Podcasts about SAG

Kickstart #3 for Spectember 2025 has us talking about True Romance! Finally, after many years, and a couple fo failed attempts, Joe finally has seen the greatness! The Latest At Vidiots! Blu-ray and 4K Releases for September 16, 2025! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages   

Horror Master Mike Flanagan's directorial debut Oculus is our Movie #2 for Spectember 2025! From IMDB: A recently released inmate from a mental asylum learns from his sister that the murders he was convicted of committing were actually orchestrated by a supernatural entity, the Lasser Glass mirror. Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

My fellow pro-growth/progress/abundance Up Wingers,In 1976, America celebrated 200 years of independence, democracy, and progress. Part of that celebration was the release of To Fly!, a short but powerful docudrama on the history of American flight. With To Fly!, Greg MacGillivray and his co-director Jim Freeman created one of the earliest IMAX films, bringing cinematography to new heights.After a decade of war and great social unrest, To Fly! celebrated the American identity and freedom to innovate. Today on Faster, Please! — The Podcast, I talk with MacGillivray about filming To Fly! and its enduring message of optimism.MacGillivray has produced and directed films for over 60 years. In that time, his production company has earned two Academy Award nominations, produced five of the Top 10 highest-grossing IMAX films, and has reached over 150 million viewers.In This Episode* The thrill of watching To Fly! (1:38)* An innovative filming process (8:25)* A “you can do it” movie (19:07)* Competing views of technology (25:50)Below is a lightly edited transcript of our conversation. The thrill of watching To Fly! (1:38)What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.”Pethokoukis: The film To Fly! premiered at the Smithsonian Air and Space Museum, at the IMAX Theater, July 1976. Do you happen know if it was it the 4th of July or. . . ?MacGillivray: No, you know, what they did is they had the opening on the 2nd of July so that it wouldn't conflict with the gigantic bicentennial on the 4th, but it was all part of the big celebration in Washington at that moment.I saw the film in the late '70s at what was then called the Great America Amusement Park in Gurnee, Illinois. I have a very clear memory of this, of going in there, sitting down, wondering why I was sitting and going to watch a movie as opposed to being on a roller coaster or some other ride — I've recently, a couple of times, re-watched the film — and I remember the opening segment with the balloonist, which was shot in a very familiar way. I have a very clear memory because when that screen opened up and that balloon took off, my stomach dropped.It was a film as a thrill ride, and upon rewatching it — I didn't think this as a 10-year-old or 11-year-old — but what it reminded me upon rewatching was of Henry V, Lawrence Olivier, 1944, where the film begins in the Globe Theater and as the film goes on, it opens up and expands into this huge technicolor extravaganza as the English versus the French. It reminds me of that. What was your reaction the first time you saw that movie, that film of yours you made with Jim Freeman, on the big screen where you could really get the full immersive effect?It gave me goosebumps. IMAX, at that time, was kind of unknown. The Smithsonian Air and Space Museum was the fourth IMAX theater built, and very few people had seen that system unless you visited world's fairs around the world. So we knew we had something that people were going to grasp a hold of and love because, like you said, it's a combination of film, and storytelling, and a roller coaster ride. You basically give yourself away to the screen and just go with it.What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.” We tried to put as many in there as we could, including the train coming straight at you and bashing right into the camera where the audience thinks it's going to get run over. Those kinds of moments on that gigantic screen with that wonderful 10 times, 35-millimeter clarity really moved the audience and I guess that's why they used it at Great America where you saw it.You mentioned the train and I remember a story from the era of silent film and the first time people saw a train on silent film, they jumped, people jumped because they thought the train was coming at them. Then, of course, we all kind of got used to it, and this just occurred to me, that film may have been the first time in 75 years that an audience had that reaction again, like they did with first with silent film where they thought the train was going to come out of the screen to To Fly! where, once again, your previous experience looking at a visual medium was not going to help you. This was something completely different and your sense perception was totally surprised by it.Yeah, it's true. Obviously we were copying that early train shot that started the cinema way back in probably 1896 or 1898. You ended up with To Fly! . . . we knew we had an opportunity because the Air and Space Museum, we felt, was going to be a huge smash hit. Everyone was interested in space right at that moment. Everyone was interested in flying right at that moment. Basically, as soon as it opened its doors, the Air and Space Museum became the number one museum in America, and I think it even passed the Louvre that year in attendance.Our film had over a million and a half people in its first year, which was astounding! And after that year of run, every museum in the world wanted an IMAX theater. Everyone heard about it. They started out charging 50 cents admission for the 27-minute IMAX film, and halfway through the season, they got embarrassed because they were making so much money. They reduced the admission price to 25 cents and everyone was happy. The film was so fun to watch and gave you information in a poetic way through the narration. The storytelling was simple and chronological. You could follow it even if you were a 10-year-old or an 85-year-old, and people just adored the movie. They wrote letters to the editor. The Washington Post called it the best film in the last 10 years, or something like that. Anyway, it was really a heady of time for IMAX.An innovative filming process (8:25)It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . .I may have just read the Washington Post review that you mentioned. It was a Washington Post review from just three or four years later, so not that long after, and in the conclusion to that piece, it said, “You come away from the film remembering the flying, the freedom of it, the glee, the exaltation. No Wonder ‘To Fly' is a national monument.” So already calling it a national monument, but it took some innovation to create that monument. This isn't just a piece of great filmmaking and great storytelling, it's a piece of technological innovation. I wonder if you could tell me about that.We've worked with the IMAX corporation, particularly Graeme Ferguson, who is gone now, but he was a filmmaker and helped us immensely. Not only guiding, because he'd made a couple of IMAX films previously that just showed at individual theaters, but was a great filmmaker and we wanted three more cameras built—there was only one camera when we began, and we needed three, actually, so we could double shoot and triple shoot different scenes that were dangerous. They did that for us in record time. Then we had to build all these kind of imaginative camera mounts. A guy named Nelson Tyler, Tyler Camera Systems in Hollywood, helped us enormously. He was a close friend and basically built an IMAX camera mount for a helicopter that we called the “monster mount.” It was so huge.The IMAX camera was big and huge on its own, so it needed this huge mount, and it carried the IMAX camera flawlessly and smoothly through the air in a helicopter so that there weren't any bumps or jarring moments so the audience would not get disturbed but they would feel like they were a bird flying. You needed that smoothness because when you're sitting up close against that beautifully detailed screen, you don't want any jerk or you're going to want to close your eyes. It's going to be too nauseating to actually watch. So we knew we had to have flawlessly smooth and beautiful aerials shot in the best light of the day, right at dawn or right at sunset. The tricks that we used, the special camera mounts, we had two different camera mounts for helicopters, one for a Learjet, one for a biplane. We even had a balloon mount that went in the helium balloon that we set up at the beginning of the film.It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . . There are quiet moments in the film that are very powerful, but there's also these basic thrill moments where the camera goes off over the edge of a cliff and your stomach kind of turns upside down a little bit. Some people had to close their eyes as they were watching so they wouldn't get nauseated, but that's really what we wanted. We wanted people to experience that bigness and that beauty. Basically the theme of the movie was taking off into the air was like the opening of a new eye.Essentially, you re-understood what the world was when aviation began, when the first balloonists took off or when the first airplane, the Wright Brothers, took off, or when we went into space, the change of perspective. And obviously IMAX is the ultimate change of perspectiveWhen I watched the entire film — I've watched it a few times since on YouTube, which I think somebody ripped from a laser disc or something — maybe six months ago, I had forgotten the space sequence. This movie came out a year before Star Wars, and I was looking at that space sequence and I thought, that's pretty good. I thought that really held up excellent. As a documentary, what prepared you to do that kind of sequence? Or was that something completely different that you really had to innovate to do?I had loved 2001: A Space Odyssey, the Kubrick film, and one of the special effects supervisors was Doug Trumbull. So we called Doug and said, “Look, I want to make the sequence. It's going to be short, but it's going to pay homage to space travel and what could happen in the future.” And he guided us a little bit, showed us how to make kind of the explosions of space that he'd done in 2001 using microscopic paint, so we had to develop a camera lens that fit on the IMAX camera that could shoot just a very small area, like half an inch across, where paint in a soluble mixture could then explode. We shot it in slow motion, and then we built a Starship, kind of like a Star Wars-looking — though, as you mentioned, Star Wars had not come out yet — kind of a spaceship that we then superimposed against planets that we photographed, Jupiter and Saturn. We tried to give the feeling and the perspective that that could give us with our poetic narrator, and it worked. It kind of worked, even though it was done on a very small budget. We had $690,000 to make that movie. So we only had one SAG actor who actually got paid the regular wage, that was Peter Walker.Was that the balloonist?Yeah, he was the balloonist. And he was a stage actor, so he was perfect, because I wanted something to obviously be a little bit overblown, make your gestures kind of comically big, and he was perfect for it. But we only had enough money to pay him for one day, so we went to Vermont and put him in the balloon basket, and we shot everything in one day. We never actually shot him flying. We shot him hanging in the balloon basket and the balloon basket was hanging from a crane that was out of the picture, and so we could lift him and make him swing past us and all that stuff, and he was terrific.Then we shot the real balloon, which was a helium balloon. We got the helium from the Navy — which would've been very costly, but they donated the helium — and went to West Virginia where the forest was basically uncut and had no power lines going through it so we could duplicate 1780 or whatever the year was with our aerial shooting. And we had a guy named Kurt Snelling, who was probably the best balloonist at that particular moment, and he dressed like Peter in the same costume and piloted the balloon across. And balloons, you can't tell where they're going, they just follow the wind, and so it was a little dangerous, but we got it all done. It was about a week and a half because we had to wait for weather. So we had a lot of weather days and bad rain in West Virginia when we shot that, but we got it all done, and it looks beautiful, and it matches in with Peter pretty well.Just what you've described there, it sounds like a lot: You're going to Maine, you're in West Virginia, you're getting helium from — it sounds like there were a lot of moving parts! Was this the most ambitious thing you had done up until that point?Well, we'd worked on some feature films before, like The Towering Inferno and Jonathan Livingston Seagull, and things like that, which were involved and very complicated. But yeah, it was very much the biggest production that we put together on our own, and it required us to learn how to produce in a big fashion. It was a thrill for us. Essentially, we had about 10 people working on the film in Laguna Beach, and none of them, except for maybe Jim and I, who we'd worked on feature films and complicated shoots with actors and all that, but a lot of our team hadn't. And so it was an adventure. Every day was a thrill.A “you can do it” movie (19:07). . . we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.There's a version of this podcast where we spend a half hour talking about The Towering Inferno. I just want you to know that it's very hard for me not to derail the conversation into talking about The Towering Inferno. I will not do that, but let me ask you this, the movie is about flight, it's about westward expansion, but that movie, it came out for the bicentennial, we'd gone through a tumultuous, let's say past 10 years: You had Vietnam, there's social unrest, you had Watergate. And the movie really must have just seemed like a breath of fresh air for people.As you put the movie together, and wrote it, and filmed it, did you feel like you were telling a message other than just about our connection with flight? It really seemed to me to be more than that, a movie about aspiration, and curiosity, and so forth.It was, and pretty much all of our films have been that positive spirit, “You can do it” kind of movie. Even our surfing films that we started with 20 years, maybe 10 years before To Fly!, you end up with that spirit of the human's ability to go beyond. And obviously celebrating the bicentennial and the beginning of democracy here in this country and the fact that we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.Of course, this was right there when everyone had felt, okay, we went to the moon, we did all kinds of great things. We were inventive and a lot of that spirit of invention, and curiosity, and accomplishment came from the fact that we were free as individuals to do it, to take risks. So I think To Fly! had a lot of that as part of it.But the interesting thing, I thought, was I had one meeting with Michael Collins, who was the director of the Air and Space Museum and the astronaut who circled the moon as Neil and Buzz Aldrin were on the moon walking around, and here he is, hoping that these two guys will come back to him so that the three of them can come back to Earth — but they'd never tested the blast-off from the moon's surface, and they didn't know 100 percent that it was going to work, and that was the weirdest feeling.But what Collins told me in my single meeting that I had with him, he said, “Look, I've got a half an hour for you, I'm building a museum, I've got two years to do it.” And I said, “Look, one thing I want to know is how much facts and figures do you want in this movie? We've got a little over a half an hour to do this film. The audience sits down in your theater, what do you want me to do?” And he said, “Give me fun. Give me the IMAX experience. I don't want any facts and figures. I don't want any dates. I don't want any names. I've got plenty of those everywhere else in the museum. People are going to be sick of dates and names. Give me fun, give me adventure.” And I said, “Oh gosh, we know how to do that because we started out making surfing films.” and he goes, “Do that. Make me a surfing film about aviation.” It was probably the best advice, because he said, “And I don't want to see you again for two years. Bring me back a film. I trust you. I've seen your films. Just go out and do it.” And that was probably the best management advice that I've ever received.So you weren't getting notes. I always hear about studios giving filmmakers notes. You did not get notes.The note I got was, “We love it. Put it on the screen now.” What they did do is they gave me 26 subjects. They said, “Here's the things that we think would be really cool in the movie. We know you can't use 26 things because that's like a minute per sequence, so you pick which of those 26 to stick in.” And I said, “What I'm going to do then is make it chronological so people will somewhat understand it, otherwise it's going to be confusing as heck.” And he said, “Great, you pick.” So I picked things that I knew I could do, and Jim, of course, was right there with me all the time.Then we had a wonderful advisor in Francis Thompson who at that time was an older filmmaker from New York who had done a lot of world's fair films, hadn't ever done IMAX, but he'd done triple-screen films and won an Academy Award with a film called To Be Alive! and he advised us. Graeme Ferguson, as I mentioned, advised us, but we selected the different sequences, probably ended up with 12 sequences, each of which we felt that we could handle on our meager budget.It was delightful that Conoco put up the money for the film as a public service. They wanted to be recognized in the bicentennial year, and they expected that the film was going to run for a year, and then of course today it's still running and it's going into its 50th year now. And so it's one of those things that was one of those feel-good moments of my life and feel-good moments for the Air and Space Museum, Michael Collins, for everyone involved.Competing views of technology (25:50)Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.When rewatching it, I was reminded of the 1982 film Koyaanisqatsi by Godfrey Reggio, which also had a very famous scene of a 747 looming at the camera. While yours was a joyous scene, I think we're supposed to take away an ominous message about technology in that film. That movie was not a celebration of flight or of technology. Have you wondered why just six years after To Fly!, this other film came out and conveyed a very different message about technology and society.I love Koyaanisqatsi, and in fact, we helped work on that. We did a lot of the aerial shooting for that.I did not know that.And Godfrey Reggio is an acquaintance, a friend. We tried to actually do a movie together for the new millennium, and that would've been pretty wild.Certainly a hypnotic film, no doubt. Fantastic.Yeah. But their thesis was, yeah, technology's gotten beyond us. It's kind of controlled us in some fashions. And with the time-lapse sequences and the basic frenetic aspects of life and war and things like that. And with no narration. That film lets the audience tell the story to themselves, guided by the visuals and the technique. Our film was absolutely a 100 percent positive that the 747 that we had was the number one 747 ever built. Boeing owned it. I don't think they'd started selling them, or they were just starting to use them. Everyone was amazed by the size of this airplane, and we got to bolt our IMAX camera on the bottom of it, and then it was such a thrill to take that big 747.The guy took off from Seattle and the pilot said, “Okay, now where do you want to go?” I said, “Well, I want to find clouds. And he goes, “Well, there's some clouds over next to Illinois. We could go there,” so we go two hours towards Illinois. And I'm in a 737 that they loaned us with the IMAX camera in a brand new window that we stuck in the side of the 737, just absolutely clear as the sheet of glass, just a single pane, and the camera's right up against that piece of plexiglass and with the 40-millimeter lens, which is a 90-degree lens.So I said, “We've got to fly the 737 really close to the 747 and through clouds so that the clouds are wisping through, and so the 747 is disappearing and then appearing and then disappearing and then appear, and we have to do this right at sunset in puffy clouds, these big cumulus clouds.” And so they said, “We can do that, let's go find it!” The two guys who were piloting were both military pilots, so they were used to flying in formation and it was a delight. We shot roll, after roll, after roll and got some of those moments where that 747 comes out into light after being in the white of the cloud are just stunning. So we made the 747 look almost like a miniature plane, except for the shot from underneath where you see the big wheels coming up. So it was a really cool, and I don't know what it cost Boeing to do that, but hundreds of thousands, maybe.Another public service.But they got it back. Obviously it was a heroic moment in the film, and their beautiful plane, which went on to sell many, many copies and was their hero airplane for so many years.Yeah, sure.It was a fun deal. So in comparison to Koyaanisqatsi, our film was the exact opposite. Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.I feel like there's a gap in what we get out of Hollywood, what we get out of the media. You don't want just feel-good films. You don't want just celebrations. You want the full range of our lives and of human experience, but I feel like, Koyaanisqatsi is about being out of balance, I think we've gotten out of balance. I just don't see much out there that has the kind of aspirational message with To Fly! I'm not sure what you think. I feel like we could use more of that.Yeah, I'm hopeful that I'm going to be able to make a movie called A Beautiful Life, which is all about the same thing that I was talking about, the freedom that the individual has here in America. I was hopeful to do it for the 250th anniversary, but I'm not going to get it done by that time next year. But I want to do that movie kind of as a musical celebration of almost a “family of man” sort of movie located around the world with various cultures and positive spirit. I'm an optimist, I'm a positive person. That's the joy I get out of life. I suppose that's why Jim and I were perfect to make To Fly! We infused beauty into everything that we tried to do.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro ReadsPlease check out the website or Substack app for the latest Up Wing economic, business, and tech news contained in this new edition of the newsletter. Lots of great stuff! Faster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

What happens when you put a Gemini and a Sagittarius in the same room? Pure chaos, endless laughs, and a little bit of cosmic mischief. In this week's episode of Cosmic Injectables, Brie and Ali sit down with Mara Winegar — fiery Sag, festival founder, and the radiant spirit behind the Wasatch Yoga Fest.From the start, the energy is wild. Between Brie getting a very educational reminder about what “DP” really means (cue the laughter) and Ali's sweet Scorpio soul trying to keep these two air-and-fire signs grounded, you'll feel like you've been dropped right into a cosmic slumber party.Mara opens up about her Sagittarian drive to create a space where spiritual community can flourish. She takes us behind the scenes of the festival: who's teaching, what to expect, and how Wasatch Yoga Fest is weaving together yoga, healing, music, and connection in a way that feels like coming home. Whether you're a seasoned yogi or just looking for your people, Mara makes it clear this festival is a place where everyone belongs.This episode is equal parts hilarious storytelling, astrological banter, and heart-opening inspiration. Come for the cosmic giggles, stay for the wisdom of how to find — or create — the community your soul is craving.✨ In this episode, we cover:What it's really like when Gemini and Sagittarius energy collideMara's vision and mission behind founding Wasatch Yoga FestA sneak peek at the teachers, workshops, and vibes of the festivalThe importance of community and connection in spiritual practiceA few unforgettable laughs you won't see comingResources & Links:Learn more about Wasatch Yoga Fest: Website, InstagramFollow Mara on Instagram: The Good SpiritKeep up with Cosmic Injectables for more cosmic chaos and spiritual inspoConnect with Your Cosmic Guides: Briana Christine: TikTok | Instagram Ali: TikTok | Instagram Join the Cosmic Community: Follow Cosmic Injectables for more episodes filled with spiritual insights, laughter, and a touch of magic. Instagram TikTok

Sean Conroy is a writer and comedian known for his writing work on shows like Mr. Pickles and Key and Peele. A longtime ASSSSCAT improviser at UCB (since 1997) and a Conan stand-up alum, Sean has also directed a short film, is developing a pilot with Screen Ireland, and has launched several podcasts. He is a member of the WGA and SAG.Connect with Sean:➡️ Instagram: @seanconroy➡️ TikTok: @seanconroywriteseanconroy.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.

The RP bois talk about the worst foreign film they've reviewed so far. Thanks to our monthly supporters akai Jordyn Nevarez

Numero Dos for Spectember Kickstarts! We hope you all caught the Crimson Peak episode dropped last week. The second EXTRA LARGE Spectember movie episode will be available Tuesday on Patreon, and the shorter general public release on Friday. Rest Cooling Blanket on Amazon! This Is What Sammi the Sloth Looks Like! Blu-ray Releases for 9/9/2025! Vidiots Upcoming Screenings! ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States https://www.samhsa.gov/ https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Was würde ich tun, wenn ich 10 Millionen Euro im Lotto gewinnen würde? Diese Frage haben mir die Podfluencer gestellt, und ich kann definitiv sagen: Ich würde mein Leben genießen! Aber was noch? Darüber philosophiere ich in dieser Episode. Was würdest du mit 10 Millionen machen? Sag es uns! Kategorie: Rich Explosive Aufgabe: Herzlichen Glückwunsch, Sie haben 10 Millionen im Lotto gewonnen. Erzähle deinen Hörer Penny genau, was du mit dem Geld machen würdest. Du darfst heute richtig träumen. Viel Spaß. Der Profi, der vom Himmel fiel und sich die Nase brach! Der ehrliche Fotografie-Podcast. by Chrissi plaudert Podcast: https://open.spotify.com/show/508C7Pe42WzERtTAVNU9s2 Instagram: https://www.instagram.com/pixxmiidigitalart/ Weitere Podcasts: https://beyondourlives.letscast.fm/ *Anzeige: Podfluencer Festival 2025 in München am 24.10.- 25.10.2025!

It's Spectember again! But it's Joe's first time around. To kick it all off, we have Guillermo Del Toro's 2015 gothic tale of love, murder, deceit, and red clay CRIMSON PEAK with Jessica Chastain, Tom Hiddleston, Mia Wasikowska, Charlie Hunnam, Jim Beaver, and Doug Jones. From IMDB: A new bride investigates ghostly visions at a remote gothic mansion that holds dark secrets. Artist Sara Deck mentioned in the episode - Sara on Instagram Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Martina Gercke ist seit 40 Jahren Flugbegleiterin und vor ihrem Job noch nie geflogen. Sie erzählt uns, wie Wolken für sie schmecken und gibt Tipps gegen Flugangst. Außerdem stellt dir Livia den Film Porco Rosso vor, du lernst die Feministin und Flugpionierin Amelia Earheart kennen und wir klären, ob Flugmodus einschalten beim Fliegen wirklich so wichtig ist. Und nebenbei gibts noch ein paar Fakten zur weniger schönen Seite des Fliegens – nämlich zu Flugemissionen.Wie gefällt dir Jeannes Varieté? - Sag uns deine Meinung und fülle den Fragebogen zum Podcast aus: ohwoweu.eu/feedbackDu kannst mir auch schreiben: per E-Mail an jeanne@ohwow.eu oder auf Instagram an @jeanne_drach! Abonniere den Jeannes Varieté Newsletter unter ohwow.eu/newsletter.Links zur FolgeMartina Gercke auf InstagramBiographie von Amelia Earheart auf Englisch und auf DeutschWurde das Rätsel um Amelia Earhearts Verschwinden gelüftet?Flugmodus vergessen – ist das gefährlich?Rezension des Films Porco RossoEuropäische Flugemissionen1 Prozent der Weltbevölkerung verursacht 50 Prozent der CO2-Emissionen durch FlugverkehrTreibhausgase verschiedener VerkehrsmittelCo2-RechnerIn dieser Folge haben mitgewirkt: Jeanne Drach, Anna Muhr, Hanna Bergmayr, Ariel Verderber; Trompete: Almut Schäfer-Kubelka. Foto: Christian Zagler. Grafik: Catharina Ballan. Strategische Beratung: Milo Tesselaar.Dieser Podcast wird präsentiert von OH WOW. Hosted on Acast. See acast.com/privacy for more information.

Alle reden vom Growth Mindset. „Sag deinem Kind einfach: Du kannst das noch nicht – und schon läuft's.“ Klingt super … nur: In der Realität bringt's oft gar nichts. In dieser Folge zeige ich dir: Was Growth Mindset wirklich bedeutet – im Gegensatz zum Fixed Mindset. Warum deine Haltung entscheidender ist als deine Worte. Weshalb dein Kind echte Erfahrungen braucht, statt nur schöne Sprüche. Und wie du im Alltag Situationen schaffst, in denen dein Kind wirklich wächst – Schritt für Schritt, mit Freude und ohne Druck. Du erfährst, warum Worte allein leere Hüllen bleiben und wie du stattdessen ein echtes Fundament für Lernfreude und Durchhaltevermögen legst.

THIS IS YOUR WRITTEN WARNING. THERE WILL BE ANOTHER AUDIBLE ONE IN THE EPISODE. THIS EPISODE IS RICH IN WEAPONS SPOILERS. IF YOU HAVEN'T SEEN THE MOVIE YET, DON'T EVEN PRESS 'PLAY.' This is more or less what to expect with Corey and Joe do the movie episode for Patreon that will be of a new or in-release movie. (No name for it yet, but we're working on one.) ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States https://www.samhsa.gov/ https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

00:00 Intro Spiele der letzten Wochen: 01:48 Oak 06:16 Quiet House 10:04 Magic Rabbit 11:29 Legendary Marvel 15:22 The Last Lighthouse 18:13 Arkham Noir 21:07 Spy Guy 23:22 Dobble 25:00 Unmatched Adventures 27:22 Paper Dungeons 30:57 AVGhost - Paranormal Investigations 36:14 Word Dungeon 38:06 Ubongo Mini 39:19 Kleiner Obstgarten 40:27 Similo 42:00 Trumpf Jr 42:14 Dinosaur Exhibit 44:23 5 Minute Mystery 46:22 Odin 48:42 Dune Imperium Uprising 51:23 Bobbidi Boom 54:39 Gans sicher 56:12 Sag's Mir (Special Edition) 58:17 Star Explorer 58:54 Ab ins Beet 01:02:03 Biss 20 01:03:24 The Light in the Mist 01:05:27 Cartagena 01:07:36 Pandemic - Reign of Cthulhu 01:09:17 EXIT Kids 01:11:08 PICTOO 01:11:30 Hit Z Road 01:16:44 5 Nights at Freddy's - Survive til 6 AM 01:22:06 Hexen Rennen 01:25:17 Heimlich & co 01:27:37 Top 10 neue Spiele des Sommers 02:01:24 Und sonst so? - Berlin Con - Besuch - Urlaub - 100km - Community-Treffen 2025 02:25:23 Outro

La ministra de Agricultura, Ignacia Fernández, junto a autoridades de ODEPA y SAG, encabezó una fiscalización en la región Metropolitana en el marco de la Ley de la Carne, instancia en la que detalló que el Servicio Agrícola y Ganadero realiza más de 7 mil de estos operativos en el año, con énfasis en vísperas de Fiestas Patrias.

Bewerbung Storytelling: Zunächst klingt es ungewohnt, gleichzeitig ist es genial einfach. In dieser Folge zeige ich dir, wie du mit kurzen, packenden Geschichten im Gespräch sofort überzeugst – und zwar so, dass du im Kopf bleibst.   Denn unser Gehirn liebt Geschichten. Lebensläufe und Bulletpoints wirken häufig austauschbar; stattdessen verankern Storys Bilder und Emotionen. Genau deshalb setzt Bewerbung Storytelling auf erlebte Beispiele – nicht auf Behauptungen.   Deshalb meine Grundregel: Ersetze Claims durch Szenen. Sag also nicht „Ich bin teamfähig“, sondern schildere eine Situation, in der du ein zerstrittenes Team zusammengeführt hast – inklusive Kontext, Wendepunkt und Ergebnis. So wirkst du glaubwürdig und merkst Pluspunkte im Bauchgefühl des Entscheiders.   Wie baust du das auf? Erstens Ausgangslage & Ziel (wo stehen wir, wohin soll es gehen), zweitens Aktion & Wendepunkt (was tust du konkret, wo lag die Hürde) und drittens Ergebnis & Learning (was ist messbar besser und was nimmst du mit). Dadurch bekommt deine Antwort Struktur, außerdem bleibt sie in 60–90 Sekunden erzählbar.   Damit es lebendig wird, würze die Szene: Location (wo), Action (was), Gedanken (warum), Gefühle (wie es sich anfühlte) und Dialog (wer sagte was). Zusätzlich kannst du Zahlen einbauen – zum Beispiel „von 72h auf 24h“ oder „+18% Umsatz“ –, sodass der Effekt klar sichtbar wird.   Wann passt das? Vor allem bei Fragen zu Stärken/Schwächen, Konflikten, größten Erfolgen, Wechselmotivation oder „Erzählen Sie von einer Situation, in der …“. Außerdem eignet sich die Technik hervorragend für den Einstieg: Kurz die Ausgangslage, anschließend der Wendepunkt, schließlich das Resultat – so leitest du elegant in jedes Thema über.   Mein Praxis-Tipp: Plane pro Zielrolle 2–4 Kernstories, die exakt auf die Anforderungen einzahlen. Übe sie laut; danach streichst du Füllwörter, zudem schärfst du den Wendepunkt. Anschließend nimmst du dich mit dem Handy auf, denn so hörst du Tempo, Pausen und Betonung. Abschließend checkst du: Ist die Botschaft für diese Stelle glasklar?   Für den Extra-Boost verbindest du dein Learning mit der neuen Aufgabe: „Genau diese Erfahrung hilft mir hier, Partner schneller an Bord zu holen.“ Dadurch positionierst du dich als Lösung – nicht nur als Kandidat. Kurz gesagt: Bewerbung Storytelling liefert Struktur, Emotion und Wirkung in einem, weshalb deine Zusage-Wahrscheinlichkeit deutlich steigt.  

„Sag dir einfach jeden Tag, dass du gut genug bist – und schon verändert sich dein Leben!So oder ähnlich klingen viele Versprechen, wenn es um Glaubenssätze geht. Aber was ist wirklich dran an den Versprechen?In dieser Folge gehe ich der Frage nach: Kann man Glaubenssätze wirklich so einfach verändern – und was wirklich dahinter?Ich zeige dir, wie Psychologie, Persönlichkeitsentwicklung und energetische Ansätze ganz unterschiedlich mit Glaubenssätzen arbeiten.Wir schauen kritisch hin: Wo liegen die Chancen? Wo die Grenzen? Und warum Affirmationen allein meist nicht ausreichen.Natürlich gibt's auch praktische Schritte, wie du deine eigenen Glaubenssätze erkennst, hinterfragst und wirklich nachhaltig veränderst.Wenn du wissen willst, ob schnelle Methoden wirklich halten, was sie versprechen – und was es wirklich braucht, um alte Muster zu lösen – dann ist diese Folge für dich.“Weitere interessante Folge: #48: Warum du deine Themen nicht gelöst bekommst: https://open.spotify.com/episode/3gMomhIcGzxHTAlPDKd2bd?si=vvHKVyCuRUW6eRzgRoiSnQSeminar "Innergetic Healing" vom 17-19.10. 25 in Stuttgart: https://www.ursulakurrle.de/seminare/seminar-innergetic-healing/Mehr über mich und meine Arbeit: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.ursulakurrle.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Schauen, ob wir zusammenarbeiten können?

We're finally at the end! We've showered you with 1985 horror all month but didn't even get close to all of the great movies from that era. This was simply dipping a baby's big toe into the pool. We're closing it all with one that is without a doubt my favorite horror flick of 85': Stuart Gordon's Re-Animator with Jeffrey Combs, Barbara Crampton, and the late great David Gale. From IMDB: After an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue. Enjoy! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages

The most decorated QB in College Football history, Gino Torretta tells the crew about the Heisman House and having his SAG card since he was 5. What is the closest he came to losing at the Orange Bowl? Gino gives his thoughts on the Miami vs Notre Dame game this weekend. Plus, a failed tryout with the Pittsburgh Steelers. Your new wardrobe awaits! Get $10 off Chubbies with the code stugotz at ⁠https://www.chubbiesshorts.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Beziehungsdrama • Coming of Age über Ländergrenzen. Julia wacht in Wolgograd auf. Lena schnarcht. Anver wälzt sich im Bett. Es ist heiß. Großmutter flüstert: "Melonen. Sag ihnen, dass du Melonen willst." Und daheim, im schönen München? - wird Wladimir, Julias einstige große Liebe, von ihren Freund:innen behandelt wie Iwan, der Dumme, aus dem russischen Märchen. Vor Klischees ist niemand gefeit. Aber was passiert, wenn sie aufeinandertreffen? | Von Katja Huber | Mit Mira Partecke, Meriam Abbas, Stephan Zinner, Martin Butzke, Jochen Striebeck, Helga Roloff, Michel Habeck, Sherin Lotze, Anna Böger u.a. | Komposition: iso 68 | Regie: Christiane Klenz | BR 2004

Joely and Tricia Leigh Fisher talk about being the kids of stars, Connie Stevens and Eddie Fisher—the allure of show business, putting on shows in their living room, and deciding at a young age to make performing their career. They share stories of being on the road with their mom, the good and bad lessons they learned, going to Beverly Hills High School while living alone across the street, and what it means to inherit both talent and addictive behaviors. They also open up about being moms, singing, dancing, acting, writing, and becoming beauty entrepreneurs. Joely discusses her stint at SAG, while the sisters reflect on their parents' many relationships, trying to connect with a distant father, and moving forward in a new entertainment landscape. And of course, they share their mom's immortal line: “Once you date Elvis, everyone else is a disappointment.”Bio: Joely Fisher is an American actress and singer, the daughter of Eddie Fisher and Connie Stevens. She is best known for her roles as Paige Clark on the TV series Ellen and Joy Stark on 'Til Death. She is also the younger half-sister of the late actress Carrie Fisher. Her career spans television, film, and Broadway, and she is a political activist currently serving as SAG-AFTRA Secretary-Treasurer.Tricia Leigh Fisher is the daughter of legendary crooner Eddie Fisher and iconic actress/singer Connie Stevens. She spent her childhood on sets and in concert venues, then joined the family business as a teenager, playing Burt Reynolds' daughter in the film “Stick.” Tricia has performed on many stages around the world, including entertaining the troops in the Persian Gulf with the legend, Bob Hope and the USO. After years touring as a back up singer, she landed her own deal on ATCO Records and hit the hot 100 billboard charts. She has continued to work, as an actress, in television and film for the past thirty-five years, starring in films such as Book of Love, Pretty Smart, Arizona Dream, Saving Grace B. Jones, Hostile Intentions and CHUD II. Tricia has worked in television for decades, including her role as Heidi in The Heidi Fleiss Story, 911, Criminal Minds, Rizzoli and Isles, The Mentalist, No Ordinary Family, Ellen, Til Death, and many others. A few of her theater roles include a Los Angeles run and tour of Bermuda Avenue Triangle with Joe Bologna, Renee Taylor, and Lainie Kazan and Miracle on South Division Street at the New Theater in Kansas City. Tricia is currently the lead singer of her 70's band with husband, Byron Thames, and plays regularly to sold out shows in Los Angeles.

The RP bois talk about a movie that is everything that Cloud Atlas wishes it could be. Thanks to our monthly supporters akai Jordyn Nevarez

Life. It can be a time suck. You what sucks your lifeFORCE? Space vampires. And that's what Tobe Hooper's 1985 cult classic Lifeforcebrings to the table. It also brings the Three Bs: boobs, blood, and booty. Not necessarily in that order, but it very often serves up all three in the frame at the same time. From IMDB: A race of space vampires arrives in London and infects the populace, beginning an apocalyptic descent into chaos. The American Cinematographer Eerie Effects for Lifeforce ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

HEY-NOOWWWWWW. It's the last Kickstart for August! More show notes coming. We wanted to get the episode out ASAP. Vidiots Coming Soon Thru 9/30/2025! Blu-ray Drops for 8/26/2025! BARNES AND NOBLE ARROW VIDEO 50% SALE! (RUNS THRU 8/31) ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States https://www.samhsa.gov/ https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages

Welcome to the Celestial Insights Podcast, the show that brings the stars down to Earth! Each week, astrologer, coach, and intuitive Celeste Brooks of Astrology by Celeste will be your guide. Her website is astrologybyceleste.com.  

Bademode-Designerin Barbara Gölles erzählt uns in dieser Folge Jeannes Varieté von schwarzen Rollkragenpullovern und Nacktbaden in der Nacht. Haben deine Eltern dich früher auch immer gewarnt: “Mit vollem Bauch darf man nicht Schwimmen!!” Wir haben recherchiert, was da eigentlich dran ist. Hanna aus meinem Team stellt eine Doku über die beeindruckende Schwimmerin Diana Nyad vor, die 177km ohne Haikäfig im offenen Meer schwamm. Extremschwimmer André Wiersig erklärt dir außerdem, was du tun solltest, wenn du im Meer einem Hai begegnest. Und: Wie kann man auf einem Seepferdchen ein Voltigier-Turnier gewinnen?Wie gefällt dir Jeannes Varieté? - Sag uns deine Meinung und fülle den Fragebogen zum Podcast aus: ohwoweu.eu/feedbackDu kannst mir auch schreiben: per E-Mail an jeanne@ohwow.eu oder auf Instagram an @jeanne_drach! Abonniere den Jeannes Varieté Newsletter unter ohwow.eu/newsletter.Links zur FolgeNYAD auf Netflix177 Kilometer im Meer geschwommen: Der Film und die Diskussion über Diana Nyad - DerStandardMit vollem Bauch schwimmen gehenMaragret and Hermione – Bademode von Barbara GöllesPerspektiven AtterseeIn dieser Folge haben mitgewirkt: Jeanne Drach, Anna Muhr, Jana Wiese, Hanna Bergmayr; Trompete: Almut Schäfer-Kubelka. Foto: Christian Zagler. Grafik: Catharina Ballan. Strategische Beratung: Milo Tesselaar.Dieser Podcast wird präsentiert von OH WOW. Hosted on Acast. See acast.com/privacy for more information.

Actress/writer/activist Amy Benneman talks about creating a TV show, writing plays, the pleasure of performing in front of people. Her kick-ass judge-pioneer mother, lawyer activist dad and how they started her on a journey of trying to fix the world, expectations of what the world thinks is normal and how it messes up the rest of us, parenthood and raising a neurodivergent child and how she taught Amy to accept and embrace who she is and she talks, about how Jeff Bridges can seduce you without ever laying a hand on you. Bio: Amy Brenneman earned a degree from Harvard College in Comparative Religion and studied sacred dance and indigenous ritual in Kathmandu, Nepal. She is a founding member of Cornerstone Theater Company which produces site-specific, community-based theater on themes of social justice. Favorite Cornerstone roles included Juliet in Romeo and Juliet, Natasha in Three Sisters and Clytemnestra in The Oresteia.Other theater: CSC Rep, Lincoln Center Theater, Williamstown Theater Festival, Yale Rep and The American Repertory Theater. She starred in the world premiere of the Pulitzer Prize-nominated Rapture Blister Burn (Playwrights Horizons, Geffen Theater) and Power of Sail opposite Bryan Cranston (Geffen Theater.) She played Miriam of Nazareth in the world premiere of Galilee 34 (South Coast Rep) and starred in The Sound Inside (Pasadena Playhouse), which was named one of the years' best performances by the Los Angeles Times. She recently finished the world premiere of Larissa Fasthorse' Fake It Until You Make It at Arena Stage in Washington DC.Amy co-created, wrote, and starred in MOUTH WIDE OPEN (The Yard, American Repertory Theater) and OVERCOME (The Yard, Cotuit Center for The Arts). She has performed her original spoken word pieces at venues such as Spark, Tasty Words and the Martha's Vineyard Playhouse.Amy created, executive produced, and starred in “Judging Amy” (multiple Golden Globe Emmy and SAG nominations) based on the work of her mother, the Honorable Judge Frederica Brenneman. Other television: “NYPD Blue” (multiple Emmy nominations, SAG award) “Frasier,” “Goliath,” “Jane the Virgin,” “VEEP,” “Private Practice,” “The Leftovers,” “Tell Me Your Secrets,” “Shining Girls” and “The Old Man.” Film credits include CASPER, FEAR, DAYLIGHT, HEAT, FRIENDS AND NEIGHBORS, THE JANE AUSTEN BOOK CLUB, NINE LIVES, THINGS YOU CAN TELL JUST BY LOOKING AT HER and MOTHER AND CHILD.For her activist work, Amy has been honored by Women in Film, The Brady Center, the League of Women Voters, the National Children's Alliance, Children's Hospital Los Angeles, the Producer's Guild of America, among others. She currently serves on the Creative Council for the Center for Reproductive Rights and on the board of Crimson Goes Blue, an organization dedicated to preserving and strengthening democracy in America. In 2016, she was part of the amicus brief for the Supreme Court case Whole Women's v. Hellerstedt and received the Eleanor Roosevelt Award from The Feminist Majority for her ongoing commitment to reproductive rights. She is married to writer/director Brad Silberling and has two children, Charlotte and Bodhi.

On this episode of the Faith Film Fan Podcast, we tee off with director Frank Sanza and producer David Parks to talk about their brand-new golf drama, The Short Game. From the first spark of an idea more than a decade ago to overcoming budget hurdles, SAG strikes, and the challenges of shooting on a live golf course, Frank and David share the behind-the-scenes story of bringing this inspiring independent film to theaters.The Short Game opens in theaters nationwide August 29! Watch the trailer, find tickets, and learn more at FaithFilmFan.com.

John Catsimatidis, Owner & Operator of Red Apple Media, calls in for his weekly Monday morning hit to discuss his experience acting in the movie upcoming movie Marty Supreme, starring Timothée Chalamet. Catsimatidis highlights the challenges and excitement of working long hours on set and his transformation into a SAG actor. The discussion transitions into his political breakfast events featuring notable figures like Eric Adams and Governor Kathy Hochul. He discusses the political landscape, particularly regarding the Democratic Party's potential endorsements. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a week. We hope yours wasn't even half as jarring as our week was. We cover some of the nonsense in today's EXTRA LARGE Kickstart. It covers all of the topics from last week, as well this week's. BARNES AND NOBLE ARROW VIDEO 50% SALE! (RUNS THRU 8/31) BLU-RAY RELEASES FOR AUGUST 19, 2025! VIDIOTS CURRENT LISTING W/ SCREENINGS BOOKED THRU 9/30!   ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Rich is joined by Alaska Governor Mike Dunleavy, who reacts to the high-stakes Trump–Putin summit and explains why America's relationship with Russia matters more than ever for national security. Retired Maj. Gen. Bob Dees offers a strategic military breakdown of the meeting and what it signals about Trump's foreign policy doctrine and Putin's next move. Also joining the show is Aesha Waks — award-winning SAG actress and model . Learn more about your ad choices. Visit podcastchoices.com/adchoices

extraordinarilyReinaldo is a writer, director and producer. He most recently directed and wrote Paramount's BOB MARLEY: ONE LOVE, which premiered on February 14. Starring Kingsley Ben-Adir, the film garnered a whopping $146 million worldwide and debuted number one at the box office. Green is best known for directing the critically acclaimed Warner Bros. film KING RICHARD starring Will Smith. Green helmed the film, which was named one of the Top 10 Films of the Year by both AFI and the National Board of Review and earned many accolades, including six Academy Awards nominations including Best Picture, four Golden Globes nominations and four BAFTA nominations. The film earned Smith his first Oscar win for Best Performance by an Actor in a Leading Role, in addition to his Golden Globe, BAFTA and SAG wins.Resources:⁠Reinaldo Marcus Green IMDBAcademy Top 5 Interview────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting

The RP bois have another episode where some like it and some aren't sure if it's a movie. Thanks to our monthly supporters akai Jordyn Nevarez

„Ich bin doch eigentlich belastbar – warum bin ich trotzdem so erschöpft?“In dieser langen Interview-Folge spricht Vera Strauch mit Psychologe und Autor René Träder darüber, wie wir in einer Welt voller Tempo, Krisen und Daueranspannung mental gesund und handlungsfähig bleiben können.René zeigt:Warum Resilienz kein Talent ist, sondern eine Fähigkeit, die du trainieren kannstWie du Stress neu bewerten und aus Gedankenspiralen aussteigen kannstUnd warum Selbstführung nicht noch ein To-do ist – sondern eine SuperkraftWir sprechen über emotionale Erschöpfung, Care-Arbeit, Führungsverantwortung und wie du psychologische Grundbedürfnisse wie Autonomie, Kompetenz und Verbundenheit in deinem Alltag stärken kannst.

Hello All, This week, we're following up The Return of the Living Dead with another beloved "gem" from 1985: GHOULIES! From IMDB: A young man and his girlfriend move into his parents' old mansion, where his satanic father is buried, and immediately becomes possessed by a desire to conjure and control tiny demons. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Ist dir heiß? Uns auch. Hitze kann toll sein, Jeanne liebt sie. Aber: Hitze ist auch gefährlich, denn sie macht etwas mit unserem Körper, unserem Kopf, unserem ganzen Leben.In dieser Folge hauen wir dir die Hitze um die Ohren. Wir schauen eine Doku darüber, was Hitze mit uns macht, stellen die erste dokumentierte Feuerwehrfrau Molly Williams vor und fragen uns: Warum schwitzen wir eigentlich, wenn uns heiß ist?Außerdem verrät uns die ehemalige Stuntfrau und heutige Key-Note-Speakerin und Autorin Miriam Höller, wie man durchs Feuer geht.Wie gefällt dir Jeannes Varieté? - Sag uns deine Meinung und fülle den Fragebogen zum Podcast aus: ohwow.eu/feedbackSchreib mir per E-Mail an jeanne@ohwow.eu oder auf Instagram an @jeanne_drach! Abonniere den Jeannes Varieté Newsletter: ohwow.eu/newsletter.Links zur Folge:Schau die die Hitze-Doku in der 3sat-Mediathek anhttps://rentonrfa.com/2024/02/celebrating-black-history-month-molly-williams/https://baltimoretimes-online.com/latest-news/2024/03/08/first-known-female-firefighter-in-the-united-states-was-a-black-woman/https://wfsi.org/BlackWomen.html https://www.feuerwehrverband.de/presse/statistik/ https://www.womeninfire.org/about-us-1https://www.quarks.de/gesundheit/darum-schwitzen-wir/In dieser Folge haben mitgewirkt: Jeanne Drach, Anna Muhr, Sarah Becker und Britta Breuers. Foto: Christian Zagler. Grafik: Catharina Ballan. Strategische Beratung: Milo Tesselaar. Zu Gast war: Miriam Höller.Präsentiert von OH WOW. Hosted on Acast. See acast.com/privacy for more information.

Hello, August. We got here so fast... Start it with some doggo pics. (You gotta go to Patreon to see them. You can do that right here  Karate In The Garage on Patreon! BLU-RAYS DROPPING 8/5! VIDIOTS COMING SOON! This is that thing Joey was taking about. Here is the link to the site. I know. Me, too. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

HEY, ALL. 1985 is back and this DOJO is READY TO GO! We're kicking of an entire month of 1985 Horror with BY FAR one of the best that's ever done it: Dan O'Bannon's The Return of the Living Dead with Clu Gulager, James Karen, Thom Mathews, Don Calfa, and Linnea Quigley as Trash! From IMDB: When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

This week we're sharing a previously recorded episode from The Lot1 Podcast After Show vault with some of our fan-favorite guests, Stephanie Caleb & Franchesca Lantz!–Stephanie CalebStephanie Caleb is the founder and Co-Chairman of Ardvella Entertainment. She previously served as EVP of Acquisitions and Production at Cinelou Films where she worked for 8 years overseeing project acquisitions and creative advertising for the studios' self-distributed films including, Golden Globe® nominated film Cake, (Jennifer Aniston), Mr. Church, (Eddie Murphy), Burn Your Maps, (Vera Farmiga), and The Comedian (Robert De Niro, Leslie Mann).Prior to that, Stephanie spent 10 years as the SVP of Creative Affairs and Acquisitions at After Dark Films. She acquired over 76 horror films while also overseeing all development, production and creative advertising efforts. Franchesca LantzFranchesca Lantz began her career at Fox Sports before moving to companies like The Collective, Tower Hill Entertainment, and After Dark Films. In 2014, Franchesca was named VP, Marketing & Development for the newly formed Cinelou Films, where she produced its first and critically acclaimed film, Cake, (Golden Globes, SAG, Critics Choice), Mr. Church, and Burn Your Maps.In 2018, as Head of Development at Don Kee Productions, she produced/EP'd multiple A-List films including Arkansas, (Liam Hemsworth, Vince Vaughn), and The Comeback Trail, (Robert DeNiro, Morgan Freeman). In 2023 Franchesca joined her long time producing partner Stephanie Caleb to form Ardvella Entertainment. Connect with Stephanie/Franchesca:➡️ Instagram: @ardvellaentertainmenthttps://ardvellaentertainment.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.☕Tourist Hat Coffee Companyhttps://touristhatcoffeecompany.com/

The RP bois watch another super long forign film, but this time, there's boats. Thanks to our monthly supporters akai Jordyn Nevarez

Yes. We're tardy. And not only are we tardy, we only have half of an episode because the recorder didn't write the second part of the episode to the card when we recorded it. We're as bummed as you are. Check back here later for more show notes as I'll be adding in some of the stuff we talked about that was on the rest of our chat. (You'll know when it has all been added because this paragraph will be deleted.) ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We close out NOT-SO-GOOD NUMBER TWOS with one is DEFINITELY a No. 2! MORTAL KOMBAT! annhilation From IMDB: A group of martial-arts warriors has only six days to save the Earth from an extra-dimensional invasion. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages   

Whew chile… this one is not for the faint of flame. In this episode of Lit Logic, we dive headfirst into a firestorm of intuition, revelation, and soul decisions. Spirit pulled up with a playlist straight from the heartbreak Olympics—Joe, Frank Ocean, Beyoncé, Cleo Sol—and let's just say, it ain't just retrogrades out here delivering plot twists. We got pregnancy news that ain't public yet, emotional runaways, spiritual stay-or-go decisions, and the divine reminder that your child might just be your soulmate. This reading ain't just tarot—it's therapy, fire sign edition. Aries, Leo, Sag, y'all are lit and logical, and this week, both are required. Tune in for cards, clarity, and a clapback to anyone who thinks ghosting is a parenting plan. #LitLogic #FireSignReading #TarotWithAttitude #AriesLeoSagittarius #DivineDownloads #SoulmateChild #PregnancyEnergy #SpiritualMicDrop #SereneTarot #SherineSpeaks #SpiritualRealTalk

Jeff welcomes Rich Lovejoy from Gamers With Jobs Conference Call, and Aaron Potter from the Mirror to the show this week to discuss the live-action Zelda movie casting news, an end to the SAG voice actor strike, and Xbox no longer selling movies or TV shows. The Playlist: Aaron: Donkey Kong Bananza, Robocop Rogue City - Unfinished Business. Dying Light: The Beast Rich: The Necromancer's Tale, Astral Throne, Cyberknights: Flashpoint, Old Skies, Undernauts Labyrinth of Yomi, Path of the Abyss Jeff: Donkey Kong Bonanza Tabletop Time: Thunder Road and Worlds Without Number Parting Gifts!

KS for your Monday! One more after this for July, and we're in the home stretch of putting this summer behind us. All of that means is we're that much closer to the Fall, Halloween, and cooler weather. Johnny Cage Teaser Mortal Kombat II Red Band Trailer Superman Article ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Send us a textMichael's fractured clavicle changed everything about this summer's cycling plans, but it led to unexpected adventures worth sharing. While nursing his broken collarbone (or "fractured clavicle" as his doctor insists on calling it), Michael took his family to Kentucky's bourbon country, visiting seven distilleries in a single day - though he made sure the kids had plenty of fun too with stops at a candy factory and the Louisville Slugger Museum. He proudly shows off his new mini Louisville Slugger bat engraved with "Cycling Men of Leisure" - the perfect souvenir for a cyclist temporarily sidelined from riding.Meanwhile, Adam made the most of expiring timeshare points with a spontaneous Disney World trip alongside his wife, who's been dealing with the difficult process of moving her father into memory care. With temperatures soaring both in Florida and back home in Michigan, Adam shares his veteran Disney strategies - knowing exactly where to find air conditioning and even which ride photos to pose for. His childlike joy on Space Mountain proves you're never too old to throw your hands up and smile for the camera.The most difficult decision they faced was what to do about their planned participation in RAIN (Ride Across Indiana). After exploring every possible scenario - including having Michael provide SAG support - they ultimately decided to cancel. "I just did not want to do it without you," Adam explains, capturing the essence of their friendship and podcast partnership. They reflect on how their adventures are meaningful because they're shared experiences, not solo accomplishments.Adam shares surprising bicycle accident statistics (did you know 73% of cycling crashes don't involve motor vehicles?), while Michael recounts the hose incident that led to his injury. The episode culminates with the full Cycling Men of Leisure origin story - how two strangers met during a 2016 Iowa ride and formed a friendship that evolved into a podcast, brand, and growing community united by the philosophy that cycling is about savoring the journey rather than racing to the finish.Subscribe now and join our leisure-focused cycling community! Whether you're a competitive c Support Jersey StoreSupport the showEmbarking on a journey of camaraderie that spans years, Adam and Michael have cultivated a deep friendship rooted in their mutual passion for cycling. Through the twists and turns of life, these two friends have pedaled side by side, weaving a tapestry of shared experiences and good-natured teasing that only solidifies the authenticity of their bond. Their cycling escapades, filled with laughter and banter, are a testament to the enduring spirit of true friendship. Whether conquering challenging trails or coasting through scenic routes, Adam and Michael's adventures on two wheels are a testament to the joy found in the simple pleasures of life. If you're on the lookout for a podcast that captures the essence of friendship and the thrill of cycling, look no further. Join them on this audio journey, where they not only share captivating stories but also invite you to be a part of their cycling community. Get ready for a blend of fun tales, insightful discussions, and a genuine celebration of the joy that comes from embracing the open road on two wheels. This podcast is your ticket to an immersive and uplifting cycling-centric experience. and Remember,It's a Great Day for a Bike Ride!https://www.facebook.com/cyclingmenofleisurehttps://cyclingmenofleisure.com/http...

Note: Sorry for the tardy drop, everyone. Having two new pups in the house at once is A LOT of work. We've landed at Movie #3 for NOT-SO-GOOD NUMBER TWOS, and it wasn't on the list to start the month. But we pivoted into a title that is a little more accessible. IT'S TEEN WOLF, TOO with Jason Bateman with a supporting cast that includes John Astin, Kim Dabry, and James Hampton! From IMDB: Todd Howard is a struggling college student. Nothing seems to be going very well for him, until he turns into a wolf. ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Back with a new KS after a week of vocal chord resting. (Joe's voice, not mine. I don't know how to STFU. - C) Death Stranding: Strands of Harmony Stranger Things on Netflix Tony Hawk Pro Skater 3 and 4!   ENJOY! Love and Rockets, Corey, Freddy, and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

In this exclusive Stream Panther episode, actor Brent Huff, best known as Smitty on ABC's The Rookie, shares an unfiltered look at Hollywood's uncertain future. From unexpected AI disruption (“the genie is out of the bottle”) to union struggles and the collapse of reliable commercial work, Brent gets brutally honest about what it really takes to survive as a working actor today.We dive into The Rookie's journey (now top 10 on Netflix), how Smitty evolved from a one-day part to a fan favorite, and what makes the character so fun to play. Brent takes us behind the scenes of The Rookie, Mad Men, NCIS, Shameless, and more, sharing the lessons he learned navigating between network TV and the rise of streaming platforms. He digs deep into the real impact of the streaming model on creators and whether it truly helps filmmakers or leaves them more vulnerable.We unpack the lasting effects of the SAG-AFTRA strikes, the looming threats and promises of AI, and Brent's candid take on protecting actors' digital likeness and performance rights. Brent also shares his views on Trump's Hollywood tariffs, film tax credit bills, and what he would do differently if he were running the industry.From union struggles to the ethical future of AI in film, this is an essential conversation for anyone passionate about storytelling, creative freedom, and the future of performance.

Brad Pitt (F1 The Movie, Once Upon a Time in Hollywood, Fight Club) is an Academy Award-winning actor and producer. Brad joins the Armchair Expert to discuss whether it makes him nervous to talk to Dax in public, holding two realities about people he knows that are famous actors, and leaving school one week shy of completing his degree for Hollywood. Brad and Dax talk about getting shut down trying to get his SAG card, still feeling like the kid from Oklahoma learning his way through this whole thing, and why his favorite humor is the most irreverent kind. Brad explains that there's no bummer about being in a Tarantino movie, having to work up a case for insurance that it's actually safer to drive at higher speeds while filming F1 The Movie, and the visceral high of delivering lines at 180 miles per hour.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.