Podcasts about Hill House

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Episode 88 Occupied by Tim Rich   Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/88_Occupied_by_Tim_Rich.mp3 This poem is from: Dark Angels: Three Contemporary Poets Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Interview transcript Mark: Tim, where did this poem come from? Tim: So, almost always for me, poems just emerge out of some sort of inner dusk. I'm not someone that can go to their desk with a plan to write about a particular message or topic or piece of content. The poem just presents itself to me. And actually I don't really have any choice in the matter. I'm sort of just forced to be a transcriber in that moment. And I was looking at the sea the other day, and I had this moment when I just thought my poems are a bit like strange sea creatures that live on the seabed. And at a particular point in their life, they decide that they just want to go to the light and they start floating up through the murky water and explode in bubbles on the surface. And, you know, hopefully I'm there sitting in the poet's boat ready to haul them on board. So, that's almost always how poems start for me. And this poem very much began that way. I was at home on a winter's evening, and it just began to come through me, as it were. And the context for that was that after many years of living in the same house, my wife and I were starting to think about the possibility of moving. And, you know, it was a really exciting prospect but also it definitely was stirring up the sediment of my unconscious. I'm someone that really feels the need for a settled home, a settled place, and this unsettled me. So, I think that that was what was giving the raw energy to the content. And there was something else, which is what informed the scenery of the poem, if you like, which is this idea of light withdrawing from a space and what that does within the space. And when I was 11, I was living just with my dad, and he would come home from work later than I would get home from school. So, for the first year or so, he arranged for me to go to some elderly neighbours on the way home from school. So I was, sort of, watched, and we would sit in their front room, and they would load up their coal fire. And through the windows, the sun would set slowly, and they were so calm. They would hardly speak. When they did speak, it was about these, kind of, wonderful domestic details like, you know, what needs to be chopped for dinner, or are there any windfalls in the garden that we can harvest tomorrow? It was very, very calm. And, you know, the coals in the fire were glowing red, but the rest of the room just lost its light. And I remember the shape of their very heavy old furniture, and the picture frames, and the curtains all began to disappear. And that must have just lodged somewhere deep within me, because that's very much, as the poem came out, where I was also taken to in my mind. Mark: So, I like this. So, I mean, to put it bluntly, it's not like you moved into a house and then you wrote this. You were thinking about moving and then a house emerged from your unconscious, from memories of other houses and so on. Tim: Yeah, yeah. Absolutely. Mark: And I think that's kind of a salutary thing to hear because… And this is a poem that really you read it and you totally believe it. It feels like a first-hand account of, well, we did this and this is what happened. And yet you're, kind of, pulling the rug from under our feet here, which is a nice thing in poetry. I think that you can't necessarily take it literally or face value. Tim: Well, we moved house… Yeah, we moved house about six months after I wrote the poem. So, I went through the experience of living the poem, which seems to be quite a good way around. Mark: Did you conjure the house, Tim? Tim: Actually, it was wonderful because it confirmed to me part of what motivated the poem, which is that I think we can all become a little bit… I don't know. Complacent seems to be too loaded a term, but we get so used to how our houses speak that we stop hearing them. And actually, there's this kind of wonderful symphony going on the whole time, you know, radiators making those strange percussive noises, and the way that the door squeaks, or suddenly, you know, how your staircase gets to a particular temperature in the middle of the night and decides to squeak. And they're constantly making these noises. And when you're living there, you stop hearing them. But when you move to somewhere for the first time, or sometimes if you go and stay in a haunted Airbnb in the woods, that first night particularly, everything's coming to you fresh. So, I think there's a strong sense of what's it like when a person moves into a space for the first time and that space has a character, and an energy, and a being of its own. Mark: So, really it's that state of heightened awareness, isn't it? You know, apparently this is how the mind works. If you've got a constant stimulus, the mind will tune it out. It's that Heaney line, you know, ‘The refrigerator whinnied into silence,' which is just that moment of… You only hear the fridge when it stops. Tim: Yeah. Mark: And what you're describing is the reverse of that. When you're in the house for the first time and everything is new and you're on hyperalert for the voices of the house. Tim: Yeah. And we're listening to our houses right now because there's a 1066 Line train from Hastings that's just gone into the tunnel over there. But we probably can't quite hear it on the microphones, but it's in the air and it's just touching elements of the house. And we're surrounded by this the whole time. And I think it's important to say, as soon as the poem had laid itself out on the page for the first time, it was clear to me that this poem was about people moving into a home for the first time, but it is also quite a vivid description, I think, of what was going through me at the time in terms of that unsettled nature. You know, I was quite surprised by the nature of the metaphors that my unconscious had presented me with. I mean, it's quite a portrait of anxiety to double-check the curtains, to lock a bolt as if it's an old rifle. You know, this is partly a portrait of an unsettled, anxious mind, which is, I think, something that I was going through at the time. Mark: And you've got some great similes, you know, the iron door bolts like an old rifle. And there's this lovely bit where you talk about ‘drawing drawn curtains'. And if you look on the website, then you can see that there's a line break after drawing, so it's drawing, line break, drawn curtains, which really just emphasises it's already drawn. You don't need to do it. This is the OCD kicking in, which really speaks to that anxiety you're describing. And I really love the second section where you say, ‘All that first day, the house talked to itself about us,' which is just a wonderfully unsettling idea that we are the intruders and the house has an opinion. Tim: Yeah, I definitely wasn't being sort of whimsically mystical about infrastructure and materials. It was definitely the feeling that there is an exchange when animals, human and other, come into a space. There's a change in energies and temperatures and sound and smells. And, you know, the dynamism of creatures come into a space that has been unoccupied, which is what generally most houses are, you know, sometimes for days, sometimes for months, and years before the new occupants come in. And I was just really taken with that idea that the house also needs to find its way of settling under these new occupants. And that seemed like a moment of 24 hours of the two parties eyeing each other and listening to each other and wondering about, ‘Who is this that I need to live with for these next years?' Mark: And it's quite a humbling poem, isn't it? Because, you know, when you think of owning the house or occupying the house, it's like you're the one in charge. But this poem just kind of subverts that idea that it's the house that's weighing us up, as in the people in the poem. It made me think of that TV series David Olusoga does, A House Through Time, where he gets an old house, and he goes through the records, and he looks at all the people who lived in the house and tells their story. And there's quite a lot of them, like, much more than I would have expected. You know, each episode goes on and on and on, and you just realise the house is staying there. The house is constant. These people, they're temporary. They might think they're the owners, but we're just passing through. Tim: We are passing through. It is a reminder of our mortality and our houses often way outlive us. Also, in recent years and decades, there's been an increase in the way in which people work from home, but that isn't a new thing. So, I wrote this poem in the house we lived in before, which was built to be a weaver's cottage, a live/work weaver's cottage. And, you know, they would find their living accommodation in quite modest corners of the house because a lot of it, at different times in the process, was given to equipment and storing material and a very intense version of live/work and working from home. And, you know, I think that part of when people suddenly a whole generation through particularly lockdowns but also just this change in working habits are spending much more of their life within the home quite often and what that means in terms of their relationship to the space and how the house relates to that. Tim: I think, just as I'm speaking, it occurs to me that perhaps also part of the influence of the atmosphere in the poem is around some of the fiction that I enjoy. And I haven't thought about this until we were talking now, but I like an M. R. James novel, or, you know, The Haunting of Hill House has just come to mind, and buildings and atmospheres that speak, as sort of some of the atmospheres you get in a Robert Aickman type horror novel. So, some of the classic British horror novels and that type of fiction. And just as we were talking about that, and I was also casting my eyes down the poem, there's some of the dusk that you get with those places, which is in this poem. And it's great, isn't it, coming back to one of your own poems quite a while after you wrote it, and you perhaps see some of the reasons for its being in a slightly different way. Mark: I mean, that's the basic premise of the haunted house is that the house is alive. I mean, you've not gone full Hammer Horror with this one. It's maybe a little more subtle, but you've definitely got some really wonderfully suggestive details. I loved ‘inner doorways muttering behind / flat hands, oak floors – masonic / in their black treacle gloss'. And that's so true. There are so many of these old houses. It's like, what happens to the wood? How does it get to be like treacle? And there's that heaviness and that opacity about it that you convey really well. Tim: Yeah. I was taken with the idea of the house being almost quite an august figure in some ways. It would be wrong to say it's proud of itself, but deciding whether to settle under our presence is quite… Mark: It's not aiming to please, is it? Tim: It's not. It's not easily won over. I mean, you know… Yeah, let's see what these new occupants are like. You know, what do they get up to? What are their tastes? What do we think of the prints that they put up on the wall? Mark: Yeah. Will they get it? Will they behave themselves? So you've got this lovely line in the third paragraph, ‘So the room released its form / and we sat among one another.' Well, thinking about the form of the poem, how close is this to, say, the first draft when you were hauling the sea creature out from the depths over the side of your poetic boat? Tim: Yeah, when the poem came out onto the page, it actually made a demand of me. It said, ‘I don't want you to put me into very organised type measures. I don't want to be sorted into regular stanzas. And also, I want you to be quite careful about any linguistic bells and whistles.' It just was a bit like the house. It had almost a sort of slightly stern feeling to it as a poem. It was very clear, and it was saying each of these stanzas, or scenes maybe, has to be as long as it wants to be. ‘I don't want you to spend time evening things up or creating consistency.' And there are many other poems that I've written where, of course, I'm deliberately very measured, very consistent. At the moment, a lot of the poems I'm writing have a lot of half rhymes but particularly a lot of internal rhymes. And, goodness, audaciously, you know, I even have a rhyming couplet in a poem that I'm working on at the moment. But this poem just said, ‘I don't want any of that.' Now, that's not to say that there aren't some half rhymes or suggestions of rhymes, and certainly some lovely withholding with words at the end of the line that only resolve as you move through into the next line, the enjambment of the word and the meaning falling over into the next line. Definitely that happens. But I tried to edit this into different shapes. I probably tried it five different ways, and each time it just felt wrong quite quickly actually. I tried to give it a consistent number of lines per stanza, and it repulsed me as a poem. It just said, ‘No, I need to be this free form.' And also, I had to accept that it's probably a little bit messier than I normally feel comfortable with. And it was good. I was like, ‘Actually, you know, just stop fighting. Just stop fighting it.' Sometimes your poems can be more irregular, more free, less obviously organised. And I think it has its rhythms that hold it together. It does for me. And listeners will decide, when they hear it, whether those rhythms are actually holding it together. Mark: Well, for me, it feels a bit like one of those old houses where you go in and there's not a right angle in sight. You know, the floors are sloping. The doors have to be a kind of trapezium to open and close, which I think is obviously true to the spirit of the thing. And it's like the house itself. It's not trying too hard. You can read it quite quickly, and it seems quite plain-spoken and spartan. But when you look, you notice the little details. Like, you know, there's the door bolts like a rifle, and the ‘nasonic', a wonderful adjective. And I've just noticed now, as we were talking, in the final verse, ‘In time, each stray thought / went to its home, leaving this / accommodation to take place'. And that's a lovely reframing of ‘accommodation', because the everyday sense is a place where you go and live, but it's an accommodation in the sense of a mutual alignment, almost like a negotiation or getting used to each other, which I think is really delightful. Mark: Okay, Tim, so I have to ask, looking again at the poem, what on earth is going on with buttering the cat's paws at the beginning? Tim: So, buttering the cat's paws is a bit of folk wisdom. And the idea is that when you move to a new house, if you have a cat or cats, that you actually put lovely, creamy butter on their paws and that they, you know, as cats do, will then spend time licking and licking and licking. And it means that more of their scent is put into the floor and the grounds of the place so they feel at home quicker and sooner. So they're sensing the place much more actively sooner. Now, I don't think there's any scientific evidence to suggest it works. But, you know, if anyone has any experience with this, I would love to hear it. But I don't really care, because the whole image of spreading beautiful, creamy butter onto the paws of the cat and that somehow just inviting them to feel that this place is home is more than enough for me. And I'd heard the phrase years and years and years before. And again, I think it was just the very first phrase that came out as the poem emerged. I think it was opening the doorway to the poem, and it felt very natural for it to be the beginning of the poem. I wonder now, looking back, whether there's something to do with the eye opened with an animal spirit. And so much of this poem really has come up from the unconscious. And I'm not starting with a very measured, conscious human, you know, activity or… I'm not saying, you know, ‘we made the decision to move'. It's not a person-led piece in the sense that, okay, we're doing the buttering, but it's the cat that's front and centre in that open line. And that's not something that I particularly thought about consciously at the time. But looking back, I think there's a hint there that we're not just talking about a straightforward human, rational response to living in a place. There are animal spirits too. Mark: Yeah, and it feels like a wonderful piece of folk magic. I mean, cats are magical creatures like witches' familiars. And, you know, maybe there's a magical aspect to that. It's a little ritual, isn't it? Tim: It is. I had a question for you, but it just came out of part of my experience of this poem going out into the world, which is that I've just been surprised, in a wonderful way, by how diverse and often surprising people's responses are to poems, how I can never really tell what it is about a poem someone's going to pick up and come back to you about. You know, for example, someone has given copies of this poem to friends when they move house. Mark: Oh, lovely. Tim: …as a housewarming present, a printed letterpress, which is very, very beautiful. Someone else said that they really loved sort of, what did they say, the soft absurdity around the house being almost this grand piece. And others have responded in different ways. And I think it's one of the wonders of poetry, maybe something that doesn't get talked about quite so much, which is that we interrogate the meaning for ourselves. And if you work with your editor and sometimes reviewers, meaning is discussed. But actually, my experience, when poems go out into the world, is it's just incredible how broad the range of response is and what people pick up on. And I suddenly think, well, is that just my experience? So what's it like for you? Are you constantly surprised by what people pick up and come back to and focus on with your poems? Mark: Yeah, it's a little bit like a Rorschach test, isn't it? People see themselves in it to a degree, or they see something that will resonate for them. And to me, it's the sign of a real poem if it can do that, if different people see different things in it. If it was too obvious and too, you know, two-dimensional, then that's fine, but it's not really a poem. And I think this is part of the magic of why poems can persist over time. Society is shifting all around them. Maybe a few of the houses are constant, but the poem still inhabits the space, and people still relate to it for decades or hundreds or even thousands of years sometimes. Tim: Yeah, I think there's an important point for poets that you have to maintain your confidence in ambiguity and what might feel like potential confusion. Of course, you need to think through how you're writing it and avoid unintended, poor consequences. But there's also a point in which I think you have to protect some of the messiness of meaning and not try to pin things down too much. Of course, there are different types of poets, and some poets need to be very clear and very message-driven. But I'm thinking, for me, there are sometimes moments when I think, ‘Am I just leaving this hanging and ambiguous and a bit dusky in terms of meaning?' And that's the point at which I think, ‘No, quite often just trust that people will find their own way into the poem.' Mark: Yeah, absolutely. And this is something I've seen a lot in classes, and it certainly happened to me very often. You know, the teacher will say you can cut the last line because we already get it. You don't need to underline the message of the poem. Sometimes we feel a bit nervous just leaving it hanging. And you've absolutely had the confidence to do that with the wonderful ending of this, where you talk about ‘the punctuating crack and hiss / as fresh eggs are broken / into a smoking pan. Someone / opening a window' – and that's it. I mean, tell me about that ending. How did you arrive at that? And did you go back and forth? Did you think, ‘Can I leave that window open, that line?' And by the way, listener, there is no full stop either to hang on to at that point! Tim: Yeah. I have to say, I do find myself clearing away more and more of the furniture of the poems. And there is a very deliberate lack of a full stop there. It was all there in the first draft that came out. It wasn't a constructed or reconstructed ending later on. Again, the poem seemed to want to open into something rather than close itself down and make a point. I think that in the action of the poem, we've moved through this dusky night, including a sort of bout of insomnia, of staring into the darkness. And then morning is coming, and it's full of new things. And there is something about that morning of waking up in a new house. What a moment in someone's life that is. Mark: Yeah. Yeah, yeah, yeah. Tim: It's just extraordinary. And there's a natural link there into the egg as a symbol. Something new, something is being born. And yeah, there may be many reasons why that window needed to be open. The smoke from the pan is one thing, which is all about the… Mark: Right, right. Setting the smoke alarm off! Tim: Yeah, it goes off in our kitchen quite often. And of course, the cooking is, again, this thing of humans being in a house and occupying it and all of the energy and dynamics. And how are you most going to make a new home your own? You're going to get out and start cooking and making a mess and eating together and getting things moving. I have no idea who the someone is, and I don't know what their motivation is for opening a window. And I like that. Mark: Okay. Well, let's have another listen to the poem and maybe, you know, each of us, as we listen to this this time, just see what associations come up for you. You know, houses you've lived in, places you've been, memories it conjures up. Thank you very much, Tim. What a lovely space to explore with this poem.   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Dark Angels: Three Contemporary Poets ‘Occupied' is from Dark Angels: Three Contemporary Poets, published by Paekakariki Press. Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK     Tim Rich Tim Rich grew up in the woods of Sussex and now lives and writes by the sea in Hastings. His poems have been published in numerous anthologies and journals, including Dark Angels: Three Contemporary Poets (Paekakariki Press) and Poet Town (Moth Light Press). The Landfall series – exhibited at the Bloomsbury Festival, London — brought together his poetry and photography. He has five poems in the anthology Family Matters, a collection of poetry about family, to be published in 2026. Alongside poetry, Tim writes, edits and ghostwrites books.  timrich.com Photograph by Maxine Silver   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town.

Winter is a vibe—and so is the way we read during it.  In this episode, Joe is joined by Cece and Meara to talk all things winter reading vibes, from how mood reading works for us to whether TBRs ever stand a chance. We get honest about DNFing books (when we quit, why we quit, and how we make peace with it) and then wrap things up with book recommendations that feel just right for the colder months—think cozy, atmospheric, emotional, and immersive reads.  If your winter reading life looks nothing like your reading goals… you're in good company.  Looking for the video version of our show? Check out the Libby App YouTube channel!  Book recommendations:  Cece's Picks:  The Boys in the Valley – Philip Fracassi  Adrift in Currents Clean and Clear (Wayward Children series – Book 1 Every Heart a Doorway) – Seanan McGuire  The Forgotten Girl – India Hill Brown  Echo After Echo – A.R. Capetta   Meara's Picks:  The Hush – Sara Foster  These Immortal Truths - R. Raeta  These Godly Lies – R. Raeta  Cold - Drew Hayden Taylor  One Dark Window - Rachel Gillig   Joe's Picks:   Strange Pictures - Uketsu  Strange Houses - Uketsu   Bad Dolls – Rachel Harrison   The Writing Retreat – Julia Bartz   Breathe In, Bleed Out – Brian McAuley   The Staircase in the Woods – Chuck Wendig   Idle Grounds - Krystelle Bamford   Old Country by Matt & Harrison Query  The Haunting of Hill House – Shirley Jackson   Bochica – Carolina Florez-Cerchiaro   Play Nice – Rachel Harrison   The Apartment Across the Hall – Jack Dane   The Most – Jessica Anthony   The Three of Us – Ore Agbaje-Williams   Who's in this episode:   Cece – Links  Meara - Links  Time stamps:  00:00:00 Title  00:00:23 Intro  00:01:13 Diving into winter vibes & mood reading with Cece & Meara!  00:16:05 Meara's tracker spreadsheet & fixing a reading slump  00:20:33 Do TBRs exist anymore?   00:35:10 How do your reading habits change with the season?  00:38:41 DNF'ing books  00:48:41 Some recommended reads for the vibe  01:05:03 Wrap up and outro  Readers can sample and borrow the titles mentioned in today's episode in Libby. Library friends can add these titles to their digital collections for free in OverDrive Marketplace and Kanopy. Check out our Cumulative List for the whole season, or this list for today's episode!  Looking for more bookish content? Check out the Libby Life Blog!  We hope you enjoy this episode of Book Lounge by Libby. Be sure to rate, review and subscribe on Apple Podcasts, Spotify, or wherever you listen! You can watch the video version of our show on the Libby App YouTube channel. Keep up with us on social media by following the Libby App on Instagram!   Want to reach out? Send an email to bookloungebylibby@overdrive.com. Want some cool bookish swag? Check out our merch store at: http://plotthreadsshop.com/booklounge!  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Run2PB coaches Chris Armstrong and Zac Newman are joined by returning guest and "pod veteran" Chris Hillhouse. Fresh off a massive track debut in Hobart, Chris shares his journey from setting PBs on a school footy oval to becoming a 2:38 marathoner. TThe training talk starts with Chris Armstrong navigating a 66km week and a particularly "uncomfortable" set of Deeks Quarters. On the other side of the mic, Zacca is finding serious momentum with a 94km average over the last month. Zac details his BT Fartlek session at Albert Park and continues to build with a spicy long run.Returning Guest Chris Hillhouse joins the conversation to unpack his recent 16:10 debut in a 5000m track race down in Hobart. This performance marks a significant milestone in a rapid progression that began in May 2024. Coached by Josh Harris. He reflects on his Melbourne Marathon debut, where he crossed the halfway mark feeling strong in 79 minutes before facing the inevitable "wall" and emotional struggle that hits at the 27km mark, he rallied and managed to run 2:38.Beyond the running stats, the episode explores Chris's life as a landscaper and the face of "Over the Hill Gardening". Follow Here: https://www.instagram.com/overthehillgardening/?hl=enThe banter continues as the boys dive into the world of icy pole reviews. Chris shares his thoughts on the infamous Juicee icy poles, giving them a lowly 1/10 for taste.The episode wraps up with a discussion on a bizarre story from the Hong Kong Marathon, where a runner was disqualified at the 15km mark. Race officials pulled the participant off the course after realizing he was carrying an infant in a front carrier—complete with its own official race bib. The crew discusses the absurdity of the "baby-bouncing" logistics and compares it to more traditional (and legal) pram running.With thanks to Oat Running our partner,Listeners of the show can get a a 15% discount using "run2pb15" at the check out. Visit www⁠.oatrunning.com.au

This is Episode 2 of 4 in Foul Play's Road Hill House Murder series, covering Victorian England's most notorious family crime. Episode 1 established the Kent family's toxic dynamics and the discovery of three-year-old Francis Saville Kent's body. This episode follows Detective Inspector Jonathan Whicher's revolutionary investigation and his tragic downfall at the hands of Victorian class prejudice.On July 16, 1860, a train departed Paddington Station carrying a middle-aged man with a smallpox-scarred face and blue eyes that catalogued every detail. Detective Inspector Jonathan Whicher—one of England's first professional detectives—was about to solve the Road Hill House murder in just five days. What he couldn't solve was Victorian society's refusal to believe...Episode SummaryWhen Scotland Yard's finest detective arrived in Wiltshire to investigate the murder of three-year-old Francis Saville Kent, he brought revolutionary investigative techniques that would shape criminal investigation for generations. Detective Inspector Jonathan Whicher interviewed witnesses separately, compared their stories for inconsistencies, and built psychological profiles—methods modern detectives would instantly recognize.Within five days, Whicher had identified his suspect: sixteen-year-old Constance Kent, the victim's half-sister. His evidence centered on a missing nightgown—one of three that Constance owned, now mysteriously absent from the household laundry. In an era before DNA analysis or forensic laboratories, Whicher understood that the absence of evidence could itself be evidence. A bloodstained nightgown couldn't be cleaned or hidden—it had to be destroyed.But Whicher faced an obstacle more formidable than any criminal: Victorian class prejudice. He was a gardener's son who had risen through merit. Constance was a "young lady of good breeding." When he arrested her, the public erupted in fury. Newspapers condemned him for persecuting an innocent girl. Her defense attorney, Peter Edlin, transformed the preliminary hearing into a trial of Whicher himself—questioning what kind of man interrogates a teenage girl alone in her bedroom.The magistrates released Constance due to insufficient evidence. Whicher returned to London in disgrace. His career was destroyed, his health broken. He was right about everything—and it cost him everything.Key Case DetailsDetective: Jonathan "Jack" Whicher, Detective Inspector, Scotland YardSuspect: Constance Emily Kent, age 16Victim: Francis Saville Kent, age 3 years 10 monthsLocation: Road Hill House, Road (now Rode), Wiltshire, EnglandTime Period: July 16-27, 1860Key Evidence: Missing nightgown from household laundry recordsOutcome: Constance released; Whicher's career destroyed by class prejudiceThe First Modern DetectiveJonathan Whicher represents a pivotal moment in criminal justice history. Before professional detectives, crime investigation relied on informants, rewards, and confessions obtained through pressure. Whicher pioneered systematic investigation: separate witness interviews, timeline reconstruction, psychological profiling, and the revolutionary concept that physical evidence—or its absence—could tell a story.His techniques at Road Hill House read like a modern investigation manual. He interviewed the household staff individually, noting inconsistencies in their stories. He reconstructed the timeline of the murder night hour by hour. He examined the crime scene for physical evidence. He built a profile of the likely killer based on access, motive, and opportunity.The tragedy is that his brilliance couldn't overcome the social barriers of his era. Victorian society wasn't ready to accept that respectable families could produce murderers—or that a working-class detective could be right about an upper-class suspect.Victorian True Crime ContextThe Road Hill House case exposed fundamental tensions in Victorian society. The emerging professional police force—Scotland Yard was barely thirty years old in 1860—represented a threat to traditional class hierarchies. When Whicher accused Constance Kent, he wasn't just accusing a girl of murder. He was claiming that a working-class detective could penetrate the secrets of respectable families and judge their daughters.The public backlash was immediate and fierce. Newspapers that had demanded answers now demanded Whicher's resignation. The same society that was horrified by Francis's murder was more horrified by the suggestion that his killer came from within his own family.Historical Context & SourcesWe highly recommend Kate Summerscale's acclaimed 2008 book "The Suspicions of Mr Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective," which provides the most comprehensive modern analysis of the case. Additional details come from contemporary newspaper accounts in The Times and Morning Post, trial transcripts from the National Archives, and Victorian police records documenting Whicher's investigative methods.Resources & Further ReadingKate Summerscale, "The Suspicions of Mr Whicher" (2008)The National Archives (UK) - Victorian Crime and Punishment RecordsBritish Newspaper Archive - Contemporary coverage 1860Related Media:"The Suspicions of Mr Whicher" (2011 TV film starring Paddy Considine)Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comSupport this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're Southbound for monster-loving this week on Talking Scared.  Georgia writer, Yah Yah Schofield comes to discuss her Southern Gothic debut, On Sundays She Picked Flowers – a story of monsters, spirits, swamps, and generational trauma. There's a very bad mama and a very haunted house.   Yah Yah and I talk about mother-daughter relationships, the difference between ghosts and haints, the influence of elders, and why the rules are different for Black ‘weird girls.'   Plus, in Yah Yah's own words – we discuss tongue-kissing monsters.   Enjoy!   Other books mentioned: The Haunting of Hill House (1959), by Shirley Jackson Haints: American Ghosts, Millennial Passions and Contemporary Gothic Fictions (2011), by Arthur Redding The Colour Purple (1982), by Alice Walker Beloved (1987), by Toni Morrison Sula (1978), by Toni Morrison In the Dream House: A Memoir (2019), by Carmen Maria Machado The Lamb (2025), by Lucy Rose We Are Here to Hurt Each Other (2022), by Paula D. Ashe Between Two Fires (2012), by Christopher Buehlman Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 37, Episode 1 of 4This is the first episode in Foul Play's four-part investigation into Victorian England's most notorious family murder and the case that birthed modern detective fiction.Elizabeth Gough checked Francis Saville Kent's cot at five in the morning on June 30, 1860. The blankets were gone. The three-year-old was gone. And somewhere in Road Hill House, someone who knew exactly what had happened was waiting for the search to begin—On the last night of June 1860, three-year-old Francis Saville Kent was lifted from his nursery bed in the family's Wiltshire mansion. Hours later, a servant discovered his small body in the outdoor privy, his throat cut nearly to the spine.The killer came from inside the house. That much was immediately certain. But who among the nine people sleeping at Road Hill House that night would murder a child? And why?This episode traces the fractured Kent family—a household divided between a tyrannical father's first marriage and second, where teenage Constance and her brother William existed as ghosts in their own home while their half-brother Francis received everything they'd been denied. We witness the horror of discovery morning, the bungled local investigation, and the arrival of Detective Inspector Jonathan "Jack" Whicher from Scotland Yard—a working-class detective about to walk into a class warfare trap that would destroy him.Some walls don't protect families. They hide what families are capable of doing to themselves.Key Case DetailsVictim: Francis Saville Kent, age 3 years and 10 months, murdered June 29-30, 1860Location: Road Hill House, village of Road (now Rode), Wiltshire, EnglandCrime: The boy was taken from his nursery bed between midnight and five in the morning, carried through the dark house, and murdered in the outdoor privy. His throat was slashed from ear to ear with a razor or knife, cutting nearly to the spine. His body was stuffed into the privy vault and hidden among waste.Initial Investigation: Local police focused on servants and outsiders, refusing to suspect the respectable Kent family. Critical evidence—including a bloodstained nightgown belonging to sixteen-year-old half-sister Constance Kent—was destroyed by her father with police cooperation. The inquest returned "willful murder by person or persons unknown."Scotland Yard Intervention: Detective Inspector Jonathan Whicher arrived July 16, 1860, and within five days identified Constance Kent as his primary suspect—the first time in English history a young lady from a respectable family faced formal murder charges.Section 4: The Victim - Francis Saville KentFrancis Saville Kent deserves to be remembered as more than a murder victim. He was three years and ten months old—dark-haired, curious, his father's favorite child. He collected smooth stones from the garden and named them after colors. He asked endless questions about where stars came from and why dogs didn't talk. He had a stuffed rabbit he couldn't sleep without and an imaginary pack of dogs that followed him everywhere.He was learning to count but always skipped the number nine. He negotiated extra bedtime stories with remarkable persistence for a toddler. He called his half-sister Constance "Tannie" because he couldn't pronounce her name.He was three years old. Someone murdered him anyway.Section 5: Victorian True Crime ContextVictorian England in 1860 was obsessed with respectability. Gas lamps flickered in drawing rooms across the countryside while servants moved silently through service corridors. Behind heavy curtains and locked doors, families performed daily rituals of propriety—morning prayers, afternoon tea, church attendance every Sunday.The outside world saw polished brass door knockers and manicured gardens. Inside, secrets festered.The Road Hill House case shattered Victorian assumptions about where crime originated. Respectable families didn't produce murderers. Young ladies of good breeding didn't commit violence. Working-class detectives couldn't accuse gentlemen's daughters.These assumptions would destroy Detective Inspector Whicher's career—and let a killer walk free for five more years.Section 6: Historical Context & SourcesThe Road Hill House Murder became Victorian England's most notorious domestic crime and directly inspired the birth of detective fiction. Wilkie Collins used case details when writing The Moonstone (1868), widely considered the first modern detective novel. Charles Dickens followed the investigation closely and incorporated elements into his final, unfinished novel The Mystery of Edwin Drood.Detective Inspector Jonathan Whicher's methods—systematic crime scene analysis, methodical witness interviews, evidence-based deduction regardless of social class—represented revolutionary policing. His destruction by class prejudice exposed how Victorian justice protected the respectable while prosecuting the poor.Primary Source: Kate Summerscale's The Suspicions of Mr Whicher (2008) provides the most comprehensive modern account, drawing on original trial transcripts, contemporary newspaper coverage, and National Archives documents.Content Advisory: This episode contains clinical description of violence against a child, consistent with documented historical records.Section 6A: Resources & Further ReadingThe Suspicions of Mr Whicher by Kate Summerscale (2008) - Definitive modern account of the caseCruelly Murdered by Bernard Taylor (1979) - Alternative analysis exploring brother William's potential involvementThe Moonstone by Wilkie Collins (1868) - Detective fiction directly inspired by the Road Hill House investigationThe National Archives (UK) maintains original trial transcripts and investigation documents from 1860-1865Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comSupport this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us a textA group of young friends inadvertently resurrect a seemingly invisible evil. They must battle zombies craving brains during a zombie outbreak at a drag show, putting personal conflicts aside to utilize their distinct inabilities against the undead threat. On Episode 701 of Trick or Treat Radio we wrap up 2025 with our final December Double Feature Cram Jam! We discuss the films Queens of the Dead and The Wailing (2025). We also talk about following in the footsteps of a famous parent, react to trailers for the films Psycho Killer and Kraken, and talk about the always fun topic of generational trauma! So grab your 2026 calendar to mark off all the important dates, make yourself scrumptious, and strap on for the world's most dangerous podcast!Stuff we talk about: Final show of 2025, over the hill assholes, the future is looking meh, The Bride, Ready or Not: Here I Come, horror lovers dream, the 2026 dip, Bugonia, The Mastermind, The Brutalist, Leprechaun Back to the Hood, Attack of the 50 Foot Cheerleader, Caity Lotz, The Alphabet Killer, Buffy, Skinwalkers, The Grudge, The Stepford Wives, The Unborn, Sophie Ward, The Hunger, Waxwork II: Lost in Time, Bad Dreams, The Craft, Kelli Maroney, The Evil Dead, Ellen Sandweiss, Lloyd Kaufman, Troma, Slither, Hatchet II, Superman, Fred Ward, Tremors, Cannibal Girls, Damien, Jack Riley, War of the Gargantuas, Haunting of Hill House, Joe Balogna, Transylvania 6-5000, Amityville Horror, Flatliners, Eyes of a Stranger, The Final Countdown, Nightmare Beach, The Manitou, Psycho, Carmen Diego, Diary of a Madman, the million dollar banana, Smallville, Severance, 8mm, Joaquin Phoenix, Mel Brooks, Dick Van Dyke, Younger Frankenstein, Kraken, Psycho Killer, Georgina Campbell, Norwegian monster flicks, Norwegian Wood, Ben DiBanana & Phil McKraken, Leaf Phoenix, Collision Course, Queens of the Dead, Tina Romero, Katy O'Brian, Gaylen Ross, Jack Haven, Margaret Cho, Studio 666, Blitz/Berlin, good tax breaks in Bumf*ck Arkansas, The Wailing, Pedro Martin-Calero, Host, Al Bundy, it's always cocktober, Top 5 Excuses, confusing days, back off I'm a podcaster, happen in the kraken, Bootality Films, and the slippery slope tight rope.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Robert Wise's The Haunting (1963) is often hailed as one of the greatest haunted house films ever made - but does it still hold up today? In this review, Chris and Gerry take a deep dive into this chilling Psychological horror classic, exploring its atmosphere, sound design, performances, and the subtle terors that make it unforgettable. We'll discuss how The Haunting uses suggesion over spectacle, why Hill House remains one of cinema's most terrifying locations, and how the film influenced generations of horror filmmakers. If you're a fan of classic horror, gothic cinema, or intelligent slow-burn scares, this review is for you.

Mike Flanagan knows horror. Any fan of the genre will tell you that he's one of the most exciting directors working today, creating haunting and uniquely terrifying films like "Oculus," "Gerald's Game," and "Doctor Sleep," not to mention his many Netflix series, including "The Haunting of Hill House" and "The Fall of the House of Usher." His latest film, "The Life of Chuck," may therefore seem like a bit of a departure. It doesn't explicitly aim to scare viewers in the ways that they might expect from a Flanagan production. But as the filmmaker himself would explain, it's a logical continuation of the kinds of stories he likes to explore. Namely, it concerns itself with big thematic topics, like the impact of one person on others and the peculiarities of living a finite existence. It's a moving, expansive film that has the capacity to horrify, stun, and affect its audience just as much as anything he's made before, even if it has no broken-neck ghosts or bathtub-dwelling ghouls. Mike Flanagan was kind enough to spend some time speaking with us about the details of how the Stephen King story that inspired the film came to him at exactly the right time. He also talks about the differences and similarities of telling stories on TV and film, what it's like to adapt King's work, and how he came to work with his son for the very first time. You can listen to this interview below. Please be sure to check out the film, which is now available to rent and own through NEON and is up for your consideration at this year's Academy Awards in all eligible categories. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

What were the BEST fantasy, sci-fi, and horror experiences of 2025?In this episode of Fantasy for the Ages, Zach & Jim each reveal their Top 5 content experiences from five different categories, giving you a ranked list of 25 must-read and must-watch picks that defined our year in speculative fiction.We're covering:•

Burnt Offerings (1976) is one of the most unsettling haunted house films of the 1970s and one of the most underrated. Starring Karen Black, Oliver Reed, Bette Davis, and Burgess Meredith, this slow-burn psychological horror follows a family whose summer rental house may be feeding on them in terrifying ways. In this review, we explore Burnt Offerings' chilling atmosphere, Haunted performances, and disturbing themes of possession, sacrifice, and domestic decay. Often compared to The Shining and Haunting of Hill House, this film quietly builds dread until its unforgettable finale. Is Burnt Offerings a hidden gem of classic horror, of simply a curious relic of 1970s cinema? Chris and Gerry step inside the house and see what it takes in return.

2025 has come to an end, so that means it's time to break down our standout reads of the year. I am joined by my friend, fellow podcaster and reviewer, Anna Dupre of the Anna Rose Reads Podcast. This was a year full of cannibalism, sweeping historicals, and weird little horny books, so a great year! Books Mentioned: Short Story Collections/ Anthologies Teenage Girls Can Be Demons by Hailey Piper Mystery Lights by Lena Valencia You Glow in the Dark by Liliana Colanzi (translated by Chris Andrews) The Poorly Made and Other Things by Sam Rebelein Oddbody by Rose Keating PUNK goes HORROR: A Mixtape Anthology edited by William Sterling It's the End of the World As We Know It: New Tales from Stephen King's Stand edited by Brian Keene and Christopher Golden Graphic Novels A Guest in the House by E.M. Carroll Saint Catherine by Anna Meyer Beneath the Trees Where Nobody Sees by Patrick Hogarth Young Adult Horror Showstopper by Lily Anderson Sunrise on the Reaping by Suzanne Collins The Overnight (#3) by RL Stine Middle Grade Horror Ride or Die by Delilah S. Dawson  Mystery James Digs Her Own Grave by Ally Russell Another by Paul Tremblay Broken Dolls by Ally Malinenko Non-Fiction Sick Houses: Haunted Homes and the Architecture of Dread by Layla Taylor There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib Scream With Me: Horror Films and the Rise of American Feminism by Eleanor Johnson The Midcentury Kitchen: America's Favorite Room, from Workspace to Dreamscape, 1940s-1970s by Sarah Archer Non-Horror Blob : A Love Story by Maggies Su The Favorites by Layne Fargo The Wedding People by Allison Espach Last Night at the Lobster by Stewart O'Nan Horror Novella Spread Me by Sarah Gailley The Film You Are About to See by Hailey Newlin Horror Debut Bat Eater and Other Names for Cora Zeng by Kylie Lee Baker The Lamb by Lucy Rose  House of Beth by Kerry Cullen  Good Boy by Neil McRobert    Horror Novel Blood On Her Tongue by Johanna Van Veen Immaculate Conception by LIng Ling Huang When the Wolf Comes Home by Nat Cassidy Lucky Day by Chuck Tingle Play Nice by Rachel Harrison  Buffalo Hunter Hunter by Stephen Graham Jones Of Flesh and Blood: The Untold Story of the Cajun Cannibal by NL Lavin and Hunter Burke Such a Pretty Smile by Kristi Demeester What Hunger by Catherine Dang Itch! By Gemma Amor The Haunting of Hill House by Shirley Jackson King Sorrow by Joe Hill Final Girl Song Check out the final girl songs here! Support Books in the Freezer on Patreon to get access to the series, The House at the End of Fear Street, early episodes, polls and more

Missions and Men's Ministry Pastor Justin Hillhouse continues Part 3 of our new series "A Dude, A Donkey, and Destiny!” Be sure to join us in person every Tuesday at 6:00 AM at Cottonwood Creek Church in Allen, TX. If you have a question that you want answered, please text “STUDY” to 77978. Whether it be, Scripture, Family, or Life, no topic is off limits to have your question answered! If you're interested in joining us for our Christmas Eve services, text “CHRSITMASEVE” to 77978 Do you need help building a Men's Ministry at your church? Text “JHILLHOUSE” to 77978! Visit https://soundcloud.com/saturday-at-the-creek for sermons from our Teaching Pastor, Graeme Golding. Are you looking for more scripture-based content and materials? Visit johnmarkcaton.com.

In Episode 188, we're saying goodbye to 2025 with a look back at all we've read this past year, and a look forward to what's in store for 2026. Show NotesSince we recorded this before we actually had final reading numbers for the year, we'll give you a brief update in our first episode back in 2026 to see where we ultimately landed. If you're looking for romance books in Toronto, go check out Hopeless Romantic! We're going to be doing all of the art things in 2026.Our first episode of 2026 will be Gen's book club pick, Interior China Town by Charles Yu. After that, we're going to follow Gen down the Heated Rivalry rabbit hole with a Page to Screen episode. (This might be the most unhinged you'll ever see Gen.)Books and Media MentionedBeloved by Toni MorrisonWonderbook by Jeff VandermeerSalt Fish Girl by Larissa LaiThe Haunting of Hill House by Shirley JacksonFall Shook Up by Piper SheldonHappy Medium by Sarah AdlerWild Love by Elsie SilverSomebody Is Walking on Your Grave by Mariana EnriquezTourist Season by Brynne WeaverThe Dead Romantics by Ashley PostonMorbidly Yours by Ivy FairbanksMy Roommate is a Vampire by Jenna LevineLost in the Garden by Adam S LeslieYou, Again by Kate GoldbeckThe Holiday Trap by Roan ParrishCasket Case by Laura EvansDaddy Issues by Kate GoldbeckCatching the Big Fish by David LynchPicture This by Lynda BarryCrazy Spooky Love by Josie SilverThe Honey Crisp Orchard Inn by Valeria BowmanAtmosphere by Taylor Jenkins ReidRoot Rot by Saskia NislowWild Eyes by Elsie SilverThe Holiday Fakers by Evie AlexanderThe Holiday Whoopie by Sara L HudsonWild Side by Elsie SilverSay You'll Remember Me by Abby JimenezA Five Letter Word for Love by Amy JamesBlessed Water by Margot Douaihy

Writer and director Akela Cooper (M3gan, Malignant) joins Talking Strange host Aaron Sagers to discuss her chilling short "Old Acquaintance," part of David Dastmalchian and horror drag icons The Boulet Brothers' The Boulet Brothers' Holiday of Horrors anthology now streaming on Shudder and AMC+. Set on New Year's Eve, "Old Acquaintance" follows a woman returning home after her father's sudden death, only to discover the demon that haunted him may now be coming for her. Cooper unpacks the story's emotional core, the mythology behind the demon, and why the holidays are the perfect pressure cooker for horror. The conversation also explores Cooper's collaboration with The Boulet Brothers and David Dastmalchian, the challenge of telling a deeply personal, terrifying story in a short format, and how holiday traditions can amplify dread instead of comfort. And don't miss the other interviews for Holiday of Horrors as part of the Talking Strange show, including chats with David Dastmalchian, The Boulet Brothers, and Kate Siegel (The Haunting of Hill House, Hush, The Fall of the House of Usher). _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor and filmmaker Kate Siegel (The Haunting of Hill House, Hush, Midnight Mass) joins Talking Strange host Aaron Sagers to discuss her darkly twisted short "Down the Chimney," part of Executive Producers David Dastmalchian and The Boulet Brothers' The Boulet Brothers' Holiday of Horrors anthology, now streaming on Shudder and AMC+. Siegel dives into turning one of the most familiar holiday tropes — Santa visiting good little boys and girls — and turns it into a hilariously dark Rankin/Bass-esque tale of Seasonal body horror. And how she did it to get revenge on her sister! In their conversation, they chat about the creepy side of the holidays, childhood vulnerability, and the creepy side of Elf on the Shelf. She also talks about writing and directing horror in a compact format, collaborating with The Boulet Brothers and David Dastmalchian, and what she hopes husband Mike Flanagan got her for Christmas. And don't miss the other interviews for Holiday of Horrors as part of the Talking Strange show, including chats with David Dastmalchian, The Boulet Brothers, and Akela Cooper (M3GAN, Malignant). _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Boulet Brothers join Talking Strange host Aaron Sagers to unwrap their chilling new four-part anthology special, The Boulet Brothers' Holiday of Horrors, now streaming on Shudder and AMC+. Executive produced by horror icons Dracmorda and Swanthula Boulet alongside David Dastmalchian (Late Night with the Devil), the series delivers festive fear with brutal twists, atmospheric dread, and macabre surprises. The Boulets break down each terrifying tale: From a haunted family home on Christmas Eve to a snowy Yeti nightmare, a demon stalking New Year's Eve, and Santa's truly nightmarish trip down the chimney. They also discuss collaborating with genre powerhouses Akela Cooper (M3gan, Malignant), Kate Siegel (The Haunting of Hill House), and Dastmalchian, plus why the holidays are the perfect setting for horror. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor, writer, and monster kid David Dastmalchian (Late Night with the Devil, Dust Bunny) joins Talking Strange host Aaron Sagers to dive deep into The Boulet Brothers' Holiday of Horrors, the chilling four-part anthology now streaming on Shudder and AMC+. Dastmalchian discusses his close friendship and creative partnership with The Boulet Brothers, how they collaborated both on-screen and behind the scenes, and why the holidays are his favorite time of year to unleash fear. He also breaks down working with Kate Siegel (The Haunting of Hill House) and Akela Cooper (M3GAN) about their holiday shorts, and delves into his directed story "Yeti or Not" — a snowy nightmare written with Jennifer Polania and Leah Kilpatrick, who also designed the terrifying Yeti creature. From Christmas horror traditions to monster design, collaboration, and finding joy in seasonal darkness, David and Aaton pulls back the curtain on how Holiday of Horrors came together, and why festive fear hits differently. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Part 1 of my brand-new Top 100 Fantasy Reads of 2025!

Missions and Men's Ministry Pastor Justin Hillhouse introduces Part 1 of our brand new series "A Dude, A Donkey, and Destiny!” Be sure to join us in person every Tuesday at 6:00 AM at Cottonwood Creek Church in Allen, TX. If you have a question that you want answered, please text “STUDY” to 77978. Whether it be, Scripture, Family, or Life, no topic is off limits to have your question answered! If you're interested in joining us for our Christmas Eve services, text “CHRSITMASEVE” to 77978. If you're not in town we encourage that you attend a Christmas Eve service at a church near you. Are you looking for more scripture-based content and materials? Visit johnmarkcaton.com. Visit https://soundcloud.com/saturday-at-the-creek for sermons from our Teaching Pastor, Graeme Golding. Do you need help building a Men's Ministry at your church? Text “JHILLHOUSE” to 77978!

In this episode of Psychology and Stuff, host Allison Jane Martingano sits down with UW–Green Bay psychology professors Dr. Jason Cowell and Dr. Todd Hillhouse for a fascinating deep dive into what we can—and can't—learn from human and animal brains. Dr. Cowell discusses his work using EEG to study moral development, empathy, and self-regulation in both children and adults, including the practical challenges of recruiting families and gathering clean neural data from kids. Dr. Hillhouse shares how his behavioral neuroscience lab uses mice to investigate pain, addiction, and depression, highlighting both the ethical responsibilities and scientific advantages of animal research.

If you are a woman and you are a believer, then you are an eternal heiress in the kingdom of Jesus Christ! This is the wonderful message Barbara Ann Jeter brings as she discusses her role as the Chair of Eternal Heiress Ministries in Nashville, Tennessee. Barbara's ministry works overtime to reach some of the darkest places in society. However, she hopes to proclaim this truth to spiritual orphans: they are heirs of the king. Her ministry shines a light on the realities that impoverished and abused women face on the streets, and proclaims the truth of the Gospel of Jesus Christ. “We do want people to mobilize and rise up and go to their knees,” says Barbara. “We believe God is working. We're believing and standing on prayer to take back our city, state, and nations with the Nehemiah Alliance from the prince of the air.”TAKEAWAYSCheck out Barbara's co-authored book, 50 Days to Transformation: Train to Reign as Christ's Eternal HeiressProclaim these truths over your life: you are a beautiful and brave daughter of a good FatherBarbara's ministry includes visiting inmates in local prisons and witnessing to those who are incarceratedEternal Heiress Ministries works with many teenagers at detention centers to help them find their calling and purpose

It's all about memory this week.   Remember that time literary superstar Carmen Maria Machado came on the show? No? Well here's your chance to catch up on what you missed.   Carmen spoke to me about Her Body and Other Parties and In the Dream House – the former a collection of folktale and fable, spun to hideous effect; the latter a piercing fictionalised memoir of abuse and haunted relationships.   This was a daunting interview – we went deep into life, love and all the horrors they can bring. But we came up smiling.   It's a happy memory.   Enjoy.   The Argonauts (2015), by Maggie Nelson The Ghost Variations (2021), by Kevin Brockmeier A Few Seconds of Radiant Filmstrip: A Memoir of Seventh Grade (2014), by Kevin Brockmeier Proxies: Essays Near Knowing (2016), by Brian Blanchfield Monster Portraits (2018), by Sofia Samatar The Hot Zone (1994), by Richard Preston The Haunting of Hill House (1959), by Shirley Jackson The Bloody Chamber (1979), by Angela Carter   Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Bluesky @talkscaredpod.bsky.social on Instagram/Threads, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

THE GHOSTBUSTERS FACE A CHILLING NEW THREAT!! Ghostbusters: Frozen Empire Full Movie Reaction Watch Along: ⁠  / thereelrejects ⁠⁠ ⁠ With Finn Wolhard returning in Stranger Things 5 & McKenna Grace in the upcoming Hunger Games: Sunrise on the Reaping, Tara & Johnald RETURN to give their Ghostbusters: Frozen Empire Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & John Humphrey react to Ghostbusters: Frozen Empire (2024), the spooky, funny, & surprisingly heartfelt horror-comedy sequel directed by Gil Kenan (Monster House, Poltergeist 2015) that brings two generations of Ghostbusters back to where it all started: New York City. Set 3 years after Afterlife, the Spengler family relocates to the classic Firehouse to rebuild the team — only to unleash an ancient evil capable of freezing the world with fear itself. Paul Rudd (Ant-Man, Clueless) returns as Gary Grooberson, now fully suited up as a Ghostbuster alongside Carrie Coon (The Leftovers, Gone Girl) as Callie Spengler. McKenna Grace (The Haunting of Hill House, Captain Marvel) shines as Phoebe Spengler, whose underage status sidelines her — leading to a fateful friendship with Melody, played by Emily Alyn Lind (Fear Street) that ties directly into the film's chilling mystery. The young crew is rounded out by Finn Wolfhard (Stranger Things, IT) as Trevor Spengler, Celeste O'Connor (Freaky, Madame Web) as Lucky Domingo, and Logan Kim (Afterlife, Home Sweet Home Alone) as Podcast. New faces include Kumail Nanjiani (Eternals, The Big Sick) as quirky fire-master Nadeem Razmaadi, Patton Oswalt (Ratatouille, The Sandman) as occult expert Dr. Hubert Wartzki, & James Acaster (Cinderella 2021, Repertoire) as tech wizard Dr. Lars Pinfield. And of course the legends are back: Bill Murray (Groundhog Day, Lost in Translation) as Peter Venkman, Dan Aykroyd (Blues Brothers, Driving Miss Daisy) as Ray Stantz, Ernie Hudson (The Crow, Oz) as Winston Zeddemore, Annie Potts (Pretty in Pink, Toy Story) as Janine Melnitz, and William Atherton (Die Hard, Real Genius) as Walter Peck. Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

THE GHOSTBUSTERS FACE A CHILLING NEW THREAT!! Ghostbusters: Frozen Empire Full Movie Reaction Watch Along:   / thereelrejects   With Finn Wolhard returning in Stranger Things 5 & McKenna Grace in the upcoming Hunger Games: Sunrise on the Reaping, Tara & Johnald RETURN to give their Ghostbusters: Frozen Empire Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & John Humphrey react to Ghostbusters: Frozen Empire (2024), the spooky, funny, & surprisingly heartfelt horror-comedy sequel directed by Gil Kenan (Monster House, Poltergeist 2015) that brings two generations of Ghostbusters back to where it all started: New York City. Set 3 years after Afterlife, the Spengler family relocates to the classic Firehouse to rebuild the team — only to unleash an ancient evil capable of freezing the world with fear itself. Paul Rudd (Ant-Man, Clueless) returns as Gary Grooberson, now fully suited up as a Ghostbuster alongside Carrie Coon (The Leftovers, Gone Girl) as Callie Spengler. McKenna Grace (The Haunting of Hill House, Captain Marvel) shines as Phoebe Spengler, whose underage status sidelines her — leading to a fateful friendship with Melody, played by Emily Alyn Lind (Fear Street) that ties directly into the film's chilling mystery. The young crew is rounded out by Finn Wolfhard (Stranger Things, IT) as Trevor Spengler, Celeste O'Connor (Freaky, Madame Web) as Lucky Domingo, and Logan Kim (Afterlife, Home Sweet Home Alone) as Podcast. New faces include Kumail Nanjiani (Eternals, The Big Sick) as quirky fire-master Nadeem Razmaadi, Patton Oswalt (Ratatouille, The Sandman) as occult expert Dr. Hubert Wartzki, & James Acaster (Cinderella 2021, Repertoire) as tech wizard Dr. Lars Pinfield. And of course the legends are back: Bill Murray (Groundhog Day, Lost in Translation) as Peter Venkman, Dan Aykroyd (Blues Brothers, Driving Miss Daisy) as Ray Stantz, Ernie Hudson (The Crow, Oz) as Winston Zeddemore, Annie Potts (Pretty in Pink, Toy Story) as Janine Melnitz, and William Atherton (Die Hard, Real Genius) as Walter Peck. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Acest material poate conține mesaje publicitare și plasare de produse. Unele dintre produsele, serviciile sau brandurile menționate sunt promovate prin parteneriate comerciale, iar prezentarea acestora reprezintă o reclamă.Opiniile exprimate de gazde și invitați sunt personale și nu reflectă neapărat poziția oficială a sponsorilor sau partenerilor noștri. Încurajăm publicul să efectueze propria cercetare înainte de a lua decizii bazate pe informațiile prezentate în acest podcast.

Welcome to another inspiring episode of TBCY (The Brand Called You)!

In this episode, The Dale and Cea dissect the rise of long-form terror and ask whether television has quietly dethroned film as horror's true powerhouse. From prestige chillers like IT: Welcome to Derry, and The Haunting of Hill House, we explore how episodic storytelling reshapes fear. The crew digs into it in this new world of streaming. Have production companies placed their investments in your living room instead of the silver screen? Tune in as we decide if TV has already claimed the horror crown or if cinema still has some scares left in it.

GHOSTBUSTERS MEETS STRANGER THINGS!! Ghostbusters Afterlife Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Start your online business with a $1 per-month trial when you visit ⁠https://www.shopify.com/rejects⁠! Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ With McKenna Grace in the upcoming Hunger Games: Sunrise on the Reaping + Finn Wolhard returning in Stranger Things 5, Tara & Johnald head to Oklahoma for their Ghostbusters Afterlife Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & John Humphrey react to Ghostbusters: Afterlife (2021), the heartfelt and nostalgic supernatural adventure directed by Jason Reitman (Juno, Up in the Air) and produced by Ivan Reitman, returning the franchise to its roots while introducing a brand-new generation of Ghostbusters. Set decades after the original films, Afterlife blends legacy, mystery, and family in a story that honors the past while forging an exciting new future. The film stars McKenna Grace (The Haunting of Hill House, Captain Marvel) as Phoebe, a brilliant but socially awkward young girl who discovers her connection to the original Ghostbusters. Finn Wolfhard (Stranger Things, IT) plays her brother Trevor, navigating teenage chaos while uncovering the truth about their family's eerie inheritance. Carrie Coon (The Leftovers, Gone Girl) portrays their mother Callie, struggling to rebuild her life after inheriting a mysterious farmhouse in Summerville. Paul Rudd (Ant-Man, Clueless) adds charm and comedy as Mr. Grooberson, a science teacher with a passion for the paranormal — and for Ghostbusters history. The film also features returning franchise legends including Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and unseen archival elements honoring Harold Ramis as Egon Spengler. Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

GHOSTBUSTERS MEETS STRANGER THINGS!! Ghostbusters Afterlife Full Movie Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With McKenna Grace in the upcoming Hunger Games: Sunrise on the Reaping + Finn Wolhard returning in Stranger Things 5, Tara & Johnald head to Oklahoma for their Ghostbusters Afterlife Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & John Humphrey react to Ghostbusters: Afterlife (2021), the heartfelt and nostalgic supernatural adventure directed by Jason Reitman (Juno, Up in the Air) and produced by Ivan Reitman, returning the franchise to its roots while introducing a brand-new generation of Ghostbusters. Set decades after the original films, Afterlife blends legacy, mystery, and family in a story that honors the past while forging an exciting new future. The film stars McKenna Grace (The Haunting of Hill House, Captain Marvel) as Phoebe, a brilliant but socially awkward young girl who discovers her connection to the original Ghostbusters. Finn Wolfhard (Stranger Things, IT) plays her brother Trevor, navigating teenage chaos while uncovering the truth about their family's eerie inheritance. Carrie Coon (The Leftovers, Gone Girl) portrays their mother Callie, struggling to rebuild her life after inheriting a mysterious farmhouse in Summerville. Paul Rudd (Ant-Man, Clueless) adds charm and comedy as Mr. Grooberson, a science teacher with a passion for the paranormal — and for Ghostbusters history. The film also features returning franchise legends including Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and unseen archival elements honoring Harold Ramis as Egon Spengler. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we are sharing an episode from a show called The Antiquarium Of Sinister Happenings Step into a mysterious shop, where every relic has a sordid tale to tell! The Antiquarium Of Sinister Happenings is a weekly multi-award winning full cast horror anthology featuring Mike Flanagan,Kate Siegel, David Dastmalchian, Devon Sawa,Jocelin Donahue and more.Immerse yourself as the darkness is brought to life through interactive elements and by uncovering hidden secrets in the stories themselves with the use of a cipher decoder ring! In this episode called Lot 001 : I Was The Hitchhiker which features Kate Siegel and Josh Ruben A mysterious man with a dark secret gets the ride of his life. You can Find The Antiquarium of Sinister Happenings on Apple, Spotify or wherever you listen to podcasts AND at theobsidiancovenant.comIntroduction and outro by Lowri Anne Davies. Cast Stars Kate Siegel (Hush, The Haunting of Hill House, Midnight Mass) and Josh Ruben (Werewolves Within, A Wounded Fawn)Featuring Stephen Knowles as The Antique Dealer. Written by Moe T.Theme music by The Newton Brothers. Additional music:On Entering The 9th Circle by Brian Holtz MusicFree download: https://filmmusic.io/song/9269-on-entering-the-9th-circleLicense: Attribution 4.0 International (CC BY 4.0)Lightless Dawn by Kevin MacLeodFree download: https://filmmusic.io/song/3982-lightless-dawnLicense: Attribution 4.0 International (CC BY 4.0)Investigate (Loopable) by Dave DevilleFree download: https://filmmusic.io/song/10777-investigate-loopableLicense: Attribution 4.0 International (CC BY 4.0)An Evil Wynd by Tim KuligFree download: https://filmmusic.io/song/9830-an-evil-wyndLicense: Attribution 4.0 International (CC BY 4.0)Ingestion Of Sorrows by Tim KuligFree download: https://filmmusic.io/song/9828-ingestion-of-sorrowsLicense: Attribution 4.0 International (CC BY 4.0)Carne Arrabiatta by Tim KuligFree download: https://filmmusic.io/song/9826-carne-arrabiattaLicense: Attribution 4.0 International (CC BY 4.0) Content Warnings:Being Hunted Physical Violence Altered reality Immolation Body modification SFX Misophonia, Insects, Squelching. For ad-free episodes, bonus content and the latest news from Rusty Towers, join members.rustyquill.com or our Patreon. Hosted on Acast. See acast.com/privacy for more information.

Get ready to travel back to the dawn of modern genre fiction! In today's episode, Jim breaks down the best fantasy AND science-fiction villains from every year of the 1950s—a decade packed with dark lords, psychic children, killer plants, alien invaders, sentient houses, and more.From Steerpike to Sauron, Triffids to Pod People, Hill House to the Bugs of Starship Troopers, we're looking at the villains who defined the era and shaped the stories we still love today. Whether you're here for classic fantasy, Golden Age sci-fi, or just some delicious villainy, this countdown has something for you.Tell us YOUR favorite villain from this decade—and which decade you want covered next!Don't forget to like, subscribe, and ring that notification bell so you never miss an episode.If you want to support the channel, get bonus perks, or join our growing fantasy-loving community, check out our Patreon linked below:

Missions and Men's Ministry Pastor Justin Hillhouse continues with Part 5 of new series "Trash Talk!” Be sure to join us in person every Tuesday at 6:00 AM at Cottonwood Creek Church in Allen, TX. If you have a question that you want answered, please text “STUDY” to 77978. Whether it be, Scripture, Family, or Life, no topic is off limits to have your question answered! Visit https://soundcloud.com/saturday-at-the-creek for sermons from our Teaching Pastor, Graeme Golding. Do you need help building a Men's Ministry at your church? Text “JHILLHOUSE” to 77978! Are you looking for more scripture-based content and materials? Visit johnmarkcaton.com.

THE CHILLING SEQUEL TO THE SHINING!! Doctor Sleep (Director's Cut) Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Download PrizePicks today at ⁠https://www.prizepicks.onelink.me/LME...⁠ & use code REJECTS to get $50 instantly when you play $5! The Shining (1980) Movie Reaction: ⁠   • THE SHINING (1980) IS A NIGHTMARE FEVER DR...  ⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ With The Running Man premiering in theatres this weekend, IT: Welcome to Derry airing now on HBO + home video releases of The Long Walk & The Life of Chuck, Tara & Andrew continue their Stephen King marathon giving their Doctor Sleep Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & Andrew Gordon react to Doctor Sleep (2019 – Director's Cut), the chilling and emotional supernatural horror sequel to The Shining — written and directed by Mike Flanagan (The Haunting of Hill House, Midnight Mass, Gerald's Game). Based on Stephen King's 2013 novel, this haunting continuation bridges King's world and Stanley Kubrick's classic vision, expanding the legacy of trauma, addiction, and psychic power known as “the shining.” The film stars Ewan McGregor (Obi-Wan Kenobi, Moulin Rouge!) as Dan Torrance, now an adult still scarred by the events at the Overlook Hotel. Struggling with alcoholism and inner demons, Dan finds new purpose when he meets Abra Stone, a young girl with powerful psychic abilities, played by Kyliegh Curran (I Can I Will I Did, Secrets of Sulphur Springs). Together, they must face the terrifying cult known as The True Knot, led by the mesmerizing and sinister Rose the Hat, played by Rebecca Ferguson (Mission: Impossible – Fallout, Dune). The Director's Cut, running nearly three hours, deepens the emotion, world-building, and psychological horror — offering fans the definitive version of Flanagan's masterpiece. Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

THE CHILLING SEQUEL TO THE SHINING!! Doctor Sleep (Director's Cut) Full Movie Reaction Watch Along:   / thereelrejects   Download PrizePicks today at https://www.prizepicks.onelink.me/LME... & use code REJECTS to get $50 instantly when you play $5! The Shining (1980) Movie Reaction:    • THE SHINING (1980) IS A NIGHTMARE FEVER DR...   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With The Running Man premiering in theatres this weekend, IT: Welcome to Derry airing now on HBO + home video releases of The Long Walk & The Life of Chuck, Tara & Andrew continue their Stephen King marathon giving their Doctor Sleep Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & Andrew Gordon react to Doctor Sleep (2019 – Director's Cut), the chilling and emotional supernatural horror sequel to The Shining — written and directed by Mike Flanagan (The Haunting of Hill House, Midnight Mass, Gerald's Game). Based on Stephen King's 2013 novel, this haunting continuation bridges King's world and Stanley Kubrick's classic vision, expanding the legacy of trauma, addiction, and psychic power known as “the shining.” The film stars Ewan McGregor (Obi-Wan Kenobi, Moulin Rouge!) as Dan Torrance, now an adult still scarred by the events at the Overlook Hotel. Struggling with alcoholism and inner demons, Dan finds new purpose when he meets Abra Stone, a young girl with powerful psychic abilities, played by Kyliegh Curran (I Can I Will I Did, Secrets of Sulphur Springs). Together, they must face the terrifying cult known as The True Knot, led by the mesmerizing and sinister Rose the Hat, played by Rebecca Ferguson (Mission: Impossible – Fallout, Dune). The Director's Cut, running nearly three hours, deepens the emotion, world-building, and psychological horror — offering fans the definitive version of Flanagan's masterpiece. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Missions and Men's Ministry Pastor Justin Hillhouse continues with Part 4 of new series "Trash Talk!” Be sure to join us in person every Tuesday at 6:00 AM at Cottonwood Creek Church in Allen, TX. If you have a question that you want answered, please text “STUDY” to 77978. Whether it be, Scripture, Family, or Life, no topic is off limits to have your question answered! Visit https://soundcloud.com/saturday-at-the-creek for sermons from our Teaching Pastor, Graeme Golding. Do you need help building a Men's Ministry at your church? Text “JHILLHOUSE” to 77978! Are you looking for more scripture-based content and materials? Visit johnmarkcaton.com.

This week, the boys head back to Roman Polanski-ville for the third time to discuss the pivotal 1965 film “Repulsion”. This “dangerous” film is Polanski's first English-language movie, shot in London during the peak of the French New Wave (Polanski is a Polish-French filmmaker). “Repulsion” offers indie-film groundedness, a gritty reality, noir-inspired neorealism, and an upheaval of social values of the time- sexual liberation, classism, irony, and iconoclasm. Also, we all had different levels of enjoyment, which led to one of our finest broad conversations! Grab a beer and listen along. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:34 John's mini-review of “Back to the Future: 40th Anniversary”; 8:27 Gripes; 20:34 1965 Year in Review; 41:03 Films of 1965: “Repulsion”; 1:12:06 What You Been Watching?; 1:22:34 Next Week's Episode Teaser Additional Cast/Crew: Gérard Brach, David Stone, Catherine Deneuve, Ian Hendry, John Fraser, Gilbert Taylor, Yvonne Furneaux, James Villiers. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Weapons, The Monkey, Welcome to Derry, Pennywise, Say Something, Task, It: Part One, It: Part Two, The Haunting of Hill House, The Vanishing, Mr. Scorcese, The Tenant, Chinatown, Rosemary's Baby. Gripes & News: AMC, IMAX, AI, The NYC Marathon, Running in Movies, FEUD: Disney + Google (YouTube TV) Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

This week, Danika recommends short horror books you can read cover to cover on Halloween night! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. Ready for a cozy, bookish autumn? Let Tailored Book Recommendations help you find your next favorite read with handpicked suggestions from professional book nerds. Get started today from just $18! Books Discussed: We Have Always Lived in the Castle by Shirley Jackson The Haunting of Hill House by Shirley Jackson Carmilla by Joseph Sheridan Le Fanu, edited by Carmen Maria Machado When I Arrived at the Castle by E. M. Carroll Through the Woods by E. M. Carroll The Low, Low Woods by Carmen Maria Machado, DaNi, and Tamra Bonvillain Eat the Rich by Sarah Gailey, Pius Bak, and Roman Titov House of Beth by Kerry Cullen This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices

Earth's Mightiest Critics get "Stuckmannized" with a roundtable review of Shelby Oaks!OG YouTube film critic Chris Stuckmann makes his feature debut with a horror movie about a woman's desperate search for her long-lost sister. The quest becomes an obsession upon realizing that the imaginary demon from their childhood may have been real.The film debuted at 2024's Fantasia International Film Fest and, after some retooling under the guidance of horror producer extraordinaire, Mike Flanagan (The Haunting of Hill House, Doctor Sleep, The Life of Chuck), Shelby Oaks recently opened in wide release under the Neon banner.How does this found footage-inspired throwback play in the modern horror marketplace? Is there more merit to Shelby Oaks than the novelty of its creator's journey from online critic to studio-backed artiste? Most important of all: is it scary?Join us as we determine if Shelby Oaks is the hottest piece of undiscovered cinema real estate around--or if genre fans should gun it past the exit.We also take your questions, comments, and SuperChats!As part of Scare-a-Thon 2025, this episode will benefit the International Rescue Committee, so please share with your fiends and family--and get involved with IRC here!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Shelby Oaks (2025) trailer.Speaking of Horror 101 w/ Dr. AC, this week's profile of horror podcasters features...Ian! Catch it here!Ian also joined Mike Crowley on the YPA Reviews podcast to discuss "Movies That Make us Grateful"!Cati recently stopped by the CinemaJaw Podcast to talk about the "Best Horror Movies of the 2000's". Check it out!And as mentioned in the show, Cati just got back from some INCREDIBLE horror conventions. Learn more about them and mark your calendars for 2026!Nightmares Film Festival Telluride Horror ShowAnd if you're in Chicago on Wednesday, November 12, swing by the Davis Theatre to see Cati's performance in the short film "Script Tease"--as part of the Windy City Film Fest!Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

With stories like “The Lottery” and The Haunting of Hill House, Shirley Jackson was one of the great horror authors of the 20th century. In 2012, Ruth Franklin wrote a biography of the writer called Shirley Jackson: A Rather Haunted Life. In today's episode, we revisit a conversation between Franklin and NPR's Linda Wertheimer. They talk about Jackson's childhood, domestic life, and her unique ability to see "extraordinary evil” under the surface of ordinary life.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

With special guest Longinus, the boys drink and review Southern Tier's imperial pumpkin ale, then -- to celebrate Halloween -- review a series of scary stories from Shirley Jackson. In this episode we dive into the eerie, unsettling world of Shirley Jackson. Best known for The Lottery and The Haunting of Hill House, Jackson was a master of psychological tension, small-town menace, and the dark corners of everyday life. The boys discuss several of her short stories — how she creates unease without gore, how she uses ordinary settings to expose cruelty and conformity, and why her work still feels so disturbingly relevant today.Here are the stories we cover. * Flower Garden* The Daemon Lover * The Renegade* The Witch * The Tooth * The Lottery

We chat with critically-acclaimed and award-winning author Silvia Moreno-Garcia about the inspiration behind her latest novel, The Bewitching, including the Salem Witch Trials and fall in New England. Silvia also dives into the process and research behind writing in different time periods and settings, as well as differences in the horror genre across the globe. We also discuss the importance of finding the right narrator, as well as special editions of novels—and the beautiful art Silvia commissions for her books to help bring the characters to life. Read the full transcript: [TRANSCRIPT] (https://docs.google.com/document/d/1XFc3H9owIGCOqRFnrTvkqAEjsy1OAi4V4g8WlQVHxMA/edit?usp=sharing) Use promo code: SWITCH when signing up for a new Libro.fm membership to get two additional credits to use on any audiobooks—meaning you'll have three from the start. About Silvia Moreno-Garcia: Silvia Moreno-Garcia is the author of The Bewitching, The Seventh Veil of Salome, The Daughter of Doctor Moreau, Mexican Gothic, and many other books. She has won the Locus, British Fantasy and World Fantasy awards. Get Silvia's Books: The Bewitching Mexican Gothic Gods of Jade and Shadow The Daughter of Doctor Moreau Silver Nitrate Books discussed on today's episode: The Haunting of Hill House by Shirley Jackson Climate Is Just the Start by Mikaela Loach Still Life by Sarah Winman Tin Man by Sarah Winman

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Haunting - a 1963 supernatural horror film directed and produced by Robert Wise, adapted by Nelson Gidding from Shirley Jackson's 1959 novel The Haunting of Hill House. It stars Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn.Additional topics include:Ozgood Perkins' thoughts on Monster: The Ed Gein StoryThe 25 biggest Halloween songs of all timeFrancis Ford Coppola's bank accountThe death of Samantha EggarJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

May October never end! As Halloween approaches, we present you with two conversations from years past with great horror authors. Joe Hill, whose latest, "King Sorrow," is out now, recommends several great spooky reads. And Victor LaValle ("Lone Women") talks about the book he has read the most in his life: Shirley Jackson's "The Haunting of Hill House." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Mac & Katherine become grandparents! Tron Ares is terrible. The Haunting of Hill House is worth your time. And we reflect on the difference in our being since baby Alex arrived. Our locals page is now accepting subscriptions! Move over from Patreon so more of your tips go to us and not Apple. Books: Read along with Mac - Other great stuff we like: Baritus Catholic Illustrations Pacem in Terris Retreat Center Restoration of Christian Culture from Our Lady of Clear Creek Abbey Restoration of Christian Culture PDF Spiritual Direction.com Fatima Farm liturgical calendar from Sofia Institute Press Gregory the Great's St. Nicholas Guild Total Consecration to Jesus Through Mary Other stuff our family does: Our libsyn page where you can find all our old episodes Sam and Mena's podcast: Engaged at 18 Spoiled! with Mac and Katherine Mac's book! Clueless in Galilee Ben's Photography Business: Red Barron Media Find us on our website Theme song by Mary Bragg.  

Join us for a discussion of all things horror we've been watching, reading, and listening to for the past month outside of our journey to watch Every Horror Movie on Netflix. We discuss GOOD BOY, ALIEN: EARTH, literary classic THE HAUNTING OF HILL HOUSE and its adaptations, the novel HAUNTING OF VELKWOOD, and THE SIXTH SENSE and how it still holds up. Join the conversation on Discord: https://discord.gg/PptTvM3mCd Follow us on Facebook: https://www.facebook.com/EHMONcast/ Follow us on Instagram: https://www.instagram.com/ehmoncast Follow us on TikTok: https://www.tiktok.com/@ehmonpodcast Follow us on Bluesky: https://web-cdn.bsky.app/profile/ehmoncast.bsky.social Follow us on YouTube: https://www.youtube.com/@ehmoncast And check out our merch at https://www.teepublic.com/user/ehmoncast 

In this special live episode recorded in front of pupils from Hill House and Hayfield schools in Doncaster, David talks to political scientist Rob Ford about whether Nigel Farage is really going to be the UK's next PM. Is there anything comparable to the prospect of a Farage premiership in British political history? What are the electoral routes that might lead Farage to No 10? What are the events or scandals that might derail him? Plus we hear from the pupils as well – what do they think of Reform and its leader? Next time on Fixing Democracy: What is TikTok doing to Politics? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Losers Jenn Adams, Rachel Reeves, and Ana Marie Cox check into Bates Motel on a rainy night to discuss Robert Bloch's Psycho, the 1959 best-selling novel that Alfred Hitchcock turned iconic the following year for Universal Pictures. Danse Macabre is a recurring feature of The Losers' Club that journeys through all the books that influenced Stephen King. (You know, as he listed in 1981's Danse Macabre. Ahem, hence the name of this series.) In the past, we've catalogued Shirley Jackson's The Haunting of Hill House, William Golding's Lord of the Flies, Ray Bradbury's Something Wicked This Way Comes, Peter Straub's Ghost Story, and Jay Anson's The Amityville Horror. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Sharifah talks about a couple haunted house books! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Ready for a cozy, bookish autumn? Let Tailored Book Recommendations help you find your next favorite read with handpicked suggestions from professional book nerds. Get started today from just $18! Books Discussed: The Good House by Tananarive Due The Spite House by Johnny Compton The Haunting of Hill House by Shirley Jackson This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices