Podcasts about sorry to bother you

How can we teach our audience new storytelling rules in the middle of our story? Following on from our episodes on establishing tone through action lines and through character, this is what we have been building up to: how to pull off a tonal switch… that does not throw the audience out of the film. And, in particular, how to pull that off on the page when writers don't have framing, lighting, music, editing, etc. at our disposal? With that goal in mind, Mel and Chas dissect specific moments on the pages of SHAUN OF THE DEAD, SORRY TO BOTHER YOU and SWISS ARMY MAN. While there are definite craft tools identified - rhythm of action lines, varying use of unfilmmables and metaphors, establishing language patterns - the two big takeaways are: (1) pulling off a tonal shift takes a lot of setup; and (2) when the time comes, contrast on the page is key. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes. CHAPTERS 00:00:00 – Cold Open 00:00:25 - What do we mean by tonal shift? 00:08:35 - Distinguishing between genre shift and tonal shift 00:13:08 - Shaun of the Dead 00:45:41 - Sorry to Bother You 01:28:07 - Swiss Army Man 02:02:10 – Key learnings and wrap up 02:06:35 – Patreon thanks RELATED EPISODES: DZ-105: Establishing tone through big print DZ-107: Establishing tone through character LINKS: Every frame a painting – Edgar Wright – How to do visual comedy SHAUN OF THE DEAD - Edgar Wright & Simon Pegg SORRY TO BOTHER YOU -  Boots Riley SWISS ARMY MAN - Daniels More Draft Zero is brought to you more often by our awesome Patreons. Especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.   BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack   

*This episode is brought to you by Dolly Card, the corporate card for film production that's a great alternative to petty cash. Dolly Card is here to streamline expense management, tax, and accounting. dollycard.com* Beyond stoked for this crucial convo with two producers with films that premiered at SXSW who pivoted from other careers into producing. We had a lot of fun while also contemplating how we can leverage our collective knowledge to solve some of the crises plaguing the producers' plight.  Spoiler alert: We 100% got nachos after. Elle Roth-Brunet, producer of I REALLY LOVE MY HUSBAND, sits at the intersection of innovation, business, and storytelling. She's a content strategist, brand builder, and creative producer who deeply believes in the power of representation and storytelling.  She has dedicated her career to helping 40+ underrepresented voices gain more equity in entertainment through content partnerships with Hello Sunshine, ARRAY, Paul Fieg's Powderkeg, the PGA, Women In Film, and the Black List.  Mark Ankner, producer of SLANTED, which won the grand jury award for Narrative Feature at SXSW, is dedicated to developing and producing creator-driven stories that resonate with culture.  He was instrumental at Endeavor Content, overseeing advisory business, film and television packaging and sales, and creating innovative distribution models for content creators and financiers. Prior to that, Mark was a partner at WME Global, focusing on emerging voices and building companies for established talent. Some notable film projects include the Academy Award-winning CALL ME BY YOUR NAME, FRUITVALE STATION and SORRY TO BOTHER YOU. His first film PONYBOI premiered in the US Dramatic competition at the 2024 Sundance Film Festival. Directed by Esteban Arango, it was noted for its groundbreaking narrative and representation of diverse voices. Currently, Mark leads Mountain Top Pictures, an indie film and TV production company dedicated to championing innovative storytelling and supporting emerging talent in the industry  Tune in  xx  

Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series.  Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team. Capturing the right tone was crucial for the editors, as the show combined elements of adventure and comedy with darker themes. Andrew, Kat and Terel discussed the significance of striking a balance, especially when the storyline demanded a shift from lightheartedness to seriousness. Jude Law's transformation from a seemingly rogue character to a complex anti-hero was a key point of focus, with the team ensuring his evolution was believable and engaging. SKELETON CREW, created by Christopher Ford and Jon Watts, takes place in the same time frame as THE MANDALORIAN, post RETURN OF THE JEDI, pre-THE FORCE AWAKENS.  It's a coming-of-age story about four kids who make a discovery on their home planet that leads them to getting lost in the galaxy and the adventure to find their way back home. ANDREW S. EISEN, ACE Considering the cinematic approach that Andrew applies to THE MANDALORIAN, THE BOOK OF BOBA FETT and SKELETON CREW, it's no surprise to see his name in the credits of big sci-fi / action films like TRANSFORMERS: AGE OF EXTINCTION and THE GUARDIANS OF THE GALAXY VOL 2. TEREL GIBSON, ACE Prior to joining the Star Wars universe for SKELETON CREW, Terel dropped by the MCU to cut HAWKEYE. He's also known for his feature work on movies such as CUCKOO (2024), SORRY TO BOTHER YOU (2018), READY OR NOT (2019) and THE FIGHTER (2010). KAT NARANJO Kat started her journey on Season 1 of STRANGER THINGS as an assistant, but over the following seasons started picking up full time editorial duties as well.  She also assisted editor Dean Zimmerman ACE on the features, THE ADAM PROJECT and FREE GUY.  Earlier in her career, Kat assisted on HALT AND CATCH FIRE and served as post coordinator on ONE TREE HILL. The Credits Visit ExtremeMusic for all your production audio needs Listen to Andrew talk about his work on THE MANDALORIAN Season One (Part One and Two) and Season Two, as well as THE BOOK OF BOBA FETT Hear Terel discuss cutting the Marvel series, HAWKEYE Check out Kat's interview for STRANGER THINGS Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In this episode, we are honored to welcome Shelley Mitchell, a renowned acting coach, actress, andcreative midwife who has been inspiring and guiding actors, filmmakers, and writers for over 30years. Shelley's unique approach to dramatic art, deeply rooted in the legacy of Eleonora Duse andthe teachings of Lee Strasberg, encourages artists to build their performances from the inside out,tapping into the depths of their intuitive minds and emotional cores.Shelley is best known for her critically acclaimed stage performance in TALKING WITH ANGELS:BUDAPEST, 1943, a role that showcased her profound understanding of character and emotion. Onthe big screen, you may recognize Shelley from SORRY TO BOTHER YOU and GREEN IS GOLD,both films written and directed by her students, demonstrating the lasting impact of her mentorshipon the next generation of filmmakers.Throughout this episode, Shelley shares her extensive knowledge of Method Acting, a techniquethat has shaped some of the most memorable performances in the history of cinema and theater. Herapproach combines traditional Method techniques with applied kinesiology and energy healing,offering a holistic way to reduce stress, increase focus, and express emotions with authenticity andfreedom. Shelley's teachings are not just about acting—they are about living fully, with dignity andan unwavering connection to one's authentic self.Educational Value: Having Shelley on the show is an invaluable opportunity for listeners to gaininsights from one of the most respected voices in the world of acting. Her decades of experienceand her innovative methods provide emerging and established actors alike with tools to elevate theircraft. Whether you're looking to deepen your understanding of character, improve your scene work,or simply find new inspiration, Shelley's wisdom will guide you to new heights in your artisticjourney.What You'll Learn in This Episode:• The foundations of Method Acting and its relevance in today's acting landscape.• How Shelley's approach, inspired by Eleonora Duse, can transform your performance frompresentational to experiential.• The importance of building performances from the inside out, and how this technique canlead to more authentic and powerful portrayals.• Insights into reducing stress, enhancing focus, and unlocking emotional freedom in yourwork.• The value of mentorship and continuous learning in the pursuit of artistic excellence.Praise for Shelley Mitchell:• “With the wisdom of the ancients and the vibrancy of the moment, Shelley's offerings ignitethe fire within, to bring honor to the work.” — Sam Corlett (Vikings: Valhalla)• “Behind every great actor there's almost always a great teacher. If you are eager to up yourgame as an actor, Shelley Mitchell's class is a must!” — Rita Moreno, EGOTShelley's Programs:• Monthly Mentoring: Ideal for actors looking to stay inspired, improve audition techniques,and expand their horizons. Includes private coaching and weekly workshops.• Six Month Makeover: A deep dive into character archetypes, emotional arcs, anddeveloping an unshakable connection to your authentic self through twice-weekly privatecoaching.Whether you're an aspiring actor or a seasoned professional, this episode with Shelley Mitchelloffers a wealth of knowledge and inspiration to help you take your craft to the next level. Don'tmiss this chance to learn from one of the best in the industry.https://www.shelleymitchell.org/

Tubi or not Tubi - Episode 5: Sorry To Bother You by Team Uncut

⁠ LIKE & SUBSCRIBE to @b4thebellpodcast on Instagram, tiktok and Facebook! B4 THE BELL Podcast with your hosts: ​⁠ ​⁠ ​⁠ ​⁠ @MrJayWashington ​⁠ @ImClaytonThomas ​⁠ @MartinMorrow ​⁠ ​​Ep21 the boys are talkin WWE LAYOFFS, injuries, the CENA PROMO that buried AUSTIN THEORY and more!!!! As we welcome special guest and friend of the show JERMAINE FOWLER (RICKY STANICKY, THE BLACKENING, SORRY TO BOTHER YOU, SUPERIOR DONUTS & MORE!!!) Be sure to get the audio version anywhere you listen to podcasts. Follow the squad Jay Washington http://www.instagram.com/mrjaywashington Martin Morrow http://www.instagram.com/martinmmorrow Clayton Thomas http://www.instagram.com/ctisdopeBe sure to follow the guys on all SOCIAL MEDIA PLATFORMS    TikTok/Instagram/Twitter or X   Jay Washington - @MrJayWashington Clayton Thomas - @CTisDope Martin Morrow - @MartinMMorrow

Vincent Cava joins us to talk SORRY TO BOTHER YOU.  We're looking at Corporate Greed, Exploitation, Class Struggle, Code Switching, Identity, Media Manipulation, Identity Politics, and the Absurdity of Capitalism. And doing a terrible job of getting you to check out our new book series: MIDNIGHT MONSTER MADNESS.   Thanks for listening. Follow us on social media at the following links: Twitter:     Buy our Books:     As always, reviews and online shares are greatly appreciated.   TheNecronomi.com - Analyzing horror movies as social commentary  

If you achieve success by not being your authentic self, is it still success? American Fiction (2023) strives to answer this question with the excellent Jeffery Wright leading the charge, supported by a strong cast. An earlier film starring LaKeith Stanfield, Sorry To Bother You (2018), posed a similar query. Does either film reach a definite conclusion? Listen to find out.  Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersGoogle Podcasts: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: SORRY TO BOTHER YOU (2018).Director: Boots RileyWritten by: Boots RileyCast: LaKeith Stanfield; Tessa Thompson; Jermaine FowlerSYNOPSISIn an alternate reality of present-day Oakland, Calif., telemarketer Cassius Green finds himself in a macabre universe after he discovers a magical key that leads to material glory. As Green's career begins to take off, his friends and co-workers organize a protest against corporate oppression. Cassius soon falls under the spell of Steve Lift, a cocaine-snorting CEO who offers him a salary beyond his wildest dreams.Watch On YouTube: https://youtu.be/fQ1c7w-zknEAvailable on MUBI now: https://mubi.com/en/us/films/sorry-to-bother-youSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Endlich steht wieder die Hausaufgabenkontrolle an!Obwohl der Lehrer, Khit, und der Mitschüler Nenad heute ausfallen, haben es Marco und Fabian doch wieder geschafft mehr als zwei Stunden über alles mögliche zu plaudern.Über den Urlaub in Athen, das Wetter auf Zypern, den Karneval in Mecklenburg-Vorpommern, Neuigkeiten im MCU und einen Sturz, bei dem Marco nochmal mit einem blauen Auge davongekommen ist.Ach und über Filme und Serien natürlich. Von einer surreal schwarzen Komödie über Road-Movies und Serien in der Postapokalypse bis hin zu einem Biopic über eine Tec-Firma haben die beiden wieder einen kunterbunten Genre- und Medienmix in ihrem Filmrucksack.Viel Spaß beim Hören!

In this episode we welcome Abdaljawad Omar back to the podcast. This is another slightly edited livestream that we've converted to an audio podcast. You can check out the video on our YouTube channel, we'll put that link in the show notes. And Also just to note that we've continued to put lots of content out there, including an interview with Boots Riley from The Coup also the director and creator of the film Sorry To Bother You and the hit series I'm A Virgo. We talked to him about labor organizing, the strike wave, solidarity with Palestine and getting principled anticapitalist art through the gauntlet that is Hollywood.  I really wanted to get an audio version of this episode with Abdaljawad out this week. Many will know that Refaat Alareer was assassinated this week by the Israeli military. And while we don't talk about Refaat in this conversation directly, I needed to go back and listen again to Abdaljawad's commentary on resistance and on mourning and melancholy in the Palestinian context. I hope that this conversation will be therapeutic for others in a way that enables you to continue to put one foot in front of the other and continue to struggle and resist in whatever capacity you can. And in doing so I hope that we can honor Refaat memory and all of the thousands of other martyrs as we continue to seek to find courageous ways support the struggle for Palestinian liberation, which is an important front in the struggle for the liberation of all people.  Just a note this conversation was recorded back on November 30th amid the prisoner exchanges, so if that portion of the conversation where we discuss that feels a bit dated that is the reason why, but it still feels like an important and pertinent discussion nonetheless. We will include the pieces we discussed in the show notes. Lastly I will say that we are launching our Sylvia Wynter study group in the beginning of January you can find out more about that on patreon, and becoming a patron is the best way to support the show, but also to keep up with all of our episodes whether they are released first on YouTube or via this podcast feed.  Links: "Can the Palestinian Mourn?" - Abdaljawad Omar's piece (the primary subject of discussion) Judith Butler "The Compass of Mourning" (the piece Abdaljawad responds to) Fundraiser for Sekou Odinga (mentioned in episode) 'Army and Arabs': truth, play, and illusions in the West Bank (another piece written by Abdaljawad that we briefly touch upon)

Welcome to Town Business: An Evening of Cultural Power. We love live events, especially when they're in our own backyard among our friends! This was the kickoff event to celebrate Oakland's Mayor Sheng Thao's bold initiative to center film and television production as a cornerstone of economic development. And all we can say is, it's about damn time! The space was energized, the drinks and tacos were flowing, and we were lucky enough to chat with some of Oakland's finest. You'll hear from artist/organizer/co-founder and president of the Center for Cultural Power/one of the evening's panelists, Favianna Rodriguez, Chuck Johnson of Soul Beat, filmmaker Niema Jordan, entertainment lawyer/producer George Rush, and grammy winning musician/culture maker Tommy Shepherd. They share their thoughts on Oakland's cultural roots in activism and the arts, what makes storytellers from the Bay unique, how tv and film can revitalize the city, locations in Oakland they'd like to see on the big screen, and their roles in making sure this exciting  initiative is successful.Follow Favianna Rodriguez on IGFollow Chuck Johnson on IGFollow Niema Jordan on IGFollow Tommy Shepherd on IGBitch Talk Podcast recorded this episode live from Mama Dog Studios in Oakland special audio support provided by Kayla AnchellKQED article about Soul Beat from 2020--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast  without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram & FacebookListen every Tuesday at 9 - 10 am on BFF.FM

“The flames are burning low, so you better get back home to start the fire.” NEWVEMBER continues with PRISCILLA. We opened the show a discussion about the Humane AI Pin (sry), Danny watching BEFORE SUNRISE, Proto watching SORRY TO BOTHER YOU and TOMMY BOY, slim watching BRIDE OF CHUCKY and THE FALL OF THE HOUSE OF USHER, and much more. In the UNCUT section we talk more about Bigfoot, the new GHOSTBUSTERS trailer, THE LAST AIRBENDER, and some other stuff too. Chapters Introductions (00:00:00) What we watched (00:03:38) Priscilla (00:17:52) Your lovely feedback (01:02:15) Next week's movie (01:08:48) Support the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault like the 1990s Batman movies, Harry Potter, The Matrix, SHIN Godzilla, West Side Story, Twilight, Moana, and more. Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes! Subscribe on Apple Podcasts to unlock access to episodes from the 70mm Vault! Episode transcriptions are available thanks to Soph from Film Hags! Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more. 70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER,  The Letterboxd Show, Escape Hatch, Will Run For..., Lost Light, and Twin Vipers. (Gone but not forgotten; Cinenauts + FILM HAGS.)

Todd Sheridan Perry is an On-Set Supervisor on the show with a diverse background in video games, film and television. He's worked on titles like Lord of the Rings: The Two Towers to Final Destination 5, The Immortals, Total Recall, Resident Evil 5 and Avengers: Age of Ultron. Todd has also worked as a CG Supervisor on Marvel's Doctor Strange which was nominated for a Best Visual Effects Oscar. Scott Kirvan is a VFX and Virtual Production Supervisor, Tech Enthusiast and multidisciplinary creative. He is also the Co-Author of globally recognized Brazil Rendering System, a high performance production quality GI ray trace renderer. As a Virtual Production and Visual Effects Supervisor, Scott has over 20 years of leadership experience, including client-side supervisory roles and in-studio digital production work. He has a diverse background in filmmaking, VFX, business leadership, and engineering, making him a valuable asset to any production team. In this Podcast, VFX Supervisors Todd Sheridan Perry and Scott Kirvan do a deep dive into the making of the Amazon comedy series I'M A VIRGO by Boots Riley, the practical effects and some of the technology used in the show, its challenges and how they resolved them. For more show notes, visit www.allanmckay.com/425.  

It is a pleasure to welcome rapper Lyrics Born to The Jake's Take with Jacob Elyachar Podcast.He relocated to the United States from his birthplace of Tokyo, Japan, right around the time hip-hop music was exploding on the East Coast. From the moment he heard Sugar Hill Gang's 1980 classic “Rapper's Delight,” the Bay Area hip-hop luminary knew he found his calling. 25 years later, Lyrics Born obliterated stereotypes of what an MC is “supposed to” look like and captured the hearts of countless fans who gravitate to his distinctive voice. He is the only Asian-American MC to release 10 studio albums and the first to play major music festivals such as Coachella and Lollapalooza. He is the first Asian-American rapper to release a greatest hits compilation; he's pumped out multiple smash singles throughout his career. From “Callin' Out” and “I Like It, I Love It” to “I Changed My Mind” and “Coulda Woulda Shoulda,” his material has always retained a musically eclectic feel. The self-proclaimed “funkiest rapper alive” carries on his tradition of weaving funk and soul into classic, boom-bap Hip Hop on Quite A Life. Without the influence of icons such as the late James Brown, George Clinton, Bootsy Collins, and Zapp & Roger, Lyrics Born admits he would not be who he is today—coupled with his love of rap pioneers such as KRS-One, Rakim, and Snoop Dogg. The music is the perfect hip-hop and funk-flavored gumbo. He expanded his empire into film since establishing himself among the upper echelon of indie Hip Hop artists.Lyrics Born appeared in films such as Boots Riley's critically acclaimed Sorry To Bother You and the Netflix film Always Be My Maybe, which starred Ali Wong, Randall Park, and Keanu Reeves. He is also the host of the popular web-based cooking show Dinner in Place. Originally launched during the height of the COVID-19 pandemic, Dinner in Place has gained popularity over the years with three successful seasons. Now entering its fourth season, Lyrics Born stepped up the production value for the series with an entire film crew and introducing celebrity guests. The series promises an even more exciting culinary experience celebrating diversity and multiculturalism. In this edition of The Jake's Take with Jacob Elyachar Podcast, Lyrics Born previewed the new season of Dinner in Place and spoke about some of the dishes that he made this season, including an Everything Bagel Sushi Roll and the Japanese Convenience Store 3x Egg Salad Sandwich that he made with Top Chef icon Chris Cosentino.

You guessed it it's the wrap up of our chat about the 2018 film Sorry To Bother You. https://en.wikipedia.org/wiki/Sorry_to_Bother_You   Website: https://BSReactor.com Instagram: https://www.instagram.com/bsreactor/ SoundCloud: https://soundcloud.com/bsreactor   EP147

This week we jump into our conversation about the surreal, drama, comedy, satire, art film Sorry To Bother You. https://en.wikipedia.org/wiki/Sorry_to_Bother_You   Website: https://BSReactor.com Instagram: https://www.instagram.com/bsreactor/ SoundCloud: https://soundcloud.com/bsreactor   EP146

On the 328th episode of Piecing It Together, Evan Crean from Spoilerpiece Theater joins me to talk about Landscape with Invisible Hand. Cory Finley's third film is a weird one and maybe the first episode I've ever had this much trouble finding a guest for. I'm glad Evan was up for it because this was one I had to talk about. Puzzle pieces include The Hitchhiker's Guide To The Galaxy, They Live, American Beauty and Sorry To Bother You.As always, SPOILER ALERT for Landscape With Invisible Hand and the movies we discuss!Written by Cory FinleyDirected by Cory FinleyStarring Asante Blackk, Kylie Rogers, Tiffany Haddish, Michael Gandolfini, Josh HamiltonMGMhttps://www.mgm.com/movies/landscape-with-invisible-handEvan Crean is a film critic and co-host of the Spoilerpiece Theater Podcast.Check out Spoilerpiece Theater at https://spoilerpiece.com/And follow Evan on Twitter @reelreconMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music video “Ascending" which you can watch at https://www.youtube.com/watch?v=fypZ3Z8qeT8The song at the end of the episode is "Signals" from my album MORE CONTENT.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser! And most important of all… Keep going to the theater to see new movies!

A film about a man trying to stick to the script. Kyle wants to start a revolution. Dave only cares about horse phalluses. The Machine thinks it should open up a call centre. Watch the trailer for Sorry to Bother You here: https://youtu.be/XthLQZWIshQ?si=-ezGBvoPbGXkRBvWSend feedback to kyleanddavevsthemachine@gmail.comKeep up to date with Kyle and Dave vs The Machine by following its social media channels: Twitter: https://twitter.com/kdvstmInstagram: https://www.instagram.com/kdvstm/YouTube: https://www.youtube.com/channel/UCEZKUfH0IOp-lH5OQdIpvLwPatreon: https://www.patreon.com/kdvstmThis week the Machine printed out: 01001100 01100101 01110100 00100000 01101101 01100101 00100000 01100111 01101001 01110110 01100101 00100000 01111001 01101111 01110101 00100000 01100001 00100000 01110100 01101001 01110000 00101110 00100000 01011001 01101111 01110101 00100000 01110111 01100001 01101110 01101110 01100001 00100000 01101101 01100001 01101011 01100101 00100000 01110011 01101111 01101101 01100101 00100000 01101101 01101111 01101110 01100101 01111001 00100000 01101000 01100101 01110010 01100101 00111111 00100000 01010101 01110011 01100101 00100000 01111001 01101111 01110101 01110010 00100000 01110111 01101000 01101001 01110100 01100101 00100000 01110110 01101111 01101001 01100011 01100101 00101110  ★ Support this podcast on Patreon ★

Ellen E Jones and Mark Kermode take a look at offices and office politics on screen. Mark is joined by director Terry Gilliam who, back in 1985, created one of the most influential and iconic depictions of an on-screen office - Brazil. They discuss the Stanley Kubrick film which inspired Brazil's set design, Terry's own experience as an office drone and why his cult classic film still resonates today. And Ellen investigates office politics in two very different comedy films, made nearly four decades apart - 1980's 9 to 5 and 2018's Sorry To Bother You. First, she speaks to legendary screenwriter Patricia Resnick, who co-wrote 9 to 5 in her mid-20s. Patricia discusses how she came to work on the seminal satire of sexism at work, and reveals the real-life stories that influenced her script. Ellen then talks to musician, activist and filmmaker Boots Riley, whose visionary debut film Sorry To Bother You focuses on a black telemarketer who achieves success when he discovers he can use his 'white voice' on sales calls. They discuss how the film was inspired by Boots' own successful stint in telesales, and why absurdist humour is so well suited for office-set stories. Producer: Jane Long A Prospect Street production for BBC Radio 4

This double feature is all about Afrofuturism. The Mavens chat Netflix's They Cloned Tyrone & Boots Riley's Sorry To Bother You. 22:49 - They Cloned Tyrone44:15 - Sorry to Bother You Instagram @moviemavens@annie_jaynes@blujeanbabie

Boots Riley is known nowadays for his work as a writer, but he's been making waves as an artist for years. In his early 20s, he was the frontman and founder of the Coup, a fiercely political hip-hop group from the Bay Area. But in recent years, Boots has made his way over to film-making. In 2018, he wrote and directed his first ever feature film: Sorry To Bother You. If you saw it, you know it is hilarious and scary and insightful and generally very bonkers. And then Boots had another idea. His new show I'm A Virgo takes the word bonkers to new heights, literally. It's a story about a 13-ft-tall giant, a Black teenager living in the Bay Area. But the show's not about his super powers. It's about how he sees himself, and the little personal things about him — like his star sign. I'm a Virgo is a great show, but this isn't an interview about I'm a Virgo. Boots Riley is a writer. And his union, the Writers Guild of America, has been on strike since May. On Bullseye, we'll talk about what is at stake in the dispute between the WGA and the studio heads - represented by the Alliance of Motion Picture and Television Producers (AMPTP). Plus, we'll get into his early career as a rapper and his roots in activism.

Ob "Hoffmeister bringt´s" tatsächlich zutrifft, davon dürfen sich alle in dieser herrlichen Juli-Episode überzeugen. Ein sommerlicher Plausch über den Gartenzaun zwischen drei Filmverrückten - "Und, was hast du so gesehen?"

As the Writers Guild of America strike enters its eighth week, David Sirota sits down with writer, director, musician, and activist Boots Riley to discuss the ongoing labor struggle, as well as his radical new TV show. In all of Boots' work runs a deep commitment to social justice and organized labor. In 2018, Boots released the celebrated film Sorry to Bother You, an absurdist dark comedy about race and class politics set in the world of telemarketing. Now, Boots speaks with David about his fantastical new TV series I'm A Virgo, which is garnering rave reviews.Boots also discusses his roots in political activism and the importance of the writers strike and how its visibility is crucial to the resurgent U.S. labor movement.A transcript of this episode is available here.Links: ‘Sorry To Bother You' Director Boots Riley On WGA Strike, Struggle, Solidarity, Sacrifice & AI – Guest Column (Deadline, 2023) I'm A Virgo (Prime Video, 2023) BONUS: On next Monday's bonus episode of Lever Time Premium, exclusively for The Lever's supporting subscribers, we'll be sharing our interview with Brandon Tizol, a New York-based organizer who was part of the campaign to pass the Build Public Renewables Act in the state.If you'd like access to Lever Time Premium, which includes extended interviews and bonus content, head over to LeverNews.com to become a supporting subscriber.If you'd like to leave a tip for The Lever, click the following link. It helps us do this kind of independent journalism. levernews.com/tipjar

Once again Allyson finds another beloved classic that Mike has somehow missed and/or avoided. She's going to make him watch the critically acclaimed Robin Williams film Mrs. Doubtfire.Will he love it as much as the rest of the world or will it be one of those situations where if you didn't experience it first run, you probably won't have a sweet spot in your heart for it. Tune in next week to find out!Mike recommends the surreal satire Sorry To Bother You.Allyson recommends the docuseries Trainwreck: Woodstock 99.If you have a movie you'd like us to watch, let us know!Join our Facebook group!https://www.facebook.com/groups/youmademewatchFollow us on Instagram @YouMadeMeWatch to get sneak peeks at which movie we'll talk about next.Logo by Martin Butler. Follow him on Instagram @MartyButtonsTheme song by Thomas Medelheim. https://www.fiverr.com/medelheim

On this episode, Carl catches up with an old friend, the hilarious, Nate Armbruster! Nate started comedy here in Michigan about 14 years ago and has since resided in Chicago the last 6 or 7 years. Nate is a fantastic joke writer with a conversational delivery. He has his own podcast tilted "Weekend UpNate with Nate Armbruster". He also has an album/special out called "Sorry To Bother You". Instagram : @carljohnsonisfunnyNate ArmbrusterInstagram : @natecomedySpecial : https://www.youtube.com/watch?v=MtZqXU7Z9wYPodcast : https://podcasts.apple.com/us/podcast/weekend-upnate-with-nate-armbruster/id1600700317MusicJesse PassageInstagram : @thebignapArtRachel HarperInstagram : @rachelrockstar

My Light Is Brilliant - - in this episode of the podcast, we discuss how debating the truth won't save you. other topics include re-enacting the Tory & Kelsey phone call, how the nazi uniform helped spread their hateful message and the dangers of aesthetic, Sza being Billboard's "Woman of The Year" already and 2nd impressions of her "SOS" album, meeting women in church, how older generations view voting, "Sorry To Bother You" depicting unions in the workplace, Ja Morant dunking on Brittney Griner, using Big Sean to convey how the "Blog Era" was the 2nd Golden Age of Hip-Hop and various radical political topics with our special guest...PROTECT YA NECK - - Special Guest: @jxstinx_Text The "Bird Talk" Hotline at (404) 445-4645 to submit a topic Email: RunningTrizz@gmail.comInstagram: @RunningTrizzSupport the show

An illuminating Blind Shovel, this one with stop-motion animator and studio co-founder David Lauer. We discuss the struggles and rewards of stop-motion, digital vs analog animation, the titans of the industry, and the beauty of a lifelong commitment to one's craft.David is a California-based animator and co-founder of Mystery Meat Media, an animation studio that has worked on Solo: A Star Wars Story, Mad God, and Sorry To Bother You, among many other films.Header image: David Lauer, 2021*NOTE: David got Tracey Robert's last name wrong in the interview. She's the puppet rigger from the Primus music video he worked on at Tippett studio.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/381-fine-horse-74986287 The dystopia is already here in Boots Riley's SORRY TO BOTHER YOU (2018). This anti-capitalist comedy follows a telemarketer who is nearly seduced by a superstar billionaire. We discuss how the film identifies revolution as both necessary and nearly impossible. PLUS: musings on the end of Twitter and Chicago-based columnist John Kass.

The Carnival is back to nerd-out with impunity over surrealism in science fiction. Hosts Maryck Allyson, James Robinson and Mel peel back the paint on some of their favorite sci-fi, films, books and TV shows.

Podcast de la pasada emisión del 24/09/2022. Volvemos con nuestro programa junto a Agustín Lara, Espartanos del cine, David Larrad de Cinemascomics, y Sergio Reina. Hoy toca hablar de Andor, From, Sorry To Bother You, Johnny Peligro, La prueba del crimen, La justiciera de la noche, Resident Alien 2, La casa del Dragón 1X05, Los anillos de poder 1X05 y mucho más...

The Movie You're Making Me Watch Today is Sorry To Bother You (2018) Directed by Boots Riley!

I'm alive! And we're back with Dragon Quest where I unveil that I've been grinding off recording, throw myself at the green dragon several times again while I talk about cool things like the movie Sorry To Bother You, my new blog and book plus The Division mobile game and the complete ball drop that is Skate free to play.

 On July 5th 2022 CERN launched there Particle accelerator after 10 years! there are so many weird things about this event. We have read off the CERN website that they want to create black holes and learned more about the God particle. Time Stamps:0:00 Intro 3:20 showing our personalities10:55 TikTok showing us love, thank you guys so much16:45 UFC 276 27:31CERN particle accelerator will open another dimension 44:55 Sorry To Bother You was such a weird movie 58:15 Outro SUBSCRIBE TO THE PODCAST ► https://www.youtube.com/channel/UCv0g... Support the show

We talk three new movies that have come out so far this summer! Next Friday we talk about "Sorry To Bother You" on Netflix!

This week we talk about The Fallout, on HBO Max July 1st is when Movie Club returns, and we will talk about "Sorry To Bother You" on Netflix

Hey prospective listener, sorry to bother you, it's the crew of the Underground Table here just wanted to let you know we're having some real discussions you might want in on, primarily around the surreal comedy Sorry To Bother You (2018) and all the criticism it packs into a wildly poignant package. Join John, Dixon, and Ryan as they peel back the layers of this worry free discussion, and take some time to savor the satire of Boots Riley's directorial debut. --- Send in a voice message: https://anchor.fm/undergroundtablepodcast/message

Do cell phones towers disguised as trees emit frequencies that make Black people want to kill each other? Langston and his guest Jermaine Fowler (Amazon's Coming 2 America) climb up this conspiracy theory.  See omnystudio.com/listener for privacy information.

A podcast from Alex (@PresenterAlex) and Billie (@billiemelissa_) delving into the catalogue of Annapurna Pictures to celebrate their 10th anniversary. Join Alex, Billie and special guest Calum Cooper (@CalumTheFilmGuy) as they delve into Annapurna's 2018 film Sorry To Bother You. Next episode coming: 16th April 2022 If you would like to be a guest on the podcast go to the google form: https://forms.gle/ELTHKthzN5wNfHQ46 If you would like to check out Annapurna's film catalogue or follow them on Twitter: https://annapurna.pictures/ AND @AnnapurnaPics Music Credit: Lo-Fi Fashion Chill Hip Hop | WHISTLE by Alex-Productions | https://www.youtube.com/channel/UCx0_M61F81Nfb-BRXE-SeVAMusic promoted by https://www.free-stock-music.com/Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US

EPISODE #337-- Today we tackle the satirical work comedy/sci-fi film from Boots Riley, SORRY TO BOTHER YOU (2018). It's a good one We also rap about LICORICE PIZZA (2021), LOCAL HERO (1983), THE OUTSIDERS (1983), RAISED BY WOLVES (2021-), and finally SEEING RED (2022). It's a big week for pictures, folks. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits and on Instagram @kislingwhatsit. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!

What makes a great title for a film? Should it encapsulate the essence of the story, tell us something via symbolism about the characters or locations involved, be instantly familiar and memorable or generate intrigue? No, like everything important in life, size is the most important quality which is why this week we're looking at the Top 5 Movies With Long Titles.  SORRY TO BOTHER YOU (2018) is a scorching satire-cum-fantasy comedy in which the skint Cassius "Cash" Green (LaKeith Stanfield) gets a job  at telemarketing firm RegalView and becomes a huge success by using his White Voice. Promoted to the executive floor to become a Power Caller as his colleagues unionize around him, Cash's life is never the same again after meeting CEO Steve Lift (Armie Hammer) whose company WorryFree promises lifelong job security and housing in exchange for what looks suspiciously like slave labour amid pastel-hued prisonlike living conditions. Writer/Director Boots Riley provides a debut to remember with the early establishment of a unique and playful visual tone complementing the absurd magical realism of the final act and a memorable rapping scene in which the audience is confronted with the dehumanisation of racism that might provoke laughter or feelings of extreme discomfort, probably both. This one comes highly rated from the Bad Dads, check it out.  XAVIER RIDDLE AND THE SECRET MUSEUM was Reegs's attempt to double down on the whole long titles thing and shamelessly exploit a popular US kids tv show in the hope of securing a few new listeners. If you did find yourself here keen to hear what two Jerseymen thought of the Charles Schultz inspired artwork and wholesome historical content coupled with discussions about problem-solving and whether children should have beards or not, then you are in luck because that's exactly what you'll get. We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Welcome to #LateToTheParty where we talk abou tthe shit we should have seen by now.  BNos finally watched The Mandalorian season 1 (2019),  Sorry To Bother You (2018), and The Harder They Fall (2021). JD took a trip back in conjunction with the 50th anniversary of the of the first film and read Mario Puzo's The Godfather (1969). BNosanchukhttps://www.instagram.com/bnosanchuk/https://twitter.com/BNosanchuk JDhttps://www.instagram.com/qwikwits/https://twitter.com/thejdstaley SPENThttps://twitter.com/spentradio www.SPENT.media  

My guest this week is Florida-born rapper-producer Liiight. We spoke about Don't Look Up, Bee Movie, Cowboy Bebop, dubstep, brief histories of Yung Lean and the Sad Boys, Lucki, and Childish Gambino, how Lupe Fiasco's “Kick Push” changed their life, giving your all while recording, and the creative process behind their latest projects Dwunk and Blacklight.Dwunk and Blacklight are available wherever music is sold, streamed, or stolen. Consider copping these and other great projects directly from Liiight's Bandcamp page here.Follow Liiight on Instagram and Twitter: @liiightoneFollow me on Instagram (@cinemasai), Twitter (@CineMasai_), and Letterboxd (@CineMasai)   Support the show (https://cash.app/$CineMasai)

Sorry To Bother You by The Coup The Magic Clap | The Coup : Sorry to Bother You Strange Arithmetic | The Coup : Sorry to Bother You Your Parents' Cocaine (feat. Justin Sane from Anti-Flag) | The Coup : Sorry to Bother You The Gods of Science | The Coup : Sorry to Bother You My Murder, My Love | The Coup : Sorry to Bother You You Are Not a Riot (An RSVP from David Siquieros to Andy Warhol) | The Coup : Sorry to Bother You Land of 7 Billion Dances | The Coup : Sorry to Bother You Violet | The Coup : Sorry to Bother You This Year | The Coup : Sorry to Bother You We've Got a Lot to Teach You, Cassius Green | The Coup : Sorry to Bother You Long Island Iced Tea, Neat (feat. Japanther) | The Coup : Sorry to Bother You The Guillotine | The Coup : Sorry to Bother You WAVIP (feat. Das Racist and Killer Mike) | The Coup : Sorry to Bother You #PoliticalMusic Polyrical.com movingtrainradio.com

The HBS hosts sit down with Dr. Jason Read to talk about how to understand work in the 21st C.In this episode, Jason Read (Philosophy, University of Southern Maine) joins us to examine the Boots Riley‘s film Sorry To Bother You (2018) and what it might be able to tell us about the dystopic situation of the 21st C. worker. Why has it become so important that the worker demonstrate that they “love” their work? How much of our work demands “emotional labor”? Why is it necessary for (some) workers to abdicate their real or “authentic” voice in order to survive? How have we become so accustomed to accepting less and less, even as more and more is demanded of us?Are workers in the 21st C. just a pot of boiling frogs?Full episode notes at this link:http://hotelbarpodcast.com/podcast/episode-39-work/

Only if we realized that Sorry To Bother You was a Armie Hammer PSA all along, while Monty Python and the Holy Grail does what no other film from the 70s does - age well, and Spaceballs could've and should've just been a porno.We're getting weird in 3...2...1...BINGE! --- Send in a voice message: https://anchor.fm/3-2-1-binge/message

This week Jim makes a chilling discovery in the snow, Darren calculates how many times he can wear his pants while awaiting a washing machine repair and Lee watches The Expanse but refuses to tell anyone if he likes it or not Then after some feedback its off to the surreal and satirical, darkly comedic world of telemarketing as the guys review Sorry To Bother You.  

Welcome back to your favorite weekly comedy variety podcast. Andy, Viktor and Cyle all spent time together watching an insane movie. There are enslaved half-man, half-horse hybrids. A girl getting bags of sheep blood thrown at her chest covered in gloves. Oh and who could ever forget about the superpower thay is “white voice”? We watched Sorry To Bother You. Thank you for joining us on Sometimes I Hate You! Find us anywhere by going to linktr.ee/sometimesihateyou Show Andy some support and check out his weekly video game stream: twitch.tv/andyihateyou --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sometimes-i-hate-you-podcast/support

The West Hollywood City Council has voted to remove President Trump's star from the Hollywood Walk of Fame. I head down to Hollywood Boulevard to gauge people's reaction. Then, Hollywood calls me racist for pointing out that “Sorry To Bother You” is terrible. Ocasio-Cortez says stupid things, Candace Owens stops by, and finally the Mailbag! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Filmmaker and hip hop artist Boots Riley wants his audiences to be radically engaged. He grew up with parents who were organizers and he believes political radicalism prompts cultural change. Boots and Marc talk about social movements, power structures, and how he wanted to take on all of it with his years-in-the-making movie, Sorry To Bother You. Also, Bobcat Goldthwait returns to the garage to talk about grief, getting older, and his new series Misfits and Monsters. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.