Podcast appearances and mentions of nate brenner

This podcast does use explicit language and discusses sensitive subject matter. Listener discretion is advised.   Buckle up, creep squad, because we're about to take you on an unprecedented ride through the heart of the Haunted Hill House. In this spine-tingling episode, we're flipping the script and letting you step right into our investigation as it unfolds in real-time. This is not your typical podcast experience – it's an hour-long plunge into the unknown, featuring raw, unfiltered audio capturing every creak, whisper, and shiver-inducing moment. Join us for an unparalleled adventure as we venture back into Haunted Hill House in Mineral Wells, Texas. In this second installment of our gripping series, we're pulling back the curtain to give you an unvarnished look at our chilling encounters within the haunted walls. From the eerie Scratcher Room to the unsettling Carousel Room, you'll be right there with us as we navigate the paranormal shadows and unravel the secrets that lie within. But never fear – the excitement doesn't end here. In our upcoming final episode of the series, we're venturing where few dare to tread: upstairs, where the alleged demon resides. Get ready for an unparalleled showdown with the malevolent force that's gripped the Haunted Hill House for decades. The anticipation is real, and the adrenaline is pumping. So, if you're searching for authentic, bone-chilling experiences, look no further. Subscribe, buckle up, and join us as we embark on an hour of audio immersion into the eerie realm of Haunted Hill House. And remember, this is just the crescendo – the grand finale of our investigation awaits in our next and final episode. Get ready to face the fear head-on with The Real Ghosts Of... Podcast.       This episode features some new backgroun music from the incredible Nate Brenner of Tune-Yards. We hope you enjoy!!

Ever since his 2018 feature debut Sorry to Bother You, Oakland-based musician Boots Riley (of The Coup) has built a reputation as one of our most imaginative, socially-minded filmmakers, combining abject surrealism with biting commentary on the complex interweavings of race and capitalism in American life. (With a healthy dose of absurd comedy, of course.)   His followup is the seven-episode Amazon series I'm a Virgo,  starring Jharrel Jerome as a 13-foot-tall Black man named Cootie, hidden away since birth by his overprotective parents in Oakland. But when he escapes and finally sees the real world for what it is, he's both amazed and aghast at the joys and horrors it contains. Sure, he finally gets to try fast-food burgers, and falls in love with a charming woman named Flora (Olivia Washington) who has her own sort of superpower. But he also faces the increased commodification of his size and self by a world that views him as an object... or, in the case of real-life superhero The Hero (Walton Goggins), a "thug" that needs to be taken out.   Aiding Riley's beautifully maximalist project is indie duo Tune-Yards, aka Merrill Garbus and Nate Brenner, who adapt their signature frenetic hooks, and limber vocalizations to a soundscape as riveting as it is unconventional. And now, Garbus and Brenner join me on the show to talk about working with Boots' exacting creative vision, adapting to the world of composing, and what it's like for musicians out there in a world where unionization is on the minds of everyone in the wake of the SAG and WGA strikes.   You can find Tune-Yards at their official website here.   I'm a Virgo is currently streaming on Prime Video. You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.

Merrill Garbus is a founding member of the band Tune-Yards. The other regular member of the band is her partner Nate Brenner.  Back in 2009, Merrill recorded the first Tune-Yards album Bird-Brains on recycled cassette tape using a voice recorder and then self released it. The album was well received and led to the band being signed by 4AD records several months later. Since Bird-Brains Tune-Yards has released four more albums including Sketchy, which was released this past March.  Merrill has described Sketchy as a rediscovery of the joy in making music.   She and Nate also do soundtrack work. In 2018 Tune-Yards scored the excellent Boots Riley movie Sorry to Bother You.

0:00 Willy Wonka52:16 Tune-Yards

Merrill Garbus and Nate Brenner discuss tune-yards, their new album sketchy., running, workaholism and managing creative expectations, delving into what socio-cultural appropriation really means, improvisation, future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Live at Massey Hall, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

Merrill Garbus and Jenn Wasner released monumental records just a week apart this year: Tune-Yards fifth album—sixth if you count their score to Boots Riley’s film Sorry to Bother You—is called Sketchy, and it’s as puzzling and progressive as you’ve hopefully come to expect. Garbus and bassist Nate Brenner are never content to rest on their past glories: They’re always searching for new modes of thought and expression, and Garbus’ lyrics meld the personal and political into one fiery concoction. Jenn Wasner is best known for singing and playing guitar in Wye Oak, and she’s also released albums with Dungeonesse and solo style under the name Flock of Dimes, in addition to being a recent touring member of Bon Iver. It’s her Flock of Dimes project that’s garnering some incredible, well deserved attention this year, including a huge feature in the New York Times. It makes sense, considering that the album she’s promoting is so extraordinary: Head of Roses will be both familiar to her fans and unexpected, with new sounds, textures, and lyrical motivations. The story is that it’s an album about heartbreak, but it’s so much more. It's a great conversation between two great friends. Enjoy.

I had a chat with Merrill Garbus, who with her long term collaborator and husband Nate Brenner, makes the wonderful sound that is Tune-Yards. The first time I heard Tune-Yards, I think it being on the 4AD label drew me in, I totally fell for the rhythms and harmonies bursting out of the at the time lo-fi production. Ever since then, new Tune-Yards material is always such heaven to my ears, whether its been on big tunes like Water Fountain or scoring the film Sorry To Bother You. Zapping in from Oakland, California, where the skies were still very much effected by fires. We speak about her long term support for Black Lives Matter, feminism and how that plays a role in her songwriting. In the process, the conversation kind of became an examination of the cultural issues behind Paul Simon’s Graceland. There’s also a new tune, Nowhere, Man out this week, which takes their sound to realms of squelchy funk.I hope you enjoy listening.

Welcome to the Spring 2018 season of No Effects!!! My guests this week are Merrill Garbus and Nate Brenner, aka Tune-Yards. We talk about Merrill's life as an employed puppeteer, meeting Nate at performing arts summer camp, creating Tune-Yards together and eventually getting married. NOEFFECTSSHOW.COM EMAIL: noeffectsshow@gmail.com

From the beginning, it was clear that Merril Garbus (tUnE-yArDs) is a force of nature. Over the course of now four albums, she has reshaped the pop landscape into a much more meaningful, and blissfully weirder, place. i can feel you creep into my private life, her most straightforward work to date (and now a duo featuring longtime collaborator Nate Brenner) isn't just a record that challenges what it means to be tUnE-yArDs, but the privilege and power that pop music commands in the modern age.PLUS! As Washington DC's The North Country continues to evolve, Andrew Grossman and crew take some time to revisit their latest full length (In Defense Of Cosmic Altruism) plus some choice outtakes on their luxuriant Ardor EP. See acast.com/privacy for privacy and opt-out information.

"Statute Arf Limitations" and Swift Justice, recorded live at San Francisco Sketchfest! With special guests Merrill Garbus and Nate Brenner of Tune-Yards, with a dispute of their own! Thank you to Eric Ray for suggesting this week's title! To suggest a title for a future episode, like Judge John Hodgman on Facebook. We regularly put out a call for submissions.

In this episode we predict the intense schedule of Wild Card weekend for the 2016-17 season This weeks sponsor is Defined Ventures http://dvi360.comFor more by Jaycen go to http://jaycensussman.comSocial media @JaycenSussmanFor more by Nate Brenner go to http://sbnation.com/users/Nate%20Brenner

Max Savage Levenson sits down with Naytronix's Nate Brenner to discuss his new single, "Mister Divine."

Hoy una edición de Future Beats para subir o aplacar el entusiasmo (según convenga) postelectoral. Una delicia para empezar a cargo del joven C Duran, desde Glasgow, demostrando la solvencia que aporta la educación musical clásica y la autoconfianza; no menos estimulante resulta el nuevo trabajo en solitario del norteamericano Nate Brenner, multi-instrumentista, productor y miembro de tune-yards, bajo el pseudónimo Naytronix. Si lo que necesitas es una dosis de cruda realidad hay que prestar atención a otro disco inspirado por la pérdida. El divorcio es de nuevo motor de acción creativo para la composición y registro de un álbum musical (notable). En este caso el de Willis Earl Beal, que además perdió su contrato con el sello que le aupó al éxito. También estrenos con los remixes para Gecko Turner, de Souleance, el brasileño Tiganá Santana y Dungen. Darío Manrique entrevista a Club del Río, un grupo madrileño de folk en su más amplio sentido. En su álbum de debut, Monzón, hay aromas españoles, latinoamericanos, anglosajones y siempre unas muy curradas armonías.