Podcast appearances and mentions of lindsay guarino

Today we take a moment to highlight another great program in higher education, Salve Regina University.  We were lucky enough to speak with Department Chair and Dance Program Coordinator, Lindsay Guarino, about this unique program.  Lindsay also has had a hand in changing the program and has been involved in some incredible projects.  Located in Rhode Island, this program has specialty focuses as well as flexibility.    We hope you enjoy our chat today with Lindsay Guarino.Program overview:At Salve Regina University, the bachelor's degree in dance offers a transformative education through the study of dance in a liberal arts environment.  Through the curriculum, students engage in critical dialogue, physical practice and creative production as they study dance history, theory, technique, performance, composition and pedagogy.  Students develop their artistic voices across a range of styles, including jazz, contemporary, tap, hip hop and ballet.  The curriculum emphasizes jazz studies with courses designed to honor, investigate and practice jazz as a historically Black American art form best understood through awareness of one's own identity and culture.  Community is at the heart of Salve Regina's dance program with an environment that encourages and supports individuality, personal creativity, dynamic exchanges of energy, risk-taking and resilience - all enduring values within the jazz aesthetic.About Lindsay:Lindsay Guarino is a jazz dance artist, educator and scholar.  As associate professor and department chair of Music, Theatre and Dance at Salve Regina University in Newport, RI she has grown the dance program from a minor to a B.A. focused in jazz and justice.  As an educator and a leader, Lindsay prioritizes community at the heart of her practice and seeks to cultivate spaces where individuality is celebrated and recognized as vital to personal and collective growth.  Lindsay's commitment to revealing and preserving jazz dance in connection to its roots led her to co-edit Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), and the award winning text Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century (UPF, 2022).  Through the National Dance Education Organization, Lindsay developed and planned two special topics jazz dance conferences (2016 & 2019) and developed and taught Jazz Dance Theory and Practice for their Online Professional Development Institute.  She appears in and consulted on the documentary Uprooted: The Journey of Jazz Dance (2020), available on HBO Max.Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Faz tempo que Tati e Henrique vêm manifestando opiniões por aqui (e fora daqui também). Mas dessa vez, nossos anfitriões decidiram trazer um pouco mais de suporte para suas ideias. E para isso, recrutaram Lindsay Guarino e um texto seu contido no livro "Jazz Dance: A History of the Roots and Branches" para tratarem de alguns aspectos relacionados ao mundo das escolas de dança e ao universo das convenções e competições. Um assunto complexo e importante em um episódio que é um misto de Pé na Orelha e Clube do Livro… Sensacional! | @penaorelha | @henriquehb | @tatisanchis | @casadadancatatisanchis | Site Casa da Dança | Casa da Dança - Vila Madalena | Casa da Dança - Perdizes | Casa da Dança - Higienópolis | Glot Dojo | Inacreditável Esporte Clube | Maria Cristina Lopes @psicologiadadanca | John Legend - By Your Side | Chris Dave And The Drumhedz | Jazz Dance: A History of the Roots and Branches (Lindsay Guarino (Editor), Wendy Oliver) | INTRODUÇÃO: 00:00 | PAPO DE HOJE: 10:20 | VAI LÁ VÊ: 01:43:25 |

WHAT WILL THE AUDIENCE LEARN?The audience will learn tools to expand their awareness about racism in their own disciplines/areas of interests and how to honor the contributions of all in the telling of our history.EPISODE SUMMARY:Jazz originated in the African American community of New Orleans. The world has been blessed by notable artists such as Eubie Blake, Ethel Waters, Duke Ellington, Billie Holiday, Al Jolson, Benny Goodman and many more. Jazz has been a source of healing, joy, and even controversy. While it highlights the richness of the Black community, it also reveals an oppressive and racist history.Join Rev. Dr. TLC and her guest Lindsay Guarino, editor of the book "Rooted Jazz Dance" as they discuss how one white woman's journey into jazz parallels her journey into dismantling racism. Ms. Guarino will share how, as a scholar and educator, she pushes back against oppressive systems, especially those that have led to the exploitation, appropriation and erasure of Black American art and culture.‍Tune in for this important conversation at TalkRadio.nyc

Our disciplinary practices have histories that are important to acknowledge and share with our students. In this episode Lindsay Guarino, Carlos Jones, and Wendy Oliver join us to discuss jazz dance, its roots, and how instructors can  decolonize the curriculum.  Lindsay is an Associate Professor of Dance and Chair of the Department of Music, Theatre and Dance at Salve Regina University. Carlos Jones is a Professor of Musical Theater and Dance and Associate Dean of the School of Arts and Sciences at the State University of New York College at Buffalo. He is also a performer and choreographer whose works have appeared on television, film, and regional theater. Wendy Oliver is a Professor of Dance and Chair of the Department of Theatre, Dance and Film at Providence College. Lindsey, Carlos, and Wendy are co-editors of Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century.

Episode Notes Listen to Timothy B. Neary discuss his monograph, Crossing Parish Boundaries: Race, Sports and Catholic Youth in Chicago, 1914-1954. He is interviewed by Lindsay Guarino, who is an Associate Professor of Dance and McAuley Scholar at Salve Regina University in Newport, Rhode Island. You can watch this interview, here. You can read a review of Neary's monograph, here. You can read an automated transcript of this interview, here. Support Society for the History of Children and Youth Podcast by donating to their Tip Jar: https://tips.pinecast.com/jar/shcy Find out more at https://shcy.pinecast.co This podcast is powered by Pinecast.

In this episode of Making the Impact, Courtney and Lesley chat with Erika Hebron and Mary Roberts about the benefits of technique in all styles of dance. This episode covers: Ideas for keeping technique classes fresh and engaging How a strong technical foundation can prevent injury as well as help a dancer bounce back from injury Tips for how to work on your technique on your own, outside of class   Resources mentioned in this episode include: “Jazz Dance: A History of the Roots and Branches” by Lindsay Guarino and Wendy Oliver “Conditioning For Dancers” by Tom Welsh   The blog that inspired this episode was released back in February 2018, and is called “Why Technique Will Never Go Out of Style”. Check it out! Follow your Hosts and Guests on Instagram! Courtney Ortiz @courtney.ortiz Lesley Mealor @lil_lez36 Erika Hebron @ejhebron Mary Roberts @msmaryroberts Check out our season sponsor Level Up Dance Supplies for all of your dance bag and dance gear needs this competition season! Receive $10 off your next order with code: Impact www.levelupdancesupplies.com Check out our IDA Affiliated Competition and Episode Sponsor: Spirit of Dance Awards CLICK HERE to send in your questions to be answered on a future Q&A episode with Courtney, owner of IDA. You can request to stay anonymous or have Courtney give you a shout out live on the air! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of affiliated dance competitions, visit our website www.impactdanceadjudicators.com

Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guarino. Picking up where Marshall and Jean Stearns left off over two decades ago, Oliver and Guarino bring to the field a book that culls together some of the best contemporary scholarship on the history, progenitors, and cultural forces that shape the uniquely American art form known as jazz dance. Created in part as a resource for students, the book is unique in its accessibility, diversity of authorship and willingness to engage the complicated racial and social history of jazz dance. Wendy Oliver has been teaching and choreographing at Providence College since 1985, and is the director of the PC Dance Company. Dr. Oliver is Chair of the Department of Theatre, Dance and Film, and also runs the Children’s Dance program on the Providence College campus. An Active dancer and choreographer, Lindsay Guarino is Assistant professor of Music Theatre and Dance at Salve Regina University and artistic director of Extensions Dance Company. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guarino. Picking up where Marshall and Jean Stearns left off over two decades ago, Oliver and Guarino bring to the field a book that culls together some of the best contemporary scholarship on the history, progenitors, and cultural forces that shape the uniquely American art form known as jazz dance. Created in part as a resource for students, the book is unique in its accessibility, diversity of authorship and willingness to engage the complicated racial and social history of jazz dance. Wendy Oliver has been teaching and choreographing at Providence College since 1985, and is the director of the PC Dance Company. Dr. Oliver is Chair of the Department of Theatre, Dance and Film, and also runs the Children’s Dance program on the Providence College campus. An Active dancer and choreographer, Lindsay Guarino is Assistant professor of Music Theatre and Dance at Salve Regina University and artistic director of Extensions Dance Company. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guarino. Picking up where Marshall and Jean Stearns left off over two decades ago, Oliver and Guarino bring to the field a book that culls together some of the best contemporary scholarship on the history, progenitors, and cultural forces that shape the uniquely American art form known as jazz dance. Created in part as a resource for students, the book is unique in its accessibility, diversity of authorship and willingness to engage the complicated racial and social history of jazz dance. Wendy Oliver has been teaching and choreographing at Providence College since 1985, and is the director of the PC Dance Company. Dr. Oliver is Chair of the Department of Theatre, Dance and Film, and also runs the Children’s Dance program on the Providence College campus. An Active dancer and choreographer, Lindsay Guarino is Assistant professor of Music Theatre and Dance at Salve Regina University and artistic director of Extensions Dance Company. Learn more about your ad choices. Visit megaphone.fm/adchoices