AntoniaDo you see any like consistency in why? Or it just sort of either happens that way or it doesn't?Meg Mitchell MooreI think I when I try bigger, when I try bigger books, I need more time, as it should be, but I always think I can do it. You know, I'm patience is not, is not my best quality. Impatience is my worst quality. So I find that I'm usually impatient to get something done or to hit the deadline or to put the book out, and I have to slow myself down when necessary, and vacation land. It was a different editor, same publisher, but different editor. I remember her saying, having that talk with me and saying, it will be a much better book. If we put it out the following year, it will be so much better. And she was right. So we needed that time.KJ Dell'AntoniaI so totally relate to this.Meg Mitchell MooreDo you?KJ Dell'AntoniaYeah, absolutely. I mean, I'm in the middle of it. Now, if anybody who's listening is also listening to our what the books are writing the books, what the books also like? It's a little mini series where one of my co-hosts is writing nonfiction and I'm writing fiction, and we're trading pages, and we're doing a weekly series of conversations. And this week's realization was, I have always known that I'm writing a story with multiple points of view, but I couldn't start it that way. I had. I had to start it with just this one protagonist. And then I thought, Oh, well, then it'll just be that, and it'll probably be really easy. Look, I've got this all planned out. I'm just gonna write. I'm just gonna, oh, I'll bet I can get, what if I got my agent a draft this summer? Hahaha, it's, you know, it's not good, but I'm so impatient. I want ...Meg Mitchell MooreRight, right. Well, I was listening to one of your to your podcast the other yesterday, and it was the one where you were talking about your story idea starting. How do you, how do you ideate the book?KJ Dell'AntoniaOh, gosh.Meg Mitchell MooreAnd you so you write a book, and then you present it to your agent, and then you sell it, right? So…KJ Dell'AntoniaYeah.Meg Mitchell MooreThat's your process. So I'm the opposite, where I write, I get the contract first, and then I have to write the book. And I don't know which is harder, because you don't have a built in deadline. You have your own deadlines that you said, but you're writing something that you said. Maybe this will sell, maybe it won't, I don't know, whereas I know it will eventually be published, but I also have that pressure of I have to get things in on time. So what do you think is, what's better? What's worse?KJ Dell'AntoniaI don't know. I envy your... I envy that way. I feel like that would make me feel more secure, more professional. My, my agent, doesn't… she's very against selling a book of mine, at least before I've written it, because she says, I'll, she says I might change it, and then, and then, it won't be what we sold or I won't be happy. So so I don't know if she's I think she's just against it as a general rule, but I know lots of agents that that do it, and I know a lot of of writers that do it. Sometimes I look at this and I'm like, you know, I could do a proposal. Maybe we could sell it. I could get some money. That would be lovely, right? Yeah. But...Meg Mitchell MooreI see, I see your point, and I know a lot of people think that way. I remember a long time ago when I'd either published, I think I'd published no novels. Maybe my book was about to be published, my first novel, and I heard Ann Patchett speak at a conference, and she said, she said that she would never take money for a book she hadn't written.KJ Dell'AntoniaWow.Meg Mitchell MooreAnd I remember thinking, Oh, well, if that's what Ann Patchett says, I guess that's what like, that's how the world is. But I disagree, like I disagree, because for me, first of all, she has a different life situation, but for me to keep income coming in steadily, because this is my only job, I feel like that's the way to do it. And I also feel like other industries, like my husband doesn't only get paid when he goes to the board meeting. He's getting paid every other week for his job that he does for the company that he works for. And so to try to approximate a little bit of a normal salary, I feel like that's the way to do it. But then I also see the other side, and I see why Ann Patchett wouldn't do it, because she's Ann Patchett, you know, so she can take whatever time she needs...KJ Dell'AntoniaSee that's so funny. Because I think, well, you can do this because you're Meg Mitchell Moore, and Meg Mitchell Moore is going to sell and a KJ Dell'Antonia, one of them will, and the others somewhat less, so at least that's my my record at the moment. So I guess we just all see each other differently. My co-host Sarina sells on proposal.Meg Mitchell MooreOkay, so fiction, that's fiction?KJ Dell'AntoniaYeah, yeah. She sold thrillers and romances that way. Okay, so she has a bigger track record. But also, I've known people, you know, I guess there's just different ways of of of doing it. And I would not say that I chose this. It chose me.Meg Mitchell MooreInteresting, but there was always that chance. I mean, my agent... If I said to my agent, I don't want to sell till I write, she would say, Great, that might be better for both of us. We'll probably sell it for more, because you might write something really good, but I just don't want to take that. I'm too impatient, you know, I'm just Yes, maybe, if, you know, maybe if I had, you know, had some big blockbuster, and then I thought, Okay, now for two years, it doesn't matter what's coming in, because I'm getting money from that book, that would be different. But, um, that's not how it works for most people.KJ Dell'AntoniaYeah, and maybe I would feel less impatient with getting this done if I weren't like, I want to get to the point where I know if we're going to sell like, I wrote a whole thing last summer, and it never got to the point that we felt like we could sell it, and I I'm sick of it. I can't write it anymore. I'm done with it. I mean, maybe I'll come back to it, but, yeah, right. And like, I've had, you know, a freelance editor at it who's really good. My agent's been at it. I finished it like three times, and apparently it still sucks. So I'm done.Meg Mitchell MooreSo that's interesting, because I always think that I would not be writing good books if I didn't know if my editor gets a very messy draft, and all of my editors have gotten bad dress and really helped me. And without that step, I don't think I would ever write a book that could even be sold. So I feel like I need to know, okay, somebody else who is better at this is going to be helping me really soon. I just need to get through it.KJ Dell'AntoniaThat's that would be amazing. I don't think my editor cares enough about me to do that. So...Meg Mitchell MooreOh, my editor would absolutely prefer a cleaner draft. Like, no question. I mean, she would be delighted if I showed it to five people and got feedback, but I'm always in a rush. So I'm like, here you're the first reader. Here you go. She's like, thank you.KJ Dell'AntoniaYeah, that's my agent. I'll be like, Look, I'm done it's great! and She's no... it is great, but you know what would be really great? Poor agent. Yeah, okay. So, so we're we're both impatient, but we're doing this in in very different ways. Well, now I want to hear more about that. How do you go from a first draft with no body, to a final draft where the body, it's definitely one of the things that's pushing people to turn the page. It's not the only thing. So maybe that's the good news of not having started with a body. Also, did you know whose body it was?Meg Mitchell MooreUm, we discussed because, yeah, I mean, we discussed a little bit about it. I remember thinking, Could it be this person? And here's why we wouldn't want that person. Could it be this person? So we had some discussion. I didn't write it. I once I knew who it was. I didn't write multiple versions of it. I always had that person. But, and I guess I just think of it as more of a framing device than anything, and a framing device, you can add the frame later.KJ Dell'AntoniaYeah.Meg Mitchell MooreSo the middle was mostly what was happening, was happening, and then there was this framing device and and then there are certain things at the end that kind of came together. And I was like, Oh my gosh, this makes it all come together. But I didn't know that in the beginning. And that was so you may be late.KJ Dell'AntoniaDid you not know how the body became a body?Meg Mitchell MooreAh, that changed. There was...KJ Dell'AntoniaYeah, I could see that.Meg Mitchell MooreAnd then I thought, oh my gosh, this is kind of what I needed to pull together all those themes. It was those exciting moments that really don't happen very often.KJ Dell'AntoniaOh, I bet and I mean, I can see it from the outside as a reader. It really did. It made it like your ending is one of those endings that changes the whole, your whole reading experience for the better, right? Not that it wasn't a great reading experience the whole time. You know, sometimes somebody doesn't stick the landing, and then you're like, yeah, no, I don't really want to recommend this. I mean, it was fine, right? But, and sometimes it's just great. It's like, solid. You're happy, yay. Okay, that's a good, it's a good. Yours colors the entire like, if I were somebody who would go back and reread it, would color the entire experience differently.Meg Mitchell MooreOh, Thank you!KJ Dell'AntoniaYeah, which is cool, yeah, very cool.Meg Mitchell MooreNow, when I wrote Vacationland, I started with a body, and the body came out. So I had the opposite experience, where I thought I was writing a thriller. The whole time. I was like, this is going to be my thriller. There's a body. And I had it all. And to me, it made sense. It all tied up, and my different editor, but my then editor said, I like everything but the body.KJ Dell'AntoniaWow.Meg Mitchell MooreWe had to keep it was first it was a an important body, and then it was a less important body, and then it became the body of a seal, because I had to have just a scene of children looking at something they found in the water in the very beginning. And so it was a body, and then it was a seals body. This time. I got to keep my body at least.KJ Dell'AntoniaSo I love this also, because you haven't been, um, pigeonholed into a genre that involves bodies or doesn't involve bodies. Has that been a thing as you've as you've gone from book to book where people are like, well, I don't know… Meg, people don't really want you to kill people or the, you know, the opposite. Well, I don't know, people are kind of looking for some more thrills from you.Meg Mitchell MooreWell, Vacationland. I remember that editor said they don't, we don't want this from you. We want, we don't want. We want a summer book. We don't want. We're not looking for a thriller. You know, they had other thrillers. You know what? They're doing their own end of the business, too. So they definitely said that this time. I mean, I feel like I'm not pigeonholed, but categorized as beach as a beach book. But I think within beach books you can do all of those things. Yeah. So if I were to write a giant thriller that I said, I think this should come out in the fall, and it's a big book, I that's when they would probably say, I don't know if your audience, if you have the audience, right, pull that off unless the book is amazing, you know? I do feel like I need to come out in the summer to keep my readers.KJ Dell'AntoniaYeah, I actually love that. That beach book is a You're right. It's a pretty big genre. It encompasses a lot. It encompasses a lot of of things, the only requirement being that it's, you know, entertaining, which, as far as I'm concerned, is a book requirement anyway. But...Meg Mitchell MooreRight, right. It is interesting because my books also happen to usually take place on beaches, but not all beach books do. So it is, it has become a very big category and competitive like you also want to stand out in that category, because there are so many books with the word summer in the title or the word beach in the title, or this. Actually, this cover is a departure for me, which I love, because I feel like I have done the just the oceanscape or the main or the woman looking at the water. I've had those kinds of covers.KJ Dell'AntoniaIt's your first... It's, it's, it's a cartoony cover. I don't, I don't mean that it, you know that sounds Yeah, it's almost a romancy cover. But there's only one person. First. I'm just so you guys should, it'll, it'll be in the show notes. You should, you should take a look, because you're right. It is a departure. I see, yeah, I see what you're saying there. But this one's, it's a hardback, right?Meg Mitchell MooreYes.KJ Dell'AntoniaYeah. Have all your books come out first in hardback?Meg Mitchell MooreThey have, yep.KJ Dell'AntoniaNice, cool.Meg Mitchell MooreHave yours?KJ Dell'AntoniaNo, none.Meg Mitchell MooreNone? Okay, now, what do you now…? Do you think that… that, I sometimes I feel like that's a great thing too.KJ Dell'AntoniaI go back and forth on that. My agent is bummed about it. But for me, it's frankly, much easier to, like, go out to everyone and be like, spend $18 versus be like spend $38.Meg Mitchell MooreI agree.KJ Dell'AntoniaSo I haven't minded. Oh, and I was at the Newburyport Book Festival a few years ago, and they accidentally got my second book only in hard book, because it was, it came out in hardback and paperback at the same time, which there was a moment of about six months when publishers were doing that, and then they stopped and they only had the hardback. And I was like, Oh, I don't even want anyone to buy that. Like that, isn't I would be mad if I bought a hardback...Meg Mitchell MooreRight, right.KJ Dell'AntoniaAnd then the next day, I was at the store and was like, hey!?Meg Mitchell MooreRight, yeah, it's interesting, because I do actually love… because I bought your book The Chicken Sisters this weekend, in paperback, and I love, I love paperback, yeah, I love it.KJ Dell'AntoniaFor travel…?Meg Mitchell MooreLighter, yeah, and I think it is appealing. It's so interesting. I mean, I remember Emily Henry's first couple, at least, came out paperback, and then now that she can sell so well, they now they come in hardcover, but I still feel like...KJ Dell'AntoniaI look at them and I'm like, I don't want that that way. Now, I'll just buy a digital version, because I don't that's not…Meg Mitchell MooreRight? Right. It's really interesting. And I know I don't understand the sales end of it, the way that the people who are doing the job do, and the profits and the margin and all that. But I kind of feel like, why isn't everything in paperback right away? You know?KJ Dell'AntoniaYeah, no, I feel the same way. And and also people's, especially now we're thinking, we're talking about beach books. Some people's beach I mean, if my beach vacation is an airplane beach vacation, I might bring one hardback, maybe...Meg Mitchell MooreRight.KJ Dell'AntoniaAnd maybe, probably not, because I'm a fast reader, I could easily eat that on the plane, and then there I would be. So...Meg Mitchell MooreRight.KJ Dell'AntoniaI don't know.Meg Mitchell MooreRight, yeah.KJ Dell'AntoniaI guess that's what e-readers are for.Meg Mitchell MooreThat's true.KJ Dell'AntoniaWell, I mean, gosh, I could probably talk to you about in depth, about the writing of this for about 12 hours. Because, okay, one one last thought. So listeners, Meg writes like we said, in multiple points of view. Talk to me about how you know when to change the point. You know what point of view a scene should be told from?Meg Mitchell MooreYeah, I don't. I'm it's so much. I do so much rewriting, a lot of that. I mean, I'm just thinking, I just turned in a draft yesterday of, hopefully next summer's novel, and I that is also multiple points of view. It's, I think it's mostly three, it's three adult sisters and they each have a point of view. There might be a couple little scattered things, but when I look back, I think I need to probably adjust, even in the draft I just turned in, I think I'm a little heavily weighted toward one over the other, so I don't always know. I just go on gut and instinct, and then I fix it later, which is how I do almost everything. I just go by instinct, and it's usually wrong And I change it later.KJ Dell'AntoniaSo, you'll, you'll be like, you've written a scene, and the point of view of one person, you realize, oh, either it's the other person's turn to have some more time, or I need their inner thoughts, not this person's inner thought...Meg Mitchell MooreRight. Yeah, its not very organized.KJ Dell'AntoniaAnd sometimes you drop in like, you know, a kid on a beach or something, is that when you need something to happen that you that your protagonists don't know? Or just, you just feel like?Meg Mitchell MooreI think, I think it's fun. I just think it's fun sometimes to have this person you haven't heard from and you won't hear from again. But a lot I probably did. I probably do that. It probably gets taken out 80% of the time when I do that, because usually it doesn't make sense. But I just wanted to do it. I did it in my book. I just turned in and the first this scene between the a realtor and her husband, the realtor who's selling this house that these people are in. She doesn't matter to the book, but I just really wanted to write the scene of her and her husband, and I even wrote in the draft. I know this doesn't make sense, and my editor said, Yeah, this doesn't make sense. Like, you either need more of them, or they need to go. I don't know what they're...KJ Dell'AntoniaDo you ever give them away for? Like, you know, here's your pre order bonus. Read this extra scene…Meg Mitchell MooreI should do that. Maybe I'll do that. They'll do that. I have never done that, but maybe I will. But I feel like, I think it might be Anne Tyler. I remember reading an interview. Is she the one who does the strings like she has strings with different?KJ Dell'AntoniaMaybe, i don't know.Meg Mitchell MooreEvery character has a different colored string, and then she pulls down the red one because it's the red, you know, that's how she knows who she's writing. And I thought that was really cool, but I've never done it.KJ Dell'AntoniaThat sounds like a lot of work.Meg Mitchell MooreI guess.KJ Dell'AntoniaAnd, like, I would need a different…I need a bulletin board. Okay.Meg Mitchell MooreYeah, I don't know where you, where I would hang it from, but it's just seems kind of nice to think, then maybe...KJ Dell'AntoniaYeah it does.Meg Mitchell MooreShe knows if she's done the right amount for everybody.KJ Dell'AntoniaYeah, The Chicken Sisters is alternating points of view. And I just, I just alternated. And then sometimes that was a problem, and I had to figure out, like, how to get somebody's feelings? Yeah? So....Meg Mitchell MooreYeah, it's confusing. I don't know why I do it to myself, because sometimes I'll just read a perfectly, a book that's just perfectly written in first person. I'm trying to think of an example right now, because I don't even always read that much in first person, but like, Yellowface? … Yellowface. Okay, that book was so, like, simple in a way, but I love I loved it. I thought it was brilliant, and it was all just this point of view, and...KJ Dell'AntoniaAnd didn't you occasionally get, like a newspaper article? I think...Meg Mitchell MooreMaybe, maybe.KJ Dell'AntoniaThat must have been what she did when she had something her person couldn't know.Meg Mitchell MooreYeah. I guess, yeah. I guess, technically, it would be harder to do it all from one because you how do they know everything? But I feel like I get lost, like I have trouble. I literally lose the plot, because I'm just this person's off doing something in their day that might have nothing to do with what's going on. I get really caught up in that kind of stuff, and that's what I have to edit out.KJ Dell'AntoniaYeah, I'm always trying not to do that. I'll sit there while I'm writing, like, No, do not let them move their coffee cup. They can move the coffee cup in a later draft, if the coffee cup is still here, if they're even still in this coffee shop, if this coffee shop even exists. But I can't seem to stop it. My my like, default mode is, you know, he said while taking a sip and burning his lip or whatever, right? Just, I can't seem to not do it.Meg Mitchell MooreYeah, but sometimes that's where you get the gold too, because you wrote all that, and maybe that one sentence is the thing that you needed. So it's just the process.KJ Dell'AntoniaYeah, it is. It's just the process, and it's longer than we hope and slower than we hope...Meg Mitchell MooreAlways...Always. Yes.KJ Dell'AntoniaAnd more, and more revising. Well, do you have any, like, genius words about revision for people? Because it sounds like you do a lot of it.Meg Mitchell MooreI do a lot of it. I think just is so important. It's just so for me, it's so important. I just think nobody gets it right. I hope nobody gets it right the first time. Because if they do, I'm really jealous, but I think for the most part, nobody gets it right the first time. So revision is, I mean, I'd say I spent almost as much time on the revision I probably do as I do on the first draft.KJ Dell'AntoniaDo you still lie to yourself in the first draft and let yourself pretend it's going to be right?Meg Mitchell MooreOh yeah. I always think, Oh, this is the time I did it, I nailed it, and then I get my editorial letter, and it's like, great start. Here's the 700 things that you need to do now.KJ Dell'AntoniaWell, thank you. I feel better. I hope everyone else does too.Meg Mitchell MooreYeah, it's a long process.KJ Dell'AntoniaIt really is, all right. Well, this was fantastic. I really enjoyed it.Meg Mitchell MooreYeah, me too.KJ Dell'AntoniaAs we hit the end of any episode, we always like to ask people what they've been reading. So I hope I'm not springing that on you.Meg Mitchell MooreNo, I just I always have an audio book going and a regular book going on audio I just started the Emily Henry, the new Emily Henry, which I've never listened to her books. I've always read them, and I know that Julia, the famous Julia Whelan, is always her narrator, so and she's phenomenal. So I'm loving the audio version, which is just funny that I've never done it with Emily Henry before.KJ Dell'AntoniaDid you listen to Julia Whelan's book that she wrote herself?Meg Mitchell MooreMhmm.KJ Dell'AntoniaThat was so fascinating, because it really was different, like I actually read it, but I could feel the… yeah. Anyway, okay.Meg Mitchell MooreOh, you should go back and also listen. It's so it's such a good audio book.KJ Dell'AntoniaI bet.Meg Mitchell MooreYeah, it was fantastic. And then I'm reading a novel called The Road to Dalton that my friend Hannah, who owns the Book Shop of Beverly Farms in Beverly Farms, Massachusetts, phenomenal store recommended to me. So I bought it last time I was there, and it is about a bunch of people in a small town in Maine, which is my vibe immediately I was in. But it's very good. So I'm reading that. I can't, I can't remember the author, which is unusual for me, but Shannon something I think [Shannon Bowring].. But it's The Road to DaltonKJ Dell'AntoniaThat's okay. I will find it well. As everyone is gathered, I just finished Mansion Beach. I I really loved it. It was a rare book that I loved even more when I got to the end of it. And, yeah, it was amazing. And also in that, that vibe, that sort of small town Maine and yet, but this is like small island, middle of the Atlantic. Welcome to Glorious Tuga. Have you heard of this one?Meg Mitchell MooreNo. I've never heard of it.KJ Dell'AntoniaOkay, so it's a tiny island settled 300 years ago by a miscellanea of Dutch and British and and African people didn't have any locals. So that's kind of and they have formed the society. It's only open for half the year, because you can't, like, get a boat into it, because storms and currents and whatnot. So this woman has gone thinking that she's going to study the native tortoise population all Darwin, but she gets there and they're like, great. You're a vet. That's what we need. So it's kind of like all creatures great and small meets...I don't even know what it meets yet, I got to come up with that. But it's really a lot of fun. And it's very multi it's multi POV in a really interesting way, because you're with her, and then sort of whenever you kind of get a little interested in someone else, you're like, Oh, why are they doing that? Then maybe you'll switch to their POV. it's really, I really enjoyed it so, so that was fun. So those are my ranks, all right. Well, thank you so much, listeners for joining us, and thank you, Meg for joining me today. Where can people follow you? Where's the best?Meg Mitchell MooreMostly on Instagram @Meg Mitchell Moore, I'm on Facebook, but I don't use it very often and I kinda want to leave it. So…I also just read the Facebook, the Facebook memoir.KJ Dell'AntoniaOh yeah?Meg Mitchell MooreNo, I really want to leave Facebook, but also I know that they own Instagram. So anyway, Instagram is the best place to find me, and I was so happy to be here. Thank you. It was really fun.KJ Dell'AntoniaThis was super. Okay. Thanks everyone for listening, and until next week, keep your butt in the chair and your head in the game.Sarina BowenThe hashtag am writing podcast is produced by Andrew Perella. Our intro music, aptly titled unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Get ready for Gatsby 2: Gatz Harder! In the second installment of their deep dive into The Great Gatsby, the TMI guys follow the novel’s improbable rise from critical failure to cultural cornerstone. When it was first published in 1925, F. Scott Fitzgerald’s masterpiece was dismissed as a “literary lemon meringue” and sold fewer than 25,000 copies in his lifetime. He died thinking he'd been forgotten, but within a decade, the book was rediscovered — by soldiers, scholars, and eventually Hollywood. Jordan and Heigl unpack its long, often cursed journey to the screen, including the disastrous silent version that Fitzgerald and Zelda walked out of, and a 1949 remake plagued by moral censors and a suicidal director. But nothing beats the real-life drama of the 1974 adaptation, which was nearly derailed by a real-life love triangle: producer Robert Evans commissioned the film for his wife, Love Story star Ali MacGraw — only for her to leave him for co-star Steve McQueen before filming began. She was replaced by Mia Farrow, while a distracted Robert Redford spent much of the shoot glued to Watergate coverage. Jordan and Alex also look at Baz Luhrmann’s glittery 2013 remake, complete with 100,000 liters of fake rain, Jay-Z’s much-maligned soundtrack, and Tobey Maguire being weird. It’s a tale of art, obsession, reinvention — and a few of Heigl's rants. Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Harold Meyerson comments on the GOP's "grotesquely cruel" budget – starting with the impossible work requirements for Medicaid, and then Trump's broken campaign promise NOT to cut Medicare.Also: “A rally a day keeps the fascists away” – that's what Jamie Raskin says. He's the ranking Democrat on the House Judiciary Committee, and he talks about Trump's “world historical grift,” and why we shouldn't be pessimistic about defeating his efforts.Plus: 20 minutes without Trump: 1925 is being celebrated this year as the centenary of The Great Gatsby by F. Scott Fitzgerald -- but we're interested in some of the other books published that year. So we turn to Tom Lutz – his new book is titled “1925: A Literary Encyclopedia.” It's 800 pages long, and only 7 are on “Gatsby."

“A rally a day keeps the fascists away” – that's what Jamie Raskin says. He's the ranking Democrat on the House Judiciary Committee, and he talks about Trump's “world historical grift,” and why we shouldn't be pessimistic about defeating his efforts.Also: 20 minutes without Trump: 1925 is being celebrated this year as the centenary of The Great Gatsby by F. Scott Fitzerald -- but we're interested in some of the other books published that year. So we turn to Tom Lutz – his new book is titled “1925: A Literary Encyclopedia.” It's 800 pages long, and only 7 are on “Gatsby."Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“A rally a day keeps the fascists away” – that's what Jamie Raskin says. He's the ranking Democrat on the House Judiciary Committee, and he talks about Trump's “world historical grift,” and why we shouldn't be pessimistic about defeating his efforts.Also: 20 minutes without Trump: 1925 is being celebrated this year as the centenary of The Great Gatsby by F. Scott Fitzerald -- but we're interested in some of the other books published that year. So we turn to Tom Lutz – his new book is titled “1925: A Literary Encyclopedia.” It's 800 pages long, and only 7 are on “Gatsby."Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We've missed our lil' Marauders way too much, so it's high time we return to the Wizarding World of the 1970s and the monolith fanfiction that is ‘All the Young Dudes'. Believe us when we say, these three chapters were a DOOZY of a read. While we would love to justify the length of this episode by saying these chapters simply lead to that much discussion, there are in fact many tangents (so out of character for us). Reminder: we will be back with new episodes on June 10th! Support the showSupport FFH on Patreon: patreon.com/thefoxandthefoxhoundFollow us!IG: @thefoxandthefoxhoundTikTok: @thefoxandthefoxhound

上海复兴方案（The Shanghai Restoration Project）回来了，Dave 和云帆依然快乐似神仙；北京最好的地下室 fRUITYSPACE 要关门了，简洁的推文中似乎看得到翟哥潇洒的身影。北河三厂牌近期也举办了成立七周年派对，而成立那年的系列活动依然历历在目，我和同事、朋友每晚在东城区一带串场看演出，热烈讨论，快乐无边…… 最近的这些消息，牵扯出一串回忆。 我知道生活的本质之一就是迎来送往，所以2025年和2018年，和日历上的每一个年份一样，都会充满相遇和告别，区别只在于有一些相遇和告别和自己有关所以会显得更宝贵。所以也请允许我偶尔掉进回忆的漩涡里，放一些2018年听的音乐给你，那一年看过的演出，发现的新乐队，在广播里放过的歌…… 曲目单： (00:00) 上海复兴方案 feat. 张乐 - Restless Feet (06:51) Tom Misch feat. GoldLink - Lost in Paris (10:02) Khruangbin - Evan Finds the Third Room (15:36) Say Sue Me - But I Like You (19:41) 和平和浪 - 丽园便利店 (27:07) The Molds - Chatless (32:08) Kikagaku Moyo - Orange Peel (38:11) Snapline - Late Troubles (42:39) Devendra Banhart - Fig in Leather (46:52) 吴建京 - 爱是种感觉 (51:39) Wolf Alice - Don't Delete The Kisses (57:44) The Cure - Inbetween Days (Live at Hyde Park) (01:00:37) 香料 - 同步率 (01:07:20) Julie Byrne - Prism Song (01:10:56) Daniel Blumberg - Stacked (01:18:14) Rhye - Please (01:21:44) Gatsby in a Daze - 苍南夜语 (01:27:24) 莫西子诗 - 啊杰咯 《周末变奏》开通豆瓣页面，欢迎标记、点评！ → 选曲/撰稿/配音/制作/包装：方舟 → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

You might think of The Great Gatsby as a classic New York City novel –  but the events that set off the action of the story actually take place somewhere else. In Louisville, Kentucky. It's where Daisy and Gatsby first meet, and where Daisy marries Gatsby's rival, Tom Buchanan (boo, hiss!) In today's episode, we track down the footsteps of author F. Scott Fitzgerald, who spent two tumultuous months of his life near Louisville while stationed at an Army camp during WWI. And we'll try to find the places that might have inspired his most famous work… Plus: Track down Fitzgerald's footsteps in Louisville and find events related to the 100th birthday of the Great Gatsby.This episode was produced in partnership with Louisville Tourism.

On today's MJ Morning Show: Guy who fell at Pittsburgh baseball game MJ's IG video of Gatsby in a tree Morons in the news Will Belichick ever coach a game at UNC Flight attendants failing drug tests Pope Leo grew up near the mall from 'The Blues Brothers' Portillos has a Leo sandwich Diddy trial update Fester wants to know what tattoo Michelle wants Condo building with cracks... no deliveries over 75lbs Kanye Cleaning Crocs Lake Wales Freddy's put note on receipt... 'Help' Amazon driver caught relieving herself at people's homes 9 things you should always keep to yourself Best vanilla ice cream... Trader Joe's or Aldi? Is this a new breed of cheating? Pope Leo says A.I. is dangerous Guest on news report faints, what does host do? Opinion of iPhone users... Fester found this IG video Italian chef explains what Americans are doing wrong in Italy Listener offended by Fester's impression... callers gave their opinions RFK Jr. on Mother's Day went swimming in... Battle of the weight-loss meds Evan Longoria to sign a 1-day deal with the Rays

Put on your pink suit and gas up the yellow car — in this episode, we’re partying like it’s 1925 as your beloved bootleggers of banality uncover the secret history behind The Great Gatsby, which turns 100 this year. In the first installment of their two-part Jazz Age jamboree, Jordan and Heigl trace the tangled roots of F. Scott Fitzgerald’s American fever dream: the heartbreaks, hangovers, high society snubs, and haunted summer nights that inspired Gatsby’s green-light longing. You’ll discover the excruciating real-life heartbreak that yielded Daisy, meet the mysterious New York bootlegger who planted the seeds for Gatsby, and learn all about the unsolved double-homicide that sparked the violent ending. You’ll also hear how Scott’s messy personal life blurred into his most famous novel. From the prep school poetry to the Princeton parties, to literary rivalries and even his rumored affair with Hemingway, they'll explore how a poor Midwestern boy wrote the book that defined a generation — and maybe doomed himself in the process. It’s a story of love, lies, reinvention, and ruin. Although you can’t repeat the past, these guys can podcast about it. Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Kasch, Georg www.deutschlandfunkkultur.de, Fazit

Broadway star Michael Maliakel joins Joel Crump for another edition of Broadway Time at Carmine's! About Michael: Broadway: Aladdin (Aladdin). Other theatrical credits include Phantom of the Opera (National Tour), Titanic (Encores!), The Little Mermaid (MUNY), Sunset Boulevard (Kennedy Center), Monsoon Wedding (Berkeley Rep). TV: “Before,” “BULL,” “FBI,” “Christmas w/The Tabernacle Choir” (PBS). Love and gratitude to Mom&Dad, HCKR, and team Gatsby. For S+N+J: my whole world. Representation matters. @michaelmaliakel "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:

Sending messages to myself, modern day life encapsulated in one text, toilet paper trauma, a little Latin for you, a stand up doctor, one of the best actor names ever, being nice to one another, an epic song I came across, a classic Los Angeles weekend, an arty but gripping new horror movie, Los Angeles as Gatsby, googling yourself can be dangerous, unsuccessfully playing the lawyer card, a full of shit realtor, punching a ceiling, swearing can be healthy, forgetting about it, and a smoking pope. Stuff mentioned: Annie Hall (1977), Unwound "Lady Elect" (1996), The Legend of the Lone Ranger (1983), Bill & Ted's Excellent Adventure (1989), Home Alone (1990), James Blake "Like the End" (2024), A Desert (2024), Deliver Us from Evil (2020), Sinister (2012), The Black Phone (2021), Black Phone 2 (2025), The Great Gatsby (1925), Fight Club (1999), Smoking Popes Lovely Stuff (2025), and Smoking Popes "Racine" (2025).

Two things: the new Canadian Prime Minister says it plain and true, calls out the U.S. for our betrayal of our best friend. It burns. It hurts. It aches like a bum tooth and the shame is sickening. Betrayers. We.Are.BETRAYERS. Let it sink in till the bitter bile rises in disgust. For a palette-cleanser, consider: Nitwit Nero is Barney Fife in the real world.  So Friday-On-the-Front-Porch has moved to Discord. Join us!   Head-ON with Roxanne Kincaid – May 2, 2025 This episode of the Roxanne Kincaid Show dives deep into the absurdities of MAGAT politics, global shifts in power, and the fight to preserve progressive values in the face of growing authoritarianism. Roxanne, self-described as a “liberal transbilly elitist,” cusses and discusses the MAGAT embrace of ignorance, American decline, and the urgency of community action. Key topics include: – Rep. Mike Collins's “Halal” hysteria, reacting with bigotry to CHA Street Food replacing Steak 'n Shake in a House office building, likening it to the Muslim conquest of Jerusalem. Roxanne mocks his ignorance of halal/kosher cuisine and South Asian food in general—while noting real crises in Collins's own district. – Trump (aka “Nitwit Nero”) butchering history, claiming the Declaration of Independence is about “unity and love,” which Roxanne compares to a Barney Fife-level misunderstanding. Even immigrants passing citizenship tests do better. – MAGAT voter “Cletus” laments Trump's economic inaction, showcasing disconnects between MAGAT expectations and Trump's actions. – More MAGAT absurdities, from Collins cheering racist chants to Trump demanding a birthday military parade and disrespecting Veterans Day. Beyond domestic politics, Roxanne discusses: – Canadian PM Mark Carney declaring the US-led global trade system “over” and lamenting “American betrayal,” signaling waning U.S. global relevance. – The U.S. as a ‘rounding error' globally, outpaced by the populations of China and India, and possibly facing reserve currency displacement. – Talk of a post-dollar global economy, with possible currency baskets including the yuan, euro, rupee, and pound. Amid concern for the U.S.'s fading clout, Roxanne uplifts her Horn family community, now connecting via Discord to maintain dialogue and solidarity. The show encourages listener support, podcast reviews, and highlights the work of Coal River Mountain Watch in fighting mountaintop removal. One donor even issues a challenge grant to boost fundraising. There's also some cautious optimism: – VP Kamala Harris is praised for tackling homebuying issues and price gouging. – The Quote ID contest continues, with Gatsby fans winning this round. But the future looms ominous. Roxanne warns of: – Climate catastrophe and the elite's seeming desire to abandon Earth (à la Elon Musk). – Mass extermination ideologies cloaked in "Western civilization" rhetoric by white Christian nationalists. – The Georgia Guidestones as a metaphor for techno-dystopian “rebuilding” under authoritarian rule. – A creeping American imperial presidency, with comparisons to Rome's descent into empire. Despite it all, Roxanne returns to a core message: community, resistance, and clarity of thought are vital. Whether through mocking MAGAT nonsense or spotlighting real threats to democracy and the planet, the show calls for vigilance, truth-telling, and action.

We have a key, finally, to the mystery of Donald Trump and where he came from. He was born almost exactly 100 years ago in the imagination of the novelist F. Scott Fitzgerald. What he ...

FULL SHOW : Brickman stops by to tell us about the new Lego Star Wars exhibition; We talk great Gatsby with Max Gawn; and with two news "wars" happening, Mick Molloy has an idea of who is behind them. Tomorrow: Adam Rozenbachs with Clown of the Week Catch Mick in the Morning LIVE from 6-9am weekdays on 105.1 Triple M. To watch your favourite new Breakfast Radio crew in action, follow @molloy and @triplemmelb on Instagram.See omnystudio.com/listener for privacy information.

This week, down in the eldritch unknown of the BRIG… we have returning guest, Cat Scully! A talented artist, video game developer, writer and novelist … Cat is the author of Jennifer Strange and comes back to chat all about her hotly anticipated novel BELOW THE GRAND HOTEL! We've got the roaring 20s, flapper dresses, Ziegfeld Girls... Faustian bargains, mouths where there shouldn't be mouths...you know, all the ingredients o a good time! Pre-Order your copy of BELOW THE GRAND HOTEL from Copper Dog Books to lock in your enamel hotel key pin and drink recipe cards! And then... keep up with all things Cat Scully on her website, browse her etsy shop Haints and Hollows and follow her on Instagram! ----------------------------------------Retro Ridoctopus is:• Parasite Steve (read)• 8-Bit Alchemy (listen) • Coopster Gold (join) • Nintenjoe (subscribe)----------------------------------------All original heavy metal music by Enchanted Exile

F. Scott Fitzgerald's novel The Great Gatsby might be one hundred years old, but it's still incredibly relevant: one list-of-lists site ranks it as the number-one book of all time. In this episode, Jacke talks to author Rachel Feder about this classic tale of reinvention - and the reinventing she did for her book Daisy, which retells the Gatsby story from the perspective of a messy, ambitious, and possibly devious 1990s teen poet. PLUS Francesca Peacock (Pure Wit: The Revolutionary Life of Margaret Cavendish) stops by to discuss her choice for the last book she will ever read. Additional listening: 583 Margaret Cavendish (with Francesca Peacock) 281 The Great Gatsby Gatsby Turns 100 (with James West) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This year marks 100 years since F. Scott Fitzgerald’s novel The Great Gatsby was first published. And it turns out that it took a while for the novel to catch on in the United States, where it is now considered a classic. This hour, we revisit the novel and its cultural impact. GUESTS: Rob Kyff: Teacher and author of Gatsby’s Secrets. He also writes a nationally syndicated column on language Maureen Corrigan: Book critic for NPR's Fresh Air, and a Distinguished Professor of the Practice in Literary Criticism at Georgetown University. She is the author of So We Read On: How The Great Gatsby Came To Be and Why It Endures Sara Chase: Actress who created the role of Myrtle Wilson in the Broadway production of The Great Gatsby Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

A century after “The Great Gatsby” was first published, F. Scott Fitzgerald's slender novel about a mysterious, lovelorn millionaire living and dying in a Long Island mansion has become among the most widely read American fictions — and also among the most analyzed and interpreted. As the Book Review's A.O. Scott wrote in a recent essay about the book's centennial: “What we think about Gatsby illuminates what we think about money, race, romance and history. How we imagine him has a lot to do with how we see ourselves.”Scott joins the host Gilbert Cruz on the podcast this week to discuss Fitzgerald's novel and its long afterlife, looking at the ways “Gatsby” has made its way into the fabric of American culture. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

The news to know for Thursday, April 10, 2025! We're talking about President Trump putting a pause on some tariffs, after all—sending the stock market into a historic rally. Also, what's at stake now that millions more federal dollars meant for universities have been frozen, and how Trump is trying to quote “make showers great again.” Plus, why fewer tourists are visiting America, what to expect from the biggest golf event of the year, and which classic novel turns 100 years old. Those stories and even more news to know in about 10 minutes!    Join us every Mon-Fri for more daily news roundups!  See sources: https://www.theNewsWorthy.com/shownotes Become an INSIDER to get AD-FREE episodes here: https://www.theNewsWorthy.com/insider Sign-up for our Friday EMAIL here: https://www.theNewsWorthy.com/email Get The NewsWorthy MERCH here: https://thenewsworthy.dashery.com/ Sponsors: Give yourself the luxury you deserve with Quince. Go to Quince.com/newsworthy for FREE shipping on your order and 365-day returns! Treat yourself with Honeylove. Get 20% OFF by going to honeylove.com/NEWSWORTHY To advertise on our podcast, please reach out to ad-sales@libsyn.com

In this episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Dr. Helen Baxendale interview noted literary biographer, Dr. Jeffrey Meyers. Dr. Meyers discusses The Great Gatsby on its 100th anniversary. He explores F. Scott Fitzgerald's tragic life, his marriage to Zelda, and how their tumultuous relationship shaped his iconic novel. Dr. Meyers delves into the timeless themes of Gatsby's yearning, the elusive […]

When he published The Great Gatsby 100 years ago this week, F. Scott Fitzgerald thought he'd written the Great American Novel. But it was a commercial flop. The year Fitzgerald died, he received a royalty check for a paltry seven copies. It would take an unlikely series of events to posthumously pluck a masterpiece from obscurity. * On the Very Special Episodes podcast, we tell one incredible story each week. Follow Dana Schwartz, Zaron Burnett, and Jason English down a different rabbit hole every Wednesday. Subscribe to VSE wherever you get your podcasts.See omnystudio.com/listener for privacy information.

When he published The Great Gatsby 100 years ago this week, F. Scott Fitzgerald thought he'd written the Great American Novel. But it was a commercial flop. The year Fitzgerald died, he received a royalty check for a paltry seven copies. It would take an unlikely series of events to posthumously pluck a masterpiece from obscurity. * On the Very Special Episodes podcast, we tell one incredible story each week. Follow Dana Schwartz, Zaron Burnett, and Jason English down a different rabbit hole every Wednesday. Subscribe to VSE wherever you get your podcasts.See omnystudio.com/listener for privacy information.

"I want to write something new," American author F. Scott Fitzgerald wrote in a letter to his editor, "something extraordinary and beautiful and simple and intricately patterned." Months later, he presented the results: the novel that would eventually be titled The Great Gatsby. Published in 1925 to middling success, the book has since become a candidate for the Great American Novel, selling more than copies in a month than the book sold during Fitzgerald's entire lifetime. In this episode, Jacke talks to Fitzgerald scholar James West about his work editing the Cambridge Centennial Edition of The Great Gatsby, which celebrates 100 years of this enduring tale of illicit desire, grand illusions, and lost dreams, delivered in lyric prose by an author writing at the peak of his powers. Additional listening: 281 The Great Gatsby 167 F. Scott Fitzgerald 539 Tender Is the Night by F. Scott Fitzgerald (with Mike Palindrome) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices