An interview series hosted by Jeremy J. Fisette, talking music, film, writing. Talking to the people who make the things we listen to, the things we watch, the things we read - the makers of the things that matter to us.
In this chat, we get to meet Lido Pimienta. Lido is a singer, songwriter, producer, who just put out her newest record, La Belleza, via ANTI-. We talk a lot about the album, with special focus on the genre of it — which, for Lido, is something new: classical music. Where her previous work was sort of an avant-garde electronic pop kind of thing, La Belleza is steeped in classical music tradition, composition, and structure. We talk about what led Lido to try her hand at this style, which she had previously felt was sort of blocked off from her, and how she feels like she got in there and made a space for herself to belong. We talk about the writing of the record, genre pigeon holing, shirking societal expectations, working with coproducer Owen Pallett, and more. Thank you for listening.
In this chat, we get to meet Merrill Garbus of Tune-Yards. Garbus started Tune-Yards as a solo project, but quickly transformed into a duo with musical and life partner Nate Brenner, and they have now released their brand new LP, Better Dreaming, on 4AD. In this chat, Merrill and I go deep on the personal, global, emotional, and sociopolitical themes and inspirations behind the new record, as well as the production, writing, and composition process. We also touch a bit on Tune-Yards early years, and end up diving deep into the significance of art (both making it and having it in our lives), and of simply being alive, in this moment, now - and how radical that can be. Thank you for listening.
In this episode, we get to meet Uwade. Uwade a Cailfornia-by-way-of-North Carolina singer-songwriter, who has just released her new debut album, Florilegium. You may have - like I did - first encountered her, though, as the first voice on the opening track of the last Fleet Foxes record Shore, called "Wading in the Waist-High Water". In this chat, she and I discuss the writing and process of creating this first solo LP, what it means for her to be going out on her own, the musical touchstones of her childhood that found their ways into these songs, and more. We do also touch on her work with Robin Pecknold & co. and the subsequent tours she shared with Fleet Foxes, and what she learned from that. Finally, we touch on her academic life, as she is currently working toward a PhD. Thank you for listening.
In this episode we get to meet Tunde Adebimpe. Tunde is best known as one of the co-founders, singers, and songwriters of the influential indie rock band TV On the Radio. But now he has a debut solo LP called Thee Black Boltz, and this conversation, we talk a lot about how this record came to be, a process that included rescuing some archival recordings and crafting brand new work. We also touch on TV on the Radio's legacy and their "reunion" tour. Then we, of course, talk about Tunde's film work (as he is also an accomplished actor), including his recent role on Star Wars: Skeleton Crew, and his time making one of my all-time favorite films, Jonathan Demme's Rachel Getting Married. I was thrilled to chat with such a titan, and I think you'll enjoy. Thanks for listening.
In this episode, we get to meet singer, songwriter, multi-instrumentalist, producer Valerie June. Here, Valerie and I go deep into her brand new record, Owls, Omens, and Oracles, including the themes, production, and writing of these genre-defying songs. We touch on music history, including Appalachian and Delta folk music, as well as the concept of being positive or optimistic in times like these. Valerie spoke with a candid warmth and was a real open book, and I think you'll enjoy this talk if you like any of her work, but also if you just want to listen to a really good talk about life, art, philosophy, history, and the like. Be transported with her like I was. Thank you for listening.
In this episode, we get to meet Daughter of Swords, aka Alex Sauser-Monnig. Alex just released a brand new solo album under their Daughter of Swords moniker, appropriately titled Alex, and in this chat, we discuss the record at length, including its varied themes (of both personal and societal contexts), the creation of the record, and also the huge aesthetic shift from their first DoS record, Dawnbreaker. We also talk about their various side projects, like The A's with Sylvan Esso's Amelia Meath, or the trio they and Amelia share with Molly Sarle called Mountain Man. There's also the topic of the booming North Carolina music scene - spearheaded by the Psychic Hotline indie music group led by Sylvan Esso - and what it means for them to be a part of such a special family of talented folks. Thank you for listening.
In this chat, we get to meet Baths, aka Will Wiesenfeld. Will just released his latest record - and first in a while - as Baths, called Gut, and in this conversation we dive deep into the new LP. We talk about its musicality, which is much more rock-leaning than his prior Baths work; we talk about the writing process; and we talk about the incredibly raw, honest lyricism, which revolves largely around sex and sexuality, and all the ups & downs that come with that. Thankfully, Will was just as frank in our conversation, willing to be as "open book" as I asked him to be. We also touch on his score work, the glory of bicycling, and the queer mecca that is Provincetown, MA. (Believe me - it all connects.) Thank you for listening.
In this episode, we get to meet singer, songwriter, multi-instrumentalist Basia Bulat. Basia just released a brand new album - the lovely Basia's Palace - in February, and in this conversation, we go deep into it. The process of making it (which included a mostly-remote workflow with producer Tucker Martine), the themes, the desires for this project, and more. We also take a dive into the world of video games, especially old games and their beautiful midi soundtracks, which were a surprising touchstone for Bulat on this LP. (Paging fans of Final Fantasy, Chrono Trigger, and the like!) We take time to mention U.S. Girls, too, a band that Bulat has been associated with for years. It's a fun, free-flowing conversation, full of gratitude and love and good vibes, if I do say so myself. Thank you for listening.
CONTENT WARNING: Emotional and narcissistic abuse (specifically via a parent). And now for a second helping of my new subseries. In episode two of WE MEET AGAIN, A MEET OUR MAKERS SUBSERIES, we catch up with Azure Ray's Orenda Fink. Last time we spoke was around the release of her band's last album, Remedy, but this chat was spurred by a very different release: Fink's debut memoir, The Witch's Daughter. Because we'd already "met," I think we were able to go deeper and further faster and with more candor, which is fitting given the startling honesty and blunt storytelling in Fink's book, which largely circles around her fraught relationship with her mother, and the realization that she and her sister were victims of their mother's narcissistic abuse for most of their lives. As she recounts scattered memories from childhood through adulthood, Fink reveals some shockingly personal details about her upbringing and her efforts to separate herself from her mother's abuse. In this chat, Fink speaks with just as much candor about the book, her personal story, and where she is now. I couldn't be more appreciative of her time and her openness. The Witch's Daughter is out now, and while it is a tough sit sometimes, I think it's a vitally important book and beautifully told story of recognizing and then trying to transcend emotional hardship.
And now for something a little different. This is the first episode in what I hope will be an ongoing "subseries" of Meet Our Makers, called We Meet Again. Today, we talk (again) to Half Waif, aka Nandi Rose. In this series, I will be interviewing people a second time, only this time, we can cut through all the noise and background and introductions. Instead, we can get right to it. We (sort of) already know each other, so let's just dive in, right? We get to really dig into Nandi Rose's newest (startlingly personal) Half Waif record, my personal AOTY, See You At The Maypole. Content warning: This episode DOES contain some explicit language about miscarriages, so consider that before hitting play. I think this is actually a better conversation than the one we first had almost three years ago, and I'm so happy we got to do this. Thanks Nandi. And thank YOU for diving into this new venture with me. There will be more of these (and more regular episodes!) to come.
In this episode, we get to meet Gareth Paisey, the lead singer of indie rockers Los Campesinos! In this chat, Gareth and I discuss the band's newest record All Hell, which came out this past summer on the band's own label. We talk about the interim between it and its predecessor Sick Scenes, the production and background of this new one, as well as his own love-hate relationship with songwriting. We talk about the band's growth and legacy, as well as what Gareth's favorite parts of being in a band like Los Campesinos are. All Hell is probably their strongest record yet, and one of 2024's best, so if you haven't caught up with it, go take a listen, and then come hang out with us. Thank you for listening.
In this episode, we get to meet Hayden Thorpe. Hayden is a singer/songwriter from the UK, who is probably best known for his band Wild Beasts. Although they disbanded a few years ago, Hayden has been working hard within a solo sphere, and has just put out his third record, NESS, which is based upon a book by Robert Macfarlane, which itself is about the very real place of Orford Ness, a defunct military test side island off the coast of the UK. In this chat, Hayden and I discuss the conception, musicality, and production of Ness the album, but also go deep into the place it's inspired by - including the tamed and untamed wilderness there, the confluence of past and present. We talk what it was like relinquishing lyrical control, as almost all the lyrics are taken straight from Macfarlane's book. We also touch on Wild Beasts (a band I love) and what it was like working with them for so long and carving out their very distinct identity, and then having it come to a close. Thank you for listening.
In this episode, we get to meet Henry Hall. Henry is a musician and actor from LA, whose new album, Stop Doing Funny Stuff, is out now. (That didn't stop me from screwing up the title of it TWICE, but, I digress.) In this chat, Henry and I discuss the record and its myriad of influences and styles. We talk inspiration - both lyrically and musically - of folks as eclectic as Patsy Cline, Morrissey, and Jens Lekman. We also touch on his comedy lineage, as Henry is the son of comedy legends Julia Louis-Dreyfus and Brad Hall. We talk his own discovery of and relationship with comedy, including his own lead series role in the new show Dinner With the Parents, as well as the glory that is Julia's show, Veep. We talk about a lot more, too; it's a very casual, fun, funny, light-hearted conversation. Thank you for listening.
In this chat, we get to meet My Brightest Diamond - aka: Shara Nova. I got to speak with Shara surrounding the release of her newest MBD record, called Fight the Real Terror. In this discussion, she and I go deep into this album - its themes, its stark minimalism, and its conception, which was borne largely by the loss of the great Sinead O'Connor. Shara had a deep affinity for Sinead's work both musically and politically, and I speak with her about how Sinead's voice (and I mean that in all shadings of the word) has inspired her own work and her own life, as an artist, a human, and an activist. It's a great talk with a great artist (and someone who I've been listening to for virtually my whole music-listening life). Thank you for listening.
In this episode, we get to meet Icelandic singer-songwriter, Emilíana Torrini. Torrini has been releasing music for quite some time, debuting in the 90s, but has just released a totally bewitching new album this past June called Miss Flower. The story of this record is so rich and layered and surprising, it makes sense that she and I mostly use this chat as an excuse to take a deep dive into its world. Miss Flower, the character of this album (because it is, indeed, a story album), was based on a real person, and the tale of how Torrini found out more and more about this woman's twisting-and-turning life (which includes love letters, crushes, espionage, and various countries) feels like some old classic noir film brought to musical life. (And for that matter - the album has also been turned into a full-on film as well, which we also touch on.) It's a great talk, and will hopefully make you want to delve into Miss Flower again and again, looking for clues, connecting dots, and getting lost. Thanks for listening.
In this chat, we get to meet Phosphorescent - aka: singer, songwriter, guitarist Matthew Houck. Matthew's been at the game for a while now, and we caught up to chat about his newest Phosphorescent record, Revelator, which came out back in the spring. Truthfully, this chat was done around then, too, but kept getting pushed and delayed in posting. So here we are! Huzzah! It's a lovely chat, well worth the wait, as we dive into all things Revelator, including its themes, production, songwriting, history, etc. Matthew is such a lovely, warm guy; an open book down to chat about anything. It's a very laid back but engaging conversation, and I think you'll enjoy. Thank you for listening.
In this episode, we meet pop auteur/singer-songwriter Kate Nash. Kate Nash has just released her brand new record - her first in a little bit - on Kill Rock Stars, entitled 9 Sad Symphonies. In this chat, Kate and I discuss her new record at length, especially what went into creating it and some of the underlying themes across its songs, such as mental health and wellness, depression, and love. We touch on her early material, such as her hit debut record Made of Bricks (which spawned successful singles like "Mouthwash" and "Foundations") and how her relationship to these songs has changed over time. We also talk the early MySpace days that helped give rise to her career, and why she has such a fondness for that era of the music business. And of course we talk about GLOW, the great Netflix series she starred in alongside Alison Brie, Betty Gilpin, and more. We talk about what that show meant (and means) to her, and how sad we both are that it got unceremoniously canceled after three seasons. Thanks for listening!
In this chat, we get to meet Tracyanne Campbell, the frontwoman of celebrated Scottish indie rock icons Camera Obscura. Back with their first album in over a decade, Look To The East, Look To The West, Camera Obscura have a lot to say now that they're back on the scene, and effortlessly prove that their return was worth the wait. In this talk, lead singer & songwriter Tracyanne and I discuss the new album at lenght, including some of its themes, its musicality, its production, and what led to them reconvening in the first place (turns out it had a lot to do with Belle And Sebastian's cruise ship music festival back in 2019). We also touch on some of the factors that contributed to their long absence, including the unfortunate passing of longtime keyboardist Carey Lander, back in 2015. It was such a pleasure to speak with someone I've listened to and looked up to for so long as a sharp and potent voice in music, and I'm so happy the band is back. Thank you for listening.
In this chat, we get to meet Canadian singer, songwriter, multi instrumentalist, folk music icon, Loreena Mckennitt. In this conversation, Loreena and I dsicuss her new live recording The Road Back Home, which is out now on her own Quinlan Road label , and how she distinguishes it as a “field recording” more than a proper live album. We discuss touring during COVID, and the trials and tribulations of that, as well as her love of world traveling and how those travels have impacted her work over the years. And moreover, we talk about how she came to love and be a part of the Celtic folk music world. We also touch on her expansive tour from this spring where she revisited her landmark album The Visit for its 30th anniversary — and be sure to check out her tour in Europe starting this summer to commemorate the 30th anniversary of The Mask And The Mirror. So needless to say - Loreena has been making vital, beautiful music for several decades now, and so we had a LOT to talk about. It was an honor and pleasure. Thank you for listening.
In this chat, we get to meet Molly Drag. Molly Drag is the pseudonym of Montreal singer, songwriter, multi-instrumentalist Michael Charles Hansford. In this talk, we dive deep into his brand new album, Mammoth, out now on I'm Into Life Records. But we also talk about...well, a lot of other things. Truthfully, this is quite a spontaneous and circuitous talk, because Michael and I have been following each other's work for a couple years now, and have chatted here and there before, making this conversation much more of a catching up & hanging out kind of episode. Which is great! We talk the new record of course, but also things like home recording, Kelly Reichardt films, the virtues of being a DIY artist, work-life balance, and more. It's an amiable talk with a super talented guy. Thank you for listening.
In this chat, we get to meet Iron & Wine - aka: singer/songwriter/guitarist, and general indie folk icon, Sam Beam. Sam has just recently put out a brand new Iron & Wine record entitled Light Verse, so we do spend a good amount of time discussing this album. We touch on its themes of loss and acceptance, the time it took to make, and the collaborators he had on it - including none other than the legendary Fiona Apple. We also look back on his seminal 2nd record, Our Endless Numbered Days, which turned 20 this year. We talk about creative ruts, file sharing and leaked music, and do some light myth-busting about his debut album. I also get personal and tell Sam just how much his music has meant to me, and how integral its been to my development especially as a musician myself, over the year. It's a lovely, jovial conversation, and one I will go cross off the bucket-list now. Thank you for listening.
In this chat, we get to meet claire rousay. claire is best known as an ambient composer, crafting soundscapes with keys, found sounds, drone, and other experimental elements. But in this chat, she and I talk quite a bit about her brand new album sentiment, which is out now on Thrill Jockey, which includes much more singer-songwriter style material. Now, it's still a claire rousay record, and we discuss how she tried to keep a hold on her experimental spirit despite having more lyric- and guitar-focused songs than ever before, including her choice to produce all the vocals on the album with a sort of robotic autotune effect. We also talk about inspirations, how emo and folk music impacted her as a music listener and creator, live performance, and more. It's a very candid, down to earth, and occasionally lovably self-deprecating chat with one of our most intriguing voices in current-day experiment pop music, and I think you'll enjoy. Thanks for listening.
In this chat, we get to meet Julia Holter. Julia is a multi-instrumentalist, singer, songwriter, and composer extraordinaire, who just put out a wondrous new record, Something in the Room She Moves. In this chat, Julia talk a lot about this new album, including the production, the songwriting, the stories, and the risks of these songs. We talk titles, the Beatles, performance, as well as her work in film scoring (such as her score for Never Rarely Sometimes Always), and more. It's a lovely chat with one of our best artists. Thanks for listening.
In this episode, we get to meet El Perro Del Mar, AKA: Swedish singer, songwriter, musician, producer Sarah Assbring. In this chat, Sarah and I talk at length about her newest full-length EPDM record, Big Anonymous, out now on City Slang. It's been a while since the last one, and we had a lot to talk about. We talk about the dark and emotional (and very personal) themes on Big Anonymous, the ways in which her sound has (and hasn't) shifted over the years, her lyrical technique, and the ways in which this album was more therapeutic than she ever thought it'd be. We also touch on the peculiar but fitting choice to include a Burt Bacharach cover on this album, as well as how she wrestles with being a contrarian in a world of immediacy and people pleasers. Thank you for listening.
In this episode, we get to meet Bonnie "Prince" Billy - aka Will Oldham. Will has had a great year in music, putting out one of his best records yet with Keeping Secrets Will Destroy You (by some counts his 21st record!) back in August. In this chat, Will and I discuss that album at length, including some of what went into and inspired it. We talk about his long history of selecting perfect singing partners and musical collaborators, and how important singing and voices are to him, and how much we have left to learn from older musicians. We also touch on his old material with Palace Brothers, his intermittent acting career (which was his original career aspiration), and the longlasting magic and legacy of his most famous song "I See a Darkness". It was a warm and rambling talk, like hanging with an old pal, and I think you'll enjoy it. Thank you for listening.
In this chat, we get to meet singer-songwriter Jess Williamson. Jess put out her most recent album, Time Ain't Accidental, back in June. (It also happens to be her most acclaimed record yet.) And in this chat, we get to be a bit reflective as opposed to anticipatory. We talk about what the songs mean to her now in the wake vs. the lead-up, and how proud she is of this album. We talk about how her year has gone since then, including touring and the general reaction to these personal songs. We discuss vulnerability and specificity in songwriting, rediscovering her love of her native Texas, and embracing imperfections (and her natural voice) in the studio. She also had a dream about Adrianne Lenker, so, there's that! It was a super fun talk, circuitous in the best way, and I think you'll enjoy it. Thank you for listening.
In this episode, we get to meet Jolie Laide, the new band fronted by acclaimed singer-songwriter Nina Nastasia and guitarist/multi-instrumentalist Jeff MacLeod. In this chat, Nina and Jeff and I discuss the makings of this debut record, which just came out this past November. We talk about how they met over 20 years ago, and how now felt like the time to join forces for a new creative project. We discuss the themes and moods of the album, including the desert-style landscapes they conjured for its nine songs, as well as what each of them brought to the record. We talk the ups and downs of band-dom, Nina's magnificent last solo album Riderless Horse, magical guitars, and so much more. I hope you enjoy. (And please forgive my sick voice in the intro for this episode - my cold was not going to stop me!) Thank you for listening.
In this episode, we get to meet Kevin Drew. Best known as the sort of de facto captain of indie rock superstars Broken Social Scene, Kevin has just put out his brand new solo album, Aging. In this chat, he and I discuss the album, and its myriad dark, deep, personal themes, as well as what led to its conception and its status as a very piano-led record (which isn't something we've previously associated much with his music). We touch upon Broken Social Scene, and their recent celebration of the 20th anniversary of their landmark record You Forgot it in People. We talk what those songs mean to him now, the music industry at large, and also the staggering glory of Emily Haines and "Anthems for a 17-Year-Old Girl". It's a lovely, very candid conversation, and I appreciate the warmth and kindness Kevin brought to our talk. Thank you for listening.
In this episode, we get to meet Joseph D'Agostino, the frontman and lead songwriter of indie rock outfit Empty Country. Previously known for his now-defunct band Cymbal Eat Guitars, D'Agostino's newest record as Empty Country - aptly titled Empty Country II - is out now, and it's a real treat of high-emotion, high-impact, literary songwriting. In this chat, Joe and I discuss his specific lens through which he shoots his songs and subjects, tracing a litany of fictional characters and their various throughlines across his work and across the hour-plus of material on this new album. Joe has a knack for fictionalizing the real life heart ache and tragedies of the world around him, transposing them into appropriately emotional but never depressing or dreary mini-epics. We talk about his new life in Connecticut, his songwriting inspirations, and more. Thank you for listening.
In this chat, we get to meet actor and writer Illeana Douglas. Illeana is best known for her film work, costarring in films as wide-ranging as Scorsese's Cape Fear, Gus Van Sant's To Die For, or (one of my personal favorites) Terry Zwigoff's Ghost World. In addition to her film and television, Illeana is also an accomplished writer and film historian, and she has just published her second book, entitled Connecticut in the Movies. In this chat, Illeana and I discuss a LOT about her new book, which was especially exciting given that I grew up in Connecticut just like she did. We talk about the many different versions of CT that have been seen in the movies, the cliches and stereotypes, and the varied styles of films made or set here - from dark suburban dramas to sex comedies. We talk about how surprisingly integral CT has been to filmmaking, and how the state's perception has shifted and ping-ponged from accurate to, well, less-so. We touch on Mystic Pizza's place as our emblematic film, the idea that characters from CT have something odious to hide, and much more. Now, we recorded this while the SAG strike was still ongoing, so we couldn't talk much of her acting work. But fear not - there was plenty to talk about. Thank you for listening.
In this chat, we get to meet Marnie Stern. Marnie is a singer, songwriter, and electric guitar wizard, who's back after more than a decade-long absence with her fifth record, The Comeback Kid. In this chat, she and I talk a lot about this new album - the songwriting, the production - and what it felt like to get back into her specific style and groove after so long out of the studio. We also discuss what she was up to in the interim, which included having two children and also playing in the house band on Seth Meyers. So needless to say - she's been busy in between albums. But now she's back! And she's ready to melt you. We also talk drumming's importance to her work, the fading glory of blogging, and that one time she ripped the sleeve of a record I bought from her at a show (it's cool). Thank you for listening.
In this chat, we get to meet Lizzie Powell, the lead singer, guitarist/multi-instrumentalist, songwriter, general jack-of-all-trades of indie rock band Land of Talk. Lizzie and I get deep into the newest Land of Talk record, Performances, which is just out on Saddle Creek. We talk aboutart and creativity, their goals for this record (and beyond), weirdness in music, the almost-defiant attitude that drive a lot of their recent work, Twins Peaks, doggos, and more. We even get a little meta on your butts and talk about the very show that Lizzie is on, which gave me a nice chance to express my profound gratitude for everyone who's agreed to come on and everyone who's listened. (That's you, by the way.) It was such a fun time, and I think you'll really enjoy it. Thanks for listening.
In this chat, we get to meet acclaimed composer Matana Roberts. Best known for their work as a saxophonist, clarinetist, and composer in the world of avant garde and improvisational jazz, Matana Roberts has been making a name for themselves for quite a while. We met on the cusp of the release of the fifth chapter in their ongoing Coin Coin series -- Chapter 5: In the Garden. In this chat, Matana and I go long on this new album, and how it fits into the overall arc of Coin Coin, which sees Matana exploring their own personal and familial history alongside some bitter truths and explorations of American cultural and social history. The new record tells the story of a relative of theirs from the 1920s who died following an illegal abortion, and it's just as beguiling and beautiful as the chapters that preceded it. It's a bit of a circuitous talk, but in the best way - it felt like an alive conversation, and I had such fun diving head first into these complex and nuanced waters with Matana, who met me with warmth and wisdom. Thanks for listening and please enjoy.
MEET OUR MAKER IS ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet the fantastic, storied filmmaker Sally Potter. The writer-director of such acclaimed and varied films such as Orlando and Ginger & Rosa, Sally is actually just now releasing her debut full-length album (!) which is called Pink Bikini. In this conversation, Sally and I talk a lot about the new record - its themes, its songs, its lyrics, its music, some of her influences and inspirations - as well as what drove her to recording and releasing such a personal singer-songwriter album now, after such a robust career in cinema. We talk about her film work (especially the Tilda Swinton-starring, Virginia Woolf adaptation Orlando), how her filmmaking overlaps with her music making, and so much more. It was a humbling honor to talk to a cinema great, and her new album is such a delightfully wondrous surprise. I think you'll enjoy this as much as I did. Thank you for listening.
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet singer-songwriter Regina Spektor. In this chat, Regina and I talk a lot about her last album, Home Before and After, which incidentally had come out almost exactly a year prior to our conversation. In light of this, we discuss the songwriting, producing, release, and extensive touring surrounding the record, as well as what it means to her now, a year on. We talk about the joys and gifts of live performance, her particular songwriting methods and styles, and her deep love for her fans (as well as how those very fans are almost single-handedly responsible for keeping some of her older songs alive -- like "Loveology", which finally got a proper studio recording on Home). We also talk about an old song I had never heard of that's been almost lost to the years, but may make a comeback yet. We talk about more, too, and it was a beautiful and fluid conversation I was very humbled to get to have. Thank you for listening.
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet Oscar-nominated composer Emile Mosseri. Though best known for his film work, Emile is also a singer-songwriter, and has been for much of his life. He was in a band called The Dig for years prior to his career as a composer, and now he's just put out his debut full-length studio record, Heaven Hunters. Here, Emile and I talk quite a bit about this record - what it means to him, how he got here, and what led him to feeling comfortable and ready to release such bluntly personal songs. We do also touch on his film work, some of his specific scores for films like Kajillionaire and his Academy Award-nominated work on Minari, his love of film music, and more. Thank you for listening and I hope you enjoy.
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet The Tallest Man On Earth, otherwise known as Kristian Matsson. In this chat, Kristian and I talk a lot about his brand new record, Henry St., including some of the themes behind its songs and music, the production with Nick Sanborn in North Carolina, the writing process, and how the album felt a little different from his past work, especially his prior record, I Love You. It's a Fever Dream. We touch upon his time seeing Joni Mitchell at Newport Folk Festival, the greatness of "Both Sides Now", and more. We also debut a little game I call Setlist Pop Quiz. Thank you for listening!
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet AC Newman (aka Carl Newman), the lead singer and songwriter of Canadian indie rock supergroup The New Pornographers. In this chat, Carl and I discuss quite a lot about the band's lovely new album (their ninth overall), Continue as a Guest. We also talk a bit about music philosophy, aspirations within the business, and how his attitudes have shifted a bit (or not) over the years. If you are a fan of the record or of any NP record, I think you'll find a lot to enjoy - lots of little yummy morsels for us to chew on. Thank you for listening.
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet Youth Lagoon (aka: Trevor Power). Trevor is now back with his fourth Youth Lagoon record (and first since resurrecting his original moniker) called Heaven is a Junkyard. In what was really his first extensive interview of this album cycle, we discuss so much about this gorgeous album, including the story behind its creation, the inspiration behind some of its songs, and why he decided to bring back the Youth Lagoon name in the first place. We also chat about the medical event that nearly derailed everything for him, and how that experience directly impacted his work. We touch upon the troubling but also the beautiful things about his beloved home state of Idaho, as well as how - especially in light of current and recent events - religion and legislation have been usurped by bigotry. It's a very far-ranging and at times quite serious talk, but Trevor spoke to me with such candor and warmth and a sense of humor, which I think you'll enjoy. I had such a good time. Thank you for listening, and please enjoy.
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet Jeff Hiller. Jeff is an actor who, most recently, is best known for playing Joel on the HBO dramedy Somebody, Somewhere. It's a gorgeous, human, authentic show, and in this chat, Jeff and I talk about all of it. We talk about the show's themes, characters, its rarity in this current TV landscape, and what it means to Jeff to be able to play a character like Joel on a show like this, alongside the great Bridget Everett. We talk the winding road of his career that led him to this great part, and how he came to land this role. We also touch on some current events, pop culture, and Betty Gilpin. (Hi Betty Gilpin! My door is always open for you.) I think you'll like this one. It was an utter delight talking with Jeff, who has an infectious laugh and smile and was so warm, a little irreverent, a touch tangential, but always inviting and personable. Thank you for listening.
MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet Avey Tare, aka Dave Portner. Dave is one member of the experiment indie rock outfit Animal Collective, which has been active for over 20 years. Now, Dave is putting out a new solo record under his alias, 7s, and in this chat, he and I talk a lot about this record - what went into it, the production, the songwriting, the themes, and more. We also touch upon Animal Collective's past and present, pop music, the infamous Pullhair Rubeye project, and more. Please consider becoming a Patron today to gain access to a Patreon-exclusive interview clip from the chat. Thank you for listening!
In this episode, we get to meet actor and musician Caleb Landry Jones. Though Caleb is known best as an actor - appearing in projects such as Three Billboards Outside Ebbing Missouri, Get Out, and even the Twin Peaks: The Return miniseries - he is also an accomplished an eclectic musician. In this chat, Caleb and I talk about his newest record, Gadzooks Vol. 2, and how music has shaped him as a person, both as a performer and as a listener. We do also discuss his diverse and varied film career, including his latest movies like the powerful and dark Nitram, for which he won the Cannes Best Actor award. We talk about his love of cinema, his foundational films, and more. He also gives me some spicy hot takes on contemporary cinema that you won't want to miss. Thank you for listening, and enjoy.
In this episode we get to meet Kaitlyn Aurelia Smith. A multi-instrumentalist, songwriter, singer, producer, Kaitlyn is best known as a leading user of the rarified Buchla modular synthesizer. In this chat, she and I discuss what draws her to this instrument, and we talk quite a bit about how the sounds of it (and other sounds) cohered to create her latest album, Let's Turn it Into Sound. We talk about the power of sound, the power of collaboration, and her relationship with music - both recorded and live performance. It's a great chat, especially for your synth-heads out there. Thanks for listening!
In this -- the FIFTIETH (!!!) episode -- of Meet Our Makers, we meet singer-songwriter Alela Diane. In this chat, Alela and I discuss her brand new record, Looking Glass, and some of what went into making it. We talk recording, we talk writing, we talk musicality, we talk theme -- she's got it all. We talk a bit about memory, and how we process things in our art so that we can live a regular day-to-day life. We talk about the symbolism of selling her longtime home, as well as some of our favorite ladies, like Joni and Judee and Joanna. I think you'll enjoy it. Thank you for listening.
In this episode, we get to meet singer-songwriter Jesca Hoop. Speaking to me from her home in the UK (though she's originally from California), Jesca and I discuss her new album, Order of Romance. In this chat, she and I talk at length about the record - as she says at one point, she's not afraid to "talk shop." We also talk about the political and health state of the world - including looking at the US from an expat's perspective - and how she funneled her observations about the goings-on of the world around her into these intimate and personalized character studies. We touch upon a lot more too, and Jesca was funny, grounded, and candid - all much appreciated. I think you'll like it. Thank you for listening.
In this episode, we get to meet Emily Sprague. Emily is best known as the frontperson and lead singer of indie folk band Florist. In this chat, Emily and I discuss the ins and outs of the brand new self-titled Florist record from this summer, including its unique recording and composing journey, which took place mostly on a screened-in porch while the band stayed at a secluded house. We touch upon the last Florist record, Emily Alone, which was essentially a solo project, as well as the band's surprising connection to Beyonce...??? That and more. Thanks for listening, and I hope you enjoy.
In this episode, we get to meet Laura Veirs. Laura is a singer-songwriter based in Portland, OR, and she's just released her newest record, Found Light. In this chat, Laura and I talk a lot about this new album, unpacking themes, examining specific songs, and talking about the writing and production - which was her first time ever coproducing her own album. We talk about the tumultuous period of her life that inspired it and its predecessor, My Echo, which included her divorce from longtime partner & collaborator Tucker Martine. We talk about some other odds & ends too, and it was a really nice talk. Thank you for listening.
In this episode, we get to mee Emily Haines. Emily Haines is best known as the lead singer and lyricist of Canadian indie rock band Metric. In this chat, Emily and I discuss a wide range of things, including their brand new record Formentera, as well as the band's back catalog and beginnings, which began with a bit of a false start. We talk about her solo work, her ideas on music and what Metric's true ethos and values are, as well as the queasiness of the constant news cycle. (Note: we recorded this on the day Roe v. Wade was overturned in America.) It's a discursive but wholly enlightening and enjoyable talk, and I thank you for listening.
In this episode, we get to mee Torquil Campbell (aka Torq), one of the cofounders and co-bandleaders of Canadian indie rock veterans Stars. I'm excited this talk finally happened, as it's been in the works for almost as long as the pod has been around. But now that Stars have a brand new album out, the stars (!) finally aligned. In this digressive, blunt, hilarious, and endearing conversation, Torq and I talk the new record From Capelton Hill, the band's long history and where they are now, and the power of love. And a lot more, I promise. I think you'll like it. Thank you for listening..
In this episode, we get to meet Daniel Rossen. Dan is best known as one of the singers/songwriters/guitarists of indie rock veterans Grizzly Bear. Now, he has released his debut solo full-length album, the stunning You Belong There, which comes ten years after his first EP, Silent Hour/Golden Mile. In this chat, Dan and I talk a lot about the new record, including some of the inspirations and methods behind his often-complex songs. We talk about Grizzly Bear's past, present, and future, as well as some of his other side projects from throughout the years, working alone during the pandemic, and much more. I hope you enjoy, and thank you for listening.
In this episode, we get to meet Dan Bejar of Destroyer. What started as a 4-track solo project in the 90s has bloomed into one of indie rock's stalwart acts, and in this talk, Dan and I talk a lot about his storied career, his lyrical stylings, his inspirations, and more. We also discuss his brilliant brand new album, Labyrinthitis, which is his 13th album. Dan was just as nonchalant, cool, and dryly funny as you'd likely expect, and I hope you enjoy our conversation.