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Why is historical awareness so important in order to form a strong personal identity? What are the risks of a culture overly centered on safety and fragility?Frank Furedi is an emeritus professor at the University of Kent and director of the think tank MCC Brussels. Frank is also the author of several books. His latest work is titled The War Against the Past: Why The West Must Fight For Its History, and he has also written How Fear Works: Culture of Fear in the Twenty-First Century, First World War: Still No End in Sight, Power of Reading: From Socrates to Twitter.Greg and Frank discuss the disparagement of the past in contemporary culture, the influence of identity politics on historical interpretation, and the educational system's decreasing demands on students. They also discuss the decline of practical wisdom and the impacts of education on cultural values. Frank critiques the modern tendency to detach from historical legacies, highlighting the dangers of presentism and the moral devaluation of the past. *unSILOed Podcast is produced by University FM.*Episode Quotes:Understanding history beyond simplistic narratives07:26: People say Martin Luther, who isn't the hero of mine, but nevertheless played an important role in the Reformation, was the antecedent of Adolf Hitler, that already in his authoritarian behavior, there were the seeds of what would happen in the 1930s and 1940s. And that kind of simplistic history means that you do not even actually understand what is unique and special about the Holocaust. What is the tragedy that we fell upon us? If you see that merely as more of the same, because then you forget about the Enlightenment, you forget about the incredible achievements of German culture. Someone like Heine, Beethoven, and some of the artistic sort of endeavors that existed there. And impoverish our own sensibility through doing something like that. And I think a mature individual learns to be critical of the horrible things that have occurred in the past whilst at the same time learned to valorize and affirm what were very positive contributions to human civilization.The Renaissance as a positive way of viewing the past05:01: The Renaissance is really about rebirth, and there's a very strong sense in which what they wanna do is they wanna reappropriate the best that existed beforehand. And, in the course of reappropriating it, what they want to do is to make it come alive within their own lifetime. And I think that's a really positive way of dealing with the past.The transformative power of books35:41: Books are important because it kind of demands an element of interaction between you and the author. And what happens is that, sort of as you're going through the pages and reading them, it has the potential to stimulate your sensibilities in a way that provides you with both an aesthetic element but also an intellectual element. I think what is really great about a book is that it is both something that stirs the emotion and, at the same time, makes you aware of the fact that there are problems with these ideas, these existentially difficult kinds of questions. Which basically means that you can, on a good day, come out a slightly different person than when you began that journey when you kind of started on the first page.How inclusion and market forces are reshaping education44:54: What the woke, idea of inclusion does is it fundamentally changes the culture of academic learning, because now what becomes important is the student rather than the subject. So you have what's called student-led learning, which I think is a travesty of any kind of intellectual engagement because in a real academic setting, you have a partnership between the academic and the students that have come in there. So I think it's both a cultural dilution of academic standards alongside the market-driven impulse. And it's the convergence of the two, which is why you have a situation where you have administrators, professional administrators, experts kind of becoming the best allies of the inclusion diversity merchants. It's almost like they got this unholy alliance of controlling the university through their coalition.Show Links:Recommended Resources:PhronesisRenaissanceDark AgesFrench RevolutionPol PotMartin LutherCiceroAncient EgyptCleopatraDavid LowenthalThomas HobbesVirginia WoolfGuest Profile:FrankFuredi.orgProfessional Profile at MCC BrusselsFaculty Profile at the University of KentWikipedia ProfileLinkedIn ProfileSocial Profile on XNewsletter on SubStackHis Work:Amazon Author PageThe War Against the Past: Why The West Must Fight For Its HistoryHow Fear Works: Culture of Fear in the Twenty-First CenturyFirst World War: Still No End in SightPower of Reading: From Socrates to TwitterWhat's Happened To The University?Therapy CultureFreedom Is No Illusion: Letters on LibertyOn Tolerance: A Defence of Moral Independence100 Years of Identity Crisis: Culture War Over SocialisationPolitics of FearGoogle Scholar PageThe Guardian Articles
Diese Folge von Future Histories ist eine Aufzeichnung der Buchvorstellung von 'Creative Construction - Democratic Planning in the 21st Century and Beyond'. Aufgezeichnet am 4. März 2025 im Aquarium am Südblock, Berlin. Die Diskussion wurde von Jonna Klick, Christoph Sorg und Jan Groos geführt. Jacob Blumenfeld übernahm die Moderation und Ko-Organisation. Danke!! Shownotes Groos, J. & Sorg, C. (Hrsg.). (2025). Creative Construction. Democratic Planning in the 21st Century and Beyond. Bristol University Press. https://bristoluniversitypress.co.uk/creative-construction Brumaire Verlag: https://brumaireverlag.de/ Drau, I., & Klick, J. (2024). Alles für alle. Revolution als Commonisierung. Schmetterling Verlag. https://schmetterling-verlag.de/produkt/alles-fuer-alle/ Berfelde, R., & Blumenfeld, J. (2024). Von der Vergesellschaftung zur Planung und wieder zurück. PROKLA. Zeitschrift Für Kritische Sozialwissenschaft, 54(215), 177–193. https://www.prokla.de/index.php/PROKLA/article/view/2119 Blumenfeld, J. (2024a). Managing Decline. Cured Quail, Vol. 3. https://curedquail.com/Managing-Decline Christoph Sorg's Website: https://christophsorg.wordpress.com/ Das DFG Forschungsprojekt „Capitalist Planned Economies“ (CaPE): https://gepris.dfg.de/gepris/projekt/523931583?context=projekt&task=showDetail&id=523931583& Jan Groos‘ Website: https://www.jan-groos.de/ueber/ Daum, T., & Nuss, S. (Hrsg.). (2021). Die unsichtbare Hand des Plans: Koordination und Kalkül im digitalen Kapitalismus. Dietz. https://dietzberlin.de/produkt/die-unsichtbare-hand-des-plans/ zur Conferedación Nacional del Trabajo (CNT): https://de.wikipedia.org/wiki/Confederaci%C3%B3n_Nacional_del_Trabajo zur Arbeiterselbstverwaltung im ehemaligen Jugoslawien: https://de.wikipedia.org/wiki/Arbeiterselbstverwaltung Laibman, D. (2024). Multilevel Democratic Iterative Coordination (MDIC): A Path for Socialism beyond the Market/Central Planning Dilemma. World Review of Political Economy, 15(1). https://www.scienceopen.com/hosted-document?doi=10.13169/worlrevipoliecon.15.1.0004 zu „strategischem Management“: https://de.wikipedia.org/wiki/Strategisches_Management das Juli 2024 Symposium zu „Planning, Democracy and Postcapitalism” in Montpellier: https://innovationsocialeusp.ca/en/event/international-symposium-planning-democracy-and-post-capitalism? zur Bandung-Konferenz: https://de.wikipedia.org/wiki/Bandung-Konferenz UNCTAD (United Nations Conference on Trade and Development): https://unctad.org/ zu Johanna Bockman: https://soan.gmu.edu/people/jbockman Menon, N. (2022). Planning Democracy. How a Professor, an Institute, and an Idea Shaped India. Penguin. https://www.penguin.co.in/book/planning-democracy/ Devine, P. (2010). Democracy and Economic Planning. Polity Press. https://www.politybooks.com/bookdetail?book_slug=democracy-and-economic-planning--9780745634791 Holland, S. (Hrsg.). (1987). Beyond Capitalist Planning. Spokesman Books. https://spokesmanbooks.org/product/span-stylefont-size-14pxbeyond-capitalist-planningspan/ zu Karl Georg Zinn: https://de.wikipedia.org/wiki/Karl_Georg_Zinn zum Meidner Plan in Schweden: https://jacobin.de/artikel/rudolf-meidner-der-radikale-reformer-sozialdemokratie-meidner-plan-olof-palme Herrmann, U. (2022). Das Ende des Kapitalismus: Warum Wachstum und Klimaschutz nicht vereinbar sind – und wie wir in Zukunft leben werden. Kiepenheuer & Witsch. https://www.kiwi-verlag.de/buch/ulrike-herrmann-das-ende-des-kapitalismus-9783462007015 Monnet. E. (2022). Economic Planning and War Economy in the Context of Ecological Crises. Géopolitique, Réseau, Énergie, Environnement, Nature. Nr.2. https://geopolitique.eu/en/articles/economic-planning-and-war-economy-in-the-context-of-ecological-crisis/ zu Otto Neurath: https://de.wikipedia.org/wiki/Otto_Neurath Malm, A. (2020). Corona, Clima, Chronic Emergency. War Communism in the Twenty-First Century. Verso Books. https://www.versobooks.com/products/2726-corona-climate-chronic-emergency?srsltid=AfmBOopCynAI9ExjEyM3afkrHjnImg1Jm6FZJlM-WpPNCnxW9OFcdODK Dyer-Witheford, N. (2013). Red Plenty Platforms. Culture Machine. Vol.14. https://culturemachine.net/wp-content/uploads/2019/05/511-1153-1-PB.pdf Mazzucato, M. (2023). Das Kapital des Staates. Eine andere Geschichte von Innovation und Wachstum. Campus. https://www.campus.de/buecher-campus-verlag/wirtschaft-gesellschaft/wirtschaft/das_kapital_des_staates-17562.html Medina, E. (2014). Cybernetic Revolutionaries. Technology and Politics in Allende's Chile. MIT Press. https://mitpress.mit.edu/9780262525961/cybernetic-revolutionaries/ zum Viable System Model von Stafford Beer: https://de.wikipedia.org/wiki/Viable_System_Model zu Claus Offe: https://de.wikipedia.org/wiki/Claus_Offe Sorg, C. (2023). Failing to Plan Is Planning to Fail: Toward an Expanded Notion of Democratically Planned Postcapitalism. Critical Sociology, 49(3), 475-493. https://journals.sagepub.com/doi/full/10.1177/08969205221081058 Roediger, D. R. (2022). The Wages of Whiteness. Race and the Making of the American Working Class. Verso Books. https://www.versobooks.com/products/2966-the-wages-of-whiteness?srsltid=AfmBOor8SkRvz6R9Us-sV0X8KbM1Kgx19KsUaalsFo5DxO-9UxTpN6Eg zur “Socialist Calculation Debate”: https://en.wikipedia.org/wiki/Socialist_calculation_debate Grünberg, M. (2023). The Planning Daemon: Future Desire and Communal Production. Historical Materialism, 31(4), 115-159. https://brill.com/view/journals/hima/31/4/article-p115_4.xml zum Begriff des „Phantombesitzes“ bei Eva von Redecker: https://www.youtube.com/watch?v=yUQcOETh_y0 Rochowicz, N. (2025). Planning progress: Incorporating Innovation and Structural Change into Models of Economic Planning. Competition & Change, 29(1), 64-82. https://journals.sagepub.com/doi/10.1177/10245294231220690 Rikap, C. (2021). Capitalism, Power and Innovation: Intellectual Monopoly Capitalism Uncovered. Routledge. https://www.routledge.com/Capitalism-Power-and-Innovation-Intellectual-Monopoly-Capitalism-Uncovered/Rikap/p/book/9780367750299?srsltid=AfmBOoohn2o3_THE5S57rt4kTs62Fp3kv5AUNj8rUTdn7ywK9LFhfEro Thematisch angrenzende Folgen S03E32 | Jacob Blumenfeld on Climate Barbarism and Managing Decline https://www.futurehistories.today/episoden-blog/s03/e32-jacob-blumenfeld-on-climate-barbarism-and-managing-decline/ S03E34 | Cecilia Rikap on Intellectual Monopoly Capitalism and Corporate Power in the Age of AI https://www.futurehistories.today/episoden-blog/s03/e34-cecilia-rikap-on-intellectual-monopoly-capitalism-and-corporate-power-in-the-age-of-ai/ S03E33 | Tadzio Müller zu solidarischem Preppen im Kollaps https://www.futurehistories.today/episoden-blog/s03/e33-tadzio-mueller-zu-solidarischem-preppen-im-kollaps/ S03E29 | Nancy Fraser on Alternatives to Capitalism https://www.futurehistories.today/episoden-blog/s03/e29-nancy-fraser-on-alternatives-to-capitalism/ S03E24 | Grace Blakeley on Capitalist Planning and its Alternatives https://www.futurehistories.today/episoden-blog/s03/e24-grace-blakeley-on-capitalist-planning-and-its-alternatives/ S03E21 | Christoph Sorg zu Finanzwirtschaft als Planung https://www.futurehistories.today/episoden-blog/s03/e21-christoph-sorg-zu-finanzwirtschaft-als-planung/ S03E18 | Indigo Drau und Jonna Klick zu Revolution als Commonisierung https://www.futurehistories.today/episoden-blog/s03/e18-indigo-drau-und-jonna-klick-zu-revolution-als-commonisierung/ S02E42 | Max Grünberg zum Planungsdämon https://www.futurehistories.today/episoden-blog/s02/e42-max-gruenberg-zum-planungsdaemon/ S02E38 | Eva von Redecker zu Bleibefreiheit und Demokratischer Planung https://www.futurehistories.today/episoden-blog/s02/e38-eva-von-redecker-zu-bleibefreiheit-und-demokratischer-planung/ S02E19 | David Laibman on Multilevel Democratic Iterative Coordination https://www.futurehistories.today/episoden-blog/s02/e19-david-laibman-on-multilevel-democratic-iterative-coordination/ --- Bei weiterem Interesse am Thema demokratische Wirtschaftsplanung können diese Ressourcen hilfreich sein: Demokratische Planung – eine Infoseite https://www.demokratische-planung.de/ Sorg, C. & Groos, J. (Hrsg.).(2025). Rethinking Economic Planning. Competition & Change Special Issue Volume 29 Issue 1. https://journals.sagepub.com/toc/ccha/29/1 Groos, J. & Sorg, C. (Hrsg.). (2025). Creative Construction - Democratic Planning in the 21st Century and Beyond. Bristol University Press. https://bristoluniversitypress.co.uk/creative-construction International Network for Democratic Economic Planning https://www.indep.network/ Democratic Planning Research Platform: https://www.planningresearch.net/ --- Future Histories Kontakt & Unterstützung Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Diskutiert mit mir auf Twitter (#FutureHistories): https://twitter.com/FutureHpodcast auf Bluesky: https://bsky.app/profile/futurehistories.bsky.social auf Instagram: https://www.instagram.com/futurehpodcast/ auf Mastodon: https://mstdn.social/@FutureHistories Webseite mit allen Folgen: www.futurehistories.today English webpage: https://futurehistories-international.com Episode Keywords #CreativeConstruction, #ChristophSorg, #JanGroos, #JonnaKlick, #JacobBlumenfeld, #FutureHistories, #Podcast, #Postkapitalismus, #Sozialismus, #Kommunismus, #Markt, #DemokratischePlanung, #Vergesellschaftung, #PostkapitalistischeReproduktion, #Planungsdebatte, #DemokratischePlanwirtschaft, #Investition, #Transformation, #KapitalistischePlanung, #Marktsozialismus, #Meidner-Plan, #Markt-Koordination, #Utopie
Happy Mother's Day! Make sure you water your plants on stable ladders, avoid unnecessary globe-trotting, and check your kid for birthmarks before tuning in to our coverage of the poster-child for being child-free by choice in 1976's The Omen.***CONTENT WARNING: discussion of suicide, infanticide, religion Follow us on Instagram at @thewhorrorspodcastEmail us at thewhorrorspodcast@gmail.comArtwork by Gabrielle Fatula (gabrielle@gabriellefatula.com)Music: Epic Industrial Music Trailer by SeverMusicProdStandard Music License Sources: Balanzategui, Jessica. “The Child and Adult Trauma in American Horror of the 1980s.” The Uncanny Child in Transnational Cinema: Ghosts of Futurity at the Turn of the Twenty-First Century, Amsterdam University Press, 2018, pp. 35–66. JSTOR, https://doi.org/10.2307/j.ctv80cc7v.5. Accessed 1 Apr. 2025.Berlatsky, Noah. “Hell Is for Children: The Revolutionary Politics of ‘The Omen'”. https://wearethemutants.com/2020/10/30/hell-is-for-children-the-revolutionary-politics-of-the-omen/ The Omen (1976) Wiki: https://en.wikipedia.org/wiki/The_Omen Nosferatu (2024) IMDb: https://www.imdb.com/title/tt0075005/
With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
With significant evolutions in digital technologies and media distribution in the past two decades, the business of storytelling through screens has shifted dramatically. In the past, blockbuster movies and TV shows like Friends aimed first for domestic mass audiences, although the biggest hits circulated globally. Now, transnational distribution plays a primary role and imagined audiences are global. At the same time, the once-mass audience has significantly fragmented to enable an expansion in the range of commercially viable stories, as evident in series as varied as Atlanta, Better Things, and dozens of others that are not widely known, but deeply loved by their microaudiences. Delving into the changing landscape of commercial screen storytelling, After Mass Media: Storytelling for Microaudiences in the Twenty-First Century (NYU Press, 2025) explores how industrial shifts and technological advancements have remade the narrative landscape over the past two decades. Television and movies have long shaped society, whether by telling us about the worlds around us or far away. By examining the internationalization of screen businesses, the rise of streaming services with multi-territory reach, and the stories made for this environment, this book sheds light on the profound transformations in television and film production and circulation. With a keen focus on major changes in the types of screen stories being told, Amanda D. Lotz unravels the industrial roots that made these transformations possible, challenges some conventional distinctions of screen storytelling, and provides new conceptual tools to make sense of the abundance and range of screen stories on offer. Through its comprehensive analysis, After Mass Media exposes how contemporary industrial dynamics, particularly the erosion of traditional distribution models based on geography and mass audience reach, have far-reaching implications for our understanding of national video cultures. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Mayday! Mayday! We listen to some of the oral arguments in a pivotal Supreme Court case heard Wednesday about whether a private Catholic charter school can be funded with public money. If allowed, this would deal a serious blow to public education. After reporting on state/church news in Oklahoma, Louisiana and Texas, and decrying Attorney General Pam Bondi's “Eradicating Anti-Christian Bias” Task Force, we talk with Swedish humanist Christer Sturmark, author of the book To Light the Flame of Reason: Clear Thinking for the Twenty-First Century.
Send us a textWhat if modern economics has overlooked what truly makes us human?In this episode, Bart Wilson joins us to explore humanomics—an approach to economics that reintroduces meaning, culture, and moral judgment into how we understand economic behavior.We talk about how economists miss the mark by assuming too much about how rational we really are—and too little about what it means to be human.Wilson shares insights from his experimental work with non-human primates, showing how comparing monkey behavior to human decision-making can reveal deep truths about markets, cooperation, and fairness.We explore big questions all economists should grapple with: What is humanomics, and how does it challenge traditional models? What makes human goals different from animal instincts? Can monkeys and other animals help us understand moral behavior in economics?Bart Wilson is a professor of Economics and Law at Chapman University and the Director of the Smith Institute for Political Economy and Philosophy. He is the co-author (with Vernon Smith) of Humanomics and the author of Meaningful Economics. His research spans experimental economics, moral philosophy, and decision-making in both humans and non-human primates.Join us for a wide-ranging and thought-provoking conversation about the future of economics, human nature, and what monkeys can teach us about meaning.Want to explore more?Maria Pia Paganelli, "Humanomics: Moral Sentiments and Wealth of Nations for the Twenty-First Century," at Econlib.Vernon Smith on Markets and Experimental Economics, an EconTalk podcast.From the Shelf with Arnold Kling: Bart Wilson, Jack Hope, and Chris Martin, a discussion of Nichaol Raihani's The Social Instinct.Charles Noussair on Experimental Economics and Testing Institutions, a Great Antidote podcast.Support the showNever miss another AdamSmithWorks update.Follow us on Facebook, Twitter, and Instagram.
Tommy and Ben discuss El Salvadorian President Nayib Bukele's White House meeting with Trump and their coordinated assault on due process in America, the terrifying prospect of Trump sending American citizens to foreign prisons, Daniel Noboa's re-election in Ecuador, and disgraced military contractor Erik Prince's attempts to privatize and profit from right-wing autocracy. They also talk about Trump's failures to end the war in Ukraine, the administration's talks with Iran about its nuclear program and the fight to define what a successful Iran deal 2.0 could look like, and the anti-Trump effect on Australia and Canada's upcoming elections. Then, Tommy speaks to Josh Rogin, author of Chaos Under Heaven: Trump, Xi, and the Battle for the Twenty-First Century, about Trump's chaotic China policymaking in the first term and who in the administration is influencing his decision-making as he launches a massive trade war.
Dmitri Alperovitch, co-founder and chairman of Silverado Policy Accelerator, co-founder and former chief technology officer of cybersecurity firm CrowdStrike, and author of World on the Brink: How America Can Beat China in the Race for the Twenty-First Century, sits down with James M. Lindsay to discuss the geopolitical rivalry between China and the United States, its impact on U.S. interests, and how the United States should respond. Mentioned on the Episode: Dmitri Alperovitch, World on the Brink: How America Can Beat China in the Race for the Twenty-First Century Jeffrey Goldberg, "The Trump Administration Accidentally Texted Me Its War Plans," The Atlantic Admiral Samuel Paparo, "USINDOPACOM Commander Adresses Honolulu Defense Forum," February 14, 2025. For an episode transcript and show notes, visit The President's Inbox at: https://www.cfr.org/podcasts/tpi/confronting-china-challenge-dmitri-alperovitch
Donald Trump's America First policy has reignited a debate that has shaped U.S. history for centuries: Should America lead on the world stage, or should it pull back and focus on problems at home? In this episode, Hillari Lombard sits down with Charles Kupchan—senior fellow at the Council on Foreign Relations, professor at Georgetown, and author of Isolationism: A History of America's Efforts to Shield Itself from the World—to unpack the past, present, and future of American isolationism.This episode is a good-faith attempt to understand what America First really means—not just as a campaign slogan, but as a governing philosophy. Whether you support it, fear it, or are just trying to make sense of it, this is a conversation you won't want to miss.Resources that informed this episode:Isolationism: A History of America's Efforts to Shield Itself From the World | Council on Foreign RelationsSupporting Ukraine Is in Trump's Interest by Michael Froman & Charles A. Kupchan - Project SyndicateTrump Is Right That Pax Americana Is Over - The AtlanticThe Past and Future of American Isolationism | Council on Foreign Relations---Charles A. Kupchan is Professor of International Affairs in the School of Foreign Service and Government Department at Georgetown University, and Senior Fellow at the Council on Foreign Relations. From 2014 to 2017, Kupchan served as Special Assistant to the President and Senior Director for European Affairs on the National Security Council in the Obama White House. He was also Director for European Affairs on the National Security Council during the first Clinton administration. His most recent books are Anchoring the World: International Order in the Twenty-First Century (2021), Isolationism: A History of America's Efforts to Shield Itself from the World (2020), No One's World: The West, the Rising Rest, and the Coming Global Turn (2012), and How Enemies Become Friends: The Sources of Stable Peace (2010). His forthcoming book is Bringing Order to Anarchy: Governing the World To Come.
International trade is the topic du jour. Mark Thornton shares his recent presentation at the Austrian Economics Scholars Conference about a timely and important book featuring many of your favorite authors, Free Trade in the Twenty-First Century: Economic Theory and Political Reality.“Why Smart People Are Rightly Confused About Tariffs” (Unanimity Podcast): Mises.org/U4 "Tariff Increases vs. Tax Cuts" (Minor Issues Podcast): Mises.org/MI_107Free Trade in the Twenty-First Century: Economic Theory and Political Reality, edited by Max Rangeley and Daniel Hannan: Mises.org/MI_113_BookApril 26 in Phoenix, Arizona, Dr. Robert Malone, Tom Woods, and Tom DiLorenzo will discuss the psychological operations in bureaucratic control, the madness of covid-era “public health,” and the corruption and hypocrisy of our federal bureaucracy. Enter for your chance to win a free ticket at https://mises.org/phoenixraffle25. The deadline is April 1. Winners will be announced the week of April 7.Be sure to follow Minor Issues at Mises.org/MinorIssues
In this episode, we get into what's driving the Indo-Pacific's security dynamics, from China's threats to Taiwan to AUKUS and the Quad to stability (or lack thereof) on the Korean Peninsula to bases in the Philippines. We also touch on how prepared the United States may be to deliver military power in the Indo-Pacific based on forthcoming resourcing decisions by the Trump administration and Congress. Get ready for a smart, insightful conversation you won't want to miss with Lisa Curtis (CNAS), Zack Cooper (AEI), and Dmitri Alperovitch (Silverado). Cooper has a great new book out called Tides of Fortune: The Rise and Decline of Great Militaries (https://a.co/d/cP4OPgU). And so does Alperovitch, who wrote World on the Brink: How America Can Beat China in the Race for the Twenty-First Century (https://a.co/d/eUDRdlF) with Garrett M. Graff.
With special guest: Steve Biddulph AM… in conversation with Bill Kable It was hard enough to raise boys in the 20th Century. What are the new challenges facing parents who want to raise their sons to be the open-hearted, kind and strong men they can be? Our guest today has revised and updated his classic parenting book released in 1997, a book that is found in over three million homes around the world. There is a lot of new information and surprising research for Steve to draw on in his new book Raising Boys in the Twenty-first Century. There is a new understanding of hormonal changes as boys turn into men, changes that mean the age from 6 to 14 is when fathers count the most. We know the world is in a lot of trouble and in many ways we have failed our boys. The suggestion from Steve to counter that failing is the most important part of his book and very simple. Dads or Dad figures simply need to spend some time, to just be around their boys particularly when they are between the ages of 6 and 14. Modelling is vitally important even if the role model doesn’t know he is doing it. Podcast (mp3)
Professor Eric Kaufmann discuss the evolution and future of woke, noting its peak and potential resurgence. It was not in fact ended by the reelection of Donald Trump, he argues, and in this interview explains why. Kaufmann argues that woke-ism, characterised by the sacralisation of marginalised groups, has seen a decline in corporate and educational practices but remains strong among younger generations. Will there be new versions of BLM, MeToo, Antifa as a reaction to Trump's second term? Are we already seeing it in response to Elon Musk, with the targeting of Tesla?Eric and Winston explore the concept of national identity in the era of “diversity is our greatest strength”. What is the truth about ethnonationaolsm? Is former Prime Minister Rishi Sunak English? They also explore the impact of immigration on social cohesion, and national identity.He notes that cultural debates, such as those over free speech and diversity, are a secondary response to populism. And that populism is a response to mass migration, Islam, LGBT and feminist issues.Eric Peter Kaufmann is a Canadian professor of politics at the University of Buckingham. He is author of several books including: ‘The Rise and Fall of Anglo-America: The Decline of Dominant Ethnicity in the United States', ‘Shall the Religious Inherit the Earth?: Demography and Politics in the Twenty-First Century', ‘Whiteshift: Populism, Immigration, and the Future of White Majorities' and ‘The Third Awokening'-----------------------------------------------------------------------------------------------------------------------To see more exclusive content and interviews consider subscribing to my substack here: https://www.winstonmarshall.co.uk/-----------------------------------------------------------------------------------------------------------------------FOLLOW ME ON SOCIAL MEDIA:Substack: https://www.winstonmarshall.co.uk/X: https://twitter.com/mrwinmarshallInsta: https://www.instagram.com/winstonmarshallLinktree: https://linktr.ee/winstonmarshall----------------------------------------------------------------------------------------------------------------------Chapters0:00 The End of Wokeism and Its Implications5:41 The Persistence of Woke Ideas10:39 The Role of Social Media in Shaping Woke Ideas26:17 The Future of Wokeism and The Complexity of National Identity40:14 The Role of Ethnicity and Religion in National Identity59:58 The Impact of Immigration on National Identity1:00:18 The Challenges of Integration and Assimilation1:05:46 The Future of Wokeism and National Identity1:08:01 Populism and Wokeness1:10:33 Cultural Wars and Diversity1:12:08 Closing thoughts Hosted on Acast. See acast.com/privacy for more information.
This week, the Sun conjoins the North Node and Neptune, then enters its Aries Season and the equinox. Venus comes together with Pluto and with the Sun to explore what's truly essential and joyful. The Capricorn Last Quarter Moon calls for an examination of what we've accomplished during this lunar cycle and how to reach the finish line successfully. And April offers a mini-lesson on the Venus Star Point. Plus: Delicious cazimi, becoming what we idealize, and a personal Venus story of love and music! Read a full transcript of this episode. Learn about April's personalized eclipse report! Have a question you'd like answered on the show? Email April or leave it here! Subscribe to April's mailing list and get a free lunar workbook at each New Moon! Love the show? Make a donation! Timestamps [1:19] The Sun conjoins the Moon's North Node (March 17, 11:03 am PDT) at 27º23' Pisces on Sabian symbol 28 Pisces, A fertile garden under the Full Moon. In this week between eclipses, recommit to taking a step toward what's important to you. [2:58] The Sun conjoins Neptune on March 19 (4:25 pm PDT) at 29º36' Pisces on the Sabian symbol 30 Pisces, A rock formation like a face is idealized by a boy who, as he grows up, begins to look like it. This transit reminds us that no one has all the answers, and we're responsible for making something of our lives and our world. [5:35] On March 20 (2:01 am PDT), the Sun enters Aries (through April 19). This marks the vernal equinox in the Northern Hemisphere and the autumnal equinox in the Southern Hemisphere. The Aries Ingress chart is used by astrologers to cast a chart, using the capital of their country, to get a feel for what the upcoming year could look like. (Astrologers Nina Gryphon and Wade Caves were mentioned.) Aries is the opening of the new astrological year and is the sign that's closely associated with all new enterprises. [8:58] Venus sextiles Pluto (March 21, 2:32 pm PDT) at 03º22' Aries-Aquarius. The Sabian symbol for Venus is 4 Aries, two lovers strolling through a secluded walk, and Pluto is on 4 Aquarius, a Hindu healer. The challenge is to reconcile how to love life and people, even though we know that they're not perfect and will not last forever. Measure the importance of financial matters against the importance of relationships. [11:44] Moon Report! The Capricorn Last Quarter Moon is on March 22 (4:29 am PDT) at 02º05' Capricorn and Aries. Time to complete projects from the Pisces New Moon (Feb. 27). The Moon is on the Sabian symbol 3 Capricorn, The human soul receptive to growth and understanding. [14:00] Lunar Phase Family Cycle (LPFC). This is the Last Quarter in an LPFC that began with a New Moon at 01º32' Capricorn on Dec. 23, 2022. The First Quarter Moon in this LPFC was on Sep. 22, 2023, and the Full Moon was on June 21, 2024. Don't back away from your wishes, dreams and ambitions. [15:49] Void-of-Course (VOC) Moon Periods. On March 19 (12:28 pm PDT), the Moon in Scorpio makes a trine to Neptune. It's VOC for only 49 minutes and then enters Sagittarius (1:17 pm PDT). Use this VOC period to practice tapping into your intuition. [17:54] On March 21 (11:53 pm PDT), the Moon in Sagittarius squares Neptune. The Moon is VOC for only 36 minutes, then enters Capricorn on March 22 (12:29 am PDT). Accept whatever truths come your way instead of spiraling down a path of gloom and doom. [19:13] The Sun and Venus come together in a conjunction on March 22 (6:07 pm PDT) at 02º39' Aries. This conjunction is called the Venus Star Point. It's a powerful day to manifest the situations and relationships that are truly in line with your heart and values. You may gain insight into an important relationship. [21:11] The Sun sextiles Pluto at 3º24' Aries-Aquarius (March 23, 12:32 pm PDT). This transit reinforces a message of accepting yourself exactly the way you are. [23:11] Mini-Lesson: The Venus Star Point. Check out Arielle Guttman's book, Venus Star Rising: A New Cosmology for the Twenty-First Century. Here is a link to Guttman's page that has the PDF to find your Venus Star Point. This episode of The Astrology Podcast is a great resource as well. [28:42] If you'd like to have a question answered on a future episode, leave a message of one minute or less at speakpipe.com/bigskyastrologypodcast or email april (at) bigskyastrology (dot) com; put “Podcast Question” in the subject line. Free ways to support the podcast: Subscribe, like, review and share with a friend! [29:13] A tribute to this week's donors! If you would like to support the show and receive access to April's special donors-only videos, go to BigSkyAstropod.com and contribute $10 or more. You can make a one-time donation in any amount or become an ongoing monthly contributor.
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
What a breath of fresh air it is to find an academic as passionate about discussing the adaptations of Tolkien works, as he is about Tolkien’s books! Today, on Mythmakers, in this wide-ranging interview, Julia Golding meets with Professor Nick Groom to discuss his book Twenty-First Century Tolkien. In the first part of their discussion, Nick provided a serious literary critical attention to The Lord of the Rings before moving on to explore its various adaptations. If you’ve not heard of it, you may be intrigued—perhaps even shocked—by the unmade John Boorman treatment, as well as the strengths and weaknesses of the others, including Ralph Bakshi’s animated film, the BBC audio drama, as well as Peter Jackson’s films, The Rings of Power, and The War of the Rohirrim. Join us for Part 2 of this fascinating dialog. (00:06) Adapting Tolkien(16:31) Exploring Adaptations of Tolkien's Works(24:05) Examining Rings of Power Adaptations(32:05) Fantasy Adaptations and Lockdown Worlds For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok
The Creative Process in 10 minutes or less · Arts, Culture & Society
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
How has feminism changed in light of the way we live now?DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships.MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women's experiences.SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.Listen to full interviewsEpisode Websitewww.creativeprocess.info/podIG:@creativeprocesspodcast
What a breath of fresh air it is to find an academic as passionate about discussing the adaptations of Tolkien works, as he is about Tolkien’s books! Today, on Mythmakers, in this wide-ranging interview, Julia Golding meets with Professor Nick Groom to discuss his book Twenty-First Century Tolkien. In the first part of their discussion, Nick provides a serious literary critical attention to The Lord of the Rings before moving on to explore its various adaptations. If you’ve not heard of it, you may be intrigued—perhaps even shocked—by the unmade John Boorman treatment, as well as the strengths and weaknesses of the others, including Ralph Bakshi’s animated film, the BBC audio drama, as well as Peter Jackson’s films, The Rings of Power, and The War of the Rohirrim. Join us for Part 1 of this fascinating dialog. (00:05) Author's Analysis of "Flight to the Ford"(14:06) Paths of Hope and History For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok
Welcome to episode 2 of Art21 x The Art Career: Behind the Lens—a series dedicated to the curators and filmmakers who create the magic behind Art21's iconic documentaries and publications. Art21 is the world's leading source to learn directly from the artists of our time.In this episode, host Emily McElwreath sits down with Senior Producer for Art21, Ian Forster.As a producer and director, Ian Forster creates documentary content for Art21's various digital and broadcast programs. Since joining the organization in 2009, he has worked on six seasons of Art in the Twenty-First Century, most recently directing and producing “London” from the tenth season and “Johannesburg” from the ninth season. Additionally, he worked on the Peabody Award-winning film William Kentridge: Anything Is Possible and has overseen the digital series Extended Play since 2012, producing over 100 short artist portraits. Forster created the online video series Artist to Artist in 2013, which featured artists in conversation with their peers at international biennials.His films have screened at festivals internationally, including DC Shorts, DOC NYC, and Artecinema, and have been honored with a Vimeo Staff Pick and as a Webby Award Honoree. He graduated from the Newhouse School at Syracuse University with a B.S. in Television, Radio, and Film.About Behind the LensThis season, we're spotlighting the often-unsung visionaries—curators and filmmakers—who shape the stories behind today's most influential contemporary artists. Behind the Lens offers a rare glimpse into how Art21's groundbreaking films and publications come to life, bridging the gap between artists and audiences.About Art21Art21 is a celebrated nonprofit organization dedicated to inspiring a more creative world through the works and words of contemporary artists. Through their award-winning documentary series, educational programs, and digital resources, Art21 brings audiences closer to today's leading artists and their processes. Learn more at art21.org. Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here: Download NowLinks: theartcareer.comArt21 – Art21Follow Ian: https://www.instagram.com/ianjforster/Follow us: @theartcareerHost: @emilymcelwreath_artProduction + Creative Direction @soniaruscoeEditing: @benjamin.galloway Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at theartcareer.com Never miss an episode! Subscribe & leave us a review on Apple Podcasts & Spotify
Author Jason Schnittker discusses the article, "The Sociology of Mental Health and the Twenty-First-Century Mental Health Crisis," published in the March 2025 issue of Society and Mental Health.
Christopher talks with religious studies teacher and boarding houseparent Rebecca Paterson about the role faith continues to play in the lives of our young people and those called to teach them.
In The Corporation in the Twenty-First Century: Why (Almost) Everything We Are Told About Business Is Wrong, John Kay provides a novel perspective on the evolution of the contemporary corporation.One of the UK's leading economists, Kay is a fellow of St John's College, Oxford. He was the first dean of Oxford's Saïd Business School and has held chairs at London Business School, the University of Oxford, and the London School of Economics and director of the Institute for Fiscal Studies.In his conversation with Martin Reeves, chairman of the BCG Henderson Institute, Kay discusses the essence of the modern corporation, the changing relationship of capital and labour, the gap between the our historic concept of the corporation and the current reality and the forces that have and will further shape the corporation including sustainability, geopolitics, and technology.Key topics discussed: 01:56 | The essence of a 21st century corporation05:53 | The changing roles of workers and capital12:26 | Limits to corporate scale16:00 | Forces that will shape the future of corporations sustainability, geopolitics, technology21:50 | The impact of AI on the nature of the corporation24:12 | Implications for managersAdditional inspirations from John Kay:Radical Uncertainty: Decision-Making Beyond the Numbers (W.W. Norton & Company, 2020)The Long and the Short of It: A guide to finance and investment for normally intelligent people who aren't in the industry (IPS - Profile Books, 2016)Other People's Money: The Real Business of Finance (PublicAffairs, 2015)Obliquity: Why Our Goals Are Best Achieved Indirectly (Profile Books GB, 2011)
With a career in a stable industry and a solid plan for retirement, Matthew Rutledge's father expected to retire on his own terms. But when he was suddenly laid off at 59, the financial impact was crushing. Watching his father struggle to bounce back at that stage of life made Matt realize how fragile retirement security really is, even for those who plan ahead. Now, he researches why millions of people are working longer but still struggling to retire and what we can do to fix it.Matthew Rutledge is a leading researcher on labor markets and retirement security at the Center for Retirement Research at Boston College. His work examines how automation, job loss, and shifts in economic policy affect financial stability for older workers.In this episode, Dart and Matt discuss:- The job loss that shook Matt's father- How pensions disappeared and left workers exposed- Are 401(k)s a risky bet or a safety net?- The brutal financial shock of widowhood- The long-term care crisis no one sees coming- Why Social Security won't be enough- Job benefits that keep workers stuck- What Europe does right about retirement- How career loyalty no longer pays off- How to safeguard your retirement savings- And other topics…Matthew S. Rutledge is an economist at the Center for Retirement Research at Boston College, where he focuses on retirement security and the shifting realities of work in the modern economy. His research has shed light on the long-term effects of economic downturns on Social Security and older workers, revealing hidden vulnerabilities in the retirement system. He has also explored how automation is pushing older workers into non-traditional jobs and reshaping career trajectories. Matt's work frequently appears in academic journals, policy reports, and media discussions on the future of retirement.Resources Mentioned:Nomadland: Surviving America in the Twenty-First Century, by Jessica Bruder: https://www.amazon.com/Nomadland-Surviving-America-Twenty-First-Century/dp/039324931XNomadland, directed by Chloé Zhao: https://www.imdb.com/title/tt9770150/Connect with Matt:LinkedIn: https://www.linkedin.com/in/matt-rutledge-84a4964/Twitter: https://twitter.com/matt_rutledge/Work with Dart:Dart is the CEO and co-founder of the work design firm 11fold. Build work that makes employees feel alive, connected to their work, and focused on what's most important to the business. Book a call at 11fold.com.
David Betz, Professor of War in the Modern World at King's College London and author of The Guarded Age: Fortification in the Twenty-First Century, joins the show to discuss how fortification is alive, well, and everywhere. ▪️ Times • 01:22 Introduction • 01:53 A default condition • 13:20 Why is that there? • 22:13 Alexandrian foundations • 28:50 Security and mobility • 39:53 The pendulum swings • 48:54 Intrigue Follow along on Instagram, X @schoolofwarpod, and YouTube @SchoolofWarPodcast Find a transcript of today's episode on our School of War Substack
David K. Bernard clarifies what it means for a local church to be affiliated with the United Pentecostal Church International. Does affiliation give the UPCI control over a church's pastor or property? What about voting membership and adherence to the UPCI Articles of Faith? Hear the answers to these important questions and learn about the benefits and process of becoming an affiliated UPCI church.Check out the following resources for more on this topic:The Apostolic Church in the Twenty-First Century by Dr. David K. Bernard The official UPCI position paper "Church Government"Visit PentecostalPublishing.com to shop Dr. Bernard's full catalog of published works. Enter promo code DKB10 at checkout to save 10 percent on your order.If you enjoy this podcast, leave a five-star rating and a review on iTunes or your preferred podcast platform. We also appreciate it when you share Apostolic Life in the 21st Century with family and friends.
A reality of our contemporary time, is the American President is increasingly acting as an Emperor. This interview explores the evolution of the imperial presidency, the implications of increased executive power, and a look behind the scenes of the West Wing in how it plays out in the day to day. We also get tangible examples of what can be done to improve the structural gaps existing in the constitution to stop an increased scope of the Executive. Yale Law Professor & Author Harold Koh joins the podcast to give us the context from his book highlighting the state of the Executive, "The National Security Constitution in the Twenty-First Century" With Harold we get into, the role of Congress and the courts, and the systemic dysfunction that has led to a concentration of power in the executive branch, ethical considerations of governance and the future of executive power in the United States. We also get into the evolution of executive power in the United States, examining how historical events have shaped the current political landscape. (0:00) - America as an Empire: Historical Context (3:24) - The Imperial Presidency: Evolution of Power (6:26) - The Role of Congress and the Courts (9:41) - Crisis and the Shift of Power (12:28) - The Synergistic Dysfunction of Government (16:57) - The Consequences of Centralized Power (21:02) - The National Security Constitution: A Historical Perspective (26:44) - The Future of Executive Power (30:08) - The Ethics of Power and Governance (36:19) - Shifting Standards in Politics (38:23) - Historical Context of Executive Power (41:14) - The Pendulum of Presidential Authority (43:44) - The Guantanamo Dilemma (45:12) - The Threat Landscape: Terrorism vs. Pandemics (46:41) - Concerns Over Unilateral Executive Powers (51:31) - The Need for Structural Reforms (54:48) - Checks and Balances in the Executive Branch (1:00:23) - Learning from Global Examples (1:05:36) - The Role of Citizens in Democracy (1:10:52) - Activism and Resilience Against Authoritarianism
This hour we take a look at the history and evolution of chapters, and discuss how they impact our reading experiences. GUESTS: Nicholas Dames: Professor in the Department of English and Comparative Literature at Columbia University, where he studies the history and theory of the novel. His new book is The Chapter: A Segmented History from Antiquity to the Twenty-First Century. He is also co-editor in chief of Public Books Rebecca Makkai: Author of the Pulitzer Prize and National Book Award Finalist The Great Believers, among other books. Her latest book is I Have Some Questions For You. She is artistic director of StoryStudio Chicago Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Links: Near and Far Waters: The Geopolitics of Seapower by Colin Flint, (Stanford University Press, 2024). Seapower: A Guide for the Twenty-First Century by Geoffrey Till, 4th Edition, (Routledge, 2018). Bio: https://chass.usu.edu/political-science/directory/flint-colinEmail:colin.flint@usu.edu
In this episode, I interviewed Philip Shepherd. Philip is the author of “New Self, New World: Recovering Our Senses in the Twenty-First Century.” He leads workshops internationally on the art of embodiment. During the podcast, we spoke about embodiment, the body's three brains, and his workshops centered on reconnecting with one's being.Support the showConnect with Inner Peace Yoga Therapy Email us: info@innerpeaceyogatherapy.com Website Instagram Facebook
In this extended episode, editor, writer and curator of photography Bill Shapiro, art director, creative director and lecturer Fiona Hayes and UNP founder and curator Grant Scott look back on 2024 and forward to 2025 whilst reflecting on photo exhibitions, books, social media, publishing and the expectations of the Twenty First Century photographer. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. She currently divides her time between design consultancy for commercial clients, and lecturing. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography (Under-Graduate and Post-Graduate) at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2025
Dr. David K. Bernard shares practical advice on how leaders can get things done during the busiest seasons of life and ministry. Dr. Bernard's advice and insights are applicable to any leader who wants to be efficient and effective in the coming year.For more on this topic, see Dr. Bernard's book Spiritual Leadership in the Twenty-First Century, available at PentecostalPublishing.com. Enter promo code DKB10 at checkout to save 10 percent on your order.If you enjoy this podcast, leave a five-star rating and a review on iTunes or your preferred podcast platform. We also appreciate it when you share Apostolic Life in the 21st Century with family and friends.
On the 20th anniversary of the Boxing Day Tsunami, Dr. Stephen Phillips discusses the U.S. Navy's humanitarian response, Operation Unified Assistance, with Dr. John Sherwood. This and other humanitarian responses are discussed in great detail in Sherwood's book, A Global Force for Good: Sea Services Humanitarian Operations in the Twenty-First Century.
We listen back on more than a dozen guests from conversations across 2024. Guests (in order): Fabian Hinz, research fellow at the International Institute for Strategic Studies; Bruce Hoffman, senior fellow for counterterrorism and homeland security at the Council on Foreign Relations, and co-author of "God, Guns, and Sedition: Far-Right Terrorism in America"; Karolina Hird, analyst and Russia Deputy Team Lead at the Institute for the Study of War; Elliot Ackerman, co-author of "2054: A Novel"; Mackenzie Eaglen, senior fellow at the American Enterprise Institute, where she works on defense strategy, defense budgets, and military readiness; Ankit Panda, Stanton Senior Fellow in the Nuclear Policy Program at the Carnegie Endowment for International Peace; Chris Blattman, economist, political scientist, and Ramalee E. Pearson Professor of Global Conflict Studies at the University of Chicago, and author of the 2022 book, "Why We Fight: The Roots of War and the Paths to Peace"; Mick Ryan, retired Australian Army major general, strategist, and author of “White Sun War: The Campaign for Taiwan"; Dmitri Alperovitch, chairman of the Silverado Policy Accelerator, a geopolitics think-tank in Washington, and author of “World on the Brink: How America Can Beat China in the Race for the Twenty-First Century"; Sam Skove, former Defense One staff writer; Mark Montgomery, a retired U.S. Navy rear admiral, is a senior fellow at the Foundation for Defense of Democracies in Washington and senior director of FDD's Center on Cyber and Technology Innovation; Peter Tamte, founder and CEO of Victura; And Brent Sadler, retired Navy captain and senior research fellow at the Heritage Foundation.
“What are you going through?” This was one of the central animating questions in Simone Weil's thought that pushed her beyond philosophy into action. Weil believed that genuinely asking this question of the other, particularly the afflicted other, then truly listening and prayerfully attending, would move us toward an enactment of justice and love.Simone Weil believed that any suffering that can be ameliorated, should be.In this episode, Part 2 of our short series on How to Read Simone Weil, Cynthia Wallace (Associate Professor of English at St. Thomas More College at the University of Saskatchewan), and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of Religion and Evan Rosa discuss the risky self-giving way of Simone Weil; her incredible literary influence, particularly on late 20th century feminist writers; the possibility of redemptive suffering; the morally complicated territory of self-sacrificial care and the way that has traditionally fallen to women and minorities; what it means to make room and practicing hospitality for the afflicted other; hunger; the beauty of vulnerability; and that grounding question for Simone Weil political ethics, “What are you going through?”We're in our second episode of a short series exploring How to Read Simone Weil. She's the author of Gravity and Grace, The Need for Roots, and Waiting for God—among many other essays, letters, and notes—and a deep and lasting influence that continues today.In this series, we're exploring Simone Weil the Mystic, Simone Weil the Activist, Simone Weil the Existentialist. And what we'll see is that so much of her spiritual, political, and philosophical life, are deeply unified in her way of being and living and dying.And on that note, before we go any further, I need to issue a correction from our previous episode in which I erroneously stated that Weil died in France. And I want to thank subscriber and listener Michael for writing and correcting me.Actually she died in England in 1943, having ambivalently fled France in 1942 when it was already under Nazi occupation—first to New York, then to London to work with the Free French movement and be closer to her home.And as I went back to fix my research, I began to realize just how important her place of death was. She died in a nursing home outside London. In Kent, Ashford to be precise. She had become very sick, and in August 1943 was moved to the Grosvenor Sanitorium.The manner and location of her death matter because it's arguable that her death by heart failure was not a self-starving suicide (as the coroner reported), but rather, her inability to eat was a complication rising from tuberculosis, combined with her practice of eating no more than the meager rations her fellow Frenchmen lived on under Nazi occupation.Her biographer Richard Rees wrote: "As for her death, whatever explanation one may give of it will amount in the end to saying that she died of love.In going back over the details of her death, I found a 1977 New York Times article by Elizabeth Hardwick, and I'll quote at length, as it offers a very fitting entry into this week's episode on her life of action, solidarity, and identification with and attention to the affliction of others.“Simone Weil, one of the most brilliant, and original minds of 20th century France, died at the age of 34 in a nursing home near London. The coroner issued a verdict of suicide, due to voluntary starvation—an action undertaken at least in part out of wish not to eat more than the rations given her compatriots in France under the German occupation. The year of her death was 1943.“The willed deprivation of her last period was not new; indeed refusal seems to have been a part of her character since infancy. What sets her apart from our current ascetics with their practice of transcendental meditation, diet, vegetarianism, ashram simplicities, yoga is that with them the deprivations and rigors‐are undergone for the pay‐off—for tranquility, for thinness, for the hope of a long life—or frequently, it seems, to fill the hole of emptiness so painful to the narcissist. With Simone Well it was entirely the opposite.“It was her wish, or her need, to undergo misery, affliction and deprivation because such had been the lot of mankind throughout history. Her wish was not to feel better, but to honor the sufferings of the lowest. Thus around 1935, when she was 25 years old, this woman of transcendent intellectual gifts and the widest learning, already very frail and suffering from severe headaches, was determined to undertake a year of work in a factory. The factories, the assembly lines, were then the modem equivalent of “slavery,” and she survived in her own words as “forever a slave.” What she went through at the factory “marked me in so lasting a manner that still today when any human being, whoever he may be and in whatever circumstances, speaks to me without brutality, I cannot help having the impression teat there must be a mistake....”[Her contemporary] “Simone de Beauvoir tells of meeting her when they were preparing for examinations to enter a prestigious private school. ‘She intrigued me because of her great reputation for intelligence and her bizarre outfits. ... A great famine had broken out in China, and I was told that when she heard the news she had wept. . . . I envied her for having a heart that could beat round the world.'“In London her health vanished, even though the great amount of writing she did right up to the time she went to the hospital must have come from those energies of the dying we do not understand—the energies of certain chosen dying ones, that is. Her behavior in the hospital, her refusal and by now her Inability to eat, vexed and bewildered the staff. Her sense of personal accountability to the world's suffering had reached farther than sense could follow.”Last week, we heard from Eric Springsted, one of the co-founders of the American Weil Society and author of Simone Weil for the Twenty-First Century.Next week, we'll explore Simone Weil the Existentialist—with philosopher Deborah Casewell, author of Monotheism & Existentialism and Co-Director of the Simone Weil Research Network in the UK.But this week we're looking at Simone Weil the Activist—her perspectives on redemptive suffering, her longing for justice, and her lasting influence on feminist writers. With me is Cynthia Wallace, associate professor of English at St. Thomas More College at the University of Saskatchewan, and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of Religion.This is unique because it's learning how to read Simone Weil from some of her closest readers and those she influenced, including poets and writers such as Adrienne Rich, Denise Levertov, and Annie Dillard.About Cynthia WallaceCynthia Wallace is Associate Professor of English at St. Thomas More College at the University of Saskatchewan, and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of Religion, as well as **Of Women Borne: A Literary Ethics of Suffering.About Simone WeilSimone Weil (1909–1943) was a French philosopher, mystic, and political activist. She's the author of Gravity and Grace, The Need for Roots, and Waiting for God—among many other essays, letters, and notes.Show NotesCynthia Wallace (Associate Professor of English at St. Thomas More College at the University of Saskatchewan), and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of ReligionElizabeth Hardwick, “A woman of transcendent intellect who assumed the sufferings of humanity” (New York Times, Jan 23, 1977)Of Women Borne: A Literary Ethics of SufferingThe hard work of productive tensionSimone Weil on homework: “Reflections on the Right Use of School Studies with a View to the Love of God”Open, patient, receptive waiting in school studies — same skill as prayer“What are you going through?” Then you listen.Union organizerWaiting for God and Gravity & GraceVulnerability and tendernessJustice and Feminism, and “making room for the other”Denise Levertov's ”Mass for the Day of St. Thomas Didymus”“Levertov wrote herself into Catholic conversion”“after pages and pages of struggle, she finally says: “So be it. Come rag of pungent quiverings, dim star, let's try if something human still can shield you, spark of remote light.”“And so she argues that God isn't particularly active in the world that we have, except for when we open ourselves to these chances of divine encounter.”“ Her imagination of God is different from how I think a lot of contemporary Western people think about an all powerful, all knowing God. Vae thinks about God as having done exactly what she's asking us to do, which is to make room for the other to exist in a way that requires us to give up power.”Exploiting self-emptying, particularly of women“Exposing the degree to which women have been disproportionately expected to sacrifice themselves.”Disproportionate self-sacrifice of women and in particular women of colorAdrienne Rich, Of Woman Borne: ethics that care for the otherThe distinction between suffering and afflictionAdrienne Rich's poem, “Hunger”Embodiment“ You have to follow both sides to the kind of limit of their capacity for thought, and then see what you find in that untidy both-and-ness.”Annie Dillard's expansive attentivenessPilgrim at Tinker Creek and attending to the world: “ to bear witness to the world in a way that tells the truth about what is brutal in the world, while also telling the truth about what is glorious in the world.”“She's suspicious of our imaginations because she doesn't want us to distract ourselves from contemplating the void.”Dillard, For the Time Being (1999) on natural evil and injusticeGoing from attention to creation“Reading writers writing about writing”Joan Didion: “I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means, what I want and what I fear.”Writing as both creation and discoveryFriendship and “ we let the other person be who they are instead of trying to make them who we want them to be.”The joy of creativity—pleasure and desire“ Simone Weil argues that suffering that can be ameliorated should be.”“ What is possible through shared practices of attention?”The beauty of vulnerability and the blossoms of fruit trees“What it takes for us to be fed”Need for ourselves, each other, and the divineProduction NotesThis podcast featured Cynthia WallaceEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Emily Brookfield, Liz Vukovic, and Kacie BarrettA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
This episode is the first of a short series exploring How to Read Simone Weil. The author of Gravity and Grace, The Need for Roots, and Waiting for God—among many other essays, letters, and notes, Weil has been an inspiration to philosophers, poets, priests, and politicians for the last century—almost all of it after her untimely death. She understood, perhaps more than many other armchair philosophers from the same period, the risk of philosophy—the demands it made on a human life.In this series, we'll feature three guests who look at this magnificent and mysterious thinker in interesting and refreshing, and theologically and morally challenging ways.We'll look at Simone Weil the Mystic, Simone Weil the Activist, Simone Weil the Existentialist.First we'll be hearing from Eric Springsted, a co-founder of the American Weil Society and its long-time president—who wrote Simone Weil: Late Philosophical Writings and Simone Weil for the Twenty-First Century.In this conversation, Eric O. Springsted and Evan Rosa discuss Simone Weil's personal biography, intellectual life, and the nature of her spiritual and religious and moral ideas; pursuing philosophy as a way of life; her encounter with Christ, affliction, and mystery; her views on attention and prayer; her concept of the void, and the call to self-emptying; and much more.About Simone WeilSimone Weil (1909–1943) was a French philosopher, mystic, and political activist. She's the author of Gravity and Grace, The Need for Roots, and Waiting for God—among many other essays, letters, and notes.About Eric O. SpringstedEric O. Springsted is the co-founder of the American Weil Society and served as its president for thirty-three years. After a career as a teacher, scholar, and pastor, he is retired and lives in Santa Fe, NM. He is the author and editor of a dozen previous books, including Simone Weil: Late Philosophical Writings and Simone Weil for the Twenty-First Century.Show NotesEric O. Springsted's Simone Weil for the Twenty-First CenturyHow to get hooked on Simone Weil“All poets are exiles.”Andre WeilEmile ChartierTaking ideas seriously enough to impact your lifeWeil's critique of Marxism: “Reflections on the Cause of Liberty and Social Oppression”: ”an attempt to try and figure out how there can be freedom and dignity in human labor and action”“Unfortunately she found affliction.”Ludwig Wittgenstein: “Philosophy is a matter of working on yourself.”Philosophy “isn't simply objective. It's a matter of personal morality as well.””Not only is the unexamined life not worth living, but virtue and intellect go hand in hand. Yeah. You don't have one without the other.”An experiment in how work and labor is doneThe demeaning and inherently degrading nature of factory workChristianity as “the religion of slaves.”Christianity can't take away suffering; but it can take away the meaninglessness.George Herbert: “Love bade me welcome / But my soul drew back guilty of dust and sin”Weil's vision/visit of Christ during Holy Week in Solemn, France: “It was like the smile on a beloved face.”The role of mysteryWeil's definition of mystery: ”What she felt mystery was, and she gets a definition of it, it's when two necessary lines of thought cross and are irreconcilable, yet if you suppress one of them, somehow light is lost.”Her point is that whatever good comes out of this personal contact with Christ, does not erase the evil of the suffering.What is “involvement in contradiction”“She thought contradiction was an inescapable mark of truth.”Contradictions that shed light on life.Why mysticism is important for Weil: “The universe cannot be put into a box with techniques or tricks or our own scientific methods or philosophical methods. … Mystery instills humility and it takes the question of the knowing ego out of the picture. … And it challenges modern society to resist the idea that faith could be reduced to a dogmatic system.”“Faith is not a matter of the intellect.”“Intellect is not the highest faculty. Love is.”“The Right Use of School Studies”“Muscular effort of attention”She wanted to convert her Dominican priest friend into the universality of grace—that Plato was a pre-Chrisitan.” (e.g., her essay, “ Intimations of Christianity Among the Ancient Greeks”)“Grace is universal.”How school studies contribute to the love of GodPrayer as attentionWeil on Attention: “Attention consists of suspending our thought, leaving it detached, empty, and ready to be penetrated by the object. It means holding in our minds within the reach of this thought, but on the lower level and not in contact with it. The diverse knowledge we have acquired. Which we are forced to make use of. Above all our thought should be empty waiting, not seeking anything but ready to receive in its naked truth. The object that is to penetrate it.”Not “detached,” but “available and ready for use”Making space for the afflicted other by “attending” to themLove that isn't compensatory“The void as a space where love can go”What is prayer for Simone Weil?Prayer as listening all night long“Voiding oneself of secondary desires and letting oneself be spoken to.”Is Simone Weil “ a self-abnegating, melancholy revolutionary” (Leon Trotsky)Humility in Simone Weil“The Terrible Prayer”Was Simone Weil anorexic?Refusing comfort on the grounds of solidaritySelf-emptying and graceAccepting the entire creation as God's willSimone Weil on patience and waiting“With time, attention blooms into waiting.”“She's resistant to the Church, but drawing from Christ's self-emptying.”God's withdrawal from the world (which is not deism)“A sacramental view of the world”“ The very creation of the world is by this withdrawal and simultaneous crucifixion of the sun in time and space.”(Obsessive) pursuit of purity in morals and thoughtIris Murdoch's The Nice and the Good“Nothing productive needs to come from this effort.”“ She put her finger on what's really the heart of Christian spirituality. … We live by the Word … by our being open to listening to the Word and having that transformed into God's word.”Production NotesThis podcast featured Eric O. SpringstedEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Emily Brookfield, Alexa Rollow, Zoë Halaban, & Kacie BarrettA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
Neil deGrasse Tyson (astrophysicist, “StarTalk” podcast host, and author, “Merlin's Tour of the Universe, Revised and Updated for the Twenty-First Century”) joins Chris Cuomo to discuss how science and critical thinking can help us navigate today's divided world. Tyson delves into the promise and challenges of self-driving cars, the potential dangers of artificial intelligence, and how misinformation thrives in a world dominated by social media. From the history of technological innovation to questions about whether humanity is losing its sense of wonder, Tyson emphasizes the importance of rational thought in solving today's most pressing problems and building a better future. Follow and subscribe to The Chris Cuomo Project on Apple Podcasts, Spotify, and YouTube for new episodes every Tuesday and Thursday: https://linktr.ee/cuomoproject Join Chris Ad-Free On Substack: http://thechriscuomoproject.substack.com Support our sponsors: AG1 Every week of November, AG1 will be running a special Black Friday over for a free gift with your first subscription, in addition to the Welcome Kit with Vitamin D3+K2. So make sure to check out. DrinkAG1.com/ccp to see what gift you can get this week! Select Quote Get the right life insurance for YOU, for LESS, at SELECT QUOTE DOT COM SLASH CHRISC to get started RadioActive Media TEXT CHRIS TO 511511 OR ON THE WEB AT RADIOACTIVEMEDIA.COM. TEXT RATES MAY APPLY. Ground News Go to http://groundnews.com/chris to get 40% off the unlimited access Vantage plan. Learn more about your ad choices. Visit megaphone.fm/adchoices
Merriam-Webster's Word of the Day for November 18, 2024 is: denigrate • DEN-ih-grayt • verb To denigrate someone is to criticize them heavily and often unfairly. Denigrate can also mean "to make something seem less important or valuable." // Her essay denigrates her mentor as a person and as a teacher. // Though initially quick to denigrate the work that had been done, the group quickly realized that those efforts had laid a good foundation for what they themselves hoped to accomplish. See the entry > Examples: "As much as I want to have good taste in books, as much as I want to use that status to sell books that I think make the world a better place … I need to be cognizant of ways people like me have used 'good taste' as an act of cultural authoritarianism to manipulate culture, denigrate creations from other identities, and empower themselves at the expense of others." — Josh Cook, The Art of Libromancy: Selling Books and Reading Books in the Twenty-First Century, 2023 Did you know? The word denigrate has been part of English since the 16th century and can be traced back to the Latin nigrare, meaning "to blacken." When denigrate was first used, it meant "to cast aspersions on someone's character or reputation." Eventually, it developed a second sense of "to make black" ("factory smoke denigrated the sky"), representing an interesting case of a literal sense (now rare) following a figurative one. Nowadays, you're most likely to hear denigrate used as a synonym of defame or belittle.
Capitalism has transformed the world, sure. But at what cost? (Immense environmental ones, of course.) Americans, it's high-time we accept that the Golden Age of capitalism is long gone. On today's show: A frank discussion with sustainable finance visionary Kara Perez about insulating ourselves from late-stage capitalism's most damaging effects with individual and collective action. Here's a preview: [6:00] Money is a tool for change, and yet it's literally something we made up [11:00] Can we be nickled and dimed even more than we already are? (Spoiler alert: Yes.) [14:00] A few of the ways in which shareholder capitalism limits society's ability to progress [22:00] Tangible ways you and I can "change the flow of money" Resources mentioned: Episode #395: Lifestyle Creep (with Kara Perez) Green Money: How to Reduce Waste, Build Wealth, and Create a Better Future for All How to Be an Anticapitalist in the Twenty-First Century (by Erik Olin Wright) Thank you to Wild for sponsoring this week's episode! Use code SUSTAINABLE20 for 20% off. https://www.wearewild.com/us/?discount=SUSTAINABLE20 Thank you also to Better Help for sponsoring this week's episode! Head to betterhelp.com/minimal for 10% off your first month. This show is listener-supported. Thank you for supporting! **If you're a financial supporter over on Apple Podcasts and want to join Book Club, please email me and let me know! For privacy reasons, Apple won't share your contact info with me. Just email me and I'll happily add you!** Join our (free!) Facebook community here. Find your tribe. Sustainable Minimalists are on Facebook, Instagram + Youtube @sustainableminimalists Say hello! MamaMinimalistBoston@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
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