Podcasts about Bass guitar

For more than six decades, the sound of the upright bass in modern jazz has carried the unmistakable authority, elegance, and intelligence of Ron Carter.Recognized as the most recorded jazz bassist in history, Maestro Carter's tone has become part of the very architecture of the genre.From shaping the harmonic foundation behind countless landmark sessions to collaborating with many of the greatest jazz artists of our time, his artistry has both defined and expanded what the bass can be.But beyond the staggering discography lies something even more enduring: dedication.Maestro Carter has never stopped learning, never stopped refining, and never stopped listening. His commitment to excellence extends well beyond the stage and studio. As an educator and mentor, he has invested deeply in the next generation of bassists, setting a living example of discipline, curiosity, and musical integrity.Now, in yet another inspired chapter of his extraordinary career, Maestro Carter joins forces with renowned choirmaster Ricky Dillard for a powerful gospel–jazz collaboration, Sweet Sweet Spirit, released February 6, 2026.This project beautifully bridges sanctified soul and sophisticated swing, blending Carter's masterful touch with Dillard's uplifting choral brilliance.The result is music that feels both reverent and rhythmically alive, deeply rooted, yet refreshingly expansive.It is truly an honor to share this conversation with a living legend whose work continues to inspire musicians across genres and generations.Here is Maestro Ron Carter.This interview first appeared in Bass Musician Magazine in June 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Episode 646 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126Is Dolly Parton the best celebrity?00:00 - Intro00:50 - How can I get less squeaks when I record guitar?10:09 - Legit wtf bass guitar. I hated it so much24:28 - Look at this hat Ryan is so proud of getting27:04 - Red Hondo Bass33:36 - Thanks Patreon and our Sponsors! 39:02 - Fender with Gibson Parts44:16 - I saw a fun thing the other day (also what song is Ryan actually talking about?)47:27 - Let's give away a gift card! ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/

Me encanta ponerme al día con nuestros bajistas de América Latina, y me da muchísimo gusto volver a presentarles al talentoso bajista chileno Daniel Gazmuri.La última vez que conversamos fue en 2022, cuando nos compartió las novedades de su carrera y sus proyectos musicales. Desde entonces, Daniel ha continuado creciendo como artista, compositor y educador, consolidando una propuesta que fusiona el jazz contemporáneo con las raíces musicales latinoamericanas.En esta nueva entrevista hablaremos sobre su segundo álbum, “Raíces”, una producción que profundiza en la identidad musical de Latinoamérica; conoceremos sus más recientes proyectos educativos, su experiencia con su nuevo bajo Sadowsky y los planes que tiene para el futuro. Raíces, publicado en 2024, representa un nuevo capítulo en su trayectoria artística y reúne composiciones originales inspiradas en los ritmos y paisajes del sur del continente.Sin más preámbulos, aquí les traigo nuevamente a Daniel Gazmuri.This interview first appeared in Bass Musician Magazine in July 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

On this episode of The Bandwich Tapes, I sit down with multi-instrumentalist, singer, songwriter, and producer Eliot Lewis for a conversation about rhythm, versatility, technology, and the experiences that shaped his remarkable career.Eliot began as a drummer and still considers rhythm the foundation of everything he does. We talk about how that early connection to the drums influenced his work as a guitarist, bassist, keyboardist, singer, and songwriter, as well as the unspoken communication that develops when musicians spend years learning how to play together.We also explore Eliot's years with Average White Band, where he grew as a performer and lead vocalist while sharing stages with artists including Earth, Wind & Fire, B.B. King, Buddy Guy, War, and the Ohio Players. Eliot discusses his work with producer and songwriter Dan Hartman, playing on Tina Turner's “The Best,” and learning the value of becoming a musical chameleon who can understand and support many different artists.A large part of our conversation focuses on Eliot's time with Hall & Oates and Live from Daryl's House. He explains how the musicians learned and recorded new material with very little rehearsal, why Daryl Hall wanted the performances to remain spontaneous, and what Eliot learned from working with guests such as Robert Fripp, CeeLo Green, Booker T. Jones, Grace Potter, and KT Tunstall.Eliot also takes us inside his current solo live-looping show. He describes the technical and musical challenge of creating the sound and dynamics of a full band by himself, the importance of remaining in the moment, and why technology should always serve the song rather than replace the musicianship underneath it.Key TakeawaysEliot still considers himself a drummer first, and rhythm remains the foundation of his work on every instrument.His live-looping show is designed to create the feeling and dynamics of a three- or four-piece band rather than simply repeat accompaniment.Learning several instruments helped Eliot understand how each musical role fits into an arrangement without competing for space.His years with Average White Band developed his confidence as a singer, songwriter, performer, and collaborative band member.Working on Live from Daryl's House required strong ears, quick preparation, trust between musicians, and an ability to respond in the moment.Eliot believes technology is most effective when it supports the song, but a performer must still be able to play and communicate when the technology fails.Running a solo career means balancing music with booking, travel, marketing, arranging, production, and the many other responsibilities that happen away from the stage.Music from the EpisodeRetroactive - Eliot LewisJetstream - Eliot LewisSonic Soldier - Eliot LewisHelpless - Eliot LewisAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

Get ready for a conversation with one of Southern rock's enduring forces, Tim Neilsen. For over 35 years, Drivin N Cryin has been delivering a powerful blend of grit, melody, and heart, and they're not slowing down anytime soon. With their brand-new album “Crushing Flowers” set to drop on April 10th, the band is gearing up for another exciting chapter.At the core of that signature sound is bassist Tim Nielsen, whose driving grooves have helped define the band's identity and earned them a place in the Georgia Music Hall of Fame.In this interview, we sit down with Tim to talk about the new album, the secrets behind his unmistakable tone, and what lies ahead for Drivin N Cryin.Here is Tim Nielsen.This interview first appeared in Bass Musician Magazine in April 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Stewart Alsop sits down with Matias Avalos on this episode of the Wisdom podcast to explore the intersection of technology, humanism, and creative sovereignty. The conversation moves from Matias's work with neural network-based audio plugins and effect chains to broader questions about corporate transhumanism, data ownership, and what it means to maintain human agency in an increasingly automated world. They discuss the dangers of convenience-driven technological adoption, the implications of companies like Palantir and Neuralink, and how bureaucratic incentives push toward total legibility while protecting their own opacity. Along the way, they touch on everything from IMAX audio production and the death of walkable cities to Instagram's transformation from visual diary to data extraction platform, ultimately arguing for local, open-source, and sovereign approaches to technology that keep humans in the loop rather than replacing them with "average fabrics" of algorithmic output. Find Matias Avalos on LinkedIn for more techno-poetic discussions.Timestamps00:00 Stewart welcomes Matias Avalos to discuss their friendship and upcoming conversation topics.05:00 Matias explains audio effect chains using neural networks to capture professional recording room signatures and create portable high-fidelity sound processing.10:00 Discussion of piezoelectric microphones converting sound vibrations to electrical signals and CIA experiments using lasers to capture audio from glass surfaces.15:00 Conversation shifts to digital audio recording, sampling rates, and the importance of source material quality for post-production work.20:00 Stewart shares his journey building web conferencing software to replace Riverside, encountering lip-sync problems and learning about FFMPEG processing.25:00 Matias discusses corporate transhumanism, Neuralink's implications, and how brain interfaces could enable continuous taste mining beyond medical applications.30:00 Analysis of corporate transhumanism through companies like Neuralink, discussing private decision-making, lack of transparency, and various transhumanist philosophies globally.35:00 Matias reads poetry about digital replicas and data generation, exploring how wearable devices continuously capture human activity creating targetable information streams.40:00 Discussion of Peter Thiel's shift from libertarianism to neoconservatism, Palantir's origins in Total Information Awareness program, and Buenos Aires as humanist sanctuary.45:00 Examination of American convenience culture, post-WWII suburban isolation, and Buenos Aires as walkable humanist alternative to car-dependent American cities.50:00 Matias presents Neil Harbison as positive transhumanism example, explaining color-to-vibration synesthesia implant while discussing techno-optimism from Global South perspective.55:00 Conversation explores bureaucratic incentives toward population legibility, compelled silence laws, and sovereignty through open-source local technology ownership avoiding corporate control.60:00 Matias concludes discussing digital identity ownership, social network portability, and how digital twins determine human worth across platforms and borders.Key Insights1. Modern digital audio processing technologies represent a fundamentally different approach to music and sound production compared to generative AI tools. Matias Avalos distinguishes between technologies like Neural DSP's Mantra plugin, which uses deep neural networks to capture and emulate professional recording environments, and generative platforms like Suno. The key difference is that traditional digital signal processing tools put the creator in control, allowing them to make artistic decisions using expensive effect chains that would otherwise only be available in elite studios like Abbey Road. These technologies democratize access to professional audio tools without removing human agency from the creative process, whereas generative AI tools operate as black boxes that produce outputs based on prompts rather than allowing genuine creative control.2. The capture and preservation of source material remains critically important in audio and video production, despite advances in post-production capabilities. Through his experience building a web conferencing application to replace Riverside.fm, Alsop learned that many technical problems, particularly lip-sync issues, stemmed from poor source file management and recording methodology. This principle extends across all media production, as Avalos explains using the example of missing lighting in professional photography. While modern generative AI might attempt to invent missing elements, the results cannot match properly captured source material. This highlights a fundamental tension in contemporary media production where the quality triangle of cheap, good, and fast has been disrupted by AI technologies that can deliver all three if we lower our standards for what constitutes good work.3. Corporate transhumanism represents a particular and concerning subset of transhumanist philosophy that differs significantly from earlier artistic and philosophical approaches to human enhancement. While early transhumanists like Neil Harbison, a color-blind artist who implanted a device to translate color frequencies into vibrations, pursued personal enhancement and expanded human experience, corporate transhumanism as practiced by companies like Neuralink focuses on technological integration with significant profit motives and control mechanisms. The discussion highlights how these corporate approaches position themselves as solving medical and cognitive problems while simultaneously creating dependency through terms of service, data mining, and token-based economic models. This represents a Trojan horse where the promise of enhanced capability masks the establishment of new forms of control and surveillance of human consciousness itself.4. The concept of legibility as a bureaucratic end goal rather than a means to an end explains much of the surveillance apparatus that has developed in Western societies, particularly in the United States since 9/11. Alsop describes how those in positions of power, wealth, and fame have a structural incentive to make everything around them legible and controllable while maintaining their own privacy and illegibility to external observation. This dynamic manifests in technologies like Palantir and in legal mechanisms like compelled silence through gag orders, which directly contradict constitutional principles of free speech. The drive for total legibility of populations appears to have no ultimate purpose beyond the accumulation of legibility itself, creating a recursive loop where surveillance and data collection become self-justifying activities that serve power structures rather than the populations they ostensibly protect.5. Human beings continuously generate enormous streams of metadata through their daily activities, creating what Avalos describes as evaporating against our own will into hundreds of RSS feeds for hundreds of corporations. This automatic data production occurs through basic activities like waking up, moving through space with smartphones and wearable devices, and interacting with digital platforms. The fundamental question that predates transhumanism but becomes more urgent within it is how individuals can own what they produce simply by existing and moving through the world. This data is captured through accelerometers, gyroscopes, GPS systems, and countless other sensors that create comprehensive digital profiles without explicit consent or meaningful control by the individuals being monitored. The unilateral nature of this communication, where individuals broadcast data without receiving genuine value in return, has become so deeply embedded in modern infrastructure that it forms part of the taken-for-granted landscape of contemporary life.6. Platform lock-in and the inability to migrate digital identity across services creates a new category of loss that requires genuine grieving. Avalos describes how his experience with Instagram, which began as a personal visual diary before the Facebook acquisition, evolved into a situation where he cannot extract his creative work and social connections from the platform without significant loss. This phenomenon extends beyond mere inconvenience to touch on fundamental questions of identity and citizenship, as social media profiles increasingly determine real-world opportunities like visa applications and border crossings. The implications of digital footprints have become severe enough that individuals can be denied entry to countries based on algorithmic analysis of their online interactions, likes, and expressed beliefs. This creates a situation where people are worth exactly what their digital twin indicates they are worth, with no meaningful avenue for human appeal or nuanced self-representation.7. The future relationship between humans and technology requires a return to principles of sovereignty, local control, and open source development rather than dependence on corporate platforms and proprietary systems. Both Alsop and Avalos advocate for a do-it-yourself approach to technology that emphasizes ownership and control over personal tools and data. This includes avoiding closed systems like Neuralink unless they become open source and user-controlled, and prioritizing local execution of AI models over cloud-based services that create dependencies and enable surveillance. The conversation suggests that techno-optimism remains possible, but only from what Avalos calls the trenches, acknowledging the different relationship that people in the Global South and those outside centers of power have with technology. This grounded optimism recognizes the entanglement of beneficial and harmful aspects of technological development and maintains that human agency and creative freedom require conscious resistance to the convenience-at-all-costs model that has characterized recent technological adoption.

It's hard to believe that I've been chatting with George Gekas, bassist for The Revivalists, for more than a decade. Over the years, we've connected during some of the band's biggest moments, and now they're preparing to release their sixth full-length studio album, Get It Honest, on July 24, making it the perfect time for another conversation.Join me as we dive into the making of the new album, discuss what fans can expect from this exciting new chapter, and explore all the great things on the horizon for the band.Here is George Gekas!This interview first appeared in Bass Musician Magazine in June 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Back in May 2021, I had the pleasure of speaking with a talented nine-year-old bassist named Ellen Alaverdyan, who was just beginning to make waves in the music world (View Interview). Even then, her passion, dedication, and remarkable talent hinted at a bright future ahead.Today, I'm excited to welcome Ellen back, along with her father, professional guitarist Hovak Alaverdyan, following the release of Take Off, the debut album from Ellen's band, Jaminai.Join me as we discuss the making of this exciting new project, explore how Ellen developed her now-signature bass tone and style, and learn what lies ahead for this young musician whose career continues to soar.Please welcome Ellen and Hovak Alaverdyan!This interview first appeared in Bass Musician Magazine in June 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

On this episode of The Bandwich Tapes, I sit down with John Cowan, a musician whose voice has been part of my own musical memory since I first heard New Grass Revival as a kid at the Georgia Mountain Fair in Hiawassee, Georgia.John and I talk about his early influences, from Paul McCartney and Duck Dunn to Leon Russell, and how he developed as both a singer and a bass player. We also dig into the specific challenge of singing lead while holding down the low end, especially when the bass part and vocal line are moving in different rhythmic directions.The conversation moves through John's years with New Grass Revival, his deep admiration for Sam Bush's rhythm, and the way bluegrass taught him the power of simplicity. John also reflects on finding his own voice after years of being able to imitate other singers, and how joining New Grass Revival forced him to become himself as a vocalist.We also talk about his work with The Doobie Brothers, his respect for Tiran Porter's bass lines, singing harmony, working with Andrea Zonn, Luke Bulla, and The HercuLeons, and the gratitude that comes from a life spent standing beside remarkable musicians.Key Takeaways  • John reflects on the impact of New Grass Revival and how joining the band helped him discover his own voice.  • He talks about the challenge of singing lead while playing bass, especially when the bass line is syncopated.  • Paul McCartney, Duck Dunn, Leon Russell, Little Feat, Stevie Wonder, and Gregg Allman all shaped John's early musical world.  • Playing bluegrass taught John the beauty and power of simplicity.  • John describes Sam Bush as one of the greatest rhythmic forces in bluegrass music.  • His role with The Doobie Brothers gives him the chance to honor Tiran Porter's melodic and highly musical bass parts.  • John speaks openly about recovery, community, discipline, and the work of becoming a better person over time.Music from the Episode  Georgia Rhythm - John CowanDevil Woman - John CowanHold to a Dream - New Grass RevivalYou Plant Your Fields - New Grass RevivalTake Me to the Alley - The HerculeonsI'm Just Not Ready - John Cowan  About the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with bassist Tim Lefebvre for a conversation about groove, adaptability, tone, and what it really means to serve the music. Tim has built one of the most distinctive and wide-ranging careers in modern bass playing, with credits spanning jazz, rock, pop, experimental music, and singer-songwriter projects. From David Bowie's Blackstar to Tedeschi Trucks Band, Wayne Krantz, and countless sessions in between, Tim has become one of those rare players whose sound is unmistakable yet fits almost anywhere.We begin by talking about his 2026 so far, which includes recording work, short touring runs, a date with Nate Smith and Jason Lindner, upcoming shows in Italy with Tiziano Ferro, and a tour with Melissa Etheridge. From there, we get into one of the central tensions of a working musician's life: how to bring your own identity to a project while still honoring the artist, the songs, and the original recordings. Tim has strong instincts here, and he speaks with great clarity about choosing simplicity, resisting overplaying, and understanding what the music actually needs.One of my favorite parts of this conversation is hearing Tim talk about some of the landmark experiences in his career. We discuss the Bryan Adams tour, the joy of playing huge songs in front of large crowds, and then spend time on David Bowie's Blackstar, including how Tim approached the sessions, how much of the rhythmic language was already implied in Bowie's demos, and how some of the bass textures on songs like “Lazarus” emerged naturally in the room. Tim also reflects on the creative freedom and trust inside Tedeschi Trucks Band, and what it felt like to be part of a band that could take real improvisational chances in front of thousands of people.Along the way, we talk gear, compression, pedals, picks, strings, remote recording, favorite drummers, the differences between New York and Los Angeles, sobriety, and some of the bass players who shaped his ear early on, including James Jamerson, Paul McCartney, Darryl Jones, Marcus Miller, Victor Bailey, Jaco Pastorius, and Tony Levin. This is a conversation about craft, but also about judgment, restraint, and learning to make the right choice in the moment.Key TakeawaysTim Lefebvre talks about balancing personal identity with the responsibility of serving the artist, the arrangement, and the song.He shares stories from the making of David Bowie's Blackstar, including how parts of “Lazarus” developed in the studio.Tim reflects on the musical and emotional intensity of playing with Tedeschi Trucks Band and the freedom that the group allowed onstage.He discusses his early path from saxophone to bass, his father's influence, and learning on real gigs at a young age.The conversation explores how bass playing varies with the drummer and what Tim listens for when locking in with someone new.Tim also gets into gear, including pick playing, flats versus rounds, bass compression, distortion, reverb, and how pedals can shape creative ideas.We talk openly about sobriety, professional growth, and how life experience changes the way a musician shows up on and off the bandstand.Music from the EpisodeAnyhow - Tedeschi Trucks BandShake Loose - Donny McCaslinIt's No Fun Not to Like Pop - Krantz/Carlock/LefebvreHanging On - KnowerBlackstar - David BowieAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative people for thoughtful conversations about craft, collaboration, career, and the experiences that shape a life in music. It is a show about process, perspective, and the human side of making art.Connect with the Showcontact@thebandwichtapes.com

After a long break, kicking the show off again. 

Originally from Panama, bassist Alex Blake arrived in the United States at a young age and, under the guidance of his father, found his lifelong voice in the bass. What began as an early immersion in Latin music grew into a career that has now spanned more than 45 years of exploration, evolution, and excellence.As opportunities expanded, so did Blake's musical reach. His journey has taken him across countless genres, collaborating with a remarkable list of world-class musicians, far too many to name here. Today, he stands as a formidable presence in the fusion scene, known for both his unmistakable sound and deep musicality.Join us as Alex Blake shares the story of his musical journey, breaks down how he crafts his signature tone, and looks ahead to what the future holds.This interview first appeared in Bass Musician Magazine in March 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Since 2012, Tom Doyle has been holding down the low end for UK alt-rock heavyweights Don Broco, helping to shape the band's groove-driven, genre-blurring sound into one of the most distinctive in modern British rock. With thunderous tone, razor-sharp precision, and an instinct for hooks that hit just as hard as the riffs, Doyle has become a crucial force behind the band's ever-evolving sonic identity.As Don Broco gear up to unleash their highly anticipated new album, Nightmare Tripping, this feels like the perfect moment to dive into the mind of the man anchoring the chaos. From his musical roots and influences to the gear and techniques that craft his signature sound, Doyle opens up about the journey so far and what lies ahead.This interview first appeared in Bass Musician Magazine in March 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

KEXP presents Spacemoth performing live at 25th Street Recording in Oakland, California, during Noise Pop 2026. Recorded February 25, 2026. 1. Do We Exist?2. Internet Fantasy3. Round In Loops4. UFObird Maryam Qudus - Lead Vocals, Guitar, Synthesizer, SamplerMarika Stuurman - Background Vocals, Bass Guitar, Synth BassDerek Barber - GuitarCody Rhodes - Drums, Sampler Host: Cheryl WatersAudio Engineer: Kevin SuggsGuest Audio Engineer: 25th Street CrewAudio Mixer: Beau SorensonMastering Engineer: Julian Martlew 25th Street Crew:Gabriel ShepardKarishma KumarCollin Purdue https://www.spacemoth.spacehttps://www.noisepopfest.comhttps://www.25thstreetrecording.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by: Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Season 20, Episode 38 of The Adventures of Pipeman. Tune in at 1PM ET 04/10/2026 to W4CY Radio at w4cy.com.Chapter 1:The band headed into 2026 like a freight train — all gas, no brakes.Upstate New York metalcore outfit Fight From Within released their new single, “Let Me Out,” through an exciting new partnership with Arson Theory. Produced by Pablo Viveros (Formerly Chelsea Grin), the track captures the band's energy and edge to their sound.“We had a blast with this track,” the band shares. “We wanted it to be intense and kind of trippy. We even added a little surprise in the release." That surprise comes in the form of a hidden track titled “TATT,” which stands for “Tired All The Time.” The track delivers a pointed message from the band about their frustrations with the current state of the scene.“TATT stands for ‘Tired All The Time' because we're so over the bullshit in the scene,” the band explains.Alongside the release of “Let Me Out,” Fight From Within will be hitting the road this spring, bringing their high-energy live show to fans across multiple cities. Known for their explosive performances and uncompromising attitude, the band continues to build momentum both on record and on stage. Recently, the band signed with Core Collective Talent Agency for US and Canada tours & Timeframe Booking for Europe.Chapter 2:Freddy Jones Band Featured by NASA as “In a Daydream” Wakes Artemis II Crew(And for the record, there's no one in the band named Freddy Jones.)Singer, Marty Lloyd wrote the song in a daydream which was played as a wake up song on the Artemis two Friday, which was day three in space. The song was a number one on AAA back in 1993 and the band started really going out and touring again 11 years ago and continues to tour. Marty Lloyd is the founding member with longtime member/band manager Rich Ross on Bass Guitar. Rich was formally in The Samples for many years starting in 1999. Freddy Jones Band is currently still releasing new music and touring. Freddy Jones Band's latest single, "No Money In Vegas," is a vibrant addition to their legacy, produced by Grammy Award winning producer, J.J. Blair. Frontman Marty Lloyd and Bassist Rich Ross continue to define the bands signature sound.Playing Summerfest in Milwaukee june 27Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Pipeman in the Pit is a music, festival, and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals.Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

For decades, we've had the privilege of following the remarkable career of Nathan East, listening closely to his albums, tracking his milestones with Yamaha Instruments, and watching his evolving partnership with Laney Amplification with great interest. Along the way, we've talked gear, tone, and technique, while hearing his unmistakable musical “voice” woven into the work of more iconic artists than we could possibly list.Today, we're thrilled to reconnect with this true giant of the bass world following the release of a very special new album, Father Son, produced by Nathan alongside his son, Noah East. It's a deeply personal project that showcases not only extraordinary musicianship but also a powerful family bond.Join us as we dive into the making of this outstanding record, explore the new Laney Nathan East Signature Bass Preamp, and look ahead to what the future holds for one of music's most respected and influential bassists.Here is the one and only… Mr. Nathan East.This interview first appeared in Bass Musician Magazine in April 2016Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

An interview with Suzi Quatro about her 2026 album "Freedom." She talks about how the album came to be, the how "Freedom" became the title track, the creation of the videos for that song and "Little Miss Lovely," the connection from her first album to this album, the way she plays bass guitar, and more.See omnystudio.com/listener for privacy information.

Few musicians can claim they were present at the birth of the electric bass, and even fewer can say they helped shape what came next. Leo Lyons has been playing bass for more than half a century, standing at the crossroads of innovation and influence as rock music found its voice. From the explosive blues-rock of Ten Years After, to later projects such as Hundred Seventy Split, Lyons has been a constant pillar of the UK rock scene and a familiar force in studios on both sides of the Atlantic as a bassist, producer, and sound engineer.So when news broke that Ten Years After's 1969 album Sssh was being reissued in a deluxe format on both CD and vinyl, it felt like the perfect moment to sit down with the man behind those unmistakable low-end lines. I was excited to talk with Leo about the early days of electric bass, the legacy of Sssh, and what it means to revisit a landmark album more than five decades later.This interview first appeared in Bass Musician Magazine in January 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Oscar‑winning filmmaker Morgan Neville joins Adam to discuss his intimate archival portrait of Paul McCartney’s turbulent and creatively explosive 1970s. Neville reflects on his own documentarian origin story, his lifelong connection to the Beatles and Wings, how he built the film from audio‑only conversations with Paul, and why McCartney’s post‑Beatles decade feels like a sequel to Get Back.See omnystudio.com/listener for privacy information.

For nearly seventeen years, we've followed the ever-evolving journey of bassist Cheikh Ndoye, watching with admiration as his musical vision continues to deepen and expand. Each project has revealed a restless curiosity and a commitment to sound that resists easy categorization.When we last spoke in 2018, Ndoye was already hinting at new directions, and he hasn't slowed down since.In the years that followed, he's been quietly and intensely at work, culminating in a new album, Genetic Tones, a project that captures both his roots and his forward-looking approach to music.I recently had the great pleasure of listening to several rough tracks from the album, and, as always, I was both impressed and genuinely excited by what I heard. Genetic Tones feels like a bold and thoughtful statement, rich in texture and intention. Join me as Cheikh shares insights into the making of this upcoming release and reflects on the ways his musical language has continued to transform over the years. This interview first appeared in Bass Musician Magazine in February 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I got to sit down with Alison Prestwood, an A-list bassist, singer, and bandleader whose playing has been anchoring records and stages for decades, and it felt like catching up with someone I should've known for years.We talked about her leap from Atlanta to Nashville in the early '90s, what it's like leaving steady work to chase the next chapter, and how those five-to-six-nights-a-week club years built the kind of chops and confidence that translate anywhere. Alison shares the winding path that led her into Nashville's session world (including a wild early moment overdubbing on a Ronnie Milsap master), and how hearing players like Glenn Worf and Michael Rhodes up close pushed her into that “forever climbing” mindset that great musicians live in.She also goes deep on her musical north stars: Paul McCartney, James Jamerson, Willie Weeks, Lee Sklar, and especially Carol Kaye, including an incredible story about spending a full weekend at Carol's house working on pick technique and soaking up stories and wisdom.From there, we get into the nuts and bolts: how Alison thinks about the difference between R&B feel vs. country feel, note length, subdivisions, and the “rules” you learn in Nashville, plus when to break them. She's also launching a brand-new Merle Haggard tribute band called We Are the Merle.We also talk about her time touring with Peter Frampton, how that gig came together, what it's like playing major stages (including the Rock & Roll Hall of Fame experience), and the weight and gratitude of watching a legend keep doing the work.And because Alison is also a fellow podcaster, we dig into her show “Hey, Good For You”, a funny, honest, and sharp look at life as a working bassist (and the absurd things people say to women musicians).It's part career map, part hang, part deep musicianship chat, and by the end, we basically agree this needs to be part one.Music from the Episode:Nadine (Is It You) (George Benson)Turning Waylon Down (Alison Prestwood)Austin (Blake Shelton)Beautiful Man (Alison Prestwood & Rodney Crowell)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

For more than four decades, British bassist Richard Vernon has been a quietly formidable presence in rock music. Cutting his teeth on the UK scene in the early 1980s, he's carved out a reputation for groove, grit, and unshakeable musical instinct.Best known for anchoring the sound of The Mission, Vernon has also brought his distinctive low-end touch to an array of projects, from acclaimed session work to performing with Peter Perrett. Most recently, he's been powering the thunderous live energy of Ricky Warwick & the Fighting Hearts, proving that his playing is as vital and inventive as ever.Join me as we dive into Richard's musical journey, the influences that shaped him, the craft behind his unmistakable tone, and where his creative compass is pointing next.Here is Richard Vernon.This interview first appeared in Bass Musician Magazine in Jan 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

In this episode, Kirk and Paul present the long-awaired sequel to the beloved "Bass Guitar" episode of "Music Raygun."

This month, we have a real treat for all you metal fans out there! Joining us is none other than Pär Sundström, the powerhouse bassist and co-founding member of Sabaton, a band many consider to be the #1 global power metal act in the world.Pär isn't just the man behind those thunderous bass lines; he's also one of the main lyricists and the band's manager, helping to shape Sabaton's unmistakable sound and unstoppable rise.Hailing from Sweden, Sabaton has been conquering stages and hearts around the world for over twenty-five years, delivering their signature blend of history, heroism, and heavy metal might. And now, with the release of their brand-new album ‘Legends,' the band is gearing up for a tour that promises to be absolutely spectacular.We're diving into all the details, from the making of Legends, to the evolution of Sabaton's epic sound, to what lies ahead for this legendary band.So, without further ado, let's welcome the man himself… Pär Sundström!”This interview first appeared in Bass Musician Magazine in Jan 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Hailing from the heart of New Orleans, bassist Noah Young has been a remarkably busy and continually evolving force in today's music scene. Fresh off the release of his highly anticipated solo album Noah (September 26, 2025), he's stepping confidently into a new chapter of his artistic identity.Many listeners already know him as the low-end engine behind the explosive sound of Naughty Professor, while others have caught him anchoring countless performances both across New Orleans and on stages around the globe.Today, we sit down with Noah to get the inside scoop on what drives his creativity, how his solo work came to life, and what exciting endeavors lie ahead for this prolific bassist.Here is Noah Young.Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

It's always exciting to know that there are musicians dedicated to keeping jazz alive, evolving, and pushing its boundaries forward. Bassist Mauricio Morales stands at the forefront of today's contemporary jazz movement, and his upcoming album, Between Dreams and Twilight, promises to be one of his most compelling artistic statements yet.Join me as we explore Mauricio's musical journey, the origins of his signature sound, the creative process behind the new record, and the vision he carries for the future.This interview first appeared in Bass Musician Magazine in Dec 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Have you ever wondered what a Progressive Rock/fusion band with two bassists would sound like? Well, wonder no more… the answer is Quadvium! And they're making waves with their brand-new album, “Tetradom.”Quadvium brings together an incredible lineup: Jeroen Thesseling and Steve Di Giorgio on bass, the powerhouse Yuma Van Ecklen on drums, and the electrifying Eve Smith on guitar. The result? Music that's as intricate as it is powerful, as melodic as it is rhythmic, and as bold as it is beautiful.In today's conversation, we get to hear from the masters themselves, as they share the story of how Quadvium came together, what inspired their unique dual-bass approach, and all the fascinating details behind “Tetradom.” From musical influences to studio stories, you're going to get the inside scoop on what makes this band so extraordinary.So, grab your headphones and get ready to dive deep into the world of Quadvium. Without further ado, here are Jeroen Thesseling and Steve Di Giorgio!This interview first appeared in Bass Musician Magazine in Nov 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

What do you get when you blend raw Rock & Roll with a dose of Southern soul? You get Jet Black Roses!Hailing from Georgia, this powerhouse trio, featuring the talented Andrew Bently on bass, has been making serious waves, and now they're gearing up for the release of their self-titled debut album, dropping this October 2025.Today, I'm thrilled to be sitting down with Andrew to talk about the band's journey, the making of their new record, and how he creates that unmistakable bass sound. We'll also get a glimpse into what's next for Jet Black Roses.Let's dive in… here's Andrew Bently!This interview first appeared in Bass Musician Magazine in November 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

In this episode, I sit down with percussionist Doug Perkins for a wide-ranging conversation that starts with a few personal connections and quickly opens up into a bigger discussion about music, teaching, and the kind of “improbable events” that can change a person's life. Doug and I talk about our shared link through LSU and Brett Dietz, and Doug tells the story of how he learned bass guitar in the eighth grade to get into a jazz band, which led to rehearsals at home, a punk band with Brett called The Septic Creptics, and a deep early education in groove, feel, and listening. We dig into the teachers who shaped Doug's path, especially Jack DiIanni, and why fundamentals, sound, and real-life performing situations became such a foundation for everything that came next.Doug shares how his background in drum set and bass informs the way he plays and teaches, especially when it comes to music like Steve Reich, where micro-groove, ensemble feel, and knowing your role inside the bigger texture are everything. We also talk about how students learn now, how algorithm-driven listening can shrink context, and why so many young musicians feel pressure to avoid mistakes when everything can feel like a permanent record. Doug explains how he actively teaches context, lineage, and listening, and why basic production skills matter more than ever, including signal flow, microphones, sound reinforcement, and the simple confidence that comes from knowing how to set up a PA or wrap a cable correctly.From there, Doug takes us into his world at the University of Michigan, where he helps lead a large percussion studio with a faculty team that spans orchestral playing, contemporary music, improvisation, and drum set. We talk about the balance between performing and teaching, and how parenting an 18-year-old college student has changed the way he supports first-year undergrads. Doug also tells the story of his long relationship with composer John Luther Adams, including how a formative early experience with Strange and Sacred Noise eventually led to performances in the Alaskan tundra, floating stages in Central Park, and outdoor concerts where the audience hikes in and the environment becomes part of the piece. We wrap up with what's ahead for Doug, including significant projects, collaborations, performances, and the ongoing joy of bringing students into real work that proves their “crazy ideas” can matter in the world.Music from the Episode:Nagoya Marimbas (Steve Reich, composer - Todd Meehan & Doug Perkins, marimbas)XY (Michael Gordon, composer - Doug Perkins, percussion)Strange and Sacred Noise (John Luther Adams, composer - Morris Palter, Rob Esler, Steven Schick, & Doug Perkins - percussion)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

I'm sure many of you will remember that I had the pleasure of chatting with Lettuce bassist Erick “Maverick” Coomes just last year, where we covered a ton of great material. (If you missed it, you can check out that interview here>>>bassmusicianmagazine.com.)Now, with Lettuce on the verge of releasing their brand-new album Cook, I thought it was the perfect time to catch up with Erick and see what's been cooking… pun definitely intended!In this conversation, we dive into the new album and the videos that accompany it, explore Lettuce's exciting collaboration with Aquila Cellars on their signature wines, and get a glimpse into what's next for the band.So sit back and enjoy… here's Erick “Maverick” Coomes!This interview first appeared in Bass Musician Magazine in December 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

We've had the pleasure of talking with Mike Pope for years now… exploring his innovative contributions to bass electronics, spending a day with him as an educator at Berklee, and of course, enjoying his phenomenal performances both live and on countless recordings. Many of you might even remember our last interview back in 2020 (read it here).Now, we're especially excited to catch up with Mike about his brand-new album, The Parts You Keep, released on August 22, 2025. This project is a stunning mix of jazz standards and original compositions, and we'll be diving into the stories, inspirations, and creative process that brought it all together.One of the most touching highlights of the album is hearing Mike's mom, Ann Almond Pope, on classical piano for two tracks. Her playing adds such a beautiful, personal dimension to the music… you won't want to miss it.Join me as we explore Mike's latest masterpiece, his future plans, and how you can catch him live in performance.Here's Mike Pope!This interview first appeared in Bass Musician Magazine in September 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Who says plastic surgeons can't rock out after hours? For Dr. Johan Brahme, music isn't just a hobby—it's part of how he approaches life and surgery.He shares how growing up in a musical family inspired him to play bass in multiple bands throughout his life, perform for communities like assisted living homes, and even bring music aboard the USS Midway.Hear about the surprising parallels between performing on stage and in the OR, and why he soundtracks surgeries from classical to heavy metal. Dr. Brahme also opens up about his interest in archaeology, Swedish comfort food, and his ideal slow Saturday away from the OR and the amp.LinksMeet San Diego plastic surgeon Dr. Johan BrahmeSchedule a meeting with Dr. Brahme's patient coordinator Watch the trailer for Netflix's Cave of BonesLearn from the talented plastic surgeons inside La Jolla Cosmetic Surgery Centre, the 12x winner of the San Diego's Best Union-Tribune Readers Poll, global winner of the 2020 MyFaceMyBody Best Cosmetic/Plastic Surgery Practice, and the 2025 winner of Best Cosmetic Surgery Group in San Diego Magazine's Best of San Diego Awards.Join hostess Monique Ramsey as she takes you inside LJCSC, where dreams become real. Featuring the unique expertise of San Diego's most loved plastic surgeons, this podcast covers the latest trends in aesthetic surgery, including breast augmentation, breast implant removal, tummy tuck, mommy makeover, labiaplasty, facelifts and rhinoplasty.La Jolla Cosmetic Surgery Centre is located just off the I-5 San Diego Freeway at 9850 Genesee Ave, Suite 130 in the Ximed building on the Scripps Memorial Hospital campus.To learn more, go to LJCSC.com or follow the team on Instagram @LJCSCWatch the LJCSC Dream Team on YouTube @LaJollaCosmeticSurgeryCentreThe La Jolla Cosmetic Surgery Podcast is a production of The Axis: theaxis.io Theme music: Busy People, SOOP

Bassist Ross Schodek…I've always been a huge fan of Poncho Sanchez's music, so you can imagine how excited I was to dive into his latest album, Live at the Belly Up Tavern. (Check out my full review here: Album Review.)This dynamic live recording is full of energy, groove, and that unmistakable Latin jazz magic, and after giving it a few spins, I found myself especially drawn to the incredible bass work holding it all together. That bassist is Ross Schodek.Naturally, I had to reach out.In the conversation that follows, Ross shares his musical journey, what it's like working with the legendary Poncho Sanchez, his experiences with other notable acts, how he crafts his sound, and what exciting projects he has on the horizon.Let's dive in and get to know the talented Ross Schodek!This interview first appeared in Bass Musician Magazine in July 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

In this episode, I sit down with bassist, producer, educator, and longtime Bacon Brothers collaborator Paul Guzzone. Paul and I first met backstage in Atlanta years ago when my band opened for the Bacon Brothers, and we bonded instantly over Aguilar rigs and the first U-Bass I had ever played.What starts as a fun reconnection becomes a deep exploration of Paul's multifaceted life in music. We talk about his early years with Tom Rush, his decades-long collaboration with Kevin and Michael Bacon, his extensive composing and jingle work, and his long career teaching Rock and Contemporary Culture at Pace University.Paul's warmth, humor, and decades of perspective make this a truly special conversation.To learn more about Paul, visit his website. Music from the Episode:Dance While I Can (Paul Guzzone)South of the Coconut Line (Paul Guzzone)All I Ever Wanted to Do (Paul Guzzone)Extra Innings (Paul Guzzone)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Back in June 2024, I had the chance to chat with Finger Eleven bassist Sean Anderson about the band's Greatest Hits album release, and let's just say, it was a walk down some seriously nostalgic memory lanes! Fast forward to now, and the guys have been anything but idle.On November 7, 2025, Finger Eleven will drop their first studio album in nearly a decade, Last Night on Earth, and fans are already buzzing. With such huge news, I couldn't resist catching up with Sean again to get the inside scoop on this long-awaited release.Join me as Sean shares all the details behind the new album… from the creative spark that reignited their sound to how he's dialing in his tone these days, plus what's next on the horizon for Finger Eleven.Let's dive in… here's Sean Anderson!This interview first appeared in Bass Musician Magazine in November 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

We meet with Marcus Vann playing in the touring company of Baz Luhrmann's revolutionary film  onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award winner John Logan; music supervision, orchestrations, and arrangements by Tony Award winner Justin Levine; and choreography by Tony Award winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.

I recently learned about Dr. Emma Dayhuff's new album, “Innovations & Lineage: The Chicago Project,”, which has been garnering a lot of attention, and I wanted to learn more.When it came to bringing this album to life, she knew exactly who she wanted on board. She assembled a remarkable group of musicians: Dee Alexander on vocals, Isaiah Collier on tenor sax, and Kahil El'Zabar on percussion.Recorded live, the album captures the energy of the performance while presenting a clear, resonant bass sound that anchors the music beautifully. It's both a nod to Chicago's rich jazz tradition and a glimpse into the innovative directions Dr. Dayhuff is exploring in her work.Today, we'll hear about her musical journey, the inspiration behind this album, and what she has planned next. Please join me in welcoming Dr. Emma Dayhuff.This interview first appeared in Bass Musician Magazine in October 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I've been noticing a lot of buzz around The Big Ol' Nasty Getdown on social media lately, and it definitely caught my attention. Recently, I came across their track “Wrong Side of the Law” featuring rising star bassist Ellen Alaverdyan alongside her dad, Hovak. The energy of the project was so contagious that I felt compelled to dig deeper and find out what it's all about.At the heart of it all is John Heintz, who wears many hats… bassist, producer, and the self-proclaimed “Ringleader” behind this one-of-a-kind concept: a massive, collaborative, big-band-style jam that blends creativity, funk, and sheer musical joy.John graciously took the time to chat with me, and he shared so many fascinating stories… from how he first got started in music and fell in love with the bass, to highlights of his stunning bass collection, to the exciting projects he's currently working on and what's next for The Big Ol' Nasty Getdown.So without further ado… here's John Heintz!Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Releasing an EP or an album is always a huge accomplishment… so when I heard that Georgia Weber and the Sleeved Hearts are about to release their new EP, “Big In Japan”, I knew it was the perfect chance to get the inside scoop from Georgia herself, especially as she plays upright bass!Originally from Australia, Georgia has been a force in the New York jazz scene for over a decade, and this new work takes jazz in exciting, unexpected directions.Join me as we dive into “Big In Japan”, explore Georgia's musical journey, discover how she crafts her unique sound, and hear about her plans for the future.Here's Georgia Weber!This interview first appeared in Bass Musician Magazine in September 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Whenever I think of Bluegrass music, Missy Raines is one of the first names that comes to mind.As the most awarded bass player in the history of the International Bluegrass Music Association, Missy Raines's impact on the genre is undeniable. She's a Grammy nominee and has collaborated with a wide range of acclaimed artists throughout her career.If you're looking to learn Bluegrass bass, Missy is the go-to instructor on ArtistWorks.She's been especially active lately, with her album Highlander released in February 2024, and her latest project, Love and Trouble, launched in May. Add to that an extensive tour schedule and more creative ventures on the horizon, and it's clear she's not slowing down.Today, we'll dive into Missy's musical journey, explore the gear she uses to craft her sound, and hear what she has planned for the future.Here's Missy Raines.This interview first appeared in Bass Musician Magazine in July 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

MonoNeon's been keeping busy, touring internationally and currently making his way across the U.S. as part of his latest run. If you've seen him live, you know his performances are anything but ordinary… funky and full of character.He recently released a new album titled You Had Your Chance… Bad Attitude. It features eight tracks of off-center, groove-heavy funk, delivered in his unmistakable style. It's a solid listen, start to finish.Gear-wise, MonoNeon now has his own artist model Fender MonoNeon Jazz Bass, a vibrant, eye-catching instrument that's as bold as his playing. Add to that his signature DigiTech Whammy pedal in his trademark neon colors, and it's clear he's leaving his mark both musically and visually.This interview first appeared in Bass Musician Magazine in August 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Music is a universal language, a thread that connects us all, and there's something especially exciting about meeting a bass player from another part of the world.Meet Ksenia Vasileva, bassist, sound designer, composer, and musical instrument maker, originally from Russia and now making waves in New York City. A graduate of Berklee College of Music, Ksenia is fully immersed in the nonstop hustle that defines the life of a working bassist in the Big Apple.Join us as we dive into her musical journey, her time at Berklee, the gear and tone that shape her signature sound, her current projects, and what's ahead for this incredibly creative artist.This interview first appeared in Bass Musician Magazine in July 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Coyote Theory released their latest album, Still, on March 14, and what better time to catch up with their talented bass player, Grayson Hendren?This genre-bending alt-pop trio has been making music together since 2010, and they've continued to evolve, innovate, and push creative boundaries over the years. With their signature blend of emotional depth and vibrant energy, Still marks a powerful new chapter in their musical journey.In this interview, Grayson opens up about his path as a musician, the creative process behind Still, how he crafts his unique bass tone, and what exciting projects lie ahead for the band. Whether you're a longtime fan or just discovering their sound, you won't want to miss this conversation.This interview first appeared in Bass Musician Magazine in July 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Chip Z'nuff has been holding it down in the rock world for decades, and it's always a good time catching up with someone who's lived it and still brings the heat. I had the chance to talk with him just before the release of Enuff Z'nuff's new album, Xtra Cherries. We got into everything, from his early days in the scene to what went into this latest record. If you're a fan of classic rock with attitude and heart, you're gonna want to hear what Chip has to say.This interview first appeared in Bass Musician Magazine in August 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Good morning, afternoon, and evening! Bo and Gibby are back and they're talking about ANIME. And it's not just any anime, it's FLCL! What is that? Good question! What's the story? Beats me! Can you explain anything? Nope! All you need to know is that the Rickenbacker 4001 Bass Guitar has many uses beyond rock and roll. Side note: aliens exist. But just think about the bass and the Vespa instead. Also included: fondue, the subliminal messaging of Ronald McDonald, Microsoft Tech Troubleshooting, and so much more!

We continue to tick off the bucket list, player by player. In the wake of a trip to Minneapolis for the Caterwaul Festival, we chat with Minnesota's favorite son, Greg Norton - who filled his time in-between Hüskers tours as a chef, eventually opening an eponymous restaurant. After going 14 years without touching a bass, and surviving a health scare, Greg is back in the driver's seat: he's got his rejiggered super-trio UltraBomb; a Greg Norton + Buddies tour in which fellow travelers can jump on stage and sing the Hüskers song of their choice; and the debut of his very own signature bass!   We also announce the winner of our IdiotBox Effects Blower Box Deluxe pedal - tune in to find out if you're gonna be bathing your tone in distortion.   Hüsker Dü on Bandcamp (https://huskerdu.bandcamp.com/music) and Spotify (https://open.spotify.com/artist/16bN8mhtDFdegWbg0z3s10?si=4Aycdgk-QamjQk43e_fdxg)    UltraBomb on Facebook (https://www.facebook.com/ultrabombmusic/), Bandcamp (https://ultrabomb.bandcamp.com/) and Spotify (https://open.spotify.com/artist/4u2NU0NKwALURZY2qvtYQb?si=_JkfJPB2RAKRD1yT7DmauA)   Greg Norton Tour info (https://www.songkick.com/artists/2924031-greg-norton/calendar)   Hüsker Dü Live in London 1985 (includes a great version of "Diane") (https://www.youtube.com/watch?v=CphIHzsxduY)   UltraBomb's YouTube Channel (https://www.youtube.com/channel/UCXttjijPvr-QXDwevC5Iqdg)   Caterwaul Festival in Minneapolis (go next year!) (https://www.caterwaul.org/)

Dive deep into the history of one of heavy metal's most iconic bands - Megadeth. From their humble beginnings after Dave Mustaine's split from Metallica to their unrivaled success, author Greg Prato sheds light on this legendary journey.Purchase a copy of The World's State-Of-The-Art Speed Metal Band: The Megadeth Story 1983-2002Find Greg Prato's articles at the Ultimate Guitar website  ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Dave and Ethan are joined by Matt Kelly and Matthew Milligan of the Weird Al-Gorithm podcast for the first part of the discussion to collectively determine the Definitive Top 5 Notable Weird Al Song Cameos! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanCo-produced with Mike Minnick beginning in March 2025Theme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2025 | Dave & Ethan's 2000" Weird Al Podcast

Find our friends on Instagram @ Crimson_Skylines. And catch them live tonight at McFly's Pub. (21 June 2025)Come have fun with us every Tuesday at McFly's Pub at 5pm to 7pm and then stick around for live music with Tommy Luke and Dippy Dawg!Find all of our sponsors under our "Trusted Sponsors" Tab on our soon to be renovated web site, www.fortworthroots.com The Azle Music Academy  www.theazleacademy.orgThe Azle Music Academy is a private music lesson studio that specializes in Guitar, Piano, Ukulele, Drums, Violin, Voice, Bass Guitar, Band Instruments, Early Childhood Music, and So Much More! Peterson's Landscape  (817-739-8413)Welcome to Peterson's Landscape, Dallas/Fort Worth's premier landscape company. For over 35 years, Peterson's Landscape has been providing residential and commercial property owners in the DFW area with the finest in landscape services. From landscape design and installation to regularly scheduled lawn maintenance services, our expert staff provides the knowledge and experience to help you with your outdoor needs Purple Web Consultingwww.purplewebconsulting.comWebsite design and hosting, E-commerce integration, digital strategy and consulting.817.629.6069Making modern business tools accessible to the small business owner so that they can compete with the big dogs! Fort Worth Float CompanyIs your day filled with noise and distractions? Overstimulating sounds and activity? Our daily lives have become overwhelmed with tasks and responsibilities, with very few ways to shut off the world for a brief moment. WELCOME TO FORT WORTH FLOAT COMPANY. They specialize in providing sensory deprivation flotation tanks, providing the ultimate relaxation experience. Offering various pricing and packages, and three different tanks, Fort Worth Float Company meets everyone's floating needs. The Davis TeamLook no further than our friends at The Davis Team for all of your property needs. No commitment necessary. If you have questions about property then visit them online : yourdavisteam.com or give them a call 817.755.0504   Galaxy Wilderness Disc Golf  Galaxy Wilderness is dedicated to promoting Disc Golf to the masses for its health benefits through outdoor therapy, exercise, and camaraderie.Find them on Facebook as Galaxy Wilderness Disc GolfGalaxyWildernessDG@gmail.com(682) 228-0399 The Body Scrubberyon Instagram @thebodyscrubberyOnline at www.thebodyscrubbery.comPhone:925.808.8222A boutique and unique spa experience. "Don't cheat yourself, treat yourself!!" Luxury foot spa, full body scrubs, infrared heat wraps, massage, bubble tub, mud wraps, facials, couples packages, and small group parties.   Roofing Solutions by Darren Houk!Roofing Solutions can help with all your residential and commercial roofing needs. Roofing Solutions by Darren Houk islocally owned and operated. We are insured and have the experience to carry out most roofing projects.Web Page: https://www.roofingsolutionshouk.com/Phone : 817-882-6520 McFly's Pub6104 LTjg Barnett Rd, Fort Worth, TX 76114 · 4.1 miA BADASS little 1980's/ Back to the Future themed bar with an excellent outdoor patio complete with fire pit and room for your fur baby. Daily drink specials and fun activities almost every day of the week. See whats new at McFly's on their Instagram page @McFlysPub.  Cloudland Recording Studiowww.cloudlandrecordingstudio.comCloudland Recording Studio is an analog and digital recording studio located in the heart of Fort Worth, Texas. We are just one mile from downtown and five minutes from the Near Southside entertainment district of Magnolia Avenue.   

One has to go: Waffles… Pancakes… Biscuits Sex Appeal… Sense of Humor… Good Looks Suits… Athletic Wear… Loungewear/Pajamas Oceanfront view… Mountain view… City Skyline view Memorial Day… Fourth of July… Labor Day In A Woman: Intelligence… Beauty… Great Body Drums… Bass Guitar… Horns Steve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.