Podcasts about Punch

The Josh Nason's Punch-Out 2025 pro wrestling year in review series rolls on with a stop in June and returning guest Kate Elizabeth of Fightful. Josh and Kate talk about CM Punk's controversial trip to Saudi Arabia, the whole R-Truth thing, AEW Grand Slam Mexico, and lots, lots more.

BH Marvel at your Nachas

It's the first of the month! It's Christmas month! Let the carol singing commence! Ten year old Zara gets five golden rings... but will she pick up? Festive wedding bells are ringing as Christmas bride, Jenny celebrates with a Christmas Quiz! Plus, there's a Rogue Promises debrief with the listeners, Katseye shout out Beyonce in her hometown of Texas in All The Latest Things and Greg and Producer Tom bare their souls as they banish the rest of the team from the studios!

Join Pastor JD Small as we wrap up our series, Parables with a Punch. Pastor JD challenges our shallow prayer lives and reminds us that God honors relentless, faith-filled persistence!

BH Where is your "Mamosh"?

BH Tzedaka comes first.

These Bills kept their playoff vibes alive & well following a physically dominant performance down in Pittsburgh that certainly felt like a funeral for the other side... Josh & Luka are back this week to give all their thoughts on things after a big win over the Steelers. Just who exactly deserves a lot of credit for the performance considering all the key injuries? Was there ever a feeling of issue with that game from a result standpoint? Just how bad are things right now in Pittsburgh after watching that? All that, including our weekly "Game Balls & Game Checks" awards on this week's Bills Chat Podcast!

Do you choose red runners or dubias as feeder roaches for your gecko or tarantula? Learn the differences in behaviour, prices, and feeding experience—all at https://micedirect.com/ MiceDirect City: Cleveland Address: 651 Tom Bell Road USA Website: https://micedirect.com/ Phone: +1 706 892 4136 Email: sales@micedirect.com

Sooners Illustrated's Josh Callaway and Collin Kennedy give some instant reaction and analysis to Oklahoma's wacky 17-13 win over LSU on Saturday, November 29th in Norman. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Scarlet Knights had the ball with a lead midway through the fourth quarter but for the third time this season, they lost the game in Big Ten play. Another brutal defeat as Rutgers finishes 5-7 overall and misses a third straight bowl game. Heartbreak and frustration are episode highlights.#rutgersfootball

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Die beiden Cheftrainer Dino Toppmöller und Daniel Bauer sprechen nach dem Match mit den Medienvertretern über die 90 Minuten.

This is a link post. I stopped reading when I was 30. You can fill in all the stereotypes of a girl with a book glued to her face during every meal, every break, and 10 hours a day on holidays. That was me. And then it was not. For 9 years I've been trying to figure out why. I mean, I still read. Technically. But not with the feral devotion from Before. And I finally figured out why. See, every few years I would shift genres to fit my developmental stage: Kid → Adventure cause that's what life is Early Teen → Literature cause everything is complicated now Late Teen → Romance cause omg what is this wonderful feeling? Early Adult → Fantasy & Scifi cause everything is dreaming big And then I wanted babies and there was nothing. I mean, I always wanted babies, but it became my main mission in life at age 30. I managed it. I have two. But not thanks to any stories. See women in fiction don't have babies, and if they do they are off screen, or if they are not then nothing else is happening. It took me six years [...] --- First published: November 29th, 2025 Source: https://www.lesswrong.com/posts/kRbbTpzKSpEdZ95LM/the-missing-genre-heroic-parenthood-you-can-have-kids-and Linkpost URL:https://shoshanigans.substack.com/p/the-missing-genre-heroic-parenthood --- Narrated by TYPE III AUDIO.

As a college student and weaver, Amy Oxford fell in love with the punch-needle method of rug hooking almost by accident, a surprising benefit from a babysitting gig. She followed her interest from doing piece work on existing designs to creating large commissioned rugs in her own business. In 1995, she started the Oxford Company to sell supplies and education for punch needle crafters worldwide. The basic techniques of punch needle are straightforward enough to teach in a few minutes, but the opportunities for creativity in line, texture, and color have kept Amy enthralled for 40 years. After completing several large commissioned works, she found herself with repetitive strain injuries in her hand and arm, and she began dreaming of a tool that would let her work pain-free. Partnering with a woodworker and inventor, she developed the Oxford Punch Needle, a groundbreaking wooden-handled tool with a curved grip that's comfortable to push and pull through fabric. Along with manufacturing her own tool and selling hand-dyed yarn and supplies, Amy expanded her reach by teaching the technique, then opening a school that certifies instructors in her methods. Amy has also authored a number of books, most recently Intermediate & Advanced Punch Needle Rug Hooking: Techniques, Projects, and Inspirations with co-author Louise Kulp. Since selling her company in 2024, Amy has returned to punch needle just for the joy of it. “I can just make whatever I want and not have to tell anyone how I've done it,” she says. “I can just play, which is what my students have gotten to do. . . . And so I'm having a lot of fun now punching just for this sheer pleasure of it.” Links The Oxford Company website (https://amyoxford.com/) The Oxford Rug Hooking School (https://amyoxford.com/pages/oxford-rug-hooking-school) Oxford Punch Needle Handbook (https://cdn.shopify.com/s/files/1/1085/1826/files/Oxford_Punch_Needle_Handbook.pdf?v=1729862800) Amy Oxford's books are published by Schiffer Craft. (https://www.schiffercraft.com/search?type=product&q=Amy+Oxford+product_type%3ACraft) This episode is brought to you by: Treenway Silks (https://www.treenwaysilks.com/index.php) is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. Follow the Threads (https://www.followthethreads.com/) to France on a 8-day tour of the rich traditions of French textiles. From tapestry of the Middle Ages to contemporary haute couture, our trips immerse you in the colors, forms, and techniques of half a millennium of textile fabrication and design. Guided visits are coupled with hands-on experiences in Paris, Versailles, and Calais. To learn more about this fiber adventure, visit followthethreads.com (https://www.followthethreads.com/). Have you heard of The Woolly Thistle? (https://thewoollythistle.com/) We're a brick-and-click yarn shop specializing in non-superwash, woolly wool yarns from the UK and Europe. We have fast and free shipping and you can check us out at TheWoollyThistle.com (https://thewoollythistle.com/), two L's in Woolly. (And let us do the international shipping and tariffs, so you don't have to.)

About: You cannot deny the musical strength of the games developed by Nihon Falcom. Falcom Sound Team JDK consistently produce some of the best music in video games, and here's just a few of the songs. Music by: Falcom Sound Team JDK00:00 - Wind Emblem [Dinosaur Resurrection] 02:42 - Field [Dragon Slayer: The Legend Of Heroes II] 03:43 - Bloody River - The Floodgate of Lucifer [Sorcerian] 05:10 - Sword of Swords [The Legend Of Heroes: Trails Into Reverie] 08:37 - Secret Jungle Survival [Gurumin] 11:32 - Golden Dark Forest [Zwei: The Ilverd Insurrection] 13:31 - Towards Through Land [The Legend Of Heroes: Trails of Cold Steel IV] 15:38 - Hamel [The Legend Of Heroes: Trails In The Sky SC] 18:29 - Golden Road, Silver Road [The Legend Of Heroes: Trails In The Sky: The 3rd] 20:35 - Scene Of A Street Corner [The Legend Of Heroes: Trails From Zero] 22:45 - Provincial City of Rolent [The Legend Of Heroes: Trails In The Sky] 25:16 - Brilliant Escape [The Legend Of Heroes: Trails Of Cold Steel III] 27:26 - Heimdallr [The Legend Of Heroes: Trails of Cold Steel] 29:47 - Searching For Clues [Tokyo Xanadu eX+] 34:48 - Alley Of Silence [The Legend Of Heroes: Trails Of Cold Steel III] 37:01 - Fairies Village [Zwei: The Arges Adventure] 40:05 - The Boys Got Wings [Ys III: Wanderers From Ys] 42:40 - Silver Frost Covered Trees [The Legend Of Nayuta: Boundless Trails] 44:38 - Innocent Primeval Breaker [Ys Seven] 46:42 - Sunshine Coastline [Ys VIII: Lacrimosa Of Dana] 49:49 - Legend Of The Lone Wolves [Brandish 3: Spirit Of Balcan] pixelbeatpod@icloud.com > 

Time to Get Up with how bout them Cowboys! Dak and Dallas did it! This morning the D in Big D stands for dangerous! Meanwhile - the Chiefs suddenly endangered! We'll tell you the one big reason the dynasty hangs by a thread as we enter December! And - oh Parsons Packers packed a punch for their road trip to Motown! You'll hear how Green Bay out-Campbell'ed the Lions in what may have been the biggest win of the entire NFL season! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On a new Josh Nason's Punch-Out, Josh and Mr. Warren Hayes return for an extended play stop in May 2025 on the pro wrestling year in review series. The best of WWE, AEW, NXTNAAA, Japan and the rest of the wrestling world awaits.

Sooners Illustrated's Josh Callaway, Collin Kennedy and Tom Green preview No. 8 Oklahoma's Week 14 matchup vs LSU on Saturday afternoon in Norman. 0:00 - Initial game thoughts 5:57 - Injury report 9:37 - Keys to the Game 15:22 - Players to Watch 27:40 - Final score predictions To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The BreakdownIn this episode, Ryan hosts the band Cult Burner, discussing their formation, music style, and the vibrant Austin music scene. The band members share their experiences, challenges in finding the right vocalist, and their philosophy on live performances. They emphasize the importance of community and supporting local music, while also sharing memorable concert experiences and their aspirations for the future. The conversation highlights the dynamics within the band and their commitment to creating music that resonates with their audience.Quick Riffs-Cult Burner aims to put on an engaging live show.-The band formed in Austin with a focus on heavy, aggressive music.-Finding the right vocalist was a challenge for the band.-The band values community and supporting local music scenes.-Cult Burner has a unique sound that blends chaotic hardcore and mathcore influences.Episode Info and Band LinksIG: https://www.instagram.com/cultburner/YouTube: https://www.youtube.com/@UCqTufds7l7OoIwaGXYwyR6g Bandcamp: https://cultburner.bandcamp.com/track/in-a-constant-state-of-perilATXMP Website: atxmp.transistor.fm/Sponsors / AffiliatesCome and Take It Productions: www.comeandtakeitproductions.com/Come and Take It Live: www.comeandtakeitlive.com/Titan Audio Productions: www.titanaudioproductions.comTexas Metal United: www.facebook.com/TexasMetalUnitedA&R Foundation: www.theanrfoundation.org/

www.TheMasonAndFriendsShow.comhttps://thejuunit.bandcamp.com/releaseshttps://www.youtube.com/@SuperStationWJDL-TV5A Ridiculous Fever Dream of Pro Wrestling Presented by J Dubhttps://www.glass-flo.comGreat Pipes for SureThanksgiving,Get it,Footballing,Indian Ju,flags at work,26%,driving like a boss,taught to test,ridiculous,terribly high mortage,too much,wild NFL times,digital golf,no napkins,tiger woods styles,driving simulator,simulate all,head gear,AI video's,mountain lion,turned around,snake eyes in Mexico,Mike gonna Punch,Bear Attack,eating from the ass,Poacher getting ate,Gnawing,Thanksgiving Plans,the music of this episode@https://open.spotify.com/playlist/5nymPz1Fkp2JBc2VhmqqHZ?si=7cd5e77e950a4d42support the show@www.patreon.com/MperfectEntertainment

BHMaking "Holy Cows"!

On a new Josh Nason's Punch-Out, Josh and returning guest Mike DellaCamera preview and predict the 2025 AEW Continental Classic.

BHIt's ALL Hashem!!! Get over yourself

Oh yeah!! We back with another edition! We'll fill you in on this weekends games. We got HOOPIN'OR HOE'N?! What should women wear around your place once they "Get To Know You." If the DA BEARS

On this episode of “Fearless,” Jason Whitlock analyzes a series of recent “footbrawls” and discusses, in light of the San Francisco 49ers and Carolina Panthers exchanging blows during "Monday Night Football," whether there are too many fights now on football fields. Whitlock also examines the feminization of sports, as Elle Duncan is the latest female to be promoted to a prominent position as the face of Netflix's sports coverage. Former NFL guard Matt McChesney joins the show to provide his insight into the apparent surge of footbrawls, as well as to offer his impression of Shedeur Sanders' first start as the Cleveland Browns' quarterback and to assess whether Deion Sanders is really the right fit for coaching the University of Colorado. Shaun King joins the show to comment on Lamar Jackson's ongoing slump, Trevor Lawrence's four turnovers in the Jacksonville Jaguars' victory over the Arizona Cardinals, and Jalen Hurts' lackluster performance in the Philadelphia Eagles' loss to the Dallas Cowboys. Another can't-miss show today! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of First Generation Bowhunter, Adam shares his recent hunting experiences, focusing on deer behavior, movement patterns, and the importance of adapting strategies based on observations. He discusses the significance of paying attention to environmental changes and how they affect deer activity. Adam reflects on missed opportunities and the lessons learned from his hunting adventures, emphasizing the joy and excitement of the hunt.Pay attention to deer behavior and environmental changes.Deer movement can be influenced by human activity.Hunting strategies should adapt to observed patterns.Patience is key when observing wildlife.Chasing deer can lead to missed opportunities.Understanding deer patterns can improve hunting success.Experience teaches valuable lessons in hunting.The thrill of the hunt is in the journey, not just the outcome.Wild game hanging is a rewarding experience.Sharing knowledge and tips can help fellow hunters.Chapters00:00 Introduction to Hunting Insights03:00 Behavioral Shifts in Deer Patterns06:11 Observations on Deer Movement and Activity09:03 Hunting Strategies and Techniques11:48 Chasing Deer and Missed Opportunities14:57 Learning from Experience and Instincts17:52 Conclusion and Reflections on the Hunt

BHEnjoying Giving!

Jacob Dunne killed someone as a teenager, how did he seek forgiveness from his victim's parents? What is restorative justice? How did Jacob's experience of the criminal justice system compel him to become a campaigner for this alternative idea of justice? How does James Graham believe drama encourages us to have the difficult conversations necessary to build a better world?  Rory and Alastair are joined by playwright James Graham and campaigner Jacob Dunne, who co-created the award-winning play The Punch which depicts Jacob's path to restorative justice.  Gift The Rest Is Politics Plus this Christmas - give someone a whole year of Rory and Alastair's miniseries, ad-free listening, early access to episodes and live show tickets, an exclusive members' newsletter, discounted book prices, and a private chatroom on Discord. Just go to https://therestispolitics.supportingcast.fm/gifts And of course, you can still join for yourself any time at ⁠therestispolitics.com For Leading listeners, there's free access to the Wordsmith Academy - plus their report on the future of legal skills. Visit https://www.wordsmith.ai/politics To save your company time and money, open a Revolut Business account today via https://get.revolut.com/z4lF/leading, and add money to your account by 31st of December 2025 to get a £200 welcome bonus or equivalent in your local currency. Feature availability varies by plan. This offer's available for New Business customers in the UK, US, Australia and Ireland. Fees and Terms & Conditions apply. For US customers, Revolut is not a bank. Banking services and card issuance are provided by Lead Bank, Member FDIC. Visa® and Mastercard® cards issued under license. Funds are FDIC insured up to $250,000 through Lead Bank, in the event Lead Bank fails. Fees may apply. See full terms in description. For Irish customers, Revolut Bank UAB is authorised and regulated by the Bank of Lithuania in the Republic of Lithuania and by the European Central Bank and is regulated by the Central Bank of Ireland for conduct of business rules. For AU customers, consider PDS & TMD at revolut.com/en-AU. Revolut Payments Australia Pty Ltd (AFSL 517589). Find out more about the Common Ground Justice Project at www.commongroundjustice.uk  Sign Jacob's petition to widen victims' access to Restorative Justice at www.RightToBeHeard.org. Social Producer: Celine Charles Video Editor: Josh Smith Producer: Alice Horrell Senior Producer: Nicole Maslen Head of Politics: Tom Whiter Exec Producers: Tony Pastor + Jack Davenport Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Pastor Ben Chavez as we continue week six of our series, “Parables with a Punch.” Pastor Ben brings fresh insight to Jesus' words, offering a powerful reminder of how these timeless stories still challenge, convict, and encourage us today!

BHDon't be a big shot!

BHTest how strong you are.

Don't you see, sensei I'm just as disappointed in myself And ready to die Just as I relay the message, Spray me with your morbid essence Don't, croak, you fool, You've only a spoon ful of sugar left to go The dose is coming up your throat, — you didn't know to throw up Grab the rope and go up Before gravity has crushed your —thought: Stupid boy, you don't want to die— Nor to do, but oh, do we have it coming Silly mortal, overlords and governed, Short of morals, steady coming at your doorstep So goes our concert! And so goes our concept for divorce, And sure of course, Your four corse meal, and/or dessert This is just devastating, genetics made me The sort at sorting words, but surfing, Sure. Ever temporarily the cadence changes, Still they say “you've been betrayed” But never had a friend I made made As good as death and God have been to me For everything you're meant to be, Plus everything you're meant to me, I go, unwanted, troubled and disgusted at my own immortal outcome. Sure. My back hurts and I'm wounded, Heartbroke, Thrust in every cardinal direction Also, honored at the mark of magic wand Upon her shoulder; And so, Just as soon as the sun and moon, Does the fire escape set a perfect path For outward destruction of the bricks and mortar Or your alter (This we talk about, to some effect Is your repression and affective form of supernatural perfection) But forget the makeup; I can make you up to be a star And not of wars and other worlds, But those that come before us, Carson, and the others Paar before that. But, I think not dear sir How wrong you are, A wretched bird, Set not to fly, but O father Wit and relay messages, The passage said, and set to clocks, The past was won and so the future altered, But dear feathered father, Mortal you are not But just another triumph Of my god; And set the mirror to the magnets Camera, lights and action, Magic— All the signs of the dawn, and the mad don Red Dawn came upon us, called the Red Man Tom, from other, over, under Still was my mistake to mumble such Or put upon the tongue As such assumption Still— wonder? Bird, shut up; Love I dusk And lust I soak In all the frittered dust and feathers, Colors, coming up as mister Chuck and wood, and wait and ponder Slithered this to wonder, not a rock, But potted fern, Asunder Thunderstorm And wicked rain And fair the back A tide had come And sitting there upon the shore, Was us, and 12 apostles She's a Brick— Seemingly out of nowhere, A RED BRICK HOUSE falls very perfectly from the SKY and into OZ. oh good, my house is here. House. [the festival project ™] But I don't want to make house! Then play it! I don't want to play house it is BORING. You play it— they want it. But I don't want it. Then forget it! What! Listen kid, a job's a job! {Enter The Multiverse} Wrong, this is wrong— everything is wrong. What's wrong, Rob? I'll be back. ROB LOWE has just played TRUTH OR DARE L E G E N D S if I could get inside your head For just a second Bread and butter Heaven, hell, And other places I have wandered But oh, wonder This is never what I wanted, Was it? No sir. Sure, I set you off, No sooner had you got a gun and shot me. Handsome fucker. I'll bet. Wrong act. Wrong award show. Wrong hat and a baseball bat, Peanut butter and a nice cold cheesecake, Don't forget to order cheesesteak For your cat. A carnivore at odds with the other worlds, And also fused to us; This drifting back and forth Between the Rock And Hollywood Has got to stop. ((The world is toxic.)) the legend of… L. JONES It's you! BLŪ AH, crap. L. JONES Listen, I got something for you. BLŪ Where did your bird go? L.JONES What bird? CUT TO: Now open that. No wait! It's a trap! THE VAULT inside THE CRYPT at 30 ROCK has been opened. I keep looking down at my phone As if I'm expecting a phone call Or incoming message from God But the worlds to a song Are all jumbled up in my Concious I don't want to talk about it I feel Nauseous Everyone is being obnoxious Even my own blood I don't want to function I just want some French toast crunch For lunch Nostalgia I got a whole inch taller on the peloton Holla Now I got a body, Broader, So close to Broadway But I never go there That's a tall order Of “gotta have money” I mean live theatre It's fine I'll eat here And repeat these things till they just rhyme Line them all up like a context, Story Someday I'm gonna cut my own check Watch me lol none of this rhymes without a hard Brooklyn accent ; Guess you can't hack it! Send you ass packin! I said “That's whack son!” Then I went back blonde Now they want Backend, Contract, Off the top, Royalties Residuals I'm an individual with insidious syntax And yet I'm ridiculed Truly I'm a tit-for-tat Or particle of all you are Circular centrifuge, I trickle down your tentacles (Eugh) Choke the chicken just to give the cat a chicken bowl, Chick fil et and pret a tair just to get a ritual Espresso and a quick snack So I can get my dick wrapped In chocolate and licorice because the shit is edible Damn that I guess they set a damn trap By putting out the welcome mat, Then strapping Like a mothafuckin' straight jacket Matter fact, I look a nap in it, Then magic tricked the slip effective Compliments of Michael Jackson Or was it tech nine? Maybe I should get my Mind right I lost it once I guess I've better find it If I am, in fact, A diamond in the rough It's probably blooded it up enough That you should dig it up and shine it; Better yet, Somebody outta pick it up And sign it, Cause I write enough To put a vision To a blind man It's Fran Fine, man I'm behind, man The shadowgov had put me on a diet My bad I noticed that they tried to shut me up But couldn't stop the words or other stuff That just keeps coming out of my head I put coconuts as butter onto my bread And thinking thoughts of Carl cox As I drift off in my bed, I said, “It shouldn't be a problem, officer” As I reached for the gun And he aimed it at my death. That's an impossible apocalyptic suicide— Did you invite the devil in? I said “Nah, but that guy did.” The problem is, I pointed over yonder to a ghost Who also knows that I'm a well respected psychic; Nevermind a sidekick, side bitch in a sidecar, Psych ward, Sike! We spike war on your kind! So far, If I make history tonight, The other side decides their psalm is just as likely The third reike. Okay, strike one: I'm gonna turn your lights off. Strike two : you do and say what I do: Strike three: we're gonna make you suicidal I specialize in denying rights for high profits But big brother, or boss— What if my glove fits? The instance it does, We lock you up with no service, Your world becomes dark And your words become worthless Oh shit. This is not a good rap song. Like, at all. I must say, I do agree, You lose your trust, but silently Denied is all your trouble, Till it just begins to bubble up Until the cookie crumbles— See that feeling in your stomach? This is bigger than the money, girl — They want your soul, and then the world! I told you never call him. I didn't! Then explain this: [Skrillex] *sharp inward sigh* CUT IMMIDIATLEH TO STAN You know what! That's it! I don't care how handsome or rich and famous he is! This has to stop! KYLE Hey, wait just a minute— STAN SHUT UP KYLE. KYLE You shut up! STAN You're starting to sound just like him! KYLE Take that back! STAN I won't take it back! You all might have forgotten who you are, but I haven't!after of fact, I bet to Cartman, you're still that stupid little Jew kid! KYLE That's IT. KYLE takes out his phone. what are you doing? …I'm tweeting about this. I thought it was X now… It is, but you can't ‘x' anything, it's still calledl tweeting. I guess youre right. —and I'm tagging Cartman ! STAN Are you serious? Oh shit, this is social suicide. …did I ever explain this storyline? …I don't know, did i? I'd gotten so focused on this impending doom looming over me with this whole lawsuit that I'd forgotten entire worlds and whole documents. Even more terrifying, was the sudden quiet and the onset guilt that came over me for getting distracted. But I couldn't remove myself from it entirely—- it seemed to have ruined everything. It wasn't just motorcycle noises, it was like a nervousness and angst twisting in my stomach for months and months, until finally, as the court dates started approaching, it was peaceful, or rather, normal, all of a sudden. It couldn't be peaceful because now that the extreme noise was gone, I knew it had been planted all long— but what was the purpose? I'd lost two years not knowing, and though there were albums, they were never what I wanted. Now I was sorting through the documents of the show like it was the rubble of a decimated building— completely demolished, and I hadn't the slightest clue the contexts or the storylines anymore. It was pain and suffering, but not in the legal context. It was a creative disaster— I hadn't any idea in the slightest where I'd left my audience before I was forced to abandon them. But I was forced to choose, at times, between soap and toilet paper, or eventually, food, and water— or a phone. Eventually, this too became a pattern of the impossible— trying my hardest to do what I thought had been my purpose, but for far, being so endlessly sabotaged, even ridiculed and humiliated, and still, I couldn't understand why. I was tired— and somehow, even though I'd wanted to be left alone, I was the target. Worse was that I assumed it to be bigger than I thought and completely out of control— I thought immediately back to how my best friend from middle school had been attacked, and how she was made to think that it was me…to the point that she'd become obsessive about it to call my mom over it. And as far as the court was concerned, to the wrong ears or wrong eyes, anything I'd published in the festival project could look troublesome, like the ramblings of a mad mad, or schizo, or uncontrolled obsessive thoughts— because the biggest secrets of all, the things that tied together these fictional worlds and plots, were my own real life experience. The inability in a court of law to detail the podcast, which had started as meltdown some would call grandiose over an almost long forgotten rockstar and a porn model — and the entries into the festival project that followed, which included high concepts, off-kilter comedy, politics, and even fringed on social justice. Nothing I ever would have wanted and especially over money, but the lawsuit wasn't about money at all. In fact, at any moment I would have chosen to die and have it all stop if it weren't for my very young son being left alone. Though recently the dread had overcome with a sense of unbearable loss and agony, encrypted with suicidal thoughts and wants, reeling for human touch, the overbearing factor seemed to be that if I killed myself, I was giving someone what they wanted. I was really much too tired to go on, but leaving behind the world in entirety, in my very own way of beliefs wasn't just “shitutting it off”, it was starting it over. Understandably and undeniably immortal in its nature, the instances of God I had left spoke with a reminiscence of being born again, and having to remember which is it I'd wanted to start off. It was an unachievable overload of chaos and disruption, a level of corruption that spoke to something so dark and sinister it seemed biblical — then, again, I tried to wrap my mind around a way to rebuild a positive world from hope and thought, or manifest reality, but this is the very experience I'd felt was intended all along. The motorcycles weren't merely meant to destroy my career, or my will power, or force— they were, but also they were made to play upon my most valuable asset, the power of thought, to make it impossible to become something other than what was wanted; to use my own mind against itself and destroy my way of thought by using vibrations that could not be shut out, or stopped— they followed me to the sound collective, to Shakespeare in the park, the bank, the doctors office— it was as if they knew and understood my very thoughts, my process. It was of nothing at all to corrupt every single body and brain who would surround me or come close— by using the power that seemed supernatural enough, but indeed were powered by money, and technology. Perhaps, in this essence, I thought, was the purest display of defective intention itself; the mere thought that this indeed was rather Good Vs. Evil or God and The Devil would easily be written off as a diseased way of thought. The social world and constructs had been built around being open minded to a system of psychology that was intrinsically rather corrupt. I knew this could only be fought with what I knew, and what I could draw from as logic. I didn't want to go to court because I knew the people I would be fighting were liars, and well trained psychological masters of manipulation, well hidden terrorists dressed as public servants and systematic corrupters all for simple profit margins, to whom I was not so much a person or a mother, or a daughter, but a number. Because I was poor, and had once or four times chosen to love the wrong person in an unorthodox and uncontrollable form of torture, dismissing each and every social construct or physiology that was by the book, by embracing that there was a reason for change I quickly became quite the antagonist of sorts and hopefully not some sort of martyr —for the kind of people that had money and property, and perhaps even socially constructed circles to camoflage their own self doubt and hatred, but absolutely also had no morals. –Death of a Superstar DJ If I lose my mind At least I know I'm right on time This time— I meant that, I had it bad this time MCBADBAT I had it bad this time, And the last. Perchance for you, Hour or folded, Hair my weight And glassed upon thy, This upon now, Feathered waking, And there barely weathered Shaking. Dear, dear, Tis is fair truth, To fare that I have gasp And fated at thy doorstep; And yet, care to force, Her breaking waves and saving tinder, Fit there slithered in as yet astonished, Then another; And I hated. So, then, slower now. All there, gathered none. And show to show thy force What then became and withered after, None to bark or beg But birds and feathered creatures, pander The tides did Quake, And the heart did grow ten fold and steady saying None upon us but one left to shiver in the depths That yet remain as undiscovered For now never there was another world, Undone, And also another becomes, My death— And therefore all the worlds I kept, To travel on and travel As becomes one, does another onward As the first is glass to dust, And last is born there. So, Then, I, Crept, In my dress, Kept for clothes that church did water I, met, My mark and there the doors of shadows open Wilted and wake? Hear you; A star was born In other cosmos tied with our own nurture So, Kept, The weight of clasp and bone That holds the crept and precious alter Goddamn cat! Where are you. AAtticus Caaticus Oop. Gotta go. Toonces! Tooooonces! Where are you? Omg remember that one where that couple has a magic toddler and they just let him like,float away. Yeah, barely. Yeah. So I do. CUT TO: TOONCES focuses intently on the task at hand; he's sure he can manage to drive the human vehicle to his own home— to where he's assured he will find the actual body in which he belongs. Now… let's see, if I can just Wait, I who? ATTICUS CATTICUS, An ancient alien sorcerer must relay a series of important messages. Unfortunately. YO WHAT THE FUCK. None of them seem to be getting through. CUT BACK TO: TOONCEEESSSS. here kitty kitty kitty!! {Enter the Multiverse} I would dedicate, but honestly I've not time to waste And I'm craving wedding cake I hate to destroy you But for now, you know I can't employ you; This implies my eyes are also murder And I'm sure of her departure From another world, Perhaps across the border. Also, quite the dark sorcerer himself LORNE MICHAELS has well hidden himself under the guise of having become one of the most successful television producer of all times— And even in his own very small world, Nobody quite seems to know why. JIMMY FALLON Lorne, I have to tell you something. LORNE MICHAELS This had better be good, Jimmy, I've just made popcorn. [the festival project ™] Don't worry, for now, The risk remains hidden, As sure as an asset is an advantage, I can't have the classes counting Heads of cabbage as accomplishes, The masses are honestly astonished And impossible, but what was wrong with Boredom in the first place? Nonsense More words And still no dollars Hunger strike, And burning harder, California deficit, lack of bread, Heaven sent interventions and scissors, Mistresses, disasters and divorces But who says the whole story has to suffer? You're a surfer under water, Remember that when you finally catch your breath above the surface Can you clear her? He who? Back to work! Or back to the future! My super brain is dead but I think I'm next I think heaven swallows whole the blooded laugher From the constructs I've come from. Remember that. Remember not to fall from too far up, God would give you wings With time to spare Before you ever wondered where Your mark was On the plaza Don't let me up to the very top. I will at the very least Best scenario jump off And rid the world myself, Just for a dozen donuts over Crossing hearts and Hollywood And Griffith park To also soft my foot Upon red carpets. You ever shave your armpits!? …no. Hm. Catholic. Of course. Get in. Destination. —Rotterdam. You idiot. I made it. Whatever, get in the boat. DI NERO Give her your shirt. What. Your shirt. Why my shirt. Just— Fine. Here. [he hands over his shirt— in an instant, the woman becomes an exact REPLICA.] …my shirt. Relax. Nothing's gonna happen to it. Okay? —in fact, you're still wearing it. Alright! She's right, Jimmy, relax. I can't, that's— It's simple. There is nothing simple about this whatsoever. You're right. It's not, so get over it. [The Festival Project ™] BILL MURRAY There's a compartment at the end of the left corridor— Alright. In that hatch, there's a chamber. Okay, what'll I do? You'll open it? How? I'll tell you how, just get there. Suddenly, a barrier falls; it appears as though there are booby traps set here. Uh— that might be a problem. There might be a few of them. What just happened? Booby traps. —ah, I know what you're talking. Those aren't booby traps— they're Bobby Traps. What in the Hell are you talking about? For whatever reason Jimmy Kimmel Is important Now I'm scared of him, I know he knows the devil Come to think of it, Might even be an advocate Have an avocado But don't know the half of it These are, as it stands Comes what may Special circumstances I could circumvent an intervention, Never second chances I've been setting rat traps, Trapeze artists, Bampheramph camp, And also trampolines over the plaza That seems dangerous. Yeah. AHHHHHHhhhhhhhhhhhhhhh. Damn. Know it's plausible, That I also am an alcoholic, Though dysfunctional, Professional, And underrepresented So I stand myself, Let's just say pro-se if you will I could add Prozac to my snacks But I'll be delayed, if you still Don't get my messages I'm sick of having heart attacks; A hard advantage I was looking back on “fully packaged” A six pack of abs And nothing left to eat but cabbage, Haven't had a mouth, But I've been counting on my ass To get me back up north, I'm coming from the South Out West, there's a word for that At best, you're a four and a half My body double stunts and stumbles Struts at nothing Struck before the one, And so between high noon and Somewhere around 30 in I'm never turning 30, 30 Rock is in the wind— So count that up, That's what my income is. That's what they said? “Too late, you've been betrayed” If that's how it is, Then I request “beheaded” You know your mother says That ugly face just becomes permanent If you keep making it, And so I did, The second that it ended I'm Trying so hard Just to be What they want That it hurts Just to stop And relax For a moment INT. THE LAIR. NIGHT What is this? Where am I? You're— Alive. Why? …I changed my mind. You're not ugly You're just not mine I changed my mind I changed my life around. I skip line after line, But the message ain't right, I have time a chance No challenge accepted No exceptions or Expectations Expand this racism vocabulary Set the rat traps back To February Stamp the weather's getting Better with the postage clearing Abstr– My cat is so cute I can't stand him; But he's pretty bad, That my only friend; Animal. I blacklisted deadmau5, And my whole set sucked. Presently, however I'm a peasant Plucking pheasant feathers Guess I– pppftt. Like it never even happened But I'm sure we're all to war, Like a fear I never grasp it, What's l before, uncertain of your l words— My dear, were tattered and the masters heavy handed, Oh, my dear, we're marching on a battered Wit, to all your fan mail I tel you, I was I tortured, Let me show you And also, No one forced my hand at magic, Questioned prestidigitation, Or went back to every second, Land you think you owned as time In fact, my crucial very hard earned gossip column Asks the reader to reform his or her thought Before a judgement can be made How fascinating. The bag says ‘poems' so I wrote one, But I'm sure since my marker's toggled on I'm being stalked, It's like a magnet, Punch the clock And here they pour into the coffin So I won't be pouring coffee for the puffin; Maybe someday I'll look back at this as all I ever wanted, But for now it's just a horror show, Where I belong the murder— Yet a thriller, Best, The audience is captivated, Yes This is evasive, Cause I can't been captured yet By either masses or Mass murderers. At last, a cadence comes clean of its Breaking waves and rhythms, Tides and ties, Becomes another— Then, I'm whisked away Not back to slumber, but of subtle thoughts Of Californian water Lapping up across our surfboards; I often wear them tides, The undertow As pull of greater waves I sit aside as all that passes [The Festival Project ™] When I see Calvin Klein, I think of you; Not what you used to be But turned in to So it's mutual— Pay attention, fool As does moss grow on a rock And this to you— It is unfortunate, my dear You miss with every twist, Adjustment of attention span, The glances I foreshadowed (Here you are, inside your past) It's just affective of the effect, You've been levitating, Yes, I find it devastating Every second kept is just a fortune But you pause before you post— You reap before you even think Of what you sow, You don't belong, Agast, (True) Set the tone, Classless, But I'm Art, you are a Daunting folk song, Mistletoe and marker. CAMERA ASSISTANT Marker. …what is this for again? CAMERA ASSISTANT (Annoyed, mumbling) Shut up. Ten minutes passes and still, I'm awake But the tragedy of the mistake has just set in, I'm sure I've been tortured, I'm paid in mistakes, but I'd rather be shattered with Mortimer's curse. To the tune of Ten by ten by ten I will never be lover, nor friend in the end. {Enter The Multiverse] DRAKE concentrates heavily on a very long , seemingly very angry message— a frowning face plastered as he writes that is so noteworthy, it catches the attention of many a passerby— still this focus unwatered, as he bashes heavily away at the text message with the thumbs of fury for over 30 minutes while sitting at a booth in a well-loved pancake restaurant. As a tall stack of pancakes is served before him, and he, still unbreaking this angry texting streak or eye contact with his phone sits before them, history is made in what internet culture has now deemed as “the most meme worthy face in history” The world wonders what he could possibly be writing— and more importantly—-who he could be texting. Tears come to his eyes but do not fall as he raises his thumb with reserve, to finally press [RETURN.] CUT TO: SUNNI BLU receives a text amidst a wild party. Almost without so much as a reaction, SUNNI BLU pings the message to a projector and cuts off the lights, and music. A VERY LONG, ANGRY TEXT is projected on the wall. I slept from 10-2 There was nothing else to do My name is Devin DeLouise And I am not supposed to know these things Seven are dead and three are left I know what's next I'm also often known as And referred to as coyote ugly; Suffering a tantra wall, Yo, you son of a bitch! You dirty, dirty son of a bitch. I must admit, I had a lot to do with this… I had no part in it! Relax… soon enough, the both of your realize— this is how the unimaginable gets written. [he loads the polished sterling silver pistol and glamours over it] You have our memory. —all memory. And as soon as it ends, before it can begin again. The slate is wiped clean. Good riddance. “A Different Kind of Monologue” Is this what you wanted? Ooh— you should try me! I wish you would try me! Try me! I wish you would. Be calm, Grand Master. This will all be over momentarily. What's going on. Deprivation chamber. Crypt? —Encrypted? A lockup. Ah. Thought so. That ought to show us what he's really made up. We can all hope. [he pounds on the glass, the one way mirror acts as a camera which the maj aresses, rabid and wi the anger of a dangerous animal, both we, n audience, and the small group of men gathered a the other side of the room. This could be the basis of a lot of lawsuits. So now I have your tears and agony A wilted throne and wand Which which would grant a wish of comedy, And therefore ever after, Not pain and guilt, but laughter So heavy is the hat that acts as crown, And so foolish is the King to think ‘imself as not one, Creaks the crow and also of the feathered guilt that follows, I Kept and bashful, wishing not the show as throne but sorrow, Kept to wick and wake and bones to shatter from tomorrow. Tomorrow. Tomorrow. Do you fear us? …do you wish to be feared? What of us? I seek to cause the wish that stands as though you may as granted. So shallow, fair child. And brother and my son also. Gross! Stop. You are weird! Dude, you are fucked. In the withdraw, my shadows and darkness Are there always, never resting Stories and gathered images, Visions of betrayal and archaic wants. In time, I've abandoned them all and betraying that which I've lost, For I know, and not ponder on That I shall never know love, As all standing tal over me Have eyes; And all I want Knows not what hides under my ugly. Alright. I followed your spiral, downward, and down wind and down wood, Into a place where I also aspired to show your mark Upon my rotted corpse or coarse crossifix; Sure worded and down trodden. Now, worse, I'm also sworn To mourn all my own losses, Kind folk. Kind hearted and now my eyes also sudden to wander— And there goes my miles and triumphs And morals and war songs, And sure, swallowed the barrel of a gun But also departed with honor, I tell I. Glimpses of wither and winter and whittling pain, And I slither my back to the center of All I am, in this, and shadows, Fairtails, And grains of rice and sand to twist away Into the rain as I lay dying. What a fortunate! Don't make my mark up and out, few for short times, Aye, conspire to warthog, Remember so force your spirit onto ours, And shake, sandbox! There aiming at you were the snakes of six liars, And the stakes of empires lost and won over, Also one solemn subtle Star of David Worn upon the neck of six monks, Ragtime Six popes, pass I; Six fathers and streaks solemn and Care tan teared salamander, Having weight and wake to cheer For our slaughter. Then, you, Having gained and also lost should reap to sow, What you'd have wanted; Though the tongue so convexed having way to guild your complex, Shaking as I hunger fruit that not but hangs Before l wanted I know, I could knot be consoled I know, I could not be consoled I know I could not be consolidated either Bought, or purchased I know I'm not consoled at all, I know I'm not confirmed at all I know, I know I'm not confronted, nor immortal — but your glorified affliction. Poor infinity. Of poverty, perhaps, but never poor at all. For your were warned of all the doors as opened at your calling. Not to walk though, But to ponder at them, wondering. he's gone Maybe I should go Too Heavy weight hanging on my Shoulders I'm just star struck I don't know You I don't really like saying What I go through Talk an hour, Fake it All day show Monologue Improvisation Now i'm on a roll, But my thoughts got darker I like adderall and a real smooth talker I like a husband-father , Doctor, Actor, Tall and handsome, Doesn't matter I'm alone, so i feel hopeless Aggie's gone, So i might as well go though Oh– She's gone ((I think i'm past my time)) I think i should go to She's gone (so long) Right on, man I might as well go to It's been a long time, Gotta turn my light off, Overtime, That's a long ball game Season's over; On my back in the middle of the ball court She's gone, So i might as well go too. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space.

Happy Friday, lets do some punching.

On a new Josh Nason's Punch-Out, Rich Kraetsch of Voices of Wrestling returns for the April 2025 edition of the pro wrestling year in review series. From the build to WWE WrestleMania 41 to the event itself to The Rock's excuse for not being there to AEW Dynasty to everything in between, it's all here and then some.

Send us a textAttention Listeners - due to Upcoming Vacations, A significant relocation, and the Autumn/Winter holidays, this will be our last episode until January! Join us then and in the meantime check out Rebooty and the Beast to catch up with our other show before we return in 2026!In this episode, Matt and Enn continue Winter's Heart from Robert Jordan's Wheel of Time series! This week we cover Chapters 20 & 21 - thanks for joining us!Ch. 20: Questions of TreasonCh. 21: A Matter of Property------------------------------------------------------------------Purchase Enn's First Book!!!: https://a.co/d/hyrYwW5Radiant (Words of Power Book 1) is available NOW in Paperback and Digital!! (Enn's pseudonym is Jordan Willis Bright)Follow Enn's Author page on IG: @Jordanwillisbright - https://www.instagram.com/jordanwillisbright/ Follow Matt's Art Account: @DrawnwiththeWindFabulous https://www.instagram.com/drawnwiththewindfabulous/ Support the show

BHDon't be "superficial" like Eisav. Get "deep down" like Yaakov

We're joined by JM Specht of the Devolver Forkcast and One Frog Games' Patrick Knisely this week to excitedly speculate on the suite of upcoming hardware from Valve. Between the Steam Controller, the Steam Machine, and the Steam Frame VR headset, there's a lot to cover in how it may shake up the console wars... particularly on the heels of recent remarks from Microsoft's Xbox management and their insistence that the next Xbox is akin to a premium PC. We also cover all the Nintendo and gaming news such as the recent Super Mario Galaxy Movie direct, leaked set photos and official stills from the Legend of Zelda live action movie and LEGO sets, The 2025 Game Awards nominees being released and much more. As always, we close with the games we've been playing. Listen to Super Switch Headz on Apple Podcasts, Spotify, YouTube or wherever you enjoy podcasts. 0:00:00 Introduction 0:08:02 News and Rumors 0:35:39 The Return of Steam Machines 1:26:46 Games We're Playing Devolver Digital Forkcast: https://forkcast.devolverdigital.com/ Discord: https://discord.com/invite/CWbF4gb Facebook: https://www.facebook.com/groups/switchheadz Patreon: https://www.patreon.com/SuperSwitchHeadz/ Website: https://www.switchheadz.com/ Clips Channel: https://www.youtube.com/@SwitchHeadzClips

This week we're digging into the skills that used to define the studio, back when audio wasn't just about tools and tech but the craft behind the session itself. Punch-ins, drop-ins, reading along with yourself, directing talent, matching pitch on the fly, using feel instead of formulas… so much of this has disappeared from the modern workflow. Robbo, AP, George and Robert swap stories from the tape era, pick apart why many of these skills are fading, and talk about what VO talent and engineers can learn from the old way of doing things. From casting realities to coaching blind spots, and even how quickly a demo gets skipped in a session, it's equal parts fun and brutally honest. We also touch on Toby Ricketts' blog on breath control and unseen punctuation https://www.tobyrickettsvoiceover.com/blog/unseen-punctuation-how-breath-control-engages-eardrums Thanks to our sponsors TriBooth and Austrian Audio. Use code TRY200 for 200 dollars off your TriBooth. Recorded using Source Connect, edited by Andrew Peters, mixed by Robbo. Join the chat in our Facebook group.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://thephotographersgallery.org.uk/whats-on/boris-mikhailov-ukrainian-diary www.npg.org.uk/whatson/exhibitions/2025/cecil-beaton/ https://www.youtube.com/watch?v=rLjkQyp2Bjk www.saatchigallery.com/exhibition/futurespective Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. ©Grant Scott 2025

Spain are going to the World Cup! It has always seemed like a formality, but Luis de la Fuente's side officially secured their spot with a draw in their final qualifier against Turkey. Before focusing on Tuesday's game, Ben Sully (@SullyBen) and Paco Polit (@pacopolitENG) kick off the podcast by focusing on Spain's commanding 4-0 away win over Georgia on Saturday. After winning their first five qualifiers by a combined 19-0 scoreline, Spain would have been hoping to secure qualification with a win in their home game against Turkey. We delve into the 2-2 draw before rounding off part one by focusing on Spain's striker situation and Dani Olmo's status in the squad.In part two, we reflect on a positive 2025 for La Roja and look ahead to next year's tournament in the USA, Mexico and Canada, discussing whether Spain have what it takes to add another star to their jersey. Away from international matters, Barcelona are finally set to return to their redeveloped Camp Nou home while Levante and Valencia are preparing to lock horns in a highly anticipated derby fixture.Remember, you can access all of our written and audio content over at lllonline.substack.com. Hosted on Acast. See acast.com/privacy for more information.

BHConnect ro Hashem.... but bring all of creation with you!

When a British father, Matt Jeffrey, was killed by a single punch during a stag do on the Greek island of Zante, two men were convicted. But now a Sky News investigation has identified a new suspect - a man who has potentially evaded justice for years. In this episode, Niall speaks to Jason about the devastating impact of ‘one-punch' violence, the emotional toll on Matt's family and the complexities of an international legal battle. Producer: Tom Gillespie Editor: Mike Bovill

On a new Josh Nason's Punch-Out, the pro wrestling year in review series continues with a stop in March 2025. Josh catches up with Rich Fann of Pro Wrestling Torch and Post Wrestling about the John Cena heel turn, AEW Revolution, and over 300 news items and headlines from the wrestling month.

Fox Sports' Joel Klatt joins the show to talk college football The Georgia Bulldogs dominated the Texas Longhorns 35-10 in Austin Saturday night. Georgia Football continues their stranglehold on Texas Football and keeps their hopes alive of playing in Atlanta and getting a first round bye. Texas now must beat Texas A&M on Black Friday to have any shot at a Playoff spot. The Ole Miss Rebels had a fight from the Florida Gators but held on to win 34-24. The win likely locks Ole Miss Football into a Playoff spot. Florida Football is eliminated from bowl eligibility with the loss. Today's College Football Spotlight: CFB Stock Report! PLUS, LT's Trash presented by Bud Light! SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamafootball #alabamabasketball #auburnbasketball #auburnfootball #rolltide #wareagle #alabamacrimsontide #auburntigers #nfl #sportsnews #footballnews Learn more about your ad choices. Visit megaphone.fm/adchoices

Xbox's big bet for bringing PCs to the living room has officially been undercut. This week, Valve announced three (!) different pieces of hardware. First, there is the Steam Machine, which serves as the strongest competitor to consoles. While still very much a PC, the Steam Machine packs a lot of punch for a small device and could be a force if priced well. Second, a brand new VR headset in the Steam Frame. Despite Meta having massive first-party support, Valve has decided to challenge a space that many of us thought was finished growing. Third, and finally, is a Steam Controller. It's horrendous looking and makes the Duke look ergonomic. How does Valve's aggressive hardware plans disrupt Xbox and does any lingering appeal for the PC in the living room by Xbox remain? The Dukes unite and dive straight in. Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:08:49 - The Hair Crisis0:13:57 - Halo Infinite support is ending0:21:59 - Former Nintendo President opens up on Xbox and Switch 20:31:59 - State Of Play Japan reactions0:47:15  Arc Raiders is a smash hit0:57:04 - GTA 6 has been delayed1:09:02 - Take Two proves great narrative games sell well1:13:02 - Borderlands 4 sales are soft1:18:58 - Dispatch sells over 1 million copies1:20:47 - Ghost Of Yotei sells over 3 million copies1:23:00 - BioWare and EA recommit to Mass Effect1:42:28 - Marvel 1943: Rise Of Hydra has been delayed1:44:35 - Silent Hill 2's Xbox release date leaks1:48:42 - Nintendo first party are using game key cards1:51:07 - Square Enix undergoes layoffs and drops new roadmap2:03:02 - Trails In The Sky Remake 2 confirmed for 20262:05:54 - What We're Playing3:00:07 - Valve announces Steam Machine, Frame, and Controller3:28:55 - Todd Howard interview3:42:30 - Avowed 2 is in the cards, but not Outer Worlds 3? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy Friday, lets do some punching!

Episode 4924: The Punch List On Saving America; Next Direction Of MAHA

Last night Donald Trump finally managed to end the longest federal government shutdown in history. But, amid a new release of emails relating to convicted paedophile Jeffrey Epstein, the political storm continues. Why Airbnb is searching for new beds in new markets. And the amazing role of lead poisoning in humanity's success. Listen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Last night Donald Trump finally managed to end the longest federal government shutdown in history. But, amid a new release of emails relating to convicted paedophile Jeffrey Epstein, the political storm continues. Why Airbnb is searching for new beds in new markets. And the amazing role of lead poisoning in humanity's success. Listen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

This week it's all about marbles, 5 Below, The Dollar Tree, insane workouts, Thanksgiving movies and more! #AL is over JKJ talking about the olden days and JKJ doesn't want anyone to see her workout. Plus we watched Keeping the Faith and it was….a movie! We also watched another 90's gem, Home for the Holidays. Have you seen it? Watch it! JKJ wants to know if anyone else likes it. Subscribe to my new podcast, The Ripple Effect with Jenna Kim Jones IHeart  https://www.iheart.com/podcast/1119-the-ripple-effect-304892752/ Apple https://podcasts.apple.com/us/podcast/the-ripple-effect/id1850530395 Spotify https://open.spotify.com/show/1JunP1oyAkRhqq6UkQ0GWQ Pandora https://www.pandora.com/podcast/the-ripple-effect/PC:1001110760 Subscribe to our website and watch the show, have access to all past episodes AND read what JKJ is up to! All available at jennakimjones.com Stay tuned for 2026 show dates! Get your cabin now to join me at the Moon River at Sea Festival in 2026! https://moonriveratsea.tbits.me/trk/jennakimjones