Podcast appearances and mentions of kate lindsay

On today's episode, host Kate Lindsay is joined by Will Oremus, tech writer at The Atlantic and author of “The Feel-Good Story of the World Cup Is Too Good to Be True.” While our social media feeds have been flooded with thousands of viral and wholesome moments from the World Cup, Will discovered that a number of accounts behind some of the biggest posts aren't what they seem. Some are using AI to write exaggerated stories, and others have become so mysteriously popular so mysteriously quickly that users are becoming suspicious. Is a Japanese tourist really writing odes to chips and salsa on X? And who is Freddy? Please say Merlin the duck is really a duck!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, in collaboration with No Such Thing, host Kate Lindsay is joined by Manny Fidel, Noah Friedman, and Devan Joseph to talk about payment apps, and how they've changed the way we think about money. Plus, Kate reveals her own payment app predicament, and, with the help of the boys and a handful of experts, brings an unspoken, decade-long Venmo feud to a close. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from No Such Thing. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, in collaboration with No Such Thing, host Kate Lindsay is joined by Manny Fidel, Noah Friedman, and Devan Joseph to talk about payment apps, and how they've changed the way we think about money. Plus, Kate reveals her own payment app predicament, and, with the help of the boys and a handful of experts, brings an unspoken, decade-long Venmo feud to a close. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from No Such Thing. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, in collaboration with No Such Thing, host Kate Lindsay is joined by Manny Fidel, Noah Friedman, and Devan Joseph to talk about payment apps, and how they've changed the way we think about money. Plus, Kate reveals her own payment app predicament, and, with the help of the boys and a handful of experts, brings an unspoken, decade-long Venmo feud to a close. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from No Such Thing.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Bridget Read, a features writer at New York Magazine whose recent piece “What If It All Came Out?” reports on the hackers who are weaponizing our extensive digital footprints against us. While public figures have long dealt with embarrassing leaks and exposed group chats, regular people have started grappling with the same problems thanks to the trove of information our devices have amassed without our knowledge. As scams get more sophisticated, and the risk of exposure grows, we'll have to change everything about how we behave online. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Bridget Read, a features writer at New York Magazine whose recent piece “What If It All Came Out?” reports on the hackers who are weaponizing our extensive digital footprints against us. While public figures have long dealt with embarrassing leaks and exposed group chats, regular people have started grappling with the same problems thanks to the trove of information our devices have amassed without our knowledge. As scams get more sophisticated, and the risk of exposure grows, we'll have to change everything about how we behave online. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Bridget Read, a features writer at New York Magazine whose recent piece “What If It All Came Out?” reports on the hackers who are weaponizing our extensive digital footprints against us. While public figures have long dealt with embarrassing leaks and exposed group chats, regular people have started grappling with the same problems thanks to the trove of information our devices have amassed without our knowledge. As scams get more sophisticated, and the risk of exposure grows, we'll have to change everything about how we behave online. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Slate staff writer Nitish Pawha to discuss his piece “Your TV Is Not Safe.” Apps like Instagram, Substack, and Spotify are making the leap from smart phones to smart TVs, as TVs attempt to compete against scrolling, and the nature of entertainment is changing. But giving over our TVs to these companies even further changes our relationships with technology, and even more, how we spend time with each other. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Slate staff writer Nitish Pawha to discuss his piece “Your TV Is Not Safe.” Apps like Instagram, Substack, and Spotify are making the leap from smart phones to smart TVs, as TVs attempt to compete against scrolling, and the nature of entertainment is changing. But giving over our TVs to these companies even further changes our relationships with technology, and even more, how we spend time with each other. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Slate staff writer Nitish Pawha to discuss his piece “Your TV Is Not Safe.” Apps like Instagram, Substack, and Spotify are making the leap from smart phones to smart TVs, as TVs attempt to compete against scrolling, and the nature of entertainment is changing. But giving over our TVs to these companies even further changes our relationships with technology, and even more, how we spend time with each other. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Rachel Karten, a social media consultant and the writer of Link In Bio. Storytimes and other caught-on-camera content frequently goes viral on social media, but now companies have started manufacturing their own skits to secretly advertise themselves. Countless “ambassadors” are telling the same fake stories all over TikTok, with links to brands in their bios but not disclosing that they are trying to get viewers to buy products. Even worse, people keep falling for it. The more we earnestly engage with these made-up scenarios, the more we push the secretly-sponsored content into people's feeds. Will anyone stop them?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Rachel Karten, a social media consultant and the writer of Link In Bio. Storytimes and other caught-on-camera content frequently goes viral on social media, but now companies have started manufacturing their own skits to secretly advertise themselves. Countless “ambassadors” are telling the same fake stories all over TikTok, with links to brands in their bios but not disclosing that they are trying to get viewers to buy products. Even worse, people keep falling for it. The more we earnestly engage with these made-up scenarios, the more we push the secretly-sponsored content into people's feeds. Will anyone stop them?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Rachel Karten, a social media consultant and the writer of Link In Bio. Storytimes and other caught-on-camera content frequently goes viral on social media, but now companies have started manufacturing their own skits to secretly advertise themselves. Countless “ambassadors” are telling the same fake stories all over TikTok, with links to brands in their bios but not disclosing that they are trying to get viewers to buy products. Even worse, people keep falling for it. The more we earnestly engage with these made-up scenarios, the more we push the secretly-sponsored content into people's feeds. Will anyone stop them?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from A.C. Valdez. Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Stephanie McNeal to discuss the internet phenomenon of “boy moms.” As an internet culture expert, and recent mother of a boy herself, Stephanie helps break down the reaction to a recent viral post from actress Jenny Mollen, who has publicly compared her sons to “toxic exes” and is already mourning losing them to their eventual marriages. But she is far from the only example of this trope on social media, and the more mothers fall into this trap, the more they legitimize a problematic dynamic.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Stephanie McNeal to discuss the internet phenomenon of “boy moms.” As an internet culture expert, and recent mother of a boy herself, Stephanie helps break down the reaction to a recent viral post from actress Jenny Mollen, who has publicly compared her sons to “toxic exes” and is already mourning losing them to their eventual marriages. But she is far from the only example of this trope on social media, and the more mothers fall into this trap, the more they legitimize a problematic dynamic.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Stephanie McNeal to discuss the internet phenomenon of “boy moms.” As an internet culture expert, and recent mother of a boy herself, Stephanie helps break down the reaction to a recent viral post from actress Jenny Mollen, who has publicly compared her sons to “toxic exes” and is already mourning losing them to their eventual marriages. But she is far from the only example of this trope on social media, and the more mothers fall into this trap, the more they legitimize a problematic dynamic.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Angelina Mazza whose recent piece in The New York Times details how publishers are “modernizing” previously published books like Pretty Little Liars and Are You There God? It's Me, Margaret by replacing outdated references to pop culture and technology with artists like Billie Eilish and apps like TikTok. While publishers claim this is to keep younger readers engaged, others argue it's not just patronizing, but also disrespectful to the art of storytelling. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Angelina Mazza whose recent piece in The New York Times details how publishers are “modernizing” previously published books like Pretty Little Liars and Are You There God? It's Me, Margaret by replacing outdated references to pop culture and technology with artists like Billie Eilish and apps like TikTok. While publishers claim this is to keep younger readers engaged, others argue it's not just patronizing, but also disrespectful to the art of storytelling. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Angelina Mazza whose recent piece in The New York Times details how publishers are “modernizing” previously published books like Pretty Little Liars and Are You There God? It's Me, Margaret by replacing outdated references to pop culture and technology with artists like Billie Eilish and apps like TikTok. While publishers claim this is to keep younger readers engaged, others argue it's not just patronizing, but also disrespectful to the art of storytelling. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Ed Zitron, host of the podcast Better Offline and a certified hater of AI. After yet another AI writing scandal, this time involving the 2026 Commonwealth Short Story prize, Kate and Ed take a closer look at tools like Pangram that claim to detect AI writing with 99% accuracy. But if we can't ever be sure, then no one knows what's true at all—and that's exactly how these institutions like it. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Ed Zitron, host of the podcast Better Offline and a certified hater of AI. After yet another AI writing scandal, this time involving the 2026 Commonwealth Short Story prize, Kate and Ed take a closer look at tools like Pangram that claim to detect AI writing with 99% accuracy. But if we can't ever be sure, then no one knows what's true at all—and that's exactly how these institutions like it. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Ed Zitron, host of the podcast Better Offline and a certified hater of AI. After yet another AI writing scandal, this time involving the 2026 Commonwealth Short Story prize, Kate and Ed take a closer look at tools like Pangram that claim to detect AI writing with 99% accuracy. But if we can't ever be sure, then no one knows what's true at all—and that's exactly how these institutions like it. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by New York Magazine features writer Lane Brown whose latest piece breaks down the “clipping economy,” which has become the backbone of the entire internet. Cheaper than traditional advertising, people and companies employ bots and users to generate fake hype for everything from music to TV shows to SNL performances. The internet has become so saturated with this content that now almost everyone has to do it to compete. But if you take away clipping, does any real internet remain? And if everything is marketing, is anything online real?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by New York Magazine features writer Lane Brown whose latest piece breaks down the “clipping economy,” which has become the backbone of the entire internet. Cheaper than traditional advertising, people and companies employ bots and users to generate fake hype for everything from music to TV shows to SNL performances. The internet has become so saturated with this content that now almost everyone has to do it to compete. But if you take away clipping, does any real internet remain? And if everything is marketing, is anything online real?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by New York Magazine features writer Lane Brown whose latest piece breaks down the “clipping economy,” which has become the backbone of the entire internet. Cheaper than traditional advertising, people and companies employ bots and users to generate fake hype for everything from music to TV shows to SNL performances. The internet has become so saturated with this content that now almost everyone has to do it to compete. But if you take away clipping, does any real internet remain? And if everything is marketing, is anything online real?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Daysia Tolentino to discuss whether influencers serve us at all in 2026. James Charles faced backlash for publicly mocking a recently laid-off woman who DMed him for support. And in response, some users are questioning why they even support influencers. While some creators offer niche content or services, many in the A-list are now simply famous for being famous. Meanwhile, the average American is struggling with the rising cost of living. Which begs the question: can we any longer be entertained by watching privileged people doing privileged things? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Daysia Tolentino to discuss whether influencers serve us at all in 2026. James Charles faced backlash for publicly mocking a recently laid-off woman who DMed him for support. And in response, some users are questioning why they even support influencers. While some creators offer niche content or services, many in the A-list are now simply famous for being famous. Meanwhile, the average American is struggling with the rising cost of living. Which begs the question: can we any longer be entertained by watching privileged people doing privileged things? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer Daysia Tolentino to discuss whether influencers serve us at all in 2026. James Charles faced backlash for publicly mocking a recently laid-off woman who DMed him for support. And in response, some users are questioning why they even support influencers. While some creators offer niche content or services, many in the A-list are now simply famous for being famous. Meanwhile, the average American is struggling with the rising cost of living. Which begs the question: can we any longer be entertained by watching privileged people doing privileged things? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer and comedian Matt Buechele to talk about how the etiquette around phones is shifting, with previously phone-free spaces now welcoming them into the room. In almost all cases, this makes the experience worse for everyone else, but rather than rebelling, people are starting to accept this as a fact of life. Enough! Let Kate watch Hokum in peace!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer and comedian Matt Buechele to talk about how the etiquette around phones is shifting, with previously phone-free spaces now welcoming them into the room. In almost all cases, this makes the experience worse for everyone else, but rather than rebelling, people are starting to accept this as a fact of life. Enough! Let Kate watch Hokum in peace!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer and comedian Matt Buechele to talk about how the etiquette around phones is shifting, with previously phone-free spaces now welcoming them into the room. In almost all cases, this makes the experience worse for everyone else, but rather than rebelling, people are starting to accept this as a fact of life. Enough! Let Kate watch Hokum in peace!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer of Garbage Day and host of Panic World, Ryan Broderick. Ryan has been tracking the metrics of prominent right-wing creators like Ben Shapiro and Tim Pool over the past year or so, and noticed a surprising trend: once lauded as an unbeatable force of political influence, these creators are struggling with both their views and finances. Is this a sign of the tide turning, or was the right wing media ecosystem never as powerful as we thought it was?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer of Garbage Day and host of Panic World, Ryan Broderick. Ryan has been tracking the metrics of prominent right-wing creators like Ben Shapiro and Tim Pool over the past year or so, and noticed a surprising trend: once lauded as an unbeatable force of political influence, these creators are struggling with both their views and finances. Is this a sign of the tide turning, or was the right wing media ecosystem never as powerful as we thought it was?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by writer of Garbage Day and host of Panic World, Ryan Broderick. Ryan has been tracking the metrics of prominent right-wing creators like Ben Shapiro and Tim Pool over the past year or so, and noticed a surprising trend: once lauded as an unbeatable force of political influence, these creators are struggling with both their views and finances. Is this a sign of the tide turning, or was the right wing media ecosystem never as powerful as we thought it was?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by journalist and creator Princess Weekes to discuss the ethics of consuming leaks. Ten years ago, a fan with access to leaked material from their favorite artist or creator was considered elite. But now, fandoms like Avatar: The Last Airbender worry that watching the now-leaked most recent film is a slap in the face to the artists. But if the choice is between exploiting an artist's work, and being exploited by the streaming services and corporations that are making ethical consumption even more expensive, then does anyone win? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by journalist and creator Princess Weekes to discuss the ethics of consuming leaks. Ten years ago, a fan with access to leaked material from their favorite artist or creator was considered elite. But now, fandoms like Avatar: The Last Airbender worry that watching the now-leaked most recent film is a slap in the face to the artists. But if the choice is between exploiting an artist's work, and being exploited by the streaming services and corporations that are making ethical consumption even more expensive, then does anyone win? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by journalist and creator Princess Weekes to discuss the ethics of consuming leaks. Ten years ago, a fan with access to leaked material from their favorite artist or creator was considered elite. But now, fandoms like Avatar: The Last Airbender worry that watching the now-leaked most recent film is a slap in the face to the artists. But if the choice is between exploiting an artist's work, and being exploited by the streaming services and corporations that are making ethical consumption even more expensive, then does anyone win? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Pitchfork news director Alex Suskind to talk about why musicians keep coming down with “blue dot fever.” Stars like Meghan Trainor and Post Malone are among many in recent months who have cancelled entire tours, seemingly due to a lack of ticket sales. Has social media changed what it means to be famous, or have things like Ticketmaster finally made concerts too expensive to attend? Or are we, the audience, to blame? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Pitchfork news director Alex Suskind to talk about why musicians keep coming down with “blue dot fever.” Stars like Meghan Trainor and Post Malone are among many in recent months who have cancelled entire tours, seemingly due to a lack of ticket sales. Has social media changed what it means to be famous, or have things like Ticketmaster finally made concerts too expensive to attend? Or are we, the audience, to blame? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Pitchfork news director Alex Suskind to talk about why musicians keep coming down with “blue dot fever.” Stars like Meghan Trainor and Post Malone are among many in recent months who have cancelled entire tours, seemingly due to a lack of ticket sales. Has social media changed what it means to be famous, or have things like Ticketmaster finally made concerts too expensive to attend? Or are we, the audience, to blame? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Andrea González-Ramírez, a senior writer at The Cut whose recent piece explores why so many people have stopped reading the news. Instead, we're “numbing out” after years of constant bad news on social media, to the point that even an assassination attempt on President Trump doesn't earn a mention in our group chats. But how do we draw the line between necessary self care and privileged ignorance? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Andrea González-Ramírez, a senior writer at The Cut whose recent piece explores why so many people have stopped reading the news. Instead, we're “numbing out” after years of constant bad news on social media, to the point that even an assassination attempt on President Trump doesn't earn a mention in our group chats. But how do we draw the line between necessary self care and privileged ignorance? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by Andrea González-Ramírez, a senior writer at The Cut whose recent piece explores why so many people have stopped reading the news. Instead, we're “numbing out” after years of constant bad news on social media, to the point that even an assassination attempt on President Trump doesn't earn a mention in our group chats. But how do we draw the line between necessary self care and privileged ignorance? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by author Leigh Stein, who landed her first book deal in the 2010s personal essay boom. With new memoirs from Lindy West and Lena Dunham, it feels like confessional writing is getting a 2020s rebirth. However, reactions to viral personal essays, like those in The Cut, prove social media has become a much different beast. Now, writing a personal essay is not only much more fraught, but can be downright dangerous. Did the personal essay change, or did we?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by author Leigh Stein, who landed her first book deal in the 2010s personal essay boom. With new memoirs from Lindy West and Lena Dunham, it feels like confessional writing is getting a 2020s rebirth. However, reactions to viral personal essays, like those in The Cut, prove social media has become a much different beast. Now, writing a personal essay is not only much more fraught, but can be downright dangerous. Did the personal essay change, or did we?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by ex-Mormon content creator Alyssa Grenfell to discuss the new Secret Lives of Mormon Wives spinoff, Netflix's Trust Me, and the pop-culturification of Mormonism. While the internet has long been a place for Mormon creators to thrive, now that they've gone mainstream, our obsession with MomTok and dirty sodas risks softening, and even obscuring, the religion's conservative ideology. During a time in history when our conservative government feels more dangerous than ever, we can't let pop culture give racism and sexism a sugar-coated rebrand. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay is joined by culture writer Kat Tenbarge to discuss CNN's recent investigation into a global online “rape academy.” The reporters infiltrated a Telegram group of nearly 1000 men exchanging tactics to drug and sexually assault their partners, which they found through a specific pornography website. However, when CNN reported that this website received 62 million hits in a month, some readers conflated this number with the number of members in the Telegram group, resulting in viral misinformation. Those attempting to correct the record have been accused of minimizing these crimes. Why does the truth feel so controversial?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.